#I should rewatch Time’s Arrow

[bipanicoverthegravessiblings]

So fucking hyped at the prospects of getting to play as Renee in the future-

Don’t get me wrong, she’s a terrible mother and person…..but as a fan of Beatrice Horseman, another terrible mother and person, I’m so excited to see how this woman thinks

[crunchycrystals]

my siblings rewatching the flash and im feeling nostalgic

[starryinkart]

Hey so a bit of a possible crack theory:

So in the show, we’ve gotten three solver colors already, Red, which stands for Doll, Purple which stands for Uzi/Nori, Yellow which stands for the solver/CYN. But here’s something ALOT of people seemed to miss. After you rewatch the Season 1 trailer, you realize:

There’s a blue solver, most likely a blue solver holder. Hidden right before the infamous yellow of the solver we’ve come to know in the show.

If you watch the trailer, you also notice something else. Right before this symbol quickly shows up, we have a dialogue from N, running away from Uzi from the scene at the end of episode 2 and then him sitting in front of V being sad. But if you listen to that dialogue:

He says “We can’t be around the workers anymore V, we’re too dangerous…”

He eventually begins to hang around them again, but to me this line with the imagery is super important. We know from the most recent episode 7/8 teaser that N is the actual leader of the squad, most likely the strongest and most likely protected by CYN with her admin right before she was completely lost by the solver.

Through out the show, we see him confused at his own power at points, like in episode 4 when he shoots the arrow through another and catches them on fire, cracking the arrow board, proceeding to say:

“Did I do that?” All confused.

N obviously doesn’t know how powerful he is at all, but what if and hear me out, it’s not ONLY because he’s a Disassembly Drone?

We know that CYN blocked the solver from having access to him, V and J to most likely protect them from the fate the solver has for drones who are infected. She didn’t want the same thing happening to N, her brother, who she loved and his friends which he cared about and most likely she cared about before she was taken over completely.

But now, Uzi has unblocked them from being protected from the CYNs admin, which was presumably protecting the squad from the affects of possibly getting the solver, (under the assumption CYN was bad in general) by becoming their administrator. If Uzi is their admin, and she gets taken over by the solver in general, that means that her admin code basically becomes useless to protecting N and the others from being infected too. And remember Tessa found them in the dump and repaired them as well, like CYN so they have a high chance of contracting the solver since they were also disposed of incorrectly.

So here comes the point of this picture that was released as a teaser yesterday:

It’s N, looking down, whether at something or just on the verge of having a breakdown and losing it we are uncertain, but from the posture, the balled fists, he does NOT look okay at all.

The first thing yours eyes are drawn to are the building split in half in front of him, the exoplanets in the sky and N. But, on a more closer look, you see two things:

1. The snow flakes on the bottom left have a ominous blue tint to them, which should only happen if blue light is reflecting off of them…

2. If you didn’t notice on the first look, N has the same blue light, coming from right in front of him. Perhaps maybe the same color as this blue solver symbol we have yet to see with some weird lines and curves jutting out from the sides…

At first, I thought Khan would be the blue solver holder at the beginning of the series, being a surprise twist for him to have activated in him he was so afraid of due to him possibly seeing it with his wife Nori. Honestly while that would’ve been cool, episode 5 debunked this possibility, since Khan was flung out of the room by Doll when she was attempting to get the cyber bug from Uzi. Solver owners can’t effect other solver holders as proven from the series, it can only use items around them to throw or hurt them.

We haven’t seen N be affect by the solver once in the present time or in the flashback of episode 5.

Now I do know the merch video came out today, but it was stated in the video that

1. “It was totally not canonical to the series what so ever” which I HIGHLY doubt. Most of the merch and videos we have seen have been canon and it seems as though the characters have been pulled aside between episodes to “film” these fourth wall breaks.

2. The fact that the title of the video “N’s Final Form” and the thumbnail are most likely not just a joke. Notice his acrylic stand teaser from V’s acrylic stand released recently:

When I first saw this, it looked SUPER weird. Me and my significant other said it looked like N and we thought the two things in the foreground of his body were his wings, meaning he was looking away from the viewer of the stand.

But then we looked closer and I started looking at my King Solver N design you can find in the murder drones link in my FAQ and we drew a more accurate picture of what we were seeing. N was not looking away from the viewer, all the characters are looking at us, and it would be weird to have N be different. So this is what we came up with:

W stands for his wings, T stands for where his tail is, L stands for his legs, F stands for his face and H stands for his hands.

His hands look a-little weird don’t they?

Remember this:

It was mentioned some where on Tumblr that this looks similar to the cocoon that Uzi broke out of in Episode 4 when she transformed into her solver form only N is being dragged in. This is obviously a biomechanical phenomenon of the solver. But why is he being dragged in?

To have his “final transformation” , a “final form” you may say?

The only thing is, after Uzis transformation, is when the solver really started to gain power over her, taking control of her as seen in Episode 4 and recently in Episode 6. As soon as she became biomechanical, the solver gained more control over her.

(Edit: sO this cocoon theory was wrong, but his emotions can still spill over and cause this!!! So its not fully wrong yet!)

Now think of the scene above and what happened to Uzi in Episode 4, but with N. N gets dragged into this cocoon, fighting but not able to escape, while Uzi is fighting inside her mind with the real solver, posing as CYN in the mansion as Uzi is trying not to lose her mind. While she’s stuck, N has his transformation, now not able to be protected by CYNs administration since Uzi is now the administrator of him and V, so he undergoes the transition, the solver not having much to fight against converting him to a biomechanical creature like Uzi. This gives it more power over N, and gives it a chance to take advantage of the situation to bury itself into N’s code, making his solver string: true. Now N has the same thing inside him that has possibly taken everything from him.

After this, he either gets possessed fully and goes on a rampage or the possession is slow, painful after he manages to escape the cocoon and get to the surface. Either by this point Uzi is still fighting in her head and N thinks she’s fully gone or dead OR she has successfully fought the solver and is looking for N. All his repressed emotions, everything that has happened, everything he’s lost…it’s all become too much. He snaps, lashing out on whatever is in front of him, this being the building we see in half in the teaser from yesterday. Before he can stop himself, he angrily swings toward the building, but instead of a sword, his gun or his claws coming out, there is this fleshy, gross growth that emerges, a blue solver symbol appearing in front of him and shooting towards the building, snapping it in half like a toothpick.

There is a moment of either him stopping in pure panic due to this OR his panic, sadness and fear turns into full on anger, him not able to repress anything anymore, taking a turn into a full on uncontrollable breakdown. The reason he had to repress his emotions for all this time, for fear of lashing out and hurting the ones he cares for. But now, as far as he knows, no one is left to care for. After all in the merch teaser today Uzi said really sarcastically:

“You’re meant to be better than us! Don’t become swallowed by the darkness/animal based merchandise (murders) like I have!”

And

“HIS EMOTIONS… CAN NOT BE CONTAINED!”

(which can be very much true)

This could end in either him being used by the solver as a host or Uzi coming back to help him and in turn as he said in the teaser:

“Okay I’m back! I’m better and it’s even deeper down now….haha! “ (basically his repressed emotions being repressed further for an even worst breakdown in a season 2)

That’s one turn it could take, but another could he that when he stops from pure panic due to what he’s become, similar to Uzi, and in the merch trailer today, and realizes he can use his newfound powers to save the ones he loves that are either left alive or find another way to fix what has happened.

(Someone mentioned on here that N’s solver powers could be similar to Time-travel to places he’s been to in the past, (like Dolls in teleportation to only places she has seen and Uzi doesn’t really have one yet, she’s not that far along in development of her solver) to go back and correct what mistakes he has made, fixing the timeline and THAT would be super cool if he does think he has lost everything or really has. If it ever find it on here again, I will tag it.)

Sorry this was SO LONG, but basically, N will have the blue solver due to the final two episodes and he will get a transformation like Uzis, having him grasp the thing that has basically ruined his life several times over being apart of him now, having to use it to save his loved ones. All the while not having a mental breakdown or angry blowup and losing control of his powers. So basically affecting the story and his choices greatly.

[justmy-account]

List of byler-gates

I’m just bored, but read it anyways, it’s fun

there sooo many of them, and i’m still pretty lazy so this isn’t perfect, but just let’s start

Mikhailgate

This is practically anti byler theory, but nvm

So, Dimitri has a son named Mikhail, which is russian version of name Michael, Mike

So, people were just saying that instead of Mike, Will will end up with Mikhail(who’s technically Mike bc of the name, yk)

I think everyone was just joking, oh, good ol’ times

and willloveinterestgate is the same

Lettergate/Pocketgate

These theories aren’t the same one, but it’s basically the same concept, ig

The basic thing is, that Mike wrote a letter to Will(singed Love, Mike)

In pocketgate, Mike has the letter saved in his triangle pocket, bc in st, characters many times has letters, that were important to them, in their left pocket(above the heart), for example Hopper and El(Hopper’s heart-to-heart), Jonathan(acceptance letter to college) etc.

And he would just take it out in the middle of confession or sth

+the triangle always points to Will like an arrow

Lettergate is just basically the same, ok, idk how to describe it differently 

Twelvegate

Not exactly a byler, but theory, that Will was number twelve in HNL, and that he’s El’s actual twin

And from that, there’s theory that Will has powers, but wasn’t n. 012

Okay, back to byler

This is same as rainbowgate i think

Flickergate

This theory is very lovely! after Will tells Mike that rolled seven in s1, the light behind them flickers

and since ud is frozen on nov6 83, when you signal sth from ud, it should appear at nov6 83-s1

this connects to electricgate(i dunno if sth like this exist, but just keep reading), the electricity~are friends electric~will possibly having electric powers

so mike and will could go together in s5 to ud on a mission or sth, and kiss in wheelers garage, and that would make the light flicker(i’m so good at explaining things, right😐)

will and mike going to ud together is predicted by mike and will sitting on upside down couch in last ep. of s4

Birthdaygate/Memorygate

Soo, remember how they forgot Will’s birthday? what if all wills memories, that people reminded him of in the shed are gone? his birthday, building castle byers, meeting mike… and that’s why mike says that his life started the day he found her, bc he doesn’t remember meeting Will

for me, it’s really weird, they couldn’t just forget Will’s birthday, no, this ain’t it

Kiss at lovers lake

I’m not sure if this has a different name, but it’s that their first kiss will be near lovers lake

evidence: patrick(the kid who died at lovers lake), had a nickname “berlin wall” or sth(we saw this in the school newspaper), and it was devided to four, same as hawkins

and song heroes is abt couple who lived at different sides of berlin wall, and idk, it just connects, okay?

when will painted the map of hawkins while he was possessed, mike was holding blue and yellow meter

Eightfifteengate

Context: will left the wheelers at 8:15 in s1

in s1e1, time mark 8:15 is literally the shot where will disappears in the shead

i think there’s a season 2 soundtrack called eight fifteen

tw: time fuckery: while will was recording on halloween night, the time says 8:04 while he’s recording mike saying “did you agreed with this?”, but when joyce rewatches it, it show 8:15(byler)

“ it’s 8:15, you’re late”

btw, clocks and watches from hiroshima are stuck at 8:15

aaanywaaay, there’s just too much 8:15 things, aaah(this is just a few)

what it has to do with byler?

well, 15-8=….(wait for it)….seven. a byler number. it was a seven!

also, “the first lie”, when murray says this to jancy, the time mark is… guess what, 8:15

there’s this theory with the songs “the first lie” and “the first i love you”, and it just connects 

Motelgate

theory, that after mike’s “love” confession to el, they went to a motel for sleep, and mike and will had to share a bed, and we could possibly see flashbacks of it in s5, and it would kinda explain the two day skip

Colorgate

blue and yellow meet in the west, i’m sure you know this one, and there’s sooo many evidence in this

mattduffersbasementgate

It’s too late for this to be true, but the duffers are(/were) holding every cast member that ships byler in their basement, lol

bloopergate

Bloopers from byler scenes, basically, for example “not when i was the spy, oh fuck”, basically Finn and Noah being all giggly, i guess

bloopergate implies to every blooper, but why not to mention it

curtaingate

Sth like, that when there’s some fight happening between characters, if curtains are open, it means they’re open with their feeling and opposite 

Example: milkvan make out scene-closed, but you don’t love me fight-opened

Bonus: „ but they like the curtain. people like us are just trying to look behind the curtain”(my very bad quotation of murray, yk what i mean)

Also, Suzie had blue and yellow curtains, and they were opened

And, “and i love her and i can’t lose her again”? Also curtains closed, like wtf, this fandom is crazy

piggybackgate

El knows abt Mike and Will. she saw how they act around each other, she’ve heard will saying “you’re the heart” to mike, saw that mike has Will’s painting now

New Coke Theory

basically, old coca colla is mileven, new coke is byler. it contains some of the old ingredients(mike), and new ones too(will). not everyone likes(bc its gay ship). and when you look at scenes with can of new coke, it’s many times symbolizing byler vs. milkvan

one of my favorite new coke theory examples is this: in s3, after el gets attacked by the flesh monster, she tries to crash a can(but she doesn’t have her powers, so she can’t). this is a can of new coke(byler) and she can’t crush that/destroy it. and in this scene, we get a flashback to the lab, where she crushes aka destroys regular coke(mileven)

phonegate

mike and will not calling each other, bc of joyce’s telemarketer job(he won’t stop whining abt it)

————

i miss all these little silly theories abt literally everything

i hope the byler tag will be like this once again

maybe we could start naming our new theories “gate”s again

for example: heartfeltgat, strangerwritersgate, snowkissgate or sth

anyway, byee

[allgirlsareprincesses]

A Tale of Two Disguises: Fairy Tale Motifs in Bridgerton Season 3 (Part 1)

It’s Polin Season! In the midst of this Friends to Lovers renaissance and rewatching the Carriage Scene™ for the 847,000th time, I find that I MUST give the fairy tale meta treatment to our beloved Bridgertons. Not only did the show explicitly relate its central couple to the Eros and Psyche myth, but there are a number of other fairy and folk tale motifs scattered throughout the season.

While we only have the first four episodes so far (Shonda, you cruel, cruel tease!), it seems clear that the theme of the season is disguise. Our leading man and lady have both put on masks to protect them from society, but those are slowly being peeled away as they draw closer together. I would argue that aside from Cupid and Psyche (ATU 425), the story also relies heavily on Cinderella (ATU 510), both romances in which the true self is revealed.

To begin with, Colin arrives back in town with a flirtatious new swagger, but apparently no intent to actually court a mate. In this way, he is very similar to the mythical Cupid, who is described as:

“that winged lad, the naughty child who has been so spoilt that he despises all social restraint. Amed with flames and arrows he flits in the night from house to house. He severs the marriage-tie on all sides; and unchastised he perpetuates endless mischief.”

Now I hear you, you’re saying that sounds nothing like Colin! And yes, but the point is that he has no qualms about flirting with one lady after another (or bedding prostitutes), metaphorically slinging Cupid’s arrows everywhere he goes, because that is the role he believes he must perform. The point of his character in Apuleius’ narrative is that Cupid has power over gods and men, to make them fall in love with one another, but he himself is never prey to such feelings.

UNTIL. His mother, Venus, tells him to make the beautiful Psyche fall in love with a monster. In some versions, simply the sight of Psyche is enough to make Cupid fall in love. In others, he accidentally pricks himself with his own arrow when he sees her, thus becoming the victim of his own schemes.

Similarly, Colin agrees to help Penelope find a husband, but soon finds that he himself has fallen in love with her. There is even a subtle reference to this when he gifts Gregory the bow and arrows. In the shot, Gregory turns with the bow pointed directly at Colin. He is in the sights of Cupid’s bow, about to be hit with his own weapon!

Once Cupid has fallen for Psyche, she is borne upon the wind to his palace, where she is served by invisible servants and her new husband visits her only in darkness when she cannot see him. By these means, he keeps his true identity hidden, leading Psyche to eventually question whether she has indeed married a monster. In her fear, she brings an oil lamp to his bed, and when she sees that he is in truth the handsome god Cupid, she accidentally drops hot oil onto him. Thus injured, her husband awakes into the realization that she has betrayed his confidence and uncovered his identity.

Similarly, Colin is concealing his true self behind the mask of the rake, hiding his desire for emotional intimacy even from Penelope. Not easily fooled, she writes as Lady Whistledown questioning whether this is in fact his true self. Once their “lessons” begin, Colin rather scandalously invites her into his home (his palace), a place that only intimate family members should be allowed. He then asks her to imagine invisible guests and musicians, just like Cupid’s invisible retinue.

Then, Penelope discovers his diary, just beside the lamp as Psyche also discovered Cupid’s true self. The shadow husband thus revealed, Colin appears and is furious at Penelope’s apparent betrayal. He knocks over the lamp and is injured by the shards of glass, just as Cupid was injured by drops of oil. This wounding is a critical part of animal husband tales, where the heroine approaches him with “flame and steel,” painfully stripping away his mask or animal skin so that it is impossible for him to hide from her.

Typically, at this point in the tale, the husband would flee, but Colin stays. There is still another betrayal yet to come with the revelation of Penelope’s alter ego, however, so I would not be surprised if we yet saw Colin retreat from her in pain, even temporarily. Further, the betrayal typically happens as a result of the bride’s lack of faith in her husband, so Penelope will need to learn to fully trust Colin as well.

The Cupid and Psyche tale is of course explicitly referenced in the dance performed at the Queen’s ball. To the extent that the dance is a retelling, it seems to focus on the ending of the tale, when Cupid awakens Psyche from a deathlike sleep and then raises her to Olympus, where she becomes a goddess as well. This then is where we are headed: the revelation of Penelope’s secret may cause her to fall into a metaphorical death state (maybe the fainting scene in the trailer?), but Colin’s love will ultimately lift her up to her rightful place among the gods.

Another interesting feature in Apuleius’ story is a moment when Cupid’s mother Venus offers a reward for the capture of Psyche, in punishment for wounding her son:

“Ho, if anyone can produce in person, or give information as to the place of concealment of a certain runagate princess, a slave-girl of Venus, Psyche by name, let him hie to Mercury the crier at the rear of the Murtian Sanctuary, and receive by way of reward seven times a Kiss of Bliss and once a Kiss honeyed-beyond-measure by the interjection of her alluring tongue.”

Basically, Venus places a bounty on Psyche. And WHO in the Bridgerton cast has explicitly associated herself with Venus? None other than Queen Charlotte, whom we know from the Part 2 trailer will be offering a reward for the identification or capture of Lady Whistledown. In the tale, Venus plays the role of an avenging goddess who is enraged both by insults to her family and by romances that occur without her approval and orchestration. Once again, this sounds exactly like Queen Charlotte, so expect her to play that destructive goddess role throughout much of the season.

While animal husband tales focus on the revelation of the true man behind the beastly disguise, Cinderella tales center around the exposure of the true bride. A typical Cinderella story includes the following:

Persecuted heroine, usually by family

Help or helper, usually magic

Meeting the prince, usually with true identity disguised

Identification or penetration of disguise, usually by means of an object

Marriage to the prince

Throughout all three seasons of Bridgerton so far, we can clearly see Penelope being persecuted by her family, with her wicked mother and two foolish sisters easily fulfilling their quintessential roles.

As for the helper, Penelope has had several, but her most notable is Madame Delacroix, who both assists her caper as Lady Whistledown and then also supplies her with her transformative new wardrobe. In this way, she fulfills the role of the Fairy Godmother to Penelope’s Cinderella.

Meeting the prince of course is somewhat different since Colin and Penelope have known one another for years. Still, it is true that Penelope’s full identity has been disguised, since she has hidden her role as Lady Whistledown from him and the rest of the Ton.

Identification or penetration of the disguise has not occurred yet, in my opinion, but it likely will in Part 2 of Season 3. In the book, Colin follows Penelope and discovers her secret, and it may be that something similar occurs in the show. It’s unclear yet as to whether there may be an object involved, although if there is, I suspect it may be an issue of Whistledown itself, or perhaps the pen she uses to write it. Further, Eloise is heard in the trailer giving Penelope a midnight deadline to tell Colin the truth, just like how Cinderella's magical disguise will fall away at midnight.

And of course, we know we’re headed toward the eventual marriage with the prince! But meantime, there are a number of other familiar features of the Cinderella tale, not least of which are Penelope’s three separate flights from three balls. She runs first from Lady Danbury’s Four Seasons Ball, then again when her arrangement with Colin is revealed, and a final time after Debling turns her down. In some versions of the fairy tale, Cinderella actually does attend three different balls, fleeing from each one before midnight and only losing her slipper on the last one.

Of course, while she leaves behind no shoe, Colin races after Penelope each time, and finally catches her carriage on the last one, kneeling before her and confessing his feelings. This, like the relation to the mythical Cupid, leans on Hunter/Huntress motifs common throughout folklore. Often, one lover will chase after the other, and then they will trade places and the hunter will become the hunted. And only very rarely do these lovers come together as equals in the end.

So I will end there for now! Cannot WAIT for Part 2, after which I will try to update this with any new observations!

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 4.1

This is embarrassing but I'm actually so obsessed with the first five minutes of this episode that I've got it bookmarked in my YouTube account. It's just so perfect!

“Say you don't looooove him, my salamander. Then why did you neeeeeeed him? Ono don't answer.” He genuinely thinks need and love are the same and I really hope he's got therapy for that messed up mindset by now.

Officially honored as the most successful musical composer and recording artist of all time. That damn well better be mentioned in his movie. And people still don't take him seriously. But also. John definitely smashed his TV.

I'm screaming. I love Linda the promoter so fucking much!! Interviewer: I knew a lot of your records had went gold and platinum and– Linda: a lot of them? All of them! Ugh I wish she was still with him now.

And then THIS! “What really happened between you and John?” As the first notes to “I Will Survive” play. It's too good. Everyone has to go watch that bit right now.

Linda coming in for the kill again with her fake posh accent: critics? Critics? Oooooh! … They're always three years behind.

Look at him (to the tune Bitch by Meredeth Brooks) he's a whore, he's a father, he's a star, he's a success, he's a lover he's smug, he's laughing, he's having fun, he's working hard. He's everything.

Interviewing Wings concert goers and this one girl goes, "oh I just got off on all of it" and another one goes “It was great, i came twice!” Literally it should've been me!!!!

The McCartneys are seriously such a big family. And it's been Paul's responsibility since was about 21, really, to make sure they're all okay financially. That Francie story of him crumbling in the street in Liverpool haunts me.

"Why shouldn't they go to the same school as everyone else goes to?" State schools should be the only legal schools btw.

I love what the creator does to contextualize their songs by pairing them with other contemporary footage. It makes it much easier for me to understand why something like “arrow through me” (which I love but none of the people I've shown it to do) would've been so popular.

Oh here we go again. Just show us the marriage certificate already.

Cackling at the contrast between “Old Siam Sir” which is one of my all time fav rockers and footage of the Stones being cringe AF and Dylan being so beyond done he's basically dead.

Oh. Okay. And then they slap us in the face with John's poor baby late 70s demo voice crooning, “Don't want your looooove. Anymore.” “I die each time I hear your name.” I'm fine. It's fine. I'm just vomiting my guts out because I'm sick. That's why.

The pairing of “Mr H Atom” with Paul's would've-been drag show is genius, but what is that clip of some sort of trial stuck in there? If anyone knows, please inform me. (16:15)

John sounds so sad talking about the “endless search for . . . Scotland . . . Within an hour of New York.” I can't help thinking of the Mull of Kintyre. But John was also the one who turned Paul on to Scotland in the first place, ≈always waxing poetic about the heather and the hills≈.

Sean is so adorable. Reminds me of my little guy a bit actually.

Why do I always want to tell Paul to be nice to John? John is worse to him. Idk maybe because John's pain is more visible.

[deuces-stone-cold-style]

As promised the CleoClawd lore, my favorite mh drama, chart included

(Note: Year 1 is the year Frankie joins Monster High, aka the start of canon)

Year -1:

Nefera graduates and leaves the fearleading team to Cleo, making her captain.

Year 0:

Clawd is voted captain of the football team.

August 25:

Cupid decides that the captain of the football team and fearleading team should date, so she shoots them with a love arrow.

August 26 – October 31:

Clawd and Cleo start a relationship unaware of Cupid’s intervention.

Clawd notices a “spark” between Cleo and Deuce, he’s jealous about this for like a second before he gets over it. (Probably because he doesn’t actually like Cleo, and the arrow is beginning to wear off)

Cleo knows Deuce wants to ask her out but doesn’t dare because she’s still dating Clawd, and she wouldn’t say yes for the same reason.

Clawd and Cleo begin to struggle with each of their teams due to unresolved personal problems. Half the Fearleading team quits leaving the ghouls we see at the start of the webseries.

At this point, they wanted to break up but decide not to, to avoid extra drama. (it is unclear to me if they actually discussed it or if it was unspoken, either way the arrow has clearly worn off by now)

By leaning into each other, they start to make better decisions in their respective leadership roles.

November 1:

Cleo and Clawd break up on friendly terms.

Cleo asks Clawd to say she broke up with him, he says he won’t lie if asked directly but won't otherwise contradict the story she tells.

Literally the same day Deuce asks Cleo out, go tiger.

Clawdeen thinks Cleo did her brother wrong, hates her guts, this marks the start of their pre-series rivalry.

Year 1:

October 7:

Spectra misinterprets a conversation that makes her start a rumor that Deuce is leaving Cleo for Operetta. (this is the second time this happens to them lol)

Spectra implies to Cleo she thinks she had it coming for dumping Clawd, Cleo gets mad at her.

Clawd confronts Spectra about what she said, and they end up in a huge fight that causes them to get called to Headmistress Bloodgood’s office.

Spectra then begins an additional rumor that Clawd still has feelings for Cleo that Clawdeen hears and makes her want to confront Cleo. (this is what we refer to as Spectra's villain era)

October 18:

Clawd tells Clawdeen the whole truth about what happened with Cleo. This changes her view of Cleo and their friendship will develop in the webseries. (as far as I know, his beef with Spectra never gets resolved and I will continue to believe he kinda hates her until I do a thorough rewatch and find something that will prove me wrong)

Sources:

On the truth about why Clawd and Cleo started dating:

Cupid’s Signature Diary – August 25th, September 20th, November 1st.

On the Clawd/Cleo break-up:

Clawd’s School’s Out Diary – October 18th

On Spectra and Clawd’s fight:

Clawd’s School’s Out Diary – October 7th

Cleo’s School’s Out Diary – October 7th

Spectra’s School’s Out Diary – October 7th

Clawdeen’s School’s Out Diary – October 7th

TLDR:

[justjams2003]

The Desire to be Loved

Okay so... I watched the new Dead Boy Detectives and I loved it. But it made me kind of sad cuz we didn't get to see Dream. So then I rewatched The Sandman. So please enjoy my ramblings of what could be a new story maybe?

Pairing: Dream of the Endless x OFC Love/Cupid/Venus (you know how these beings have millions of names) (Also technically it could be an x reader because love is sort of anthropomorphic but in this story a she)

Warnings: Manipulation, threats, gay lovers (but it's the Sandman so that should be a given) crying, cliffhanger, unedited, kind of like enemies to lovers, tell me if I miss any

Word count: 1,6k+

Dividers by: @hyelita

Masterlist

(I've moved next part to the bottom)

When the first woman stepped foot on the earth, Lust was quick to follow after in their creation. Desire thrived late with his twin Despair after the birth of Destruction once Lillith set on her own path. And once the second woman set foot on earth, Desire created his first creation: Love. Love set her very first arrow into the heart of Adam and Eve.  

And as Dream had his second in command, Lucien, Desire had their favourite pet, creation, Love. And while Dream cares for his dreamlings, Love was nothing but a pet to use for Desire. One to follow orders and never throw tantrums. He did make her as sickly sweet as love can be, but with the same swing as desire has.  

And for thousands of years, she did as she was told. When Destiny told Desire that true soulmates were about to meet, he’d send love with her red heart arrows. And when it was the beginings of love, he’d sent her with her pink arrows. And finally, when the love was no longer meant to be, he’d send Love, to rip those pink arrows from the lovers. Tearing their hearts apart, leaving it to throb in pain.  

After all, it’s not safe for the Endless to roam the human world. Not long enough or often enough, at least, to fulfil the task that Love is sent to do. That was solidified in Desire’s mind when his least favourite brother got captured by the humans.  

She sits on the roof of a house she hasn’t visited before. That seems impossible, she’s been to almost every corner of the earth. But this house...she can feel the aura seems entirely loveless. A black cloud that leaves a bad taste in her mouth, and she doesn’t even eat. At least now something has finally started to bloom.  

She places the arrow on the hilt of the bow. A cute pink heart at the tip. She pulls the string back, controls her breathing like she’s done a million times. But something stops her when she hears what they’re talking about. “The maids say the guards are late.” The boy who just sat down asks.  

The other boy’s black brows furrow. “Really?” He goes to get up, Shoot! She’s going to miss her opportunity. Rushed, she’ll admit, she releases the arrow and it lands right in the two of them. A smile grows on the both of them. She can see the pink aura form around them and makes her feel all warm and fuzzy inside.  

“I’d better get going. I don’t want my father’s demon to escape.” He chuckles to himself, struggling to let go of his newly appointed lover. ‘father’s demon’? What on earth is that supposed to mean? Curiosity plays in her mind as to what it could mean. Especially with this dark cloud surrounding this supernatural feeling house.  

Carefully, her cupid-wings carry her down to the floor. She follows behind the boy, knowing no one but the supernatural can see her. Her white heels (after all, none of Desire’s creature’s could ever be unfashionable) hit the floor with a click-clack. Down the stairs and past the gates. But she stops right in her tracks with an audible gasp when she sees the Burgess’ demon.  

Alex watches with furrowed brows when the pale being his father had captured stands up. His piercing blue eyes looking over Alex’s shoulder, staring right at Cupid. Her eyes are as big as saucers and her plump pink lips hang open in shock. Dream’s hand rests against the glass, words are at the tip of his tongue, but just as quickly they fall dead.  

Gone. His one hope of escape took one large step back into the realm of Desire. Her mind, although submissive and quiet in nature, knew immediately who it is that is captured in Rodrick Burgess’ house. Who is this being that could’ve saved him and all his dreamers? Why couldn’t Alex see her? Why hasn’t Morpheus seen her before, in the waking or the dreaming?  

Why? Well, because it’s Desire’s number one rule. Her white go-go boots stop in front of his throne. “Your Highness?” She asks, her innocent eyes glued to the floor like a child ready for a scolding. “Yes, dear pet?” Desire says with a slinking smirk and the lick of his lips. He knows this stance of her all too well.  

“I’ve done bad.” She says, her shoe digging into the floor, her hands wringing behind her back. “Do tell.” They beg for the minor being. “Well, I was on the mission you sent me. With Alex Burgess and his new lover. And well, they were talking about something the Alex boy called ‘father’s demon’ and I-” Desire holds out his hand. She rambles often, he’s used to it.  

Cupid plucks a piece of skin from her lip with her teeth, such a nervous girl. “I saw Dream.” She blurts out, knowing better than to continue blabbering. Desire stands from his seat. A huge smirk forms on his face. He’s practically dancing around now, joy coursing through him. Or rather, mischief. “Oh really?”  

“I know, I’m sorry. I didn’t know he’d be there. If I knew I wouldn’t have gone. And-” The rambling starts again. But the anger that she expected isn’t there. “No, no, don’t worry my dear pet. You did good, so good.” They muse, now circling her like a shark with it’s prey. “I did?” She ask, her eyebrows lifting in the middle as she fights off the tears she’d been ready to let go of.  

Desire hums, his finger curling under her chin. “Verrryyy good.” He draws out the words like a cat would that could speak. Love’s long lashes flutter as the tears try up, now turned to confusion. “My brother, dear Morpheus, has been missing for the last 10 years and you, dear pet, have accidently just found him.” 

“I did?” He nods again, driving the point home. “Are we going to save him then? He looked so terribly miserable in the glass cage they put him. When he looked at me with those beautiful blue eyes that he has-” she’s cut off by a sharp nail under her chin, ready to unmake her. “Why would we ever save him? No, no, no! Have I not taught you better? He has not called for our help and for that we’ll let him rot.”  

The tears rise in the emotional girls eyes once more. “That seems so cruel.” She mumbles, a knot in her throat. “Cruel? Are you not the same Cupid who rips the love right from people’s hearts? Who lets them suffer for years before letting them love again? Is that not more cruel than letting a man, an Endless, be as he wishes to be?”  

Venus gasps when the tear rolls down her cheek, “Yes, but-” she wants to say so much. It is not she who gets to chose. It’s him! They make her break the humans and she cries each time she has too. She just preforms her given task dutifully. It pains her when the humans pray to her, because she has no choice in the matter.  

But she doesn’t say anything. She can’t, Desire would unmake her for disobedience. Instead, she just accepts their badgering. “No, pet, we take advantage of this. While he does not have a say in the matter, you and I will execute as many plans as possible for his demise and when he escapes from his capture, we’ll see the Dreaming fall and crumble at our feet.”  

This...this does not sit well with Cupid. Not one bit. “My master, are you sure this is a good idea?” Her voice is barely above a whisper for she fears Desire’s vengeful side. Desire’s head snaps to her. “Don’t you want your master to be more powerful? To rule over so much more than people’s fleeting wants?”  

“I-” she stumbles over her words but can see when those golden eyes warn her what the true answer is. “I do.” Cupid swallows her tongue and this does please Desire. She’s always been the perfect pet. Capable of nothing more than what is told to her.  

But all she can really think of is the desperation in his eyes. One of the Endless, stripped and vulnerable. And he was pleading. Pleading to her. Just another lonely creature made to serve and one of the Endless were pleading to her to free him. But what could she do? She cannot touch the humans, she cannot even speak to them. The universe and it’s creators know she exists, but those they serve struggle to believe.  

One thing that Desire of the Endless did not take into account is that Love isn’t just desire in another form. It isn’t just a want for the pleasure that a human body gives. It’s also the dreams of the humans that give her any form of power. A dream of what more there could be past the fleeting moments of lust. Past the want for sex and through the to the soul.  

A dream that all humans have. To be loved. By their parents, by their siblings, by their friends, by their lovers. Love is something all humans dream of, late at night when they enter the sleeping world. And while yes, they do wish to be lusted over and want over others, what Love gives is much, much more.  

A cross between Desire and Dream. And if the humans cannot Dream of love, can they even love? If there is no Dream, can there still be Love?  

Idk if this is going to be a full story yet but if you think it should be and want to be in the taglist if it becomes one, just ask!

Part 2~

[hard-core-super-star]

Hiya, may I request something for Kate bishop.

(Peter could be rs cousin or something.) Reader (who is spiderwoman and dating Kate), Kate and Yelena help Peter Parker (T. Holland) with the villains from the other earth's and as a result green goblin ends up killing aunt May and she seeks out revenge for may and almost kills green goblin but Yelena and kate stop her. (Oh, and Peter is the only one who is forgotten)

no such thing as good grief [K.Bishop]

pairing: kate bishop x parker!reader

summary: you always knew being a superhero came with a long list of dangers but it turns out you weren't quite ready to deal with someone else suffering for your mistakes.

warnings: major character death; heavy mentions of blood + injuries + grief; a huge serving of angst with a side of hurt/comfort, a dash of humor, and a sprinkle of plot; weird descriptions of fight scenes

wordcount: 3.2k

a/n: i probably should have rewatched no way home for this but shhh. any inconsistencies are just part of this other timeline because i said so and the MCU timeline is incredibly messy anyway. i very clearly got way too attached and wrote way too much but whoops, hope you enjoy <3 [also yes, may is R's mom in this but somewhere along the way, i resorted to just calling her 'may' instead 'mom' because I didn't want it to get too repetitive]

* * * * * * *

Nobody ever said being an Avenger was easy.

Especially now that most members are either dead, retired, off-world, or just simply unreachable. Nobody wanted to address the fact that the safety of planet Earth now rests solely in the hands of a bunch of college students and a Russian ex-assassin.

Of course, there’s still Dr. Strange and his merry band of sorcerers, including Wong, but it seems the only thing that man can successfully protect is his massive ego. It’s harsh, sure, but that doesn’t make it any less true. 

Although, maybe you’re just bitter that Stephen’s soft spot for your cousin ultimately got you tangled in a mess you had no business being in. 

A crack in the multiverse is bad enough but it being caused by one of Stephen's failed spells is even worse.

And of course, Peter's seniority when it comes to being part of a superpowered team means when he calls, you answer. There’s also the fact that he’s family and your mom would absolutely lecture you if you ignored him…again.

You really wanted to sit this one out but there was no way your girlfriend was going to let you. You tried all the tricks you knew to convince her but ultimately, her and Yelena ended up dragging you out of your apartment to help Peter fix his multiversal disaster.

“So, your plan to defeat these villains is to…not defeat them?” You question. “In what universe does that make sense?”

“Don’t be a jerk, y/n/n,” Kate mumbles.

You playfully roll your eyes at the archer’s words, biting back a comment about how rare it is to see her actually attempting to focus on forming a plan. She’s gotten a lot better at not rushing into situations but old habits die hard.

“Actually, it’s May’s plan,” Peter says. “I know it’s unconventional but I think it could work. We’re the good guys, right?”

Yelena shoots you a look but you just shrug in response. Fighting with him will only lead to more problems that you’re not sure you’re qualified to solve. Actually, none of you are qualified for any of this.

Webs, arrows, and strong punches are not going to get you out of this one.

You swallow down your hesitation and give Peter a small nod. “Right. What do you need us to do?”

Step 1, according to your annoying Spider-Cousin, is to pick up a few materials for him while he takes the misplaced villains to Happy’s condo. You don’t love the idea of being an errand girl but you already agreed to help and there’s no way Kate will let you take your words back.

Her loyalty is as admirable as it is annoying. But at least you get to spend time driving around New York with your two favorite people. And by driving you really mean sitting in the backseat with Kate while Yelena complains about how much harder it is to drive a car than a motorcycle.

Step 1 takes about an hour to complete and it’s not until you’re all heading to Happy’s place that your girlfriend decides to question you and your lack of trust in Peter’s plan.

“Since when are you so cynical?” She asks, her arm loosely wrapped around your waist.

“Me?” The question catches you off-guard and you turn your face away from the car window to look at her instead. “I'm not the one shooting arrows through people’s limbs.”

“It’s not like I’m killing people.”

“Neither am I,” you reply with a shrug. “I'm just saying to send them back to their universe.”

“So they can die,” she says, her tone making her statement sound more like a question than anything else.

“Well…yeah.”

It sounds brutal when said out loud but it’s the logical choice. Keeping them in your universe isn’t an option and there’s no telling what kind of damage Peter’s plan will have on those other timelines.

“And you don’t think that’s cruel?”

“Should I?” You look away from Kate’s eyes before you get distracted from the conversation at hand due to the puppy-dog look they’ve been carrying the past few minutes. “Yelena, you wanna help me out here?”

“You’re gonna get the heartless Russian assassin to help you prove your point?” She asks with a chuckle.

“Ex-assasin,” the blonde corrects her. “And I am not heartless. But y/n is right. What is that stupid saying? Something about a circus?”

“Not my circus, not my monkeys.”

“Exactly.”

“Okay, so if you’re so against this plan why did you agree to it?” Kate finally asks the million-dollar question.

The answer is a lot more complicated than one would think and you’re not in the mood to explain why the plan being your mom’s idea means so much to you. So, you take a page out of the archer’s book and reply with a stupid joke instead.

“You think May would have been fine with me letting Peter run around on his own?”

Yelena’s reply is just as witty as yours. “I am only here because someone has to babysit you while y/n babysits Spider-Boy.”

“You guys are jerks.” There are notes of humor in her voice that she tries to wipe away with an overdramatic pout.

You chuckle and lean in to kiss her, ignoring Yelena’s complaints about how annoyingly in love you two are.

The moment is a welcome respite from a chaotic and difficult situation.

A situation that only gets worse with every minute that goes by.

The three of you finally arrive at Happy’s condo and are led inside by your overly chipper cousin. You try to ignore the way the hairs on the back of your neck stand up at the mere sight of the supervillains scattered all around the living room.

You’re probably just being paranoid. That’s what you tell yourself until Peter lets it slip that he’s not the only person watching over the time-scattered villains.

You grab a hold of his arm and lead him away from Kate and Yelena, more for his sake than yours if you’re being honest. “What do you mean my mom is here? Why the hell would you bring her into this mess?

“I didn’t do anything!” He responds. “She wanted to help. You know how she is.”

If you had a nickel every time he used that excuse you’d be as rich as your girlfriend.

“This is different, Pete! It’s not just her bringing us snacks while we fix our web shooters, this is serious.”

“Which is exactly why she should be here. We need all the help we can get to do this. You have no problem with Kate being here, why is May different?”

It takes you a second to be able to reply, your brain not fully computing his audacity to make such a flippant comparison. “Because she’s not a superhero, you dimwit! She’s the only family I have left, I am not letting her get hurt because you convinced her to help us.”

“First of all, ouch. Second of all, relax. She can take care of herself.”

All you can really do is groan since it’s obvious no amount of arguing will get him to change his mind and help you convince May to go home. There’s also the fact that she probably wouldn’t listen to you even if you managed to get Peter on your side.

“Fine. Just tell me what to do so we can wrap up this shitshow.”

You ignore his very obvious sigh of relief and focus on lending the helping hand you promised earlier. Help that makes you ignore your growing unease and leaves you unprepared for the violent turn things take.

You’re not even sure how it happens.

One second you and Kate are arguing about how Sandman’s powers even work while Yelena and May help administer Dr. Ock’s cure and the next you’re watching Green Goblin turn the rest of the misplaced villains against all of you.

Your one and only thought is on getting your mom out of here unscathed but it quickly becomes clear you won’t be able to just swing her to safety. There’s no plan, or even time to think things through, there’s only a tense atmosphere and an inkling that things won’t go well no matter what you do.

Green Goblin’s taunts ring in your ears right as Electro blasts Dr. Ock out the window. Kate shoots you a look you can’t ignore and you hold on to the silent promise that she’ll be okay without you.

You dive out the window without a second thought, barely managing to shed your hoodie and reveal the Spider Suit hidden beneath your clothes. (Peter can keep all his fancy little upgrades, nothing beats the classic suit in your opinion)

You manage to help Dr. Ock before he slams into the ground with equal parts teamwork and a staggering amount of webs.

He assures you he’s fine once you manage to get onto a nearby roof, not so subtly doing his best to get rid of a few webs that are stuck to his clothes. You shoot him an apologetic smile before jumping off the roof and swinging back to the now blacked-out building.

You ignore the swarm of cop cars and news vans that litter the front of the building and impulsively divide to crash through a window into the lobby, figuring it’ll be faster to find May and your team this way.

You jump onto your feet after your literal crash landing only to find Kate and Peter in the middle of fighting Green Goblin. A part of you screams to run and find your mom but then Osborn kicks Kate’s bow out of her hand and your body reacts faster than your mind can even comprehend.

“Hey, asshole!” You shoot a web at his leg and yank him backward. “Get your hands off of her.”

He stumbles but doesn’t fall the way you anticipated. Instead, he turns to look at you, that chilling smirk still plastered on his face. “What is it with you Parkers and your savior complex?”

Your first instinct is to run at him but you catch the archer’s look as she runs to help a badly injured Peter. If it’s a distraction she needs, that’s exactly what you’ll provide.

“It’s part of our charming personality.”

You shrug and shoot at him again, managing to pull his focus toward the barrage of webs you send his way.

You expect to keep him occupied until Peter and Kate catch their breath but instead, May rushes out of the stairway, a bleeding Yelena trailing behind her, and she injects the so-called cure into the back of Osborn’s neck.

The cure doesn’t work. All it does is send the Green Goblin into a fit of rage.

You urge May to run in between Osborn’s taunts directed mainly at you and Peter. She doesn’t listen and you’re too distracted to notice the deadly glider that hovers just outside the window.

By the time Kate warns you it’s too late.

The blast it creates when it crashes in sends you flying onto the ground. All the air gets knocked out of your lungs from the impact but you don’t get time to lay there and recover.

You somehow manage to get back onto your feet right as Osborn sends a bomb flying your way. You just barely manage to web it and throw it to the side before it goes off, sending bits of debris raining down onto all of you.

There’s the distinct sound of Kate’s boots running toward you, Yelena’s Russian curse words, and a part of you that tells you to go check on May. There’s no chance in hell that you’re letting Green Goblin get away though so you swallow down your pain from aching joints and bleeding cuts and run after him.

You arrive outside just in time to watch him throw another bomb that you’re too slow to stop.

The explosion throws you back onto the ground and you groan as you land on a piece of glass. You’re breathless and bleeding and it’s only then that the guilt crashes into you at once.

This time, your attempt to stand is far less balanced and you stumble onto a familiar frame. “Hey, hey, easy. There’s no rush, babe.”

You happily accept Kate’s embrace, the familiarity of her comforting touch soothing some of your pain. “You okay?”

“Yeah, nothing some band-aids and a nap won’t fix.”

Hearing the usual humor in her tone brings you back to reality…which brings your mind back to your mom and the way you so recklessly rushed outside without knowing if she was injured. “How about Peter and May? They okay?”

Your girlfriend’s silence never means anything good and in this context, it makes your heart drop to your stomach in an instant. You’re about to question her again when Yelena’s voice stops you.

“We need to get out of here before the cops arrive…again.”

You push your injured body away from Kate’s, searching for the answer you don’t want to hear. “Kate…”

“I’m sorry.” She avoids your eyes as she responds. “Peter tried but it was already too late. She’s gone, y/n.”

You don’t hear anything she says after that.

It’s strange the way the world slows to a stop around you while your overwhelmed brain tries to process the Earth-shattering information. Strange how a second ago everything seemed to make sense and now you’re left gasping for breath, reaching for answers you know don’t matter.

The how, the why, the what. None of that matters. 

May is dead.

And there’s nothing you could have done to stop it despite the powers, and the gadgets, and the hours of training.

You didn’t even get to say goodbye before she-

“y/n, it’s not your fault.”

“Listen to Kate Bishop, she’s finally right for once.”

“Hey!”

Their attempt to comfort you turns into chaotic bickering but you don’t pay attention to their words. You can’t think about anything except the gaping hole in your chest that had once been full of May’s knowing looks and thoughtful words.

Kate’s right.

It’s not your fault. Or May’s. Or even Peter’s. There’s only one man to blame for this. 

And you’re sure as hell going to make him regret his choice to mess with your family.

“y/n.” Kate’s voice manages to cut through the hate-filled fog that’s starting to cover your mind. “y/n, don’t.”

You don’t listen to her words, you don’t even take in the way she so easily knows what you’re thinking, you just do what you’ve always done: keep moving.

You successfully escape your girlfriend’s embrace and start running. You’re not sure where you’re going or how you’re going to find him but the plan will come later. Right now, you just need to do something before the grief consumes you.

Kate yells after you but there’s no way she’ll be able to chase after you. Especially once you start swinging from building to building.

The hours pass by in between blurs of rain, tears, and the occasional wall you end up crashing into. Your phone blows up with missed calls and countless texts but you don’t care.

The entire world could crash and burn without you for all you care. The light within your own world has already been extinguished. 

Your search ends up leading you right to the Statue of Liberty where you’re not at all surprised to find a chaotic battle going on. Maybe you should have checked your phone to get caught up with the plan but that doesn’t matter.

What does matter is that you’ve finally found what you’ve been looking for. And your mind is dead-set on your objective.

You ignore the rest of the fights going on, including the look of pain and relief on Kate’s face once she sees you swing past her, and hone in on Peter.

You're still bleeding and there's a sharp pain in your leg you can't ignore but your injuries don't matter. All that matters is avenging May.

You land next to Peter without a word, the venom in your eyes saying more than your voice could. You're both fighting for the same thing but you have no doubt he's still pulling his punches.

Something you have no intention of doing.

“Well, well, well, look who decided to join the fun,” Green Goblin taunts. “Too tired of running after your dead parents?”

“Shut your mouth,” you reply as you step toward him. “You don't know what you're talking about.”

That only makes him laugh. “Trust me, pain makes you stronger. You'll see, all I have to do is take away your pretty little girlfriend next and you'll understand.”

There's no hesitation left in your body once you hear those words.

You lunge forward, tackling Osborn to the ground. That stupid smirk doesn't leave his face even while you rain down punches on him.

“Come on! Is that all you can do? What's the point of two Spider-Idiots if one is too weak to fight?”

You know he's only taunting you. Trying to push your buttons and get you to break. Too bad that's exactly what you want to do.

Every time he pushes you back, you kick him back twice as hard. You stumble and get punched in the face enough times to make your ears ring but you don't dare stop.

You don't even think.

You just punch and punch and punch until Osborn’s on the ground, his witty mouth finally silent.

Seeing him like this only serves to remind you of what you've lost, of the pain that's taken hold of your every thought and move. You lift your hand to shoot a web at his forgotten glider when a voice stops you dead in your tracks.

“y/n?”

The mere sound of your name coming out of Kate’s mouth in that desperate tone is enough to make your breath catch in your throat. You already know what she's going to say so you speak up first. “I have to.”

“No, you don't. You've done enough, okay? You can walk away.”

You look down at your hands, at the bloody mess you've left behind, and the tears start falling before you can stop them.

The hand that pulls you up doesn't belong to the archer but it's full of an understanding only Yelena could be capable of. “Go on, Spider-Boy and I got this.”

You nod, too numb and overwhelmed to fully accept the weight of what you've done. Of what you almost did.

“Kate?” You call out as you finally turn around to face her.

“I’m right here.” She greets you with the same soft look and warm smile you fell in love with, nothing but compassion in her gaze.

You all but collapse into her waiting arms, your shoulders slumped as you finally give in to the all-consuming grief that lingers in every breath you take.

The sounds of the chaos around you fades into nothingness.

All you can hear is Kate's soft reassurances and the steady beat of her heart. You don't need anything else than that right now. Despite how strong the urge for revenge had been.

You just need your girlfriend…and a long nap.

Peter watches the scene with a small, albeit sad, smile on his face. There's a weight on his chest that even fixing his mistakes won't take away.

But at least he knows you won't be alone. The spell will make you and everyone else he loves forget about him but at least you'll still have Kate.

It'll be hard but he has no doubt you'll be able to rebuild and find the light inside of yourself that May always believed was there. Flickering underneath all the pain of your past.

Now you and Kate can shine together.

Without him and the chaos he unnecessarily brought into your life.

[silencefromafar]

I went back to rewatch episodes 7 and 8 of TROP season 2 because I wanted to be sure I hadn't actually missed anything. And I noticed some things...

So I already shared thoughts about how it felt like there were missing pieces in the season finale and how the show suffers with the challenge of condensing events that happened in the spam of several centuries in a shorter timeline.

After rewatching the last two episodes of the season I stand by my previous assessment. And even more: they had problems condensing the plotlines of the season into 8 episodes. Thus a season that started incredibly well dialed down to a messy combination of emotionally flat conclusions.

I will try to organize my considerations in different posts, the first one being about episode 7 and the Battle of Eregion. This episode has some weird editing choices and continuity mistakes that led me to believe that either there was more to the Battle of Eregion than what made it to the final cut or there were post filming changes that led to reshoots of some scenes (or even both).

The most notable slips are related to Gil-Galad's weirdly timed appearances and his absence for the majority of the action sequences. The first time we see the elven cavalry arriving the camera focuses on Elrond leading the forces and briefly shows the High King to the side. When the cavalry charges and we get a wide shot, Gil-Galad is gone. After that very brief appearance he comes back only near the end of the episode to help Elrond and Arondir and deliver a one liner in the fight against the troll. And even then the moment he spears Damrod seems weirdly disconnected from the whole sequence as it is shot in a way that does not show Gil-Galad in the same framing as Damrod, Elrond or Arondir. When the troll is finally dead, there are a few shots were we can see Gil-Galad upon his magnificent horse delivering another one liner. With the fighting still going on around them, Gil-Galad, Elrond and Arondir look in the direction of the treeline. Cut to a shot of Adar ordering his children to march and various shots of the orcs advancing from the edge of the forest to cross the battlefield. We see by the lighting that it's still the middle of the night. Cut back to Gil-Galad on his feet and we have no horses on sight, all the orcs that were fighting the elves a few moments ago have disappeared or dropped dead and the lighting is completely different as the sun is already rising on the horizon. Oh, and the body of the troll they just killed? Nowhere to be seen.

Back to the battle, we finally have Arondir facing Adar. Now, this should have been a big moment, since they interrupted Arondir's story arc with the southlanders to have him pursuing revenge against Adar as his main arc of the season. But it's resolved in less than 30 seconds. Or in 24 seconds, to be more precise: Arondir shoots his first arrow directly at Adar around 1:05:34 and by 1:05:58 we have Adar leaving the frame while Arondir crawls on the floor with what should have been a mortal wound. When I first watched this I was genuinely scared for Arondir's life. This is the last we see of him in this episode and when the finale came out one of my concerns was knowing who would come to Arondir's rescue... No wonder I was confused when he showed up perfectly fine like he didn't had a big ass sword thrust on his belly.

Next we have this beautiful shot of Elrond looking despondent, his gaze on the battle going around and his hair mostly in place. Then it cuts to Adar's sword being sheated while he stands right in front of Elrond, who's in a slightly different position, face looking down, hair a lot more disheveled. The lighting also changes from one shot to the other: on the first it looks more natural while in the second it's weirdly artificial. It's clear that there was supposed to be a fighting scene between Adar and Elrond before the moriondor takes Nenya. What happened to that scene?

One can't help but wonder how such primary mistakes in continuity could happen in a billion dollar production like TROP. My guess is that originally there was a different version of the Battle of Eregion and what aired was a mix of that version with reshot scenes but I still can't say what was on the first version and what was a result of reshooting.

That's it for now, I might come back later with more comments on these last two episodes.

P.S.: I've seen some people theorizing that it could have been Sauron impersonating Elrond in that infamous kiss scene. And as much as I think that kiss was gratuitous, purposeless and completely out of place I don't think that is what went on. As many editing mistakes as they did the sequence of events here seems mostly ok and I can't imagine how Sauron would have been able to pull that off. But who knows? As I've said, that kiss was weird enough and might be another evidence of the mess that went on in the making of episodes 7 and 8.

[terapsina]

Shoutout to the temporary ships that were created with the intention of getting in the way of the intended ship but that I actually liked way more than the ship the writers were trying to get me to root for.

(a.k.a I kinda get a bit salty on this one)

---

1. Laurel and Tommy - Arrow

As soon as they got introduced I felt the feeling of doom. Because they were so immediately adorable and full of chemistry. I loved them from the word go even though it was so clear they were going toward a Laurel and Oliver resolution (and then to add insult to injury they changed their minds on that, but Tommy was taken from Laurel anyway).

---

2. Clara and Danny - Doctor Who

It's up for debate if Clara's relationship with the Doctor was meant to be romantic-coded or not (I personally prefer it as 'not' but they really were very fuzzy with the lines) but either way Danny was still used as the threat that might separate them. And that was really annoying for me because I liked Clara and Danny so much. And then they killed him (which is a scene that still tears my heart to pieces).

---

3. Cordy and Doyle - Angel: The Series

They were short and sweet and I enjoyed them (and though the Cordy and Angel thing wasn't really a thing at the time, there were some signs that it was on the writers' minds... and I wasn't a fan). And then they killed Doyle (...I might have to rename this post to 'killing off the love interests I actually enjoyed to give way to the ships I didn't').

---

4. Rachel and Joey - F.R.I.E.N.D.S.

This ship went past my notice when I watched the show as a kid (my entire obsession rested on Monica and Chandler) but after rewatching as an adult I actually really liked their potential. It might have come up a bit unexpectedly but there really was something quite genuine about it (and Rachel deserved so much better than Ross). I wish they hadn't ended it as such a joke.

---

5. Worf and Troi - Star Trek: The Next Generation

They were created with the sole intention of getting in the way of Troi and Riker. But I liked them better. I just found them more interesting.

---

6. Tamsin and Bo - Lost Girl

They were more fun to watch than Bo and Lauren, had better chemistry and I just enjoyed them a lot more ('and then you see you' living in my head rent free for years now). But instead they gave Tamsin the short end of the stick and used her as a stepping stone (in so many ways, genuinely, even past shipping they just never gave that Valkyrie a single break... and then killed her in the most insulting way possible, because of course they did).

---

7. Wynonna and Dolls - Wynonna Earp

Talk about chemistry. Season 1 of that show was so good and I really did fool myself into thinking this was where they were heading but no, of course not (I should have learned my lesson about Emily Andras after she killed off Hale on Lost Girl). How is an old dude with a gross mustache more interesting than a literal dragon? The answer as far as I'm concerned... they're not (now guess if they killed him off. Guess!).

---

8. Lucy and Flynn - Timeless

A tragic love story happening in the wrong order and out of time because he meets her when he needs something to hold on to and she gives him a crusade. And she meets him while he's zealously following that crusade and thinks he's just a terrorist? Dude. But no, apparently the happy ending is supposed to be the guy that wanted the cake and to eat it too (sometimes I genuinely boggle at how the writers just will not notice when they've hit gold and instead go on beating that dead horse even more to death (and yup, somehow manage to kill the gold)) .

9. Dutch and Johnny - Killjoys.

(First I have to say that I still recommend this show a 100% and this is just quibble of a shipper at heart) But how is it that when you build the whole series around the heart of this relationship, you still end up using Johnny as a brief stop point (a la basically a Married!AU) before you put Dutch back with his brother? Like, yes, they're each other's best friends and always will be but people that are in love can be each other's ride or die best friends too.

---

10. Mel and Abigael - Charmed (2018)

Alright, Mel went through the intended love interests like candy (and I liked most of them well enough) but Abby was the one that intrigued me the most, so it was a great shame that she was never properly Mel's love interest at all and more enemy/antagonist/ally/friend with mostly one-sided feelings for Mel (enemies to friends to lovers was RIGHT THERE).

[anxihazel]

I'm gonna share a random thought I had while rewatching Whitepine because I love this series and I love analyzing media <3333 Alright so, I might be wrong here but it's so unbelievably interesting to me how well everything would - and does - point to Ivory being the one that murdered Mysti . Like, imagine we weren't the viewers for a second, imagine we didn't see from her perspective at all and we watched from like, idk Maddy's pov or Ivo's or anybody else's ;; For instance, everything major started happening AFTER Ivory joined the Hemlockes, Ivory acts incredibly different from others - she's quiet and reserved, she has a tendency to go outside and out of other's sight (So all the other servants barely see her ;; although that may not actually be that big of a problem since they have to work all day and probably don't see a lot of each other anyway - but for the sake of the argument lets just say it's an incriminating fact) and out of everybody else, she's most likely the only person that reacted the way she did to the murder during the police questioning; Ivory seems like the perfect suspect, and by all means others should definitely believe she's the one that did it, but there's one major problem with that -- We know she didn't. She's the main character; We know Ivory didn't murder anyone because us, as the viewers, know where she is almost all the time ;; and while we don't have all the context in the world, we've still been following Ivory closely enough to understand that she can't be the one who did it. The reason Whitepine is so interesting to me as a series is because we follow the one person who's most mysterious, most suspicious, the one we - by all means - should have no reason to trust from an outsider's perspective ;; and here in lies the problem, we aren't outsiders. We literally see the world ONLY from Ivory's pov; Therefore, what do you do when out of the two given sides - the people you're supposed to trust and the people you shouldn't - the only certainty that you have is that the character that all red arrows point to isn't the one who did the crime, the one who sinned. If you can trust the untrustworthy in the case of murder, than who from the character's we're supposed to trust, can we trust? Anyway yeah that's all, I just wanted to share this thought process - it's most likely a very obvious part of the narrative but I haven't seen many people acknowledge it so I wanted to!!! :33

[writteninlunarlight-years]

hiii!!! i just came across ur blog and i would love to get a bg3 matchup if that’s ok!!!

gender - female

pronouns - she/they

sexuality - pansexual! i’m fine with being matched with any gender!!

appearance - i’m 5’0 and have small bone structure, so overall just small lol . i have long platinum blonde hair and hazel eyes! i like dressing cute and wear a lot of skirts n stuff!! i also have rlly big glasses

mbti - infp

personality - i am very shy!! i rlly like talking to ppl, im just bad at it and it makes me nervous. im also a pretty anxious person, so i usually stick to whoever im with in public or around ppl (literally stick, i will hold on and not let go). overall im a very quiet and gentle person!!

likes - i play wayyyy too many video games (bg3, ff7, ow2)! i also spend a lot of time painting and i rlly love art!! while im painting i usually rewatch my fav shows (hxh and attack on titan)!!

dislikes - vegetables >:/ i also dislike ppl who don’t understand that socializing is hard for me, and will try to push me into social situations i’m uncomfortable in. i’m also extremely scared and hate any body of water :c

extra fun fact - my fav color is pink :D

characters i don’t want - no shadowheart if that’s ok!! nothing against our girl but i don’t like her romantically!!

bg3 extras :D

race - human

class - druid!!!!

~~~~~ MATCHUPS ~~~~~

BG3

Gale Dekarios

~~~~~ HEADCANONS ~~~~~

Gale is a big softy but wants to be Alpha Male so bad.

He will happily allow you to hold on to his arm, and he will try to act all big and tough when he is a schoolgirl inside.

When he first met you, he thought you were too timid to be the leader of the group. However, your quick thinking proved him wrong.

He loves spending lazy days between battles with you in the fields, teaching you about magic and how he learned it.

Gale always keeps a hand on your lower back when out in public, or he will intertwine your fingers.

Mans is jealous; he will be a big baby if you cling to anyone but him on your outings.

Will literally throw a fit by yanking you into his presence.

He loves watching you commune with nature and the world and is interested in your magical abilities.

Will bend over backward for you. It is gotten for you in a heartbeat if you want or need anything.

He wants you to feel worshiped and treasured. I mean, the only love he has ever had was with a god, so this is only right....right?

When you comfort and remind him he is enough without the lavishing gifts, he is overwhelmed but so happy.

He happily and willingly gives up Mystra for you, not caring about godhood or kingdom.

He loves being with you all the time, and when the illithids are handled, he makes you a permanent fixture in his tower in Waterdeep.

~~~~~ BLURB ~~~~~

You and Gale were sat out in the open fields just before Baldurs Gate. The Iron Golems proving to be more of a hindrance than initially thought. The team decided to take a breather and devise a plan to get around this issue. However, working on magical skills with Gale was probably more of a distraction, especially with how cute his focusing face was. Sitting quietly watching him enchant a simple thorns spell was fascinating.

Once he had gotten the hang of the basics of a ring of thorns, you congratulated him and wrapped your arms around his midsection. Gale was taken aback, but a quick laugh and warm arms wrapped around you soon replaced every thought in either of your minds. You two had been like this since he saved you from an arrow to the back, so close yet so far. When Elminster told you he was to die, you lay in his arms, crying your eyes out, begging him not to go through with it.

Enjoying the warmth of the hug, you two soon moved to cuddle in the grass, pointing out odd-shaped clouds. You knew you should be planning how to get into Baldur Gate, but this was so nice. Gale was a new normal for you, and you hated to think it could go horribly wrong in any passing days; you wrapped your arms tighter around the man and kissed him on the cheek before burying your face into his neck. Gale had already made up his mind and would fight till his last breath to have a forever with you.

~~~~~ EXTRA ~~~~~

(Everyone was celebrating the defeat of the elder brain. A few rounds of drinks had flowed, and many were a bit tipsy.)

Astarion: Cheers to our fearless leader, who took us through these trials and allowed us freedom!

Everyone: Cheers!

Shadowheart: Cheers to our new-found friendships, which, though strained, ended up being the best thing to come out of this horrible experience!

Everyone: Cheers!

Gale: I, too, have an announcement to make! Y/N, I want you to know that since the day you saved me from that rock, you have stolen my mind. You are perfect; please marry me.

La'zek: 20 copper. He is the furthest gone of all of us, and he won't remember in the morning.

Y/N: Oh, come on, it's cute, but yes, Gale, we should try again when you aren't the color red of the setting sun.

Gale: MMMMkay *hicups*

[acupofsolacemoved]

Okay so some stuff that stood out to me on my 100th rewatch of the new trailer (because the other 99 times i was just freaking out about getting a narrator and grover being actually perfect)

HES LOOKING AT A STATUE OF PERSEUS!!!! THE GUY HE'S NAMED AFTER!!!!!!!!! HOLDING MEDUSA'S HEAD!!!

assuming this is mrs dodds i'm actually really sad they didn't give her her leather jacket :( i would have LOVED her aesthetic as it's described in the books

She looks absolutely amazing here though no notes

LOOK AT OLYMPUS!!!! don't care about zeus(i'm sure he'll do a great job portraying zeus he has the vibes already) THIS IS THE BEGINNING OLYMPUS CAN YOU IMAGINE IT WHEN ANNABETH IS DONE WITH IT????

obviously the armour isn't Quite accurate (like the shields should be bigger) but it LOOKS REALLY GOOD!!!! LOOK AT THOSE BABIES!!!!

the quality is SHIT but LOOK AT THISS!!! actually tearing up the cute little arrows pointing you to the different cabins!! the cabins themselves!!!!! the black one with the red banners is Ares and I really like the vibes tbh, i do wonder what the other cabins look like if zeus, poseidon and ares are all tall temple like and the apollo cabin is significantly different in style

GETTEM PERCY!!!!!

SO MUCH JUDGEMENT IN TEN FRAMES. ANNABETH MY BABY I LOVE YOU SO MUCH

omg i cannot wait for this scene if that's poseidon that's so fucking funny wtf

THIS IS A LOT SCARIER THAN I IMAGINED IT I CAN GET BEHIND THIS HELL YEA

THEM JUST STANDING THERE JUST LOOKING AS ARES DRIVES OFF LMAOOO

i'm so intrigued what changes have they made to the tunnel of love cause there are OBVIOUSLY some changes. that's neither a chariot nor a love tunnel ride i need ANSWERS

are we not getting a chimera? kinda hope we are but can't imagine them not showing it in the trailer?

Just the whole minataur scene is insane actually i'm so excited for it i have no words i'm speechless with excitement

[george-harrisons-last-biscuit]

Rewatching Help instead of sleeping Part 1

Why do we start this movie with human sacrifice and then immediately go into a music video for help?

Also I was just at an Aztec temple for the Sun God and they also did human sacrifices. I was told by the guide that a most of their sacrifices would volunteer.

Where did they get the screen playing the Beatles that they’re throwing darts at? Also I realize I should give visuals so here’s. A shitty photo taken of my laptop and a photo of the temple:

I’m so confused what religion/culture are they trying to imitate here with the human sacrifice ring people.

I love their house and this scene so much. I need an entire movie that’s just the Beatles living in this house. Is this what the show big brother is like? Just 4 houses without walls in between them.

I love how there’s just a random guy in George’s room who cuts his lawn with mechanical teeth and John pulls out his own book to read

How did that woman get into their house and have no one call the cops. Wait is it ever explained how ringo got the ring? Im only 8 minutes in I need to slow my roll.

This is so unapologetically racist beginning to end.

I can really tell they were high out of their fucking mind for the filming of this movie. Also the “Everyone laughs at Ringo’s Sudden Apprehension” reminds me of this scene in Velocipastor:

I remember the first time I watched this movie I had to look up the plot to it because I was so wildly confused.

There at some sort of restaurant with belly dancers and all the chef are being killed. Listen man you can try to kill Ringo without harming the employees.

Oh some fan gave him the ring that’s why.

Why are there so many words appearing in scream explaining what’s happening? I think I could’ve guessed they were going to a ring specialist

There’s so many batshit lines in this. Was this version of Ringo dropped on his head as a child why is he saying he likes to have his head stuck in between railing?

You know the writers were like “the fan girls are gonna love this” when ringo’s pants fell off. 

I love her outfits in this movie but this has to be my favorite so far. I regret being completely sober for this re-watch.

I’m gonna stop commenting on the racism now but holy fuck did this not age well.

Also Paul being tiny and naked on the floor is also a fantastic moment of fan-service that Beatles fans definitely fell for.

I think these scientist are definitely a gay couple. They have a real sort of Dr Honeydew and Beaker vibe to them.

It’s ice time now.

Hearing George call the bomb a “fiendish thingy” is so much more fun knowing that I know about the vomit pet.

Bro almost got Saint Sebastian-ed. Also I feel like arrows through a window is a pretty ineffective way to kill someone like it’s too unpredictable.

Part 2

[beautifulterriblequeen]

TDP rewatch: autistic Soren?

I spent a lot of time going along with everyone else saying that Soren was a big dumbass. And for that, I would now like to apologize. I don’t think Soren’s dumb. I think he’s autistic. 

As an autistic person, I feel bad for not spotting this earlier. But, like Soren, I do have a tendency to believe what I’m told, especially when everyone is saying the same thing. And this may not be canon, ever, but that’s okay. I see Soren in a new light now, and I know that light. (Gods, S3 is really gonna wreck me now)

He doesn’t get sarcasm. He takes Rayla’s “obviously” sarcastic comment at face value. He’s also not good with metaphor, taking a long time to grasp “butter them up.” Once he’s figured out what he should do--lie about the king--he does a very bad job of it because the emotions he needs to embrace to sell the lie aren’t familiar to him.

He’s very good with rules. A father who needed a son who was rooted in the narrative of strength could easily have trained an autistic child to bind himself within those rules form a young age. It’ll be very hard for Soren to question rules that he consciously chose to follow himself.

He doesn’t understand the shifting of loyalties. First he’s a loyal Crownguard, and then he’s supposed to detain Callum because his dad asked him to? Soren’s genuinely confused.

He still chooses to protect Callum when the assassins attack, even shoving him to safety from Runaan’s arrow, because those old rules of loyalty to the royal family haven’t been shifted.

He’s also slow to react to the arrow striking him. He takes precious reaction time to study it closely. He’s probably never seen a Moonshadow assassin’s arrow before. It telescopes in three places. It’s green. It probably smells faintly of poison. Soren’s possibly also never been shot before. All these physical details are hitting him at once, all with equal force, and it takes him a moment to sort through them, process them, and remember that the arrow means the assassins have arrived.

He spends time and effort trying to speak others’ languages, but he doesn’t always get it right. He knows Claudia’s nose trick but he can’t perfectly replicate it. He misinterprets Rayla’s angry intent as personal interest. He really tries to connect with his dad by offering his “see-saw” comment (which is actually right on the money as far as the show’s themes are concerned). 

He’s oddly focused on the difference between a prince and a “step-prince.” Not in a mean way, though. He thinks it means he’s paying attention to small details, which people often like. Not particularly in this case, though.

He really does just want to fit in. He does whatever Viren says because he wants to be accepted, not just as Viren’s son but as a not-weird, not-useless person.

Claudia’s the one who makes the jokes. He happily lets her lead on the mission to Mount Kaelik and has no ego attached to being in charge of her.

He’s really awkward with his brotherly feels when he calls her “weep-ridden” and offers to help by punching Callum. Autistics can struggle with language, especially in unfamiliar emotional territory and under stress.

He hyperfocuses on being a Crownguard, though, which is why he’s so good at it, and why he’s in charge. He does nothing but train. He loves being a Crownguard. He knows that role inside and out. He knows when to order men into position, and he knows when to shut up and hand the king his sword.

He insists that sweeping the leg is not a thing, though, because it’s outside his training. None of the Crownguard instructors taught him that, and so it is outside the rules. 

When he votes that Corvus is a traitor and gets Claudia to vote with him, he’s reinforcing the rules that he learned. The black-and-white shield on his armor isn’t just an indicator that he’s straddling the line between good and evil and will one day have to make a choice. It’s showing the way Soren sees the world: everything is either inside the rules, or outside them. Soren doesn’t see gray areas. But he might learn to very soon.

He’s cheerily cold-blooded about lopping Runaan’s head off and trying to kill Rayla because empathy is a strange animal for autistic folks. Sometimes it’s really high, and sometimes it’s nonexistent, even within the same person. Between a low empathy for elves and his Crownguard training, Soren legitimately doesn’t see any problem with killing them, even at the age of 18.

He knows the rules on how to deal with dragons: you fight them. And he gets a whole town torched. He was entirely unprepared. But his ego wasn’t in this fight. He freed Corvus because he understands that a Crownguard’s job is to protect Katolis, and that includes the townsfolk. And he admitted his mistake to Claudia because filters are hard under stress, and the truth just pops out like that.

When he’s paralyzed, Soren has no ego attached to remaining a Crownguard, either. His hyperfocus has broken. He was growing increasingly stressed by his dad’s secret mission. And he immediately seeks a new hyperfocus: poetry. He gives it a shot, and he’s terrible at it. He hasn’t actually internalized any poetry rules yet. He’d become a good poet pretty quickly, if he had the chance. But Claudia came to heal him instead.

As S2 ends and the siblings head home together, Soren has no plan anymore. He has no rules for what’s gonna happen, and he can’t anticipate Viren’s reaction but he expects it’ll be bad. He asks Claudia for help in understanding what his parameters should be, because that’s a long trip home, and that’s a lot of time spent worrying over scenarios that he has to consider because he can’t narrow it down--every possibility is a legitimate possibility to him.

[unfinished tdp meta]