#I think I might be more of a mecha fan than I realized | Explore Tumblr posts and blogs

tyrantisterror · 3 years ago

Text

The ATOM Create a Kaiju Contest 3-D: Entry Roundup

You’ve been patiently waiting for the results of the ATOM Create a Kaiju Contest 3-D, and now... you have to wait a bit longer, but at least you’ve got an entry roundup with lots of sketches and a good bit of feedback for all the entrants! My goal is to get the finalists illustrated in a week or two, and after that, the grand prize winner will be announced. But, for now, the official entry roundup! After the cut:

I should note that while I sketched these in the order they were submitted, my scanner saved the documents with random names, so they’re a bit jumbled. You know, just in case you’re like me and would get confused noticing that it’s almost in chronological order but with some entries jumbled around.

@bugcthulhu’s Obsideban was designed as a counterpart to Rohobaron - the Black King to Rohobaron’s Red King, if you will. Or, well, Black Queen in this case, as Obsideban also takes her personality from the “delinquent girl” archetype in Japanese media. Bug’s designs always ooze personality, and I had a lot of fun translating this big, gnarly retrosaur into my own style.

@toothlessloveshiccup‘s Argonox is the first - but far from the last - monster in this breakdown that brings in a bit of fantasy influence to ATOM’s roster. A golden-fleeced ram with a vicious streak, this sheep is both treasure and dragon at once. And while it wasn’t written in the monster’s profile, given the Yamaneon-rich nature of its wool, Argonox might be able to replicate the healing power of the golden fleece too! A very fun mammalian kaiju and excellent entry.

@highly-radioactive-nerd submitted Gunmetal Jeeves, a robot butler who can gigantomax temporarily create a holographic/hard light version of himself to fight kaiju. That detail was a late revision added to the entry before the contest’s deadline, made after the creator realized that ATOM allows for some truly ludicrous bullshit, which is something everyone should exploit when making entries for this in my opinion. Also, this is a robot butler who can size shift. Revel in its awesome absurdity!

Ultranerd submitted Rajasaurus, a dimetrodon-like synapsid kaiju with electric powers. His origin specifies that the electric powers are a result of the volatile nature of the Yamaneon deposits he mutated under, which is an interesting idea. That’s another theme that cropped up a lot in this contest’s entries, actually - people really wanted to play with what Yamaneon can do.

Case in point, @polygonfighter’s Yamaneolith takes the Monolith Monsters homage at the heart of Yamaneon even more apparent. I like the implication that there is a second mineral-based lifeform at the root of this Yamaneon cluster’s anomalous behavior - a parasite, perhaps? It brings up some interesting possibilities.

@ariccio50 submitted Kukulkuzana, and damn is this a cool spin on the body plan of my martians. I made a few changes here and there (splitting its tail into two is probably the biggest one), but tried to keep true to the original design, because holy hell is it gorgeous. The idea that this is a mountain-dwelling creature is really intriguing to me, as it looks like a sea creature, but at the same time, that flexible and low-slung build WOULD work pretty well in mountains, and it’s just the right mix of plausible weirdness that makes for a fun alien design.

@akitymh submitted Aramzados, a Venusian monster that’s basically an organic hot rod car. I like the idea of organic machinery being the gimmick for Venusian kaiju, and Aramzado’s does it subtly enough to not feel like that gimmick is the sole thing going for it. I especially love this monster’s stange, apparently mouth-less blade-beaked face.

@virovac submitted Rurzar and Zar Rider, a Beyonder kaiju and mecha (respecitvely) that were both modified and repurposed by humans reverse engineering Beyonder technology to make, like, a motorcycle-saurus essentially. It is a delightfully absurd concept, and a very, very detailed one (13 pages of description). There’s a dark undercurrent beneath the sillyness, though, as this pair show that humanity might still be following the same path as the Beyonders before them.

@dinosaurana brings us Krangor, a humanoid monstrosity of living kelp! The goal here was to create a Jack Kirby-esque monster dude, complete with the gibberish name and all. He’s also made out of kelp, which feels very classic 1950′s monster-y despite me not being able to think of any monsters that were explicitly made of kelp. I love him.

@kiryuthechimera submitted Genkakurah, a psychic retrosaur with some draconic features. Though his substantial powerset is probably the biggest distinguishing feature of this kaiju (given that most ATOM kaiju pretty much have the same standard powers), what really draws me to him is that reptilian pseudo-beard. It’s just a fun detail!

@glarnboudin submits Tiratola, and see, there’s that fantasy influence again! Even more explicitly dragon-y than Kraydi, Tiratola still manages to toe the line between sci-fi and fantasy enough to fit ATOM as is while still cementing its ties to my own slice of fantasy fiction. Man it’s good I’m doing a Midgaheim book next, huh?

@dragonzzilla submitted Scuttlebutt/Argonautilus, a hermit crab kaiju who lives in/with a hollowed out mecha. That’s a twist I can’t recall ever hearing before, and the idea of a kaiju and a mecha having an equal partnership that doesn’t involve one being grafted to the other is really intriguing to me. A very unique concept!

@evolutionsvoid submitted Fleagor, an enormous flea who has no idea what to do with itself now that there’s no creature large enough for it to parasitize. I love that concept - it takes the core idea of the giant bug kaiju archetype (i.e. unsettling the audience by showing how terrifying small, “insignificant” creatures would be if our sizes were reversed) and really turns it on its head. The name also plays on the Universal Monsters, who were a huge part of 1950′s pop culture thanks to their movies being re-released in that era, so all and all this one is very on brand for ATOM!

@skarmorysilver submitted Lilacorn, another entry that plays up that Midgaheim/ATOM connection. Reinterpreting the mythological unicorn as an Cenozoic wooly rhinoceros-inspired monster gives it a very unique look, both in ATOM and in the general world of unicorns, and she has a bad-girl with a heart of gold personality to boot!

dracosaurus-rex submitted Florasaura, a two-headed plant/retrosaur hybrid monster. I love me some plant monsters, I love me some retrosaurs, and I love me some rhyming the word “flora” with other words that contain similar vowell sounds, so this one has me written all over it!

@downtofragglerock submitted Sauroguana, a delightfully odd flying retrosaur. There’s a great deal of charm to the original illustration that this sketch doesn’t quite capture - it’s a deceptively simple design with a lot of personality in it, and with those unique leg-wings it really doesn’t need a whole lot of frills to stand out.

Draxi submitted Brakan, an unimpressive burrowing retrosaur kaiju whose mastery of illusions allows it to convince other kaiju it’s actually a big, super-powerful badass that’s the ultimate fighter in the universe. It’s a delightful parody of the concept of a fan self-insert god-mode character, with a really fun story built into it to boot!

@quinnred submitted O.N.I.A.C., a mysterious cocooned kaiju whose chrysalis has been turned into an organic computer of sorts by the people studying it, and seems to possess a fairly advanced intelligence for a kaiju. It’s a really bizarre and ominous idea, with built in intrigue given how vague its nature is. Is it just a kaijufied butterfly/moth who got stuck mid transformation? A relative of the Mothmanuds? Something else, perhaps equally alien? Good story potential here.

shadyserpent submitted Vespilitor, a bat/retrosaur hybrid made by the nefarious Spooks Organization. A mercurial prankster whose tendency to stir up trouble never crosses the line into maliciousness, he’s the kind of monster who would make a great foil to a lot of ATOM’s cast. I’d especially like to see him in a prank off with Ahuul - it’d be like Bugs Bunny fighting Daffy Duck, but on a kaiju scale.

@multiversefan submitted the Yamaneon King, a nomadic kaiju whose refusal to settle down causes problems as he stirs up trouble at kaiju sanctuaries all over the globe by showing up unannounced and stirring up the locals. He was basically designed to be a monster that the kaiju sanctuary initiative would struggle to deal with, which is a good idea for a post-ATOM Volume 2 story conflict.

Sir K submitted Jadeera, a kirin kaiju that can actually forcibly convert most of its body to Yamaneon to enter a dormant, statue-like state in a loose homage to King Shisa. Though the fantasy elements are far more present than I usually prefer for ATOM kaiju, I think it should be noted they’re pushed that far for a purpose - a theme in Jadeera’s entry, which continues where its creator left off with their submission to the previous ATOM create a kaiju contest (Yokaigon), is that the world of kaiju is more complicated and challenging than many are willing to accept, which is a theme in ATOM itself. Yokaigon’s more supernatural/occult powers are based on the ghost parascience of my setting, which ATOM has delved into a bit (Pathogen being the big example), so it’s not as out of left field as some might think.

@cerothenull brings us our final entry (unless some got lost thanks to tumblr’s shitty tagging system), the flying spider Naeranti. She’s a kaiju spider who uses silk to make complicate hot-air balloons, more or less, and that’s just delightful. ATOM could always use more spider-monsters, and with a really unique gimmick backing up a wonderfully distinct look, Naeranti is sure to stand out among her fellow giant arachnids.

Well, that’s the roundup! In a week (or two, depending on how much my hand cramps) we’ll have the five finalists, and sometime after that, the grand prize winner!

#The Atomic Time of Monsters #The ATOM Create a Kaiju Contest 3D

55 notes · View notes

mashounen2003 · 4 years ago

Text

Sonic opinions - 2

In large portions of every fandom, it looks like it prevails the idea that you can only take one of two positions: praising the story in every respect, including both the ideas themselves and their execution by the writers, or admitting not to like the story and not to praise any element of it at all. I think my ideas regarding the Archie-Sonic comics and the Sonic franchise in general cannot be pigeonholed into either of these two extremes.

More below the "keep reading" cut.

I loved all the world-building in Archie-Sonic, the elements the comic introduced, their many characters and the potential to tell stories about them; I also really liked much of the art and personal styles of several artists Archie-Sonic has had throughout its history, with very few exceptions (and such exceptions include Ron Lim, of course). That's why, of all the Sonic continuities, I often use the pre-reboot Archie-Sonic comic as the primary source for world-building elements and story ideas.

What really makes me feel bad about that comic, what motivates most of my criticism, is the ideas’ execution by the main writers, as well as aspects that I think are more linked to each writer as a person, the unique way in which each of them has written their stories.

Firstly, Michael Gallagher: the writer for the first few dozen issues of the comic had a terrible sense of humour, and this hurt the comic hugely since those first issues were fundamentally based on that low-quality comedy style. The characterization of the entire cast also suffered greatly from this; in Sally's case, something quite ironic happened too: Gallagher portrayed her as bossy, annoying, temperamental, usually bickering with Sonic, and now that's also how Sally is seen by many fans of the videogames’ continuity (at best). Other than this, not much more could be said about him.

Karl Bollers wrote quite decent stories with some nice comedy, with “Return to Angel Island” being his best work, one of the best stories in the entire comic and perhaps even one of the best in the franchise; but Bollers’s work was "torpedoed" by Ken Penders and then-editor Justin Gabrie, which ruined the stories’ final versions sometimes or led to elements introduced by Bollers being "retconned" and overwritten by whatever Penders smoked and decided to do when taking over. The characterization of Fiona Fox is one of the main examples, with Bollers's Fiona being a quite under-utilized character but with a great potential that would later be wasted by both Penders and Ian Flynn. Another similar case was Sally breaking up with Sonic: Bollers tried to give context to such a drastic decision by Sally and show how she was the one who was suffering the most at that time and also that both she and Sonic were partially right, but Penders and Gabrie didn't let Bollers develop this subplot properly and all we had was a quite infamous scene that unfairly made Sally one of the most hated characters. It’s also known of several plans Bollers had for future stories, and one of them was Antoine being corrupted by the Source of All and turning into a villain; this had the potential to be a good story by subverting the concept of the Source of All and making it an actual threat, but on the other hand, it’d have meant resorting once again to the resource of "this character isn’t doing anything, let's make them evil", something quite disappointing, which later would have disastrous results when Flynn did the same with Fiona a few years later. However, these plans of Bollers were just ideas, and the quality of a story created from them still depends a lot on execution. In the end, I can't say anything about how good or bad Bollers was as a writer, simply because I have no way of knowing what his stories would have been like if he had been given more freedom and had stayed as the writer longer.

There were two writers who influenced Archie-Sonic comics far more than any other writer in its history: Penders and Flynn. The first of them was a retarded pervert with an overly inflated and fragile ego. He became obsessed with the primitive, toxic ideal of "family" North-Americans have. He wrote nonsensical, contradictory stories, having already decided the end down to the last detail long before even thinking about how the story would come to that end (I also made this specific mistake a few times when I was just starting to write fanfiction, I must admit). He increased Fiona's age in order to be able to pair her with the Don Juan that Sonic had become, which also ruined Fiona's characterization forever. The issues 150s -right before being replaced by Flynn- were the worst part of Penders’s run, as Bollers was no longer there to put a stop to his madness in any way, and it was at this time when there was the most egregious case of Penders pouring into the comic his worst perversions and retarded ideas: he hinted at a sex scene in one of the most infamous cases in the history of the entire Sonic franchise, although it wasn’t infamous for the implied sex per se but rather because what happened was technically a rape by deception; to add insult to injury, the writer implicitly blamed the victim some years later when asked about it on Twitter.

I could go on talking about “Ken Perverts”, but I think that's not necessary and would be a waste of time since, as everyone here already knows, he's been the laughingstock of the entire Sonic franchise for years; @ponett even has a whole secondary blog, @thankskenpenders, mainly dedicated to this. On the other hand, there’s still another writer who has also contributed a lot and also made huge mistakes but is not criticized in the least by almost anyone, simply because he was better than Penders.

Ian Flynn usually reduced the characters to slightly oversimplified portrayals, similar to the personalities of the characters in the most recent videogames. Under his pen, Sonic was more sympathetic but his words sometimes sounded too empty and shallow, his apologies for past mistakes didn’t lead to genuine changes on his part, and sometimes he even seemed plain insensitive to all the tragedies happening around him, especially at the Mecha Sally Arc (I nickname Ian Flynn’s Sonic "Plastic Smile" for this). Admittedly, this had already happened several times with previous writers (Penders portraying Sonic as a Don Juan, as I already mentioned), and this is why I think the original Sonic from Sonic SatAM was always better for feeling more "genuine", less "empty", and more heroic and likeable as a result. Perhaps the only ones to escape the oversimplified portrayal have been Shadow and E-123 Omega, whose characterizations in Archie-Sonic were the best in the whole franchise.

Besides, Flynn had strong favouritism for Amy Rose, which only made things worse because this Amy was much more similar to the one in the videogames from Sonic Heroes onwards. Anyway, this also happened with previous writers, like when Amy wished to be younger at the cost of a chance to save Sally's mother and no one ever berated her for it.

Let’s look at the villains. Unlike the typical Eggman from the videogames, with his follies, eccentricities and other absurd aspects, the Robotnik “inherited” by the comic from Sonic SatAM was explicitly a genocidal bastard and crueller while at the same time being sane enough to realize everything he was doing (@robotnik-mun already spoke in detail about this once); however, Flynn tried to combine the two characters into the pre-reboot Archie-Sonic Eggman, and the result created some severe problems with the stories’ tone. Something derived from this was how Sonic let Eggman live and even felt sorry for his fall into madness, in addition to treating him as if they were the Sonic and Eggman from the videogames, Sonic X or Sonic Boom; it’s worth remembering this Eggman technically is a sort of reincarnation of the SatAM Robotnik (his exact nature is quite complicated and includes parallel universes, but yes, he’s supposed to be exactly the same as the SatAM Robotnik, with memories and everything) and this Sonic is supposed to have fought a bloody decade-long guerilla war against him just like his SatAM counterpart.

Scourge was turned into a massive Mary-Sue who achieved easy victories, as subtle as a huge neon sign saying "the bad guys win"; he was also an abusive manipulator towards Fiona Fox, and Flynn was unable to show that properly for fear of making his pet look no longer cool, which makes you wonder how alike Flynn and Penders might actually be in some ways. To clearly understand the horrible damage this has caused: it not only created a generation of young Sonic fans -mostly boys from the USA- who romanticize abuse either consciously or unconsciously, but also there are even women -including scholars, committed feminists and transgender people who are also activists for social justice- who either sympathize with Scourge or think Fiona made a right, wise, rational or informed decision by joining him in the story (I’ll not give names of those women, I’m not really eager to get into heated fallacious discussions about “the true meaning of Feminism”); to top it off, among the writers who started working with Ian Flynn either on IDW-Sonic or the last years of Archie-Sonic, there’s at least one person who got the job of writing official Sonic comics after gaining quite a bit of fame with a fan-comic where they used the pairing of Scourge & Fiona to inspire its readers to feel sorry... for Scourge. And speaking of Fiona specifically: the subplot of her career as a villain was ill-conceived, was built by using as a cornerstone the A-story of Issue #150 (that quite infamous and widely known story written by Penders where Scourge may or may not have raped Bunnie by deception), and was also seemingly "abandoned" as Fiona ended up merely being Scourge's new abuse victim girlfriend and her status as a traitor didn’t even have a significant emotional effect on the Freedom Fighters.

Flynn also followed something like a pattern of taking tropes from famous works and then using them when writing the comic but not actually understanding why those tropes had worked in the first place. Perhaps the prime example of this was Scourge giving Sonic the Joker's "One Bad Day" speech: it almost felt a bit like giving the same speech to the Batman of Batman vs. Superman, as Sonic had already had a whole "bad decade" and was still a hero despite it; also, Sonic's answer to that speech (telling Scourge it only takes a tiny bit of selflessness and decency for him to be a good person) wasn’t that great, not at all compared to the mildly masterful answer Batman had originally given to the Joker in The Killing Joke, and it even made Sonic look more like a bad judge of character.

Lastly, the entire Mecha Sally Arc was poorly planned, had some contradictions with itself and with previous stories, was stretched through dozens of comic issues no matter if that felt forced, and the main events and plot twists throughout the story arc were heavily based on shock-value without giving any substance to this or making it a bit more sense when putting it under scrutiny; meanwhile, Flynn always seemed to have quite a hard time when writing long story arcs, so these long stories looked like he was trying and outright failing to imitate Toriyama (someone quite known for putting together stories ad-lib according to what seemed most convenient at the time).

Despite this, it looks like those Sonic fans who are still interested in material outside of the videogames will keep buying and reading whatever Ian Flynn or one of his colleagues writes, simply because they’re better than Penders... even though it's been 15 years since Penders wrote something official about Sonic. Seriously, we should have gotten over it by now, instead of continuing to compare all material in the franchise with Penders's work, which sets the bar too low for any official content creator. Now that I think about it, Penders's work is to the North-American Sonic canon what Sonic 2006 is to the videogames: people can criticize the latest games all they want, and rightfully so, but if someone even casually mentions Sonic 2006, any Sonic game from 2010 onwards instantly becomes a masterpiece just for being marginally better than Sonic 2006; the same happens between Penders's work on pre-reboot Archie-Sonic and any other North-American Sonic comic written by Flynn after Penders left.

Right now it looks like it's also forbidden to criticize Flynn as a writer at all just because he's much nicer in his personal life and engages with fans more directly through his podcasts, or because Flynn is truly progressive while Penders claimed to be progressive and a feminist and was affiliated with the USA Democrats but his work showed how misogynistic, perverted, retarded, reactionary and downright sick he was. Also, now saying something about Flynn other than total blind admiration for him and his work, even asking for the Freedom Fighters to return in the IDW comics, has become synonymous with agreeing with those assholes who cry "Rally4Sally" or "Udon4Sonic" on Twitter: "nostalgic" fans of SatAM and Penders's work on Archie, in their 40s or 50s, deeply conservative and absurdly paranoid, who claim that those new inclusive cartoons such as Steven Universe or She-Ra "are ruining their childhood", are mad at Flynn just because he hinted Sally and Nicole may be a lesbian couple (and in a rather platonic way, not even romantic in the traditional sense), and try to justify their own warped ideas and fantasies about SatAM by ignoring any “liberal” political messages SatAM may have had at the subtext level.

#sonic fanfiction by mashounen #sonic opinions by mashounen #sonic #sonic the hedgehog #archie sonic #sonic comics #sonic satam #michael gallagher #karl bollers #ken penders #ian flynn

9 notes · View notes

sb-sratss-obsession · 3 years ago

Text

SWB vs. SRaTSS: Ep 1

STAR WARRIOR BISMARK (星銃士ビスマルク, SEIJŪSHI BISMARK) VS. SABER RIDER AND THE STAR SHERIFFS

1 "The Space Adventurers" (宇宙の冒険野郎) vs. 1 "Star Sheriff Round Up"

NOTE:

There are various ways to translate or transliterate Japanese. You might find the transliterations I used not always match the ones used in the subs. That’s because back in the faaar past some official transliteration were given and I’m using them. Also, occasionally, I used transliterations offered by Japanese fans which matched more the original intentions of the authors of the series. Anyway, for your own enjoyment, I’ve also written down the Japanese version of the names so that you can decide by yourself what you would prefer to use.

SUMMARY OF “STAR WARRIOR BISMARK” EP. 1 “THE SPACE ADVENTURERS”

Year 2084 (according to official sources).

We’re shown an image of Jupiter (木星 ‘Moku-sei’).

The camera then pans below it, to show a spaceship, Freighter 102 (貨物船 102 ‘Kamotsusen 102’) of the Earth Federation (地球連邦 ‘Chikyū renpō’), about to land on spaceport A (A基地 ‘A kichi’) on Ganymede’s southern hemisphere (ガニメデ星南部 ‘Ganimede-sei nanbu’). However, as Freighter 102 is about to touch the ground, the Deathculas (デスキュラ) attack it, completely destroying it.

We move to Earth (地球星 ‘Chikyū-sei’) at the Earth Federation Government (地球連邦政府 ‘Chikyū Renbōseifu’), where Secretary-General Charles Louvre (シャルル・ルヴェー�� 事務総長 ‘Charles Louvre jimu sōchō’) informs 6 of his co-workers of how the Deathculas attacked Ganymede once again, leaving no survivors.

Louvre proceeds then to remind them how, 15 years ago (in 2069), an enormously heavily armed alien force called Deathcula attacked them and they had to fight for 48 bloody hours so, despite the heavy losses for their Solar System Federation (太陽系連邦 ‘Taiyōkei renpō’), they managed to strike a heavy blow to the Deathcula and chase them out of the Solar System. The Deathcula though have rebuilt their army and has began an invasion of Ganymede. Louvre thinks if they don’t strike back they might end up defeated.

Commander-in-chief Walter (ウォルター総司令官 ‘Walter Sō shireikan’) reminds him they lack sufficient military power, as they would barely be able to cover the outskirts of Earth. Chief of staff Hoffman (ホフマン参謀総長 ‘Sanbō-sōchō’) joins him saying they can’t deploy troops on Ganymede to risk leaving Earth undefended. Barboni (バルボニー) though counters if they don’t act the Deathculas will only expand further so they’ve to do something. Louvre says he’ll put into motion Operation Bismark (ビスマルク作戦 ‘Bismark Sakusen’). Walter agrees but asks who’ll be the one who will work as the main pilot of Bismark (ビスマルク). Louvre replies that he’ll be the son of the late ace pilot, Hikari Shinjirō (輝進児郎), Hikari Shinji (輝進児). Hoffman reminds Louvre Shinji should have been facing a hearing for disobeying trainers. Louvre replies the sentence hasn’t been decided but Barboni points out how Shinji left the training ground during the hearing and is currently missing. Before Louvre could reply he’s informed his daughter, Marianne Louvre (マリアン・ルヴェール), wants to see him for an urgent matter. Marianne explains him she found out Shinji is competing at the Mars 24H Race (マルス 24 時間レース ‘Mars nijūyon-jikan race’) on Ganymede.

We move again back on Ganymede, where Shinji, with his Road Leon (ロードレオン), is leading the race when Bill Wilcox (ビル・ウィルコックス), on his Arrow Striker (アローストライカー) cause him to lose control of his car. At Shinji’s protests, Bill warns him the other cars are going to surpass him. Shinji resumes running while Bill recommends him to win and, once he’s done racing, he’ll deliver him back to the Earth Federation and get a big bounty for it. Bill flies away and Shinji manages to win the race in 23:18:16:23, breaking the race’s record. Shinji enjoys his moment of glory.

At the spaceport two criminals are escaping. Cornered, they rip a little girl from her mother’s arms and use it as an hostage while the protesting mother is hit and falls on the ground. Although the 3 Airport security guards (空港警備兵 ‘Kūkō keibi-hei’) aim at them, they don’t know what to do. The criminals try to escape but someone shoots the gun the one holding the little girl was pointing at her head. The gun of the other criminal flies away as well and he drops a bag which contained white dust (or better drug). The Airport security guards secure the criminals then turn to see who shot, which turns out to be Richard Lancelot (リチャード・ランスロット) with his rifle, all while still being on the saddle of his robotic horse, Donatello (ドナテルロ). People wonders who he is, while Richard leaves with Donatello and lands in front of the Royal hotel (ロイヤルホテル). To the man who comes to take care of his horse, he informs him Donatello is of a noble line so he has to take good care of him.

Once in the hotel Richard introduces himself as a friend of the British Royal Family but he’s told there’s no free room. As he protests the room should have been booked in advance, he’s told the Champion insisted on having the presidential suite for himself. Shinji enters in the place right then, as people claps their hands at him and Richard is informed he’s the champion. He protests he made a reservation but he’s told the champion holds more weight than the royal family there. Richard doesn’t care and tries to rip the room’s key from Shinji. They start a tug war before being interrupted by Bill, who asks him if he has the prize money with him. Shinji recognizes him for the guy who interrupted his race. Bill aims his gun at Shinji and introduces himself. Shinji recognizes him for the head pilot of the Space Impulse squad (スペースインパルス隊のチーフパイロット ‘Space Impulse-Tai no chief pilot’). Richard too knows Bill as the winner of pilot contexts in all sectors and as an infamous bounty hunter (賞金稼ぎ ‘Shōkin kasegi’). In that moment Cristina (クリスティーナ) barges in, calling Bill and hiding behind him. Short after her father, Pedro (ペドロ), barges in, rifle in hands. He thinks Bill wants to take advantage of Cristina and flee to Earth. In response he starts shooting at Bill, causing him to escape, then he drags Cristina away.

Back to Shinji, he recovers his key and Richard informs him if things were to take a turn for worse he would have had Shinji’s back. They introduce to each other then Richard makes clear he wants Shinji’s room and that he’ll accept to share it, only if he’ll be the one getting the bed. The two walks toward the elevator, Richard informing Shinji he’s there on a mission by order of Her Majesty herself.

EPISODE BREAK

Bill is flying outside of the hotel, planning to capture Shinji as the honour of the Space Impulse squad is at stake. However, as he peeks at the windows, searching for Shinji, he hears a Deathcula spy (デスキュラのスパイ) talking to the phone, saying that the crew at the Ganymede garrison is throwing a party for the newly arrived from Earth and are all drunk so that’s the best moment to attack. He orders to send there all the mobile units but Bill recognizes him for a Deathcula and attacks him. He manages to walk out of the room, to end up fatally wounded and disappear, leaving only ashes, under Shinji and Richard’s gazes. Bill informs them it was a Deathcula spy. Richard explains how, according to the English government’s data Deathculas can disguise among humans by way of cell-restructure. As, when they’re in disguise, they require a lot of water, this might be the only chance to spot them among common people. Bill explains how the military base (警備隊の基地 ‘Keibitai no kichi’) is in danger as the Deathcula spy has contacted a strike force. Richard counters they’ve to warn the base and so Bill runs away to do so. Then he tells Shinji since the base will be warned they can relax so he’ll go take a shower while Shinji claims he’ll go to the front desk to take care of something… but as soon as Richard closes the door, Shinji runs away.

Meanwhile Richard leaves from the window, calls Donatello and uses it to fly toward the base. Shinji also, with the Road Leon, runs toward the base. Meanwhile the desk clerk informs Bill he can’t reach the base as the phone seems to be cut off so Bill too runs toward the base.

Shinji is the first to arrive as the attack is ongoing. Richard also gets there and starts destroying alien ships. Shinji joins the fight a bit clumsily. Though he destroys a good amount of ships ultimately is saved by Bill who complains they left without warning him.

Meanwhile Shinji meets Marianne, who expected him to come for help and who has brought there the Bismark machine (ビスマルクマシーン), which her father built and which Louvre wants Shinji to drive. Marianne climbs on the Road Leon and Shinji tells Bill and Richard to follow him. The group reaches Bismark, a machine designed and built by Federation’s Secretary-General Dr. Louvre. Marianne shows them how to get inside it and entrust the Center Console (センターコンソール) which control the Main Control System (メインオペレーションシステム) to Shinji and the Right Console (ライトコンソール) which control the Operation System (オペレーションシステム) to Bill. Shinji asks Richard if he can handle the Intelligence System (インテリジェンスシステム) to which Richard answers sitting in the left console (レフトコンソール) and replying the House of Lancelot (ランスロット卿 ‘Lancelot-kyō’) attained a pedigree as the head of the British Royal Intelligence Service (英国王室特別諜報部長 ‘Igirisu ōshitsu tokubetsu chōhō buchō’) for generations. Marianne takes for herself the Rear Console (リアコンソール) and realizes a Deathcula Giant Mecha (デスキュラ巨大メカ ‘Deathcula kyodai mecha’) is approaching them, so the group starts Bismark and makes it fly out of the base. Meanwhile the mecha has arrived and attacks Bismark. As they can’t manage to fight back Marianne informs Shinji in case of emergency he should press the red button in the middle. Shinji does and Bismark from a Spaceship turns into a Robot. The Deathcula mecha attacks again but now Bismark can defend itself and strike back until they destroy the enemy mecha.

Shinji, Bill and Richard are impressed with their accomplishments, then Bill asks Shinji if they can handle that beast on their own. Marianne interrupts him saying she got a message from Louvre, which says Shinji and Bill are to be designated as the handlers of Bismark. As she does she show them her Team ID Card (チームの身�� カード ‘Team no mibun card’). When Shinji points out there’s a hearing against him, Marianne says they’ve taken care of it and Shinji is freed of all the charges and Marianne’s first goal in coming there was to inform Shinji of this. Bill is happy Shinji is the first bounty that escaped him. Richard informs them he too is part of the group, showing them his card.

The episode ends with the group looking ahead as Shinji tells the Deathcula to come face them.

HOW ALL THIS WAS ADAPTED INTO “SABER RIDER AND THE STAR SHERIFFS” EP. 1 “STAR SHERIFF ROUND UP”

One of the main drives of “Saber Rider and The Star Sheriffs” was to make Saber Rider (Richard Lancelot) the new team leader and main character. As a result, the beginning of this episode is completely redone.

Gone are the attack at Freighter 102 and all the meeting at the Earth Federation Government in which we were introduced to how humans were attacked by Deathcula aliens 15 years ago as well and Louvre’s decision to chose Shinji as the main pilot for Bismark.

This episode starts with a Saber Rider’s monologue presenting the series as if it was him narrating his adventures as Star Sheriffs and explaining us the setting. Among other things we’re shown the Outriders (Deathcula) attacking humans but the images aren’t taken from the attack at Freighter 102 but from other episodes in which the scenes had a more western look so as to give us a more western feeling.

The monologue is pretty long, so as to explain, instead than just show the situation, with a clear implication at black and white morality (Ramrod is a ‘Special FREEDOM Fighting Unit’ and ‘a PEACEKEEPING vehicle’, the Outriders are ‘bandits’ and ‘EVIL creatures’) and references to ‘positive themes’ (it was not Ramrod but the human Star Sheriffs who made the differences).

“It was not so long ago that we, Star Sheriffs, first assembled our Special Freedom Fighting Unit. We nicknamed him Ramrod, a peacekeeping vehicle shaped like a huge cowboy. We used him to protect the settlers out here on the New Frontier. We needed the Ramrod vehicle to help stop the lightning attacks of the Outrider bandits. They were evil creatures who crossed into our dimension and raided our Cavalry Outposts. They used battalions of Dimension Jumpers and Vapor Beings who moved freely from their world to ours. We thought that Ramrod was our only chance to stop them, but in the end it was not the Ramrod vehicle but the human Star Sheriffs themselves, who really made the difference. I should know, I’m their leader.”

We can also see how the setting is no more the Solar System and, more specifically, Ganymede, but the New Frontier, military bases becoming Cavalry Outposts.

We might miss it at the beginning but introducing the Outriders as vapour beings from another dimension is a convenient way for the series to remove death from the story. In fact later it will be revealed when hit the Outriders don’t die and turn into some sort of dark brown mush but vaporize and go back to their dimension.

Saber monologues goes on.

“I remember when it all began; my orders were to find Vanquo, an Outrider with ghostly eyes and a long pale face. I knew they were bounty hunters seeking him so I alerted the head of operation Ramrod, a very special operative named April. Her father was the leader of the Western Sector of Cavalry Command.”

We see some other major changes, the spy we saw in this episode is now given a name, Vanquo, because they plan to turn it into a recurring character in the American Only episodes.

April (Marianne Louvre) is now the head of operation Ramrod (Bismark), a role previously held by her father and a very special operative (whatever that means).

Eagle (Charles Louvre) moves from being the Secretary-General of the Earth Federation Government to the leader of the western sector of Cavalry Command. It’s worth to mention his name won’t be given in this episode.

Fireball (Shinji) won’t be part of their discussion. Since part of the goal was to make Saber Rider the team leader this ended up affecting Fireball’s characterization a lot. One of the most relevant changes was to turn him into just a civilian, unknown to Eagle and April (Shinji and Marianne were childhood friends).

With the introduction of April the story finally starts to use footage from episode 1 of “Star Warrior Bismark” but the atmosphere is completely different.

Where in “Star Warrior Bismark” Louvre originally wanted to put Marianne on hold as she shouldn’t have interrupted their meeting and she only came to him to deliver information about Shinji, in “Saber Rider and The Star Sheriffs” she seems to be free to march inside her father’s office to inform him of how they think a spy, named Vanquo, informed the Outriders about the existence of Ramrod, and of how she’ll leave for Yuma at once.

Eagle can only wish her good luck as here, his role is extremely minor and he exists more in function of introducing April.

Among the interesting things though, it’s worth to mention that, although April was meant to be more authoritative than Marianne (we should probably also remember Marianne is meant to be 15 while April is implied to be much older as she’s a seasoned Star Sheriff), she still calls her father ‘daddy’, with no regard for how they’re at work, while Marianne uses the very formal ‘Otō-sama’ (お父様) which is a very polite way to say “father”.

Saber resumes his narration to inform us about how both April and he reached Yuma at the same time while the Yuma Grand Prix is ongoing with a pilot nicknamed Fireball (Shinji) leading it.

They kept the scene of Colt (Bill) attacking him but, this time, it’s because he has mistaken him for Vanquo, the Outrider spy.

Among the other differences it’s worth to mention at the spaceport the criminals won’t hit the mother, we won’t see them aiming at the little girl’s head and one of the security guards will order to hold the fire. When they’ll get hit they won’t drop a bag filled with drug.

To underline how amazing Saber Rider is, the people now lavishes praises on his shooting ability, claiming only the LEGENDARY Saber Rider could do it, therefore recognizing him (while they wondered who Richard was).

As for Saber, instead than pointing out his robotic horse’s pedigree, now he will ask for a lube work and a lump of sugar for it.

At the hotel Saber will asks for a room, without claiming relations with the British Royal Family which makes clear how, this time, he hasn’t booked one first. It’s Fireball who has booked a room and the Desk Clerk doesn’t want to give Saber his room exactly for this reason. Saber insists, claiming the room should be given to him because his mission is important, and tries to steal Fireball’s key.

Colt interrupts them here as well, but this time it’s not to arrest Fireball but because he wants the room too. Colt doesn’t introduce himself, but he informs Fireball he’s searching for Vanquo.

As for Bonnie May (Cristina), apparently Colt only had a square dance with her or so he says.

Once Colt leaves, Fireball and Saber don’t introduce each other but Saber makes veiled threats and insists they should share the room. Fireball is forced to agree but, this time, it’s him who demands Saber will sleep on the ground. As they walk to the elevator Saber informs Fireball if he doesn’t find Vanquo the planet they’re on will be blown up to bits.

Back to Colt, they added a scene in which he wears his armour and then flies around the hotel to search for Vanquo, whom he overheard giving away Ramrod position. In short the attack is specifically directed at the frontier outpost because Ramrod was there, not because the defences were low due to the soldiers being drunk (the series will erase any reference to people drinking alcohol).

Once he’s hit, Vanquo assures he’ll be back and we get an explanation on how the shoot merely sent him back to his dimension by turning him into vapour because that’s what he’s made of. No mention of how Outriders need a lot of water, though this will turn out later in the series.

Saber complains since Colt shoots Vanquo, he can’t get from him the information he needed, at which Colt reveals what he overheard. While in the original they pointed out the base should be warned about the incoming attack, here none of them act as if they care the outpost will be attacked, Colt claims he has a bounty to collect, Saber wants to go take a nap while Fireball wants to go for a walk.

Of course they all care, with them racing to the outpost and Colt trying to warn it and discovering he can’t, same as in the original.

During the attack, of course Saber gets recognized by the soldiers and gets some extra scenes. They also add a scene of Bill aiming at a spaceship before shooting it and have Fireball run more around the place to reach Ramrod.

When Fireball finds April, as she now doesn’t know him, she wonders if he was sent there by the Star Sheriffs but Fireball never heard of them. April decides since he’s on a racecar he must be a pilot good enough he could be of some help. Before everyone will get close to Ramrod they’ll add another scene of Saber destroying an Outrider ship.

Then they’ll add a scene in which Saber declares he’ll take charge and the boys argue April would want them to do so. April states she’ll need the three of them when they’ll go in challenge phase.

Once inside Ramrod April explains the saddle units are interactive and then assigns the one for the land controls to Fireball (in the original he got the main control system). Colt decides he’ll get the quick drawn one (in the original he got the operation system) and Saber tells them the Cavalry Command taught him how to use the Maverick flight dynamics one (in the original he would get the one controlling the intelligence system). Fireball points out he never heard of the Cavalry Command either. April takes the rear saddle unit telling them she’ll give them instructions.

Again, Fireball says he never saw an Outrider mecha so he’s told that one is a Renegade Desperado Unit.

Later, when April decides Ramrod will have to transform, she implies everyone will have to push the red button and, since Saber is the new leader, they’ll have him give the signal on when doing it.

They added two lines which will be regularly repeated each time Ramrod transform.

April: Ramrod will now take navigational control.

Ramrod: Acknowledge April, navigational control on, Ramrod challenge phase, one. Head ‘em up, move ‘em out. Power stride, and ready to ride.

Although through the original series we have more than one transformation sequence, for “Saber Rider and the Star Sheriffs” they decided to use only one so the one in this episode gets replaced.

They also show Ramrod only using his gun against the Renegade (adding an image showing Ramrod shooting while it was night!), when originally it also used the cannons on his chest.

It’s worth to mention through all the fight they added dialogues in which the boys described what they were doing when originally you could only hear background music during the fight.

The dialogue at the end is also changed.

Fireball is worried Outriders might come back, Colt seems to think they’ve defeated them forever, Saber informs them this is not the case and April explains them Saber knows what he’s talking about as Saber is a special agent of the secret Star Sheriffs and adds that they might need Fireball and Colt too, so she asks them if they want to join them.

Colt is interested because he wants a silver star but he’s told there aren’t many left since the Outriders took over the silver mines but we use these E.B.U., Electronic Badge Units. Saber adds it normally takes years to train a Star Sheriff but it’s an emergency so they’ll issue their E.B.U. right away. Fireball asks about his racing career and he’s told he’ll have to quit but who cares? Ramrod is the fast thing he could drive and she might even get silver stars for them. This sell the deals so the episode ends with Saber Rider resuming his narration:

“And that’s how all began. The bounty hunter, a racecar driver and a beautiful girl from cavalry command. Together we've made a commitment to the spirit of the frontier freedom fighters. Wherever danger leads us, wherever the people need us, that's where you'll find . . . the Star Sheriffs!”

“STAR WARRIOR BISMARK” & “SABER RIDER AND THE STAR SHERIFFS”: MY TWO CENTS ABOUT BOTH VERSIONS

So both versions chose an interesting way to start, SWB going with an apparent calm that gets broken by the attack and SRaTSS by presenting the story as the memories of his main character. However the info dump that follow is pretty long for both.

In SWB I’ll actually argue that ‘the attack of 15 years ago’ was something they could completely cut from the plot as it’s poorly developed through the series (it only serves to make a hero out of Shinji’s father, point out why Domes doesn’t want to join forces with the EFG and to explain why Hyuza has a cybernetic body all things that could have been accomplished differently) and the explanation of it is outright boring and the unpreparedness of the EFG sits ill with the fact they should have knowledge they could have been attacked again.

In SRaTSS the choice to go for a black and white morality with childish undertones insisting on the Outriders being ‘evil bandits’ serves poorly to the further developments of the plot that actually wants part of the Outriders to want peace and, therefore, not being evil.

On another note I get SWB wanted Shinji to look like a rebel but the whole thing of him having to face a hearing for disobeying trainers that gets completely brushed away because he’s chosen as Bismark pilot with Louvre listing as only reason to choose him he’s the son of the late ace pilot Hikari Shinjirō doesn’t really sit well on me. I would have appreciated it more if Louvre had pointed out how he’s an amazing pilot. What’s more, the whole Bismark team is insanely young (Richard is 18, Shinji is 17, Bill is 16 and Marianne is 15) which isn’t that rare in robot series that usually counts on genius pilots to explain the young age… but the young pilots usually have adults supervising them. Here the boys will rarely get adults supervising them… don’t take me wrong, they do handle things well but it seems a little unbelievable everyone was okay with pushing such a heavy task on such young people without adult close supervision (only Richard is of major age and only barely for crying out loud!) so I’ve to say I appreciate how SRaTSS raised ages so that Saber and April have finished their training and are therefore adults and there’s a general implication the same works for Colt and Fireball.

On another note though in SWB they had at least chosen the 4 pilots beforehand (although not shown during the reunion Richard and Bill were already designated as Bismark pilots, Richard even already having the Bismark Team ID Card), though it’s kind of ridicule they hadn’t formed them first, not even giving them a test drive of Bismark, while one of the biggest weaknesses of SRaTSS is that there were two vacant places on Ramrod as Fireball and Colt get recruited completely by coincidence and should have no idea how to drive a mecha. So it’s hilarious April asks Fireball ‘Did the Star Sheriffs send you?’ only for the truth being that the Star Sheriffs only sent Saber Rider despite Ramrod needing 4 pilots. But I’m running ahead.

While the first meeting between Shinji and Bill is visually cool the fact he almost caused him to crash and then let him go only to catch him later on feels like an excuse to show their abilities. In SRaTSS though, they made the scene even worse if possible. Why would Colt exchange Fireball for Vanquo? For a series that wants to badly to show the Star Sheriffs as examples of virtue they failed entirely to carry around this idea in this episode as the first thing Colt does is to put Fireball’s life in danger by flying too close to him and causing him to lose control of his car… and it’ll only get worse later on.

The race with Shinji/Fireball establishing a new record time though was a good idea instead to make sure we got what an amazing driver he is.

The introduction of Richard/Saber is good as well, though I’ve always found puzzling why they had him use his rifle which he normally hardly uses being much more a sword guy. The taming of the actions of the bandits is not a big deal in SRaTSS, if anything I found a bit annoying the remarking of Saber being a legend but okay, not a big deal.

The discussion between Richard and Shinji over the room at the hotel is clearly meant to be played for laughs in SWB, remarking how they’re young and based on a legitimate reason for them both to argue over the room. Bill coming to arrest Shinji made sense and it’s a good way to introduce the viewers to Bill’s abilities… though what doesn’t make sense is how Bill could aim a gun at Shinji and no one panicked and called the police (Bill hadn’t introduced himself as a bounty hunter). Pedro shooting at Bill without anyone calling the police is even worse as he could have hit someone else.

I��m not really sure if Richard is threatening Shinji to shoot him or if he’s threatening him to arrest him to collect the bounty as Bill wanted to do. I’ll go with the second option because it seems to make more sense in the narrative. I also like how Richard didn’t tattle out why he was there but remained vague. What feels a bit dumb is for Shinji to want to remain there like a sitting duck now that he knows Bill, a bounty hunter, is trying to arrest him.

SRaTSS didn’t really manage to adapt all this well. For start Saber is demanding a room he hadn’t booked, basically attempting to steal it from Fireball with the excuse he has an important mission. This doesn’t really help to paint him as a paragon of virtue. The fact that Colt comes in and does the same, pointing his gun at Fireball to force him to comply makes matter even worse… and it doesn’t help that, once Colt is chased away, Saber also threaten Fireball… and then casually reveals if he doesn’t find Vanquo the planet will probably be blown to bits, as if this wouldn’t cause mass panic in a normal situation.

SWB creates a huge coincidence when, by trying to arrest Shinji, Bill ends up overhearing a Deathcula spy and shooting at him just in front of Shinji and Richard’s room, who conveniently leave it just then. It’s not a big deal, but I’ve to say it works better in SRaTSS with Colt specifically searching for Vanquo and not finding him out of a lucky chance.

Both series uses the shooting of the Deathcula/Outrider to give us an info dump on their nature. I would say the one in SRaTSS felt better than the one in SWB but it might be just me (I mean, Richard randomly tossing in how the Deathcula can disguise himself as humans doesn’t feel natural and Shinji, who was being trained and is even chosen as Bismark pilot, not knowing Deathcula need water doesn’t really feel logical). On another side, despite the info dump feeling a bit odd in SWB, Richard sharing those info doesn’t feel bad, as he’s not revealing things that has to stay secret and anyway he knows Shinji and Bill are part of the army. In SRaTSS Saber informs everyone of how Vanquo knew about a secret defense system called Ramrod… with the result he informs Fireball and Colt, two civilians, of its existence as well.

However SWB recovers when it shows Richard worrying about warning the base and Bill running to do just so. This makes it acceptable they might claim there’s nothing else for them to do, with Richard pretending on not being interested because he doesn’t want to reveal to be a Bismark pilot. I’m not sure why Shinji would be doing the same but whatever.

SRaTSS instead doesn’t have them worrying about warning the base, with Saber merely acting as if he wanted to discourage Colt from going there and overall seeming disinterested in doing something and Colt pretending to be interested only in the bounty… why? To act as a cold person when in truth he attempts to warn the Outpost? But really, the worst deal goes to Saber who should have suggested warning the Outpost and had no reasons to hide the fact he rushed there. I mean he’s the ‘legendary Saber Rider’ why would he wash his hands clean of people in need of help?

The fight is not bad and I can understand SRaTSS attempt at putting more focus on Saber by giving him more fighting scenes than the ones he originally had.

However SRaTSS slips when they have to handle Fireball’s dialogues after he meets April. I’ve already mentioned how bad it was the series implies the Cavalry Command never worried picking up two other pilots for Ramrod but something that they really messed up were Fireball’s lines. Fireball doesn’t know who are the Star Sheriffs nor what’s the Cavalry Command or a Renegade Desperado Unit. Now, I get they tried hard to downplay Fireball so as to make Saber shine and he plays a stand in for the audience so as to pose the questions we would pose but they’re making him look like he lived under a rock up till that point. I mean, the existence of the Star Sheriffs and of the Cavalry Command isn’t secret and newspapers probably talked about how the Outriders used Renegade Desperado Units (and everyone else in the series know about them) so Fireball’s lack of knowledge feels really weird. I guess I should also mention nor Fireball or Colt ever heard of the legendary Saber Rider so really, this too isn’t played well.

SRaTSS added a lot of dialogues during the fight and one can have mixed feelings for them as they made the fight less dramatic and kind of more fun… so I guess it depends. On another way they give the feeling the team is… well, working as a team during the fight so this is nice.

The ending is pretty different in both series but overall I enjoyed both. I already spoke about my complains regarding Shinji’s charges being conveniently waved away as well as of how it was dumb not for the Cavalry Command not to have designated two more pilots for Ramrod so that Saber and April recruit in a rush Fireball and Colt without even a background check.

If I’ve to add something, a side of me appreciates the info about the Outriders getting the silver mines… though it feels a bit unbelievable as SURELY they didn’t have a single silver mine, did they? …but I wasn’t thrilled with the idea April, to hire Colt, suggested she could get a silver star for him… especially when it’ll turn out Colt is often blamed for his greed because a Star Sheriff may not indulge in his personal greed.

To sum it up… SWB starts on an interesting premise, depicting a colonized Solar System with far west elements and moving the war on Ganymede but it would have benefitted of some more work to smooth some corners and give it a more complex plot… though it’s also worth to keep in mind that the target audience was meant to be young, hence the boys young age.

SRaTSS had to mostly work with pre existing footage so they had to work around it… which was not easy at all since the footage wasn’t aimed to support story they had in mind.

The young age of the Bismark pilots required them to act in an often immature way that clearly wasn’t a paragon of virtue unfit of the more adult characters SRaTSS wanted to use and of the supposed high moral standards Star Sheriffs were meant to have.

Their efforts at downplaying Fireball to raise Saber up and at explaining everything to an audience that was intended to be even younger than the one of SWB often end up backfiring spectacularly… though the intended younger audience might not realize.

Still they managed to work out an interesting idea with intriguing elements.

As a result both SWB and SRaTSS give us two nice first episodes, with strong points and weaknesses. Neither is perfect but they’re both enjoyable and could be improved.

#Seijushi Bismark #Saber Rider and The Star Sheriffs #Saber Rider #April Eagle #Colt #Fireball #Richard Lancelot #Marianne Louvre #Hikari Shinji #Bill Wilcox #Eagle #Charles Louvre #Walter #Barboni #Hoffman #SWB vs SRaTSS

4 notes · View notes

recentanimenews · 4 years ago

Text

RECS: Want to Watch Old Anime? Discotek Has You Covered

Every anime season brings a new roster of hits, but the shows of the past recede into the distance. Certainly, there are some exceptions and niche fans keep the spirit of ongoing series like Gundam alive. But with the continued emphasis on new and exciting anime, it’s tempting to forget the multitude of great shows and movies that already exist. The Discotek label has fought consistently over the past several years to ensure that anime’s past is preserved. Run by industry stalwarts, they’ve done the impossible time and time again: they tracked down the masters of cult OVA Project A-Ko, painstakingly restored the 2001 remake of Cyborg 009: The Cyborg Soldier from thousands of damaged tapes, and much of their best stuff is now available for streaming.

If you’re looking for something a little different or simply looking for a new show to watch, why not travel back into anime’s past? Here are some great TV series and movies as enjoyable today as they were when they were produced.

These are just my own recommendations, picked from the great sea of Discotek titles. But if you want to explore further, and check out titles including real-life inspiration on Yoko Taro, Sister Princess, you can find their shared Crunchyroll catalog list here.

Note: The titles listed are largely only available in the United States and Canada.

Movie Night

Urusei Yatsura Movie 2: Beautiful Dreamer

One of the best-known anime directors ever, Mamoru Oshii first made his mark with an outrageously popular animated sitcom: Urusei Yatsura, the series that put the queen of romantic comedy manga Rumiko Takahashi on the map. Oshii struck a balance throughout the TV series between hilarious comedy and experimentation, but it was in the second Urusei Yatsura film, Beautiful Dreamer, that he really went all out. This surreal time loop story keeps finding new ways to defy audience expectations throughout its runtime both as an atypical Urusei Yatsura tale as well as a sterling example of just how imaginative and ground-breaking the Urusei Yatsura anime could be at its best.

GoShogun: The Time Etranger

GoShogun: The Time Etranger is that classic anime standby: a film completely different in tone and content than the franchise that spawned it. Released four years after the original 1981 super robot series, The Time Etranger spends much of its runtime focused on the dreams and anxieties of sole female cast member Remy as she lies in a coma at the hospital. Examining “what happens after” a final super robot fight, it remains an enjoyable film with smarter writing than you’d expect. The Time Etranger is also a notable favorite of the great 80sanime Tumblr.

Night on the Galactic Railroad

Kenji Miyazawa’s novel Night on the Galactic Railroad might be best known to English-speaking audiences as a reference point for anime like Mawaru Penguindrum and Galaxy Express 999, but in truth, it’s one of the most beloved Japanese children’s stories ever written. An anime film adaptation was released in 1985, directed by the famed Gisaburo Sugii and scored by Yellow Magic Orchestra member Haruomi Hosono. Also, the characters are all drawn as cats! While slow-paced, it’s a strong adaptation that captures the charming and whimsical spirit of the original novel.

Other Discotek movie recommendations:

All the other 6 Urusei Yatsura movies

Jin Roh

Like the Clouds, Like the Wind

Ringing Bell

Mecha

Giant Gorg

Folks talk up director Yoshiyuki Tomino as the key creative force behind the original Gundam. But don’t forget Yoshikazu Yasuhiko, the talented character designer behind both Mobile Suit Gundam and Zeta Gundam. His most personal anime project is Giant Gorg, the story of a young boy who stumbles across a giant robot on a mysterious island. Rather than a Gundam-style war narrative, Giant Gorg is a proper adventure story in which the young cast spring from cliffhanger to cliffhanger. A white whale in American anime fandom for years, it was finally licensed for distribution in the United States in 2015. Don’t forget this fantastic mash-up between the Giant Gorg OP and the Perfect Strangers theme!

youtube

Mazinger Edition Z

In Mazinger Edition Z, cult-favorite director Yasuhiro Imagawa reimagines Go Nagai’s classic robot series to create a unified setting packed with pulpy thrills and conspiracies: The giant robot Mazinger has a past history involving the Greek god Zeus! The villain Baron Ashura is recontextualized as a deeply tragic villain with the best story arc in the series! We’re even given Tsubasa Nishikori, a Go Nagai staple who here becomes Imagawa’s best-written female character!

Mazinger Z is absolutely suffused with the spirit that made Imagawa’s earlier masterpiece Giant Robo so beloved and is an essential watch for any fan of that series. Not to mention that it ends with a cliffhanger brutal enough to make Go Nagai jealous.

Other Discotek mech recommendations:

Dai-Guard

Gunbuster 2

Tetsujin 28

Comedy

Cromartie High School

Anime comedies speak to the time that they were made, but there’s something uniquely timeless about Cromartie High School. You could say the show is funny because it’s set in a high school whose roster of delinquents includes a robot, Freddie Mercury, and a gorilla. But I think it goes even further than that: Cromartie High School is funny because its rowdy delinquents live lives just as boring as our own. When I watch Cromartie High School, I think not “what weirdos!” but “same, bro.” True in 2003, true in 2021.

Other Discotek comedy recommendations:

Bludgeoning Angel Dokuro-chan

Cat Girl Nuku Nuku

Golden Boy

Samurai Pizza Cats

Drama

Key the Metal Idol

Key the Metal Idol is a truly weird series. Directed and written by Hiroaki Sato, one of three animation directors who brought anime film masterpiece Akira to life, it’s the story of an android tasked by her creator to become human by making 30,000 friends. It’s a series that skewers the entertainment industry but is also loaded down with science fiction exposition. It’s a series that’s deeply in love with the work of David Lynch. Key the Metal Idol is flawed and idiosyncratic, but it’s also a genre-busting original far ahead of its time. And the opening credit sequence rules.

The Twelve Kingdoms

Fantasy anime are a dime a dozen these days, but for my money, no recent title comes close to The Twelve Kingdoms. The series has its share of magical creatures, epic duels, and even more elaborate fantasy worldbuilding than you can shake a sword at. But most of all, it’s a story about people and growth. Twelve Kingdoms puts its cast of scared teenagers in a crucible and subjects them to intense pressure until those teenagers realize, to their shock and genuine awe, that they can handle anything the world throws at them. Twelve Kingdoms deserves consideration along with Berserk as one of the greatest works of epic fantasy that animation has to offer.

Other Discotek drama recommendations:

Hajime no Ippo: The Fighting!

Honey and Clover

Kaiba

True Tears

What are your favorite older anime? Is there an anime BluRay or DVD you treasure most? Let us know in the comments!

Adam W is a Features Writer at Crunchyroll. When he is not evangelizing Kaiba to his friends and neighbors, he sporadically contributes with a loose group of friends to a blog called Isn't it Electrifying? You can find him on Twitter at:@wendeego

Do you love writing? Do you love anime? If you have an idea for a feature, pitch it to Crunchyroll Features!

By: Adam Wescott

#Anime #News #Latest in Anime News by Crunchyroll!

10 notes · View notes

thenamesblurrito · 4 years ago

Text

Another ask dump

y'all like talking to me and i appreciate it, have some answers, feat. voices of the Matrix, accidental references, photonic crystals, Underbite, types of relics, robot scuba gear, and pineapple pizza

(the post this is referring to)

FHFHGFHSJF an unintentional reference but i'll take it!

(the post this is referring to)

oh huh, yet another unintentional reference, totally forgot about that. there is cyberflora up in the city proper too, i realize i didn't phrase that well. but the stuff that junkers would be able to scavenge from would be the leylines, the wellsprings, the cyberflora growing in odd deep places where no one else has noticed them.

fshfshhsgdf thank you, he IS adorable! i even gave him a little schoolboy tie

you've found a neat little oddity here, actually, which is that it isn't Optimus who hears the former Matrix bearers, it's Orion! when he powers up into Optimus, he essentially absorbs-becomes-assimilates his relic, like shrugging on a selkie skin and becoming more than the sum of both parts. the former Matrix bearers are an aspect of what goes into creating Optimus, but it isn't exactly distinct, not ghosts or voices or guiding hands to direct his actions. no, it's Orion the youngling who hears them speak, or heckle really, gets a sense of who they are/were and what they want and feel and urge him to do. the Matrix is, fortunately, not a very autonomous relic, unlike some other ones with annoyingly strong, uh, personalities. it's not difficult to tune them out if he doesn't want to listen, but it can get irritating when he's trying to pay attention in class.

there are rare exceptions, however, occasions where Optimus encounters what lives within the depths of his relic...

not really, yeah. they EXIST, they're a form of information storage for Cybertronian neural networks and spark scans, as well as being integral material in medical life support systems and hotspot harvesting infrastructure. it's not the Matrix that produces them, however, and there isn't anything particularly supernatural about them. they're in the same general category of resources as sentio metallico, innermost, and rarified or super energon.

nope! that is definitely in the realm of "special talents"/outlier abilities that don't show up naturally in SNAP's storyline. at least, for the normal people. those with relics have plenty of weird abilities, and if Underbite was supernatural, that kind of power would practically be tame in comparison to some of the stuff the heroes do.

that said, there are some random one-off things people can do, just because sparks and thus frames have unique coding with sometimes unpredictable results. Swerve, for instance, discovers in Maccadam's class that he can identify different chemical compounds and materials by taste, with far more accuracy and nuance than the average mech. just a random thing! but hardly supernatural, which is def what increased strength and healing would be.

but perhaps... if things were different... Underbite would have that ability naturally? (side note but can you imagine trying to wrangle an ENTIRE ACADEMY of TEENAGERS with inbuilt abilities like eating anything or forcefields or freakin invisibility like. someone would die on day one just from a hallway fight.)

(the post this is referring to)

i mention it just a little bit here! the difference is more of a meta category than an in-universe term. in short, major relics are major pieces of power consolidated into a usable form, a relic, that will create such a strong bond with the user that they get an entire array of upgrades and powers, with the downside of being totally beholden to this one major relic and incapable of using another major relic (unless you are a loadbearer). minor relics are smaller pieces of power consolidated into a usable form, creating a less all-consuming bond with their users which means a very small set of minor powers and little to no upgrades, but capable of being used alongside other relics, even major ones.

the swords of the Elite Guard, for example, are all minor relics that came linked inside the major relic of the Enigma of Combination. the distinction between major and minor is a little more blurry than that, and some relics are right in the middling area of power that means they might behave as if in either category.

people in-universe don't really have this distinction aside from the mythology and tall tales about the magical tools wielded by the Knights of Cybertron. the Star Saber, for example, is so famous and well recorded that it's actually found a place as a name, like Star Saber the Academy teacher!

(the post this is referring to)

yknow what, you're right! there's definitely some sort of insertable/wearable seals. they wouldn't be permanent, and they'd certainly be bulky and uncomfortable, and some may actually require a medic to insert. they'd get in the way of ventilation, cramp joints, and rub against important lines and protoform. just sticking things into seams and under armor is actually incredibly uncomfortable to the point of triggering something called entrapment protocols, a panicked paralyzed state that can be debilitating if the physical intrusion causing it isn't removed.

because of how diverse and unique frames are, there's no standard seals, and some frames just have too much open space to actually seal, making swimming impossible. so, it comes down to 1) is your frame capable of being sealed, 2) is the discomfort worth it, and 3) can you actually get the seals put in place and removed afterward.

not so easy as putting on a bathing suit, huh.

as for murder via water, yeah! that's definitely a thing, that murderers do! but combat... there's not really combat, not like i believe you're thinking of. there's no war going on, there's no standing army so no drills or training, in fact combat and violence and weaponry in general are very much frowned upon under functionism. i'll quote the relevant part of that post here:

in stark contrast with the severe consequences the state carries out against those it deems wrong, society as a whole is kept very docile. Cybertron is a unified territory, so all of its citizens answer to the government of the Grand Architect. There is no standing army, nor indeed really any army at all, aside from the Enforcers. Violence is frowned upon, to the point where the most violent activity still tolerated is sports like boxing, and even that is considered barbaric. There is no weaponry, especially since mecha aren’t forged with inbuilt weaponry. Enforcers carry state-owned equipment with occasional access to genuine weaponry if facing a bigger target, but those are closely monitored to remain in their stations once their shift is over. Personal use is completely forbidden. More violent or pugilistic folks end up Enforcers, perpetuating the brutality and heavy control of the corps over the populace.

and as for Octopunch, not a clue! i don't remember him, and i don't have him on my character list, so while he might end up as a random background filler cameo, i don't have anything for him right now

afsgsjdjshwoisegf WHAT A QUESTION

Makeshift. Makeshift would adore pineapple pizza. Frenzy would like it, Rumble would HATE it. Predaking would tolerate it and Blackarachnia would pick off the pineapple but still eat the pizza.

Starscream would refuse to touch any pizza with pineapple on it, and Skywarp would eat some just to annoy him, even though he's not a particular fan of it. Thundercracker doesn't really care either way. Megatron likes it okay but avoids it so Starscream doesn't make a giant fuss about it. Blitzwing is disgusted but doesn't make a show of it. Nightracer will eat anything she can get her hands on, good or not, but she picks off the pineapple because Red Alert likes pineapple, and she wants to give them to her.

Ariel likes strawberry pizza better. Moonracer likes chocolate pizza better. Firestar thinks the both of them are heathens and won't eat pineapple pizza. Chromia doesn't like pineapple anyway. Arcee eats it just for the Experience.

Minimus doesn't personally care for it but maintains that anybody can eat whatever they'd like. Windblade doesn't like it and will publicly decry it. The two of them have probably debated over this a few times. Orion doesn't mind it and doesn't have any opinion about it, and is mostly baffled by the arguments over it. Hot Rod is a living vacuum and will c o n s u m e regardless of pineapple or not. Deadlock likes to gross anti-pineapple people out by messily eating it in front of them. Blurr doesn't like pizza very much, it's the tomato sauce.

#cybertron #optimus #autobot #orion pax #cybertronian biology #worldbuilding #underbite #students #swerve #knights of cybertron #elite guard #star saber #eukaris #functionism #ask dump

19 notes · View notes

bumblebeug · 5 years ago

Text

By request Hironette. The Transfer Student

For @doggiediva13

Hey you asked me to do this forever ago and I wasn’t ignoring you. I realized that it had been years since I had actually watched Big Hero 6 so I wanted to go back and try to find Hiro’s voice. This will be the first ever cross-over type fic. The idea of the Big Hero 6 and Miraculous universe occurring at the same time has a bunch of fun potentials. I have aged up Hiro to be Marinette’s age - all events of Big Hero 6 (the movie) have already taken place. This is more slice-of-life-y than an epic storyline, but I hope that it is satisfying enough.

Hiro/ Marinette

The Trasfer Student

Mayor Bourgeois tapped tentatively on his microphone. The resounding feedback caused the audience to flinch back.

“Apologies, apologies my beloved people of Paris.” The mayor waved his hand with a smile, “I’m sure you are all on the edge of your seats waiting to know why I have called this conference.”

He paused to smile and wave at the cameras, ignoring how a few members of the crowd shifted uncomfortably – it was mid-July and the square that had been chosen offered no shade. Marinette half-heartedly fanned herself with the back of her guest badge and glanced over at Alya. She was busily snapping pictures of the Mayor herself.

“Alya, how long is this going to last?” Marinette whispered, unable to keep the slight whine out of her voice. She knew that complaining wasn’t fair, after all, she was who accepted Alya’s invitation to attend her first newspaper internship.

“Girl, with how narcissistic Mayor B. is? Who knows, but I can’t imagine he wants to be here for long. Look,” Alya lowered her camera for Marinette to point out the streaks of makeup running down the Mayor’s face.

Marinette smiled in amusement, “Looks like Chloe didn’t want to share her setting spray”

Indeed, as always, both Chloe and her mother were standing off to the side looking as unengaged with politics as they could. And, as always, Marinette was surprised that they bothered to show up at all. But she supposed that family unity had to count for something.

“Well, we all know that sharing is ridiculous, utterly ridiculous!” Alya said mimicking Chloe’s favourite phrase. Both girls stifled their giggles when the mayor finally stopped posing for the cameras and began his speech.

“As mayor, I want the people of Paris to know, without a doubt that I care for the well-being of my citizens. Although Hawk Moth still eludes the grasp of the law, we know that our resident heroes – Ladybug and Chat Noir – are doing their upmost best. But!” The mayor shuffled his cards, “But! We Parisians can help our heroes. Together, we can be strong!”

The audience around Alya and Marinette clapped at the mayor’s words.

“Of course, strength comes from knowing when to ask for help,” The mayor continued, “Which is why it is my pleasure to introduce Hiro Hamada and his, err… assistant, who came all the way from San Fransokyo, to the stage!”

The mayor clapped and stepped to the side as a young teen ascended the steps to the podium carrying a large suitcase.

Hiro leaned into the mic and waved, “Hello Paris. Before I begin, I’m going to have to activate Baymax because, as you can tell, my French is not good enough for a full conversation.”

As Hiro started to fiddle with his suitcase, Marinette leaned over slightly, “What’s a Baymax?”

“That’s what we’re going to find out!” Alya said as she trained her recording equipment on the suitcase, “I wonder if it’s a weapon for Ladybug and Chat Noir to use to help hunt Hawk Moth!”

Marinette certainly hoped it wasn’t a weapon, but she kept her mouth shut, not wanting to interrupt Alya’s speculations. A white something started to inflate out of the casing. No way it can be a weapon, Marinette thought to herself, if a sharp wind or a hard pinch could destroy it.

It continued to inflate until a vaguely human-shaped robot emerged fully from its container.

“Hello, I am Baymax, your personal healthcare companion.” It’s computerized voice rang out, “I will be providing temporary assistance as translator for Hiro.”

Hiro smiled at the robot and gave its arm a pat before beginning,

[First, I want to thank my sponsor Ms. Tsurugi. Without her keen sense for the uses of Baymax – I wouldn’t be here today.]

Both Ms. Tsurugi and Hiro bowed to each other. Hiro straightened and began his speech.

[One of the most overlooked aspects of healthcare today is mental and emotional health.]

Hiro tapped a finger to his head and then his heart.

[And if that isn’t tricky enough – I’ve heard that the supervillain you have is able to take advantage of those very things]

The crowd politely chuckled, as if to downplay how strenuous such a villain was.

[But that’s why Baymax is here. He’s fully equipped to deal with a wide variety of illnesses.]

Hiro patted the arm of the Baymax.

[This model, the Baymax T1, is equipped to hold around ten thousand medical procedures. However, this won’t be the model that Paris receives. Paris will be getting the Baymax T2. The T2 has been tailor made to incorporate more health and wellness procedures as well as speak almost any language.]

Hiro winked at the crowd.

[Wouldn’t want the doctor’s here to start worrying about their job. Obviously, the T2 isn’t supposed to take over wholesale either. He’s meant to help take the strain off all the professionals living and working in Paris. The trial period, which will be for one month’s time, for the T2 will take place at Collège Françoise Dupont, which I will be attending as the main designer to work out any kinks – should they arise.]

Hiro bowed to the crowd.

[I can now take any questions if you have them.]

Marinette tuned out as Hiro began to field questions from the very enthusiastic crowd. She had to say, she was thoroughly impressed – this might even be the best thing to happen to Paris since Ms. Bourgeois declared that the new hot fashion item was home grown flowers.

“C’mon girl, time to go,” Alya said happily.

“Go?”

“Yeah, go as in ‘go interview the new student at Collège Françoise Dupont’” Alya flicked Marinette’s badge, “Why do you think you needed a pass?”

Marinette flushed and shrugged. Honestly, she had just assumed that it was a private conference and hadn’t thought about the need for badge.

Alya waved hand, “Easier to do it out here than deal with the hassle at the mayor’s hotel. Plus, we’ll have the whole day ahead of ourselves if we get this out of the way now.”

Hiro, with the Baymax’s T1, seemed more than happy to answer all of Alya’s questions. Just as they were about to leave though, Hiro called out,

“Wait!”

Both girls turned as he hurried over. He smiled winningly at them, “I… would like… to be leaving… with the girls.”

“Uhm…,” Alya glanced over at Marinette who shrugged, “The conference.”

“Very boring!” Hiro answered, rolling his eyes, “Please, I want… to be having…a fun day. Baymax can find me later.”

Alya bit her lip but Marinette had already made her mind up, “Sure, we’d love to have you. We will be going to my house to play videogames.”

“What? But Marinette, we were going – ”

“- to my house.” Marinette gave Alya a meaningful look, “An easy activity for someone who has trouble with our language.”

“What videogame?” Hiro asked excitedly.

“Ultra-Mecha-Strike?” Marinette offered after a moment of thought.

Alya laughed, “I thought you wanted him to become our friend – not an enemy.”

Marinette blew a loose strand of hair out of her face, “I’ll go easy. Promise.”

And with that, the group took off towards Marinette’s house.

#bumblebeug babbles #ask me things #hironette #the transfer student #ml marinette #ml alya #ml kagami mother #ml tomoe tsurugi #hiro hamada #big hero 6 #big hero six crossover #miraculous crossover #ml fanfic #crossover fic #baymax #ml fandom

484 notes · View notes

thanksjro · 5 years ago

Text

More Than Meets the Eye #9- Cops is Filmed on Location With the Mechs of Law Enforcement

It’s time for some gotdang origin stories, y’all.

Back before the war, when Functionist ideology was really just rocking the scene hardcore, Nightbeat stood outside of Maccadam’s New Oil House and had a chat with Quark.

No, not that Quark, the other one.

Quark’s reading an article at Nightbeat’s request about an attack on something called a relinquishment clinic, by a member of the Decepticons. Quark’s not a huge fan of the Decepticons, because he’s got a good thing going on Functionist Cybertron as a rare proton microscope, and even if things aren’t perfect, they’re pretty okay for him personally. At least he’s aware of his privilege.

Don’t be so quick to judge, Quark. Some Decepticons are into microscopes.

He’s pretty convinced that if the Decepticons get their way, they’re going to murder anyone who’s never handled a shovel. This is the same sort of misconception a lot of people have about the phrase “eat the rich”- it’s more about those who benefit from the social structure by way of oppressing others as opposed to those who flourish within it by their own work ethic and talents.

Granted, we as the reader know that shit is absolutely going to go sideways for everyone once the war kicks off, but Quark as it currently stands shouldn’t be nearly as worried as he is. He thinks Rung of all people is a threat, so you can tell he’s really feeling the paranoia of the times.

Hi Rung! Hope you’re enjoying your you-time. It’s important to have that, good for mental health.

The conspiracy convo gets cut short as Quark’s drink gets dripped in.

I mean, it’s all the same stuff, right? He could probably still drink it. Waste not, want not.

In the present day, we set up our framing device, with all of our friends welcoming Ratchet into the fray, as he shows off the fact that he finally color-matched his hands to the rest of his body.

Here’s a little joke for you: a spiritualist, two doctors, an archivist, a sentient marshmallow, a victim of ritualistic mutilation, and the hottest guy on the ship watch a third doctor walk into a bar.

Gentlemen, please, I haven’t even gotten to the punchline yet.

Anyway, Rewind’s set up this little hang sesh for medicinal purposes, after consulting Chromedome on the nature of the brain.

Rung’s looking a lot better than the last time we saw him, in that he’s got a head again, but he’s not really… functional right now. Hence this little meet up- everyone here has had their paths cross many times in the past, whether they realized it or not.

Except Tailgate, who took a six million year dirt-nap. He’s just here for shits and giggles.

And Swerve, but it’s his bar, and he’s lonely, so of course he’s going to stick around for this.

Anyway, those assembled will be taking turns in telling the story they all played a part in, in an attempt to kick-start Rung’s brain back into letting him do literally anything. Thanks to his obscenely large collection of historical documents and footage, Rewind more or less knows the structure the story will take- as shown by his conspiracy bulletin board that maps out everything that will be covered in the Shadowplay arc. The central pin in all this? Well, it’s Transformers, and it’s been a hot minute since we’ve seen the face of the franchise, so you tell me who it’s going to be.

Rewind sets the scene, giving everyone the skinny on the setting we’ll be in for the next little bit.

Way to see the silver lining, Swerve.

Chromedome starts the story off, because he’s a main character in all this, and also if you think Rewind would pass up the chance to listen to this capital-T-shaped dweeb talk, you’re deluding yourself.

In the past Chromedome worked mechaforensics- y’know, forensics for mecha- under a different name, which we will not be learning at this current time because it’ll muddle the already-convoluted narrative we’re about to get going here. Chromedome had the displeasure of working alongside then-desk jockey, Prowl.

Awful geared up for a desk jockey, ain’t he?

Yep. Chromedome used to be a cop, he partnered up with Prowl, he looked even more like a koala than he does now, and he was on the case of the assassinated Senator Sherma. What they don’t tell you is that if Sherma had turned out to have survived the ordeal of being strung up from a bridge upside-down, he would have been charged with food and health code violations for that little stunt he pulled on Quark’s drink.

Skids breaks the narrative flow to get the low-down on Prowl’s whole deal, because he doesn’t know who that is. Swerve breaks it down real quick, while Rewind provides visual aid.

A for effort.

The boys get a little distracted discussing Prowl’s anger management practices, until Drift asks that they move on, because Rodimus is sending him insulting messages on his tiny and paper thin comm because he can’t handle being ignored by his #1 fan. It’s just as well though, because it’s Drift’s turn to spin the yarn.

So, once upon a time, Drift wasn’t doing so hot. It wasn’t the whole “I’m a murderous Decepticon” thing- that was later on- but rather a horrific drug addiction, sense of self-loathing and being homeless. On the day of Sherma’s assassination, Drift was so out of his gourd on circuit speeders, he didn’t even register the fact that he was approached by a pair of robots and promptly beaten by the two of them for money.

Things looks bad for poor Drift, but not to worry, because the main reason for this arc existing just showed up.

There he is, in all his pin-up art glory.

Orion Pax, the mech who would become Optimus Prime, proceeds to arrest Sonic and Boom- yeah, it’s the two guys from Delphi, we aren’t wasting the brain power on creating two new characters for this one scene, that’s crazy talk- and then calls for a bus to keep Drift from biting it due to drug overdose.

Listen to the professionals, folks. They know more than you about the shit that can kill you. It’s why they get paid the big bucks.

(I have no idea what Ratchet’s salary is like.)

Drift is taken to Ratchet’s super-secret, please-don’t-tell-the-Senate-about-this clinic in the Dead End, where we get a taste of Drift riffing on Ratchet in the present, as he paints a picture of a spiritual young doctor who actively and loudly praises Adaptus as he works on a ODing patient. The Ratchet of the here and now doesn’t appreciate this twisting of the truth, and makes it known by smearing his still-wet hand paint all over Drift’s face.

Shane McCarthy slipped James Roberts a twenty to set up a slowburn between his OC and Ratchet back in issue #4. Here, Roberts tends to the seeds of their shared past that were planted in the Delphi arc.

Drift didn’t take Ratchet’s advice back then, something that is and will continue to be a running issue for the two of them, and the sudden downshift in tone lets Tailgate ask about just what in the sam hill a relinquishment clinic is. Chromedome fills him in, Rewind providing visuals.

A relinquishment clinic was a place where a Transformer could sell their body- not in a sex-work way, but literally, as you let someone else have their spark planted into your vacated frame for a short period of time, just to try out different modes and looks. It was expensive, and only used to get around the fact that only the most elite of cybertronians could alter their bodies, because only they had enough influence to have the Functionist Senate look the other way. Ratchet never approved of the practice, and this is where he takes over the story.

Too bad we don’t get to see what all that’s about just yet, because there are more pressing matters at hand, like the fact that Nominus Prime is dead.

Seems like there’s a conspiracy at hand, and Orion is considering introducing Ratchet to a friend on the inside- and in the present time, Drift leaves to go meet with Rodimus so he’ll stop being a pest. Chromedome picks his story thread back up, bringing us to Prowl’s requested autopsy.

The boys in the lab broke Sherma down to his base parts, labeled each part, and laid them out on the floor in no discernible order. Maybe it’s based on the Cybertronian alphabet. I suppose we’ll never know.

The autopsy revealed that Sherma was shot several times, which we’d already managed to suss out at the scene of the crime, without getting half the forensics team involved, but we did get a little something for our troubles.

More evidence for Rodimus’ Uggs.

No, I’m never letting this go, don’t even bother asking.

The kind of glass that they found is only found in one specific area of Iacon, known as Translucentica Heights, and how about that! Prowl just so happens to have a search warrant for Translucentica Heights. Wow. Way to go, Prowl.

Meanwhile, Ratchet and Orion are hanging out at the monument for the Ark-1, which is the ship that fucked off into space and got eaten by the Dead Universe. Cyclonus remembers. I bet he kind of wishes that he didn’t, but he remembers.

Orion’s very good friend the Senator shows up, and Orion introduces him to Ratchet. The Senator was first introduced in Chaos Theory- he’s convinced that Orion is a very special individual, and had his body altered without permission while he was passed out, so that he might one day carry the Matrix.

Orion is maybe just a touch too trusting of authority figures, unless that figure is god himself.

Ratchet helps create a visage of not-plotting, as Orion and the Senator discuss whether or not Nominus was assassinated by the Senate. Dear Senator says “fuck yeah he was” and it was in no small part due to the fact that the Matrix he was carrying was a fake.

There’s also something that’s going on between Sentinel and the Decepticons, which leads Orion to ask about Megatron and how he’s doing. He’d probably be doing a hell of a lot better if you hadn’t given the Senate that he directly opposes his full name and occupation, Orion, but it’s sweet that you’re worried.

Back with the wonder cops, Chromedome and Prowl are shooting across the sky to the tune of Shooting Star as they make their way over to Translucentica Heights. They discuss the validity of claims that the Institute exists as they make their way over to Sherma’s apartment building, when someone gets thrown out the window from roughly 4000 stories up.

Trailbreaker was right, Fort Max having guns in his legs doesn’t make him special, if these losers are doing it too.

In the present, Drift’s finally caught up with Rodimus in the oil reservoir, where he’s coaxing Grapple like a wounded baby deer through pulling something out of the muck.

It’s Red Alert, and he’s seen better days.

I mean, sure, that seems like the most likely option, seeing as he’s the only non-Autobot aboard this giant stupid ship, and you haven’t done anything to actually gather evidence on what’s happened to our pal here. It makes sense for the knee-jerk reaction to be to blame the dude who blew up Kimia.

We’ll see where that line of thought gets us next issue.

#transformers #jro #mtmte #shadowplay #issue 9 #maccadam #Hannzreads #text post #long post #comic script writing

66 notes · View notes

sol1056 · 5 years ago

Note

hey! i noticed that you’ve written a lot about how voltron fails as a mecha series, and it got me curious about what a GOOD mecha series looks like. do you have any recs for someone whose only experience with the genre, quite literally, is voltron?

note: that is NOT where I wanted the cut. who knows what the devs are doing over there at tumblr hq.

-----

Welp, there’s more than one kind of mecha. There’s super robots -- where (in general) the robots are ultra-powered and relatively indestructible. Then there’s real robots, which will break down and/or run out of ammunition at the most dramatically critical moments. And then there’s a category that at best might be nearly-sentient robots, which have minds and motivations of their own -- but I wouldn’t say that’s a true category (in terms of the genre) so much as a distinction I've noted.

I’ve never been big into the super robot series (with a few exceptions), and I mostly find the combining robot genre to be frustrating. Former mechanic and engineer who currently works with AI, so a lot of the hand-wavey aspects are frustrating for me, especially in super robots where things mysteriously repair themselves and there’s never a struggle to upgrade/repair. (And don’t even get me started on the idea of controlling a bipedal reactive machine with only two foot pedals and a damn joystick.)

Which is all to say, I suppose I should recommend that you watch the classics, except I’m not really sure what they are because I’ve forgotten most of them. And frankly a lot of them are really shoddy animation by today’s standards, and life is too short to waste time on that. I’ll need to refer you along to other mecha fans to add their recommendations, instead.

Well, I can at least recommend Gundam and Macross, but that’s kind of like saying I recommend Doc Martens and Aididas -- that barely narrows it down, since there’s so many options within each brand. Everyone’s got their favorites in each, as do I, but any mecha series that’s stayed with me is one that found a way to either twist the core trope, or explored implications that other series glossed over.

Note: I’ve never seen any version of Eva, and never felt the urge to, either. Sorry. Ask someone else for input on that. Plus there’s also ones I’ll leave off here ‘cause they’re veering over into AI/robots/tech and less what would usually be called mecha, but they’re still worthwhile: Battle Fairy Yukikaze, Ghost in the Shell: Standalone Complex, Broken Blade, Last Exile, and Voices of a Distant Star all come to mind.

Gundam

For me, I adore the technical geeky touches in Gundam F91, but the story is total spaghetti, so you might want to skip that until you’re more familiar with the gundam tropes. (It was meant to be a series, iirc, got shut down, and they took the pieces and made a movie from it, so it’s... kind of compressed, to put it mildly).

Gundam Wing and Gundam 00 are considerably less geeky on the technical (though they do satisfy the mechanic itch, with a bit more real robot, at least on the technicalities). I like the international core cast, and the way each series explores geopolitical dynamics. (That said, skip the second season of Gundam 00. It just goes totally off the rails into some really wild and wacky directions.)

A long-running concept like Gundam is recognizable across the series thanks to core concepts, and in Gundam’s case it’s the conflicts between imperialism and colonialism, war versus justified rebellion, and pacifism versus a first-strike as self-defense. What I liked with Wing and 00, in particular, was its central pilots felt more tied to (and aware of) the political ramifications of their actions.

I did watch about half of Iron-Blooded Orphans, which struck out in a new direction by having Mars as the colony instead of the lagrange points, but didn’t bother finishing. From what I hear, watch it with a box of tissues, as it’s a return to the classic kill-em-all perspective of the original Gundam series.

Macross

I’m sure someone else will tell you to watch the original Macross (the american version being Robotech, albeit highly edited). I know lots of people adore the first Macross series, but it’s just too late-80s for me. (The hair, my god, the hair.)

Personally, I prefer Macross Frontier -- the amination is much improved, though the fact is I also adore the voices of Yuuichi Nakamura and Aya Endō. Macross has some politics, but it’s mostly internal -- that is, the opponents aren’t human, so whatever debate there is about who’s right or wrong is mostly one-sided, since we only ever see humans doing the talking.

I tried to watch Macross Delta but it just didn’t do it for me -- and therein lies some of the issues (for me) with both Gundam and Macross. Because both have some core elements that they tackle in every series, it can start to feel a bit repetitive.

For Macross it’s always music, Valkyries (the mecha type for Macross), and a love triangle -- which sometimes isn’t even resolved. (I’ve read all kinds of debates about whether Alto ends up with Sheryl or with Ranka, but the series leaves it open.)

A good writer can explore these themes over and over, but between the two, I personally think Gundam has done a bit better of pivoting to take a new angle with each series. But at the same time, Gundam is pretty consistent about not building on a previous series -- with a few notable exceptions, most of its series are alternate-universe stories to each other. In Macross, they’re all continuations of the previous -- so if you’re not into its setup about aliens and weird diseases and whatnot, you’re only going to get more of the same in the next series.

Everything else

So here’s the series I like, but I’m not sure all of these would be counted as ‘true’ mecha by other fans (a debate I mostly ignore, so I’ll leave it to others to argue about that).

Escaflowne -- one of the rare breed of fantasy-styled mecha (Broken Blade being another one that comes to mind). The animation is strongly 80s, but the voice acting is superb, the story (originally meant to be longer, then budget cuts forced a much longer story to squeeze into half the episodes it really deserved).

[It’s also a series I’d call a harbinger, similar to tripping over little-known movies from twenty years ago and realizing every single actor including walk-on parts went on to be massive names. Escaflowne’s got that, but that also extends to its animation team, its director, its composer, on and on. All of them went onto work on some of the greatest hits of anime. That makes Escaflowne immensely (if quietly and somewhat subtly) influential, both for the genre and animation overall.]

Eureka Seven -- another not-on-Earth story. At first the mecha movement -- almost like surfing in the sky -- was odd, but they took some interesting physics concepts and made them not just worldbuilding, but integral parts of the story. Okay, I’m not keen on how the female lead gets successively down-graded as the hero ramps up, but there are some emotional implications of Massive Destructive Machines where Eureka Seven lingers that a lot of other series gloss over.

Fafner in the Azure -- another aliens-against-humans, but first off, I’m gonna say it: you either love Hisashi Hirai‘s character designs or you want to torch them with total prejudice. If you can get past that, Fafner is brutal to its characters well beyond most other series, excepting the earliest Gundams. Although (of course) the pilots are all kids, there are in-story reasons, and there are still adults running the show. And there are consequences, small and large.

Code Geass: Lelouch of the Rebellion -- because what would life be if we didn’t have at least one mecha series with character designs from CLAMP. (Which, admittedly, I loathe, but somehow it worked here.) Can’t speak for the second season, but the first season played up something a lot of mecha bypass for just plain banging on each other, which is strategy. It caught me at the time, at least.

Full Metal Panic -- watch this after watching Gundam Wing and/or Gundam 00, to get the tropes they’re playing on with Sousuke Sagara (the ostensible protagonist who just cannot seem to relate to real human beings). I saw one description of him as “about as well-adjusted as a feral child” and that kinda fits. It’s more real robots, and of course parts require some hardcore suspension of disbelief (the commanding officer who looks 14, sounds like she’s 12, and has boobs that never occur in nature on a frame that teeny). But all told, a lot of fun and plenty of explosions.

RahXephon -- this is another oddball one, because the mecha aren’t mecha, they’re golems (as in, creatures made from clay). For all that, there’s a lot of significant mecha influence and tropes at work. It’s held up pretty well, animation-wise, considering its age (from 2002). and while it’s the same ‘strange aliens attack earth’ plotline, it spins all that off in a completely different direction.

Tengen Toppa Gurren Lagann (aka Gurren Lagann) -- don’t watch this one until you’ve seen plenty of others, though, because it’s a fondly affectionate send-up of nearly every possible trope from combining to super to real robots. Cranked up to eleven.

Knights of Sidonia -- of all the ones on this list, KoS is possibly my most favorite. It was an early all-CGI series, and a lot of people were turned off by that, but once you get used to it, the story can carry you along. Like Macross Frontier, it takes place in deep space, where a colony of humans fight for survival with an incomprehensible (and nearly unstoppable) alien foe. But KoS is true science fiction, with a lot of solid science driving its dramatic points. Also--unlike most of the others series--although the characters are technically human, they’ve also evolved as a result of their time in space. For one, they have three genders, for another, they don’t eat; they photosynthesize.

#mecha #sol thinks about stuff #recommendations

19 notes · View notes

bouwrites · 5 years ago

Text

Maribat March 2020 Prompt: High School

Week 4, Day 7. End of the line for me! So happy to have been able to partake in this wonderful event. Working with prompts and short fics like this is a new experience for me, so I hope y’all enjoyed it.

It was a lot of fun! I’m looking forward to writing more prompts, and more Maribat, in the future! <3

Maribat March 2020 Calendar.

Day 1: Sweetheart’s Dance, Day 6: Time Travel.

Ao3.

1833 words. Story under read-more.

Jon intends for it to be a quiet day. Or, perhaps not literally quiet, but quiet in the sense that it’s just him and Marinette, enjoying their small bit of stolen time together.

That’s why, despite them going out of the house, Jon doesn’t tell anyone where they’re going. Despite being in the same place as many of his friends from school, and even possibly Damian, if his brothers actually managed to wrangle him there this week, Jon just wants today to be him and this beautiful, precious, wonderful, amazing, unbelievable girl.

And okay, maybe he also wants to pretend it’s a date. Sue him. Who doesn’t want to be on a date with Marinette Dupain-Cheng? Jon never once lies to anyone. When his friends ask if he’s going to the game, he says he’s not sure. Until he walks onto the stands with Marinette, he isn’t sure. He could just as happily go anywhere else. When Marinette asks if they’ll see Damian there, he says probably not. Damian very rarely deigns to go to school football games, after all. He has better things to do, like stalk Gotham’s streets as Robin.

So, Jon’s conscience is clear, and in the end it’s just him, Marinette, cold metal bleachers, and a community of screaming football fans.

The first quarter has a lot of Jon leaning close, feeling her hot breath in his ear as she asks him questions about what’s happening. This is American football, after all. Living in Paris, she probably doesn’t see much of it. Jon is happy to explain the rules, why certain calls are made, what’s happening on the field, anything she asks, really.

Jon likes football, he does, and he cheers as loud as anyone when his team scores a touchdown. He’s competitive and he likes the impact of it all, and if his powers didn’t give him an unfair advantage that he’s not entirely sure he can control as much as he’d need to, he’d consider playing. That said, the biggest reason Jon brings her to his school football game isn’t any love for the sport, but a love for her.

She’s wicked competitive. He knows this as clearly as it beat him over the head last week when he dared answer her Ultimate Mecha Strike challenge. She also asks him about America sometimes, just like he asks her about France. This whole “date” is actually framed as a cultural exchange, of sorts. Marinette asks him what he considers fundamentally American and he just laughs and laughs and says, “Football. Easy. Want to come to a game sometime?”

He doesn’t plan on her agreeing, or actually making the trip over for his school’s game, but he’s not about to complain. Any time spent with Marinette is worth the hassle. Besides, Jon can see her get caught up in the atmosphere of the stadium.

She picks up the game quickly, so that by the time the first quarter is over, she only rarely needs to ask Jon to clarify things. She stands and screams with the superfans when his school scores a touchdown. She marvels at the band on the end of the bleachers off to their right, complimenting them every time they play. She squeals watching the cheerleaders do their routines and flips. She growls and howls her disappointment when the other team gains the advantage. She’s so cute. Jon thinks, watching her get riled up with the crowd over a foul.

The gentle flush on her cheeks, the breathiness of her voice after yelling, the bright, bright sunshine in her eyes and the mindless smile she never once drops. She’s so caught up in the game, Jon can’t help but get caught up in her. She could be one of the spotlights over the stadium for how bright she is.

The atmosphere is electric, charged, tense and vibrating with the energy of the game. It’s so easy to let their voices become one with the crowd’s, to be just a couple more high schoolers cheering on their school’s team. Nothing else. Not aliens or heroes. Just kids. It’s… exhilarating. It’s part of why Jon likes football. But with Marinette here? It’s even better.

The night goes on, there are ups and downs. Third quarter, one touchdown behind, Marinette is on the edge of her seat. The sun has gone down, though, and she’s crossing her arms and shivering. Jon chuckles. “I told you to bring a jacket.”

“I did!” Marinette protests, showing off her light cardigan. “I underestimated how cold it’d be.”

Jon giggles. “Ahaha, I can see that! Lucky you, I brought an extra.” He reaches into his bag at his feet and pulls out the extra jacket he brought, just in case. He doesn’t really expect Marinette to not bring a big enough coat, but he does know she gets cold fairly easily, and he wants nothing more than for this to go well, so he wants to be prepared.

And, just maybe, he might want to see Marinette in his letterman jacket. Sue him. It’s a classic. He can dream, just for tonight. It’s very American! And it is very warm.

Marinette brightens considerably when she sees his jacket. Jon is starstruck because he honestly doesn’t think she can get any brighter. He supposes the cold slowly tuned that down as the night went on, but she slips into his jacket, several sizes too big for her, and curls into his side for good measure, just for that bit of extra warmth.

And doesn’t that do strange things to his heart? If anyone were to see them now, if any of the many, many people around were to look, they wouldn’t think twice about him and Marinette being a couple. That’s… wow. Just the thought.

Jon is lost in the sight of her, trying hard not to think too much about it all. Her in his jacket, her arms around his, her head on his shoulder. It’s hard, but he tries to focus on the game. It doesn’t work too well. That’s why he doesn’t realize immediately anything is amiss until she stiffens and nudges him.

That alone gets him on high alert. “What’s up?”

“What’s that?!” Marinette squeaks, pointing to the jumbotron on the end of the field. Jon follows her finger to the screen and… Oh. Oh, no. Oh, God. Oh, hell.

There, on the screen, are him and Marinette, surrounded by a bright pink heart and the elegant script reading, “Kiss Cam”.

“Jon?”

Jon nervously tries to comfort her. “It’s just a silly thing. They point the camera at couples, and they kiss is all. It’s supposed to be cute.”

“We’re supposed to…” Marinette glances between him and the screen once, twice, Jon just prays for the camera to get the hint and turn somewhere else, but just before he’s sure it must be about to, Marinette grabs him by the collar to pull him close. One hand on his cheek, the one closer to the stands, so they’re still in full view of the camera, she tilts her head cutely. “We should… right? Are you okay wi-”

Jon closes the small gap left between them to kiss her.

He’s out of breath before his lips even touch hers, but the moment they do he’s breathless on a whole other level. He’s dreamed of this moment, of finally, finally kissing her for longer than he’ll admit. How many times has he seen her smile and just… imagined? Let his mind get carried away with dreams of paradise? Let himself feel that tiny spark of hope that dreams aren’t all they have to be?

The kiss is chaste and lasts for hardly a moment, but Jon won’t ever forget this moment. He can’t even if he tries. It’s strange, because he’s completely shut down in so many ways. His lungs don’t work, his mind is blank, he feels paralyzed, and yet it’s also sublime. It’s almost as if all his faculties take a step back to allow space for the emotion that rushes through him. He forgets just how bad of an idea this is, because this half-moment is greater than he ever imagined.

All at once, Jon’s head catches up with him and he realizes what he’s truly doing, and he jumps away like he’s been burned. He risks a glance at the jumbotron, sighing with some relief that he’s no longer on camera, and then he looks to Marinette.

She’s just… staring at him. “Marinette?” He breathes. “Aw, hell, I’m so sorry, I didn’t thin- I mean you were askin- I- and I jus- I just…”

“Wha-? Jon, I was asking you if it was okay to kiss you! It’s okay!”

Jon risks looking her in the eye. Her gaze is full of concern and worry and Jon mentally berates himself for putting that there. He just… kind of can’t breathe. “You mean it? I mean, I… I just- I just kind of went for it. I know you weren’t really rea-”

Jon is cut off suddenly by her grabbing his collar again and pulling him close. His rambling words catch on a gasp in his throat when he finds himself intimately close to her once more. She pauses just before they crash into each other, to cup his cheek and to ensure it’s gentle, before she closes the hair of distance left to kiss him again.

That’s… that’s not what he’s expecting. But Lord, he’s not going to complain. Marinette pulls back from him, giggling. “Now we’re even?”

“Even…” Jon says. His voice is dangerously close to a whimper. “Right. Even.”

“Great. Oh! The game is starting again!” Marinette grabs his arm again, curling close. Jon has neither the faculties nor the patience to focus on the game again. All he can think about is… Holy cow, she kissed me. She kissed me!!! We weren’t even on the kiss cam, she just did it!

What the hell is happening? I’ve… I’ve got to be dreaming, right?

If it is a dream, it’s the best one he’s ever had. And if it’s a dream, maybe he can push his luck a little. Carefully, he moves her closer hand from the crook of his elbow to his own, and tentatively laces his fingers through hers.

She looks over at him, flushed as red as he feels (he hopes it’s not just from the cold), and all he can do is offer a hopeful smile. When she smiles back, and he feels her hand squeeze his own, he can hardly believe it. He giggles senselessly and raises their joined hands to kiss the back of hers. “H-hey, I…”

The crowd erupts into a roar, drawing both of their attention to where his school’s team just scored a touchdown. With the field goal, they’re tied again.

“We can talk later.” Marinette yell-whispers into his ear. “When it’s not so loud! But I’m really glad I came tonight!”

Jon returns her grin. “Me too!”

#MaribatMarch2020 #Maribat #Maribat March #Event #Marijon #ML x DC #Miraculous Ladybug #Miraculous Ladybug Fanfiction #ML Fanfiction

27 notes · View notes

duhragonball · 5 years ago

Text

The 10 Best Episodes of Dragon Ball and DBZ

Back in October I wrote up a list of the ten worst episodes of Dragon Ball, and I always meant to go back and do a ten best list to go with it. Well it’s the last Sunday of the year and I got nothing better to do, so I’m gonna knock that out today.

Honestly, I’m not sure which one of these was tougher to do. The main reason I made a worst list was because I noticed a small handful of episodes I just didn’t like, and I realized that even with a show I like this much, there had to be at least ten stinkers, so I liked the challenge of picking them out. On the other hand, picking the ten best episodes is like finding really good pieces of hay in an awesome haystack. And I’m a horse, so I’m already super-into hay. This analogy is getting tortured, so I’ll just move on.

Honorable Mention: Dragon Ball Z Episode 125.

I think the fandom has unanimously agreed that this is the all-time best episode of Dragon Ball, but it didn’t feel right putting it in my list. I don’t know if that’s because I sincerely believe it’s the 11th best episode, or because I just don’t want a predictable choice taking up space on my list. That’s how Dragon Ball rolls sometimes. Past a point, you can’t tell if you’re liking something ironically, or just plain liking it.

Without question, this is the all-time best filler episode. We all know the tale: Goku and Piccolo are busy training for the upcoming Androids battle, but Chi-Chi is sick of them not helping around the house, so she wants them to take driver’s ed so they can drive her to the grocery once in a while. Well, mostly Goku, but Piccolo somehow gets roped into it too. Honestly, I don’t think he really needed to go through with this. He pouts like Chi-Chi made him do this somehow, but she was clearly only interested in getting Goku licensed up. I think he just sort of invited himself into this situation because he wanted to feel like part of the family.

Anyway, the boys dress up in stupid/awesome civilian clothes, and somehow manage to be great at driving and terrible at driving at the same time. It’s a very zen kind of show. Also there’s a smidgen of Vegebul goodness, and Icarus shows up for no apparent reason, so there’s something for everyone.

10. Dragon Ball Z Episode 120

This the one where Future Trunks kills Mecha Frieza. There’s no shortage of fans who think reviving Frieza in the 2010′s was worth it, but for my money, nothing they do with the character can possibly top his (first) death scene.

Leading up to this episode, everyone just assumed that Goku killed Frieza on Namek, but he survived, got rebuilt as a cyborg, and invaded Earth for revenge. The implication is that Goku will have to fight an even stronger version of his greatest foe, except he’s nowhere to be found, and no one else stands a chance of holding the line until Goku can arrive.

But then the story ups the ante again by having a totally new character show up, turn Super Saiyan, and shrug off Frieza’s attacks like they’re nothing. When he finally attacks Frieza, he whips out a cool-looking ki blast, and that turns out to just be a feint. No, his real attack is a simple swing of an ordinary sword, which cuts Frieza in half like he’s made out of butter.

Meanwhile, all the major characters are standing on the sidelines wondering what the hell is going on here. There’s a Super Saiyan besides Goku? Aren’t all the Saiyans extinct? Where did this new guy come from, and how did he even know to be here?

It’s a brilliant episode, because it serves as a coda to the menace of Frieza that loomed large over the previous 119 episodes of Z, and it also serves as a prelude to the next 75 episodes, which promises a crisis far beyond anything that’s come before. But it also works as a stand-alone story. Frieza’s body tells the story of why he wants revenge on the Super Saiyan, and when Trunks reveals that there’s more than one Super Saiyan, he completely self-destructs. He goes from the tyrant of the universe to just another corpse in a matter of minutes. It’s amazing to watch.

9. Dragon Ball Episode 67

Strictly speaking, Goku’s assault on the Red Ribbon Army base is three episodes, so maybe it’s gauche to include one and not the others, but this one is the climax of the Red Ribbon’s downfall, so I think it stands out.

By this point, Goku’s already entered the RRA headquarters, and is just having his way with the place. Episode 66 was full of guys trying to shoot him, but he just kicks all their asses and moves on. Staff Officer Black has finally realized what they should have accepted from the beginning: that Goku is too strong for them to defeat by force. But Commander Red can’t quite bring himself to give up the fight. Maybe it’s because so much of his identity is tied into the Red Ribbon’s supposed invincibility, or he just can’t fathom how a small boy can do all these things.

I think what really hurts his pride is when his soldiers start deserting en masse. Before, he could keep them in line because of the Red Ribbon’s fearsome reputation, but that’s over now, whether he believes it or not. When Colonel Violet loots his treasure vault, not even bothering to disable the security cameras, he has to know that it’s all over.

Then we find out that he only wanted the Dragon Balls so that he could make a wish to become taller, and Black is horrified. He wasted all those lives and resources for something as petty and selfish as that? What makes this episode so great is how the world around them is crashing down, and they’re arguing over a plan that’ll never happen anyway. And Red absolutely doesn’t get why Black would think his wish was stupid. He’s like “Um, you need to check your tall privilege?” And Black shoots him in the face because he’s just done.

But this episode’s not done, because once Red is out of the picture, Black sort of loses it and tries to fight Goku for possession of the Dragon Balls. It’s really amazing character development, because Black was the calm, collected center of the Red Ribbon Army, but then he just flips out, forgetting all the lessons his comrades learned the hard way. The lure of the Dragon Balls is just too seductive for him to give up.

Also, Colonel Violet is super cute.

8. Dragon Ball Z Episode 135

A few episodes before this one, Vegeta debuted his own Super Saiyan transformation, and kicked the shit out of Android 19. It was a big deal, because up to that point, Goku and Trunks were the only Super Saiyans, implying that jerks like Vegeta couldn’t do it. It was also a big deal because it was assumed up to that point that the androids might just be unbeatable, and Vegeta clobbered one of them in a single episode.

But that episode didn’t make the list, because this one is far more important. Here, Vegeta tries to press his luck by challenging the even stronger Android 18, even though everyone else tries to tell him this is a terrible idea. What follows is one of the coolest fights in the series, and the best classic Dragon Ball battle to feature a woman. For a while it looks pretty even, but then 18 reveals she was hustling Vegeta the whole time, and defeats him with no trouble at all.

Why is this such a big moment? For one thing, it’s the next step in deconstructing the Super Saiyan Legend. Vegeta had already proven that you don’t have to be a good person to turn into a Super Saiyan, and that it’s not just a once-in-a-millennium thing. Here, he proves that Super Saiyans aren’t as invincible as he liked to believe. We’d already seen Goku lose to Android 19, but he was sick at the time. Trunks was no match for he androids in his own timeline, but those battles had happened off-screen. This is a much more visceral demonstration. You’ve got the Saiyan Prince, in perfect health, fresh as a daisy, comfortably transformed, and it doesn’t do him a damn bit of good. 18 breaks his arm like it’s not even hard.

For Vegeta, this was a big deal, because it finally cemented the fact that there is no finish line. From his first appearance, he seemed convinced that he could become the supreme being in his universe, simply by killing Frieza, becoming immortal, or transforming into a Super Saiyan. Here, he thinks he’s finally pulled it off, only to lose even more decisively than ever before.

7. Dragon Ball Episode 99

I debated whether to go with this one or Episode 101, where Tien finally beats Goku to win the 22nd Tenkaichi Budokai, but I think this episode deserves the nod. The Goku/Tien championship bout spanned several episodes, but this is the one where Tien finally decides that he’d rather win the title than avenge Tao Pai Pai.

Let me back up a bit here. Goku (seemingly) killed Tao in a prior episode, and Tao was the brother of the Crane Hermit, Tien’s master. So going into this fight, Tien was planning to defeat Goku, win the championship, and then kill Goku in front of the live audience, just to get that extra bit of revenge. But once the fight actually got rolling, Tien began to develop a begrudging respect for Goku’s talent, and then this episode happens, where Tien starts winning, and Goku accuses him of cheating. Tien doesn’t know what he’s talking about at first, until he realizes that the Crane Hermit is using Chiaotzu’s psychic powers to paralyze Goku at key moments.

Once he figures it out, he tells them to stop, since he wants to prove his own superiority, but Crane just wants Goku to die, title or no title. He orders Tien to stop clowning and kill Goku at once, but Tien refuses, and turns his back on the life of an assassin. Chiaotzu does the same, since he was enjoying the match before all the interference started. Crane flips out, but Roshi Kamehameha’s him out of the stadium, allowing Tien and Goku to finally fight without any outside interference.

Tien’s first order of business is to let Goku have a bunch of free shots, in order to make up for all the hits Tien got in while Chiaotzu was cheating. Then he grows four arms, because he still wants to kick Goku’s ass, even if he doesn’t hate him anymore.

Tien’s reform isn’t unique in the series, but I think his particular transformation is very neatly accomplished, inside this one episode, during a single epic battle. Like so many other characters, he figures out that revenge, power, and bloodlust are hollow pursuits compared to the thrill of pushing your own limits through the sacred art of gonzo anime violence. Being a bad guy isn’t just morally shameful, it’s downright boring. Piccolo and Vegeta would eventually learn the same lesson, but it never gets spelled out quite as eloquently as it does in this episode. Also, Launch tries to kill Chiaotzu with a giant cartoon mallet.

6. Dragon Ball Episode 147

On the other hand, you’ve got this episode from the 23rd Tenkaichi Budokai, where Piccolo doesn’t learn a damned thing, except how to take an epic beating.

This episode is just wall-to-wall nuts. Piccolo blows up the entire city where the tournament is being held, and that’s just for openers. Tien uses his Ki-ko-ho to make a foxhole for the others to hide in, and Launch kicks Kami into it when he doesn’t jump in right away.

Piccolo’s city-busting blast was intended to finish off Goku, but it doesn’t even scratch the lovable bastard, and it just gives Goku and opening to pound the ever-loving crap out of Big Green. Goku just goes sickhouse on him, in one of the most satisfying and well-animated sequences in the whole series. And to add insult to injury, he continues to play by the tournament rules. Once he has Piccolo laid out where the ring used to be, he asks for a ten count.

And that turns out to be a huge mistake, as Piccolo has enough juice left to zap him with a mouth blast at the last second. The attack leaves a baseball-sized hole in Goku’s pec, and Piccolo just starts stomping on the wound. Worse, he’s still strong enough that no one else can come to Goku’s rescue.

And then, just when Goku looks to be finished, he gets back up anyway, still looking to win this battle. Is he overconfident or just stupid? Neither actually, as he has the whole fight under control, as the next episode reveals.

5. Dragon Ball Z Episode 281

Oh mannnn, this episode ruuuules. One of my pet peeves with this fandom is people crapping on the Buu Saga, simply for coming at the tail end of this franchise. It’s bullshit, just like how Star Wars purists act like Empire Strikes Back is the best movie ever made and Return of the Jedi is a cinematic bowel movement. They’re both good, you just lost interest before the series ended.

The Buu arc isn’t my favorite, but it’s balls-to-the-wall awesome, and when I was making this list I had a hard time picking a favorite episode from the Kid Buu fight. It’s just such a beautiful battle, packed with story and character development. I can’t blame viewers for getting burnt out on Dragon Ball if they watched the preceding 433 episodes first, but to say these episodes are bad is just flat-out wrong.

Anyway, I went with 281, which features the tail end of Goku’s solo effort against Kid Buu. Vegeta steps into give Goku a pep talk, and Goku admits that he can’t gather enough power to blow Buu away. To do that, he’ll need a full minute to charge his ki, and Vegeta offers to buy him that minute, even though he’s weaker than Goku and doesn’t stand a chance against Buu by himself.

What follows is a solid ten minutes of Vegeta getting clobbered, but he keeps getting back up and forcing himself to find new ways to play for time. He doesn’t try to beat Buu, because he knows he can’t. Instead, he keeps him busy, and psyches him out so he won’t bother Goku while he charges up.

What makes this work is that it’s the counterpoint to Episode 133, seen earlier on this list. Then, Vegeta thought his Super Saiyan form made him a guaranteed winner. Now, he’s using Super Saiyan 2 in a desperate bid to just hold the line until an even stronger fighter can make his own last-ditch effort to win. Vegeta’s fighting for a chance at victory, and it’s a slim chance at that. One of my favorite things about this episode is how tragic it is. By Episode 282, it becomes clear that Goku’s plan was never going to work, so Vegeta’s efforts were in vain. But he doesn’t seem to mind much, because at least he got to throw down against Kid Buu and see exactly how long he could hold out.

4. Dragon Ball Z Episode 184

This is the one where Gohan finally snaps and turns into a Super Saiyan 2, but when you put it like that, it seems so pedestrian.

From his first appearance in Episode 1 of DBZ, Gohan was shown to have hidden potential, which was gradually brought out over the course of the series. By the time the Cell Games rolled around, it was sort of implied that he had finally realized that full potential. Goku trained him to be a Super Saiyan like himself, and how much higher could he possibly get than that?

But Goku’s secret plan was for Gohan to fight Cell, and if he got in a pinch, Gohan would then tap into the same hidden potential he used to turn the tables on the Saiyans and Frieza. Goku’s theory was that if he trained Gohan to be a Super Saiyan, then any power boost Gohan experienced during the fight would rachet him up to an even higher level never seen before.

This suited Cell just fine, so he pooped out an army of mini-Cells to torture the Z-Fighters until Gohan’s rage pushed him into this higher level. And that’s what this episode is all about, except it doesn’t really work. The Cell Juniors clobber the heroes from pillar to post, but Gohan doesn’t change, and he doesn’t know how to make himself change. Then Android 16 has an idea to talk him through it, and he convinces Mr. Satan to toss his severed head over to Gohan to he can make his speech. Cell stomps on 16′s head in an impulsive act of cruelty, and then then “Unmei no Hi - Tmasahii Vs. Tamashii” starts playing.

This is a huge moment in the series, not only because of the advent of Super Saiyan 2 and the turning of the tide in the Cell Games, but also because it marks the fufillment of the promise of Gohan’s character. We all knew he would become something great, and now it finally comes into focus.

But this episode also gets high marks for how all the other characters are handled. Goku’s “foolproof” plan collapses, and he’s forced to apologize while they all get beaten down; Android 16 sacrifices himself after already losing his body; Mr. Satan does what little he can, proving that he’s more than just a gloryhound; and Cell seems to have second thoughts once he finally gets a glimpse at Gohan’s hidden power.

3. Dragon Ball Z Episode 94

Maybe it would make more sense to pick the episode where Goku turns Super Saiyan for the first time, but I think the false-finish that precedes it deserves the spot. I’ll try to explain.

There’s really three things going on in this one. First, Goku’s trying to assemble a Spirit Bomb powerful enough to kill Frieza. In the previous episode, Frieza finally noticed what he was up to, and he decided to kill Goku before he could use the bomb. But the bomb still isn’t big enough, so Goku needs more time.

Second, Piccolo has jumped in to keep Frieza busy long enough for Goku to get the time he needs. Much of this episode is Frieza beating up on a defenseless Piccolo, and then Krillin and Gohan jump in too. It’s just awesome seeing all these guys throw everything they can into this effort.

Third, there’s a filler subplot featuring the dead Z-Fighters on King Kai’s planet fighting the dead Ginyu Force members. It’s goofy, and kind of inconsequential, but it’s fun. I just like seeing the whole gang getting to worth together in the same episode.

So when Goku finally deploys the Spirit Bomb and Frieza finds himself overwhelmed, it really feels like a team effort. King Kai reports that Frieza’s been beaten, and this inspires Yamcha and the others to put the Ginyus away for keeps. On Namek, only Krillin and Gohan are left standing after the Spirit Bomb explodes, and they wonder if Goku and Piccolo could have survived.

I won’t sugar-coat it, a lot of DBZ episodes go pretty light on plot points. So when you get one like this, with so many things going on all at once, and so many characters joining in, and so much suspense and drama, it really clicks. This would have been a brilliant finale to the Frieza Saga, and the icing on the cake is that it’s all for naught. Frieza’s fine in the next episode, which is all-the-more frustrating because of how satisfying this episode was.

2. Dragon Ball Z Episode 179

Huh, I got a lot of Androids/Cell episodes on this list. It’s almost like the Androids/Cell arc is the best one and it rules over all. Nah, that can’t be it.

This is the high-water mark of the Goku/Cell fight, which the whole series had been building to since Cell was first introduced some thirty-odd episodes earlier. Here’s the new big-bad final boss, the next Frieza, essentially, so naturally it’s going to be up to Goku to put him down in a 19-episode brawl. Only that’s not what happens. Goku goes into the Cell Games admitting that he’s no match for Cell, but he wants to fight the guy anyway. No one understands what he’s planning, but he seems pretty upbeat for a guy who expects to lose.

The fight itself only goes four episodes. The first is a feeling-out process, the second is mostly Cell showboating, but in this third episode, they really go at it. The animation is beautifully handled by Keisuke Masunaga. He’d supervised a handful of episodes before this, but this one is the first action-heavy episode, truly serving as a demonstration of what he could do.

Plotwise, there isn’t a whole lot to say. The battle goes pretty evenly here, and the main appeal is that all the other characters are still trying to figure out what Goku’s strategy is. He said he couldn’t win, and yet he’s hanging in there with Cell, so what’s the deal? You might think Goku’s aiming to win on a technicality, using Cell’s own rules against him, except Cell enjoys the fight so much that he blows up his own ring to prevent any chance of an out-of-bounds finish. From here, the Cell Games can only end by surrender or death.

So then Goku goes up into the air and tries a Kamehameha, similar to the one Cell used earlier in the battle. Cell thinks it’s a bluff, since he knows he can dodge it, and from that steep an angle, Goku would just end up hitting the Earth and destroying it. But Goku doesn’t blink, and just when Cell isn’t sure what’s going to happen, Goku teleports right in front of him and unloads the Kamehameha into his face at pointblank range.

It’s another false finish. Cell survives, but he has to grow back his head and arms first. But for a moment, it looks like this was Goku’s big plan. He knew he couldn’t outpower Cell, so he out-finessed him by using the Instant Transmission to get past his guard. And you know, if the ring hadn’t been destroyed, maybe this would have worked. Goku could have tossed Cell’s decaptitated body out of bounds and Cell would have regenerated to find himself outside the ring. I always wonder what he would have done in that scenario. I mean, Cell’s kind of a sore loser, but he seems to respect clever ploys, and the tournament was his idea.

Anyway, Cell rules, this episode is wall-to-wall action, and the Warp Kamehameha is the best move in Budokai 2.

1. Dragon Ball Z Episode 31

Personally, I find the Saiyans Saga to be slightly overrated, but dammit, this episode has just about everything. I’d go so far as to say that when people praise the Saiyans Saga, they’re really only thinking back to this one episode, or maybe five of the best episodes that include this one.

Here’s the deal: Vegeta has invaded Earth and all of the Z-Fighters are dead or badly hurt. Only Goku is left to stop this guy, and he’s armed with the Kai-o-ken technique, a power multiplier as effective as it is risky. King Kai warned Goku never to go beyond a double Kai-o-ken, because anything more than that could cripple his own body. But he tried that in the previous episode, and Vegeta laughed it off. So in this episode, Goku reluctantly goes for a Kai-o-ken times three.

And for a few glorious minutes, Vegeta gets completely wrecked. Goku just picks him apart with hit after hit after hit. It’s enough to humble Vegeta and it’s enough to draw blood, but it doesn’t actually put the guy down. Instead, Vegeta becomes so outraged that he flips out and tries to destroy the entire planet with his finisher, the Galick Gun. This leaves no choice for Goku to keep using the Kai-o-ken times three, and he’s gotta fire a Kamehameha to block Vegeta’s shot.

And when that turns out to be too weak to push back Vegeta’s attack, Goku is forced to turn it up even higher and use a four times Kai-o-ken. So now we’re beyond anything King Kai had imagined when he taught him the technique. It works, and Goku manages to shoot Vegeta into space, but his body is terribly banged up from the effort.

Which is a real shame, because Vegeta manages to save himself from being blasted into space, and he’s still got enough juice to pull his own trump card: turning into a giant ape! Saiyans need a full moon to do this, and Piccolo helpfully destroyed the moon before Vegteta’s arrival, but that doesn’t matter, because Vegeta can make his own artificial moonlight with a special ki technique! So the episode ends with an exhausted Goku staring at a hundred-foot tall Vegeta-ape.

And hopefully I’ve made my point. You’ve got three big BIG moments in the series here. Goku’s Kai-o-ken X3 offensive against Vegeta was what made their rivalry. Before that, Vegeta never came close to sweating Goku, and afterward, every time Vegeta thought back on their battle, this was the part he remembered. The Galick Gun/Kamehameha beam struggle was an iconic moment all by itself, and it’s the standard by which all other beam struggles are judged. And then you’ve got Vegeta using the fake moon trick and turning into a giant ape, setting the stage for the final leg of the battle. Any one of these things would earn a spot on this list, but DBZ #31 has all three. It’s gotta take the top spot. It’s just gotta.

There’s a lot of really great episodes I didn’t cover. I’m a big fan of the Pikkon episodes, and the one where 16 fights Cell is a personal fave, and the Vegito episodes are awesome too. But there’s only so much room at the top. I bet I could have a completely different list in a couple years’ time. In conclusion, Dragon Ball fucking rules.

#dragon ball #2019dbliveblog #top ten best episodes #frieza #goku #piccolo #trunks #vegeta #cell #perfect cell #gohan #majin buu #tien #android 18 #commander red #staff officer black

39 notes · View notes

davidmann95 · 5 years ago

Note

Velvet's battle is a great choice, though I'll always have a special place in my heart for the fight against the Grimm Deathstalker and the Nevermore in Episode 8. That said, what do you think of the individual members of Team RWBY?

I decided to wait on this until I caught up on the series thus far, which I just finished doing the night before last in pretty much the only time in my life I’ve ever really properly binged anything other than comics, and…wow. I knew RWBY was a thing just as a matter of course from being on this site and Youtube, and from watching Death Battle, so I picked up some major beats by osmosis. But my main impression was that it was a charming pseudo-anime online thing of decent quality that unsurprisingly got heavier as it went along as such things tend to do, with extremely rad fights and music along the way; figured it’d be more than serviceable to watch while I was on the treadmill as a disposable distraction from the agony of propelling my wheezing, sweating, loathsome meat-scaffolding forward.

I did *not* expect it to eventually end up after growing pains a - while far from flawless - intensely engrossing story of all-consuming personal and generational pain and people who choose to love and do the right thing in defiance of that trauma and loss and hopelessness, where also occasionally a corgi gets fastball specialed at mechas. Though once it became clear that’s what it is, it pretty clearly sat at an intersection of a hell of a lot of my favorite things, especially when characters copped in-universe in both the main series and spinoff material that this is basically a superhero thing. My initial impressions re: the fights and music were on-point though.

I actually have quite a few thoughts on pretty much all the protagonists of note at this point (other than I suppose Oscar and Maria. Like them both though, and I do hope that nice boy’s brain somehow doesn’t dissolve into the blender of Ozpin’s subconscious), but I’ll just stick with the core four here as requested for now unless someone asks otherwise. Weiss is the simplest to get at the core of, I’d say: her arc is learning that fuck rich people, actually. She’s a seriously difficult character to get onboard for at first - especially if you’re watching those first episodes for the first time in 2019 - as the mean unconsciously racist rich girl who learns to be less mean and racist but still kinda mean. But after you’ve extensively seen the hideously toxic environment she grew up in, and fully understand her efforts to grow past the empty values it inculcated in her in favor of everything she was raised to think of herself as above, she becomes a hell of a figure to root for. Assuming RWBY is gonna go, say, a respectable 10 seasons given it was just renewed through 9, I could easily see the upcoming 7th be the climax of her arc with her return to Atlas and likely further reckoning with the consequences of her families’ actions beyond how they’ve hurt her personally.

Yang is also, in a certain abstract narrative sense, simple, in that she’s built around the very oldest trick in the book for characters whose main deal is ‘can punch better than absolutely anyone’: give them problems that cannot be solved by punching. Except in her case it’s less a material “well, this person is invulnerable to punching!” or “well, actually this other person can punch most best of all” issue blocking her path than “punching cannot solve depression, abandonment issues, questioning whether what she considers her purpose in life is one she’s truly pursuing for noble reasons or if she even has the resolve for it anymore after what’s happened to her, or PTSD”. Yet, while it may not be the kind that manifests in the form of punching people with a smirk and a bad pun anymore (much as she still definitely does that all the time) what ultimately drives her and defines her is still her strength: to move forward, to forgive, to let go, to do the right thing in spite of the risks. Which could easily come off as some unpleasant “you just have to get over your moping!” dismissal - there’s a bit with her dad that means it saddles riiiiight up to the edge of that - but there’s a weight to how her traumas remain a consistent factor in her life and have shaped her outlook even as her circumstances and day-to-day disposition improve that makes it feel thematically like it’s coming from a place of acknowledgment and endurance rather than denial, even if it’s not handled perfectly. Great to see her apparently recapturing some more of her joie de vivre based on the trailer for Volume 7, and how that’ll interact with how she’s grown should be interesting.

Blake is…tough, because you fundamentally cannot talk about Blake without getting into the Faunus, which is maybe the biggest aspect of RWBY that leaves it in the realm of Problematic Fave. It really, really wants to have something substantial to say about the proper response to racism, and every now and then it pumps out a “capitalism greases the wheels of systemic oppression and vice-versa” or “it’s perfectly reasonable for the oppressed to seek to fight back directly against their oppressors, and even the pacifist in the room can recognize that’s a defensible approach that deserves its place”. But then Abusive Boyfriend Magneto literally murders nuance in Vol. 5 episode 2, and it descends into some borderline “but what about black on black violence” respectability politics shit. It’s the classic X-Men setup - this persecuted race of often superpowered folks torn between pacifism and efforts to prove themselves to their oppressors, and those who think they should rise up and annihilate the flatscans - with most of the same pitfalls, but also we haven’t had over 50 years to get used to that just being how it works here, and it doesn’t have the excuse of having to expand as best it can on a metaphor that was originally devised before most of the people currently handling it were born. All of which would be rough enough, but given I watched this right as Jonathan Hickman’s been completely refining the entire X-Men paradigm outside that outdated binary, it especially grates. I’d love to be directed to any solid counterarguments - I’ve heard it might actually be an analogue, and a well-done one, for The Troubles, which I am one million percent unqualified to evaluate - especially since apparently one of the writers grew up in a mixed-race household, and at the end of the day I’m a white guy who may well be talking completely out his ass. But it sure comes off at a glance as some well-intentioned dudes stumbling through stuff that’s not their business, and that’s inextricable from Blake’s character when so much of her story is her navigating through that metaphor. Hopefully with new writers coming onboard this is something that can be navigated more insightfully in the future.

On a purely personal basis however, Blake’s a standout in terms of relatability when her story comes down to a pretty universal shared horror: how to climb back from having fucked up. She tried really hard to do the right thing, was taken advantage of and led into doing things she eventually realized were wrong, was so shaken that she couldn’t tell who to trust, and then the situation spiraled out of control on every possible front just as things finally seemed to be stabilizing. The way a single mistake - enabled and exacerbated by an abusive past relationship in her case - expands into a self-loathing far beyond the bounds of anything she could possibly be responsible for is brutal and completely understandable, and seeing her start put her self-esteem back together with the help of those closest to her and the power of her original convictions is arguably the single strongest, most clearly conveyed individual character arc in the series. I’m very curious where it goes from here: Adam’s finish represents a logical climax and the setup for a happily-ever-after with Yang (or Sun if they end up going that way after all) for her to coast through the remainder of the series on, but the way emotional consequences have played out in the series thus far I doubt her demons are going to be put to bed that simply.

Finally there’s Ruby, and I am contractually obligated to note up front: she is clearly not a Superman analogue. There is precisely zero percent chance that she was conceived as such or was ever deliberately executed in such a way that mirroring him was kept in mind. Though she IS a super-powered idealist raised in the middle of nowhere with a significant deceased parent who wears a red cape, flies, gives inspiring rallying speeches, has black-ish but primary color-tinted hair, and has a mysterious birthright that involves being able to shoot lasers from her eyes, plus she has a dog who also essentially has superpowers, plus she tells someone they’re stronger than they think they are, plus Yang basically quotes a bit from Kingdom Come regarding her in Rest and Resolutions. But it probably goes a ways in explaining why she works so well for me.

There’s more to it than that of course, though it does bring up the closest way in which she relates to the superhero paradigm: she doesn’t go through an arc in quite the same way as the others, instead being an already solidly-defined character who is simply illustrated by how she interacts with the people and situations around her. She learns and grows and matures, but her most basic motivations and goals and outlook haven’t really changed since the day she enrolled at Beacon. She’s a good, caring person, a leader archetype who still has more than enough personality to spare to keep from falling into the genericism that can often plague that role. A big part of the key I believe is that she’s the audience surrogate in a profound way beyond the obvious touchstones of her frequent awkwardness and self-doubt: the reason she does this is because she was inspired by stories. She’s a fan, ultimately, but one who learned all the right lessons, whether recognizing from day one the way reality falls short of the tales she was raised on but still believing in the ideals they represent, or openly holding up Qrow as a role model while being willing to call him on his shit when push comes to shove. It’s a romantic, hopeful perspective that stands out sharply from even our other heroes even as it mirrors their struggles, but as of yet there’s little to suggest it comes from a place of naivete so much as a belief that it’s the only way to bear the pain of the world and continue to believe in it. Bit by bit it’s clear she’s heading for a breaking point, but all signs point to that being a matter of her ability to withstand what she’s been through, rather than any doubt that it’s necessary, and should that time come she’s inspired plenty who’ll be able to help her back onto her feet the way she has for so many others. So while I understand her speeches apparently grate on some, as far as I’m concerned keep them coming, they’re the beating caring heart of the series and often the sole respite in the eye in the storm.

#RWBY #Ruby Rose #Weiss Schnee #Blake Belladonna #Yang Xiao Long #Mental Health #Racism #Superman #Analysis #Opinion

34 notes · View notes

twotommyolivers · 4 years ago

Text

Guest Announcement

1400-word one-scene wonder because I’m in my own head

It was another ordinary day at school, one that the Heroine of Paris would be amenable to sleepwalk through, just like all the other days, when the familiar white noise was shouted down by Alya’s gleeful laughter. She was practically skipping into the classroom to join her three friends, assuming her feet had actually touched the ground.

“Check it out, fam,” she said, her voice coming through grinning teeth. “Who has two thumbs and just got announced as a Guest of Honor at Cartoon Expo?”

Marinette wasn’t so sleep-deprived as to not know the answer. “Wow, really? Congratulations.”

“Yup. Ya gurl here will be repping the Ladyblog in front of a quarter-million fans and I’ll be a guest judge for the Ladybug and Cat Noir cosplay contest and they’re giving me €100 to do all this!”

“That’s really cool. It’s really neat to see someone recognize all the work you’ve put into the Ladyblog. Cartoon Expo has to be massive.”

“Hey,” said a new voice. The four turned to notice Nathaniel looking a little sheepish. “Were you guys talking about going to Cartoon Expo?”

“Not just going,” Alya corrected, starting to channel her inner Chloe, “but going as a celebrity.”

“Oh, that’s cool. I’m helping out a friend of mine with his Artist table.”

Alya softened a bit, “Oh really? That’s cool. I might see you there.”

Nathaniel fidgeted with the sketchbook in his hand. “I dunno, he keeps telling me horror stories about past cons, but I’m hopeful. Of course, I’m too young to have my own table, but this should at least give me experience.”

The turn in conversation gave Marinette a thought. “With both you and Alya already going,” she wondered aloud, “I wonder if anyone else from class will be there, too.”

Nathaniel was the first to answer, “Well I figured Max would be there just on principle.”

Upon hearing his name, the bespectacled boy bounded down to join the other five. “Just what baseless speculation about me are you regurgitating now?”

“You’re going to Cartoon Expo, right?” Nathaniel asked.

“I estimate a 92.7% probability of me being present, with a 7.2 chance of me becoming unavailable due to personal or family emergency, and a 0.1% chance of Cartoon Expo being foolish enough to pull Ultimate Mecha Strike from their tournament schedule. What, are you going?”

“Yeah, I’ll be at table C98 and Alya will be doing panels and stuff.”

“And judging the Ladybug cosplay contest. Don’t forget that,” Alya started doing the Chloe thing again, but luckily two more were added to the conversation circle to divert the topic.

“Hey guys,” said Juleka. “Hey, are you all going to Cartoon Expo?”

Uncharacteristically Nathaniel was the one to answer. “Yeah, Alya’s a guest, and I’ll be in Artist Alley. Max’ll be in the game room, probably.”

“That’s cool. Rose and I will be there, too.”

“Awesome. Do you do the fashion show?”

Juleka quickly glanced down and shifted her weight. “Rose wants to, but I don’t think we’re good enough. We just cosplay.”

Alya lit up like she had hit upon a million-euro idea. “Are you doing the one where the girl pulls the sword from the other? You two would look so pretty in those costumes!”

Sadly Rose and her partner had other ideas. “No,” she said, “we’re going to go as traditional French nobility. I shall be Marie Antoinette, and my dearest,” she added, delicately taking her taller partner’s hand, “shall represent the noble house of Jarjayes.”

As Marinette and Alya were spawning heart eyes at the notion of an 18th century love story, Juleka’s face turned red at all the attention. Meanwhile Nino (who had been there from the beginning) and Max started to turn green. Nathaniel, who had probably seen more pictures of anime girls crossing swords than the rest of the room put together, decided to shift the topic. “Say Juleka, is your brother going?”

Juleka’s face returned to its normal color as she thought. Eventually she decided on “No, I don’t think so.”

“Really? I’d have thought he might be into the virtual idols. It is Luka, after all.”

“He gets really mad about that. I think one time I was around when Nino brought it up to him, and it almost turned all his hair blue, not just the tips.”

Nino grabbed the back of his neck. “Yeah, I didn’t think realize he was on that part of The Discourse.”

Marinette was trying to take everything in, especially the part about Luka getting angry about virtual idols. After all, any potential tip to thwart Hawkmoth could be useful. Circling back to the actual conversation, Marinette decided to speak up to try and regain her footing. “So between the two of you, and Nathaniel, and Max, and Alya...”

“That’s ‘Guest of Honor’ Alya, thank you,”

“Okay, between the four of you and Alya,” Marinette re-emphasized to dig at her BFF, :”who else could possibly be going to Cartoon Expo?”

The circle all turned silent and sort of glanced over in the same direction to a single person, who was there from the start of the conversation, but had sort been playing around on his phone the whole time. Once he had realized they were all looking at him, he sheepishly put the phone away and addressed the group.

“Oh yeah, sorry,” said known cartoon voice actor Adrien Agreste. “I’ll be there too.”

“WHAT?!” Marinette exclaimed as if she had just seen her team lose at the last possible moment.

While the rest of the circle tried not to laugh at the not-unexpected-but-still-funny-overreaction, Guest of Honor Alya decided to set things straight. “Yeah, they’re doing a whole thing with Thomas Astruc and the rest of the cast of the Ladybug movie. It was literally the first thing the con announced.”

“Oh. Yeah. Right. Sure.�� Marinette continue to sputter until her brain finally got back into gear. “Say, Guest of Honor Alya, as a Guest of Honor you get to bring a friend, right?”

“Ahem,” Nino stage coughed.

“Yeah,” Alya agreed. “He sorta has dibs on being my +1 right now. Besides, you could just buy a badge. It’s only €60 for the weekend, which is kinda a lot, but it’s at least not an arm and a leg.”

“Speaking of an arm and a leg,” Lila Rossi said to hijack the conversation, “I voiced the child version of that anime’s main character, which mean both he and I will be at Cartoon Expo as guests as well. He’s even been giving me private voice lessons, and I’ll be more than willing to pass along my new knowledge to Adrien while at the convention.”

Adrien looked askance while Marinette was starting to boil over, but before anything could happen from either of them, it was Alya who interjected.

“Lila, neither of you have been announced; I was the most recent announcement. Also, that dude you’re getting voice lessons from is totally toxic and no one wants to work with him. Actually, you know what? We need to keep you safe. Gimme your phone.”

Lila blinked twice and took a step back. “I’m sorry?”

“Seriously. Gimme your phone. This is an intervention. That dude is bad news and I want to make sure we block every access point to you.”

“Oh..uh...well, I think I may have...oh no, I did lose my phone. I must have left it at the castle of that German nobleman I was with over the weekend!”

Alya’s gaze narrowed. “Okay, but just make sure you delete that one creep’s number. The stuff he’s done to other actors in America is gross, I don’t want to see it happen to you.”

“Sure. Thanks for warning me, Alya.” Everyone else had headed to their seats once the conversation got icky, so Lila decided to follow suit. Mama Bear Alya sat down at her chair shaking her head in disappointment.

Meanwhile, a now level-headed Marinette sat down, somewhat thankful that Lila was caught in her own web of lies, but the mind was still reeling. Adrien was going to be at Cartoon Expo. Alya, Nino, and Nathaniel were all getting in for free as well. One did have to wonder, though, why Ladybug and Cat Noir weren’t invited to be guests.

Perhaps, Marinette thought, she could just go as Ladybug. Everyone would just think it was cosplay, anyway.

#miraculous ladybug #fanfiction #marinette dupain cheng #alya cesaire #I knew I liked Alya for some reason

2 notes · View notes