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veronicaleighauthor · 2 years ago

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Band of Brothers

Today is the 79th anniversary of D-Day. A few years ago, I wrote an article/review on “Band of Brothers” for a friend’s magazine/blog. I’ve decided to post it in honor of that Day of Days, so many years ago.

~*~

“From this day to the ending of the world, But we in it shall be remembered - We few, we happy few, we band of brothers; For he to-day that sheds his blood with me; Shall be my brother…” – Henry V, William Shakespeare.

Over twenty years ago, the ten-part miniseries, “Band of Brothers,” was released on HBO. Following the story of 101st Airborne, Easy Company, the collaboration between Stephen Spielberg and Tom Hanks introduced us to a group of young paratroopers who embodied the phrase “the greatest generation.” A rare breed, these young men were born in the 1910’s and 1920’s, they survived the Great Depression and were being sent to war. Some were going out into the world for the first time, in hopes of liberating Europe from the Nazis. For me, “Band of Brothers” piqued my interest because my grandfather was in the airborne and he did go through Jump School as shown in the miniseries. A ten-part series offers us enough time to become acquainted with the ensemble cast of characters, based on real-life men. At the beginning at each episode, and at the end of the final episode, the real Easy Company men discuss their experiences and offer thought-provoking reflections. In a short amount of time, you fall in love with these men and care deeply about them, rejoicing when they rejoice and mourn when they mourn.

Richard Winters is a mild-mannered, reserved captain who is eager to do his part and lead his men. When he survives D-Day, he promises God that if he makes it through the war, he will live peacefully. Captain Nixon is a cocky alcoholic, doing his utmost to survive. Later, his wife leaves him, taking the family dog, whom he dearly loves. Malarkey impetuously risks his life to pick a luger off of a dead German, to give to his kid brother, and matures into a man during the course of the war. Compton makes it through many campaigns until he watches his two buddies, Joe Toye and Bill Gaurnere cruelly wounded. He is struck down by combat fatigue…which we now know is PTSD, a condition often misunderstood in that era. George Luz likes to imitate various superiors, and is always good for a laugh. Joe Liebgott is Jewish, he faces antisemitism and is crushed when learns what is really going on in Europe. Ronald Spiers is rumored to have massacred several German prisoners, and takes delight in frightening the other men. Then there is Captain Herbert Sobel, who is needlessly cruel to the men during their training at Camp Toccoa.

We come to know the “Band of Brothers” during basic and watch them transported from America to England, where they prepare for the invasion of Europe. On June 6th, 1944, the Easy Company men, and thousands of others, paratroop out of C-47s and land in France. They fight their way from village to village and town to town, receiving little support, scarce supplies, minimal rest. These are young men, in their teens, twenties, and thirties - living and dying to save the world. And to preserve the world for future generations.

Like many who fought in past wars, Easy Company is enthusiastic, believing the war would be over by Christmas. Unfortunately, at Christmas time, the company was stationed at Bastogne…they were in the middle of the Battle of the Bulge. By the time of Patton’s rescue, which the men insisted was not needed, they were near their breaking point. They began to wonder why they were fighting this war in the first place. Certainly, the Nazis were evil, but was it worth it? The men received their answer later that spring, when they, along with other companies, liberated a concentration camp. For years rumors had circulated of how the Nazis mistreated the Jews and others in their crosshairs, but to see the inhumanity with their own eyes, they were finally able to comprehend their sacrifices.

“Band of Brothers” is not for the faint of heart. Not only does it feature war scenes, we are shown graphic wounds, violence, harsh behavior, the language is extremely foul, and there are gratuitous sex scenes and various men are referenced of having extra-marital affairs. However, with the exception of “Saving Private Ryan,” I have never seen a more realistic and heartfelt depiction of what went on in WWII.

The Easy Company men went on to invading Berchtesgaden, a.k.a. The Eagles Nest – Hitler’s Bavarian retreat. After all of their turmoil, they were able to enjoy themselves a little. In May of 1945, as the men are playing a friendly baseball game, they learn the war in Europe has finally come to an end.

After the war, Nix had a couple of broken marriages and continued to struggle with alcohol – then he met a lovely woman named Grace and he turned his life around. Malarkey returned to Oregon, got a degree in business and became a real estate agent. Compton opted not to pursue a career in minor league baseball, choosing to go to law school, later prosecuting Sirhan Sirhan for the assassination of Robert F. Kennedy. Luz became a maintenance consultant, and when he was later killed in an industrial accident, 1600 people came to his funeral to pay their respects. Despite what was shown in “Band of Brothers, in reality, Liebgott was not Jewish, but Catholic. For a few years after the war, he disappeared, but then resurfaced and became a barber. Spiers fought in the Korean war and then in the 1950s, he was the American governor of Spandau Prison, and guarded Rudolf Hess. Sobel was honorably discharged; he later served in the Korean War, and had a family. In 1970, he unsuccessfully attempted to kill himself, but survived and lived seventeen years longer. Following the war, Winters worked for Nixon’s family business and he also served in Korea…afterwards he did settle down, marry, and have a family... He also found a little peace.

#band of brothers #wwii #world war ii #d-day #period drama

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ghostsofchernobyl · 21 days ago

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I have to be honest, this has been weighing on my mind since you asked how my url came about. Funny, given that I was hoping someone would ask. It's just a bit... complicated.

I'll give a short version and a long version, with the long version underneath the cut.

Short Version: It's the name of a fictional post-rock band that I came up with.

Long Version:

If you have paid any attention to my post history, you'll know that my primary special interest is Radiation, because naturally that's what I'd be drawn to. Funny, cause I was super scared of getting an x-ray when I was 5 and used to have a very intense fear of nuclear war. (The foreshadowing in this is not subtle).

I've known about the Chernobyl disaster since... forever, I guess? My memory of my childhood is very suppressed, and what I do have is foggy. But that's besides the point. Anyways, what caught my attention is the... solitude? of abandoned places. Like that eerie feeling of being somewhere that's been forgotten.

So, anyways, I used to have a really big fear about nuclear war. I don't remember the specifics, but I know when North Korea did their last test I was at summer camp, and we had also been told that they now had missiles that could hit the U.S. Pretty scary stuff for a kid my age.

My anxiety got so strong at a few points that I hallucinated the sounds of air raid sirens (which don't exist where I live). I also started to do stuff specific ways to *not* have such a war happen (huh, this definitely doesn't become an OCD diagnosis later on).

When I was 16, I started legally doing some Urbex after a mall an hour away went under. I also watched a documentary about the Manhattan project in class, as well as delving into the Chernobyl Disaster through the S.T.A.L.K.E.R. video games. I eventually watched the movie that they're based on, and it remains one of my favorites to this day.

Last year of high school sucked for me, but I ended up starting the special interest around radiation and nuclear war. My favorite element for a long time has been Astatine, because we can't compile enough of it to be visible without it tearing itself apart from the heat of its own radiation. Cool stuff.

Anyways, at that point my OCD kept me to only knowing about the disasters (Chernobyl, Fukushima (I actually know a survivor), Three Mile Island, Hiroshima, Nagasaki, Windscale, etc) and Fission Bombs (Gun-Type, Implosion, Boosted, Ivy King). It was also the last time I did Urbex because a lot of my spots by then had been torn down, or my pass to go to said places was revoked because they wanted to do construction or whatnot.

Because of this, I got even deeper into STALKER lore. My favorite faction is Monolith, which is basically a hive mind of people who worship the Monolith at the center of the Zone, right in the Sarcophogus. The HBO Chernobyl series coming out didn't help the special interest, although it is very blatantly wrong in many places.

Freshman year of college the dam broke and I started looking into fusion bombs, and damn did I miss a lot. But that's really where the special interest leaves the story. So on to another component: Post-Rock.

I discovered "We Lost the Sea" sometime in High School, but I don't remember exactly when. I had gotten into the genre through Krobak at the start of the COVID lockdowns. Anyways, WLTS has an album called Departure Songs, and it's given me a lot of catharsis. I've always been very musical, and learned how to play both guitar and bass in high school.

My dad had old tapes from when he was taking night classes, and one of them was labeled "Isotope Effect". It's something to do with how different isotopes react with body chemistry differently, something I'm actually going to learn about next year. Anyways, I always thought it was a cool band or song title.

Well, I came up with the fictional band "Ghosts of Chernobyl", and I would dedicate some riffs I came up with to them. Stupid, but the tism gotta tism, and that's how it be for me.

I can't say my faith has had nearly as large a role in my url as yours had, but it's definitely given it more meaning. I'm a Jewish Convert (a Proselyte in the jargon), and I converted for a lot of reasons that would triple the length of this tangent.

It turns out that Tschornobyl, Ukraine (the original name for Chernobyl) was actually originally a village of Jews who had survived everything from the Russian Pogroms to the Holodomor, but unfortunately didn't make it through the Holocaust.

I found that out after my obsession with chernobyl started, and long after I had come up with the band name, but it gave it more meaning. I turned it into my url because it represented a lot about me. It represented my love of post-rock, how it's gotten me through some horrible times in my life. It represents my special interest in radiation, which is how I learned to stop worrying and love the bomb (TM). It also represents my Jewishness, cause the original town was an Ashkenazi/Chasidic Hotspot.

But most of all, it represents my feelings of being forgotten. Chernobyl is a town with a lot of ghosts, and was practically built by them. It is those ghosts, who have unsung tales and live in the ruined apartment blocks, that I wish to embody the spirit of. The cathartic feeling of distant, forgotten memories, where the land has been salted over.

I also found out later that there's a movie called "Ghosts of Chernobyl", but it kinda sucks and has nothing to do with my url.

Nice url. How'd you get it?

It’s a bit of a long story. To condense it, it’s a reference to a Psalm that was popular with a famously weird Mormon seminary teacher of mine, and a character that I felt like was the most human and interesting depiction of Mormonism in pop-culture: Joshua Graham.

I started using the name when I was in online exmo support groups because of the religious significance it once had to me, and for its literal sense of mourning. At some point I stopped spending time in ExMo circles and just wandered off into the regular online world, but I kept the name. It feels right.

How about you?

#Chernobyl rants #chernobyl speaks #ghostsofchernobyl #url origin

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talesofafangirlwithadvr · 4 years ago

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April 2021 Picks

And we’re back with the end to another month. April! Wow! Lots more great picks to talk about this time. Lots of new ones to the list too. So, let’s dive in!

Spoiler territory ahead!

THE FALCON AND THE WINTER SOLDIER

or should I say Captain America and the Winter Soldier

I just finished the finale last night, so it felt right to start off with The Falcon and the Winter Soldier. I really enjoyed it and I feel the episodes got stronger as the series went on. Each one felt like a mini-movie and I was upset it was over and had to wait another week for another one. I think the finale was my favorite. Especially the reveal of Sam as Captain America. I love his suit, his speech and the montage of everyone watching him. The last part of the episode was definitely my favorite and one I can watch on repeat. I loved seeing happy Bucky and him goofing off with the kids in Louisiana. He deserves so much happiness as he has now accepted he’s no longer who he once was. Bucky and Sam’s relationship is fantastic and I can’t wait to see it more. I know there’s a possibility of a second season and they have to be in a future MCU movie. Regarding the villain, I feel I was confused for most of the show as to what their objective was. I’m curious if this is because they had to reshoot parts during the pandemic. I also am mad with Sharon. Like what happened with her? She is definitely the true villain of the show. I also don’t love that we haven’t seen the end of Walker (but Wyatt Russell did a fantastic job). I also loved Torres and I hope he becomes the next Falcon. Definitely so different vibes from Wandavision, but just as good!

THE IRREGULARS

This is a show that more people need to be talking about! It was SO GOOD! I feel like I heard some buzz about it when it first came out, but not much after. It follows the teens featured about who live on the streets during Victorian London. The leader of their group, Bea gets approached by Dr. John Watson (that’s right...as in Sherlock and Watson) to take on a case that has more supernatural qualities. The story takes off from there. I think the group dynamic was fantastic. There wasn’t a character I didn’t like and each one brought something else important to the group (which they even bring up towards the end of the show). [I’ve watched a few cast interviews since finishing the finale and they seem like they get along really well in real life too.] There is a kind of love triangle, but it didn’t bother me and was over fast. I did like both combinations though. Lots of twists and turns along the journey. I have no idea if there will be another season, but there should be. It didn’t end on a major cliffhanger, but definitely ended in a way where it could continue nicely. Come on Netflix.

HBO’S THE NEVERS

From one show set in Victorian times to the next. The Nevers just premiered on HBO and HBO Max earlier this month. It follows an ensemble of characters, similar to other HBO shows, ranging from characters who are called “the touched” to men in government who are against them. Being “touched” means they have a special talent or power, which can range from healing to speaking other languages, being extremely tall, or being an expectational inventor (I seriously love Penance. I just don’t know how to explain her ability). Amalia True and Penance Adair are two of the main characters and they help bring in others who are touched to a remodeled orphanage that is a safe haven for people like them. Of course there are those who are against them existing. This seems to be at least two groups as someone is abducting and experimenting on some of the touched, but we don’t know who they are...yet. I love the fusion of a historical setting with a fantasy element. I am very excited to see where the show is headed. I also love seeing so many of my favorite British actors on the screen together.

ONCE UPON A TIME IN WONDERLAND

Time for a throw back. Fans of ABC’s Once Upon a Time might remember the short lived spin off following Alice in Wonderland (and some of Aladdin). It only lasted for one season of 13 episodes, but I remember loving it and I am so happy I can rewatch it on Disney Plus. It reminds me of why I enjoyed OUAT so much and I think this show deserved another season or more crossover with the original show. (Luckily the Knave got that opportunity.) I think it should have aired as a summer show or when OUAT was on hiatus, this way more fans would have tuned in. It is something I’ll believe forever.

Anyway, I’ll stop ranting now... I love Alice. I think she’s a badass and a fierce warrior. If you follow some of my posts on my other blog, Lydia-yougowith-Stiles, you’ll know that I love a warrior romance and Cyrus and Alice fit that perfectly (even if they are apart for much of the series). I also love Alice’s hair and outfits. Everything about her is cool. Her relationship with the Knave is one of my favorite friendships ever. I think they balance each other out so well and how they spend most of the journey together. Back in the day, I totally shipped them, but now I definitely don’t. (Even though I don’t love Anastasia.) This is definitely worth the watch if you’ve ever heard of Once Upon a Time or not. There is very cheesy CGI especially for 2013, but once you get pass that you’ll love it.

ZOEY’S EXTRAORDINARY PLAYLIST

It was on a longer break than I expected, and I didn’t miss it as much as I thought I would (which I know doesn’t sound good for a show), but I am still loving all the episodes this season. It feels like there are more musical numbers, which I love. Mandy Moore is killing it with the choreography. There are so many amazing moments. I also was a big fan of the newest glitch episode. Everyone is so talented and I also like that we’ve started to hear from more like Jenna and Tobin. Leif has become one of my favorites. I don’t love the new neighbor next door, but I think we’re done with his storyline. I’m not loving the Zoey love triangle, but I do like her with either Simon or Max. She seems really happy with Simon now. (FYI: I haven’t watched the most recent episode yet. The glitch one was my latest.) Can’t wait for more!

KUNG FU

CW’s newest show this month was Kung Fu, which I just learned was a reboot. It follows Nicky who returns after 3 years to her home in San Francisco. Her family has mixed feelings as she has had no contact with them for the last 3 years. She is now a Kung Fu master and warrior, out to avenge her mentor’s death and stop a villain from acquiring mythical weapons. The show gives me Arrow vibes every time I watch it. It has similar flashbacks each episode to an earlier time in Nicky’s life. While Nicky’s mission is different, the style just gives me early seasons of Arrow vibes, which I am not complaining about. It stars Legacies’ Alyssa Chen, who I didn’t love on Legacies, but instantly fell in love with Nicky. I think she’s a bad ass character and love how she’s fighting for the underdogs on the streets of San Fran, while also taking down a bigger evil. The love triangle is heating up and I’m definitely team Henry (even though there’s some mystery there). I think he’s great and once again we have an awesome warrior romance. They balance each other so well and it’s only been like 3 episodes. Now they’ve also been sleuthing together and it’s just amazing.

NANCY DREW

Are you sick of hearing me talk about CW’s Nancy Drew? I hope not because I’m going to fangirl again. I LOVE THIS SHOW SO MUCH! I can’t wait till Wednesday comes and I tune in a little after it starts, so then I can fast forward on my DVR. Then when the episode is over I basically start it all over again and watch select scenes that were awesome. (More specifically, they tend to be Nancy and Ace scenes because I love them and we’re entering so much angst I don’t know if my heart will be able to handle it!!!)

I’ll say it a thousand times: THIS CAST IS EVERYTHING! Their dynamic is amazing. You can have any match ups and it’ll be a great time. There is not one person I don’t like. I was so upset that there wasn’t a new episode last week (especially because it was my birthday). I loved the last one with the Hardy Boys and that Nace reveal! OMG! I’m so sad that Grant has left again because we barely had him, but I feel he’ll eventually come back. He has to. I loved the ending when he spoke to Thom by signing to him. (My heart!) I seriously can’t say enough great things about this show. It is not your typical CW show and deserves more love and views. So happy a third season has already been confirmed!!

LAST NOTES

Just started Shadow and Bone on Netflix and am loving it! I’m sure I’ll have an entire post dedicated to it when I’m done. (Currently going to start episode 6.) I have no background on the universe or the books (just what my sister is filling me in with as we watch). I definitely plan on reading Six of Crows after this!

So what are you enjoying? Let me know. I’m always looking for more shows to add to the list! Can never have enough.

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smokeybrandreviews · 3 years ago

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We Have The Power

I opted to boot up Netflix after a week or so, with every intent to check out that new Mary Elizabeth Winstead vehicle, Kate. As i scrolled through the many, many, new titles i completely missed because i was too smitten with HBO max to care, i came across the new He-Man reboot. Not the Kevin smith one but the CG one made for kids. Now, way back when this trailer dropped, i was on board. I thought it looked like a decent reinterpretation of the He-Man mythos. Most people were on the other side of that argument. They said it doesn’t look like He-Man and that it should have just been it’s own IP and whatever else. Seeing as how the entire first season is available to watch and how much i actually liked that trailer, i figured Kate can wait another few days and i should check out what nuAdam and Pals are up to instead.

The very first thing i noticed was how f*cking gorgeous this show is. Seriously, this is top tier computer animation on par with the likes of Pixar or Insomniac Games. I was astonished by how fluid, how well articulated everything turned out to be. I mean, i kind of had a feeling the show was going to be top tier in the visuals just from the few minutes we had with the trailer but, in motion, i n full length episodic form? It’s staggeringly wonderful. He-Man and the Masters of the Universe is one of the most aesthetically pleasing titles Netflix has ever made. Now, the animation would be nothing without the overall designs and i have to say, i kind of dig those, too.

The updated character designs are a welcome change from whatever the f*ck was crapped out in the Eighties. One of the reasons i never got into He-Man or Thundercats was strictly because i hated the look of it. When i got older and was able to look past that superficiality, i realized that the two shows were just general dog sh*t. Lots of potential, none of it fulfilled. Thundercats got a mulligan in 2011 with their short lived reboot but He-Man’s turn of turn-of-the-millennium reboot fell short in that department. I can honesty say that, after f*cking twenty years, i finally got that updated aesthetic He-Man deserved way back in 2002. Like the Thundercats reboot, this new He-Man homages what came before while putting a unique spin on old characters. He-man 2002 made an admirable attempt but He-Man 2021 said f*ck it, and just ran away with their own vision. I respect the f*ck out of that.

The very best thing about this show, however, is the writing. He-Man and the Masters of the Universe 2021 is easily the better written of the two Netflix He-Man entries this year and is on par with the 2002 narrative. I absolutely love how well the characters are written. They feel natural, like real people, like friends who have been together for years. It can be a bit tropey at times, sure, but this thing is for older kids. Nine years olds don’t necessarily need the most developed of characters but this show doesn’t skimp on that at all. It feels like watching Avatar: The Last Airbender for the first time again. I was that surprised by how well these characters popped. And, just like Aang and crew, the world around them is something f*cking spectacular!

This version of Eternia or rather, Eternos, is definitely one that i dig. I love how magic is based on tech and is absolutely frowned upon by those of the lower classes. I love how Eternia has many different races, each with their own strengths and weaknesses. I adore how the world feels like more than just as worldly desolate wasteland all the f*cking time and there are entire metropolises teeming with life. The use of color really accentuates scenes and the overall lore of this world is intriguing. I mean, He-Man has always carried a certain commendable canon but it was always so convoluted. It’s nice to have an actual plot and pretty robust history to back all of the shiny new awesome.

He-Man and the Masters of the Universe 2021 is a great f*cking watch, man. It's definitely not the He-Man you want and i can see why that might upset old heads like me who, for some reason, love that corny ass original, but it’s still some of the best He-Content out there. Aside from the fact that this thing is very much directed at a completely different audience, not born in the f*ck Seventies or Eighties, but The New Adventures of He-Man exists. F*cking ponytail He-Man is a thing that is real in real life and you want to give this show sh*t for daring to be different? Really? This show is amazing. The show you want already exists. It came out in 2002. Let this show be it’s own thing. Stop harping on it not being what you remember from your childhood and just let this new-new wash over you. It’s gorgeous, fun, very well written, expertly performed, and a general brilliant time. If you can take of your nostalgia goggles, that is.

#He-Man and the Masters of the Universe #He-Man #Masters of the Universe #Netflix

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elenatria · 4 years ago

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Comrades! You need, NEED, to watch the movie “Radioactive”. Apart from Rosamund Pike being amazing and the film being directed by a woman, Marjane Satrapi, the film is not only a great story about a great woman BUT, since she and her husband basically discovered radiations, in the movie are shown also short scenes of the consequences of their discoveries: a boy with cancer cured by a new radiation machine in the 50s, the first atomic bomb on Japan at the end of the II War, Americans in the 60s doing nuclear test in the desert and laughing at how realistic the the mannequins and the buildings in the explosion zone are while people pay 50 cents to sit there with sunglasses and watch the atomic bomb explode, AND OF COURSE CHERNOBYL: I recognized it even before the subtitle came out because we see a young and scared but heroic firefighter entering a burning building and helping out men dressed in white with strange hat (the fucking hats, comrades). Later in the movie we see Marie Curie having sort of dreams/nightmares/visions in which she sees her dead loved ones but also the different consequences of her work: the kid fighting chancer thanks to a new therapy based on her discoveries, a Japanes man in a hospital after the Hiroshima explosion and finally she walks to another hospital chamber where she sees a young man in a bed and it’s the young Chernobyl firefighter. She sits next to him, takes his hand and kisses his forehead and the boy, despite having his face burnt by radiations, smiles at her. Maybe not the best movie of the year but it’s a must see in my humble opinion.

Thanks a lot for finally making me sit my ass down and watch this movie.

It’s remarkable in many ways. Not only was it directed by the great Marjan Satrapi (and who doesn’t like Rosamund Pike in roles of strong independent women) but also its music is dreamlike as well as nightmarish and very fitting of the film’s subject matter. If radiation was beautiful electronic music, it would sound like this soundtrack.

Strangely enough the male characters, even if they’re forced to stay in the background, are not complete puppets paving the way for Marie’s brilliance. They’re supportive but flawed, likeable without being too mushy, or forcefully annoying like we’ve seen in many recent “feminist” films. Instead of screaming “MALE PRIVILEGE!!1″ all the time like in most American movies, they’re silently entitled, like in real life.

The “nice men” in the story are such feminists that they clear the table while their wives have scientific conversations..

… or hand them napkins while the women explain Uranium’s chemical reactions.

Beware, for the hurt in these men’s eyes is real.

If I were a tad more cynical I’d call it a feminist-retconning chick flick but the movie is too good for that.

It also gives us some great lines.

Marie: “An instinct is not a particularly scientific reason.”

Pierre: “No, but it’s still a reason.”

Frankly, I find the dialogues and the whole script quite lively. A breath of fresh air. Even when they’re bickering “like an old married couple”, Marie and Pierre sound brilliant.

The film also has beautiful “encyclopedic” illustrations like uranium here.

More scientific/poetic imagery, like young Marie forming the atom with berries in her basket…

… or radioactivity presented as a dancer bathed in an eerie green glow.

Thankfully, Marie and Pierre’s flirtation is not cringey at all. When he proposes to her, she kisses him.

Pierre: “You’re not selfish. You’re just… self-absorbed.”

(why thank you, Pierre, didn’t know this movie talks about moi )

More of those “omg did I ghost write this?” moments.

(”when”, not “what”, apologies for crappy subs)

Yeah, me too.

And yes, the movie almost feels like a distant relative to HBO’s Chernobyl, like The Fantastic Beasts and Where to Find Them to Chernobyl’s Harry Potter.

For instance, Pierre gets his “Boris moment” as he coughs blood into his handkerchief, minutes before he receives their Nobel prize.

Marie gets her Spartacus/”You will do it because it must be done” moment when women in the audience give her a standing ovation as she receives her second Nobel prize.

The juxtaposition between Pierre’s acceptance speech (”Radiation is both useful and extremely dangerous if it falls in the wrong hands, but MOSTLY USEFUL”) and the drop of Enola Gay is beautiful and haunting.

And ooooh, there it is (hey, did someone steal the Renck Bros’ font?).

Btw, Marie Curie died of aplastic anemia, guess you remember that one, huh.

And if you’re still wondering why everyone looks familiar in this film, like, Chernobyl- familiar, I’ll give you a clue.

Marie’s sister, Bronia Sklodowska, is played by Sian Brooke.

Yes, THAT Sian Brooke.

Marie’s Mother is played by Georgina Rich.

Come on, GEORGINA RICH?

Last but not least, Marie’s fellow scientist, Paul Langevin, is played by Aneurin Barnard…

… who was in Dunkirk…

… with our boy Barry.

Talking about “Six degrees of Chernobyl”, huh.

#chernobyl #radioactive #rosamund pike #sam riley #marie curie #pierre curie #hiroshima #sian brooke #georgina rich #river #aneurin barnard #dunkirk #barry keoghan #pavel #six degrees of Chernobyl #submission #stellan skarsgard #jared harris

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bylillian · 5 years ago

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You wouldn’t know it, but the buñuelos you see in the season two finale of FX’s What We Do in the Shadows, at Guillermo de la Cruz’s mother’s house, were whipped up last minute by the actor who plays him. It didn’t sit well with Harvey Guillén, who plays a vampire familiar of Mexican descent, that the buñuelos he found on set were not Mexican.

“I’m not going to live with myself if I don’t have the right buñuelos in the background,” he tells Remezcla. “If someone catches these buñuelos that are not Mexican? Oh no.’ If you caught it, you caught it, but it was for my own peace of mind.”

Alongside the team, including executive producers Paul Simms and Stefani Robinson, Guillén put a lot of thought into reworking the original script, to make sure every detail of that particular scene was representative of Guillermo and his culture, from the buñuelos, the decor, to the dynamic and mannerisms between him and his mom Silva (played by Myrna Cabello).

Guillén prides himself in playing a range of roles, proving to a new generation of LGBTQIA+ Latinx actors that they too can pursue the roles they dreamt of seeing on-screen when they were younger, without budging on who they are off-screen. “I try to do things that are a little different, like playing a superhero–something that I would never have thought I would play because the traditional standards of Hollywood wouldn’t give a guy who’s short and stout a role like that to portray,” he says.

Growing up in Orange County with his mom and late step-father, Guillén watched plenty of classic Mexican television and films such as Cantinflas and El Chavo del Ocho. But still he was discouraged. “For me growing up, the thing was that I never saw myself represented on TV. I never saw myself represented in [the] mainstream. When I turned on the American television, there was no one who looked like me. It kind of discouraged me, because it made me feel like there wasn’t an open door,” he shared.

“And so when I realized that there was no one who looked like me on TV, I said, ‘Can I be the first?’ I really made it a goal to go after it. At that age, when you’re little, coming from a poor family with immigrant parents, I remember thinking, ‘I have nothing, so I have nothing to lose, only gain.’ For me, once I made that realization, nothing could stop me. Nothing. Because every little step I took was a stepping stone in the right direction. You keep stepping on those stones and then eventually, you’re going to get to your destination.”

While working in theatre, Guillén took his agent’s (then teacher’s) advice to take on the stage name, Harvey. What came from frustration for many who didn’t know how to pronounce his given name (Javier), became a way for Guillén to protect his sanity and his relationships with his loved ones. He uses his stage name as the boundary between his personal and professional life.

“I realized I was living [in] two different worlds. There was a career-driven person that wanted to be part of Hollywood and [who] very much knew that, at that time, Hollywood would close a lot of doors if they can’t pronounce your name. But that shouldn’t take away from the talent that I’m presenting. And so, if the package looks a certain way, and you feel like an instant rapport with the brand, then you’re more willing to be like, ‘Oh, yeah, let’s do it.’ Because at the end of the day, my talent is what’s opening the door,” he shares.

He thinks of it as inhabiting two different worlds, learning how to dissociate the two. It helps that, for all the work he’s done — including an upcoming comedy film, Werewolves Within, scheduled for a 2021 release, and an episode in the next season of HBO’s Room 104 — his mom will forever know him best for appearing in a Spanish language MetroPCS commercial.

“You would have thought I won every Academy Award. That I won everything under the sun. Every time I see her, when I go home for the weekend, she’d be talking to our neighbors or tías, with her cafecito. She’d be like, ‘Es mi hijo de MetroPCS.” No matter the lead role nothing will top those commercials.

While that may sound like a putdown on Guillén’s more laudable work (he won a GLAAD Media Award for his work on Raising Hope, after all) the actor knows it’s important to capitalize the moments where he gets to celebrate his success with his family.

“A Spanish-speaking commercial is how my mom can connect [with what I do]. She can relate to it and the trajectory of my success. The pinnacle was where she can be a part of it, and she can cheer me on because she understood the content.”

Guillén sees his work as emboldening Mexicans all over, encouraging those in the industry specifically to be loud advocates for their work. “At the end of the day, you have to make noise. What we’re witnessing is that you have to make noise to grab what you deserve. I think that for so long, you’re told that you’re not worthy. So if you do get invited to the party, you’ll take scraps and it’s like, ‘No!’ We have to change the mentality. We are definitely worthy. We are all worthy, and no one is less than, so why are we treated that way?”

“If anything, what I do is just to inspire that next gordito, Mexican, queer kid who may be seeing stuff on-screen and be like, ‘Whoa, if he can do it…’ That’s right! You can do it too, mijo.”

#what we do in the shadows #harvey guillen

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weekendwarriorblog · 3 years ago

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The Weekend Warrior 10/1/21: VENOM: LET THERE BE CARNAGE, THE ADDAMS FAMILY II, THE MANY SAINTS OF NEWARK, TITANE, MAYDAY, THE JESUS MUSIC

Yeah, so I haven’t had the time over the past couple weeks to write a column, and I kind of hate that fact, especially since I’m coming up on a pretty major milestone for me writing a weekly box office column and reviewing movies. In fact, that milestone comes next week! And once again, I’m struggling to get through the movies I was hoping to watch and write about this week, because I’ve been out of town and once again, very busy over the weekend. Let’s see how far I get...

Before we get to this week’s wide releases, I’m excited to say that my local arthouse movie theater, The Metrograph, is finally reopening for in-person screenings, and they’re kicking things off with a 4k restoration of Andrez Zulawski’s 1981 thriller, Possession, starring Sam Neill and Isabell Adjani, who won a Best Actress prize at Cannes for her performance in the film. I actually saw this at the Metrograph a few years back, and Metrograph Pictures, the distribution arm of the company is now distributing the 4k restoration. There’s a lot of exciting things ahead at Metrograph, including an upcoming four-film Clint Eastwood retrospective, including White Hunter, Black Heart (1990) and A Perfect World (1991) this Friday. Also, Lingua Franca director Isabel Sandoval will be showing her fantastic film from 2020 (a rare chance to see it in a theater and I’ll be there!) as well as program a number of other favorites of hers. Sunday will have screenings of Ingmar Berman’s Scenes from a Marriage (1973) in its full four plus hour glory, Steven Spielberg’s Jurassic Park (1993) and John Carpenter’s In the Mouth of Madness (1994).. In other words, the Metrograph is back!

Moving over to the weekend’s three wide releases, the first one up being Sony’s VENOM: LET THERE BE CARNAGE (Sony Pictures) with Tom Hardy returning as Eddie Brock aka Venom, joined by Woody Harrelson as the psychotic symbiote, Carnage. Taking over the directing reins is Andy Serkis, who has only directed two other movies, Mowgli: Legend of the Jungle and Breathe, but as an actor, he’s been heavily involved with the CG VFX (and performance capture) needed to bring the characters in this Marvel anti-hero movie to life.

Venom has been one of Spider-Man’s most popular villains and sometimes allies for quite a few decades now, starting out life as a cool black costume Spider-Man found on a strange planet during the first “Secret Wars,” which turned out to be an alien symbiote that had malicious intentions. Spider-Man got the costume off of him but it then linked up with Eddie Brock, a sad-sack journalist whose emotions drove the alien symbiote to become the Venom we known and (mostly) love, thanks to one Todd McFarlane. Venom continued to play a large part in the Spider-Man books before getting his own comics, and not before a super-villain was created for him in Cletus Kasady, a vicious serial killer whose infection by the symbiote turns him into Carnage. And that’s who Harrelson is playing.

Being a sequel, we do have some basis to go on, although the original Venom movie, released in early October 2018, also arrived at a time when it was only the second time the character of Venom was brought to the big screen -- the first time being Sam Raimi’s Spider-Man 3, in which the character was received without much love as Ryan Reynold’s Deadpool in X-Men Origins: Wolverine. And yet, Venom did great, opening with $80.2 million and grossing $213 million domestically, which is more than enough to greenlight a sequel. (It made over double that amount overseas, too.) For comparison, the Wolverine prequel opened with $85 million but at the beginning of summer, so it quickly tailed away with other movies coming out after it. Venom: Let There Be Carnage has to worry about the new James Bond opening a week later, so it very likely could be a one-and-done, opening decently but quickly dropping down as other big movies are released in October (basically one a week).

I’ve already seen the movie, and by the time you read this, reviews will already be up --including my own at Below the Line. Social media reactions seem to not be so bad though, so maybe it’ll get better reviews than its predecessor, which was trashed by critics, receiving only a 30% rating on Rotten Tomatoes. But if you look at the fan ratings, they’re higher with 81%, although it’s hard not to be

I’m thinking that bearing COVID in mind and the law of depreciation since the previous movie, Venom: Let There Be Carnage will probably be good for around $50 million this weekend, maybe a little more, but however it’s received, I expect it to drop significantly next week, though a total domestic gross of $135 to 140 million seems reasonable.

Another strong sequel to kick off October is the animated THE ADDAMS FAMILY II (MGM), which is following up the 2019 hit for MGM/UA Releasing with most of the voice cast returning, including Oscar Isaac, Charlize Theron, Chloe Grace Moretz, and Finn Wolfhard, as well as Nick Kroll, Snoop Dogg, Martin Short, Catherine O’Hara, and Bette Midler voicing the popular characters from the New Yorker cartoons, a popular ‘60s TV series, and two Barry Sonnenfeld movies from the ‘90s.

The 2019 animated film was a pretty solid hit for the newly-launched UA Releasing, grossing $100 million domestic after a $30.3 million opening, making it one of MGM’s biggest hits since it was restructured under UA and became its own distributor again. Who knows what’s going to happen with Amazon’s plans on buying MGM and whether the latter will remain a distribution wing, but MGM still has a number of movies out this year that likely will be awards contenders. But that doesn’t mean much for The Addams Family II, which will try to get some of those people who paid to see the original movie in theaters back to see the sequel… and if they’re not going to theaters, MGM is once again offering the movie day-and-date on VOD much like they did with last year’s Bill and Ted Face the Music, which opened much earlier in the pandemic (late august, 2020), so it far fewer options to see it in theaters compared to this animated sequel.

It’s highly doubtful that The Addams Family II was going to open anywhere near to $30 million even if there wasn’t a pandemic, and it wasn’t on VOD just because MGM just doesn’t seem to be marketing the movie as well as its predecessor. You can blame COVID if you want, but it’s also the fact they’re distributing the company’s first James Bond movie in six years, No Time To Die, on their own vs. through another distributor, ala the last few Daniel Craig Bonds. But we’ll talk more about that next week, since that’s going to be an important movie to help cover MGM’s expenses for the rest of 2021. (I haven’t had a chance to see this yet, but it’s embargoed until Friday, so wouldn’t be able to get a review into the column regardless.)

We’ve seen quite a few family hits over the past few months even when the movies were already on streaming/VOD, but parents are probably being a bit more careful with kids back in school, many younger kids still not vaccinated, and the Delta variant still not quite under control. Because of those factors, I think The Addams Family II is more likely to do somewhere between $15 and 18 million its opening weekend, maybe more on the lower side.

Third up is THE MANY SAINTS OF NEWARK (New Line/WB), David Chase’s prequel to his hit HBO series, The Sopranos, which went off the air in 2004 but still finds fans on the new HBO Max streamer. Ironically, this prequel will air on the streamer at the same time as it's getting a theatrical release, which probably won't be a very tough choice for fans.

Chase has reunited with director Alan Taylor, who won a Primetime Emmy for his work on the show in 2007 before moving onto other popular shows like HBO's Game of Thrones. Taylor has had a bit of a rough career in film, though, having directed Marvel Studios’ sequel, Thor: The Dark World, a movie that wasn't received very well although there were rumors that Taylor butted heads with the producers and maybe didn't even finish the movie. He went on to direct Terminator Genesys, which honestly, I can't remember if it was the worst Terminator movie, but it was pretty bad.

What's interesting is that because this is a prequel set in the '70s and '80s, none of the actors from the show appear on it, but it does star Alessandro Nivola, a great actor in one of his meatiest roles for a studio movie. It also introduces Michael Gandolfini, son of the late James Gandolfini (who played Tony Soprano, if you didn't know), playing the teenage Tony, plus it has great roles for the likes of Jon Bernthal (as Tony's father), Vera Farmiga (playing Tony's mother), Corey Stoll (playing the younger "Junior” Soprano), and Lesile Odom Jr, as the Sopranos key adversary, even though he ends up coming across like the good guy of the movie. It also stars Billy Magnussen, who oddly, also has a key role in next week's No Time to Die.

I'm sure there's quite a bit of interest in seeing where Tony came from and to learn more about his family, many who were dead long before the events of the HBO show, but will that be enough to get them into theaters when they already have HBO? I already reviewed the movie for Below the Line, and reviews are generally positive, which might get people more interested in this prequel.

As with most of Warner Bros’ movies this year, Many Saints will also debut on HBO Max and unlike some of the studio’s other 2021 offerings, it will actually make more sense to watch this one on the streamer since that’s how most people watched The Sopranos. That seems like a killer for Many Saints, and it’s likely to keep it opening under $10 million, where it might have done better on a different weekend (like sometime over the last two weeks).

This is what I have this weekend’s top 10 looking like:

1. Venom: Let There Be Carnage (Sony) - $50.4 million N/A

2. The Addams Family II (MGM/UA Releasing) - $16.5 million N/A

3. The Many Saints of Newark (New Line/WB) - $9 million N/A

4. Shang-Chi and the Legend of the Ten Rings (Marvel/Disney) - $7.5 million -44%

5. Dear Evan Hansen (Universal) - $4.1 million -45%

6. Free Guy (20th Century/Disney) - $3.3 million -30%

7. Jungle Cruise (Disney) - $1.1 million -35%

8. Candyman (Universal) - $1.3 million -48%

9. Cry Macho (Warner Bros.) - $1 million -52%

10. Malignant (Warner Bros.) - .7 million -53%

Opening in select cities is French filmmaker Julia (Raw) Ducournau’s TITANE (Neon), the genre thriller that won this year’s coveted Palme D’Or at the Cannes Film Festival. It stars Agathe Rouselle as a young woman who has an interesting relationship with automobiles, but she also has psychotic tendencies that leaves a trail of bodies behind her. On the run, she decides to pretend she’s the missing son of a fireman (Vincent Lindon), who has been missing for 10 years, and things just get weirder from there.

I honestly wasen’t sure what to expect from this although I do remember walking out of Ducournau’s cannibal movie, Raw, just because it was so gross, even though so many of my colleagues and friends swear by the movie, and this one, for that matter. Sure, there’s a certain “prove it” factor to me watching a movie that wins the Palme D’Or, because it’s very rare that I like the movies that do win that benchmark cinema award.

After a flashback to Agathe’s character Alexia when she was an obstinate young girl kicking the back seat of her father as he’s driving. They crash and she’s forced to get surgery that puts an odd looking piece of metal in her head. Decades later, she seems to be a pseudo-stripper at weird punk rock car show -- I guess they do those things different in France -- and hooking up with a fellow “model” afterwards. Agathe is actually a very popular model/dancer but when one fan gets too grabby, she pulls a knitting needle out of her hair and stabs it through his ear, killing him. Oh, yeah, she then has sex with a car and seemingly gets pregnant, but that only happens later. First, she goes on a bit of a killing spree and then goes on a run and decides that by strapping up her breasts and breaking her nose, she can pass off this fire captain’s son… and it works!

So the second half deals with acting great Vincent Lindon’s absolutely bonkers steroid-addicted man who seems to be sexually attracted to his own son, and most of his fellow firefighters knows that he’s gay but in the closet, but I’m honestly not sure what that matters. He’s a pretty disgusting character whose 70-year-old ass we see way too much of, and even those who might find Rouselle to be quite fetching, there’s a certain point where her nudity is not alluring but quite horrifying.

Oh, and at this time, Alexia (or Adrien, as she’s now going) has also gotten significantly pregnant, but it’s not a normal pregnancy because what should be milk from her breasts seems to some sort of motor oil. That’s because she FUCKED A CAR earlier in the movie!!! What do you expect when you fuck a car and don’t use protection, girlie? The fact Alexia/Adrien is trying to hide the fact she’s a pregnant woman from a station full of men isn’t even particularly disturbing. The part that really got me was when she broke her own nose to pass off as this guy’s son -- I actually had to look away for that part.

Listen I’m no prude, and I think I can handle most things in terms of horror and gore, but Titane just annoyed me, because it felt like Ms Ducournau was doing a lot of what we see more for shock value than to actually drive the story forward. There just doesn’t seem to be much point to any of it, and once the movie gets to the firehouse, and we see her interaction (as a young man) with her “father” and his colleagues, it just gets more grueling.

It’s as if Ducournau had watched a lot of movies by the likes of Cronenberg or David Lynch, or more likely Nicolas Refn or Lars von Trier, and thought, “I could be just as strange and horrific as those men… let’s see what people think of this.” And way too many people fell for it, including the Cannes jury. While I normally would approve of any good body horror movie, especially one with cinematography, score and musical selections as good as this one, I doubt I’d ever want to watch this movie again. And therefore, I don’t think I can recommend this movie to anyone either, at least no one I want to remain my friend.

As far as the movie’s box office, NEON is opening the movie in 562 theaters to build on buzz from various film festivals, including the New York Film Festival earlier this week. I think it should be good for half a million this weekend, although maybe it'll surprise me like NEON's release of Parasite a few years back. I just don't see this getting into the top 10 but maybe just outside it.

And then we have a few more movies that I got screeners for but just couldn’t find the time to watch, but might do so once I finish this verdammt column.

The faith-based doc THE JESUS MUSIC (Lionsgate) by the Erwin Brothers (I Can Only Imagine, I Still Believe) takes a look at the rise of Christian Contemporary Music through artists like Amy Grant and Stryper and everything in between, featuring lots of interviews of the artists’ trials and triumphs. Even though there isn’t much CCM I ever listen to, I’m still kind of curious about this one, since I generally like music docs and this is guaranteed not to be the sex, drugs and rock ‘n’ roll of most of them. I have no idea how wide Lionsgate intends to release this but it certainly can be fairly wide, because the Erwins have delivered at least one giant hit for Lionsgate, and I Still Believe may have been another one if not for the pandemic. It actually opened on March 13, just days before movie theaters shut down across the country, so it's little surprise it only made $7 million domestic. That said, the acts in this one have a lot of fans, and if Lionsgate does release The Jesus Music into 1,000 theaters or so (which is very doable), then I would expect it would make between $1 and 2 million, which would be enough to break into the Top 10.

I haven't seen any of the movies based on Anna Todd's YA romance novels but the third of them, AFTER WE FELL, will play in about 1,311 theaters on Thursday i.e. tonight through Fathom Events, and may or may not continue through the weekend. These movies just kind of show up, and again, having not seen any of them, I'm not sure what kind of audience they have, but this one stars Josephine Langford and Hero Fiennes, as well as Stephen Moyer, Mira Sorvino and Arielle Kebbel with Castille Landon directing.

Grace Van Patten (Under the Silver Lake) stars in Karen Cinorre’s action-fantasy film MAYDAY (Magnolia), playing Ana, a young woman who is transported to a “dreamlike and dangerous” coastline where she joins a female army in a never-ending war where women lure men to their deaths. It also stars Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin and Juliette Lewis. It will be in theaters and On Demand this Friday.

The great Tim Blake Nelson stars in Potsy Ponciroli’s action-Western OLD HENRY (Shout! Studios/Hideout) about a widowed farmer and son who take in an injured man with a satchel full of cash only to have to fend off a posse who come after the man, claiming to be the law. Not sure who to trust, the farmer has to use his gun skills to defend his home and the stranger.

The romantic-comedy FALLING FOR FIGARO (IFC Films) is the new movie from Australian filmmaker Ben Lewin (The Sessions), who I’ve interviewed a few times, and he’s a really nice chap. This one stars Danielle Macdonald, Hugh Skinner, and Joanna Lumley, and it will be in theaters and On Demand this Friday. This rom-com is set in the world of opera singing competitions with Macdonald playing Millie, a brilliant young fund manager who decides to chase her dream of being an opera singer in the Scottish Highlands. She begins vocal training lessons with a former opera diva, played by Lumley, where she meets Max, a young man also training for that competition. Could love blossom? This actually sounds like my kind of movie, so I’ll definitely try to watch soon.

The second season of “Welcome to Blumhouse” the horror movie anthology kicks off on Amazon Prime Video on Friday with the first two movies, Maritte Lee Go’s Black as Night (which I’ve seen) and Gigi Saul Guerrero’s Bingo Night (which I haven’t), and actually I’ll have an interview with Ms. Go over at Below the Line possibly later this week. The former stars Ashja Cooper as a teen girl living in Louisiana who has a bad experience with homeless vampires, along with her best friend (Fabrizio Guido).

Also, Antoine Fuqua and Jake Gyllenhaal’s remake of the Danish film THE GUILTY will begin streaming on Netflix starting Friday after premiering at TIFF a few weeks back. I never got around to reviewing it, but it’s pretty good, maybe a little better than the original movie but essentially the same. I’d definitely recommend it if you like Jake, because he’s definitely terrific in it.

Also hitting Netflix this week is Juana Macias' SOUNDS LIKE LOVE (Netflix), a Spanish language romance movie that (guess) I haven't seen!

A few other movies I didn’t get to this week, include:

STOP AND GO (Decal) VAL (Dread) BLUSH (UA Releasing) RUNT (1091 Pictures)

Next week, it’s not time for James Bond, it’s time for James Bond to die… no, wait… there is NO TIME TO DIE! Also, a very, very special anniversary for the Weekend Warrior….

#The Weekend Warrior #Venom: Let There Be Carnage #Many Saints of Newark #Addams Family II #movies #review #box office #reviews #The Jesus Music #Titane

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ughgclden · 3 years ago

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bee, love, don’t apologise, please, it’s okay, and first and foremost, are you alright?? i hope you’re taking care of yourself, love, but i understand, i don’t think there’s been a year since third grade that i haven’t gotten pneumonia in the winter. I hope you’re feeling alright!!

honestly, dead poets society is one of my only personality traits anymore, i find myself drawing parallels to it constantly, for no reason but i love thinking about it. i’ve watched it so many times at this point, it’s,,, concerning. those tests always take me way less time than they give me, and i used to feel really awkward, i remember i took a bio one once, four hours they gave me, 45 minutes in, i was finished, and the moderator didn’t believe me. i aced it too, like the silly little neil kinnie i am. i’ve gotten used to the ‘worse’ side of being a neil kinnie, and honestly, now that my mum isn’t as controlling about everything as she used to be, it’s easier to deal with. i remember once, i’d gotten an 89 in algebra, and she threatened to pull me out of the fall show. that was a neil perry moment if i ever had one lol. the biggest thing these days is just imposter syndrome, imposter syndrome like oh you’re not hispanic enough, but also, you’re not queer enough, nonbinary enough, things like that. It’s exacerbated some days, but i try.

i watched the it movies on my cousin’s hbo,,, i may or may not have used it without her permission since she forgot to log out of my computer, but that’s neither here nor there. i remember having such a hard time taking the first one seriously initially, because of all the new kids on the block jokes, having a mum who was obsessed with them made it hard, especially when i actually got them all- in truth, the only midnight premiere i’ve been able to make was the force awakens, and i had school the next day too. i’m definitely a richie kinnie, and i have the internalised homophobia (only towards myself though) to prove it /hj my waterbottle has both a sticker of neil on it and a sticker of the r + e carving on it. in case there was any doubt about me lmao. stan kin makes sense for you, honestly, i can see it, i can see it.

okay so listen- no really, i’d bought them with the intention of only drinking half of one that night and spreading them out like that, but then came 9:45pm, and i had a research paper (on womens’ pockets/lack thereof) due at 10am that i simply hadn’t even started, so i downed them all in an hour and got the paper turned in at 5:56 in the morning. but i scare you huh? /hj bee, you’re too sweet, in truth, i’m fairly inelegant, but i try, as for the comforting and cosy, i’ll take you at your word, since that is something only someone interacting with me could discern. i do try to be kind to others for the most part. mainly i think because i’m usually on the other end of mean people.

i’m just perceptive like that bee, i dunno what to tell you, something just tells me, you know? /j and thank you, i always feel a little silly talking about it, because most of the tattoos i want are dead poets society tattoos, i guess some part of me, within the part of me that feels so incredibly tied to it, feels as if if i were able to get a tattoo i’d owe it to the movie in some way, if that makes any sense. i’ve already begged a friend of mine to go with me to get my first once i get to new york, the question though, is what to get first. i’ve got time to make a decision (for once in my life) i just spend a lot of time thinking about it.

honestly, i have never known a school rule to make sense. banning ripped jeans? banning dyed hair? it’s almost as if if they don’t stifle everything natural about kids expressing themselves they dont feel like they’re doing anything. but i digress. the same-sex couple rules were. awful. 12 year old me had enough going on without having an administrator yell at my friend and i for hugging in the courtyard and not leaving until we were a foot apart, but hey.

okay, jumping over a fence to go to a mcdonalds? how coming of age indie movie manic pixie dream girl of you /hj

200k words, is that a challenge? also ahaha not at all like my italian uncle up there just opened a ‘pizzeria’ /hj but mob!star au? might be a project i should start… granted, i’m not as good a storyteller as you, but i can try.

when i was little, i wanted to revolutionise things, i guess. i even actually wrote out a campaign, i wonder if its still somewhere. thank you for believing in me, but these days, bee, i’m thinking less about changing the world, and more about making it the next few weeks, and then the ones after that. little star was aware of so much, but also so little. i wonder what they’d think of me now, honestly.

i did, in fact, teach archery, it was so fun but my arms got SO SORE, and the kid who challenged my archery skills seemed surprised when i actually,, hit the bullseyes. my inner susan was happy then. incidentally the experience is also why i made a playlist called “touchstarved and wanting to teach you to shoot a bow” which low-key slaps when i’m lonely. and bee omg i cannot believe you said im better than susan pevensie i will be thinking about this for the rest of my life thank you- and yes, yes it was named aslan, however did you guess? /j prince caspian<33333

i’ll let you know my results from the tournament, as soon as they come out, and i say this having just put on pjs after taking off my suit, and sitting in the room with my cat in my dear evan hansen hoodie, frantically refreshing the results page because i’m anxious and impatient.

i hope you have a good night, with fitful and restful sleep, i’m sorry this got to be so long, but you know me, i certainly can talk. i’m honestly shocked i even made it to finals, considering i was running off four hours of sleep, having gone to bed at three last night. whoops.

all my love, hugs, and a warm mug of tea,

yours,

star✨

p.s i said yes so that?? happened?? it honestly feels surreal but we’re not gonna be in the same place anymore come the end of this year, so that’ll be something to deal with

P.p.s might just start adding spanish or latin or russian phrases to these if i keep having to translate your cute french bee /lh /hj

star my love, i know you said don't apologise, but i think the word 'sorry' makes up about 60% of my vocabulary. i'm okay!! was just a bit icky, but luckily i've recovered now!!

that's so nice - and again, makes so much sense for you. i think you would work perfectly in welton, i know it. i love bringing the messages from that film into my own life, as silly as it may sound. i'm astonished, and so fucking jealous of you. i used to finish tests maybe half an hour early, but hours is so impressive??? fun fact i did finish my physics final in about 45 minutes and slept for the other hour <3 neil would b proud my love!!! oh my god - i'm so sorry that happened??? but that is also so neil kinnie??? it seems futile me saying this, but i assure you that you are hispanic enough, and queer enough, and non-binary enough. you are enough, period. more than enough even. imposter syndrome is the worst, and i'm so so sorry you're dealing with it.

she did that to herself, you just saw an opportunity /lh a midnight premiere of the force awakens sounds so cute though omg - i hope you had the absolute best time. the r + e carving actually broke me. as a die hard reddie shipper since 2017, seeing the movie make it basically canon?! had me a mess in the cinema.

you are ridiculously comforting and cosy, everything about you feels like a warm hug from a familiar face and i love it. and the way you write is so smooth, it makes me think of a quill smoothly gliding across parchment, the deep black ink unsmudged and pristine. that seems a little pretentious of me, but oh well.

i also want some dps tattoos!! i desperately want "and still we sleep" from todd's poem, and was also so so tempted to get an outline drawing of meeks + pitts dancing on the roof. i love that, and i can't wait until the day you get it, whichever one it may be. my one concern is becoming addicted to them and making my bank account suffer - at least my piercing obsession is a little easier to fund /hj

i've NEVER gotten that - they claim it's 'distracting' but how on earth would it be?? when i got to college, no one was distracted by my dyed hair, and i certainly wasn't distracted by other people's outfits or painted nails. you were yelled at. for hugging. a friend.. what the fuck is wrong with these people??

just call me ramona flowers star /j it was possibly the highlight of my school career, sans hiding in the back room of the music room to avoid a maths test

i bet you're an amazing storyteller, if these letters are anything to go by. it would be a new york times best seller, i know it

we all have to take things one step at a time, i think. that's the only way i really get through things if i'm honest. one day after another and the cycle repeats. i love wondering what young me would think of me now - i'd probably be intimidated of myself, but i like to think i'd be proud that i'm still here, pursuing something i love

that playlist. sounds nothing short of sheer perfection. i too am touch starved and want to teach someone to shoot a bow - even though i.. cannot shoot a bow... but i can wield a sword so, it's close enough.

i saw your message about the tournament results - im so fucking proud of you!!!! you deserve it so so much and i couldn't be happier for you. see, your words and ideas are changing the world, even if you don't realise it.

ps; that is so fun???? omg im so happy for you star, you deserve tis <33 i hope towards the end of this year whatever happens leaves you both happy, no matter how far the distance.

pps; omg no.. please don't do that.. aha that would be awful... definitely wouldn't make my heart race.. haha not at all

all of my love, star. pardon the pun, but you are out of this world ;) i'll leave you with one of my favourite quotes;

il n'y a qu'un bonheur dans la vie, c'est d'aimer et d'être aimé <3

#asks <3 #anon asks!#star anon #long post

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smokeybrand · 3 years ago

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We Have The Power

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lovinmullen · 5 years ago

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the pacific: part one, live blog because i said so

he looked so pissed when he has to make the sign of the cross to mary..... I KNOW ITS BECAUSE HES FALLING AWAY FROM HIS RELIGION but all i can think is undercover protestant????? i hate that i find myself funny stfu tom like he’s some angsty protestant like ‘this is fucking bullshit why the fuck DO THEY PRAY TO MARY’ which..... is a huge missconsperion but i’m not gonna get into that right now but hey if anyone needs an rs teacher? i got you

are you telling me i could have heard the most BEAUTIFUL monologue about the saint mary’s church and her plans for the day as well as being able to see that sweet sweet smile on vera’s face for longer but it was cut short because bobo went ‘i joined the marines’ GOOD FOR YOU BUT.....

rOBERT...... you really gonna give her THAT look...... IN GODS HOUSE is this allowed? is THIS ALLOWED???? if you don’t say it in the voice of the vine we can not be fteejssn sorry i don’t make the rules

#BOB: i wanna catholic girl that go to church AND READ HER BIBLE (is that even right??? omg i can only remember the jewish one *in the voice of ryan reynolds severely slowed down* FUUUUUCCCKKK)

on a real note this man saw her at church ONCE and his ass went finna wife up like........ take her out to dinner first. OR AT LEAST ASK HER HOW SHE IS IN THE LETTERS like we get it you’re emo, the aussie won’t shag you anymore and you keep pissing your pants. i understand it’s a hard not life or how ever that song in annie goes but bro.........(this is obviously a joke i am dumb of ass please ignore me i love you m8 and i’m sorry you’re gonna embarrass yourself in front of everyone but chuckler shifts to momma mode so you good)

can we please acknowledge jon’s acting..... sir? PHENOMENAL he’s not even saying anything??? he’s just looking at the lt yet i’m near tears

gentle reminder i love the basilones🥺🥺🥺 the way they are so supportive even though they don’t understand and they are scared for him but they accept and respect that john wants more, needs more and they’re putting their own fears aside so he can spread his wings for no better turn of phrase.

‘just get the job done, and come home to us’ the way his head falls and he has to stop his voice from breaking. i’m s fucking bitter

THE HAND HOLD MY GOD

leckie:((( look hes a bastard and he pisses me off but no matter how much i bully him i do love him a lot and the complete disregard and uncaring nature from his dad breaks my heart. a handshake then gone just like that? HIS FACE BEFORE ‘there’s a war on everybodies got to make sacrifices’ he looks so hurt and broken baby

GENE MY SWEET SWEET BABY GOD THIS SO SAD ALEXA PLAY DESPACITO. my baby just wants to do his part :( CUT THE CAMERAS DEAD ASS I WILL CRY BABY PLEASE DON’T CRY JUST WAIT A FEW MORE EPS my heart really do be looking like: <eugene3

‘gene, supper’s ready’ ma’am i’m sorry but he does not give a shit

SIDNEY MY SWEET SWEET BOY get in a pram if you’re going to be so baby. look while i love him so much and i know he didn’t mean it to be !!!!! he’s just small of brain !!! but when he says “i wish we where going together” that lowkey rubs it in man......... like he’s already heartbroken PLEASE STOP but the “yeah well you take care of yourself greaser” - “you don’t have to worry about me” IM SOFT🥺

“wOWoWOoOOO COME ON GUYS I WORKED HARD FOR THESE ORANGES”

“guadal...kenel...guadal BLEEHHH” didn’t realise hoos was recreating the audience of my english speaking exam. LOOK I REALISE NOW TALKING ABOUT STOICISM TO A BUNCH OF 15 YEAR OLDS WHO DON’T CARE WAS A BAD IDEA BUT I GOT A DESTINCTION SO FUCK YOU TO THAT ONE KID

chuckler baby..... i’m in love with a dumbass. also the hit across the head. i’m soft (lads lets take a shot every time i say i’m soft in this liveblog ITS GONNA BE A FUN NIGHT jk drink responsibly and all that jazz or be dick winters that’s cool too!! heck do a babe heffron and get yourself a caprisun you deserve it)

“professor leckie” please don’t fuel his ego HE DOES NOT NEED IT

HOLD UP I NEED TO SWITCH FROM THE TV TO MY LAPTOP TO SCREEN CAP THIS SHIT LEW MY SON HAVE YOU BEEN BITING INTO AN ORANGE LIKE IT IS AN APPLE??? I WOULD BE MAD BUT HE LOOKS SO CUTE on a real note though can you eat the skin???? will he be okay?????

okay two hoos things: 1.) he looks SO DONE and i’m living for it 2.) can we talk about jacobs nose..... IM DYING TO TALK ABOUT JACOBS NOSE

okay the boats scene give me saving private ryan flashbacks i came out here to have a good time AND I AM NOT HAVING A GOOD TIME oh wait never mind runner just went ‘i could really use a stiff one right now’ i hate that but he saved the day with his dumbassery so thank you good sir i love you with all my heart

fun fact my how co ranking goes chuckler, runner, hoos, leckie

OH FUCK I FORGOT SID SJAKSJSJ y’know for someone who talks about how much they love sid i forget about him a lot. thank you for blessing my screen with your pretty face it helped me remember you exist LMAO guys my memory is not okay i’m actually concerned...... but more importantly i’d put him between hoos and leckie in the ranking :,)

call it what it is. babyism. y’all better stop before i cuddle you LOOK AT THIS SHIT THEY’RE ADORABLE

runner is the only bitch i respect in this house he’s so fucking funny

‘they’ve? poisoned? a? billion?! coconuts?’ that poor son of a bitch BLESS HIM don’t shoot the messenger okay? he seems like a sweet bean

that shot of hoos, leckie and chuckler looking down at the camera into the bunker? my sexuality. my left brain: tomas stop thirsting it’s an intense and serious show. my righ brain: but?? they’re pretty?? me nodding smugly and in agreement: BUT THEY’RE PRETTY.

THIS MAN AND HIS GUM I CAN’T why is that me. i am the gum man at my school that sounds so weird ajsksjsj i just always have gum. ALSO spearmint is superior to normal mint. NORMAL MINT BURNS LIKE ITS SPICY BRO. bubblemint is superior superior but that’s more expensive rip😭😭😭😭😭😭

‘it’s like the fourth of july’ nice to my boy sufjan getting some rep he is king of the gays after all mr i can’t explain the state that i’m in the state of my heart he was my best friend. we all owe him EVERY parallel on this goddamn app. jk there’s one other king of the gays and that is demon! shane (bfu). no this is not up for debate

the shot of the ships is phenomenal. that’s one thing i do have to credit hbo on. the special effects and cinematography are beautiful and so fucking impressive like???

‘we’re killing them’ - ‘where’s the navy?’ / ‘gone we lost four cruisers’ GOD I HAVE SUCH A LOVE HATE RELATIONSHIP FOR FORSHADOWING LIKE SOMETIMES ITS SO SEXY AND OTHER TIMES IM LIKE PLEASE FOR THE LOVE OF GOD GO AWAY

WHY DOES SID LOOK OVER HIS SHOLDER BEFORE TAKING THE WINE SIR NO ONE IS GONNA TELL YOU OFF AT WAR FOR DRINKING UNDERAGE like???? i don’t think an 18 year old having a swig is their biggest problem bless his heart

‘can’t fight em drunk don’t fight em at all’

bill if you are reading this i’m free on thursday night and would like to hang out. please respond to this and then hang out with me on thursday night, when i am free😌😘🥰😳🥺👉👈😤💘💓🙄🥴

FUCK I FORGOT HOW LOUD THE GUN SHOTS WHERE THINK I JUST WOKE THE WHOLE NEIGHBOURHOOD JC

‘skipper? skipper are you okay?? goddamnit he’s lost it come on’ :(((((

god the shots in this show really are phenomenal. i know it’s very gory and very hard to watch at times but it definitely has the best shots of the three en mi opinion. i’m a slut for the close up of dick screaming ‘move out’ with rounds flying. like who’s ever call that was? outstanding but like that’s just one? the pacific has so many emotive and excellently shot scenes.

JOG ON. STOP. IM SO SOFT IM GOING TO CRY THIS IS NOT OKAY. MOMMA CHUCKLER I CAN’T🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺

how seemlessly the scenes flow one after the other despite being opposite ends of the spectrum i DID NOT GIVE TP ENOUGH CREDIT like yeah it makes me sad as fuck but from a production point of view the writing? the acting? the cinematography? DAMN

how visibly torn and pissed off hoosier looks over the other marines tormenting the japanese soldier, stringing out his death when he’s obviously in a lot of mental as well as physical pain? the only bitch i respect in this house.

okay so like? while the shot is scarring both for him and the audience to see that kind of effortless murder it was the right thing to do? it’s better then have him be tormented and it will help leckie in the long run? how broken he looks though? like the distance is his eye and the way he swollows....... WHO IS CUTTING ONIONS HUH???? brilliant james BRILLIANT

the way i just said ‘if biology would have permitted it i would be asking you to have my babies’ at the sight of a man shoving smokes up his nose....... now ladies theyzies and gents, a prime reason to show why you should do your work. this is tom. tom didn’t do his work. with nothing to do all day tom became bat shit..... don’t be like tom. okay like it is cute though COME ON

HOW PROUD AND SMUG AND HAPPY HE LOOKS AT HIS PREMOTION ‘yes ma’am i am a corporal’ HE IS SO BABY AND FOR WHAT. oops sorry lads looks like i dropped this:

the shot of leckie swimming in the water fading off to the shot of the dead bodies mirroring his movement but obviously a life less version OOOH IMMA SUE

god love me some men with black lungs LECKIE DO BE LOOKING GOOD LIGHTING THAT CIG DAMN

“i have a girlfriend lucky me” HOOS IS LIKE MY GAY ASS YOU SURE????

“you guys step aside the real marines are here now” “AND I’VE BEEN HERE FOR SOME TIME” that shuts iconic even i said wahayyyy

also runner..... i am looking RESPECTFULLY👁👁

you’re not special leckie we all want hoosier

sister👀👀👀👀👀👀👀👀👀

baby gene :,( YOU GINGER LIL BEBE I LOVE YOU SO FUCKING MUCH

can you really call yourself a hbo war an if you don’t sing along at the end... ITS A TUNE also hoos’ voice...... its about the drawl.......

#god ive missed these idiots #im so glad i rewatched #im a bit scared for the rollercoaster that is the rest of the series however asjsksjks #enjoy me being an idiot #thank you to the beauties that told me how to do the keep reading thing you da best xxxx #the pacific #hbo war #eugene sledge #bill hoosier smith #lew chuckler juergens #robert leckie #sidney phillips #wilbur runner conley #john basilone

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popculture-etc · 4 years ago

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Kenny Rogers, Adam Schlesinger,...coping with 2020

Worst year ever although there were some good.

It’s too early yet for me to do a quick look back on what 2020 is like here as we’re only going to be in the first of December tomorrow (it’s Nov 30 here) but I just have to as two losses this year broke me. Kind of, well, especially the second one.

You see, before East Asian pop, Jpop and Kpop, Western pop culture was my thing. It still is and this pandemic has made me go back to that recently starting with...the Beach Boys (their westcoast sound caught me, hook, line, and sinker and I wasn’t very fond of the Beatles to begin with...to be completely honest) I’m currently chillin’ to right now, as I write this post. I’m really weak to the westcoast sound. Beach sound/s in general, rather. I’m a big fan of the beach where nature goes, for one. Since some time, a few years ago, deep chill and tropical house music has been my go-to when I want to chill or calm myself down after an outburst of sorts and I put them on when I just feel meh, especially on Fridays. When I dream of being by the sea, the beach or in some island on my own. I live in a country with a lot of beaches and the Visayas here is basically island region Philippines, lol. Like most people, I listen to music according to mood just like the way I dress according to mood. And...it’s no wonder, really that I’m so into the Beach Boys now. RIP the Beatles. My dad played some songs of theirs on the guitar or so but the hold they have on me waned later on and I just think now how overrated they were back then. They did have good songs but when talking of good music, as in really good that it retains the same sound style or so, it’s the Beach Boys for me. Brian Wilson is the man despite his issues and personal struggles.

Anyway, we’re going quickly off tangent. I’ll save the Beach Boys fangirling for another day. lol.

I grew up with western pop culture rife all around me thanks to my American, cowboy country and folk music listening dad, my Carpenters-loving mom and then, college-aged aunts who’d made me see the Titanic film more than my fingers could count---the third is clearly an exaggeration but well...some of it is true and they were why I got into American films like Pretty Woman (we have this in good ol’ VHS in our family home, my grandparents’ in Jasaan), Mannequin, Ghost etc. in the late 80s, coming into the early 90s. So, tired of all the kdrama and uninteresting kvariety shows on tvn and the rebranded local channel, Kapamilya (long story for what we formerly know as ABS-CBN, the nation’s a mess right now and our gov’t’s just...ick!), I’d retreated to my cave and got into old tv shows I’d watched as a kid instead like Buffy the Vampire Slayer, Charmed and it’s been, well, moving on from there. I’m checking out Twin Peaks later. I’ve been watching old Hollywood films too. Some revisits on this include: Casablanca, Gone With The Wind, and especially A Streetcar Named Desire will always and forever be my favorite. Very young and cute and good looking Marlon Brando, ugh. I have some others in the stash which include Bonnie and Clyde I’ll be getting into much, much later, maybe over the weekends and holidays. In sum, I have a long history with western pop culture, especially America’s, more than I have with Japan’s and South Korea’s. The latter being very, very recent so it doesn’t really compare as much.

Let’s get right down to it...

So 2020 had us lose Kenny Rogers to natural causes on March 20 in a hospice and after, Adam Schlesinger to COVID 19 complications on April 1. I know the latter as the songwriter of The Wonders’ That Thing You Do from the film sharing the same song title. I know Kenny Rogers well because my dad listens to him over and over in the car. In pretty much the same way, I know the words to Islands in the Stream by heart and I accept and revere it as one of the best, if not THE BEST country-pop duet songs of all time between Kenny and Dolly Parton...as far as country and pop music in the US of A’re concerned, of course. Miley and Shawn Mendez’s cover of it I’d seen recently was alright but nothing still beats the OG one, as always. With music, it’s just, really always the case.

Kenny departing from us March this year was alright. He was well cared for in a hospice and at the right age too, to leave us and this mess of a world behind for the afterlife. Sounds grim but not really. Heh. He died of natural causes so we know he was at peace and accepted then that his time has come. Fans and long-time listeners of his should also be at peace with this knowledge. I don’t consider myself a fan but since he’s been around so much because my dad plays his songs in the car often, I’m the same. I’ve accepted his passing away early this year. He’s lived his life well and given us good music to listen to should we like to remember him and his works and celebrate his life and legacy doing so.

Schlesinger’s case was way worse because, well, COVID 19. And it’s well...I guess we all saw it coming, me included, that I’d just learned, watching the one of many national English news on ANC that ‘pandemic’ is the word of the year according to Merriam-Webster. Timely, huh? Yep. Predictable, really. Sarcasm noted here.

So if someone ever asks what 2020 was about, we only have to say that according to Merriam-Webster, it’s the global (COVID 19) pandemic. Short, not-so-sweet, succinct, and grim. Yep.

This one, Schlesinger’s case, is something I still find difficult to accept. He was only 52 years old! He was at the prime of his life and had some projects still he was working on at the time of his passing so WHY?! I suppose that’s all of us who followed him and his extensive work on tv, film, the stage and his own band, Fountains of Wayne when we heard news he’s passed away due to COVID 19 complications. It’s definitely me now though I learned of it late. Heh.

To cope with the sadness of losing Schlesinger, gone too soon at 52 years old and with an impressive Hollywood tv, stage, film resume to his name since and his own band’s, Fountains of Wayne (FoW) really good discography, by the way, I’ve been listening to FoW’s Welcome Interstate Managers---all of the contents of said album/record---and That Thing You Do’s OST with the Beach Boys’ Sounds of Summer Best of in between. My favorite song on Welcome Interstate Managers is the sarcastic take on real life as an everyday worker in sales, Bright Future in Sales. As much as I like chill sounds where music goes, I like me some music with lyrics jolting us back to grim reality in much the same way I like films (indies, mostly, or lesser known short and full-length ones) that tackle social issues not frequently discussed in public or so but we are aware are there, still plaguing much of today’s society. I live for cynical, satirical, ironic, and even hyperbolic stuff about real life actually. It may be why I’m so entrenched and attached to the era where we all hated ourselves---the 90s. Although one would say much of that sentiment or feeling did carry itself to the 2000s, though. I don’t know about you, but until now, I still hate or have heavy dislike for myself and everything else around me, especially our gov’t or current admin here in the Philippines, and people in general so I don’t think it ever really goes away. And going off tangent again for the nth time today.

Anyway, my 1996 was That Thing You Do on HBO in our household...on and off along with other 90s films like The Craft, Clueless, Jawbreakers (I think this still plays in Cinemax from time to time) so of course losing Schlesinger also was...rather, is hard. He’s done so much and he was supposed to be working on more and he’s left such a deep mark here for us, avid fans of American pop culture...I suppose, even the casual ones. Aside from his That Thing You Do, I’d also seen Josie and the Pussycats at some point. I don’t remember when, where...though I did watch some episodes of the cartoon on Cartoon Network (CN) so of course, I’m pretty sure I’ve seen the film of it as well. He worked on a track or some tracks there, too.

2020 sucks. COVID 19 sucks. This global pandemic sucks. But at least there’re films, tv shows, music, stage musical plays turned movies (Jonathan Larson’s Tick, Tick...Boom! is coming to us soon with Andrew Garfield in the lead---I’m wary of Garfield being a forgettable actor since The Amazing Spider Man because Dane Dehaan was what made that for me, to be quite honest so I’m not so sure of him being Jon here and as a self-respecting Larson fan since Rent, I’d rather they casted Neil Patrick Harris/NPH since he was in the London stage for this way back anyway...) to keep us entertained and fine until then. What would it take for ‘rona, and I’m not talking about the American Corona beer here that’s really popular in the west coast, to go away? I, like the rest of you in self isolation or quarantine, tend to think so but I don’t think we’ll have any answer to that until the vaccines are well underway by spring next year. Or at least, that’s what health authorities and scientists tell us anyway. I get reminded of it often in the news and I only tune in to that once in a while now because even that, following that daily, breaks my mental faculties down due to stress and pressure and all and I can’t have that when I still have so much, at the back of my mind, to do.

But anyway, time to conclude this one with one of my favorite The Wonders songs, All My Only Dreams just to end on a good note, better than the last paragraph’s ending at least and to remember Schlesinger as well that we’d lost this year along with plenty others we’d met in passing who’ve also left this world especially due to COVID 19 complications. I know we know a lot of those. For me, it’s a distant relative or family member I’d known since young but don’t have particular fluffy bunny feelings for because of some things that happened between the guy and me growing up in the NCR/Caloocan City to be exact. There’s also my good friend and former co-worker’s only remaining parent, her dad and a few more, I’m sure. So I hope 2021 would be better but I doubt it...very much. It’s still looking pretty dim, grim and bleak from here, where I’m currently standing in 2020.

Before we really end though, COVID 19 is definitely not a hoax. It hasn’t been since the first cases started in Wuhan, China. It’s just, only been getting worse and still continue to claim lives and spread to more people even those at home. So as someone who comes from a household of mostly medical workers or health care workers here, we should really be very careful about and around it. Let’s take the necessary health protocols seriously like wearing a mask out and maybe the face shield too and always keeping the sanitizers, alcohols in our bags among others---hygiene and sanitation, disinfection. It may come off really anal of me and I am not anal (I don’t like people with Type A personalities in the first place, lol...I’m just a very cautious Virgo, really, and a Type X---mix of Type C and D personalities) but seriously, SERIOUSLY, I can’t stress this enough, COVID 19, the virus SARS-COV2, that causes it is real. Very real and once it’s in your system, it can go the fatal, deadly way or just the mild and you’ll recover later anyway way. It’s not picking which people should die next and which should not, really. It’s really just there making a mess of things that are already messy since the beginning. My point being, it’s just better if we don’t spread it or are careful enough not to contract it with following health protocols set by health experts, scientists to help us get by this...pandemic.

Well here’s to 2020 being over soon and 2021 creeping in on us soon enough.

P.S.

Billie Armstrong of Greenday upped a cover of That Thing You Do as a tribute to Adam and the youtube live of the Wonders coming together again to pay tribute to and celebrate Adam’s life may still be up on the ‘tube. I have yet to see the latter but enjoyed the former. They are just so...sweet and precious. Ugh. Adam Schlesinger, gone too soon indeed. :(

PPS

Another songwriter/contributor in the TTYD OST passed away last year, too. Rick Elias. Cause of death is brain cancer. I had a friend from college, young and so full of life and dreams, who passed away due to the same thing so I’m kind of aware how this goes. Ugh. Cancer sucks. All of these are just so...sad. Depressing, actually.

youtube

#Adam Schlesinger #Kenny Rogers #american pop culture #USA #United States of America #That Thing You Do #Fountains of Wayne #music #entertainment #Hollywood #loss #COVID 19 #2020 #2020 is the worst year ever #what's next 2021?#A year in music #a year in american pop culture #a year in american rock and roll and pop music

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harry-lloyd · 4 years ago

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In many ways, the horrible wig was the best thing to happen to Harry Lloyd.

The shock of platinum blonde hair, slashed to a sensible bob at his shoulders like a high-fashion Legolas, was the coif that tied Lloyd’s indelible, insufferable Game of Thrones character together: Viserys Targaryen, the petulant narcissist whose play for the Iron Throne melts along with the rest of him under a pot of molten metal poured over his head, one of the show’s first and most iconic gruesome death scenes.

The splashy HBO production was the biggest job the young actor had ever landed, and as a character with an unmistakable, unforgettable look, to boot— the better to sear into TV fans’ consciousness.

Blessedly, that unmistakable, unforgettable look in no way actually resembled him, a then-27-year-old rising star with short, dark brown hair and alabaster complexion. He played one of the most memorable characters in recent TV history on possibly the last truly massive global TV phenomenon, yet, by the grace of a wig, he was still unrecognizable.

“I kind of loved that,” Lloyd tells The Daily Beast over Zoom from the loft study in his North London home. “And I kind of loved that he died. He had this lovely arc, and he still has his place in this enormous and infamous canon.”

Given how vivid that arc is in Thrones lore, it’s almost startling to remember that he was only on five episodes of the show.

“I had my go,” he says. “I got in early and I got out early. And he didn’t look like me, which, number one, is good because he is a little shit. And so I was happy to not have people throwing stuff at me in the streets. But number two, and I didn’t notice at the time, but it has since become the biggest show on TV. It doesn’t make me worry about being typecast so much.”

In the years since becoming a scalded puddle of boiling jewels and flesh, Lloyd has been able to shapeshift through an impressive résumé of prestige TV series and award-nominated films—Manhattan, Wolf Hall, Counterpart, Legion, The Theory of Everything—relieved of the kind of limitations actors who play little shits in garish white wigs on TV’s biggest show typically shoulder.

The occasion for our conversation is yet another transformation, as Bernard Marx in Brave New World, the splashy adaptation of Aldous Huxley’s 1932 dystopian sci-fi novel. The series is the marquee original offering for Wednesday’s launch of the new Peacock streaming service, casting Downton Abbey alum Jessica Brown Findlay and Han Solo himself, Alden Ehrenreich, alongside Lloyd in an updated take on the classic work.

Brave New World thwarts the idea of a restrictive, Orwellian dystopia with one in which society is instead forced into surrendering their inhibitions. “Welcome to New London,” a prologue explains. “We have three rules. No privacy. No family. No monogamy. Everyone is very happy.”

The new series boasts modernized flourishes when it comes to style—if there had been this much sex in Huxley’s book, we would have paid far more attention to it in high school—and sensibility; some of the problematically racist and misogynistic themes and plot points have been corrected.

Lloyd’s Bernard is an upper echelon member of society, called an Alpha-Plus, whose job is to maintain social order. Throughout the series, he experiences a crisis of conscience, an existential awakening at odds with the blissful stasis he’s meant to both control and enjoy.

If a narrow escape from typecasting and a career playing snooty, megalomaniacal manchildren has meant a diverse array of opportunity for Lloyd, then Brave New World marks more new territory: It’s his first outright leading role.

Lloyd had never read Huxley’s book before being cast, but was impressed by the ambition of the script, “almost like a mega tentpole movie in scale” but esoteric and satirical at the same time. “I was like, this has the whole package if they can shoot this, but I don’t think they can.”

It took one day on set for him to catch wise to the technical prowess at play. “I was like, wow, this really is a brave new world,” he says.

Don’t worry. He promptly scoffed at himself and rolled his eyes.

It is one of the best opening lines to a profile that I’ve read, from a 2011 feature on Lloyd that ran in Britain’s The Independent: “There was a time when Harry Lloyd worried that he was forever going to be typecast—as a woman.”

It was in reference to Lloyd’s days as a student at Eton College, where the young teen’s voice had not yet broken and he was cast as women in a slew of all-male Shakespeare productions.

Here we were prepping to engage with Lloyd about the perils of typecasting following his Thrones stint, ignorant of the fact that he had already confronted the issue decades earlier.

Lloyd laughs good-naturedly when the era of fake bras and bonnets is brought up.

“I hated it,” he says. Just when he had vowed never to agree to it again, in his last year at school he was asked to play Rosalind in As You Like It, by all counts a fantastic leading part. He nailed it, and earned raves. “At an all-boys boarding school, it took balls to put on tights, as it was.” A perfectly-earned smirk at his own joke follows.

The truth is that being typecast or pigeon-holed is a stressor that followed Lloyd, who grew up in London with parents who worked in the book industry. “Sometimes it’s just the face you have at a certain age…” he says.

His first major role came at age 15 in the BBC’s 1999 adaptation of David Copperfield, opposite Daniel Radcliffe. (Adding another fascinating layer to the trivia: Lloyd himself is the great-great-great grandson of Charles Dickens.) One of his first jobs after that was playing a bullying prefect in the series Goodbye, Mr. Chips.

“I guess that’s what I looked like, and I did that a couple of times,” he says. “Then I was like, I don’t really want to just be that guy. He’s a bit of a dick. And then I think next up I played the murderer in some procedural police thing, some young kid that’s gone sideways.”

Each time he felt a box starting to close its sides around him, he actively sought out something different. Having Great Expectations, in which he played Herbert Pocket, “the loveliest, most benign chap you’d ever meet,” air months after his Thrones debut was key. But he can’t refute that, with or without a platinum wig, there’s something about the way he looks that telegraphs a certain kind of sinister character.

“If I turn up in a murder thing, it’s often me who’s done it,” he says, grinning. “I don’t want to give anything away from the stuff I’ve been in. But I don’t know, there’s something about my face that is like, ‘He could do it.’”

After he had finished filming his part on Thrones and the series was about to come out, he was cast in the buzzy West End production of the Tony-winning play The Little Dog Laughed.

If you’re familiar with the work, a satire about Hollywood illusion (and delusion) in which an acerbic, big-wig agent crisis manages her rising-star client’s pesky “recurring case of homosexuality,” you understand why it’s a fairly hilarious, if sobering, project to be involved in just as an actor’s own fame and industry profile is about to skyrocket.

“Because I was about to be on Game of Thrones, I thought, this is the time for me to get an American agent,” he recalls. “And so the American agents, when they were in London, would come and see me in this play, which basically looks at agenting and their ways with quite a big, angry magnifying glass. They would come backstage and say, ‘Look, I am not like that…’” He laughs. “It was always quite a funny way to start the proceedings.”

Having starred in episodes of Dr. Who and played Charles Xavier in Legion, not to mention his connection to Thrones, Lloyd has had his taste of the particular brand of rabid, Comic-Con fandom. Though he prefers to classify himself as “adjacent-adjacent” to that world.

While there are certainly those who will know right away that he was a Targaryen, what he gets more of is a “Wait, how do I know you?” awkward conversation. “Genuinely, people are like, ‘Hey, did I go to school with you?’ I’m at that level of renown. You can’t quite place why you might recognize me.”

Asked how life under the coronavirus shutdown has been, Lloyd is very British about the months spent with his wife and their almost-2-year-old. “We’ve done alright,” he says. “We learned how to finally kind of plan our fridge. And now we know how to do our shopping tactically. We cooked some good stuff.”

For fear of sounding “solipsistic,” to use a word employed often in Brave New World, he identifies the extended time home with typical feelings actors have throughout their career.

“You have accelerated times in your life when things happen like a dream,” he says. “Things are so fast and our whole world’s rebuilt entirely every time you get a job. And then is the come-down and the fallout.”

He remembers that feeling from when he was doing plays: the energy and pace of putting on the show, and then a few weeks after it ends there’s a massive crash.

“It feels a bit like you’re in lockdown. You stare around on a Tuesday afternoon. You don’t want to watch anything. You don’t know what to do or who to call, and you kind of lose your style. There’s been a bit of that.”

Just when things got to the point that he felt like he might lose his mind, he was contracted to record an audiobook. So for a couple of days a week, he would sit up in his “sweatbox made out of duvets” and read Great Expectations aloud for Penguin. “That saved me for sure.”

On the subject of works by his great-great-great grandfather, Lloyd used to be at a loss for what to do when people brought it up. Often they would say, “Congratulations!” on the relation, as if he had accomplished something himself by being born into Charles Dickens’ lineage. “But these days, I’ll take it, I’ve decided. ‘Yeah, thank you so much.’ It’s a nice thing to celebrate.”

The 150th anniversary of Dickens’ death was in June. There had been plans for a commemoration ceremony at Westminster Abbey that, because of the shutdown, became a Zoom event instead.

“I don’t know how many people’s deaths get a 150th anniversary,” he says. “The fact that I have any kind of personal connection with that is very much secondary. But something that I’m very proud of.”

At risk of belaboring the point, we ask if working on any of the Dickens adaptations he’s starred in on TV or recording this audiobook makes Lloyd feel any sort of profound or poignant connection to him.

He laughs. “I can’t point to a physical sensation like hairs in the back of my neck standing. ‘I feel him. It’s me and Chucky D in the room right now.’”

#harry lloyd #interview

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suspiriu-m · 4 years ago

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Examining Youth Culture

Youth Culture in television in cinema is a theme we’ve all seen before. In some way or another, we’ve all probably related or even seen ourselves in something we’ve watched. A lot of experiences we see in these coming of age style pieces most of the time have something to do with at least one of three recurring themes. Sex, drugs and alcohol. Character archetypes are also an important part of these stories too. To sum it up, we’re generally confronted with Jocks, Nerds, Goths, Popular Kids, Pot Heads etc.

A major point to take into account when looking at this type of media is the perspective the story is told from, and where it’s taking place. For example, Barry Jenkins’ 2016 film Moonlight, is completely different from 2018’s Love Simon, directed by Greg Berlanti. Moonlight tells the story of a young Black man named Chiron. Through three different time periods in his life, we see him come to terms with his identity and sexuality, all while living with his drug addicted mother in an impoverished neighborhood in Miami. Throughout the film Chiron not only faces the struggles of his sexuality within himself, but how his unaccepting peers react, his mess of a mother, and maneuvering masculinity without the guidance of his missing father. In a review written for The Guardian, Peter Bradshaw says that Moonlight

“is a film about masculinity, the wounds and crises of which are the same for all sexualities, but conditioned by the background weather of race and class” ((Bradshaw Moonlight review – a visually ravishing portrait of masculinity).

Love Simon however, is a completely different ballgame. The juxtaposition between the two films is extremely noticeable, even from just from looking at their promotional images. While Moonlight is more of a serious, realistic and emotionally charged movie, Love Simon has more of a young adult, coming of age, happily ever after tone to it. In the film, the main character has to find his way through growing up, high school, coming out to his friends and family, but most importantly figuring out how Blue is. Blue is the person that Simon has formed a connection with through emailing each other. The only problem? He has absolutely no idea who Blue even is. One of the more important aspects of this film when looking to compare it to others is the fact that the main character and most of the cast are all white. Not only that, but it takes place in a much more suburban setting compared to that of Moonlight. Simon’s relationship with his parents is very strong, his friends are all super close to him and the impression is given that they would obviously support him once he comes out. Surprise, they do.

In terms of which character I related to from the selection of films and shows assigned, I don’t really feel like I can truthfully say that I felt some sort of connection with them. Being gay myself, there wasn’t a crazy amount of representation in terms of queer youth in the films. Yes in Mean Girls you had Damian but he was kind of underutilized and exaggerated. In Euphoria you have Jules who is a trans woman but that also isn’t something that I’ve experienced and won’t pretend to. Could I relate to a few aspects of her character? Of course, i’m sure anybody can. But am I able to say I identify with her? Definitely not. That’s not a bad thing though, trans stories need to be represented in the media. More importantly they don’t always have to be represented in some tragic story or situation. Even though we’ve seen more queer representation today than ever before. We still have a long way to go. Rachel Bays wrote an article for The Advance-Titan stating

“Out of 109 major studio releases in 2017 researched by GLAAD, roughly 13% had LGBTQ characters. Of these films, about 64% featured gay men, 36% featured lesbians, 14% featured bisexuals and 0% featured trans-inclusive content”(Bays The complicated history of queer representation in film: The Advance).

It’s imperative that we see more queer representation mashed with Youth Culture in our media because not every single person experiences the same thing, especially queer kids. In terms of Kids, Saved By The Bell and Mid 90’s, I don’t specifically remember any particular moments in which I personally felt any sort of strong connection.

Now, if we’re gonna speak about common themes in a lot of these stories, then here is where I can say I definitely connected with some situations more than specific characters. Sex, drugs and alcohol are topics we see come up in a lot of coming of age or youth centered stories. In Kids, the main cast is basically parading around the city smoking, drinking and fornicating multiple times throughout the entire day. In Euphoria, one of the main characters Rue suffers from drug addiction. Kat comes to terms with her sexual awakening and a lot of her storyline is focused on her coming in touch with that side of her, whether or not it was the best way to portray it. And most of the other characters are all seen smoking, drinking out having sex at some point in the series.

Growing up, especially in our teen years, we’ve all had the opportunity to partake in at least one of those activities previously mentioned. I know for a fact that I have definitely been to parties, drank alcohol, smoked weed. I’ve encountered hookups and the whole nine yards. Something that really stood out to me in Euphoria was the episode in which Jules ends up meeting with an older man in a hotel room late at night. We shall not name the character for sake of spoilers but those of you who watched know exactly who i’m talking about. That entire scene was just gut wrenching for me to watch and I know it was for many other young queer people as well. Everything about that scene was purposefully uncomfortable to watch from the cinematography, music, acting and the location.

Speaking of music, the soundtrack to a film or TV show is super important and a lot of the time helps the creators in getting their point across. Euphoria specifically used a lot of modern music but also threw in some classics as well. The singer-songwriter Labrinth played a big role in adding music to the show’s soundtrack. He even collaborated with Zendaya in making All For Us, the show’s theme and closing track. It was premiered in the last episode of the series and incorporated into the storyline with a performance by Zendaya herself. This song specifically is so important aside from the rest of the show’s music because it aids in showing Rue’s downfall at the end of the season. She goes through so much in her recovery and relapsing and her relationship with Jules that when Jules finally decides to hop on that train and leave even though Rue tells her it’s not the best idea, it absolutely crushed her. In an interview for Rolling Stone magazine, Labrinth stated “When you look back to your teenage days... it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things”(Marks How Labrinth Created the Perfect Soundtrack for HBO's 'Euphoria').

To help convey how certain songs can help in telling a story, I created a short playlist with songs that I felt matched certain plot points in the show. Without going into too much detail in an attempt to avoid spoilers, I want to give you guys a short explanation of each song about how I feel it can fit into the show. In no exact order, the first song I chose was Regulars by Allie X. The song is about trying to fit in with society and the people around you when you feel out of place all the time. Personally, I feel like this is a good representation of Rue when she comes home from rehab and has to try and blend back into society knowing that everybody knows where she was. Halsey’s Beautiful Stranger is about meeting somebody after being hurt so many times, or just being in a bad headspace and finally feeling like this person could be the one. This is a good explanation for how Rue feels about Jules when she first meets her. She’s hesitant but slowly starts to fall in love with her before Jules starts acting out. Contaminated by Banks is a piece about loving somebody but having their history or the other person's actions make you feel not so good about the relationship you have with them. This is how Rue feels after her first little fallout with Jules. They kind of have an on and off relationship throughout the season and Rue subconsciously has doubts. Simmer by Hayley Williams is a song about suppression. Suppressing your emotions, especially the bad ones like anger, fear, sadness, rage. Nate in the series suffers with a lot of mental suppression. He suppresses his feelings about his relationship with his father, his questioning sexuality, his feelings for a specific character. Although he does lose his cool multiple times throughout the show, it’s not until the end of the season that he really bursts and lets everything out. Another song from Hayley Williams with her band Paramore called Fake Happy is also on the playlist. Fake Happy, to put it simply, is exactly what the title suggests. Pretending to be okay when you’re really not. In the show Rue relapses a few times whether that be big or small, and she has to hide it from her friends and family.

Maddy and Cassie are both the pretty popular girls of this show, leading me to choose Rina Sawayama’s XS as a representation of them. The title XS, otherwise interpreted as “excess” is literally about money, appearance and materialistic items. All of which Cassie and Maddy display throughout the show. The popular cheerleaders with the nice clothes and toned bodies, the pretty makeup and done up hair. It’s a perfect representation of their characters in my opinion. Even though they do have storylines going deeper into their minds, this is what they portray on the surface level.

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Hallucinogenics by Matt Masson is a song about going somewhere else most likely due to drugs, and feeling like a different person. Although the song is a bit lighthearted in terms of sound, I think it fits with the scene with Jules and Rue taking drugs together and tripping in her room together. Rue was wary about doing it especially after the fact that she just got clean, and she already has this war in her mind going on but she does it anyways because she likes Jules. Attack of Panic by Aly & Aj heavily focuses on anxiety, which is something Rue deals with multiple times throughout the show. Especially the episode when she’s in school and pretty much has a mental breakdown and runs to the bathroom and hides. Even though the character Kat isn’t the primary focus of the show, her storyline has a bit of line shined upon it multiple times. For her storyline i chose Doja Cat’s Cyber Sex. Kat becomes a cam girl at one point in her sexual awakening and kind of goes full throttle into it. The song talks about having sexual relations with somebody over the internet and that’s exactly what Kat does, except she sees it more as a way to make an income.

Last but not least, I of course had to choose Labrinth and Zendaya’s song made for the show All for Us. The song represents Rue’s feelings of not wanting to let her family down, knowing the struggles and pain they have gone through and not wanting to upset or disappoint them again. Everything she’s done to get clean and sober up has been because of them. She loves her family so dearly but in the end she just broke down again, all because of Jules and the mess that she got herself involved with pertaining to many of the other characters she meets throughout the show. I hope you guys enjoy the playlist and take a good listen to the lyrics and themes in each song! They might not be perfect, but to me they have a lot of commonalities with themes and specific moments and themes from the show!

https://music.apple.com/us/playlist/playlist-for-euphoria/pl.u-AGAaiylr2l

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#Youtube

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sammysreelreviews · 5 years ago

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Counting Down My Top Ten Tv Shows Of The Decade

My last Tv decade list is finally here y’all. Is it weird that I’m very emotional posting this!? Before I start I have 3 movie decade lists coming up and the first list will be posted on December 6th so stay tuned! If you want to know exactly when they’ll be posted I have an instagram you can follow there >>> @sammysreelreviews. Ok back to business. I thought that listing shows that were still airing in the 2010’s would be insanely hard so I decided to only list shows that started in 2010 or later on I did this with my two previous lists also and will do this for the three upcoming movie decade lists. This list took me WEEKS so y’all better enjoy the fuck out of this. I know Pretty Little Liars was out in 2010 but it did not make the cut quality wise I hope y’all understand. Okay I’m done but I’d love y’all to comment your favorite shows of the last decade! Enjoy and as always, there will be ***SPOILERS!!!***

10. Atypical (2017 - ) Netflix

I’ve spoken about this like way too much but someone has to give it the respect it deserves! This show about a boy facing everyday problems while having autism is so wholesome and in a way motivating because Sam (Keir Gilchrist) never gives up. This show shows real family issues, someone battling with their sexuality, and real insight into the autism community which helps ends the stigma. This last season made me cry at the end because of Sam and Zahid’s (Nik Dodani) friendship and I’m so ready for the next season. Also Izzie (Fivel Stewart) fucking SUCKS I’m team Evan (Graham Rogers) all the way. Do what you want with that information.

9. Jane the Virgin (2014 - 2019) The CW

Gina Rodriguez may be dumb but Jane the Virgin is not. The premise of the show sounds batshit but it ended up being one of the most well written shows I’ve ever fucking seen. What’s starts as an artificial insemination ends in being one of the most heartfelt shows I’ve ever seen in my entire life. Ugh, the amount of tears that Jane the Virgin has caused me they should pay my therapy copay. While we’re here, Jane and Michael ( Brett Dier) deserved to be together and when they “killed” him off I literally stopped watching the show for a few months. I’ll miss Jane the Virgin a ton and I hope the CW puts out more content like this.

8. Big Little Lies (2017 - ) HBO

To say Big Little Lies was a pop culture phenomenon would be an understatement. In seven short episodes the ladies of Monterey made one of the biggest impacts HBO has ever seen. The cast is just amazing like Nicole Kidman is always incredible but extra incredible as Celeste and don’t even get me started about Meryl Streep’s performance in season 2. Wow. Big Little Lies is one of the best written and honestly one of the best acted shows ever. That scene in the season one finale where they realize Perry (Eric Northman Alexander Skarsgård) is the father of Jane’s (Shailene Woodley) child by only giving each other intuitive LOOKS!!! CHILLS. Should forever be taught in acting classes! I hope it’s over cause season 2 felt like a good place to end the stories but I wouldn’t mind seeing more Renata the fucking boss Klein (Laura Dern).

7. Peaky Blinders (2013 - ) BBC/Netflix

I’ve mentioned this too many times so I’ll keep this brief. Peaky Blinders is non stop drama and it’s actually addicting. I haven’t even watched the last season because I don’t want to wait for the next one. The Shelby family is one of the best on Tv and Peaky Blinders is one of the best gangster shows around. Also doesn’t hurt that Tom Hardy and Sam Claflin are on it.

6. On My Block (2018 - ) Netflix

Ugh I literally have put On My Block on at least 5 lists so can you please fucking watch this diverse funny dramatic show!?!?! It deals with the trials and tribulations of high school while also tackling gun violence and the repercussions of it. Also, Jamal (Brett Gray) and Abuela (Peggy Blow) are the best unlikely duo ever created.

5. Unbreakable Kimmy Schmidt (2015 - 2019) Netflix

The love I have for Unbreakable Kimmy Schmidt is indescribable. It’s one of the funniest shows I’ve ever seen and I have rewatched it at least 5 times. Everyone who knows me says I’m exactly like Titus (Tituss Burgess) and they’re completely right. If you want more info on it I wrote about it here.

4. Narcos (2015 - 2017) Netflix

Narcos Narcos Narcos. If you read this blog you’d know it’s one of my favorite shows ever so I’m not even gonna bother to talk about it cause you can see me explain it here. Watch the fucking show.

3. Love/Hate (2010 - 2014) RTÉ One

I’m not going to lie I only started watching this show cause I had an insane Robert Sheehan phase because of Misfits. I mean the phase isn’t over but it’s just not as INSANE as it was back then. This show is like the Irish Sopranos but BETTER. YEAH I FUCKING SAID IT. Not only is Robert Sheehan on it but there’s romance, betrayal, and hella violence. Sadly we never got the final season like we were promised and it sucks because the season 5 finale ended with someone huge DYING. If you love top tier television Love/Hate is the show for you. You will NOT be disappointed. Also did I mention Robert Sheehan was in it?

2. Broad City (2014 - 2019) Comedy Central

It’s kind of bizarre that I’ve never put one of my favorite shows of all time on any list here. If you didn’t know I was a huge Broad City fan well, now you do! Ugh what can I say about the wild NYC shenanigans of these two kweens!? Abbi (Abbi Jacobson) and Ilana (Ilana Glazer) are my favorite best friends on television because they just get each other and they’re also weird as actual fuck. The thing about Broad City is that it’s relatable to my age group. It discusses LGBTQ matters, talks about how taking medicine for your mental illness isn’t a weakness, and they’re constantly showing how expensive the real world actually is. There are so many things about this show I could say like how Melanie was never physically seen, Illana’s mother (Susie Essman), the gift that is Val, and how Shania Twain actually made a fucking cameo after all those lies Abbi told. Broad City will be greatly missed but remember kids; Reduce, Reuse, Recycle, Rihanna!

1. Dark (2017 - ) Netflix

Ok I don’t know how many times I’ve mentioned this on my blog but for god fucking sake PLEASE WATCH THIS DAMN SHOW!!! It’s the best show Netflix has ever made and it’s a total mindfuck! It’s also the most cohesive show ever written. If you like your shows with excellent writing, acting, and small dashes of sci-fi this is the criminally underrated show for you! If you grow a brain and watch the first two seasons the third season will be out in 2020 but I’m going to predict that it’ll be out on June 27th, 2020. Netflix makes the best international shows and they’re the best they have to offer. Dark is a show where I’ve never guessed what was going to happen next and that’s why it’s my number one show of the decade.

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scratchybeardsweetmouth · 6 years ago

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Iain Glen Knows Why You're So Thirsty For Jorah Mormont on Game of Thrones

By Madison Vain April 29, 2019 Photography [and Videography] by Tyler Joe

Excerpt:

Ser Jorah Mormont crossing the wide terrains of Westeros on horseback is a familiar sight for fans of HBO's Game of Thrones. But for actor Iain Glen, who’s played the role now for seven-plus seasons, it’s hardly his favorite mode of transportation. “I always find a bicycle,” he says, sitting in a Midtown Manhattan green room, speaking about how he prefers to get around since the show catapulted its cast into the stardom stratosphere. It’s simply the most practical—not to mention safest—way to travel, these days. In some locations, especially Spain, he notes, fans don’t hold back when they spot the lovelorn lord. “They’ll attack you,” he says. “They’ll just grab you and start snogging you without invitation.” It's not exactly a violent response, but it does make getting around difficult. “They just want to hold you,” he continues. Cue: a set of wheels. “I don’t know what it is,” he admits, “They stop looking. They don’t associate actors with bicycles. So [I] just always sneak out the back, get a bicycle, and find a hickey restaurant on the outskirts of town. That’s my modus operandi.” New York is a bit easier, and he insisted on arriving at our April interview on foot even though a few blocks away fans have been camping outside of the hotel where the Thrones cast is staying for the premiere of Season Eight. Fans in the city recognize him, but let him get on his way. “It's lovely, actually,” he admits, laughing. “It reminds me of London.” Historically, the attention has been confusing for Glen's younger children. (He has one son and two daughters.) His youngest is six and, as the actor says, frequently taken back by the approach of strangers. He chuckles, recalling her questions: Do you know that person? Why do people keep speaking to you? Why are they calling you Jorah? But for Glen, it's welcome. He says his wife actually put it best: “Who would not want someone to pat you on the back and tell you you're fantastic a few times every day?” For many of Glen’s young costars, Game of Thrones marked the very beginning of their careers. (Bella Ramsey, who plays Jorah’s cousin, the spunky Lyanna Mormont, hasn’t even seen most of the series on the account of only being 15 years old.) But the 57-year-old Scot has been working consistently across film, television, and theater for decades. One of his fondest memories of New York, he says, almost wistful, was when he and Nicole Kidman starred in Blue Room on Broadway in 1998. He lived near Central Park and spent his down time perusing the Met, freely. “It’s a great deal to take on when you’re that young,” he says of co-stars like Maisie Williams and Sophie Turner who began filming as young teens. “But they all seem to be managing incredibly well.” And, as only an actor seasoned by years of rejection can, he quips, with a laugh: “And, if I’d been Kit’s age or Maisie’s age when I started, I certainly wouldn’t be complaining!” A wizened perspective actually made him more measured in his acceptance of the role, initially, he recalls. “When you accepted the job, you had to commit for, I think it was four years,” he says. “And they wouldn’t tell you if you were gonna die.” Glen said his team pressed HBO for details: “I asked for a breakdown, going forward, season by season.” His quest turned up few details, but something about the little he learned inspired him. “Listen, you go out for stuff, and there’s some things you really want and some things you don’t,” he says. “I really wanted this. I remember saying to my wife that I had a funny feeling about it. I felt like it was going somewhere.” As we all know now, he was right. The show is watched obsessively, by millions. (The Season Eight premiere drew a record 17.4 million viewers, making it HBO’s biggest night ever for streaming.) And in the age of Netflix binges where watching on your own time is the norm, it remains a can’t-miss, Sunday night event. That reality is a treat for the cast, as much as the viewers, assures Glen. A long career means the actor is exponentially more aware of how special it is to have been involved. “It’s very unusual to come back to something again and again and again,” he muses. “The life of an actor is very ephemeral. That’s what we’re used to; getting thrown with a bunch of strangers and getting to know each other really quickly and then saying, ‘Right, I’m gonna completely forget about that and now I’m going to jump into something else.’ Certainly, in my experience as an actor, I’ve never done anything like this. And to come back to something that everyone is saying is just going fantastic, that’s a very binding thing in itself. That was very winning.” much has been made over the years about some of the brutal shoots the cast has had to endure each season. (See: the Battle of Winterfell, which required 11 weeks of freezing, night shoots.) But for the most part, Glen was lucky. “In the early seasons, I was part of the Dothraki/Daenerys storyline,” he explains. “We were always on the move, always traveling. But we were always coming into rather fantastic, gorgeous, sunny warm spaces. We were filming the bit that the crew always looked forward to each season, before they went back to shitty, wet, cold weather.” And then came the greyscale. When the disease had gotten to its worst, Glen spent eight hours with the costume department, getting a full prosthetic outfitted on him before each shoot. “It was like coming in at midnight and being ready to shoot at eight, to then do the ten-hour day,” he recalls. “It reminded me of some of the drugs I’ve taken. At university, I was pretty spaced out—but in a nice, helpful, acting way.” It was also during this time that Glen thought his run on the notoriously deadly show was coming to an end. “I thought my number was up,” he admits. “[Creators] Dan [Weiss] and Dave [Benioff] really enjoy fucking with the actors—not giving them any sort of clues. So I asked them both individually, because I couldn’t get the answer.” He still came up short. “One of them said ‘I’m not saying.’ The other, when I said, ‘Do I survive the greyscale?’ said, ‘You do this season.’” (Turns out, the actors know just how you feel, wondering about their characters’ fates.) Ser Jorah is not Jon Snow. He doesn’t have a hero storyline and he's not a contender for the Throne, so it wasn’t a give-in that he’d earn such a passionate fanbase. And yet the Jorah fan accounts on social and thirsty fan fiction on the internet has run wild over the years. Glen attributes it to his devotion to Dany, the Mother of Dragons. (Even, yes, when he betrays her.) “In a chaotic, mad, dangerous, and violent world in which people are generally out for themselves,” he begins, “the purity of his desire to support her—to be there for her—is a nice contrast to the rest of the show. For the first two, three seasons, it was about this desire to express that from his point of view, but never doing it.” He follows up, “Do you know what I mean?” Um yeah. Jorah as the head of House Friendzone is the material that’s spawned, to be exact, a gajillion memes since the show’s 2011 debut. The way he looks at her, even now, oozes with a desperation that viewers can’t help but melt over. “I think they modulated their journey really beautifully throughout the seasons,” he says of the writer’s attention to Dany and Jorah. “I think they found a really compelling root through it, where for you, as an audience, it's hard to stand from the outside. And I'm not the best person to ask, but people tell me, that you have such a mixture of emotions watching. At first you think, ‘Oh please, go on and say it!’ But then very quickly it's, ‘Oh god! You shouldn’t have!’” On a show that has to divide time between so many characters each week, there’s an inevitable risk that some storylines will feel one-note or under-developed. Glen’s refuses this in his portrayal of the former slave owner mightily, instead bringing a weightiness as well as a readiness to recognize internal conflicts to his turns on screen. “It’s like real life,” he says of his careful approach. “Isn’t it? With people that we fall madly in love with, there’s always a moment of, ‘Fuck, I never realized you were such a shit when I fell in love with you.’” It’s been a delight, truly, for audiences. But Sunday night, the pensive stead’s run finally came to an end. After leading legions of troops into the Battle of Winterfell, near the end of the one-hour, twenty-two minute episode, he fulfilled his final mission: protect Dany with his life. He lasted as long as the battle and Dany held him as he drew his final breath. For the fans who've loved him, they know it's exactly how he'd have hoped to go. [...] “I feel very happy with his story arc,” Glen tells me. “When we read all six episodes before we started at the beginning, in a big room in Northern Ireland—Belfast—I thought the writers had managed it incredibly well and thoroughly, in terms of looking after everyone. It’s one of the hard things when you write big, sweeping, epic dramas like this. How do you look after everyone’s storyline, individually?” We’ll continue to see as Season Eight continues its March towards a May 19 series finale. Glen is adamant that the sheer scale of the production will stick in his memory bank forever. “I felt like a kid, coming into set and seeing some huge, monumental fucking castle—and arriving at bases with so many vehicles, so many extras, so many horses. There’s a side to that which is just really thrilling.” But the moment he’s actually most fond of a shoot from Season Five when Ser Jorah, following a brutal journey with Tyrion Lannister, offers his life to Dany in the Fighting Pits in Mereen. It took several days—and five or six other fighters—to film, something Glen loves, but it was what was going on behind the camera that he enjoyed most. “My family was there,” he recalls. The crew dressed his then seven-year-old up as a mini Ser Jorah and let her call the shots alongside director David Nutter. “They put her in the gear and put scars on her face. It was so, just great.” Looking ahead, Glen joins the DC Universe. Earlier this month, it was announced that the actor would take on the role of Gotham City’s most notorious billionaire, Bruce Wayne, on Titans. It’s unlikely that that show—or any role—could eclipse Jorah’s rabid fandom but that hardly bothers Glen. “I’m proud of the product and I’m proud of any association with that,” he explains. “You can walk around thinking, ‘Didn’t you see my Hamlet?’ or ‘Where were you when I did Henry VI at the Royal Theater Company?’ but you’re wasting your time. [Thrones] is kind of the Holy Grail, to be critically approved but have a massive following? That’s the ticket.”

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