#I take in information and then just sit

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[bumblingbabooshka]

In 'vis a vis' Janeway doesn't mention B'Elanna in the list of people who're worried about Tom which implies that B'Elanna didn't report the fact that "Tom" grabbed her arm, called her a disappointment and broke up with her (as Janeway definitely would have mentioned it as evidence of him acting strange if she knew about it) which makes sense on several different fronts but also makes me scream and cry loud enough to break glass.

[firebloodbirthdeath]

“That was the trouble with slow people. Give him a fool any day. Slow people took some time to catch up, but when they did they rolled right over you” - Terry Pratchett, small gods

In small gods this quote always stood out to me and I think I just realized this idea is so core to the book and the general arc of the book. Like this is one of Brutha’s core traits and also kind of the primary arc of the book. I think unlike most protagonists with an arc of the sort Brutha has, as well as in comparison to the other people fighting Vorbis, he takes a long time to really seemingly leave the harmful beliefs behind. However when he does he bowls everyone else over.

This quote, as well as Brutha’s characterization in general, also made me think about what exactly slowness is. I think, at least in this case and context, slowness is taking the time in your thought. Brutha really takes the time to come to conclusions he comes to. He thinks about what he is learning, and some of it is probably partially denial, but in comparison to other characters that deal with this kind of situation there is not a lot. Instead it is more like he comes to his conclusions slowly and with consideration.

[ef-1]

girlhood

[gayofthefae]

Here's the thing about season 3. Nothing was a secret. There was no lining or buildup. They cleared up the miscommunication in episode 4 and she stood by breaking up with him anyways.

From there, just like I say about Will's feelings being unreciprocated, the problem is unactionable, so there's no lesson and nothing for us to root for.

Mike wants to get back together with El. She knows that. Nothing happens.

The L bomb was dropped as a false sense of momentum, because there actually wasn't any because him not saying it wasn't the problem so it shouldn't be the solution. Usually you have pining. Think the full season breakup story they did the following season:

There was pining. There was investment from US. Because there was setup for confession. Because something was withheld to be revealed. "You know I really like you but you don't know I love you" does not count. Lucas didn't know Max wanted to get back together. They had been broken up long enough and Lucas was respectful enough that Max couldn't be sure either. That setup investment for the notes passing scene. That set up his NERVES in it. That set up me being excited when I saw their first kiss in her 4x04 happy memories sequence. And satisfied to have predicted the Snow Ball as her happiest memory. If Max had known he definitely wanted to get back together as soon as she was ready again and wasn't going to move on at all, there would be no stakes.

Mike wanted to be with El. Then she didn't want to be with him. She can't have the nerves of confessing to him she wants to get back together because she already knows he does. He can't have the nerves of confessing he wants to because he already has. And they didn't establish them as friends solidly or for long enough like they did by establishing that Lucas and Max had ALREADY broken up as opposed to a 6 day breakup arc to make it so that they became unsure of what they once knew to me true of getting back together. Severity of wording changed and El loves romantic tropes in movies so it had influence but really:

Mike had no information to add that El didn't already have. El had nothing stopping her giving Mike information as soon as she had it. There were no stakes. So I didn't care. Whatever happened, cute. That was my thought process. But I had no real investment anymore, unlike when they were building to confession or fighting to get back to each other, because I knew as soon as she wanted to get back together they just automatically would be. So if you, like you were meant to, believed that Mike loved El and knew that she knew that, that scene where she said it back was cute. But not satisfying.

There is nothing to be resolved. We're watching events take place sequentially. Because when there are no stakes, there's no real goal either. Mike invented one for himself because he was uncomfortable with the idea of how comfortable he was broken up.

Tldr: Mike and El's relationship had no secrets and therefore no stakes or opportunity for confession in season 3. El telling Mike she loved him was cute, but not a "confession". Because, just like Mike telling her he loves her in 4x09, if we (think we) know how the other person is feeling and will react, we can't at all invest in the feelings of nervousness or satisfaction that the confessor is feeling.

Season 3 and 4 uninvested us by feigning plots in which they gave us no new information. And bored us. If you know exactly how a scene will play out all but exact wording, you will space out because you can. A writer never wants you to be able to space out and miss nothing. (Until they don't want you to miss what's happening when they take it away)

[yashley]

you ever think about how a choice that wasn’t even really a choice for fearne, but her being the only one with the ability to perform the ritual that made it her* choice as everyone around her buckled to try to help her out of that situation and the ramifications of that choice that she had scarred her so deeply that now she is terrified of making another mistake that will dramatically affect the people around her who she loves, and then when another situation followed, she was led into a situation that she did not want to be a part of, but under the veil of friendship reluctantly assisted and it blew up literally once again, took that overwhelming burden of guilt and while her friends stood by and once more let her be alone in her guilt and scarred her further.

now it feels like she can’t make any choice for herself, she can’t make any move because that will ultimately inevitably lead to her making a mistake and all of her precious friends will look down at her in disappointment and that there is not a single friend amongst them who has the emotional wherewithal to what’s happening with how fearne has changed and how she is shutting in on herself and how she is slowly imploding breaking at the seams because she’s being lost in the sea of guilt and no one else notices and no one else sees that she feels like she can’t do anything anymore from the smallest carefree little action that has no plot repercussions to a character centered decision that is integral to her own character arc that has been in the works for her character since the campaign’s conception

now she can’t even say anything, and if fearne does have an idea to do something. She quietly mutters it, and if they hear her they hear her enough to respond that ehhh that's not a good plan and that’s not gonna work and we’re not gonna do that. We’re gonna do this and fearne being fearne, trusting in her friends and doubting herself to the point of despair will nod her head that they were right and then we go on with our day until the next moment happens where she wants to think of something, she wants to do something, and it’s dismissed as the silly dumb fearne not thinking, that She has her own thoughts and feelings, and drives and desires but because she is drowning in doubt and drowning in guilt, She freezes up and doesn’t move and everyone around her just pushes her on, and even in the moment where she is faced with the situation that she is terrified of undertaking, and she is terrified of becoming a Nightmare version of herself her friends push her forward, her friends dust off her shoulders say your doubt is misplaced, and don’t worry about it and you need to do this, it should be you. This is for you.

They just completely dismiss and ignore her when she actually does speak up so what does that do? that means that she remains silent. She doubts herself more. She even more will only make a decision if it’s signed off by all these fucking people around her who claim to be her friends. she can’t even move without frantically looking to people around her for confirmation that that’s a good idea she’s not gonna fuck up. Everything about her that was supposed to be free and fun and sweet has just rendered her into a character who feels like they have as much agency as characters who would be absent for the majority of the campaign.

shes been so chained up by doubt and so chained up by guilt and hesitation and fear that she just is a person who affirms everyone else’s desires and ideas because what she wants will inevitably end up being horrible and everyone will hate her for it and they’ll leave

and it’s like if they deem fearne even capable enough to be the vessel she will leap at the chance to be useful and to be told her path and it’s like. fearne was ruidusborn first. how has this campaign done such a disservice to her character that the only thing fearne is certain of is that she doesn’t really matter. she’s a ruidusborn and holds a primordial titan of fire inside her, and she still believes she doesn’t really count are you kidding me

[overtake]

If i see one more person spread “news” sourced to outlets like f1-insider… please actually pay attention to sources and use critical thought about where it came from. these accounts want their engagement numbers and will share information derived from a fucking reddit comment if they think it’ll earn them a few extra dollars. there’s always an off chance these bullshit tabloids are right, but they almost never are, and a legitimate source will come along if there’s any whisper of truth to it. i just beg of people to simply wait for sources with the slightest bit of credibility to their name before they start sharing information.

[theres-whump-in-that-nebula]

When you have to take off your socks to change into clean socks and your bare feet touch the floor for exactly fifteen seconds and the dry, smooth sensation makes you want to chop your toes off

[icewindandboringhorror]

There's always a slight yearning in the back of my mind wishing I had been born in the right place, time, family situation, income level, etc. to have just lived in one single house for my entire life. Imagine being born in a place that still suits you, even through all of your personal evolutions and etc. The idea of deep familiarity with an area because you've lived and explored it for 40+ years, being encased in a web of memories and connections. Being able to clean out your old childhood bedroom and find personal artifacts, to dig in the yard and remember. I know those lives can still be plenty imperfect, but there's just something so seemingly solid and stable and Grounding about it that I sometimes wish I could have.. (At least from my outside perspective as someone who's moved around a bit geographically and even within the same area, never lives in the same house/ apartment /etc. for more than a few years usually.) Like... having a place that is printed upon, fully your own, rather than chronically a visitor, every thought of a space always tempered with the notion that one day soon you'll have to pack it all up again, etc. There's something peaceful about the permanence.

[lunar-wandering]

head hurty

[ravenkings]

i don't know if this could be considered a reactionary or anti-intellectual sentiment or something, but does anyone ever have the experience of wanting to consume older media (and by older i mean like pre-2010s) specifically bc you don't really want to deal with endless discourse around it? and when i say this, i don't necessarily just mean negative or critical discourse, but also like obsessive fan discourse that discusses every single little detail from every possible angle and has even created micro-discourse about those specific analyses.

like, for example, i'm thinking of challengers, which is a movie i really enjoyed and which i do mostly enjoy engaging in discussion and analysis about, and which for the most part seems to have been received positively, but there's something i find so exhausting about engaging with it sometimes (and by extension a lot of contemporary media) because it feels like you are required to have a Take on it. i'm also thinking about all those articles from like vulture or variety or whatever that are titled things like "we need to talk about THAT scene" and all the stan accounts and it's just like............idk i wish we could just let the art BREATHE sometimes, you know? not everything NEEDS to be discussed to death....

and like...this isn't to say that there was never tons of discourse around older media (DEFINITELY not lol) but, i guess, because there was no social media back then and no algorithm to track your movements online and to put its finger on the scale occasionally and no endless content slop machine and people's attention spans weren't totally zonked, it feels like it was less............omnipresent? idk i guess the point i'm trying to make is i wish we as a culture could just let works of art just like.......exist and breathe for just a little while before we launch into our Hot Takes

[bookwyrminspiration]

intergenerational friendships are completely normal and the shift in thinking that we should only be friends with people from our age group is limiting vs i am a young feminine person and he is an older man and there are creepy people in the world who are good at pretending to be friendly and innocent so am I going to die, a rational essay

[bismuthburnsblue]

Help me design a dress!

this is our fabric! (left is the product image, right is my actual piece of fabric- ruler on the left is cm, on the right is inches, to give you an idea of print scale) its the black version of the break up robe print, in a lightweight & crisp cotton. i have 4.5m (5y) so it should be enough to make most designs, though some will require consideration in the cutting- we will get to that later though. (the fabric is also narrow, i think its only 110cm wide. (its still folded in the picture))

my goal here is to make a comfy wearable dress, something pretty casual & everyday in silhouette, but i would also like if it was possible to style up for a more formal look. most of my inspiration for this project has come from 1950s dresses, because thats a style i lean towards for myself, though im not aiming for anything "true vintage" or anything. im also fond of lolita dresses, so im more than down to draw inspiration from those also!

also, the print is pretty bold compared to my usual style, so ive considered doing some kind of translucent (chiffon, tulle, mesh) overlay to tone it down so its more wearable in my wardrobe. this will entirely depend on it working with out final design, and even then, ill offer you the decision at the end! ultimately, i still want to be able to appreciate the fabric. (for sewing people: id intend to do it as a flat lining, so it sits right up against the fabric underneath, not as a complete separate layer. i find this makes it block out the design slightly less) doing this could also help with adding structure to the dress, which i already think some designs might need, considering how thin the fabric is.

ok now the brief is out of the way, onto the first decision for the dress: the shape of the skirt. if you want to vote based entirely on vibes, feel free to click away, but i have included some more writing about each option & its ups and downs in this particular project under the cut (also pictures of each style if youre not so familar with what they are!)

& the propaganda for the options:

Circle skirt: you can never go wrong with a circle skirt- theyre probably my favourite to wear overall & i especially like the low bulk join to the waist as i sometimes find things with gathers dont sit as nicely on me. the way circle skirts are cut also gives them a movement that the other two methods simply cannot compete with in my eyes.

The main downside is working a circle skirt with this particular fabric. the fabric is not wide enough to cut the entire front as one, so i would either need a centre front seam or to make it a 3/4 circle skirt- something im 100% ok with, i honestly find at midi length a full circle to be too much sometimes. (there is technically the option to have full circle but rotate it so the seams are at side, but that might then mean i have to do some shenanigans with where the fastenings go). also, because the design is directional, each quarter will need to be cut so the seams end up on the bias, which makes for an Incredibly inefficient cutting layout. (again, if theres a CF seam, thatll be on the diagonal of the design, which really defeats the point of putting in the effort in the first place, to me.) i think i would be able to get all the panels i need out of the piece of fabric i have, but i think i would be a bit more limited with top options as i try to make sure to use as many of the small pieces left over as possible.

Gathered skirt: these are by far the easiest to do in terms of sewing. in my research into casual 50's dresses about 90% of all pictures i saw featured a dress with a gathered skirt (or actually, a lot seemed to have tiny pleats that give the effect of gathers, like the coral one. if we vote this way, i would be tempted to go try them as i think it might solve my bothers with gathered skirts in general)

i generally find gathered skirts less flattering on me- they add bulk at the waist and then hang straight down off the hips (when not puffed up with a petticoat) and thats generally not something i like on myself. i could improve that though by bringing more fabric in to increase the hem, and adding horsehair braid to the hem to help it swoop without additional support (again, my goal for this project is causal day dress)

this pattern uses the least fabric i think, depending on how much you put in the skirt- i think i should get a perfectly satisfactorily full skirt from this with less than 2m of fabric used. (honestly might end up too efficient- id like to use up all the fabric i have in this, and i really dont need that much for a bodice. i can see myself adding 4, even 5 widths into the skirt to use up yardage. i dont particularly see that as a problem though)

despite my reservations because of gathered skirts ive made before, for this project it does have one massive point in its favour: the fact that its still a full piece of fabric. all other styles here all cut quite significantly into the design to create their shape, while this be one panel of the fabric from edge to edge. preserving the design of this fabric is pretty high on my priority list, after all, i bought this fabric specifically because it was the OFMD break up robe print. i want whatever design i make to work with that.

Tiered skirt: for me, tiered skirts are the best of both worlds in terms of the effect they give. the fact each layer doubles means they keep some of the swish a circle skirt gives (and, i find, they tend to have more of the A-Line shape of a circle skirt too) while not being quite so consuming of fabric as you cut. i couldnt find many examples of 50's dresses with them (though i did find some) so i do feel like this style pulls more towards the style of lolita dresses & that might be reflected in the options i offer in subsequent rounds.

if you know anything about petticoats, then youll notice that this style of skirt is essentially the same construction as them (though petticoats often introduce extra layers and ruffles and.....) when ive made this style of skirt in the past i have found that it holds volume much like a petticoat does, without the need for an extra undergarment- something thats great for a casual dress!

I was thinking three tiers is the ideal number for this dress, though i could make it only two. i dont think i would make it more as, if i keep them even (which was my intention, though i am also fond of the styles that increase with each tier like my example images) then each tier will probably be 20cm wide, which is already looking like itll cut into the features of the design. i think that is the single biggest downside for this style- i wont reasonably be able to do much 'fussy cutting' either to work with the print, its simply not practical to do on this scale.

At a rough estimate, i think this is gonna use 3m of fabric in the skirt, which puts it slap bang in the middle in terms of fabric efficiency. i should have plenty enough to do it, maybe even to increase it if i want to, while still being pretty unlimited about what i do with the rest of the design.

one last thing- trim! one unique feature of this design is the opportunity to play with trim on the skirt itself. i do have some bodice ideas that play around with trim, and it would be really nice to introduce it into the skirt too, if we go that way. it could even be a fun nod to the piping on the original break up robe!!!!

Something else (comment): while doing my research i came across SO MANY design ideas that i could play around with. for this poll i picked the three i thought would probably work the best for this project, but i wanted an opportunity for you to yell at me if you want something different entirely. feel free to suggest anything you like, but ive included a couple images as examples of styles i saw a lot. i especially saw a lot like on the left, with gathering or ruffles off to the side, but the front panel being pretty flat. this might be real fun for some designs like shirtdresses, but im not super confident on how itd look on me. either way, feel free to form a coalition in the replies to tell me how i totally should have offered you this one particular option.

(if you vote for this but dont comment, im discounting it from the overall stats as i have no idea what design you mean! your welcome to send it in on anon if that bothers you, but either way, ill need a description :P )

[zaggyzoo]

bad day all around 👎🏻

[lightblueminecraftorchid]

I love learning ASL it’s so good. Makes me happy to learn it. I’m so glad my university has classes for it with professors actually steeped in Deaf culture.

[cloudcountry]

edgar's mc is literally me. i dont know how i feel about this.