#I still have a lot of affection for it but for all its interesting female characters it's still very gender (derogatory)

[mariasont]

Hello baby borl can you write a spencer reid x reader where they are kind of awkward but they still are relatively outgoing but they never EVER make the first move so they just vaguely flirt with him but very awkwardly like... maybe they have an obscure favorite animal and they tell him about it and then they compare him to it and its funny bc its like.. a slug or a spider (an animal that many ppl dont like and dont find attractive)

Arachnophobia - S.R

a/n: i dont know if baby borl was a misspelling or not but i am obsessed with it and i will now be referring to everyone as that from this point forward

ALSO thank you so much for the request i <3 an awkward reader truly

masterlist

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: spencer reid x reader

warnings: spider! ah!, reader climbing on a chair like that's a little dramatic if you ask me, spencer being a little shit, fluffy fluff, cuties being awkward, comparing spencer to a female spider!

wc: 0.9k

"Oh my god!"

You didn't mean for your scream to be as loud as it was, it was more instinctive than anything, not having enough time to stifle it as you hopped upon the closest desk chair. Unfortunately for you, that chair happened to belong to the object of your affection—Spencer Reid, resident boy genius and pretty boy.

Pretty boy was the understatement of the century. He was the embodiment of aesthetic perfection in your eyes, a vision of loveliness that seemed almost otherworldly.

But that all receded to the edges of your brain, your gaze laser focused on the teeny tiny crawler scuttling across the carpeted floor beneath you.

"Is there a reason you're standing on my chair?"

Spencer's eyes were trained on your shoes, a frown forming as he undoubtedly considered the microbial invasion spreading from your soles to his well-maintained seat.

You couldn't say anything, mouth snapped shut as you just pointed to the hairy thing. He quirked an eyebrow, following your gesture before a soft chuckle escaped him, head shaking in the process.

You narrowed your eyes, not finding the same humor in the situation as he was. "Spencer, it's not funny. Get it please?"

"Well since you asked so nicely." He moved towards a box of tissues on his desk. But you grasped his wrist to stop him, your balance faltering, and a tiny squeal escaped you as you teetered on the edge of the chair.

His hold on your hip was immediate, the closest thing in order to stabilize you is how you rationalized it, saving you from an imminent face-to-floor meeting.

"Sorry," you said sheepishly, a low buzz spreading from your head to the spot where his hand enclosed around. "Don't kill it."

He gave you a pointed look, but then grabbed a plastic cup by the water cooler. You missed his hands on you the second he was gone.

He crouched down to where the spider was crawling around, carefully shoveling it into the cup.

"Don't hurt its legs!"

"I feel like there is a lot of protesting coming from someone who can't even put their feet on the ground right now."

That shut you up. A soft pout found its way to your lips as you folded your arms defensively. His smirk grew at the sight, and you couldn't stop the delightful warmth that bubbled up inside your chest, sticky and potent.

"Once the spider is at a safe distance then I'll come down," you said with a shrug.

He expertly secured the paper over the clear cup's mouth, trapping the spider inside. "All clear."

You watched his hands warily, your lips forming a tight line as you stayed put, eliciting an exasperated eye roll from him. 

"It's not going to hurt you."

"You don't know that."

He angled the cup towards the light, inspecting the bug with a squint. 

"It's unlikely you'll ever be bitten by a spider. They aren't interested in humans. They don't seek us out like mosquitoes or ticks do." He moved the cup in your direction. "This is just a common house spider, known scientifically as Parasteatoda tepidariorum. Completely harmless."

"It doesn't look completely harmless to me," you countered, wrinkling your nose and leaning back.

You almost lost your balance. Again. His hands found your waist. Again.

"How about you come down now?"

"Right, sorry I know you're probably freaking out about my outdoor shoes on your chair."

His hand moved to grab yours as you stepped down. "I'm more concerned about the potential of you cracking your skull."

You beamed, a wide smile lighting up your features as you planted your feet firmly on the carpet. "Eh, I'm pretty much indestructible."

"Tell that to the spider."

You tried to glare at him, but you were sure it came off softer around than edges than you intended, because you weren't really annoyed. Spencer's ease in teasing you was a recent development, it had taken ages to get to this point. The roles used to be reserved, but then you fell in love with him, and now every word you spoke had been nothing but overthought and stiff.

"He is a little cute actually." You stepped closer, gingerly at that, maintaining a safe distance just in case Spencer decided to pull any funny business.

"Well, he's a she."

"Oh, how impolite of me," you said, as you crouched down to bring yourself face-to-face with the spider.

"Interestingly, the female common house spiders are known for its problem-solving abilities when capturing prey. If the first attempt doesn't work, it will try different strategies, which shows a level of adaptability and intelligence."

"Awh, she's kind of like you, isn't she?"

You wanted to slap a hand over your face. You sounded like an idiot. His eyes narrowed, and then that charming little smile broke through, a little uneven, making him all the more appealing.

"That feels offensive."

You couldn't help but laugh, your eyes crinkling in response. "It's not, I swear, that was supposed to be a compliment."

"I'd be careful with those compliments, wouldn't want to inflate my ego too much."

Maybe tomorrow you'd tell him how you feel. Probably not.

taglist: @hotchhner @khxna

[cer-rata]

An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to

[sleeplesssmoll]

Reverse 1999 Connections to History: Wandering Womb & Hysteria

Isolde, Evangeline, and many other women were diagnosed with these "afflictions". This is a SFW run-down of Wandering Womb & Hysteria. I won't go into graphic details about anything, but its still one of the darker aspects of history. If this makes you uncomfortable, please skip over this post or stop reading!

For those who read on, we have a special historical figure with a last name you should all be familiar with! I'm excited to share my findings with you! All sources will be listed below. If I was a good Smol I'd include in text citations but I forgot to do it as I went. But who doesn't enjoy a scavenger hunt? Channel your Sonetto energy and read on!

Please feel free to add on or correct anything I got wrong. I left out A LOT for the sake of brevity and sensitivity but there is a lot to chew on in this topic.

Wandering Womb Concept:

Definition: Belief that a displaced uterus caused various medical issues in women.

Description: Aretaeus (2nd century AD) described the uterus as moving freely within the body, reacting to smells, akin to "an animal within an animal."

Scent therapy: Like an animated creature, the uterus was believed to be attracted to sweet and pleasant perfumes and repulsed by foul smells.

However, future generations would move away from blaming the womb and pin the blame on women's "weaker" minds and bodies. It's one of the "illnesses" used to demonize or claim superiority over women. The way this illness was weaponized is extremely sinister but I'll leave it to the reader to look further into that if they want to. A Victorian woman going through menopause was often considered to be emotionally unstable. During this 'climacteric period', she may well have been prescribed leeching or bloodletting from the ankle. Her doctor would have advised against reading novels, going to parties and dancing. For a 45 – 50 year old Victorian woman, an onslaught of instability and madness was considered inevitable. Interesting how the "curse" on the women in Isolde's family killed them before they passed the age of 40.

The bullshitters (There's more well-known men with opinions but I'll keep this short and relevant to Reverse 1999):

Aretaeus: Advocated the mobile uterus theory. The origin of bullshit.

Edward Jorden: Popularized the concept in the 17th century through his treatise "The Suffocation of the Mother" (1603), linking it to hysteria and witchcraft. The spreader of bullshit. The Suffocation of the Mother connected the phenomenon of hysteria with actions like singing, laughing, crying, and choking.

Hysteria:

The idea of hysteria linked to the wandering womb, evolved from ancient Greek "hysterical suffocation." It was described as exhibiting a wide array of symptoms, including anxiety, shortness of breath, fainting, nervousness, sexual desire, insomnia, fluid retention, heaviness in the abdomen, irritability, loss of appetite for food or sex, even sexually forward behavior, and a "tendency to cause trouble for others". It is no longer recognized by medical authorities as a medical disorder. Its diagnosis and treatment were routine for hundreds of years in Western Europe. Even though it was categorized as a disease, hysteria's symptoms were synonymous with normal functioning female sexuality. In the context of hysteria, every symptom and negative thought was linked to sex (also it was problem if you didn't want sex either). Essentially, you were "sick" because you were a woman. Woman disease. How dare females exist 😰

Hysteria was thought to affect only women until the early 1600s. Thomas Willis' concluded Hysteria originated in the brain, not the uterus, implying it could affect men. Despite Willis' findings, hysteria remained a common diagnosis for women, particularly in Victorian times.

Franz Anton Mesmer advanced the theory of hysteria, influencing John Elliotson and James Braid. Elliotson believed mesmerism was particularly effective for hysteria, noting it was not exclusive to women and also affected boys and men. Mesmerism is hypnotic induction held to involve animal magnetism, but we usually use the word "hypnotism". This man appeared in an old journal I was skimming and jump scared me!

Freud's Influence:

Freud shifted focus from physiological to psychological causes. He moved away from Charcot’s hereditary theories, emphasizing psychological rather than genetic or physiological triggers (mind rather than body). Repression is the basis for hysteria. Traumatic memories must be repressed to cause hysterical symptoms. Freud’s therapy aims to bring repressed memories to consciousness to alleviate symptoms. We can see Kakania using this method on Isolde.

Seduction Theory: Freud initially believed that actual childhood sexual abuse caused hysteria but later revised this to include fantasies. This shift was influenced by public resistance and scientific criticism.

Freud's Contributions to Hysteria Theory

Etiology based on nurture, not heredity.

Pubescent experiences as triggers, not causes.

Hysteria redefined as a psychological, not physiological (this one is a very big deal. He was quack, but this shift in perspective is why we've progressed so far in caring for people with PTSD, depression, and so on).

Emphasis on sexual infantile experiences and repression.

Gender distinctions in hysteria based on psychological attitudes towards abuse.

Modern Diagnoses and Connections: Symptoms previously labeled as hysteria are now diagnosed as:

Somatic Symptom Disorder: Characterized by physical symptoms that cannot be explained by medical conditions.

Dissociative Disorder: Involves a disconnection from reality, often linked to trauma.

Conversion Disorder: Involves neurological symptoms without a neurological basis, often linked to psychological factors.

However, there are many other potential diagnosis since hysteria is so broad and vague.

Sources

[tyrantisterror]

A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

[a-twistedheartslonging]

The recent Book 7 release has put Vil and Rook on the mind, so do you have any particularly interesting courtship or relationship headcanons for your nonhuman AU? Thank you :)

My god Rook would rizz you so hard, we already know how he is as a human, though I've seen headcanons that he might have some beastmen in his blood it just isn't obvious/is distant or something like that.

Anyway...

He's enigmatic with a passion for all things beautiful, something Rook very much views you as regardless of what you think of yourself. He's very enthusiastic about supporting those that he admires so be ready for him to be supportive and encouraging as fuck. Yeah, he's gonna be weird about a lot of stuff but Rook is almost always genuine in his intentions.

Expect poetry and love letters to hit your door by arrow every morning.

Ah...Birb Boi Love.

When the night sky envelops the world in its cool embrace, a ballet takes place on treetops and secluded clearings— the dance of owl courtship. 

Serenading the night. Rook is already a great singer and loves to do it, with owls the males often initiate the mating process with a series of hoots. Though with him I'm pretty sure it would be actually singing that he graces you with...but still...it's kind of funny to think about...heh horny hoots.

He might be hoping for you to join him since female owls might answer back, leading to a duet. This vocal interaction strengthens the bond between the two owls and sets the stage for their partnership.

Gift giving, males often present food gifts. This act not only proves the male’s hunting prowess but also his ability to provide for offspring. He knows he can't just leave his fresh kills at your doorstep. Instead, he will use his cooking skills and bring very yummy meals cooked and caught by him. Will give a few happy hoots if you agree to letting him feed you.

He's going to bring you a lot of stuff, not just food though. Keep in mind the guy is well off and for a lot of creatures it's important to keep your mate well groomed, and he gets the good shit from Vil so expect to be gifted the best, lotions, shampoos, and skincare stuff. Along with clothes that seem to fit you perfectly...hmm how did he get your size?

Once a bond begins to form, owls might engage in mutual grooming, a sign of affection and trust. Please let him do your hair and nails he will be so happy. He gets to help you be even more pretty, gets to touch the person he likes, examine your interesting human features. He's actually someone you can trust to bathe with/wash your hair for you without trying anything regardless of his romantic feelings, even if you're nakey.

Nuzzling and nibbling will also happen, he knows you're a fan of his soft feathers and floof and will puff up to lure you in for cuddles...and then he'll get you with those gentle nibbles and nuzzle against you. At least with him, you won't have to worry about getting covered in fur after like with the others, but you might end up with a feather in your hair and will diffidently smell like Rook

Territory plays a vital role in owl mating behaviors. Male owls fiercely defend their territories from rival males, ensuring they have exclusive access to potential mates and sufficient resources for nesting and rearing young. Territory disputes often involve vocal and physical displays, including wing-spreading, aggressive posturing, and occasional physical combat.

As a result, any of the other guys should be wary of arrows flying their way when they get near Ramshackle once Rook gets to that stage in courting. The tree near your window was already one of his favorite spots before this started. I don't think he would start any fights though, not that he would need to, people tried to keep their distance from him before already.

The mental image of him doing the aggressive postering is funny though.

Hmm...wait...no...

...yeah, I can see how that would be scary if it's a man-sized owl creature doing it at night with glowing eyes and he's probably doing a weird honhonhonhon French laugh thing. He's going to scare the shit out of someone.

Some owl species, like the barn owl, engage in dramatic flight displays, which can include dives, spirals, and impressive swoops to impress a potential mate. He would definitely show off and even offer to carry you so you can enjoy a nice flight with him...you might see him divebomb someone, he doesn't actually touch them but gets pretty close.

The man loves his privacy so will likely pick a spot in Ramshackle away from everyone else to make into your love nest, only the finest blankets and pillows will be used, that fancy silk stuff you know?

Hmmm Vil.

I've thought about him ether being a Peacock-

Or a secretary bird.

I'm not sure what suits him best but I'm sure regardless his courtship will be flashy. You'll probably end up with a tail feather smacking you in the face at some point.

I might be able to think up something if you guys send in some ideas.

[zaraquinn]

i wish you love.

chapter iii | valentine

—————

summary: after an odd parallel dream, reader and robert’s affections start to show; progressing their relationship to the most desired path.

—————

tw: MDNI!! smut (p in v, no protection {wrap before tap}, depictions and mentions of domestic abuse, manipulation and a toxic relationship

word count: +2.7k

female!reader x robert fischer (inception)

author’s notes and additional notes: sorry for the delay but here is the next chapter of i wish you love! a little confession: this chapter was in a stalemate status for a while. I thought since the second chapter didn’t get as much feedback and traction as the first chapter i thought interest quickly disappeared. but i had many people wondering for the next chapter, and it made me happy that people were still interested! thank you for all that have been waiting and reading, it means a lot. also, if you want to be part of the tag list, comment below and i will add you to the growing list on the series masterpost. it will be updated every time there is a new chapter uploaded. it keeps everything together in one (both the location of the tagged accounts and the chapters of the story) so it’s easier to access. anyway, enjoy the new chapter :3

xoxo

- zara q.

—————

! masterlist !

! series masterpost + tag list here !

—————

Robert blinks a few times, finding himself standing staring out his window in his high-rise office. His suit jacket hung on his chair and his sleeves were rolled up, showing his forearms. His ears feel muffled at first but everything comes back for a moment, and the voice that has been beckoning at him now becomes clear.

“Robert? Are you okay?” Your voice echoed through his office. He turns around with a confused look. His cheeks suddenly felt wet, and touched his face, realizing he was crying. You stepped forward, your smaller hand gently reaching towards his face to wipe away the tear falling. Your face, as angelic as ever is perfectly lit from the soft sunlight coming from his windows in the office.

Your hand then rests on his cheek, his hand immediately meeting yours and intertwining your fingers with his. He brought his other hand to cup your cheek, mirroring you. He looks at you with such adoration in his eyes, a sparkle that only intensifies when he closes his eyes to relish in the moment. Robert closed the gap between the two of you, his lips finally gaining the courage to touch land on yours.

His lips were so soft. They fit so well like it was meant to be there all along. Relishing in the kiss, he pulled away suddenly, taking a breath for a moment. His eyes stayed closed as he could feel the rush of emotion fill his body and flood his eyes. Your soft fingertip wiped away another fallen tear as one of his hands held onto yours on his face—keeping in place with such softness.

“I’ve dreamt every night about doing that to you.” He mutters; his voice as gentle as a whisper. You smile. “Me too.” You close your eyes and lay your forehead on his. Both of you breathe in each other’s scent as he moves closer to you, closing the gap once more.

He pulled you close, his hands travelling to your waist and all over your body. He wanted to relish in this moment, wanting to memorize every single part of you. You took a breath and moaned at his touch, feeling his lips travel from your lips to your neck. He gently pushed you back onto his desk, his hands now making its way up your skirt. Robert felt the soft fabric of your panties and slowly pulled them down your legs to the floor, using his hand to lay on your slick heat. You were already soaking, his hand already collecting your juices. You instinctively lifted a leg to wrap around Robert, and he adjusted accordingly, giving you more room for you to spread your legs. You felt your pink slit touch his pants, and Robert, as hard as ever frantically started to unbuckle his belt.

He let go of you momentarily, and you whimpered from the loss of contact. Once he was able to get his cock free he quickly attached himself to your lips and lined himself up at your entrance. “Make love to me Robert.” You moaned, desperate to feel him inside you. All he had to do was nod before he slowly slipped right into your dripping cunt. Your total slickness making it easier for his thick cock to fit right in. “Robert!” You yelped in pleasure as you felt him inside you, filling you up to the brim, making you feel full. He held you close, making sure to steady you on his desk as he slowly pulled almost all out of you. He then snaps his hips forward, filling you back up and just hitting that sweet spot that made you moan out loud. He makes a slight grunt, being in absolute paradise between your legs. “Y/N,” he said breathlessly.

He looks into your eyes as he starts a steady pace, sweat starting to build up on his forehead. His perfect brown hair bounces as he buries himself deep into your soaking cunt. “Y/N…” he says in between breaths. “Yes, Robby?” You return his words, moaning and squeaking through each pleasuring thrust he gave you. “I—”

Suddenly, his office doors burst open. His father and another man appear surprised in the hallway. That surprise suddenly turns angry as they yell the pair’s names at the sight. Robert stops and hugs you tight, protecting the scene and your body with his. You go completely still at the moment.

“Robert?” “Y/N?”

Maurice Fischer's voice booms in shock and disgust as Y/N’s boyfriend fumes in rage at the sight. His voice, louder than Maurice’s, echoes through the room. He quickly pulls out a gun and men start swarming the room, pointing it at both Robert and Y/N.

“What the fuck is this?” You quickly push yourself off and Robert fixes himself up. Afterwards, he pushes you behind him. One arm holds you close while the other is stretched out towards his father and Y/N's boyfriend.

“Let’s calm down, okay? We can sit down and talk about this. All of us.”

His voice is shaky but remains soft. You clutch onto the back of Robert’s shirt as you step beside him, holding your other arm in surrender. “Please, let us talk.”

Maurice gives one look at you, then to his son, and then the man you hated calling your boyfriend. He sighs. “I’m afraid that’s impossible, Y/N.” You look at Robert with pleading eyes as he grabs your hand. Maurice Fischer nods ever so slightly, and in a blink of an eye, Robert’s on the ground. A bullet through his chest and blood on the ground. The bullet coming from your boyfriend’s gun as he points it at Robert’s head.

Before you can even react to stop him, one of Maurice’s men’s guns goes off behind you, and for a split second of pain, it is also gone.

—

You wake up in a cold sweat and sit up from your pillows. You check the time on your bedside and realize it's 7:30 AM. Turning around slowly, you see the sleeping figure beside you with his eyes closed; like a dormant bomb, ready to go off. Pulling the sheets off you take a breath and get ready for work. The memories of your dream rush through like a current of rushing water. Robert’s gentle but fiery touch on your skin as his hands travelled throughout your body, the way his cock felt inside you and the next was the fear, panic and pain that ended sooner than it started. You open your eyes and look in the mirror for a moment; shaking your head of the dream before it further distracts you from getting ready.

Robert’s eyes shoot open and he sits up from his bed. Lonely and all alone. He holds his head in his hands for a moment, replying to the last bits of the dream he had before it slowly fades away. He checks the time on his bedside table; at 7:30 AM. Tiredly flopping back down on his bed, he stares up at the ceiling for a moment. His eyes close for a moment and parts of the dream relapse in his memory: the way your soft skin felt when your hands admired your body, to how tight and warm you felt wrapped around his cock and then the sheer devastation his heart felt when he caught you on his arms with a bullet hold through your head. He had no time to react when he too, felt a pain hit his temple and then the dream was over. He gets up from his bed this time, rubbing his eyes and shaking his head.

—

You get to work, holding the coffee and breakfast sandwich you knew Robert favoured in your hands.

You felt slightly nervous to see Robert—even though it was a dream, you were worried that the feelings you had floated to the surface of your face and he would notice. So, you kept your eyes downcast when you knocked on his office door.

“Y/N.” his voice, gently beaming from behind you appeared as you turned around. You softly gasp as he puts his hands up. “It’s just me. I’m sorry I startled you.” Robert chuckles and glances at a coffee cup in his hand before handing it to you. His other hand making its way into his pocket. “I brought you this.” Your brows furrowed in confusion as you giggled at the sight. “Robert, you do know it’s supposed to be the other way around? The coffee should be in my hand, for you.” You playfully answered. He nervously chuckled. “Yes, but…” he paused and took a breath, gathering his thoughts. “This is a thank you; for last night. I needed something to take my mind off of and dinner with you helped.” You felt your smile grow wider at the gesture, and the blush creeping on your cheeks started to grow. “Thank you.” You replied, gently taking the cup from his hands.

“Plus, this could be an extra perk if you were having an…odd morning today.” He gives a small smirk, and you feel yourself stiffen for a moment. Does he know? Flashes of the dream reply in your mind for a split second and you let a small giggle escape your lips. “Um, yeah. I’m glad I’m not the only one.” You hint back to Robert with a smirk. His cheeks slightly burn pink at your reply and you feel yours do the same. You look down at your hands and you almost forget the coffee you got Robert as well still in your other hand. “Right, I almost forgot. Here’s your morning coffee for your day as well.” Robert gives a warm smile, taking the cup from your hands. “Thank you, Y/N.” his touch lingers on you a while longer before you let go of the cup with your blushed smile. You shyly turned around and headed to your office until…

“Y/N?” Robert said quickly. Approaching you slowly he let out a quick breath before chuckling to himself nervously. “Would you—“

*RING RING*

Your work cellphone interrupted Robert’s words as you immediately picked it up, before saying sorry as the habit of working kicked in for the day. “Fisher and Morrow. Yes, this is his assistant speaking.” Robert opened his mouth and then closed it, hesitating on what he was about to say. He clenched his fists and realized it wasn’t a good time.

Removing the phone from your ear and closing the call, you gave a sombre look to your boss. Who oddly enough, looked defeated. “I’m sorry that interrupted you Robert, but, you have a meeting to attend to at 11 AM for the draft and another lunch-in with—“ “Associates and finance. I remember.” Feeling defeated, Robert put his hands in his pockets.

“What were you saying though?” You quipped softly. The look you gave him almost wanted him to blurt out what he was going to say, but instead, he sighed. “It’s okay. When we have time, I’ll tell you.” He gave a tight smile, but you know it was bothering him. Although you didn’t know what it was, you made it a goal today to make sure he said his piece.

“Okay, no worries. I’ll come back once the day’s finished. Does that work for you?” Those words he’s heard ten thousand times from your mouth, but this time, it warmed his heart differently. He chuckles nervously once again looking down at his shoes before challenging himself to make eye contact with you.

“That sounds perfect.” That tight-lipped smile turned into a genuine one. The one you were always happy to see. You nodded in agreement and walked away to your office. Butterflies fluttering all over your stomach tenfold. Little did you know, Robert felt the same way.

———

Time passed faster than expected, as Robert didn’t realize it was the end of the day. He was anticipating what he would say and how to say it when you came knocking at the door. The meetings he was in were just white noise, and time to spend thinking about your arrival.

It was rare for Robert to be nervous. Especially like a man of his stature and reputation. This persona he had to uphold for the company’s reputation and face. He learned quickly after switching off auto-pilot on the businessman facade it drained him of his energy. You were the only saving grace to his work and made him still have the energy for late night hours at the office to thank-you-dinners.

That’s why he has to make this right. He doesn’t want to let you go. The company is on the verge of being at its most vulnerable and Robert knows he had to play his cards right. It’s now or never.

The three familiar knocks broke Robert out of his thoughts. He quickly put away his papers and tidied his desk, giving a short ‘Come in’ before you walked in. Holding your organizer, you stepped in and started to delve into today’s completed tasks and tasks for tomorrow. Then, you stopped and closed your organizer.

“So, what did you want to tell me, Robert?”

Robert could feel his heartbeat in his ears. His stomach felt like it was about to drop but he couldn’t stop staring at your dreamy presence. He took a breath and shook his head and finally looked at you. “Would you like to go to dinner with me? And not as a work duty.”

Your expression softened tenfold and you could hear the slight shake in his voice. You’ve rehearsed this moment thousands of times in your head, and you knew the answer before he could’ve even asked. “Yes. Yes, of course.” He let out a relieved chuckle and his smile grew wide, like a child of Christmas. “Great. Let's say tomorrow night, and I’ll pick you up at eight.” He says, almost beaming. “I would love that.”

——

Once you got home, you excitedly twisted your keys and entered your home. Startled at your boyfriend waiting for you, standing in the middle of the living room staring at you. “Jesus, you scared me.” You said softly, as he put your keys back in your pocket and laid your jacket and purse on the coat rack and foyer table.

“Where were you?” His tone was still, almost like he was keeping his anger on the surface. You looked away, avoiding eye contact. “Work, like always.” You said back, albeit softly. This isn’t the first time he’s done this, so you continue to play his bit so it can be done quickly. “Who drives you home?” “I took a taxi.”

That was when he charged at you. Slamming you into the wall and trapping you with his towering frame. The hit at the back of your head throbbed in pain. “I knew you were lying to me. You’re cheating on me aren’t you?” He held you trapped between the wall and him and you shook your head. “No!” Fear ran through your blood and you began shaking. “I called your work, and the receptionist of the building said you got a ride from Fischer. You’re cheating on me with your boss!?” He exclaimed loudly.

Your fear quickly subsided into rage, as you felt yourself getting quite tired of the abuse. And the mention of Robert was the last straw. If he was scared of Robert replacing him, he should be.

“You know what? I did lie. He did give me a ride home.” You said back, almost seething. Your boyfriend felt the rage boil at his fingertips. “You what?!” You yelled, his voice cracking as he felt betrayed. You reached for your keys in your pocket and with all your might, struck him on his head. Giving you ample time to escape being trapped between him and the wall, you scurried off, leaving lots of space between each other. “And I wasn’t cheating on you, because we’re no longer together. So get out of my house.” You held your keys tighter in your hand, ready to strike again. He held his ear, seeing some blood dripping from the skin. He glared at you with rage.

“You’re gonna pay for that, bitch.” Opening the door he steps outside into the cold night in nothing but his shirt and sweatpants. “Have fun fucking your boss and getting fired.”

And with that, he took his car and drove off. No amount of relief hit you more than that very moment after his car was out of sight. You closed the door and smiled.

——

! masterlist !

! series masterpost + tag list here !

[saaraofthesand]

Disclaimer: I’m asexual, I’m on the aro spectrum, I understand that romance is not for everyone. But this is more of a discussion of misogyny and narrative intent in shounen stories. So, at no point do i mean that romance is essential to the human person.

After an Orihime/Hinata-centric convo with a coworker, it struck me how little a lot of people who only watch battle shounen understand that a love interest should bare weight in a story. As a shoujo enjoyer, I know that a love interest is important and SHOULD BE important to a story.

Take Yona of the Dawn, which is like my model for the perfect battle manga. Hak matters to the story. He isn’t important because he’s Yona’s love interest per se, but he’s Yona’s love interest because he’s important. Yona of the Dawn has a lot going on in its story, character arcs, heavy plot, the power of friendship, lore and mythology, etc. But even still, Hak and Yona’s relationship is never an afterthought. It’s very intentional and very explicitly romantic.

The reason that a lot of battle shounen can’t get romance right is very simple: misogyny. Women are not allowed to be as important to a story as the men.

Hinata is an afterthought character and love interest because Kishimoto refused to allow her to stand on her own in a significant way. He also refused to give her and Naruto a lot of MUTUAL moments of affection and trust throughout the story. There is no substance to their relationship even though there should be. You don’t feel the love or the yearning on both sides. You don’t see them fight together, perfectly in sync despite not uttering a single word (that position goes to Sasuke). Hinata goes down in basically every fight, to the point that you, the audience, are screaming crying throwing up because she should have been allowed to fight a winning battle.

This is not to say that Naruhina is a bad ship or that people who ship it are stupid. I think fans have given this relationship the substance it lacks in canon, and that matters. I mean, I am a trans Naruhina stan for life. But I don’t think Kishimoto should get credit for that.

Then Orihime… babygirl. This girl was so wasted it’s actually a crime against humanity. Orihime is given a little more import in Bleach than Hinata is in Naruto, which I actually think resulted in even more disappointment in her character for me. I don’t ship ichiruki, but… there’s a reason people do. It’s because Rukia is the character fighting at Ichigo’s side (at least in the first few arcs). Orihime is always behind Ichigo, and that’s not compelling for a love interest. She and Ichigo should be side by side.

(Now, to be fair, Ichigo isn’t side by side with anyone in later arcs because Bleach becomes the Ichigo Show and team battles just stop being a thing in favor of Ichigo Fights While Everyone Watches.)

But then in the final battle, when Orihime goes with Ichigo to fight Yhwach, you think, “this is it! Finally!” But no, Orihime is immediately sidelined while Ichigo fights alone.

Again this isn’t to hate on Ichihime, cause I love their cute little faces with all my heart. It’s to illustrate that misogyny prevents love stories from being genuinely compelling to watch. It matters that Orihime is sidelined not only because it’s unfair but also because it affects how we perceive her relationship with Ichigo.

My main problem is that to a lot of people who think romance is “girly” it doesn’t matter if a female love interest is a sexist archetype or not. Because shounen is for boys so why should romance matter. I think this is a disingenuous way to look at these stories. Romance should not be less important to boys because boys also experience romantic attraction. And these creators chose to have romance, therefore the romance should matter. It’s genuinely as simple as that.

If Hak and Yona weren’t love interests, Yona of the Dawn would be a totally different story. But if Naruto and Hinata or Orihime and Ichigo hadn’t ended up together, Naruto and Bleach as stories would remain unchanged. And that matters to me. Relationships, platonic or romantic, change people and narratives. These relationships should be so integral to the plot that the whole thing is different without them, and they just aren’t.

[yuri-for-businesswomen]

i think it's misguided to claim that trans activism goes against the interest of feminism. it's in the best interest of the movement to include ALL women, including those that don't have periods, can't get pregnant, women with "unattractive" bodies, etc. you don't have to be trans to experience any of this.

there are SO many cis women that are not affected by the causes you listed. post-menopausal women, infertile women, women who have had hysterectomies, etc. surely you would agree that feminism is still for them. i think the same goes for trans women. they face a unique kind of misogyny that feminism needs to address, and that means by tweaking the definition of woman.

the fluidity of the definition of woman is not harmful to feminism. its not bad or scary that more people can be helped by feminism. this happened in the 1960s and 70s with welcoming lesbians into the movement. people were concerned that doing so would hurt the movement; of course it didn't. alienating trans women is not the answer to your concerns.

"who are womans rights for ... if woman is a feeling one has or doesnt have and not a fixed characteristic?" the only thing ALL women have in common, is the feeling that they are women. trans men arent women because they dont have this feeling, and trans women ARE, which is why feminism is for them.

i understand being scared that feminism will lose all meaning, and that women will no longer be easily defined. but the concern of feminism is recognizing that fact. gender is enigmatic and that's not something to be afraid of. feminist theory has asked the question of what a woman is for decades.

this is stupid.

women who dont get periods for whatever reason are still and have still been affected by menstruation in their lifetime. when a younger woman doesnt get a period thats a sign of a health complication. infertile women are of the birthing sex so the whole topic still affects them, a lot. etc. none of this affects trans identified men, but it very much affects trans identified women.

this has been said a million times before and im sick and tired of this bullshit but what the fuck does feeling like a woman mean. its a circular definition. being of the female sex is the only definition of woman because any other meaning of woman is subjective and individual. feminists ask: what does it mean to be a woman? not: what is a woman? feminists over the centuries have been very aware that women are of the female sex and men over the centuries have been aware women are of the female sex and are to be subjugated and excluded.

men who outwardly „identify“ as women face the same as effeminate men who dont „identify“ as women. its homophobia and the backfiring of male ideals - its a male issue. men who dont adhere to masculinity are sanctioned by other men; men who are effeminate scare masculine men because it shows that femininity is not a natural state for women and that gender roles and norms are arbitrary which is an attack on what they deem the natural order of men dominating women. men are not able to articulate this but thats why they do it.

therefore trans identified men should go back to how it was when they were transvestites and transsexuals who belong with gay men. marginalised men deserve their own advocacy and women deserve their own advocacy and when it fits we can work together.

edit: i skimmed past the lesbian part at first. what the fuck

[volleypearlfan]

Ranma 1/2 Intro for Newcomers

The popular classic anime Ranma 1/2 is getting a remake. Ranma tends to be a favorite among older anime crowds, but it's not very known by today's generation, and since the remake will lead to a spike in interest for the Ranma franchise, here is everything you need to know.

Ranma 1/2 was created by Rumiko Takahashi, the same author behind Urusei Yatsura, whose remake recently wrapped up, and Inuyasha. The basic premise is about a young martial artist named Ranma who is cursed to turn into a girl when splashed with cold water, and can turn back into a guy when splashed with hot water. He is engaged to be married to a girl named Akane, who has a hot temper and bickers with him a lot. Soon, Ranma, both in male and female forms, attracts multiple admirers who try to win his affection, as does Akane, resulting in a humongous love dodecahedron balanced with comedy and martial-arts action.

Things to know:

Ranma pioneered the harem anime genre, but it is very different from the stuff you see nowadays, since his harem is pretty small compared to others (he only ends up being engaged to three girls), and Ranma is not a bland self-insert like modern harem protags. He actually has a personality, agency, and is not perverted like other harem MCs. That doesn't stop Akane from mistaking him for one though.

There is a lot of wacky slapstick humor in the series, usually consisting of Akane punching Ranma. Akane and Ranma both qualify as tsundere characters. They do actually love each other even though they fight a lot, they're just too insecure to show it.

Other characters possess their own curses. Ranma's father is cursed to turn into a panda; Shampoo, one of Ranma's fiancee, is cursed to turn into a cat, Mousse, who has an unrequited crush on Shampoo, is cursed to turn into a duck; and Ryoga, who has a crush on Akane, is cursed to turn into a pig named "P-Chan"

Although martial arts is a big part of the story, I'd say most of the drama and development are centered around the romance stuff.

Unlike other shonen series, who stretch out their arcs, Ranma has multiple small, self-contained arcs focused on introducing new characters or martial arts techniques. A complete list of them is available here.

The anime has a lot of filler episodes (as in, not adapted from the manga), but a few of them are worth watching. My personal favorites are Akane Goes to the Hospital and Am I... Pretty? Ranma's Declaration of Womanhood

Ranma has a huge LGBT following due to its gender bending premise. Many transfems cite it as helping them realize they were trans. The title character is commonly interpreted to be a trans woman, genderfluid, bigender, etc. The latter episode mentioned above is a favorite among them because in it, Ranma hits his head and starts acting girlier, even in his male form. This is notable because Ranma usually seems to not like his female form. Like other amnesia episodes, this doesn't last, but Ranma seemed genuinely happier like this.

That said, the series is also outdated in some respects. Look no further than the Tsubasa arc. The character, Tsubasa, was originally thought to be a lesbian, which disgusted the characters. It turns out that he's actually a cishet guy who likes crossdressing, which relieves the characters, but still disgusts them because of the crossdressing part. It's painful to watch.

The earlier episodes of the anime have lots of uncensored nudity (male and female alike), even showing nipples. This gets dialed back in later seasons, though. I don't recall Ukyo, the last of Ranma's fiances, ever getting nude scenes like Akane and Shampoo did. It’s not pornographic by any means, it’s just kinda there.

All of the characters are flawed people (except for Kasumi) who do bad things, some worse than others. This is what makes the series funny and interesting

There is a perverted character named Happosai, an old guy who likes stealing girls underwear. Unlike a character like Master Roshi, however, Happosai is not a good guy. He’s one of the villains in the series and is consistently portrayed in a negative light, since, besides being a pervert, he abused Genma and Soun.

There are technically two runs of the original anime. The first run ran for 18 episodes before being cancelled. Soon, it came back with a much longer run called “Ranma 1/2 Netto-hen.” The martial arts figure skating arc episodes were supposed to be in the original run, but they were pulled because of then-current events. The arc involves P-chan being kidnapped, and around the time it was supposed to air, Tsutomu Miyazaki kidnapped and murdered several young girls. The arc was later aired as part of Nettohen, but on the Blu-ray and on streaming, the arc is included as part of season 1.

Ranma had some of the earliest “waifu wars” in anime fandom. In the early days of the internet, people would go into “trench wars” on forums about whether Akane, Shampoo, or Ukyo is better it’s Akane btw

Ranma has a very large fan fiction presence, so you’ll likely never run out of Ranma fics to read

Ranma has a large Mexican fanbase, and it is very easy to find fan pages and information in Spanish. It’s popular in Mexico for the same reason that Dragon Ball is - it aired on local TV in the 80s and 90s.

The anime was dubbed in Vancouver, and you might recognize familiar voices from the Ocean dub of Dragon Ball Z, Inuyasha, and Death Note. Brigitta Dau was the first voice of female Ranma, but after six episodes, she moved away and was replaced by Venus Terzo for the rest of the series. In the dub, male Ranma was actually voiced by a woman, Sarah Strange, at first, but starting with episode 65, she was replaced by a man, Richard Ian Cox. Good luck trying to unhear Inuyasha.

Besides the anime series, there are several movies and OVAs, some of which adapt manga stories.

The anime is available on Tubi, Peacock, and Hulu

[kafus]

forgive me in advance i only just watched NGE so my analysis of it is not that in depth and also i have very little prior exposure to its fandom or any other analysis of it so this is messy. but

i'm going to be honest i have peeked a little into the fan culture surrounding NGE and i guess i shouldn't be surprised considering the fanservice-y type stuff (especially in the rebuild movies, i adore them but that's one of the only things i was like. do we really need this many ass shots guys. not a big deal tho idc) but i was surprised anyway by the apparent longstanding history of shipping wars and also just... the way the female characters are treated by the fanbase. like i looked up misato on the tenor gif search to send a gif on discord and was frustrated by all of them being sexual/having sexual comments written on them or just her being a cutesy alcoholic type woman???

NGE has an extremely interesting portrayal of human sexuality and that is a running theme, especially in the original anime and EoE tbh, but like not in a way that makes me invested in shipping. you know me, i am a shipper at heart, i LOVE shipping. and yet i never got into shipping any of the characters. i also think shinji being implied to be with mari at the end of the movies makes a lot of sense. it's not because it'd be straight, i am fully capable of shipping straight couples, but i just find evaluating that theme of sexuality so much more interesting removed from the idea of shipping. (if anything, the only thing i even remotely shipped was misato x ritsuko, and like... i'm not that serious about it)

and simplifying the female characters and especially misato down to objects of affection instead of the incredibly interesting things they represent and who they are as whole people is so wild to me. like forgive me for being on my soapbox, misato is my favorite character i have to, but like. i love misato for being a complex and nuanced adult character with flaws. i love the ways she is mature even past her own age but also immature like a child and how those things coexist. i love how she represents hope in the most bleak of situations because she is always the one going for strategies to win and survive even if the success rate is barely above zero. i love how much of a badass she is when commanding NERV (and WILLE) and the list goes on. so why does she appear to be so often reduced down to jokes about beer and needing her to step on people or something. i assume rei and asuka receive similar treatment seeing how often they are reduced to a petty shipping war IRT shinji

idk NGE is a beautiful work of art that has so much to say and i can't imagine engaging with it in these ways. i know plenty of people are not like this and there's also so much wonderful analysis and sentiment for this series for the past few decades that i still need to sink my teeth into at some point. but damn some of these bitches in the fandom annoying i guess

[mumms-the-word]

Okay don’t come for me Halsin-enthusiasts and werebear truthers because like for the most part I agree with everything you say, and this is not one of my usual well-thought out deep dives, this is me rambling because I have questions BUT

One thing I love that hasn’t really been talked about (unless I missed it) is how good Halsin is with kids and how that’s distinctly NOT a male bear trait? Like, actually, Halsin deciding to adopt 30 kids actually kind of goes against what he says is his well-defined and very established nature. It’s very un-bear-like of him to want to raise kiddos

I mean maybe it’s a female bear trait but like hear me out

Male bears tend to mate with female bears and then leave. In some rare cases they will outright attack and kill cubs to mate with female bears (but this doesn’t happen often because mama bears WILL fight you and male bears aren’t looking for a fight they’re looking for fun). But for the most part a male bear dips out after mating and does his own thing for several months until it’s mating season again and then he’s like “knock knock guess whose back again no I will not be paying child support”

So like

If Halsin is a werebear, do wearbears have different behaviors? If not wearbear, then what else is influencing this desire to build a big family and settle down?

Are Halsin’s affections for/talent for raising a whole gaggle of kiddos a wood elf thing, a Druid thing, or something else?

I mean it could just be that this is an accidental overlooked thing despite that Halsin’s writer(s) are pretty intentional about writing him with a lot of “haha what a bear thing to do” traits (loving honey, etc) but we can probably headcanon our way into an explanation right

I’m only making a big deal out of this confusion in my mind because Halsin makes such a BIG DEAL about things being “in his nature” or “because of his nature” and so on. And obviously his nature is influenced by many things, not just his cave bear form, his identity as a druid, or him being a wood elf. I just think it’s interesting that for all his talk about stuff being “in his nature” and insinuating that at 350 he’s kind of established everything he likes and dislikes, that maybe he forgets he’s still capable of growth and change

On the same note, I find it so interesting that when you romance him he’s specifically like “the wolf mates for life, but the bear roams free and partners as its instinct dictates. I need to stay true to my nature and you to yours.” I mean, he’s being a bit reductive about wolves and bears alike here, but my point is that he’s constructing his polyamory as a bear-like behavior instead of being like “I was raised this way” as a wood elf, because wood elves are super poly too and that could have easily been the reference he went with

If I recall, his preference for roaming is also considered a bear-like behavior? In the dryad love test, the question “When is he most comfortable” has two correct answers: when he’s in the form of a bear, clad in nothing but fur (he says that’s a fair assumption but not the truest answer) OR saying that comfort doesn’t come naturally because he’s always restless and roaming (he approves of this answer more and says “Comfort is for the farm animal, snug in its pen.”). Roaming is…well a trait for any wild animal, but could be coded to a male bear specifically I guess…but anyway at the very least he makes this connection to being like a roaming wild animals over a settled domestic animal

So we have a Halsin who admits that roaming and avoiding comfort are things that are true to his nature…and yet he decides he’s going to build a community/commune out in the ruins of Thaniel’s lands and raise like 30 kids on his own/semi-communally. Which is not really a bear or wood elf thing to do (if we’re being super reductive about bears and wood elves, neither of which are monoliths, and also I could be wrong about wood elves because I can’t find much about their familial structures)

I’m not saying it’s inconsistent—because it’s not inconsistent to Halsin’s overall character. The minute I heard Halsin say that was his plan I was like “this is absolutely something you would do you great mad bear take me with you” (and then I was upset when I couldn’t go with him because it was patch 3 days and I was SAD). Like if you listen to him talk enough in Act 3, especially after visiting Jaheira’s house, that man has wanted a family for forever, and he has a big heart for refugees, the displaced, and children in particular

So, speculation, I think Halsin choosing to build a community and go from 0-100 on the family-building process is actually indicative of him realizing that now that he’s not an archdruid, and now that the shadow curse is fixed, he can remake himself into something of HIS choosing. Something that isn’t “dictated by nature” but aligns with his desires and motivations as a complex person. He says comfort is for the farm animal, but he builds a home in nature where his children will be safe and comfortable. He’s not making them a big nomadic tribe, they’re all in one safe space together. That could be seen as contradictory, but instead I think it just shows that he’s still a malleable person who needs a minute to grow into the idea that he can now be whatever he wants

And he chooses to be Daddy Halsin. He doesn’t even wait to see if his romanced partner (if he has one) is coming with him on this sudden about-face venture. He’s like “I’ve got nine wagons of kids who are already calling me Daddy and we’re leaving in two hours” like this dream is SO IMPORTANT for him. It overdrives nature and druidic duty and everything else. It very nearly overrides his love for his romanced partner

I mean it did kind of override it in earlier patches but the epilogue now lets us join him and patch 6 now let’s us openly be like “Halsin you ass I’m coming with you” when I say I slammed that button so hard let me TELL YOU but anyway his romance is not really going to influence his dream of having a family. He’s gonna raise those kids whether his current romantic partner there or not (but he will be disappointed and sad about his partner not joining him tho because obviously that stings)

Anyway I’m just rambling at this point. My question is this: do you think that Halsin’s desire for kids comes from a specific “part of his nature” (bear, werebear, druid, wood elf) or does it come from some other part of him as a person, or do you think it’s a moment where he realizes he can just decide things for himself and that he doesn’t always have to let nature dictate who he is?

Thoughts??

If you made it this far congrats you get a Golden Halsin :’)

[kammy-hyperfixation-central]

Kang Haesol and the Stoic Male Lead Trope (In the context of Roles Reversal)

All right, I have been seeing constant discussion about Haesol and it really lets me understand that most of y'all don't understand Kang Haesol as a character (Or you just don't have common sense) and that genuinely boggles my mind while letting me know that many people do not read Shoujo and do not understand Shoujo tropes because if you did you would understand her a lot better.

So I'm going to be breaking down the one Shoujo trope you have to know to understand Kang Haesol as a character.

Stoic male lead.

Yeonwoo's Innocence is not only a roles reversal but it is also a Shoujo deconstruction. If you read a lot of Shoujo and romance in general you can pick up on this pretty quickly. Therefore pretty quickly you should understand what type of character Haesol is.

Kang Haesol is the stoic male lead. Given this is RR she is the female lead but this does not change on account of her gender.

This male lead archetype are the ones who do not speak their emotions. They show them instead through action. THAT! is the character archetype that Haesol is based around.

Another thing about these Stoic characters is that they are obsessive. That is a constant trait that all of these stoic characters have in common and it makes a lot of sense given that because they constantly repress their emotions. When something happens and they lose their grip they are going to blow up and show themselves in ways that are not all that pleasant. (All that emotional repression does something to you and it's only a matter of time until it blows up)

The thing about Yeonwoo's innocence is that typically when this trope is put in a Roles Reversal setting the female lead is not exactly like the stoic male lead that is her counterpart. In an RR setting the female lead who is a reflection of this archetype is typically watered down and made a more feminine version of this archetype that loses all its flavor. as the story goes on but Yeonwoo's innocence does not do this.

Kang Haesol is a genuinely stoic character. She is not going to get all blushy and emote because she is STOIC! The Definition of stoic is someone who shows little to no emotion. Kang Haesol is the personification of this trope in female form and You all need to understand that. If you're expecting her to become some cold beauty who ends up a housewife or whatever TF don't. That is NOT her character and it never will be.

With Stoic characters, you have to actually pay attention to them to understand them. You have to WANT to understand them to be able to peel back the different sides of their personalities and Haesol is perfect for this. If you just look at her surface level you see nothing but a stoic person.

But if you actually LOOK at her and how she interacts with the world around her you understand her a lot better.

That is the appeal of The Stoic archetype. That mystery of who they are is what draws Shoujo readers to them and what makes them such interesting characters.

Kang Haesol is the female version of this archetype so don't treat her any differently. You don't tell male stoic characters to smile more or show more emotion so don't do the same to her.

Kang Haesol throughout the story stays consistent and her personality is still at its core that typical stoic male lead archetype. She's the perfect stoic character.

That is until she meets Yeonwoo.

Love at first sight is also a stoic male lead thing and it is done perfectly in this manhwa. (ah we love it when the calm one loses their marbles)

A character who has their emotions mostly in control but one person (that love interest) throws a retch into their usually calm waters.

Here's the thing though. Haesol is different.

Haesol has no grasp on her emotions. She can not perceive her emotions because of her trauma and how being a child model affected her (those who say we know nothing about her need to read the manhwa again because her backstory is literally thrown in your face in multiple moments of this manhwa) she can not understand her emotions because it is the coping mechanism she developed while she was being abused. If she showed emotion she was punished for doing so. So of course she locked them away. Then being with her mother only made things worse because she never truly cared enough to actually help Haesol and instead hurt her even more.

Which only made her retreat further.

Then she meets Yeonwoo.

Then she felt emotion.

Unbridled, overwhelming, EMOTION! for this "girl" and the confusion of it makes it worse. The confusion of why she's unable to get this "girl" out of her head and why everywhere she turns she sees this beautiful person wherever she turns confused and deludes but excites her.

Then she finds out that "she" is in fact a "he" and that she has a chance (Not like she wouldn't have a chance with a girl like have we seen her?)

Of course, she's obsessed!

Of course, she wanted to get closer to him. Of course, she will use whatever excuse she can to get near him.

Of course, she wants him desperately! He's the first person to elicit such strong emotion from her and it's positive! Not only is it overwhelmingly positive but it's all consuming and she's terrified because she's never felt this before.

Of course, she hides it away and shows nothing when showing emotion has only ever led to disaster.

Now that that is out of the way, the reason why I wanted to explain this is because people don't seem to understand her character, especially in relation to Yeonwoo.

Understand that this is a Shoujo deconstruction and a roles reversal manhwa. (it's a good one as well. the most well-written one I've ever read)

This is a two-in-one so unless you have experience with Shoujo/ romance and works that deconstruct popular tropes you most likely won't understand many of the things that are being done in this month.

Haesol very clearly is obsessed with Yeonwoo.

It is painfully obvious and you don't even need to reread it to understand that. (though his manhwa has insane reread value) The moment you get to the scene where she turns around after Yeonwoo asks to go to the amusement park with her you should already have alarms blaring (if you read Shoujo) because you understand that's not what a stoic character would typically do.

In Shoujo, the first meeting with the stoic male lead most of the time is very one and-done. The stoic male lead most of the time does not turn back and ask the female lead anything much less talk to her.

It is mostly their second interaction that does that.

However in Haesol and Yeonwoo's interaction not only does she give him her umbrella but she also engages in a brief conversation asking if he's ok. Sure it's small and bearly a minute but it still matters. If you understand the context surrounding that scene you're going to understand that her giving him her umbrella means that she calculated that he has to give it back to her.

Furthering their conversation... and making sure she gets to talk to him again.

There are so many little details that have been put into this manhwa that need to be talked about more because this is just one of them.

Haesol is a character whom I've said multiple times you need to look at her actions and not her words if you want to understand her as a character.

Also given that she is a Stoic character her obsession is going to be deep, it is going to be unhealthy, and it is not going to be in any way light.

Given the fact that Yeonwoo in fact enables these tendencies of hers you all need to understand that is going to likely get worse. Not in a bad way Shoujo has a tendency to make obsession like this completely viable (as we should let the girls have their fun. I personally love it and fall for it hook line and sinker) but given that this is Esol we are talking about she will probably twist this trope on its head in some way shape or form.

In all honesty, I'm just sick and tired of people constantly making horrible takes about Haesol as a character when it is clear they do not understand who she is. It is very clear that you do not read Shoujo or consume romance in general because most of these takes would not be happening if people actually understood the context of the genre.

[dirtybg3confessions]

Blog Moderation FAQs

Hi everyone!

Every time we answer an ask about the queue/inbox situation we get several of the same suggestions in our inbox. While we truly appreciate those of you trying to be helpful, I wanted to take some time to address some of the suggestions and the reasons behind our position on said suggestions.

Have you considered closing the ask box for a while until you work through what you have?

No. With as many asks as there are in the box, it would result in the ask box being closed for quite some time, which we don't think is really what anyone wants!

Closing the box would allow for us to "catch up", but it also would mean potential dry periods of content.

Keeping the ask box open means we need to scroll forever to reach the old asks, but it also means that we are set to deliver consistent content for a while, and are never at risk for an empty queue when the inevitable drop in fandom interest hits.

Why don't you post more frequently?

Actually, we do! We've exploded recently, so many of you may not remember ye olden days of our blog's founder doing their best as a one person show and we got one post a day... ish. Then, when the ask box exploded to 100 asks (haha) they brought in the first round of new mods (including me!). During this time, we were able to build a solid queue. We were then able to post 5-6 times a day.

With a healthy queue and a healthy ask box, we were able to bump the post frequency to 12 times a day. Most of the first wave of mods worked through some asks and then largely went inactive. This is fine, it happens. After struggling to keep up a frequency of 12/day as a one person show once again, we recruited new mods with some activity guidelines.

To maintain a posting frequency of 12 times a day, each mod needs to add 3 posts to the queue a day, or 21 posts to the queue a week. We ask that every mod contributes 30 times a week, that way we have a healthy buffer of content for holidays, emergencies, and just general time away from the internet.

While the confessions are sent in by y'all and editing them in photoshop is a generally simple process, it still does take time. Time in the game to find and take the screenshots, time in the editing software to create the image, then posting and tagging appropriately. Those cursed edits y'all love so much take even more time.

We're all adults here. And your mods are too. They have lives off of tumblr, often complete with bills and day jobs. Honestly, less fun than the little horny blog, but *vague gestures towards capitalist hellscape*

For these reasons, posting 12 times a day is going to be a hard cap for the foreseeable future. In the most loving way possible: If you are submitting an ask now and expecting to see it a week or even a month from now, you are going to be sorely disappointed. Submit your ask and know that it will be appreciated by the community when its time comes.

"A confession is never late, nor is it early. A confession arrives precisely when it means to." - Elminster (probably)

Why don't you just get more mods?

Have you heard the phrase "too many cooks in the kitchen"? Every person added to a process adds another variable, and the more variables, the harder it is to deliver a consistent experience. Additionally, the goal is to find people who can stay pretty consistently active, which can be a hard ask for a lot of people. We're very grateful for the team that we have now, and we aren't seeking new mods at this time.

Why don't you post more confessions about (character/female/etc)?

We are a submissions blog. We work with the content we are given. You need to be the horny you wish to see in the world. I know in general there's a lack of confessions for female characters, and there's an analysis to be made about how different gender/sexual identities interact with fandom and how that affects the content available in communities for consumption, but I'm not the person to make it.

Thank you all for continuing to be amazing, it is truly an honor to serve 🫡

[ddlcbrainrot]

What are your ships in ddlc? I noticed you do all the ships- If you ship all then what’s your favorite ship?

Now, whoever you are how did you that i was thinking of talking about my ship opinions soon?? mind wizard

SO, here’s the thing : when it comes to ships in genera it takes a lot for me to actually have OTPs and stuff and this is especially true in ddlc for me. For me shipping is more of a “sure, i could get behind this” sort of thing, except if once in a blue moon i find that one ship that alters my brain chemistry but believe it or not that has not really happened to me with any of the ddlc ships. It has happened with the game as a whole, but not really with the ships. The only one that has come close i’d say is sayonika but that’s more bc they happen to be the characters that i think about the most

That being said, i’d say i ship every ship in the game, simply because i could honestly see all of them working out in one way or another. Sure, they’re are some i like more than others but generally all of them work. And yes, this includes the Mc ships even though i like them less bc the side stories blew it out of the park with the chemistry between the girls

Speaking of the side stories, they are the sole reason i got into the shipping side of the fandom lol. The base game, as influential as it was for me, never really ignited any shipping sparks ig. I actually could not care less for the shipping before the side stories, bc most of it felt kind of trope-y ironically enough. Like, Natsuri was the big one, which was only popular bc of the whole opposite’s attract thing (not that there’s anything wrong with that ofc, it just never really resonated with me). Sayonika was a victim of what i like to call the “leftovers syndrome” where two characters are shipped bc they are the only ones left to be shipped with.

And Mc.. well let’s talk about that actually. Mc x Yuri is well… how do i put this. They have absolutely nothing in common. I don’t necessarily hate this ship however, if i see it done right i can like it. Mc x Natsuki was alright, the banter was fun, they actually have things they can talk about, it’s overall a nice ship. I will say i prefer them as close friends, but if i was to see media (fan art, fics, mods etc) where it’s done right, i can appreciate it. Mc x Sayori is also a ship i can enjoy from time to time, probably the most out of any Mc ship. Again, i do prefer talking about their friendship more though but now that i’m writing this down i realise i’m just a slut for male/female friendships. Mc x Monika truly depends on what context the characters are given. Are we talking about non-sentient Monika x Mc? Bc that can be pretty fun. If we are talking about sentient Monika x Mc, i see a very interesting dynamic (not a particularly good one) where Monika is basically using Mc as a vessel for the player in her desperation. Can Mc feel this dynamic? Does he understand in some way that he’s the second choice, even if he doesn’t know the truth about their world? How does it affect him? Its fun to ponder about this ig, but it doesn’t really make for a healthy relationship

Then the side stories came out, where the characters evolved from their one-dimensional tropes into actual personalities with enticing dynamics between them and i was immediately sold. That being said, i still don’t really have an OTP per say, bc as stated before all of them could work out. Which is definitely bc of how we get to see each of them interact individually in each side story. In every side story, we see each character interact with the other and learn how to grow as individuals because of it. I could see each pairing happening individually, i could see them being a poly couple, maybe even a qpr, or just a very close friend group too! There is a lot of love between the characters, whether that is romantic, platonic or something in between im not 100% certain on, but the love is definitely there.

Anyway, you also asked what my favourite ship would be, and i’ll probably say Sayonika since most of the media I consume tends to be with them

WOW this was a long post. Hope i didn’t bore you too much. Thank you for the ask!!

[youremyheaven]

As a woman, am I not capable of being a genius? I read women are the Moon, thus vessels for men and have no light of their own. Women need to devote to a man who is the Sun and shine his light. That men as Solar are the only ones capable of being originators of ideas or progress or Truth (as they say) and thats how its intended to be, the woman/women since the sun cannot be restricted to one woman unless he desires to be should accept. Is it true or misogyny disguised as spirituality?

"Women are said to be the highest of vessels both physically and spiritually. We are the Moon which receives the light from the Sun and consequently reflects his light, his genius, all that he is. The Moon doesn’t shine on her own, but only in his light. His light is all over her body. She is the vessel that receives and is filled, thereafter “cooks” and gives birth to his energy, both in a physically literal way as a child or in an energetic sense, like a woman automatically subconsciously becomes the student of her chosen consort." - Taralina Nau (The Importance of Maintaining Female Sexual Purity on Medium)

I read the whole article (what you put in quotes) and I don't find it particularly misogynistic. I think men and women have a different relationship with sex. Women are by nature more inwardly drawn and emotional.

Men can bang 200 faceless women and maybe they'll feel disgusted afterwards but they'll more or less be okay. It's just not in their nature to absorb as such??

But a woman can't walk away from such an experience without being brutally affected by it.

But that said what you mentioned in the first part of your question is interesting.

A lot of the "divine feminine" content online reeks of misogyny and this includes Claire Nakti

But I did not interpret the specific Moon- Sun metaphor to mean that women can't be brilliant.

Moon has no light and women are inherently Lunar but there is strength and power in being receptive and reflecting light. The Sun can shine it's light but that's about it. The Moon receives AND reflects it. Imagine thinking that's not brilliant???

If you're entirely in darkness and all other stars around you are also dark, do you know how incredible you have to be to absorb and reflect light??? It's not a "lack", it's a quality and strength that's part of the Moon's unique nature. It does not create but reflects.

This is why the planet of creativity, Venus, is Yin. Because creation does not take place in "lack" or "absence". You can't make something out of nothing. In order to make anything, you have to draw from your influences.

Same goes for Moon. Light can't be created out of nothing. Only the Sun can do it. Does it make all other planets stupid??? Every planet has its own qualities 😩

The biological nature of a woman is to receive, alchemize and create.

We only need a sperm to make a whole ass baby inside us. Is that not mind blowing??? A human being with personality, likes, dislikes, talents etc is made within us???

But we do need that sperm. We can do 95% by ourselves but the other 5% we need from a man.

And that's fine??? It's completely alright?? It does not show weakness or inability?? Like am I also supposed to create the sperm on my own?? Lmao??

We were not put on this earth to be completely independent. Life would be disharmonious that way.

Now you may ask, what about men?

Men are Solar. The Sun creates its own light, it shines by itself. But it's life lacks purpose all alone.

Men don't do anything within their bodies, they're not wired that way. They don't have an interior life. That DOES NOT MEAN they're self sufficient or completely independent. They're inherently missing the feminine principle, the way the woman misses the sperm (the masculine principle lmao)

They seek it in art, poetry, beauty, gambling, porn, music, cinema, all forms of creativity because that's the Yin spirit. Even if a man avoids women and dies a virgin, he's still seeking the Yin in other ways. Why are women the biggest distraction for a man??? Because his presumed sufficiency feels hollow and empty and he needs to discharge himself energetically onto someone else.

Why are there so many films about rich, handsome, successful men who live lonely lives??? Because without the Yin, sufficiency feels limiting. Yin energy is innately spiritual and awakens them to both fun, pleasure etc but also subconsciously connects them to spirit and makes them feel alive. A man who has never been in love vs one who has are two different breeds.

[lostyesterday]

I’ve been particularly interested in analyzing how disability is depicted in Star Trek Voyager recently, so I wanted to make a list of episodes that involve significant representations or themes of disability and neurodivergence:

Phage, Faces, and all the other Vidiian episodes: I’m grouping these together because my opinion on them is similarly negative, both in general and from a disability perspective. Making your alien race scary because they’re visibly scarred and disabled and making that be the root of why they’re immoral is, uh… bad.

Meld: Lon Suder is pretty clearly neurodivergent, though given the fact that he’s a murderer, I don’t think this is necessarily a positive thing. Arguably, what happens to Tuvok in the episode is also disability-adjacent. I have mixed feelings on this episode and its portrayal of violence as innate, especially as that connects to depictions of neurodivergence.

Year of Hell: Not particularly disability-themed, but Tuvok is blind in the episode, and I like the way they portrayed that on the whole even if it’s reversed by the end of the episode. I’ve said this before, but I really like the accommodations Tuvok is shown using like the tactile interface for the computer console, and I really wish Geordi in TNG had been shown to require similar accommodations.

Extreme Risk: This episode intentionally portrays B’Elanna as having depression, and overall I think it’s a well-written episode that does a good job of prioritizing B’Elanna’s own perspective rather than other characters’ perspectives. I do wish B’Elanna’s depression was something that Voyager focused on outside of this episode, but I can hardly blame the one episode that actually focuses on it for its lack of focus elsewhere. I really like this episode personally.

Latent Image: There are a couple EMH episodes I considered including, but this one feels the most disability adjacent in terms of the Doctor’s “malfunction” in the episode (arguably analogous to disability/neurodivergence) and in terms of the discussion of personal autonomy in relation to that. I think this episode brings up some interesting issues and my opinion of it is positive overall.

Riddles: In which Tuvok has a brain injury that affects him both physically and mentally. I really enjoy this episode personally, but my feelings on it in relation to disability are more complicated. Obviously, Tuvok gets suddenly cured at the end of the episode which negates a lot of potentially interesting things an episode like this could do, but at the same time I’m not going to argue a show like Voyager could have done things any differently. The discussions of dependence and recovery in relation to disability here are interesting. In general, I like how Tuvok has a fair amount of agency in the story and that he primarily isn’t infantilized. I do wish the episode focused a bit more on Tuvok’s perspective over Neelix’s.

Pathfinder: Barclay is pretty clearly neurodivergent, and I like the concept of his character in theory. In practice, I wish that many episodes he’s in didn’t use his social anxiety to excuse him being an asshole, especially when the same courtesy isn’t extended to female characters and characters of color (for example, B’Elanna Torres). This episode wasn’t as bad (or sexist) as some of the TNG episodes he’s in, but still.

Good Sheppherd: Arguably all three main characters in the episode are coded as neurodivergent. The “every person adds value to the team regardless of how weird they are” message of this episode fell a bit flat for me, and the root issues related to disability/neurodivergence aren’t explored to an extent I found satisfying. I’m not going to call it a bad episode, though – it’s okay.

Fury: This one I am going to call a bad episode. Definitely one of my least favorite episodes of Voyager, but technically older Kes is depicted as disabled. I hate everything about this episode, especially the way it depicts disability as affecting Kes.

Repentance: I also dislike this episode. It has similar (but worse) problems to Meld in terms of treating tendency toward violence as innate and denying that neurodivergent people are capable of having any autonomy/control over their actions.

Many Seven/Borg episodes, particularly The Gift, One, Infinite Regress, The Voyager Conspiracy, and Imperfection: I’ve talked extensively about my disability-related thoughts on Seven and the Borg so I’m not going to list these episodes separately.

If anyone else has any thoughts on any of these episodes or suggestions of other episodes that belong on this list that I didn’t include, I’d love to hear about it!