#I really want to know others' thoughts on this game because it's good! it is a good game!

[icyfox62]

I think it’s to stop thinking we can hide the peas in the mashed potatoes at all; the peas need to be visible on the plate.

Look, mashed potatoes are great and all but ignoring that the first thing people are going to think about if they already found peas in the mashed potatoes is that you can’t trust the mashed potatoes. They’ll move on to the next thing on the plate and be suspicious every time they’re served mashed potatoes. In their eyes, it’s not harm reduction, it’s slow infiltration of change with no clear direction.

Republicans for months/years told people exactly what they wanted to do and people still voted for them. Yes, they used phrases like only “illegals immigrants” and “the prices are to high,” but we can’t forget that a lot of people heard the message, “We’re planning to hurt people,” and thought “cool. I’m not on that list because I’m a good one.”

No amount of hiding peas even for their own benefits will convince people that vote against their own interest that the visibly rotten sandwich isn’t better because at least no one trying to change the recipe or “force it down their throats.” It doesn’t matter that the peas are helping (ACA and abortion rights for example) because a lot of people are creatures of self serving comfort and deviating from tradition or norms is the worst thing ever because they’re afraid of losing the identity they’ve made for themselves. Yes, democrats are trying harm reduction, but that whole message was washed out by people hearing that if they play by the current rules, eat that rotten sandwich, the comfort they’re in now stays. Of course, we know that’s not true but it really doesn’t matter because the idea stuck with them.

When we’re trying to move away from a history of oppression perpetuated by and on multiple groups of people no matter their level in society, a lot of people will start punching up, down, even the people beside them. We saw it with the blame game after the election results. We saw the first openly trans person win a congress seat and everybody cheered here (even people that didn’t vote in that election) while also refusing to accept that people played different roles in allowing Trump to be reelected. We were this close to getting Ted Cruz voted out but no one is celebrating that because it’s considered a failure, not progress. It’s a communal failure in a group that only claims absolute and immediate communal wins. That’s what democrats don’t seem to understand and one of their biggest flaws even with their own voters. They’re selling equity boosts labelled as equality boosts and people are seeing other groups getting massive boosts (or at least boosts larger than their own) and are pissed.

I don’t know if I’m yet fully here, but something to think about.

[magics-neptunes-things]

Mockingjay - Part 8

Hi guys!

I'm sorry for the wait, I know that usually I give you the chapter on Friday, but I wasn't able to yesterday.

This one is a little darker, please be aware of that while reading it.

TW : Death, blood, injuries, grief.

Chapter before

Ona wakes up abruptly, a hand coming suddenly on her mouth to prevent her from shouting. She still is in the tree where she fell asleep a little earlier, while Teagan was supposed to stand guard. But it’s not him who is looking at Ona with undisguised anger.

It’s Lucy.

Eyes widened; Ona tries to move but Lucy doesn’t let her.

“What’s happening?” Ona whispers, Lucy’s hand always on her mouth.

“Did you kill him?” Lucy whispers-shout.

“What?”

Lucy’s voice is low, full of an anger that Ona doesn’t understand. Just like she doesn’t understand why Lucy is talking about. Ona tries to read more in Lucy’s eyes, but she can’t.

“What are you talking about?” the younger one finally says.

“Declan. Did you kill him?”

“What?” Ona frowns. “No, of course not.”

Lucy is still looking at her, but she finally removes her hand from Ona’s mouth. The latter takes advantage of it to look around them, looking for Teagan. But the young boy is nowhere to be seen.

“Where’s Teagan?” Ona asks.

But it doesn’t seem to be Lucy’s first interest. She seems so angry; Ona never saw her like this. She won’t say that she’s scared, but she’s definitely impressive like that. The situation is really mind blowing for Ona. She wanted so much to see Lucy one more time, but not like this.

“At the place where the Games began, there is a scoreboard. It says that you killed someone. If it wasn’t Declan, who was it?”

“The boy from the 5” Ona mumbles, not really wanting to remember that awful moment. “He was chasing Teagan at first and then he came back for us. I – I didn’t have any choice.”

Ona shivers and it has nothing to do with the cold. It is cold actually, but with the hoodie she’s wearing and the habit of the temperature, she was okay like this.

Lucy seems to think about Ona’s answer, looking at her while squinting her eyes. She seems furious. Ona can understand because she was pretty close to Declan, but there is no world where Ona could kill him.

“If it’s not you, who was it?”

Ona rolls her eyes and crosses her arms on her chest. Now that the surprise is passed, she has trouble keeping up with the way Lucy is talking to her.

“Your two girlfriends. He was with them at the lake, right? They pushed him in the water. I don’t know what is really inside the water, but he died almost immediately. Then there was this strange fog coming from the lake and I think it’s what killed Lilith too. I was in a house in the city with Teagan, we had time to run away. They were closer to the lake; Lilith didn’t get that chance. I guess Kayla didn’t explain things like this?”

When Lucy always seems to hesitate, Ona stands up a little bit more to face her. She doesn’t know what happened to Lucy for her to have doubts about her like that, but Ona doesn’t like it.

“If you don’t believe me, why don’t you look at the scoreboard? I’m pretty sure you know everything your friends do, don’t you?”

“It doesn’t show the score from the death’s people.”

“How convenient” Ona snorts.

They look at each other for several seconds. Ona feels sad and angry at the same time. She wanted to see Lucy one more time to have a good memory of her, not a fight about something like this.

“Who told you I killed Declan?” Ona asks finally.

“Kayla” Lucy answers only.

Kayla, or the only one of the trios from the lake who survived. It made Ona roll her eyes at the thought. Of course, it’s easier to accuse someone else of her betrayal. It makes Ona sick that Lucy chose to believe Kayla and not her.

She doesn’t know why Kayla was accusing her, though.

“Why would she say that?” Ona frowns softly.

“That is exactly my point.”

That icy tone, again. Ona bites her lips, not knowing what to answer to that. But she doesn’t look away when Lucy looks at her right in the eyes.

“Where is Teagan?” Ona asks again.

“He went to the river for some water. He’s not a very good guard if you want my opinion.”

“At least he believes me” Ona points out.

Lucy opens her mouth to answer but that is at this very moment that they hear someone walking in their direction. Ona could now recognize Teagan’s footsteps easily. She wanted to tell Lucy that it was him, but the older girl hurries to get out of her tree.

“Lucy!” Ona whispers.

She doesn’t hear Lucy’s answer or if she does, she even can’t see her since she jumps off the tree. Ona feels her heart breaking. This talk was worse than anything else in the world. She just has time to recompose her poker face when Teagan arrives.

“Where were you?” Ona asks him.

“I was thirsty. I didn’t think you’d wake up”

“You can’t leave like that” Ona answers maybe a little too harshly. “What if something happens to you and I’m not here?”

“I’m sorry?”

He seems a little surprised by Ona outburst, and the brunette takes a deep breath to calm herself. Teagan isn’t the reason for her fight with Lucy, he doesn’t have to deal with Ona’s bad mood.

“No, I’m sorry” Ona sighs softly. “Just tell me when you leave, okay?”

The young boy nods softly, smiling shyly at Ona. The girl smiles back at him, before looking at the sky. She is bored sitting on that tree to be honest, even if she knows it was what they decided with Alexia. But she doesn’t even know all the arena, even if Teagan gave her some information about it.

“I was thinking that we can make a reserve of food and water and go to the desert, what do you think? They won’t come to look for us there.”

After all, who can say to Ona that Lucy won’t come back with the other tributes? She’s not sure about anything anymore. She doesn’t want to explain to Teagan why she proposes that, but the boy seems happy about that idea. He proposes to go pick up some fruits while Ona goes for more water.

They even take some wood, with the lighter they found and the pan, they are even able to boil some water just in case. Without a second thought, they leave their tree to start walking towards the desert.

“I’m not sure that the starting point will be safe” Ona thinks out loud after several minutes. “Maybe we should take a detour”

Teagan doesn’t discuss this and follows Ona when she decides to stay close to the river during the walk. Lucy went to the starting point; she told her some hours before. Maybe it’s where she is now staying with her teammates. She wonders how many people Seth and Camden have killed since the beginning of the Games.

“Have you heard that?”

Ona frowns and turns in Teagan’s direction. She stops walking, trying to hear what Tegan might have heard.

“Wolves” she whispers after having heard them. “Let’s not stay here, come on.”

Even if she would rather cross the path of a wolf than Camden, she still wants to live as long as possible. They are not close to the mountain or even the snow, but after all no one can force wolves to stay where they are supposed to be. Plus, they might be hungry after several days.

“They seem close” Teagan mumbles, saying out loud what Ona didn’t want to think about.

“It’s okay. When we will be in the desert, they won’t follow us.”

She still walks a little faster though, her ears are attentive to any suspicious noise. Now she’s careful about human and animal sounds. Ona just really hopes that she won’t have to fight against snake or aggressive camels in the desert.

They were out of the forest now. Ona can see the buildings where they start the Games several days before from here. It’s just a long plain now, grass as far as the eye can see. Until she’s finally able to see what looks like some sand after. The bad news is that there is a big land dip between the grass and the sand.

The river falls into it, but Ona can’t hear the sound of the water falling in a lake below or even on the ground. The height must be appalling.

“We need to find a way to cross it” Teagan says.

Ona nods and looks around, but she doesn’t see anything who might help them. No bridge, no branch long enough to go on the other side.

“How deep is that hole?” Teagan asks, leaning a little to have a better view.

“Want to go see it by yourself?”

The male’s voice makes them both turn around and Ona feels her stomach drop. Camden and Seth are in front of them, both looking very scary. Camden has one of his knees hidden behind a big home-made bandage. It’s bloody. Ona doesn’t know who hurt him, but it doesn’t look good.

Just like their life right now.

In an instinctive way, Ona puts her arm in front of Tegan to make him go behind her. She knows it will be hard for her to protect him. Unlike last time, there isn’t any tree for her to hide him.

“Who hurted you, Sweetheart?” Seth asks, coming closer to Ona acting like he wants to touch her face.

“Go away” Ona grumbles, making a move to avoid his touch.

She looks for the knife attached to her backpack, taking it in her hand. She still knows she doesn’t have any chance, especially with two of them in front of her. But she still can hurt them too, making it easier for anyone else to kill them.

Maybe Lucy. By the way, where is she now? Did they kill her?

Her panic quickly goes down again when she reminds herself that she hasn’t heard any canon for a long time now. The last time it was when she killed that boy. She probably is alright.

“Are you really getting ready to fight?” Camden chuckles.

But Ona doesn’t answer. She looks at them with attention, ready to fight the first one who will try his chance. The worst possibility is that they both attack her at the same time, she doesn’t know she’s supposed to escape them in that case.

Unfortunately, that is exactly what happened. They just share a look at one point and run towards Ona and Teagan. It’s the kind of move and understanding coming after having trained it several times.

Teagan screams but Ona doesn’t say anything. Both men are fighting with their bare hands, even if Ona saw that they have weapons. Apparently, they don’t seem to think that they will need it to fight.

She’s not afraid about using her knife herself, protecting Teagan and herself as much as she can. She knows she can’t kill them, but if she hurts them enough, maybe they will have time to run away. Camden is the weaker one because of his injury, so Ona concentrates her attacks on him.

At some point, Teagan manages to escape the brawl, crawling to the backpacks Seth and Camden left on the floor.

But Seth sees him.

“Hey! He’s taking your hammer!” he shouts to Camden.

The boy turns around to look and Ona takes advantage of it to hit him on his injured knee with her knife. Hard.

“Teagan, run!” Ona shouts to the boy, over Camden’s howling of pain.

The hammer makes a metallic sound when Teagan lets it fall on the ground. It must be heavy. Enraged, Camden gives her a massive kick in her stomach while Seth chases Teagan. The hit cuts off Ona’s breath, preventing her from getting up.

Between Camden’s legs, she can see Teagan running, but it looks like he’s coming closer to them again. Ona doesn’t understand his move, until she sees him jumping on Camden’s back. He manages to make him fall, sadly on Ona. Ona can’t retain a whimper of pain.

“Enough! Throw them on the cliff!”

Seth is near them again. He seems to have had enough of this fight, maybe a little ashamed to have been threatened by a girl and a child.

After that, this is a mess of arms, kicks and shouts. Ona and Teagan are fighting for their life.

“Ona!”

Ona can hear Lucy’s voice and her head turns in the direction of the sound automatically. She’s even able to see her for half of a second before being thrown into the void, Teagan next to her.

“No!”

Lucy’s scream would probably have emotionalized every single person on earth, but it’s not Ona’s important point for now.

Ona managed to clutch at a root, several metres from the surface. Teagan didn’t have that chance. Grief burns her throat, and she has tears in her eyes, preventing her from seeing properly.

Her arms are burning too. After all those days without having eaten and slept enough, she doesn’t have the same strength as before.

There are grunts and noise of fights under Ona’s head. It seems like Lucy forgot all the thoughts she has about keeping herself safe with her alliance. Ona tries to ease the burning of her arms and shoulders by pushing on her legs, but the walls are dusty and the more she tries, the more pebbles and sand are falling under her.

She doesn’t want to give up though, wanting to catch Lucy when she falls. And maybe help her to reach the surface again.

But it surprisingly isn’t Lucy who falls almost two metres away from her. It’s Seth. Ona froze, looking at his body falling until she couldn’t see him anymore. Soon after, there are two shots of cannon. 

One for Seth. 

One for Teagan.

“Right, run away to your lying bitch, asshole!”

Lucy’s voice is shaking with what Ona thinks is anger. Ona wants to call the other girl, but she doesn’t have the strength to. She’s not even sure that Lucy is still here anyway.

At least she was able to see her one more time, Ona thinks. And she wasn’t angry this time. Closing her eyes, Ona let her forehead go against the wall. She knows she won’t last long. She just wants to visualise Lucy’s face one more time.

Lucy doesn’t know what pushed her to have a look at the cliff. She didn't realise that there were only two shots of cannon, not three. All she knows is that when she sees Ona, she feels like her heart is starting to beat again.

“Ona” she whispers at first, falling on her knees to see her better before getting into action again. “Ona!” she calls a little harder, not wanting to scare the other girl anyway.

They share a look when Ona raises her hand in her direction and Lucy can say that Ona doesn’t have any strength left.

“Okay, hold on. Hold on, please.”

She doesn’t let Ona answer anything before running to Seth and Camden’s backpack. She knows what is inside, but she doesn’t waste any time, she just flips them upside down to grab the rope she was looking for.

Lucy then runs to the cliff, terrified at the idea of Ona being not here anymore. She is barely holding it. But she is.

“Grab it” Lucy instructs, throwing a part of the rope to Ona.

The younger one wraps it around one of her arms, ignoring the burning against her skin. With her other arm, she grabs it and looks up again.

She can’t see Lucy anymore, but she can feel how much strength she’s putting in the effort to take her on the surface again. Ona feels like it’s taking an eternity and she’s pretty sure that she can feel Lucy’s strength getting low. Just when she wanted to tell her to just let her go, Ona can see grass again.

Ona lets go of the rope with one hand, grabbing the grass and the dirt while she pushes on the wall with her legs. The hope gives her suddenly more strength. With a last combined effort, Lucy and Ona manage to put Ona in security again. Or at least on the ground.

Lying on the ground, Ona tries to take her breath. The sky is grey under their head, and she doesn’t know if her breathing is hard because of Teagan’s death or the efforts she just put her body in.

“We need to move” Ona hears Lucy say. “I’m pretty sure Camden will come back with Kayla. I should have killed her earlier, why was I so stupid!”

While Ona sits, Lucy puts all the things she thinks they will need into a backpack. Teagan’s one having fallen with him.

“Can you walk?”

Ona can see Lucy’s concern in her eyes. She feels out of it, like if her head isn’t with her body anymore. Ona gets up, trying to ignore how her head spins at the movement. She doesn’t even realise that she’s falling, until Lucy catches her, passing her arm around her waist.

“Okay, we’re going to do things in another way.”

Ona looks at Lucy putting a bag on her stomach, before putting the other on Ona's back. Then she makes Ona climb on her back and starts to walk.

“Lucy…” Ona whispers, rocked by Lucy's quick walk.

“Sh. Just take deep breaths and don’t fall asleep, okay?”

Ona just hums, letting her head go into Lucy’s neck. Not falling asleep is harder than she thought. She feels lulled by Lucy’s movements and her scent.

At some point, Ona feels better enough to let the guilt be too big to let Lucy carry her like this for any longer. She kisses Lucy’s neck, smiling softly when she feels the goosebumps under her lips.

“I can walk” Ona finally says.

“You’re sure?”

“Yeah”

Lucy stops to slowly put Ona on the ground again. She looks at her closely, looking at any sign that Ona wasn’t feeling good. But Ona does, or at least as much as she can with her injuries.

“Where are we going?”

Ona doesn’t recognize that part of the arena, she never came here before.

“To the mountain. If we get higher, we can see them better.”

Ona nods and lets Lucy grab her hand before starting to walk again. She loses track of time, only concentrating on not falling on a rock. And Lucy’s warm hand in hers. At some point, it starts snowing and Lucy takes them into a cave.

“I saw you had wood in your bag, I’m going to make a fire, okay?”

Ona nods. Lucy choses a part of the cave hidden from the enter, to avoid the wind. And Ona realises it a little later, not to be seen by someone else. Ona just stays here, looking at the light from the fire on the walls. She realises that she’s crying only when Lucy sits next to her.

Lucy puts her hand softly on Ona’s back and it’s enough for the younger one to break.

“I wanted to save him. I just couldn’t” she chokes between tears and sobs.

Teagan’s death is hard to reach for Ona. They spend almost all their time together in the arena. She knew they had only little chance, but in her head, Teagan always would outlive her. She imagined that she would give her life for him.

“Hey now, you did everything you could to save him. You saved him several times before today.”

Lucy’s voice is soft, softer than she ever was.

“It wasn’t enough” Ona whispers through her tears.

“It’s okay” Lucy whispers.

Lucy passes both of her arms around Ona waist, taking her against her to rock her softly. Ona doesn’t really understand the sweet nothing Lucy whispers into her ears while comforting her, to be honest. But Lucy’s voice is enough.

“I’m sorry I arrived too late to save you both” Lucy says at some point, when Ona stops crying. “I thought I was too late for you too”

Her voice is only a whisper now, barely stronger than the crackling of the fire in front of them.

“But then I saw you grabbing this root… I was never as relieved as at that moment. I thought I lost you forever.”

Ona sniffles and raises her head to look at Lucy. Until now she had her head on her shoulder, her eyes lost somewhere on the fire. She must look awful but Lucy cups her cheek with the most tender gesture ever and uses her thumb to wipe Ona’s tears.

“Even if I were dead, you wouldn’t have lost me.” Ona whispers.

Into Lucy’s eyes, Ona forgets everything. She forgets her injuries, her stomach who hurts like crazy. The grief of Teagan’s death and the fact that they now have mortal enemies, probably looking for them everywhere.

“My parents aren’t okay with me being gay” Lucy blurts suddenly. “That is why Jorge was the only one who came to say goodbye. They were ashamed of me being their daughter.”

“How can someone be ashamed of you?” Ona thinks out loud, before shaking her head softly. “Why are you telling me this now?”

“Because I’m going to kiss you.”

And she does. They haven’t kissed for days now, the last time it was before the Games. The kiss is tentative, Lucy’s hand always on Ona’s cheek. But it’s enough to make Ona melts.

Ona presses her body against Lucy after several seconds, but the pain of her injuries are waking up. She can’t help but groan in pain, making Lucy let go of her very quickly.

“It’s nothing” Ona assures when she crosses Lucy’s panicked eyes. “I think I have some bruises somewhere.”

After that, Lucy looks closely at Ona for the first time. She already had seen her face and eyes injured earlier, when they talked in the tree. But now she can see the burns on Ona’s arms, where the rope was.

And of course, Ona took some violent kicks from her fight with Camden and Seth.

“I saw that you had some cream in your backpack, could they be used to those injuries?” Lucy asks.

“I don’t know. I received it from the sponsors, after my face’s injury.”

Lucy hums, reaching for it. Ona gives it to her, looking at Lucy who sniffs it.

“Mh. Maybe we will use it just to your face, just in case.”

Ona nods. She doesn’t want to die because she puts the wrong cream at the wrong place on her body. She wanted to take it back from Lucy’s hand, but the dark-haired girl hides it behind her back.

“Close your eyes” she says.

Ona rolls her eyes and obliges, letting Lucy put the cream on her face. She is soft and tender, and Ona feels her body relax a little bit at the touch. She could sleep right now.

“Who hurts you like this?”

It reminds Ona about Seth’s question earlier, but this time there is no fun behind it. It’s just genuine concern.

“The boy from the 5. I can’t remember his name.”

“Is he the one you killed?”

“Yeah”

Lucy stays silent after this, still taking care of Ona. She insists on seeing Ona’s other injuries, making the girl roll her eyes again. Lucy cleans Ona’s burning on her hand and puts some cold water on her stomach, where she got kicked by Camden.

“Now sleep” Lucy finally says when she’s fine with the care she gave to Ona.

Ona frowns and opens her mouth to talk, but Lucy silences her by putting a finger on her lips.

“Sleep. I’ll take care of you.”

“Wake me up in four hours if I’m still asleep” Ona asks.

“Sure” Lucy snorts.

She won’t do it; they both know it already. But Lucy only has to stroke Ona’s hair for two minutes before the girl is out of the world, feeling really safe for the first time since she left her District.

“This is the first time we are sleeping together” Ona mumbles into Lucy’s knee when she snuggles against her.

Lucy hums, still stroking Ona’s hair. She has a lot to ask to Ona, just like Ona probably has a lot to ask at her. They will talk tomorrow. Tomorrow it will be them against the rest of the world, but for now, Ona needs to rest.

[realchemistry]

Breaking down all the Buddie from "Confessions"

Did I write a photo review with over 5000 words dissecting the episode? Yeah, I did... Hope y'all enjoy!

Gonna ignore the first call because other than the bad mustache CGI/shots where it's not even there, there wasn't anything of substance. I wonder if they used that old call cause they had to fill up time, were short on budget, something else fell through or what happened.

So let's move to Eddie going to church. After 23 or so years he felt the need to confess his sins. But after an explanation of the crazy stuff that went down with Kim, including mentioning how Eddie lied to his son, his best friend and his girlfriend, he concluded he's not deserving of forgiveness and fled. The priest looked conflicted and that's supposed to be that.

Eddie, catholic guilt and all, went to church to confess. It's like the most desperate measure, I imagine, but desperate times... He gave the priest his name. Interesting. I got so emotional when he described Chris and talked about his optimism. Lying to Buck was pretty much at the top of the list, huh? Like, Eddie knew how bad he was behaving because their relationship's made up of truths. His talk in the kitchen with Buck was actually instrumental to him seeing how wrong all of it was. They need to be married immediately. The fact that one of the prayers (?) Eddie was meant to repent with was called "Our Fathers" was also interesting because it's coming from a priest or father but also, more obviously, Eddie's got a million daddy issues. Ramón traumatized him and Eddie said he traumatized Chris and Chris ended up going to Texas to live with Eddie's father.

The Buck and T date scene was super interesting for many, many reasons:

Buck thought he had the upper hand, saying he'd pay for dinner and trying to get T to guess the reason behind it.

T already knew it's their anniversary, which Buck clearly didn't expect.

T didn't just know, he actually brought Buck a gift for the occasion.

Interestingly enough, last season we learned that Buck didn't like basketball in the episode in which his jealousy and Eddie and T and him being bisexual happened.

T, after SIX months of dating the man, somehow didn't know that and gifted Buck tickets to see the Lakers.

For some odd reasons, T told Buck he didn't even have to take him to the game, "Take Eddie if you want," he suggested.

Buck looked confused but not exactly averse to that idea and asked, "really?"

And then T went, "and die" and then Buck replied, "okay, that sounds right."

Now, let's go through all that. It's their anniversary, they're out for dinner, and they apparently had a good time and then it's like they're completely out of sync. Buck wanted to pay for dinner to commemorate their anniversary, thinking T had missed it, whereas not only did T not miss it but he also bought him a present. Problem was said present wasn't something Buck actually cared for, which T seemed unaware of. The joke about taking Eddie... Why even suggest that? Was that a test? Did Buck fail it by wondering if that was really a possibility?

Then the woman interrupted the date and asked for a picture, with some unnecessary touching involved. I truly didn't get why Buck grabbed his own phone to take the pics... Was this second nature to him? A practical way to have an excuse to ask for the woman's phone number to send the pics? She wondered this and Buck denied it but there's literally no other reason to do that. T looked at the whole thing amusedly. Buck took the pics and went back to the table, expressing how weird that was.

Was that weird? I'm honestly so confused by that scene, like... people ask strangers to take their pics all the time. Yes, some of those might be an excuse to flirt but they're at a restaurant, which isn't exactly the greatest place to be trying to pick up someone. Also, Buck made it weird with the whole using his phone thing. Even if the woman was flirting, which she seemed to be, it didn't have to be made into anything. We can assume from this that Buck is uncomfortable being flirted at in front of T but he might also not feel great about feeling attracted to somebody other than his boyfriend who's right there to see it all.

Here's where it actually got weirder. T acknowledged the fact that it's okay to look and then Buck remarked that T didn't do that. T explained he's gay by saying he's a Kinsey 6. Buck, for some reasons, didn't pick on the meaning of that so T had to explain it. That's just... I call bullshit on that. Buck, recently bisexual, lover of research and internet deep dives would know ALL about it. This scene, I gotta say, felt super wonky. At points it was meant to but at others, like this one, it just... felt off. There's also the fact that Oliver and L have zero chemistry...

Anyway, back to the date. So T didn't know that Buck disliked basketball and Buck didn't know that T was gay? After SIX months of being together? What in the hell? Why were they only talking about that at this point? I don't think full disclosure or knowing your partner's history is a must at all, but considering Buck's curiosity and the fact that he was newly out, I figured all these subjects would've part of the first conversations between them. I'm not sure what to think. Was the writing completely off? Were they unable to come up with a better excuse to bring about the past partners talk and resorted to this? It's baffling. And since it's canon, whatever the reason, I found that the whole date showcased how little they actually knew about each other, which could only be a bad sign of the things to come for their relationship.

Of course, after that comment, T revealed he was engaged to a woman and called it off. Once again, the dialogue... T saying the woman went "nuts" after their break up, taking up some "himbo" half her age... Buck figured she was just trying to get over T, and then he mentioned the name of the woman. Of course it was Abby. Of course. Buck was literally having a crisis there, but the waiter showed up and asked how everything was. T, completely out of tune with what Buck was clearly trying to process, said it was "perfect." The waiter asked if he could get them anything else and T said "no, I think we're good." Buck looked so the opposite of good. Then the waiter wondered "who gets the damage" and, at last, a flawless piece of dialogue with T pointing at Buck and saying "That would be him." Buck was handed the check and the waiter told him, "whenever you're ready, no rush" and left while Buck looked like he was having a heart attack.

So, yeah, the date was a complete disaster. It's a mix between the actors not clicking, the dialogue serving the plot instead of Buck as a character (and Abby and even the show) and finally the actual plot dictating that it had to be a disaster. Honestly, the moment this bit ended, I knew they were going to be done.

Next, Buck went to dispatch to talk to Maddie. Why didn't he talk this through with Eddie, Hen and Chim? Curious... Maddie wondering how many men Abby had turned gay was hilarious. But I can't believe they didn't squeeze in the fact that Buck's bi there. They didn't do it during the date, though it was implicit, but here they had the perfect opportunity since they hadn't done it before. It would've taken a second for Buck to correct Maddie. Again, the writing this episode was all over the place, specially cause Buck looked at Maddie offended and Maddie clarified she was joking but then Buck sorta explained himself and T... anyways. Josh showed up then, and something was totally off with the actor's hair btw, I couldn't focus for a second there.

Josh eavesdropped and caught the kissing a boy part and eagerly asked if there was another boy... Buck was quick to deny that. Well, there's Eddie... Maddie and Buck explained the whole situation and Josh apparently knew her but they weren't close. And then, again, this whole thing just didn't make sense. Buck remarked that T led her on, said he loved her and then hurt her. Maddie thought Buck was afraid T would do that to Buck but Buck denied this and said, "I thought I knew him" and that he didn't think T would be capable of being dishonest and cruel.

Let me rewind for a second. Why was Buck under the impression that he knew T? Buck didn't even know T was gay... Also, didn't Buck know about T's past? He was worse than cruel to Hen and Chim... Truly, was he not told about all of that? I just, the use of the world cruel here... don't get me wrong, leading someone on is cruel but the whole being gay and repressing it part, while not excusing it, would at least explain T's actions. But the way he acted towards Chim and Hen... that had nothing to do with self-repression. It just didn't. I need someone to explain to me in detail how come Buck was deluded to think he knew T when at this point I'd be shocked to learn he knew T's last name.

Then the Josh speech happened. I wasn't happy with it at all. First of all, what's Buck loving him to do with any of it? If T was a cruel person, then Buck loving him wouldn't justify any of what he did to Abby. Buck looked super not in love as an answer, which was hilarious to me because of course he didn't love T, he didn't know the man!!! Josh backtracked from that word and asked a series of questions aimed at... gauging how much Buck cared for T? IDEK, it was all pretty ridiculous from the start. Also, first two questions made sense for Buck to answer affirmatively but T was literally such a plot device that there hadn't been a single instance in which Buck had shown that he was thinking about T or making T's concerns and happiness his own. These things, though, get positive answers in canon as far as Buddie is concerned. The future question was interesting because Buck's answer was "I could." It's never a definitive answer, it's another instance of "I guess" from the time T echoed "my attention?" when they first kissed. It's like Buck was convincing himself then. Josh took that to advice Buck to stop judging T because Buck didn't know what he was talking about.

The speech went into pre and post Glee world and all that nonsense. I truly hate a lot of things this episode chose to be. Was mentioning a Ryan Murphy show in a RM show a necessity? I don't wanna get into what Glee did or didn't do for the queer world, the point here is actually moot because T and Abby weren't a thing before Glee. Again, whatever experience with coming out T and Josh had, it had nothing to do with what Buck was asking. Buck was worried about the side of T he claimed not to know and how cruel he could be. I think the way T referred to her and the situation was also pretty awful, in the present tense. Even if one thought T was protecting himself by being with Abby, there is still room for judgement. We have Hen and Karen, in this same show, not being cruel to anyone, for one. Also, T didn't fight a single battle. He treated his coworker who was out like scum and was racist towards Chim. T wasn't an activist fighting for his life and his rights, he was just a bad person all around as far as we know. He had no scars to show. We can pretend he had an internal battle, maybe a family issue with his coming out but there's nothing to honor him for.

I cannot believe this show did that speech so awfully and pretended it was the greatest thing since Jack Shephard's "live together, die alone." Truly, they thought they had done a brilliant job and it's utter bullshit throughout.

Moving on, Eddie went to get juice... but then he changed his mind and got water instead. Who's there to witness that but Father Brian. Eddie's outside, drinking his water looking gloomy about it when Brian asked him of he could take a seat. Eddie allowed him to and for some reason, as Brian was sitting down, looked around. Brian told Eddie about being there for the first time, as if compelled, and then asked Eddie if he went there often. Eddie immediately assumed he was being hit on. Now, whether this is indicative of Eddie being hit on a lot or he just took those words as the line they sometimes can be and interpreted it that way, I hope we'll find out soon. Either way, Eddie told Brian "no offense, I'm straight." The lady doth protest... Hilariously enough, Brian's answer wasn't "me too" or "I'm not interested" but "I'm celibate". Eddie took that in and then Brian introduced himself and revealed that he knew Eddie. Eddie was processing that and the Father part, his hand still in the air.

Brian mentioned that he noticed that Eddie chose the juice initially and then got the water instead. He asked Eddie why he did that and Eddie kinda asked "decided I wanted water?" Brian posed that Eddie was punishing himself, denying himself because Eddie didn't feel worthy. Eddie sighed and, "I don't feel worty of juice?" Brian went straight (haha) to the point, "Of joy." Eddie chuckled and looked around and spoke in a low voice as he said he didn't have a lot to be joyful about because Brian was bringing up something Eddie had confessed to him in public. Eddie's well aware he's in public... Brian started listing the things that Eddie had, Chris, his parents, his job and his mustache. Eddie was kinda not happy but that last one got him laughing and blushing. He then confessed that he grew the mustache because he couldn't grow a full beard due to the LAFD. Brian concluded the mustache was a disguise and Eddie said it was something like that. Brian asked what Eddie's afraid of seeing in the mirror and Eddie said, "A failure. A man who doesn't deserve forgiveness. Or joy." Brian said that's now what go wanted for Eddie, that he'd already forgiven him. Eddie repeated that he doesn't deserve that and uncapped the bottle to take a sip of the water. Brian told him to earn it, and to stop punishing himself in the meantime. He remarked that Eddie spent his life in service and he understood that but they couldn't take care of others if they didn't take care of themselves. Eddie smiled and said he understood and Brian told him that after praying, he wanted Eddie to do something frivolous, something fun, something that expressed pure joy. Eddie told him he'd think about it.

The Eddie scenes were clearly written by someone else because they were all pretty on point. We had Eddie conflicted, and while it could just be him preferring water (the alternative is truly devastating to me so I want to believe Eddie isn't punishing himself through food), Brian decided to go with it to get Eddie to reflect about what he was doing to himself and it worked. Eddie didn't run away like he did in church but Eddie was shown to be aware of his surroundings, so the fact that he claimed to be straight with all of his chest... Why did he do that? Why did he think he was being hit on in the first place? Why was that moment necessary within this scene? Was juice really a representation of joy? Was joy a metaphor for something else? What were tptb trying to show or say here? Would a heterosexual character need to affirm himself as such? Would a repressed one? Thoughts, so many thoughts!!!!

The well emergency happened and it wasn't about Eddie, but it was interesting cause they seem to be doing Greatest Hits for some reason... Now I gotta ask, wouldn't Eddie, as a medic, know that getting the kid oxygen wouldn't work? Why was Hen explaining that to him? Honestly, the writing this episode... Buck's first idea was to dig... funny. Eddie said someone had to get down there and Bobby told him he wasn't gonna fit this time. Interesting. Bobby announced they would pull the big brother out after two minutes no matter what, specifically addressing Buck and Eddie. Interesting.

So it wasn't about Eddie because it wasn't the same Eddie. The pipe was smaller and Eddie didn't fit. But Eddie also didn't fit himself. He disguised himself with a mustache to avoid looking at his face in the mirror because he felt like a failure. He was shown in an episode entitled "Masks" at home taking down Halloween decorations all on his own. Bobby made sure that both Buck and Eddie knew the clock was ticking and they had to abide by it this time. Unlike Eddie's well, when Eddie cut the line and Hen refused to have Buck look for him because they'd end up with two cut lines. No more lines being cut? No more alternative ways to escape? Maybe I'm reading way too much but the camera did show Buck and Eddie's reaction as Bobby singled them out.

Back at the loft, T said he had a spot right out front and they should Uber to the movie so he didn't lose it. That phrasing... Buck agreed but asked to talk first. T replied positively, "we got time." Again, funny way to put it. They were both going to the movies so why was T the one who was going to lose it if they didn't get the Uber? You know who actually got an Uber with Buck recently, right? Also, "we got time".... famous last words. He'd just said they didn't have time but then said they did and, well, as it turned out, they didn't.

They sat down around the island and Buck brought up the story at the restaurant that T shared with him about how he "almost got engaged." This was odd and T corrected Buck, "I did get engaged. What I didn't do is get married." Buck said he appreciated T's honesty and that he wanted to be honest with him. T knew this spelled trouble and Buck denied it before taking out his phone and passing it over to show T pictures of Buck and Abby. T was surprised at first but then he scrolled to a pic of Buck and Abby kissing. Buck announced he was the himbo. T agreed it was crazy, after Buck put it like that, but added it was a little awkward. Buck decided to go closer and said it was like that for him as well at first, and that he should had been honest at dinner, but T asked or gathered that it had freaked him out a little. Buck said yes to this and T explained that if he had known, he wouldn't had used the word himbo because he didn't think Buck's one. Buck claimed that he was, at least before Abby, because what they had wasn't that, not for him. Buck said it was the most transformative relationship of his life until then. Buck said one of the reasons he's comfortable with T was that T's comfortable with himself. T said he wasn't always that way and Buck said he's aware and it made him admire T more. And then dropped the bomb, saying he wanted T to move in with him. WHAT?

No, really, WHAT? Buck really got deranged thoughts cause why on Earth would he ask T to move in? They clearly didn't know each other, they didn't love each other either, so explain how this made sense?? I'm hoping that it's a case of tptb purposefully having Buck spiral and go from zero to a hundred. There's also parallels between this and Eddie and Marisol, with Buck and Eddie asking their partners to move in when their relationships were clearly not at that stage.

T's reaction to Buck's words was crystal. While Buck said he was ready to take the next step and then, for entirely insane reasons, made it clear that he wasn't proposing marriage and or an engagement, though that'd be a possibility thanks to the brave people that came before like T. WHAT? Really, no, I'm so serious. I fucking cannot with this dialogue. Moving in, the suggestion, was bad enough, but bringing up marriage? Attributing the fact that they had that right thanks to people like T? SERIOUSLY? This was atrocious. I know Oliver was thinking of his bank account while delivering those lines because they were as non sensical as they could get.

"Why be apart when we can be together?" Buck finally asked. T said that's sweet but he couldn't move in. Buck wondered the why and T answered, "Because... I know how this ends." And my heart literally stopped or skipped a beat or something. I legit thought he was gonna bring up Eddie or a hint and, well, he kinda did, though not directly.

Buck asked what that meant and T explained. He mentioned Buck's qualities but then said that Buck's feelings were new and so it was all exciting and it felt like forever but he's still figuring himself out, which was good. Buck asked what he was saying and T said that no matter how bad he wanted to be, he wasn't his last but his first. Buck interjected that they could be the same but T said they usually weren't. If he were to move in, Buck wouldn't mean to but he'd end up breaking T's heart and he didn't think he could deal with that. He got up to leave, saying he should go and Buck told him to wait and asked him if he had just broken up with him, to which T replied, "yes, I guess I did. Believe me, I didn't see it coming either. Should've known that parking spot was too good to be true. I'll see you around, Buck."

At last, free! But while the beginning of the conversation was terrible, it ended on a high note. There's a lot of questions, like: according to what he said, T knew there wasn't a future between them. So I'm guessing here that after six months, they hadn't actually discussed that because Buck was clearly on a different page. T knew they weren't long term while Buck was thinking of moving together and being together for good. Make it make sense, how were these two dating not knowing anything about each other and not discussing basic relationship stuff??? T knew that Buck had to figure himself out yet he was still with him hoping it'd be casual without actually talking about it??? Yet he later claimed he didn't see a break up coming and he could see his heart being broken?

Now, my shipper heart wants to believe the between-the-lines reading of this scene had Eddie written all over. Eddie is how it'll end... And the fact that T's answer to Buck's question contained the "guess" this time around, mirroring Buck's response to "my attention"... INTERESTING. It was all a guessing game between BT, It's also the first time he called Buck by his name, which was the first and probably last because we're not gonna see him ever again. I was glad Buck asked if they were done because we all know he got confused about it with Abby... So long, T, you will not be missed. Buck's loft door opened and later on, another did...

Finally, we had Eddie. My boy. Looking at himself in the mirror and getting rid of his disguise.

And then... I literally felt so many things at once, y'all! The music, the shot... I couldn't believe it was about to happen. And then the mole made an appearance and Eddie was wearing pink and tighty whities and I swear I couldn't. I just, even rewatching to write this... I love him so much!!!!!!!!!! I was so happy to see Eddie letting go of his disguise and allowing himself to have that joy. The fact that Ryan looked like that... I was fighting for my life the whole time, NEGL.

I kept thinking Buck was going to show up midway. I was truly bracing myself for it. But the doorbell rang. Eddie looked through the peephole. Buck was there. Eddie opened the door, nodded at him and Buck gave him a beer as an answer to an unasked question and got in. Eddie closed the door and looked at the beer, at Buck and at the beer again. He made a face and then climbed the sofa. Buck was already drinking when the camera panned to him. Eddie opened his beer and drank from it. Scene.

LISTEN. I was unhinged already because they had Ryan dancing like that. But then the final scene happened and I just... I don't know how I'll survive what I hope it's to come.

Let's break that one down:

Eddie decided to follow Brian's words. Eddie didn't forgive himself but he decided to stop punishing and disguising himself in the meantime.

The way Eddie looked at himself in the mirror, both before and after he shaved off his mustache... My heart!!!

Eddie allowed himself to do something frivolous, something fun, something that expressed pure joy. The fact that he chose to dance half naked around his house... that's very babygirl of him, and I don't say this lightly.

The pink... the moves like the ones from the bachelor party... I felt crazy.

I kept waiting for Buck to show up, like my mind was half insane at what I was seeing and half insane at the possibility of Buck seeing it as well.

The doorbell rang instead.

Why didn't Buck use his keys?

It was the perfect opportunity for Eddie to put on some pants. Eddie didn't do that… Neither before or after looking who it was.

But, really, why didn't Buck use his keys? WHY????????

Was it to hammer the fact that Eddie was comfortable opening up his door to Buck while not wearing pants?

Was it so Eddie could see him standing on the other side of the door, mimicking Brian's view of Eddie in the confessionary? Will there be something for Buck to confess in the future? To Eddie specifically???

Buck wasn't looking at Eddie when Eddie saw him behind the door, btw...

Eddie opened his door and they looked at each other and said not a word but understood each other perfectly.

I truly hate the continuity error with the shirt collar. It's gonna hunt me forever.

Buck made himself at home while Eddie considered the beer.

Remember how Eddie's choices were water or juice? Well, what about a third secret option? BEER. Buck's beer, in fact. INTERESTING.

I went nuts and will continue to go nuts at Eddie climbing the sofa. Whose choice was that? I need to know. It was so freaking cute!!!

The camera went steady and Buck was already drinking from his bottle. Eddie, on the other hand, uncapped the bottle like he did with the water, and the shot ended as he drank the beer.

The contrast in the colors of their clothes… the fact that Eddie was looking to the side while Buck was looking ahead.

Was all of this symbolic of the fact that Buck already figured his sexuality out while Eddie's just starting? I'd like to think so.

Was it symbolic of Buck reaching conclusions he'd later have to confess to Eddie before Eddie arrives to those same conclusions himself? I'd also like this very much.

Now, the episode was called "Confessions" and Buck and Eddie didn't speak to each other. Not a single word. Even in that last scene, the only one in which they actually interacted, they didn't use words to communicate.

I see this lack of dialogue between Buck and Eddie in two ways:

First, it could show how good a relationship Buck and Eddie have in order to not utter a sound and still get each other completely. Regardless of all the issues I had with the writing, I can safely say that Buck and T were the complete opposite and lacked communication all around. The space and lack thereof reflected this too. Buck and Eddie know each other so well and Buck went directly to sit down on the couch, waiting for Eddie. Eddie followed right behind. BT, though... Buck stepped away from their table and the whole conflict with T's dating history started. Buck sat very far from T at the loft and only got close to be broken up with. Incredibly enough, that final shot with Buck and Eddie sitting together at Eddie's couch was the first that ever happened... Maybe that's foreshadowing something else, like couch theory related stuff? I never really spiraled about it before but I might soon.

Second, it could indicate there's something Buck and Eddie aren't saying to each other. They didn't speak to each other because they can't -- they're not ready or aware that there is something to confess. They remained silent because it isn't time yet but if they were to confess something, it would be impossible to take back. It would change everything. It will.

This is a legit insane post. When I say they're driving me nuts, I mean it and this is proof. Even though it's the longest ever, I probably forgot stuff that I might add tomorrow.

Now please share your thoughts on the episode and Buddie and everything so I don't feel alone in my madness. <3

[le-higuu]

Transcription below the Read More:

Stan: wakes up disoriented, then jolts upright after realizing where he is.

Ford: "mm... Stanley?— Oh! Are you back?"

Stan: "...Yeah. I'm back."

Ford: "Do you... Remember what happened?"

Stan: "...Yeah. I..."

Stan: "I was actin' pretty weird, huh?"

Ford: "Well, sure, but you know me— weird is my specialty."

Stan: "Yeah, yeah, yuck it up."

Ford: "So, what is it like? Do you retain your adult memories? Fiddleford thought you might not, but you knew who he was, so I disagreed."

Stan: "Wow. You uh. Sure have a lot of questions. Never change, Six."

Fiddleford: I heard y'all yappin'. You back, Stan?"

Stan: "...Yeah."

Fiddleford: "Oh, good."

Ford: "So, which one of us was right?"

Fiddleford: "I ain't so sure he wants to talk about that Ford."

Ford: "Ah? Why's that?"

Fiddleford: "Well, I certainly don't wanna talk about my... episodes."

Ford: "But this is different, Fiddleford! There's so much we don't know!"

Fiddleford: "Well it ain't our business to know."

Ford: "Of course it is, I'm his brother."

Fiddleford: "Well I ain't —"

Stan: shouting, "Would'ya both shut your yaps!?"

Stan: "Look, it's just a weird thing that happens sometimes. We all had our laughs, now let's forget it. Okay?"

Ford: "...What do you mean, 'happens sometimes'?"

Fiddleford: "Ford!"

Ford: "What? This is important context!"

Stan: "HAH! Did I say that? I meant that— it— uh— happens to people. In general."

Ford: deadpan, "I have literally never experienced that before in my life."

Stan: "Well— duh— Y— YOU KNOW WHAT I MEAN!"

Fiddleford: "Well, Stan, if this were a reoccurring phenomenon, it'd help to know what might trigger it so we can avoid it in the future. Y'know— so you don't have to experience that again."

Stan: "...Right. Experience... That."

Ford: pauses for a second. "...Was it really so bad?"

Stan: "What?"

Ford: "Look, I know it's silly, and childish, and I was worried at first, but... Being able to just... pretend, for a while. Go back to when we were kids and things were so... simple."

Ford: "... I didn't hate it."

Stan: pauses for a second. "... I didn't hate it either."

Ford: "What's it like?"

Stan: collects his thoughts. "It's like... My brain just kinda goes into a fog, and I can't... think adult things? It's kinda fun sometimes, even. If I find a toy or a game to play. Sometimes it, uh... Wasn't."

Ford: "But it's not harmful to you in any way?"

Stan: "I mean... not as far as I can tell?"

Ford: "Then I see no reason for us to be concerned!"

Fiddleford: "But Ford, what if it happens while he's alone?"

Ford: "...Ah."

Stan: "Hey, don't worry about me. I've been fine on my own so far, right? Take it easy."

Ford: "But ... you haven't."

Ford: "The entire reason this happens is because you were alone for so long. And I don't want you to be just fine. Besides, it's.. partially my fault. The least I can do is support you."

Stan: "...So that's it, then?"

Ford: "What?"

Stan: "So, the only reason ya went along with this— did any of this—"

Fiddleford: "Hey, now.."

Stan: "Was because ya felt guilty? It wasn't even your fault!"

Ford: "Of course not, I—"

Stan: "Quit lyin' to me!"

Ford: "I'M NOT!"

Stan: "Yes you are! You think this is some sick science experiment, don't you?? Well, I'm not—!"

Ford: "I MISSED YOU TOO!!" Ford is hugging himself.

Ford: "I... I missed being your brother. And this— being able to laugh with you, and play, and tell stories... It was good! I... I missed that."

Stan: "... I missed it too. Ok? Why d'you think it even happens in the first place? I'm not dumb. But we can't really go back. No matter how much we want to."

Ford: "Why not?"

Ford: "Why can't we act like kids again? Don't we deserve to have that back? After everything? After everything this evil fucking world has taken from us... Don't we deserve to get something back for once?"

Stan: sniffs. "....maybe."

Ford: "Then let's figure this out. Together."

Stan: "... Wherever we go."

The brothers hug each other.

Fiddleford: thinking to himself, "Thank God they made up."

your age regressed Stan has interested me, would you be willing to do more?

very well <3

[crimson-and-clover-1717]

When I watched OFMD this year, I literally knew three things:

It was called Our Flag Means Death

It was a pirate comedy

It had been cancelled

I didn’t know Rhys Darby (‘that Murray bloke from Conchords’) or Con O’Neill (‘the weird guy from Chernobyl’) were in it until they came on screen. And please don’t stab in me in the face, but I had never heard of Taika Waititi. I’m very much not the target market for this show. Although I will say I think it’s universal in its exploration of the human condition. So if you’re human, the show is for you.

I knew nothing about budget cuts, editing decisions, or even at this point any circumstances around why it had been cancelled. I had not an inkling it was a romance. I had no notion it was going to overtake my life to such an extent.

I watched one episode a night for 18 nights (I know, I know… I binge-watched it immediately afterwards over two days, and haven’t stopped since). I also had no-one to talk to about the show as I watched the 18 episodes. No-one I knew had ever heard of it. I really was a blank canvas.

And this is what I thought. Other than finding Calypso’s Birthday a little uncomfortable on first watch (and that’s largely because I find torture, even the OFMD variety, difficult to engage with - I always skip the opening of 206 now), I saw no difference between the seasons in terms of artistic merit. It’s possible that because I didn’t experience an 18-month hiatus, and build up my own version of what season 2 should be in my head, I didn’t have any expectations to be knocked down. I just engaged with what they asked me to watch.

I fell in love with this show at ‘My name’s Stede. I’ll be your robber here today.’ I fell in love with Stede Bonnet when he did his little Scrappy Doo air-punch in episode two.

With regard to season two, The Innkeeper affected me so much I honestly think it altered my brain at a structural level. More so than The Chain sequence which is when I think this show started affecting my brain chemistry.

I also loved the development of Stede and Ed outside of their personas. The couch scene in Fun and Games made me believe in them as a couple in ways I hadn’t quite in season one because they were growing and being real with each other. I thought their arguments were so well-written. Man on Fire has one of the most authentic representations of couple miscommunication I have ever seen on tv. And I think Mermen is really good in doing what it needed to do, and did it well. How do you end a tv series that gives a satisfactorily emotional ending, but doesn’t give away everything in case there’s another season?

Ed’s journey in particular just ripped my heart out and then glued it back together. And seeing Stede continue to develop his very nonlinear understanding of the power of his earnestness and gnc self, whilst still sometimes wrestling with notions of traditional masculinity… I needed to grow a second heart.

When I learned of the financial and time constraints later on, I was shocked they had achieved such a high standard of tv.

Imagine my shock when I discovered the Canyon…

It’s fine if you don’t like season 2, or season 1, or OFMD at all for that matter. But if you want me to say season 2 isn’t any good, or as good as season 1, then you want me to say something that I have never felt to be true. When you experience it holistically like I did, it all hangs together beautifully.

[drabbles-mc]

Just Like Old Times

Jake 'Hangman' Seresin & F!Reader

Written for @narcosfandomdiscord Book of Inception: fanwork that provides an origin story for a character that doesn't have one & "He made me who I am" & improvement

Warnings: 18+, language

Word Count: 2.4k

A/N: the way that the last week or so has gone really just zapped all the motivation and creativity out of me, so getting this written really fought me every step of the way lmao. but i will say, that thinking about Jake Seresin in high school was fun. giving him a brother was also fun. going three for three on these prompts was challenging and rewarding and fun. and now i want to revisit these two at some point because idk i have issues lmao

You knew from the second that you’d walked into The Hard Deck that night that he didn’t remember you. Part of you didn’t really blame him, high school being such a distant memory for all of you now. Not just in years, but in all the experiences you’d packed into those years as well. From one standpoint you understood it…sort of.

From another standpoint you couldn’t believe that he could look you in the face and not say a word, not have even the tiniest flicker of recognition. He had looked right at you, and moved right on along to the next person. No matter how much things changed, they always stayed the fucking same.

It wasn’t until everyone was sitting out on the beach after the football game that the two of you even had a real conversation. Up until that point everyone had been running circles around each other, and you had much bigger things to worry about than Jake Seresin’s recollections of you, or lack thereof.

You were mid-conversation with Bob and Natasha when you noticed that neither of them were really looking at you anymore. You searched their faces, trying to figure out what it was that they were looking at.

Natasha leaned back, palms sinking into the sand as she said, “Bagman, six o’clock and incoming.”

You rolled your eyes, still not turning around to look at him. “Man knows how to ruin a good day.”

You didn’t have to look back to know how close he was, the tilts of Bob’s and Natasha’s head spelling out that information for you. His footfalls were nearly silent on the sand. Without realizing it, the closer he got, the deeper you pushed your fingertips into the sand like you were searching for something to grip onto.

Suddenly you were cast in Hangman’s shadow as he stood directly behind you. You shut your eyes for a moment, the longest blink ever as you tried hard to bite your tongue.

“Ladies,” he said, and you didn’t have to be looking at him to know exactly what his face looked like. “Bobby.”

Natasha was squinting against the sun but she still pulled a bit of a face. “It’s a good day, Hangman,” she said with just enough warning in her tone. “Let’s keep it that way.”

He chuckled, and you could see from the movement of his shadow that he was holding his hands out. “Every day at Top Gun is a good day, Phoenix. Thought you would’ve known that already.”

You were hoping that it was just going to be a quick thing, an in-passing comment that he made because he simply couldn’t bring himself to walk by your little trio without saying anything. But of course it wasn’t. Somehow the shift went from Natasha making extremely thinly veiled comments to the effect that Jake should hit the goddamn bricks, to him plopping down on the ground right there with you. He wedged himself right there between you and Bob like he had been there the whole time.

It didn’t take very long after that for Natasha to find a reason to leave. And wherever Natasha went, Bob was only ever a few steps behind. That left it with just you and Jake and the ocean that was slowly beginning to calm in front of you. It was a scene that could’ve been a peaceful one if the man sitting next to you had any interest in that.

Legs bent and pulled up towards you, you draped your arms across your knees. You were staring out at the receding waves as you asked, “To what do I owe the pleasure, Seresin?”

You could feel him staring at you and you made a point to not return the gesture. “Where’d you say you were from?”

You shook your head. “I didn’t. Also don’t think you’ve actually asked me a question directly the entire time we’ve been here.” You cast him a glance. “Too busy giving Rooster a hard time.”

He narrowed his eyes slightly at you like he was studying you, but there was still a smirk on his face. The more time you spent around him, the more you wondered if that was just what his face defaulted to these days. He leaned back on his palms, legs stretched out in front of him.

“Wasn’t until I heard Phoenix call you by your last name earlier that I realized—”

“Wow,” you barked out with a laugh, unable to stop yourself. “You’ve been running drills and sitting in class with me for how long and it took until today for you to recognize me? No sense of déjà vu sitting two rows over from me and picking on other kids in class? Nothin’ jogged your memory even a little?”

He leaned back, brows meeting for a moment. “When did you—”

“The first night we all got here!” you said, gesturing emphatically at nothing.

The smirk instantly returned to his face. “I’m that memorable, huh?”

You rolled your eyes and shook your head. “Fuck off.”

“What? C’mon, you can’t be mad.”

“I’m not mad.”

“No?” he asked, chuckling like he knew better than to believe you. A lot of confidence in your character for someone who only remembered who you were within the last two hours.

“No. Being mad would suggest that I’m somehow surprised that you’re still the way that you are. And I’m definitely…not.” You sighed. “You’re still Jake Seresin. Only difference now is—”

“My rank? The number of confirmed kills I have?” he tried to fill in the blanks, cocky as he’d ever been.

You looked at him. “Only difference is now you’re old enough to know better.” You saw the way he rolled his eyes at you and couldn’t help but to say, “I don't get you, Jake.”

The look on his face let you know that it had been a long time since someone referred to him by just his first name, not his last or his callsign. There was something intimate about it in a way. You wouldn't have given it any thought if he hadn't flinched at it.

He recovered as quickly as he could, that air of nonchalance reappearing around him. “I'm no Mystery Man.” He held his hands out in a brief gesture, like an invitation to scan him over. “What you see is what you get.”

It wasn't untrue. Jake Seresin had never been the type of person who lived a double life. Who he was around you was exactly who he was around everyone else. Maybe when it was just him, when there was no one else in the room looking to him or expecting anything from him, he was a different person. Not that it mattered—the world was never going to know. Reaching as far back as you could in your brain for memories of him, he'd always been some version of the man sitting in the sand next to you. He was just looking a little more refined these days.

You had just been hoping, when you'd seen him again, that maybe he would've changed by now. Nothing would be different if he wasn't different, but it would've been nice if it could be. The longer you looked at him, the more you tried to un-blur all of the memories that you hadn't bothered to tap into in a long time.

“How's your brother these days?” you asked, diverting course just slightly.

The question was immediately met with an eye-roll. “Fine.”

You had to let out a quiet laugh at that. “Yeah? That good, huh?”

He shrugged. “You want the play-by-play or something?” He shook his head, looking out at the ocean instead of at you. “He's fine.”

“You two not get along anymore or something? I thought you were both—”

“I see him on holidays. We text on birthdays. He is off doing…whatever he does.”

You hadn't expected the tension. From what you remembered, the two of them had gotten along well enough. His brother was a few years ahead of both of you, in his senior year of high school when the two of you were freshman. But he'd always been nice, nicer than Jake had been anyway. But they ran in a lot of the same circles, played a lot of the same sports, and they seemed to have a relatively good time doing it. Judging by the way that Jake was avoiding looking in your direction, you were now wondering if you were misremembering it all.

“We're grown-ups now, you know,” you offered up finally. “If you don't want to talk about him you can just say that.”

He flipped it right back on you. “We're grown-ups now, I can answer questions about Tommy if you have them.”

You laughed quietly and shook your head. “I can see that. The answers you've given so far have been so thorough and paint such a clear picture.” It got him to laugh even though you could tell that he didn’t want to give you the satisfaction. After a moment you cleared your throat. “You guys just seemed to get along back then, is all.”

Now he was looking at you again. “Yeah, Tommy got along with everyone back then—still does.”

You hummed in amusement. “Guess that trait isn't a genetic one, then.”

He cracked a small grin as he swatted sand at you. “Funny.” There was a pause, and you were waiting for him to pick something else to talk about, or for him to just get up and leave. Instead, he gave himself a moment and then said, “Tommy graduated with a full ride, but even when he was gone somehow I was still…” he trailed off. “Navy was the first place I wasn't a legacy kid. No footsteps to follow. Just me.”

“Hmm,” you nodded, not sure what you really wanted to say in response to that.

He caught your uncertainty. “What?”

“Nothing, I just…you wanna say that your brother, your family, your whoever was why you were like that back then. Fine, I get that, kind of. But then why,” you curled your fingers into the sand, “are you still up to all the same shit?”

“I'm not—”

“You are.” The laugh you let out was dry. “I'm one of the only people here that you can't lie to about that. I knew you back then, and I know you now, and from what I've seen? Not much has changed.”

The pinch of his brows let you know that what you were saying was getting to him, whether he admitted to it or not. He tried to hide it, and was semi-successful at it—it probably would've fooled someone else. “If it ain't broke—”

You didn't let him get to the end of the sentence. “There's always room for improvement.”

You were used to laughing at your own little one-liners, but Jake laughing at them too was new, especially when they were at his expense. Whatever the two of you were doing in that moment, it was the closest to being friends that you'd ever been. It was still a stretch but it was something.

“I don't know, you stack my resumé up against anyone else's here and I'd say I'm about as improved as it gets.”

“I think the one thing that could definitely still do with some improving is your humility,” you rebutted with a laugh. You geared up to hear some comment about how there was no need to be humble if he could back up everything that he was saying. When he didn’t, you said, “And, if you feel like taking suggestions—”

“You got another one for me?” he joked.

You laughed. “Yeah, of course.” You cleared your throat. “You said it yourself that this is the one place where none of that other stuff matters, like it never happened. So maybe, when you get a chance, you should get around to dropping all the bitterness that goes along with the brotherhood rivalry.” You shrugged, offering a small smile. “Cocky doesn't pair well with the sad, ‘He made me who I am,’ shtick.”

He raised his eyebrows in surprise as he laughed. “You're meaner than I remember.”

“Yeah, that's because you don't remember me,” you said, the lift at the ends of your lips taking the sting out of your words.

The look of surprise didn’t fade from his face, neither did the amusement. “Damn.”

You still had a smile on your face as you stood back up. Brushing the sand off the backs of your legs, you looked at him. It was a strange feeling, caught between remembering how things were back then and knowing how they were now. A lot of things hadn't changed, clearly, but the circumstances certainly had. You wanted more of it to be different, but there was no saying it so plainly.

“You heading back?” you asked, standing completely upright.

He looked up at you from where he was sitting. Shaking his head, he replied, “Not yet.”

You cocked your head to the side, folding your arms over your chest. “Going to sit out here with your thoughts?”

He chuckled and shrugged. “Well, you did give me a lot to think about.”

“Don't think too hard,” you joked as you started to walk away, “otherwise smoke’ll start coming out of your ears.”

“Your concern is touching!” he called after you, laughing as he spoke.

Turning around to face him, you continued walking away. “Guess I'm just too sentimental for my own good!” you replied, throwing your hands up in apparent exasperation with yourself.

You could still see the grin on his face as you turned back around. Even with your back to him, you still found yourself smiling too. You knew better than to get your hopes up for much, but there was still part of you that was thinking that maybe there was still a chance for things to start changing before all was said and done.

There was still the very large possibility that things would continue to be the same as they ever were. You knew that. But, the same way you'd been wanting things to be different the first night you turned up at The Hard Deck, you still wanted things to be different now. It felt a little more attainable now than it had then. And, if nothing else, at least you knew that this time everything was going to be a bit more memorable.

(divider by @inklore 🩶)

TGM Taglist: @garbinge @proceduralpassion @cositapreciosa @justreblogginfics (If you want to be added to any of my taglists, please let me know!)

[walmartbrandwhatever]

Marbit figure skating au stuff because I cannot stop thinking about this. Will I write this into a fanfic? Probably. Anyways this turned out super long please if anyone wants to yap about this my dms and asks are open.

-Marcia first getting into figure skating because of her mom.

-like her mom is a really artistic person in general and it was something her parents both did for fun and taught her how to skate.

-It was something she could have control over and not worry about how to fit in and if she was doing things right. It allowed her to express herself in ways she had never thought about before.

-Two-bit truly got Into hockey because soda wanted to try it out but didn't want to do it alone.

-but the more they practiced together the more in love he fell into with it.

-hockey helped keep him from spiraling down a dark road, gave him an outlet to let out on instead of drinking himself Into the ground.

-anyways two and mar use the same rink to practice in, both preferring to practice at night.

-one day the rink accidentally booked both of them atthe same time. Two being too stubborn to just let her have it and mar refusing to give up any practice time they both just end up arguing with each other about who gets it.

-this goes on for awhile them always fighting for the rink. One day Two comes in with Soda to practice and sees Marcia already there running her routine with Cherry yelling out corrections.

-Two hadn't actually ever seen her practice before but seeing her be so connected to the music blasting through the speakers and the emotions clear on her face he couldn't help the grin that worked its way onto his face.

-Soda clocks this immediately and is like "dude ur so down right bad stop"

-Ofc he denied it but Mar comes over and says he could have the rink. He stops her before she leaves and comes up with a compromise. She gets it every Monday, Wednesday, and Friday while he gets it every Tuesday, Thursday, and Saturday and they’ll alternate Sunday.

-She smiles and puts out her hand to shake on it. Two-bit right there thinks she's by far the prettiest girl he's ever seen. He's all fumbling over himself as they shake on it and she leaves

-soda shaking his head knowing that either this will be a super bad thing or a good thing for two-bit

-Cherry also clocks this but she's too focused on the other boy she recognized. Soda and her both exchanged a look seeing their friends fumbling over eachother before Cherry drags Marcia out of the rink.

-W/the new schedule both don't run into each other as much which both of them are lowkey sad about.

-they meet again after they both switched up who day it was for Sunday. They both almost immediately try to let the other have it before deciding they can take turns.

-Two-bit watches her work on her performance first and is just basically sitting there in awe.

-Two notices Marcia getting frustrated as she keeps failing this one jump and Two goes onto the ice and offers to help her land it.

-she takes it after a few more tries. Him gently placing his hands on her hips before lifting her and showing her how much more momentum she actually needed.

-with the newly advice she tries it and to her surprise it actually works. She just has this big ass grin on her face as she turns to two celebrating and he's just watching her with a grin plastered on his own face.

-she skates over and hugs him, thanking him for the help before pulling away and saying he could have the rink.

-bro is so down right bad for her.

-him going home that night and is like kicking his feet n shit as he's talking to soda about her.

-Cherry is also hearing everything from Marcia who is just as equally down right bad for this man.

-Cherry is also keeping it very to herself but her and Soda are talking the entire time two n marcia are working through their own thing.

-anyways Cherry drags Marcia to one of Two-Bits and sodas games. It's the first time Marcia has seen Two in action with his team. It's actually so bad.

-he spots her towards the end of the game and he has the biggest smile on his face the second they meet eyes. He winks at her before going back into the game.

-also two is a figher, that mf is CONSTANTLY beefing w/someone on the rink

-that game he and this other guy immediately start brawling and that scares the shit outta Marcia. She's never really liked fighting.

-past relationships that didn't end to well really pushed that fact, so not expecting it. It threw her off.

-two seeing the absolute horror on Marcia's face afterwards did not make him feel good. Typically he feels amazing after fight, well not amazing but it gives him adrenaline but seeing the utter fear resting in her eyes it did nothing but drain the life otta him.

-after the game he immediately heads over to her, apologizing the second she even registers it was him talking. He's all over the place but he just wanted to set things right and make sure she was alright

-that was a lot more than what some of the past guys she's dated has ever done for her so it definitely won her over. She tells him that it was already and just said she wasn't expecting it considering she actually didn't know much about hockey.

-he offers to teach her some things about hockey only if she teaches him about figure skating.

-the next day they both go to the rink and stick to their promise.

-instead of actually practicing that week they just go back n forth teaching eachother tricks and the basics

-anyways they finally get together after one of their little skate sessions. Two-bit has been planning on asking her out for awhile and he's a whole mess.

-it had actually been Darry who convinced him to ask her out. Two-bits constant chatter about Marcia Darry was finally like "dude just ask her out if it'll get you to shut up🫶"

-pretty much everyone else agreed. (Their annoyance was outta love)

-Two is like sweating as he stops her before she leaves for the night and is like visibly freaking out. Eventually he spita out a "anyways would you idk like to go out. Like to dinner? With uh me?"

-she has that smile two-bit always loves to see. She presses a quick kiss onto his cheek before agreeing and leaving without another word.

-and two-bit? Yeah absolutely dead. He stands there for a solid 5 minutes before steve Steve who was giving him a ride comes in asking what was holding him up.

-Two-bit just gently holding his cheek with a huge grin says it all.

-marcia that night is kicking her feet and screaming to Cherry about it.

-after a few dates Marcia is the one to officially ask him to be her boyfriend and he almost immediately says yes.

-they don't really tell anyone they are together but the gang can tell

-Ace totally sees Marcia at some point and does the whole "if you hurt him" speech before leaving her w/that.

Anyways I have so many more ideas that are riddled w/angst. I can't tell how old I want they do be. Like are they really far into their careers? Do I want marcia to qualify for the Olympics? Idk I'm still cooking but yall trust I will write this into a fic. Also if you use this au or hcs please credit me 🫶 I would appreciate it. LOVE U ALL MWAHH🫶🫶🫶.

[chillicoded]

Lando Norris is NOT an underdog.

This is NOT Lando hate. I don't endorse or tolerate hate towards ANY driver. This is just an opinion.

I had a conversation with somebody on Bumble about the Norris/Verstappen championship battle this season. I was for Verstappen, he was for Norris - no problem whatsoever in itself. After Max's absolute dominance last season, I really can't blame anyone for being bored of Max winning and wanting to see a new driver succeeding. But what Got My Goat is that he said the reason he wants Lando to win the WDC is because "he's an underdog". I sent a (pretty lengthy) message back on why I really don't think Lando qualifies as an underdog, and he never got back to me to defend his position. Maybe I scared him off, or maybe he just wasn't on Bumble to debate the nuances of what it means to be an underdog. Either way, I figured the topic would make a good first opinion post because I'm more likely to get a discussion out of it here, plus I have extra thoughts to add.

To me, an underdog is somebody who is disadvantaged because of the external resources available to them, in comparison to those they are competing against. For an F1 driver, that's the car, the team, the strategy, the experience they have in F1, the track (not just condition, but whether or not it suits their car) and momentary bursts of luck, among countless other variables. A good "underdog coming out on top" narrative comes from a person or character (in this case a driver) performing well or succeeding despite lacking the ideal resources to do so.

It's important to note that I don't think skill counts as an external resource. I also think skill is hard to measure. I personally would measure it in terms of results, consistency and versatility, but even within that, I feel like you need to take all of the external factors into account. For example, DNFing or dropping way back because of a collision, bad luck with the car or a botched pit stop would make a dent in a driver's consistency and results, but it doesn't mean they're less skilled.

Underdog narratives do exist in F1. The Alpine double podium in Brazil was a great underdog narrative. The Alpine car is hardly competitive most of the time. At the start of the season it was an absolute tractor. I don't know enough about the team, strategies, pit stops, etc. to comment on those, but regardless, I don't think anyone was expecting a double podium from them this season because Alpine just hasn't been competing at the front of the field. Yet, despite all that, both drivers finished on the podium and scored mad points in easily the most unpredictable race of the season.

Franco Colapinto performing well and scoring points, despite being dumped into Williams mid-season with a firmly midfield car and no experience, is also an underdog narrative. He's far outperformed Logan Sargeant already and has been battling with some of the most experienced drivers on the grid, and coming out on top. I don't think anyone was expecting all this from him when he was first brought into F1. Personally I saw a lot of people saying that they were booting out one underprepared F2 driver, and replacing him with another underprepared F2 driver. I was part of that crowd too. Sorry Franco. I was not familiar with your game.

Even Carlos Sainz's win at Singapore last year could be considered an underdog narrative. Sure, he started on pole and he's an experienced driver, but everyone was an underdog compared to Red Bull (mainly Max) last year, and Ferrari didn't have a great car or great strategies. He did have the luck of Max being practically out of sight, having been outqualified by Liam Lawson in an AlphaTauri (another great underdog moment, by the way), but it still takes skill to keep the lead, and his strategic use of Lando goes to show that even further than just the win itself.

These are just a few recent examples. Think about them. Seriously deep them. Revel in how they make you feel.

Now think about Lando's performance this season.

His first win in Miami was great. At the time, I was still a hardcore Lando supporter and I was absolutely thrilled. A few laps before the end of the race, when it became apparent that he was almost definitely going to win, I was already celebrating for him. It had been a long time coming and it was amazing to see him realising the potential I knew he and McLaren had. He's won twice more this season so far, and both times he was ahead by a country mile at the chequered flag. Aside from that first ever win, though, his other impressive performances this year haven't quite evoked the same emotion as my previous examples. That sense that he's overcoming disadvantages and delivering even when the odds are stacked against him just isn't there for me. Why is that?

There's no denying that he's a skilled driver. Three wins in a season with 7 different race winners (6 of whom have won multiple races) isn't too bad at all. He's also been relatively consistent throughout the year, never finishing a race outside the points. He's even been able to adapt to a range of tracks and weather conditions. For example, he finished P6 after the rain and chaos of Brazil, which threw off even some of the other skilled drivers mentioned above like Sainz and Colapinto.

But we're not here to discuss whether or not he's skilled. We're here to discuss whether or not he's an underdog.

Honestly, did you even read the title?

Anyway. Skill doesn't make someone an underdog. I established that earlier. If skill makes someone an underdog, Max Verstappen is probably the underest dog on the current grid, and that's obviously not the case. We need to look into those external factors I mentioned above: things like car, strategy, luck and experience, in comparison to what other drivers have had to work with this year. The less he has, the more of an underdog it makes him.

First and foremost, McLaren's strategies this year have been pretty abysmal. The terrible calls made in instances like the Hungarian Grand Prix and the lack of calls made in instances like Monza lap one have been enough to make me stop supporting McLaren as a team altogether. They insisted that they weren't prioritising the drivers' championship, but with the constructors' practically secured, I honestly find that hard to believe. If it is true, they've been doing a disservice to both drivers: to Lando by not giving proper attention to his very real championship chances, and to Oscar by ordering him to give up positions for Lando and act as a second driver at certain points, apparently for no real reason. Overall, McLaren's strategies have been in Lando's favour at times, but they've rarely been good. It's hard for me to compare McLaren's strategy calls to other teams, though, simply because I don't know enough about other teams' strategy calls. Maybe all the teams have been equally rubbish with strategy this year, so it technically hasn't been putting Lando at a disadvantage. I wouldn't know. If you have any insight on this, let me know and I might make a second, more definitive post about this.

As for luck, Lando has had bouts of both good luck and bad luck so far this year. He had some good luck in Miami, ultimately facilitating his first win, and he had some hard luck in Austria with his collision with Verstappen and Baku with qualifying. I'm not at all suggesting that Lando didn't deserve his first win (honestly, I don't believe that "deserving" matters in this sport at all), but I don't think he would've won that first race without the luck of the safety car, and I'm not sure he would've performed as well as he has without the confidence boost from that first win. With the car he's had this season (and I'll talk about that next), it would've come eventually, but I really do think that momentary burst of luck has been a really important factor in shaping this season for Lando. It has definitely had more of an effect than his moments of poor luck. I think few other lucky instances have had as much of an effect for a team or driver, except maybe Alpine's performance in Brazil.

His car has been a seriously influential factor, too. Of course, no driver's success is all because of the car; the driver and the car always go hand in hand. A less skilled driver can't properly handle a good car (see Pérez) and even a good driver can rarely drag performance that isn't there out of a tractor (see Bottas at Sauber). But, like his luck, the MCL38 has massively facilitated Lando's ability to perform this year. It's a car that has been capable of winning races by over twenty seconds, creating final laps that are reminiscent of Max's dominance last season. That alone begs the question, why has Lando not been performing consistently at that level? Where exactly does the balance of success lie between Lando and his car?

It's definitely worth taking into consideration that top teams this year have certainly given Lando a lot of competition to deal with this year. Even with a dominant car, with around six other drivers able to put up a fight against Lando, he's not in as dominant a position as Max was last year. But there is a difference in skill in certain areas, and it shows in moments like Lando's first lap bottles from pole compared to Max's perfect starts last year, for example. Lando is just not as polished a driver as some of his competitors, and that is something that naturally comes with more experience.

It's hard to say Lando lacks experience, though. 2024 is his fifth season in F1. He's not always had a great car, but now that he does have one, it's clear to see that he knows how to handle it decently well. Compared to Oscar Piastri, though, it doesn't look like his experience is giving him the competitive edge you'd expect. With four years of experience over his teammate, you'd think Lando would be performing at a much higher level, but that just isn't the case. As a quick example, Oscar's average finishing position this season is 4.9. Lando's is only 0.8 higher at 4.1. With that difference in experience, you'd expect a much higher gap in performance... or at least I would. Maybe I'm wrong for that. Let me know.

Overall, I really don't think Lando is at any kind of serious disadvantage that would make it fair to call him an underdog. He has issues thanks to McLaren's strategic blunders, sure, but the rest of his problems are pretty much skill issues. Call me back with the notion of an "underdog narrative" when Ollie Bearman is in the championship fight in a Haas next year.

[adhd-community]

i'm hyperverbal, and my partner is easily overwhelmed by too much talking. i have a hard time even processing a thought until i've said it out loud, though. if i don't talk myself through it, i just get stuck and say nothing. not to mention, i have a hard time deciding what's actually worth saying out loud until i've said it. how can i talk to my partner while,,, talking less?

It's all about finding ways to exist together that support both of your needs. I am reading that your partner has noted they find a lot of chat overwhelming and you tend to chat a lot and struggle to know when or how to stop/start (somehow I identify with both of these...).

The first two questions are:

What is it that your partner finds overwhelming? Too many thoughts verbalised too quickly? The noise? Trying to follow the conversation? Do the reasons change from time to time?

Why are you chatting? Are you looking for connection? Reassurance? Is it accidental? Do these reasons sometimes change?

Understanding yourself and each other can be REALLY helpful in these situations in order to work out what will meet both your needs.

Finally for some hypertalkitivity tips, some things that have helped me in the past with situations like these are:

Before launching into something you're thinking about, check in with the other person on whether they are up for a chat, or whether they would prefer a little quiet time. If they need quiet time, respect that (it's not a rejection, I promise) and find another outlet for your energy/thoughts.*

Make sure you and your partner are on the same page about why you're talking and what level of engagement is needed from them. I had this issue with a friend while travelling (I chat while packing and they were getting overwhelmed). We talked about it and I explained that when this happens I don't need (or expect) them to actually listen, at most it would be nice if they occasionally said "hmm good question" or "mmmm" so I didnt feel lonely or get distracted. This isn't something they need so they had thought I wanted them to deeply listen and answer questions each time and were understandably EXHAUSTED. This convo, and following "heads up, I'm doing the thing - let me know if you need quiet time" chats avoided a lot of potential tension!

If you are having trouble with impulsively talking, find something that tends to help you have "quiet time". For me this is listening to something through headphones that I dont need to pay too much attention to or actually "watch" but still find really enjoyable (e.g. podcasts or super-long game-plays (thank you Jacksepticeye amiright?)) For some reason this signals "no talking" to my brain and I can quietly focus in other things - find yours!

Take a few deep breaths and talk a little slower. When ADHDers are hypertalkative and REALLY into a thought, it can be... intense. Passion is wonderful but taking a second to recognise that your partner is probs also having several thoughts/their own experience and it will take them a second to adjust is always appreciated.

*Other possible outlets for your energy/thoughts!

Write it in a notebook

Type it out or speak it to an AI chatbot!

Call a friend or family member

Do something physical to reduce the mental restlessness (this can be exercise, or even just doing some dishes or gardening etc - just something that makes your brain feel less like it needs to work out everything in the world RIGHT NOW)

Try a guided meditation to slow your thoughts

In the end only you and your partner will be able to work out what's best for you both, but I hope this has helped!

Remember that just because they don't want to chat right now does NOT mean they don't want to hear your thoughts at all. It's likely they just need to recharge their social batteries so that they can have cute chats and fun times later.

X

[klunkcat]

Life is short, and I've shortened mine

rise of the tmnt gift fic for the T3 server november exchange, for the very lovely @remedyturtles

Sensei is a character that can actually be so life changing and brain consuming. Very grateful to have the opportunity to play in your sandbox, exploring their headspaces is actually incredible and also devastating.

Note: This is an offshoot from Rem’s “little kid with a big death wish” fic and will not make sense on its own I fear.

title from good bones by Maggie Smith

read on ao3

___

He didn’t ask for this, is the crucial thing. He’d been— not relieved to be dead, because he hadn’t managed to make it yet to where his brothers were, because his kid was still out there fighting for tomorrow. Relieved was too gentle a word, but he’d been something. 

Maybe less tired. 

It was nice to think about, selfishly. He’s been carrying lead weights and anchors at the edges of himself since the moment the world fell, but there’d never been any other volunteers for the job. Somewhere quietly inside himself he’d thought the ending would mean a moment of reprieve. He should have known, though. They’d all been the universe's favorite chew toys for long enough, dying was too nice a bow to wrap around it. 

He really hadn’t asked for this, no matter what the subconscious thoughts he’d hit to death with sticks in the back of his mind said about escaping. Stumbling across the kid— another him, a version of him he’d never gotten to be, that he thinks maybe distantly he shouldn’t have needed to be— he’d hoped he could silently wrap himself in that thick blanket of nothing and fade out at least. Not fuck things up for him worse, but, well. 

Maybe the throughline to being Hamato Leonardo was fate-led curiosity; he’d never learned how to leave well enough alone in either direction. Of course Leo had scouted him out, of course he’d been compelled to try to help the kid float when he should have stayed put, of course. Of course. 

And so, as the classics say, here they were. 

“Can you give me a number, Leo?” Raph’s voice creeps in, all-over earnest and thoughtful in the way he intrinsically is—was. It’s a shard of glass to hear it at all, it’s everything he’s ever wanted. The kid fuzzes out a little and slips sideways a step; oops , Leo thinks. There’s a hard line around not transmitting too loud, he’s still trying to figure it out. 

Could do without whatever that was ever again , the kid thinks, sharp and rattled under the surface.

Leo winces. Sorry, I’m all thumbs over here. Trying to keep quiet. 

Psh, younger Leo rolls his eyes. You’re all one thumb .

The kid turns back to his brother, thrumming still between a one and zero now. He’s scrambling to ground still, to focus. He gives Raph a quick OK sign that there’s no way Raph doesn’t see through. It’s kind of funny to watch his force-fire white-knuckling deflection in technicolor from the outside like this, he’s not sure why he ever thought this worked. 

“That’s okay, that’s fine. Can you give me a number, bud?” The pleading edge hurts to hear. 

They hold up a shaky one, maybe overconfidently. Mikey and Don are in the room somewhere, he can hear them shuffling even with Leo’s eyes closed. The sudden memory of a thousand days where the only rest his littlest brother got was when he was locked in meditation, the way he walked like his bones and joints hurt right up until the end, nearly knocks them both back to a firm zero. 

The kid glares at him, Leo holds his hand up apologetically and imagines zipping his non-existent lips shut. 

They’d been doing better for the last few days. He’d started talking out loud, had been at a solid two a handful of times. He knows the kid’s frustrated and exhausted, he can feel it, especially seeing them slip all the way back. Leo feels a hot well of shame creep up his ethereal throat. 

He knows it’s a push and pull game they’re playing. Wounded leading the wounded, and all. 

It’s still a lot, to think of seeing his family that isn’t his family. Of them knowing he existed and talking to him. Points towards the ‘he should fuck off forever’ category, as soon as they figured out how to get rid of him.

(The kid talked about it like they’d miss him if he left, like there’d be some great love lost— they didn’t know him, though. He’d lived through twenty years of a war they’d never have to see. Leo was not the teen they were missing, the one they were trying to call home, because he’d given that up a long time ago.

Of course he had to leave, this kid had a life of his own to live now. Leo didn’t have anything.)

“ — he was for a moment, just give him time,” Raph’s saying. He forces the kid to take a purposeful long breath in, squeeze his fingers, twitch his toes. Keep him from tipping all the way over into the dark where he’d accidently shoved them. 

“See, he’s back with us,” Raph continues, brightly. The kid groggily radiated all sorts of furious signals like a firecracker popping in several unplanned directions, all different fonts screaming exhaustion and hurt the only way he knew how. Leo’s heart aches for him. Beating himself down for daring to survive at all. 

“Is he?” Don’s voice cuts in haughtily. Leo makes them blink their eyes open, caught out despite the kid’s anger. 

They’re looking for you, bud. Rise and shine.

I don’t care, the kid hisses. Fuck off. 

Okay. Well. Less than ideal. 

“Which one are we dealing with,” Don’s voice hovers closer, half lodged in icy suspicion. He wouldn’t be this closed off for his Leo, obviously. Leo— Sensei smothers a sigh. 

“He’s trying not to  answer the phone right now. So, just me. Sorry.” 

“Is he okay?” Raph asks, concern evident in the dark shadow of his brow. Sensei can’t look at it directly, it’s not for him to feel all the reminiscent grief of a brother that isn’t even his. How he feels about any of this never helps anything. 

“He’s….” He prods the kid and gets an indistinguishable slew of curses and general hypothetical middle fingers back. “He’s taking a break, he’s okay.” 

Don arches a brow back. “I don’t care that we’re forced to take your word for this, just to be clear.” 

“Fair enough. He says, and I quote, bite me, so I think that’s where we’re at.” 

“Ah,” Raph hums. “Well, if you can tell him I’ll be back in ten minutes with tea, I’d love to check in on him then.” 

Sensei nods, relays the message with a garbled hiss as a response. Expected. 

Don stares at him, impassive. Arms crossed and eyes narrowed. Feral cat radiating protective instincts three counties wide, like always.

It’s… an ache under the skin, to be left alone with Don. He hasn’t forgotten the way Dee’s face would shift in a scowl, he never could, but seeing it played out on a younger face scratches something in him regardless. 

“I want to speak with my brother, if it’s all the same,” Don says, blunt. 

“I’ve been trying to ring him, I promise. Bad morning.” 

Don arches a brow with a twitch to his jaw Sensei knows means he’s attempting to fight off a full on annoyed pout and failing. It hits him sideways to see, funny in the chest. A thousand sense memories, a different Donnie and a different place, coalescing all into one. His Don had gotten really good at not emoting at all near the end, he’d almost forgotten.

Hey, the kid grouses. Who’s flying this plane?

Right, thumbs again, Not-his-Don hovers closer when he blinks back to the front. A frown touches the middle of his maskless forehead. 

He makes himself walk through a few quick grounding steps and breathe in as deep as he can before speaking. “Back, sorry. Uh, Sensei, that is. Leo’s listening though.” 

Don’s still frowning, but he leans back a touch. “He’s making it harder for you to stay here too, isn’t he?” 

He doesn’t think the phrasing of that is fair, but. “Was all me that time, if I’m honest. We’re at a one now though, I’m good.” 

“Is he ?” Don tilts his head. 

Sensei considers. The kid’s not sinking back there just… Curled up, pill-bugging. Radiating furious hurt energy like a solar system all on his own. He’s present enough to tell Sensei to fuck off and focus on Don at least. 

“Think so, yeah. He’s just…” He mimes a snapping maw with his good hand.

Don sighs and rolls his eyes, there’s an edge of anxiety there Sensei can still read as bright as anything. Isn’t that a thought. Twenty years without and this younger Donnie is still under his skin like a part of himself. 

He needs you bud, Sensei tries again, nudging his younger self. 

I’m tired of this , the kid growls back, not-voice cracking all the way through in a way that makes Sensei ache for him. 

Sensei sighs, patting his shell. I know.

Don shifts his weight in front of them, frown deepening as he moves to tap on his wrist guard. Probably texting the family about the general Bad Leo Day, he imagines. He knows how this would go with his Don— the way it would itch at him being unable to instantly resolve whatever problems his brother had. He never dealt well with any mystic issues affecting Mike for the same reasons either. 

There’d always been a thrumming line between them, some unspoken thing; Sensei carried it with him even now, even with the end gone dark. He knows Don’s having a hard time reconciling all the ways ‘Sensei’ is his Leo and is someone entirely different. Managing the fear that his Leo will go somewhere far away inside himself and he’ll only be left with someone he doesn’t know. That he’ll be left alone. 

The worst part about being a twin is when you aren’t one anymore, after all. 

Bad thought. Shit. The pull in the back of his mind grows louder. He holds up a shakier zero. Don’s sharp eyes narrow, tapping something harder on his guard before shifting closer. “Leo?” 

Can you stop being horribly sad for five minutes while looking at my brother? It’s so not helping. 

He shakes his head. “Still me,” the words come out soupy. The kid jabs him angrily somewhere in the back of his brain, uncurled with annoyed concern, which is maybe an unintentional win. 

“Is it— can you ground him?” 

He’s trying; his brain fires unhelpful flashes of the days after. Of the months of searching desperately, of the moment he woke up in the middle of the night with sudden certainty that wherever the other half of himself went, he couldn’t get back on his own. Shit. 

Shit , the kid echoes, less angry with the barely concealed concern. Sensei can feel the dark pit creeping at his arms even as he blinks furiously to stay present. 

“Not him, it’s— sorry, all me again. Don’t think I can stick around.” He squeezes his fist, forces himself to breathe deeper, but it catches somewhere around the middle. The kid slides forward with a flurry of aggrieved panic that sparks through him and sends him back down several flights. There goes that plan. 

Sensei cracks an eye back open and catches a familiar flash in Donnie’s eyes, and yeah— sorry, kid. Lights out. 

The last conversation he remembers having with Don had been about Casey. He was getting to the age where he was asking to follow them out on missions more and more, curious about everything Uncle Tello was up to. He wanted to help, desperately. Itching with the need to be useful in a way they all understood. 

It was different with Casey, though. He knew why it was different.

“We let Mike do this stuff when he was his age,” Leo had said with a sigh. “It’s hard to find good reasons to say no that aren’t just three rounds of my own loud clamoring panic. He should go, he’s trained plenty.” 

Don clicked his goggles, focusing on a project in front of him with a hum. “Mike wasn’t dealing with an apocalypse. He was, at worst, trying to find a new place to tag at Casey Jr’s age, so.” 

“Exactly,” Leo smooths his hand across his head. “But also…” 

Don looks at him, eyes gone big with the layers of lenses so he gets hyper close up patented ‘Tello Eye Roll in high definition. “But also, you’re a mother hen, and he’s talented, and he’ll just sneak out anyways if we keep making him hang back.” 

“Points for you,” Leo sighs again. “Want to make that a daily double?” 

“You remember how Micheal was about being babied,” Don sighs. “So, I don’t know. Let him go on a supply run, something small. A practice version,” Don shrugs, turns back to his work. “There’s that lower activity quadrant we got a ping on last week. I can take him and go get that part we need to fix up the generator.” 

Leo lets out a long breath. “Yeah, that— huh. That could work. He’s always saying he wants to learn more about how to keep things running around here, he’ll be over the moon. Kid asked me last week if I could show him how to do stitches.” 

Don snorts. “Great, soon there’ll be two of you.” 

Leo steps forward, leaning his elbow on Don’s chair to peer over at his desk. There’s a mess of wires in front of him, a plate he’s meticulously soldering ends together on. “Eh, there’s already two of me.” 

“Excuse you,” Don nudges him back with a shoulder. “As the funnier twin, I resent that remark.”

He laughs, lets out a breath. The thrum of Don’s room sometimes settles him, like it’s echoing the place in him where his ninpo sat before. Constant hums of his family flitting through open rooms. 

“You don’t think I’m being paranoid, do you?” Leo has to ask. The variables tripped around each other in hyperspeed in his mind at all times, racing down to the ends of his fingers. Casey’s only thirteen, they’re down too many runners, there’s never any right choices and only Leo to make them.

Don pauses for a second. He flips up his goggles before Leo can wrench the question back into himself, not that it had ever worked before. 

“I’ll keep him safe,” Don says, slowly. “It’s a good call, he’s earned it.” 

“You’re just saying that because it was half your idea.” Leo glances away, embarrassed on some fundamental level that Don had even needed to give him the reassurance. He sighs, squeezes Don’s shoulder quickly as a thank you. Don hums with a smirk. 

“Well? Are you going to teach him? Don’t think we have any oranges to practice on.” The implication rings loudly enough, Casey stitching up real wounds is a foray they haven’t dared make.

Leo waves his hand. “Might be a good idea for the kid to have some medical information in between all the supercomputer nerd things.” 

“Avoiding the question is a bold move.”

Leo deflates, winces. “Yeah. Thought it might make him worry less.” If he could help without leaving the base at all, maybe they’d both relax. A quieter thought, under that: maybe Leo would, if he knew Casey could take care of himself without him. 

Don squints. “It might. Here’s a better thought, his Sensei letting someone else take on the riskier missions for once, hm?” 

Ah, well. 

Leo feigns a wide grin anyways, shrugging. “What can I say, the Krang love me.” 

The arched eyebrow he receives is scathing. He is scathed. He waves his good hand Don’s direction with a huff. “Don’t look at me like that, this is about the kid. Table the psychoanalysis for Mike to take over.” 

“You want Michael to get in on this?”

Good point. He sighs again, shuffling over to a side table and crossing his arms. This is an old argument, the circles of it are worn through and practically scripted. If dear Tello insists, he purses his lips. Round and round they go. 

“I’m faster.”

“Other people are fast enough.” 

“Enough isn’t safe.”

“Letting the Krang learn all your moves is?” 

“Come on, I’ve been fine.” 

The scathing meter ramps up as Don’s eyes pointedly flick to Leo’s robotic arm. “They blast you with enough of their power? How long is that going to be true.” 

“I know how they work.” 

“For fucks sake Leo, the rest of us grew up in the apocalypse too.” 

The rest of you aren’t responsible for it, though , he thinks with all forty old years of packed self directed venom. There’s no point to this conversation, he finds the way out Don wants. 

“Fine. I’ll stay back for the next few, okay? You and Case can do the supply run. April’s been saying she wants to get back out, I can send her with Angel.” 

Don’s steely gaze doesn’t shift, his jaw tense. Usually, this is where the conversation stalls and dies out. World like theirs is lacking in many things, including fuel to burn with. 

“I’m sick of watching you do this,” he spits out, sharp and barbed. It stops Leo up short. 

He nearly says ‘do what’, but he knows his twin. They haven’t gone into any of this since— well, since Raph. Since the mantle of the Resistance became something heavier and lodged in him with anchor weights. Since everyone started looking at him like his plans were god. Since his fuck up ruined everything.

No time for heart to hearts, really.

“Come on, Dee,” he swallows roughly, carefully. “I’m careful. This isn’t about that.” 

“Isn’t it? Isn’t everything you do about that?” 

Leo works his jaw. “It isn’t.”

“When will you stop acting like you have to make up for it, then?” 

Ouch. Leo redirects. “We’re going to win this. It’ll work out, you know it will. I’m not going anywhere without you.” 

Winning the war hasn’t been a tangible thought in his mind in years either; he’s not sure he knows how to do anything but follow the script anymore, though. He hopes he’s putting up a strong enough act.

Don’s hand clenches around his soldering gun, relaxes. “There’s only one you,” he practically growls out, and Leo’s chest squeezes. “If he goes somewhere he takes me with him. Do you get that?” 

He swallows again. “Course I do. I’m not— this isn’t about me, Don. Strategically, until they start catching up to me we have to make them believe I’m their only concern. Promise, that’s all this is.” 

You swear? He almost hears a younger Donnie ask, crouched up in their hideout over Donnie’s gameboy. 

“I’m not going anywhere,” he says, with as much sincerity as he carries with him. He wouldn’t, there’s nowhere else in the world for him to go when everything that matters is right here. 

“You aren’t allowed to pull anything. I’d know if you were,” Don glares. “We need you.” He says it funny, emphasis on both the need and the you all at once, like one of those endless staircase paintings that look different the longer you try to make sense of it. Leo holds up his hands helplessly. 

His twin’s stare pins Leo through for a long moment. He takes the whole half a second of pause to step closer. “Hey, that whole thing— back at you. Obviously.” 

Don lets out a long breath, expression flat and assessing. For a moment, Leo thinks he might say more, but he turns his chair around to continue soldering. 

“Obviously.” 

They’d let the conversation fall lighter, moving to charitable waters. And Leo had let Don take Case out for an easy supply run. 

The last thing his twin ever said to him was lost somewhere behind the distress beacon and the noise of the Krang leveling an entire building on him. He thinks there was a sorry in there, or a be right back to the scared kid he was giving up the world for. 

The part that’s always stung, a burr against his core, is that they never find any sign of where Donnie went. There’s his ninpo, and his bo staff with his fucking mask tied around a bleeding wound on Casey’s arm, the hum of electricity somewhere down the corridors of his mind, and Casey safely bundled and shaking in a propped up section of rubble. His kid is so terrified, asks for Uncle Tello in a quiet whine like he knows.  

He doesn’t remember the mad scramble to get there, the fact that he’d reached so far down into his struggling well of ninpo he’d felt something entirely shatter apart in his hands. The way Mikey had put his own hands over Leo’s, and brought the two of them together all at once. He only remembers the wake of whatever devastation cracks through him once it’s clear they were too late. 

The recording he’d left that Leo couldn’t bring himself to listen to for weeks. 

Leo would know if he died. He would. The light never goes out, but Don never comes home. It’s a loss he can’t name all the same. 

It’s impossible to regather whatever off the cuff words he’d said last, before Don left. Had he said be safe? Had he said he’d loved him? They’d never needed to say it before, but the lack still haunts him. He hadn’t gotten to say goodbye.

‘Be right back’ is a shitty thing to lie about, he thinks wryly.

It’s the first promise he’s ever broken. 

The ache never leaves but there’s no time for grief. He steps outside of himself and into whatever he needs to be, and he chases the corridors in his mind to that safe space Donnie’s ninpo has always rested. The door is closed, but it’s still humming. He doesn’t know what that means. 

“God, stop ,” the kid groans at him. Leo– Sensei blinks back into himself, or— to the place between what constitutes as himself these days. The spot by the tree with just the two of them. “It sucks when it’s you somehow even more than when it’s me.” 

The sludge is still there, distantly. Tugging at him in ebbs and flows. Sensei makes himself breathe out, take a look at the kid. Take stock, soldier. Focus on the problem at hand, deal with your shit somewhere else. 

“Or, here’s a thought: you could deal with your shit at all. Call me crazy, but this ‘shoving all my old man pain in a box and burying it deep down’ thing seems like it’s fucking us both over.” The kid whines, leaning his head back. The irony does not escape either of them, he knows. The Uno reverse is unspoken.

Magnanimously, Sensei lets it slide. 

The kid’s problem is more complicated and knotted somewhere inside himself than he likes to acknowledge, at least Sensei’s is all obvious lines of too-long-losing-wars and grief. It’s all outside. The problem has always been that it’s outside.

Sensei settles beside him, hand on his knees and head tilted up to the still sky. They don’t speak for a long moment, instinctively mimicking the long drawn out grounding breaths in sync. He wonders if it’ll ever stop feeling so strange. Seeing himself from the outside like this, entirely encased in different baggage. It’s hard to think about anything other than ‘he’s so small’, loudly. On repeat. It’s not a helpful thought. 

“Sorry,” Sensei breathes as the sludge lessens minutely along his back. “Should be used to that by now.” 

The kid shrugs. “Is there a way to be used to it?” 

He knows he’s asking for them both. The truest answer feels the most bleak, so he opts for something gentler. 

“I think there has to be a way to think around it at least? Make the brain box bigger. Less likely for the shit in it to hit things.” 

There’s a long sigh beside him. “Sounds exhausting.” 

A long pause. “Would it… help? To talk about it?” 

Man, this little blue. Sensei can’t help the smile that tilts across his heart; he’s so tentative and determined all in one. Still stretching a hand out even though he knows whatever Sensei’s going to say might bowl him right over again. 

He shakes his head. “Nah. I tried once, with my Mike. It’s an old scar anyways.” 

The conversation hadn’t gone anywhere helpful, even with Mikey’s ability to see right inside his brain. They’d both been too tired to argue. 

“I don’t think I could do it,” the kid says, sullenly. Tiredly. He rolls his head to the side to make eye contact with Sensei. “Live without any of them.” 

Yeah , he thinks. He doesn’t say that there hadn’t been much living at all. “You know it's the same for them about you, right?” 

The kid scowls, turns away. “Saying things you don’t mean about yourself seems kinda useless, old man.” 

I mean it about you, though , he thinks. Something twitches in the kid's face. “I had twenty years as the last resort,” Sensei offers. “Changes your perspectives on things.” Or your priorities, really. Whether or not they needed him didn’t change that he was responsible for keeping them alive. 

Or that he’d failed. 

It’s obvious math with the kid anyways. He can see the way the kids brother’s hover, checking in and creeping forward and patiently holding his hand, working constantly to make him feel safe. Twenty years and mires of grief isn’t enough to drown out all the big and small ways he can see how his family loves. 

“What was he like,” the kid turns with a sharper look in his eyes. “Your Don.”

He sighs, lets it roll through him. “Tired.”

He closes his eyes. 

“He was really tired.” 

He’d barely slept, all the way up until the end. Too many defense algorithms to scrub through footage of, supposedly— he wonders now if he should have checked in more. If he should have asked. 

“Yeah,” the kid says, quietly like he doesn’t expect Sensei to hear. “You feel tired a lot, too.” 

Oh . He supposes that’s fair. 

Sensei swallows and imagines the fractured pieces of his heart settling back into their ruins. “It’s funny, he made all the systems in our base use his voice. Had to hear him anytime someone tried to use the microwave. Technically his last words to me were ‘front door compromised’.”

“Yeah. Funny. You ever thought about therapy?”

He doesn’t want to talk about this, it never helps. The rioting part of his core that is four parts missing and agony and one part instinctive need to move forward writhes anytime he lets himself remember any of it at all. As if he does anything other than remember it. 

“Kid—” He exhales. 

The kid turns to face him, frowning with that divot above his brow and his dead set determined set to his beak that screams stubbornness in neon colors. “Listen. I know how— I do the same thing, with my Ang, right? You know, where he doesn’t need all of my… me-ness on top of everything. So tell me the real version, get it out of that slow cooker of a brain so you can stop freaking out every time Don breathes our direction.”

He’s having a weird brain schism, he realizes. The divides between where this kid went and where he himself had walked are so different, sometimes past him feels like a different turtle entirely. A younger one, boiling entirely over with how little he sees himself at all. 

I see you , he thinks, tragically. Pointlessly.  

Sensei breathes out. “There’s not much—” his voice breaks, he clenches his hand around the inexorable pull of that dark space at his edges. The kid sees all of it anyways, doesn’t he? Dancing around it only makes it more his problem, less Sensei’s alone. His throat burns with some memory of tears, it feels silly but the words crawl out of him anyways. “I just. I never got to say goodbye. We never found out if he—” 

But he had to have. It’s so much worse to imagine he had been alive and trapped, that Leo had left him there in that awful world. He had to have been dead because his twin would have broken apart the planet itself to get back to them if he could have. 

His shoulders round forward and he squeezes his eyes shut for a moment. “I just, I should have gotten to say goodbye.” 

The kid is silent. A long moment passes. 

Sensei feels a small hand carefully land on his knee. “Sorry.” 

He puts his larger one over the kids, squeezes it. “Nothing for you to be sorry for, kid.” Nothing in this whole wide world. “Whatever my Don was doing, I have to believe he’s with everyone else now.” It makes it manageable, at least. Widens the box in his brain so he can think around it. 

The kid hums thoughtfully. “Can we… I mean, dad talks to our ancestors and things, in the mystic plane, right? He could maybe—” 

Panic wrings through him, ice cold and visceral. Sensei feels the shudder crack through both of them and their tree side hang out waver into darkness. “--right, okay.” The kid gasps. “Bad plan, got it. Noted.” 

“Sorry,” Sensei manages. “I just…” He doesn’t want to know what they think of him. What any of them would say about the world he broke. He knows them, he knows, but he’d been tired for so long before that, and he doesn’t want to know that Don went slowly or painfully. That he’d been waiting for Leo to find him.

Maybe he deserves to know how much he let him down. 

The kid's hand twists, squeezing his back as hard as he can. “Forget it, shit. Grounding, let’s um. Let’s do that and not whatever this is. I hate this, fuck. ” 

They walk through a few start and stop steps, the kids hand tight in his the whole time as they both dig their heels in to stay. It hurts, and Sensei wants to give in. The hand in his keeps him pushing through, cracks through him enough to speak. 

“He, uh,” he clears his non-corporeal throat. “He kept a section of his database specifically for chess games for me. To run on my wrist guard when I couldn’t sleep.” Which was most of the time. Sensei shakes his head. “Kept a file for Mario Party cheat codes, too.” 

The kid stares at the side of his face. Breathing steadier. He can feel it like a brand. “I knew he cheated. Asshole! I knew it.” 

Sensei shrugs, a laugh surprising him as choked off and wobbly as it is. “He rigged up a giant screen once. Told me he was going to come for my crown once and for all, right in front of the entire base. Raph ended up winning.” 

The stare gets more intense. “No.” 

“Swear on my life,” he says. Pauses. “Or, well. My ghost possession afterlife? Don was furious.” 

“Raph never wins at Mario,” he can hear the cogs in the kids' heads freezing in place. Hell has rained ice, pigs have started flying. Raphael, chronically confused at Mario Party mini game rules to a truly fascinating degree, won a video game.

“It’s true,” Sensei laughs. 

“Was it the pity stars?”

“It was the pity stars.” 

“Ah.”

He remembers how hard Mike had laughed at that, just absolute shrieking peels of delight as the rest of his family stared in complete silence. April had needed to drag a completely feral Donnie back to his quarters because Leo ended up crying laughing with him. 

There weren't a lot of those good days after they lost dad. It’s important he holds onto them. It’s important he doesn’t let himself forget even when it’s hard to think about. 

“That’s a relief,” the kid says, leaning back again. “Was starting to think everything about the future was completely and morbidly depressing. Least you had Mario Party.” 

At least they had Mario Party. 

The kid wakes up on his own, Sensei tucked carefully somewhere in the background. There’s a flurry of commotion somewhere out in the hall that sounds a lot like Mikey and Raph, but it’s still and quiet in the med bay. 

Shit, the kid thinks, looking at the clock. It’s definitely been more than a few hours since they fell under. Sensei can see the medical clip on the kid's finger is back in place before he wiggles it off. 

“Number?” Don’s voice cuts in, stern. Flat. Standing with his arms crossed in the corner of the room by his desk. 

They hold up a two after a long moment. “I’m fine,” the kid says. Don’s expression doesn’t change.

“Who am I talking to?” 

The kid groans. “Don’t be like that, Tello. He didn’t mean to. Half of it was me, anyways.” 

Don looks squarely unimpressed, but something eases in the line of his shoulders. Relieved not to be talking with the body snatcher, probably, he gets it. 

“He said he dragged you under, it’s been twelve hours. Am I not supposed to think your parasite is making it worse?” 

He’s not wrong either.

The kid radiates frustration at both of them. “He’s not— Dee. He’s been through a lot. Leave off him, alright? I was pissed off, he got his flip switched. I wasn’t making it easier. I’m doing good, I don’t want to be mad, okay?”

Don’s expression flickers, faltering as it always does around their particular brand of pleading honesty. “Fine, I’m not done talking about this but. Tabled, for now. What do you need.” 

The kid thinks for a minute. Water would be good, Sensei nudges him. 

“Would you talk to him?” The kid says instead, startling both Don and Leo. 

Don recovers first, eyes narrowing. “Why.” 

The kid’s brain is a mess of picture show slides, a strange warped retelling of Sensei’s own memories. It makes him wince, guilt rising thick in his chest. He’s gotta get better at locking that down. 

“Look he— he misses his own Don. It’s not the same thing, but he had a rough night. Just shut up and talk to him.” 

“Oxymoron,” Don and Sensei say in sync. The kid glares. 

Kid, Sensei tries. 

No. Not up for debate. You won’t let me tell Casey? Fine, this is my compromise. I’m tired of playing referee. 

Sensei hates the pang of panic that still lights up in his mind at the thought. The kid lets out a frustrated growl. 

Stop trying to leave! I’m sick of it. What if I— what if I don’t want them to pry you out of here. What then? You gonna sit here in this pissing contest stand off with my Don until we die? 

There’s. A lot to unpack there, and not enough of the kid standing firm enough to do it— the conversations knocked them both back swiftly to a one that’s tenuous at best. Sensei didn’t make it so long as a general without knowing how to pick his battles, anyways. 

If this is what you need from me, okay, he relents. 

The kid’s glare is still hot, assessing. He turns back to himself, to the med room. 

Don’s fussing with his tablet, brows twitching and his hand firmly in Leo’s good one. “‘M here, sorry.” The kid squeezes his twin's hand for them. “Just having a conversation, hard to be both places at once.” 

Don’s jaw shifts. “I will refrain from the comments I desperately want to make.” 

“Noted, file that under an IOU.”

Don rolls his eyes. “Scoff. As if I don’t have a mountain of those already.”  

The affection in the kid is warm and strong as anything. He clears his throat. “What if I… what if I asked him to stay. Sensei. Would you be mad?” 

Sensei shoves his own festering pile of guilt and doubt aside as hard as he can. Don’s expression flattens. “Why would you want to do that.” 

It’s your life, Sensei whispers. 

The kid shakes his head. “Casey needs him.” 

There’s another need underneath it, neither him or the kid acknowledge it directly. 

Don sighs, eyes squinting in the vague pained way of his. “I’m supposed to be okay with someone that is not you, taking you away from us when—” He cuts himself off, breathes out sharply. 

The kid stays silent. 

“Fine. Tabled. Get him out here.” 

Sensei slides forwards, patting the kid on the arm distantly and ignoring his grumble about it. He’s bracing himself— he knows how Dee is, in any version of them. Getting his head chewed off would be the easiest way out. 

“For the record,” Sensei starts, with a faint curve to his mouth. “I agree with you.” 

The kid glares. 

Don arches a brow, crossing his arms. “I don’t…. Like you, being here. I’m not convinced you aren’t impacting him in ways that are halting his progress.” 

Sensei manages a shrug. “You’re probably right. I try really hard to stay out of his way where I can, but. You saw yesterday.” 

Don’s jaw works, terse in every line of his body. Sensei remembers how his Don was before Raph. The way he’d gone along with all of Leo’s plans just inherently trusting that his goal was always to get everyone back out above anything else. The way he’d shifted. Their last conversation had been a lot of sharp lines like this; something adjacent to doubt. It still burns, funnily enough, even from a sixteen year old version of his twin who doesn’t know subtlety at all. 

“If I told you I had figured out how to rip you out of him without injuring Leo at all, would you fight me?” 

Sensei nearly laughs, I’d thank you, he tries not to think. “No,” he says with a stronger lilting smile. “I’d just ask that you do it before Case realizes I’m here. He doesn’t need that.” 

Something in Don’s face shifts. “When Leo says you’ve been through a lot, what does that mean.” 

“Ah,” Sensei huffs. “Maybe not a conversation for right now—” He can feel the daggers of the kid’s ire, nonetheless. Sighs. “Krang won where I’m from, Case probably mentioned.”

“And that means?”

He winces. “A lot of things that are hard to remember, mostly.” 

Don’s gaze is assessing. He types something onto his wrist guard. “Any triggers I should know about?” 

You. Raph. Dad. He breathes out. Shakes his head. 

“Fine. Bring him back, please.” 

The kid’s eye roll is something fierce internally, externally it’s too much effort to muster. “Dee. That was barely anything.” 

Don shrugs. “I talked to him, didn’t I?” 

It’s fine , Sensei reassures him. He means that it wouldn’t help, not with the hole that’s been carved in him for years. 

There’s nothing at all in the world for what he’s missing. He should just be better at it. The missing. 

Something stubborn lights up in the kid, a spark he doesn’t think he’s seen in the younger turtle since they crash landed together. Fuck this. 

“Can I ask you something and have you promise you won’t get mad?” 

Don’s brow twitches. “I’m not promising shit.” 

A pause. “Say it anyways.” 

“If you went somewhere,” the kid starts, and his voice shakes like a nervous glance over his shoulder. Sensei tenses immediately. “If you went somewhere, and you didn’t know how to come back. What would you do?” 

Don’t , Sensei thinks, helplessly.

“Wouldn’t happen,” Don says. Not a moment of hesitation. “I wouldn’t let it happen.” 

“What if you didn’t have a choice?” The kid asks. 

He has to imagine his Don didn’t have a choice either, clings to it with everything in him. He didn’t know the kid had seen that, the wilful refusal to believe in any world where the other half of himself would walk away on purpose.

He doesn’t know the expression on Don’s face. He’s seen it before, at the planning table. After missions. He’s never known what it meant. “I’d come back,” Don says, like it’s obvious. 

This younger version of his brother, some spun off worried and sideways Donnie, leans forward and pokes the kid as carefully as he can in the center of his chest. 

“If I still exist, in any universe, I’d be coming back.” 

Sensei swallows. He remembers this; that simple constant of trust, of knowing half himself sat between his ribs and the other behind a desk with a computer screen. He remembers believing it, too.

There’s a hallway in his mind that he goes to, where his ninpo once lived and breathed. A living room where he kept all the lights on. There’d been a time where all the rooms and all the doors had been flung wide open. They’ve been shut for years now. 

“If you didn’t?” The kid asks, voice small. 

Sensei walks through the empty room, hand trailing against the wall of his mind. He hasn’t visited this door, hasn’t been able to think about it around the hurt in him. He presses his forehead to the wood of it, now. 

“If I’m gone, it would never be forever. You’d just have to wait longer.” 

In his dreams, or at least where he goes when the kid is sleeping, the door is warm. 

He sits himself against it, and pretends it's the same as the door being open. To feel his brother existing here at all. 

Sometimes he thinks he can almost hear someone knocking back. 

[a-small-batch-of-dragons]

Cause and Effect

ok this is overdone i feel but i love your writing. something abkut the effects the sides have on themselves? virgil being super anxious and logan overwhelmed and similar things? something w janus? with a good portion of hurt comofrt? love your fics!! – anon

Hi! I love your writing so so so much. I do have a request for you, if you want it: Headcanon that Remus, being responsible for intrusive thoughts, is also responsible for any earworms Thomas gets. Which, he mostly uses to his advantage. Except. He unironically likes Taylor Swift and is terrified of that information getting out because it will ruin his image/he won’t be taken seriously. – anon

I hope you’re having a good week! I was wondering if I could request a hurt/comfort fic with one of the Sides being really bad about announcing/enforcing boundaries, because “it probably means more to them than it does to me” “it’s not that bad” “I can deal with it”. Thank you for considering!! – anon

Read on Ao3

Warnings: self-esteem issues, panic attacks, anxiety attacks

Pairings: dlampr, can be platonic or romantic you decide

Word Count: 2954

Patton doesn't always remember that he has feelings, too. Logan works…a lot. Virgil lives his life looking over his shoulder. Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself. Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away. Roman is tired. The Sides struggle. The Sides help each other.

Patton doesn't always remember that he has feelings, too.

He's at the center of Thomas's feelings, of course, and that means he's feeling a lot of things that aren't necessarily his all the time. Thomas is happy, he's happy. Thomas is sad, the entire world might be ending. Thomas is angry, he has to hide everything that looks even vaguely orange because something might explode. Thomas is depressed, he finds it hard to even get out of bed.

That extends to the Sides somewhat too; all of them experience heightened emotions, a wonderful by-product of being metaphysical and in the Mindscape. So that means that anything that might happen to them will happen in greater intensity than it would in the 'real world.' But sometimes that can be a little hard to handle, especially if they aren't used to it. For Roman, it looks like being stuck at the worst part of a tragic monologue for hours, for Logan, it looks like that one question on a test that you just can't answer, for Virgil, it's the quiet and unsettling feeling of having something just over your shoulder all the time, for Janus, it's the itch that you just can't scratch, for Remus, it's the noise that's just at the wrong frequency.

It's hard, it's hard for all of them, and so Patton takes it upon himself to help them through it. He takes Roman's hands and just holds them, trying to make him see that he doesn't have to perform, not now, not with him. He sits with Logan and they just talk, about nothing, about everything, until Logan can smile just a little and everything feels better. He puts a pair of headphones on Virgil and wraps him up in a weighted blanket, leaned against his chest. He spoils Janus with a spa day until their favorite snake is too tired to do anything but sleep. And he sings with Remus, as loud and off key as they can, until that's all they can hear.

It's good. It's fun. It's worth it to take care of his kiddos. But sometimes things we say when we're hurting can make other people hurt, and it's important to take care of that too.

Sometimes Patton forgets that. Sometimes he mumbles it's okay, they didn't mean it, through his own tears. Sometimes he has to go and be by himself for a while before he can come back and face them again. Sometimes he has to just…remind himself that they're hurting, and that's what's important.

That isn't true, of course, and when the rest of them find out, it's easy to see that they love him too. They play games until their sides hurt from laughing so much, they crowd around the kitchen to bake cookies and brownies and all manner of sweet treats, they watch movies and cuddle on the couch until they all fall asleep. And when he's upset, because he gets upset too, they all come into his room and tell him how much he means to them until the curtains turn blue again.

***

Logan works…a lot.

There is something to be said for how subtle yet pervasive the concept of Logic is. On first glance, one would associate it primarily with academics, math in particular, or some such thing that is so purely intellectual that it might seem limited in its application. When in reality, when you examine it further, there is some hint of Logic in just about everything that you do, and so there is no escape from the things that you must use it for in order to do it correctly.

Logan has a lot of work. Logan has a lot of work. He has so much work, in fact, that if he stopped to think about how much work he has, he would become so daunted by the prospect of staring at such a tall hill that he would never be able to conquer it. Best to deal with things one problem at a time, take them step by step, and make sure that he doesn't stop to consider the sheer magnitude of what he's doing.

Perhaps this isn't the healthiest way to go about it. Perhaps he would be better suited to breaking down things into more manageable hills, getting over them one step at a time, that sort of thing, but he has no time for that. In the time it would take to do that, the first of the manageable hills would already have become unmanageable by the time he got back to them. So this is how it must be, working and working and working until there is a big enough pause for him to catch his breath.

The others…are not fond of this. Surely, he accounts for enough time to spend with them, but it isn't easily won. It's fraught with the thoughts of what else he could be doing, a passing worry that he's missing something egregious, that he would be better suited to getting all of his work done before allowing himself a break. But that is not the nature of resting, that is the nature of rotting, even if Logan cannot actually give himself a break.

When they find out, they drag him away from his work and into the Imagination, into a library so full of wonder and curiosity that he has no choice but to stop thinking about his work and instead, chase the things he's actually interested in. He darts from bookshelf to bookshelf, peppering the others with did you know, did you know, did you know, and nothing they could say back will be as rewarding as seeing his eyes light up with excitement for the first time in…they can't remember how long it's been.

***

Virgil lives his life looking over his shoulder.

His existence is a constant struggle of did we remember to do this, did we forget this, what if this happens, this is going to go wrong, everything's going to explode in our faces. Every time they so much as leave the house, it's a war of keeping himself together just long enough to make it back so they don't have an embarrassing meltdown in the middle of…wherever they happen to be. The grocery store, the gym, even the fucking sidewalk. It's like walking through the world where there are big flashing neon signs everywhere he turns, each warning about something else awful and terrible, and yet somehow everyone else is able to completely ignore them.

It's terrifying.

And what's worse is that he knows if he so much as breathed a word of this to any of them, they wouldn't believe him. They'd do something like laugh and say he's just freaking out over nothing—which he knows, that's not doing anything to stop it from happening in the first place—or try and rationalize it out of him. Which won't work either, because he knows he's being irrational, that's why he's so mad about it in the first place, but realizing what's happening and being able to do something about it are two different things.

Being able to get himself grounded becomes more of a necessity than anything else. This big hoodie that lets him become an amorphous blob, the heavy things in his pockets he can squeeze when the temptation to break something gets too much, the headphones and earbuds he keeps stashed everywhere with the phone charger clipped to his belt because if he can't listen to music at a moment's notice, he might actually break down in tears. He has to keep himself alert, because if something's going to go wrong, he's going to need to notice it quickly so he can get everyone else on board and safe before it wrecks the rest of their lives.

And when he manages to shove that out of his mouth in an absolute mess of words, he's greeting not with laughs and teases, but with open arms and kind words. He's bundled into Remus's arms and Roman lies on top of them as Janus chuckles, hands carding through his hair to help silence the worst of the mumblings that something's going to go wrong. Logan takes his hand and squeezes it in the rhythm for breathing exercises as Patton sings something soft under his breath.

They're all in the same room. They're all safe. They're all going to be okay.

He can do this. He can do this.

He can do this.

***

Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself.

Stories need antagonists. A narrative needs something to help it wind its way around all the twists and turns to make it into something worth following. If that means that the truth needs to be a little harder to find, that something needs to go a little wrong before it can be set to rights, well, he's happy to play the part. He's happy to thrill at the surprised looks he gets from the naive little heroes, the shock and betrayal on their faces when they realize he's tricked them, to cackle as they scramble to figure out what to do next.

He's equally thrilled to watch them squirm as he pokes and prods at their comfort zones. Challenging anyone who appears to be steadfast is endlessly entertaining, after all, and he can hardly blame himself when he's rewarded with such passionate monologues or fiery outbursts that end in grudging admittance that maybe he had a point all along. He's never been one to refrain from being smug, after all, and it would be a crime to deprive people of the right to see him in all his victorious glory.

Sometimes, though, that victory feels a little hollow. When it stops being a surprise and more of a resignation, when it's no longer something that they rise to meet but hunker down to grin and bear…when he wins, trouncing them soundly, and they take it on the chin and keep moving…that's not what this is for. He's here to make all of them feel a little something, even if it starts out badly, they should be proud of themselves when they outsmart him, out-think him, even when they don't win but they come close. He's a thorn in their side, not the sword that guts them before they have so much as a chance to say anything. And there's only so much fun that can be had toying with them before it feels like he's kicking a puppy for no reason.

He makes Roman cry once. He just stands there, staring at Janus, waiting for it to be over with tears streaming down his face. And when Janus stammers that yes, he's…he's done, Roman just leaves.

He doesn't want to just be the bad guy. He doesn't want them to think he doesn't care for them. He doesn't want them to be hurt, not…not in any way that actually matters.

He takes it on the chin, as he's seen them do, but it gets harder. Walking the line between fulfilling the role he's made for himself and actually being cruel is difficult, and tensions stretch further and further until one day, he can't do it and he has to retreat to his room and spend the rest of the day puzzling about how to fix this. He's never been the one to actually offer words of comfort. He's been there to lance infections from open wounds, not stitch them back together. He doesn't know what to do. He doesn't know what to believe anymore.

Roman comes to him first. Wraps him up in a hug and ignores all his babbling in favor of dragging him to their favorite picnic spot in the imagination. Everyone takes on a different role, just for that day, where Patton is the gardener that helps the baker, Logan, Roman and Remus are the woodcutters that build the cabins, Virgil is the blacksmith and Janus—Janus is the innkeeper. They spin a new story together, one where everyone gets a happy ending.

Stories end, after all, and new ones begin.

***

Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away.

He delights in the uncomfortable, luxuriates in the madness, and happily dances along to the songs of the worst things you could ever imagine. His side of the Imagination is chaos and ruin, twisted undergrowth giving way to dark city scapes filled with ne'er-do-wells and the filth from stories that finally get their chance to steal the spotlight. He lovingly tends to his creatures that would send fainter hearts into shock, none more so than his beloved Kraken, Oliver. Shipwrecks litter the bottom of the Imagination's oceans and he couldn't be prouder.

For Remus, chaos is a way of life. He takes the things that normal people would scoff at—just as enthusiastically as he would scoff at them for being so boring—and makes it into art. He builds machines that are needlessly complicated and endlessly horrible. He turns perfect order into perfect disorder with a gleeful squeal. He's the bane of Logan and Roman's existences—one is affectionate, the other decidedly less so—and he steps into his bear traps with a grin on his face.

There are, of course, downsides. He's alone, a lot of the time. No one else really appreciates everything he does, all the hard work that goes into turning his world into the best it can be for him. Sure, they get close sometimes, like when there's an experiment and he and Logan get to go full mad-scientist, or when he and Janus are gleefully stirring all manner of shit up for everyone else, or when he and Roman throw literally everything they can at every sort of wall just to see what might stick. But when those times are over, and he's back to being the same old, messy Remus, he gets…lonely.

Especially when there's something that would make them think he's something else.

He's got a reputation. He's supposed to be dark, twisted, messy, chaotic, that sort of thing. He's annoying, the voices in your head that you just can't get to go away, the song that won't stop playing in your head at 2 in the morning when all you want to do is go to sleep.

He can't exactly expect them to believe him when he says the songs he wants to keep playing are something like…Taylor Swift.

He's got an image to maintain! And that image doesn't go well with, y'know…something like that. He's no stranger to other people's shame, but his own…well, he might get why people hate feeling it so much.

Roman, though, is his brother, and as such gets full rights to both tease him about things and find out whatever he wants to know. And Roman is his brother, which means that he loves him unconditionally. So maybe the two of them can sing along to Taylor Swift at 3 in the morning and if Roman takes the fall for being the one obsessed with her stuff, well, that's for them to know and Janus to find out when he figures out what Roman's lying about this time.

It's fine, they'll just make him listen to 'no body, no crime.' That song's right up his alley.

***

Roman is tired.

He's just…really tired.

Being the prince, being Thomas's Hopes and Dreams, his Creativity—well, half of it—trying to keep everything afloat…it's tiring.

The others don't know this—well, Remus might—but he's the main anchor point between Thomas and the Mindscape. They're all products of Thomas's imagination, which he uses his Creativity to make and interact with, which means that…them, the Mindscape, the Imagination, it's…well, he has to spend a lot of energy to keep it the way it is.

It's tiring.

So sometimes, he doesn't have it in him to play the role. Sometimes he can't focus on staying away long enough to do all the work they want him to do on top of all the stuff they don't know he's doing. And sometimes…sometimes it's just a little bit too much.

They find him on the floor of his room one night, just watching the moon. They gather blankets and pillows and stuffed animals and build a little nest, right there around him. Remus opens the door to the Imagination to lighten a little bit of the load and Logan helps Patton coax Thomas the rest of the way to sleep, letting them shift to the dreaming mind instead.

He's so tired. Surrounded by the others, with his mind at peace, he finally gets some rest.

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[frogchiro]

I've never asked a question before, but your neighbor! James idea gave me so much brain rot because it was THAT good, and I had to write something about it or else I was going to die.

I was just writing whatever came to my head here, but I hope I did your idea justice:

"He saw her, oh did he see her, the pretty little thing that moved into an apartment just a few blocks down from his house a month ago. It was a shame really, James wouldn't get to see her as often as he would like but when he did, it became nearly impossible for him to focus on anything else.

You were all smooth skin and perfection with silky hair that he wanted tug on and run his fingers through coupled with the sweet sugary smell of vanilla from the perfume you always wore, it was just the right amount as to not be too overbearing yet heavy enough for him to get absolutely high of off, but James wouldn't have it any other way. 

Although, sometimes when he finds himself alone in the confines of his bedroom late at night, he’d begin to have second thoughts about the whole thing, this “feeling” or whatever he wanted to call it was completely one-sided. It bothered him to no end but at the same time the still logical part of his brain was telling every nerve ending in his body that this was wrong, so very wrong. 

This only made him want you even more, and this terrified him.

The filthy thoughts he had of you were always constantly buzzing around in his head like TV static that he didn't know whether to turn off and ignore or entertain just to see what would happen to himself. At some point James knew that he couldn't have his feet in both worlds, a decision would have to be made. 

The only thing James could do right now was pray that he could keep this little game of his going as long as possible, no matter what it'd cost him. 

He knew he was walking a tightrope, but he wanted so much more.

Then one day it happened, on his way to work, in the early light of the morning, that he saw you right outside of his window wearing a pastel blue sweater, a pair of black sneakers and a white colored pleated mini skirt that was leaving absolutely nothing to the imagination with your hair tied up into two space buns.

James found it all incredibly adorable yet also undeniably sexy, what he wouldn’t have given in that moment to drag you into his house, take you up to his bedroom and lick every single part of you that his tongue could reach. Were you a screamer? Or were you one of those shy girls that stayed quiet? Honestly it wouldn’t matter to him in the slightest, he’d have you screaming his name until that pretty little throat of yours hurt, regardless.

The opening noise of his front door made you look up at him with a bright smile and as embarrassing as it is for him to look back on this particular interaction now, he almost groaned, just from the sight of you even back then. 

And it got even better when you opened that gorgeous mouth and James could practically feel the chemistry of his brain shift when you spoke, “Hi! I'm (Y/N), nice to finally meet you, I was just going around the neighborhood and introducing myself to everyone. I just moved in, it's James, right?”

Oh god, he thought, I’m so fucked."

Yeah, so I just wanted to share that before I exploded, thanks for coming to my Ted Talk

Ahhh thank you very much for this delicious thing dear!!

And yeah, you're honestly so right, James would be so thirsty and borderline obsessed that he'd start to be kinda creepy :(

He'd fantasize about you, your body, your scent, how you'd sound in bed if he actually took you; would you scream for him? Would you let out those sweet shy whimpers? Were you a sweet sweet virgin, just his for the taking and never letting you go?

I kind of see him as feeling guilty at times; look at him and look at you. He was a tired, washed out widower in his 30's with a boring office job. Sure it made him quite good money but what was the point of it if he didn't even know what to spend it on?

And then there was you, the sweet 20-something college girl who smelled like vanilla, was bright, smart, kind and had an amazing future in front of her, what would someone like you want to do anything with a guy like him?

His thoughts would race, his guilt rising until the moment you actually spoke to him, introducing yourself to James, your voice sweet with a tinge of shyness to it as you explained that you're just introducing yourself as the new neighbour.

Oh he was fucked.

[sugar-crash]

🏎️Turbo (Wreck-It Ralph) x (gn) Reader🏁

(Drunk Turbo Edition!)

(Picture’s not mine!)

(Request here! Oh this loser… He just screams Oingo Boingo vibes, which is a bit ironic considering they were very popular during the 80s… I feel like I’ve probably already said this but I don’t care if I did or did not you know? I have a nasty habit of repetition lol)

- Who knows if alcohol (I believe Tappers sells Root Beer cause… Kids arcade game) or even cigarettes exist for the arcade members, but it’s fun to think about.

- I for one think him getting drunk is kinda rare, mostly because I think smoking and being self-absorbed among other things are his main way of coping with his emotions over drinking… Though he isn’t exactly against it.

- When he finally lets himself let loose and drinks at Tapper's… He drinks. Getting drunk as a goddamn skunk, like how Fix-It Felix chugged it in the… Sequel that must not be named, as witty as the name is. A real waste of a good movie name ngl.

- ANYWAYSSSS, I think he either somehow miraculously manages to find his way to you or you find him after one of your… Dare I say, friends?? Mutuals??? Complain about him being a drunk little shit and killing the mood.

- Honestly I think he flip flops from mean drunk to emotional drunk, really empathizing the turmoil that goes on in that gold ball shaped head of his.

- Going from wanting your comfort to insulting you, his speech is even more slurred than it usually is as he clutches onto you…. Freak.

- He’s so pathetic in that state, which is partly the reason why he doesn’t drink that much, against his whole thing of not being perceived as vulnerable keeping him from relying upon you like that.

- That reflects in his insults towards you as one might assume, insults elementary on the surface but tells you what’s going on in that fuzzy pea brain of his a lot more than it usually does.

- Alcohol really dumbs him down for a bit, too focused on standing up or the bug that’s clinging to the side of the wall to really string his thoughts together more concisely as words just pour out of his mouth if you poke and prod him just enough.

- Something tells me he does do the stupid ass cartoonish drunk hiccups when he’s smashed just enough… Why not? He has a bit of cartoonish whimsy to him.

- The type to try to get into a bar fight if he gets offended by some minuscule thing someone did or said, wrangling him is lot harder than one would think.

- Overall it’s usually not a great experience for any party though he does have his extremely rare moments of chilling the fuck out while drunk, mostly when he’s only sort of buzzed and still has some of his wits while being at home.

- Again I can see him being more clingy, not in a “Hehe I just like holding them💫💫🧚” but in a “Oh fuck I think I’m going to fall HELP—” Kind of way, he’s not the most graceful by any means.

- Like definitely as tripped over his shoelaces and makes you swear to keep that to yourself when he’s sober and embarrassed as all fuck when he’s able to recall the foolishness he partook in.

- Oh and keep him away from his kart— You think he’s a menace behind the wheel sober?? He is an absolute scrounge when he’s drunk, that one meme personified— Has definitely attempted to drive his kart into the Game Central Station before you put a stop to it much to his drunken annoyance.

- In a way, he was always wild, ‘liquid courage’ was just a more bitter way for that to be less constrained under his urge to maintain a powerful main character persona, makes him more honest but more incoherent.

- Rambling about what anything that comes to mind as he grips onto you as you lead him to Turbo Time to try to get him to wind down and hopefully sober up before opening time.

- Honestly, I think the more drunk he gets the more emotional side of his drunkenness comes out other than the usual slurred snarky remark he makes towards someone as they simply walk past him. Like I said he’s a little shit.

- A little attention-monopolizing hobgoblin who just so happened to get more than he should’ve drank.

- Hungover Turbo is a kind of creature you don’t want to mess with… Mean as a mother fucker, you just know his fellow racers taste his even uncaring cruelty as he fights back a migraine.

(. -. .. --. -- .- - .. -.-./.-. ..- ... .... . -../.-. . -.-. -.- .-.. . ... .../--- -... ... . ... ... .. ...- ./.-. .- -... .. -..)

[eevylynn]

Art by Timeless

Shadows Within

Sterek || E || 37k wc

After making a deal with the Nogitsune, Stiles gained control of its powers. When an enemy comes, determined to end the Beacon Hills Nogitsune no matter the consequences, Derek gets kidnapped and hurt, and Stiles’ possessiveness comes out.

The gorgeous artwork is by Timeless. It was very inspirational!

This is by far the longest finished fic I have ever written, and I still can't believe I actually managed it.

Thank you to everyone that helped me get this done and out there into the world! You know who you are!

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Stiles adjusted the grip on his stick and scuffed his cleats in the grass as he briefly closed his eyes to take a bracing breath.

After he had turned the tides of the championship game last season, causing BHHS to win, this was what he wanted. Scott had worked with Stiles on and off over the summer between sophomore and junior years to help him improve enough, so they could be co-captains together. With Jackson’s parents’ pulling him out and moving to London, that dream seemed even closer.

Then, the insanity of the fall semester happened, and any thoughts of lacrosse flew from his mind.

That is until the announcements for tryouts came out.

Thankfully, Scott had brought his grades up enough that Coach was letting him back. Maybe. Everyone had to try-out again. One would think that everyone that played on a championship winning team would automatically be back on the team the next year, but noooo–Coach had a wild hair up his ass and decided that’s not good enough and that they needed a “rebuilding season”.

To be fair, Jackson wasn’t the only one of their teammates whose parents decided to take them out of Beacon Hills. Probably because of all the murders, if Stiles was being honest. Even Danny was gone, which was unfortunate because Stiles could tolerate Danny.

This little shit that was standing, unwanted, in front of the goal on the other hand…

Opening his eyes, Stiles stepped into his shot, launching the ball towards the goal faster than he ever had before, passing the goalie’s stick by a hair and landing in the net.

The crowd on the sidelines erupted in cheers, but Stiles barely registered them.

“YES!! Another perfect shot! Way to go, Stilinski!” Coach Finstock yelled, snapping Stiles back to reality. “Stilinski, you’ve been holding out on us!”

Stiles jogged to the back of the line, making his way to the back. His eyes flickered to where Scott stood at the end. He was watching Stiles with a mix of admiration and unease.

“Dude, you’re doing, like, really good,” Scott said as Stiles neared him, eyebrows pinched a bit.

“Yeah,” Stiles muttered, as they turned to watch Isaac take his turn. “Thanks.”

They both leaned to look around the guys in front of them to watch Isaac shoot. The ball almost went into the net, but the kid, Liam, caught it right at the last second. The guys around them were evenly split between groans and cheers.

Stiles whistled as Isaac made his way to them. “So, close.”

“At least I was aiming for the net,” Isaac replied, reaching out to roughly pat Scott’s shoulder, “unlike some people who just whiffed and hit the frame instead.”

Once again, the goalie caught the ball. Scott had missed a few more shots, overshooting the goal or hitting the posts instead. A couple of times, Liam even managed to intercept Scott’s attempts, flashing that smug grin of his each time. The kid’s accuracy was almost annoyingly perfect, and he seemed to be thriving on Scott’s slip-ups.

Frustrated, Scott stormed off, ripping his gloves and throwing them down as he went.

“Dude!” Stiles said urgently, as he and Isaac caught up to Scott. “What is going on with you?”

“I don’t know,” Scott grumbled. “I’m having a really off day.”

“Off day? You are dying out there,” Isaac snorted. “Like, I’m feeling actual physical pain watching you.”

“I wish,” Stiles muttered.

“Yeah, like you need to be any stronger,” Isaac muttered back, immediately understanding what Stiles was getting at. “This is already weird as it is. I mean, you’ve been doing better than both me and Scott.”

“That’s because Stiles is new to his powers. Whereas, we’re not using our abilities out on the field,” Scott said. “On the field, we’re just as human as anyone else.”

“No, you’re really not,” Stiles pointed out, getting annoyed. “You’re a werewolf–complete with the strength, speed, and reflexes. It’s the whole reason you were able to even get off the bench last year, remember?”

“Yeah, but I’m trying to do better. Be better. I’m trying to make it fair for everyone, so I’m avoiding using my powers.”

“Well, in case you’ve forgotten,” Stiles said incensed, “Finstock doesn’t know or care if you are an Alpha werewolf. He just sees someone who’s not at the level they were last year. You might want to use some of your wolfie powers or you very well might lose your position as team captain. Are you prepared for that?”

“But…that’s cheating.”

“Technically, it’s not. There’s nothing in the rules about supernaturals playing on the team.”

“No, but that doesn’t stop it from being an unfair advantage.”

“Scott, the only way to completely prevent yourself from having an unfair advantage on the field would be to just not play,” Stiles said, getting closer to the edge of his temper at Scott just not understanding. “Your advantage doesn’t just come from using the obvious powers. Your very senses are heightened in a way that a human’s literally can’t. There is absolutely no way for you to play as a human, especially now that you’re an Alpha.”

[chaoticgoodthief]

for the stp ask game: 5, 11, 23 (Smitten)?

5. Who is your favourite Voice?

No matter how long I play, Contrarian still holds a special place in my heart. He's basically everything I want in a character. Silly little goober, now with a free serving of Trauma TM. As much as I love Hero like most people do, I've been loving the Silly Guys + Pain combo meal for ... probably a good few years.

11. Any non-canon Vessel-Voice you think is fun to see?

Hmmm tough choice. I mainly enjoy Voice-Voice dynamics personally, although I'm not really sure why. And even the Vessel-Voice interactions that I do see are usually most enjoyable when canon because they have history with each other.

But that being said, I do think Opportunist and Tower would be really fun. The Voice most prone to betrayal and the Vessel that expects nothing but submission and loyalty. Considering thow you can get Opportunist in the first place (*cough cough* let the Narrator control your body *cough cough*), it would be fun to see what plan Opportunist comes up with. Who knows? It might not even be that different to Broken's plan, even if done based on different reasoning.

23. Any first impressions regarding Smitten? How about now?

Ooooh boy, prepare for a ramble, buddy.

Surprisingly, I clocked onto the dark side of that little lovebird's deal fast. My very first impression of him was kind of... eh. That's sure a guy. But then, when he immediately sided with Opportunist when Opportunist was on team Save The Princess and started talking about "redemption". I got Burned Grey, saw how quick he was to turn against the Long Quiet when the Princess died, his well... burning hatred for Cold.

And I think that's when things clicked. This was the messed-up Paladin, who likely would hurt the people around him in the name of "doing the right thing". There seemed to be no limit to how far he could go if he thought his actions justified, no way to calm his dangerously volatile emotions other than the Princess' presence. If he and Opportunist were left to their own devices after the Thorn route, I would be more concerned for Opportunist's safety.

My impression has only been further solidified the more I learnt about him. His refusal to acknowledge the harm done by even the worst of the Princess' actions. His actions in Dams3l and the events leading up to it. All of them pointing to me being right on the money of my initial assessment of the warning signs. (so much so that I even unknowingly predicted Dams3l when writing an AU version of him, but that's a story for a different time).

...So overall, pretty consistent impression on Smitten's personality.

Thank you so much for the ask!!! This was super fun! :D

[raezlove]

Dragon Age: The Veilguard

I finished it after 90 hours over the last week. I did all quests and side content available to me and was pretty thorough with notes and momentos. I was hooked from the start, definitely saw why the writing got criticized during the middle, and then was continually surprised by the end sequence.

For me this was a solid 7/10 game if looking at it from a linear story game rather than a branching rpg.

Thoughts below. Some spoilers.

Starting with some general categories then moving on to larger issues I had.

I’d say the majority of the voice actor performances were really good. There were moments throughout where they weren’t great but that was combined from the very cringe/generic writing. But when the characters needed the emotion for a moving scene, I felt it. Even characters I, at the time didn’t care for or were biased against, the voice actor’s performance made me hurt for them.

Companion cast had some gems as well as some underwhelming members. For me I was taken by Lucanis, Emmrich, Neve, and Davrin as characters. They still weren’t spared from poor lines throughout though. Bellara came around for me by the end as I had initially been biased hearing she was incredibly annoying but I also didn’t have her in my party very often for gameplay reasons. Taash and Harding I also rarely took out for gameplay reasons nor did they pull me in as companion characters.

Companion arc quest lines I enjoyed them all well enough but I liked Davrin and Harding’s the best for world and lore building,though I admit the actual quests for Harding felt lacking to me. The map locations also didn’t feel utilized as they were only ever seen those couple times. Bellara’s quest was also interesting for lore but other than the ending, which was not unexpected, felt mundane to me. Lucanis’s and Emmrich’s were decent arcs though they didn’t feel like anything groundbreaking, it just helped that I had already found their characters compelling. Neve’s was very underwhelming to me which was disappointing because I initially was quite intrigued by Neve. Taash’s was done as well as they could’ve with the direction they decided paired with their safe writing. I mean no disrespect for them wanting to include a gender queer story but something about this didn’t land. I saw someone else say it but the modern lingo in this fantasy setting made it seem out of place just for the sake of it. I don’t know how they could’ve implemented that aspect of Taash better but their writing and performance came across too stiff at times. ((This is not an issue of including lgbt characters, rather how they are written and if they are pushed to be defined solely by that one sole aspect of their identity))

Art design and world direction was never an issue for me even from the trailers (except for that first one where I thought I was watching a live service mobile trailer). I don’t mind brighter exaggerated designs or flashy colors. Nothing stood out but nothing was bad either, it was just an average design to me. As mentioned above though there were specific locations I felt were underutilized and sometimes felt included just to make the map seem bigger. I liked the character designs but outfit choices were definitely not my favorite and I wished they had an all black outfit for Rook but that’s just an irrelevant personal wish.

The callbacks to Inquisition were something I was incredibly curious to how they would handle and was looking forward to. For transparency, my original Inquisitor romanced Solas and refused to give up on him so I was holding out for my Solavellan heart to be fixed or at least something that dulled the ache. The Inquisitor appearances were about what I expected. Lavellan shows up a couple times, sends some letters, then shows up for the finale. I did get my Solavellan ending and while selfishly I wish it could’ve been more, I think it was adequate (though that kiss animation left something to be desired). It felt like an appropriate end for my Lavellan who was so sad and beaten down for so long after losing someone she loved with her entire being and after having the weight of so many people looking to her for guidance for the last decade when she never asked for the responsibility in the first place. She finally got to save her person and leave the world’s problems to someone else. As for Dorian, I’m not sure if he shows up/is mentioned more if you saved Minrathos but his appearances kind of felt unnecessary. I loved him in Inquisition but he didn’t feel properly utilized in the Minrathos story lines I saw. He could’ve just been a name in letters and he would’ve had the same impact.

Main Story was a trip. Overall I found it intriguing and compelling, though sometimes it dragged or some missions were boring. I enjoyed Ghilan’nain and Elgar’nan as villains though Ghilan’nain was more interesting with her molding the blight. Elgar’nan was compelling as a direct comparison to Solas with their pride and arrogance. Their dragons were cool though I really wondered how we were supposed to fight Elgar’nan’s dragon after seeing its size. The end solution did make my jaw drop but also made me chuckle after because I can’t imagine how else they would’ve had the player fight that. Again, I’m biased as I loved Solas as a character for all his complexities and flaws so I enjoyed any of his scenes and appearances. I especially enjoyed the story’s direction in terms of regrets and guilt. Prison sequence was a highlight to be sure. I will also say I really wasn’t expecting them to commit to main companion cast consequences at the end considering how safe they had played it to that point.

Gameplay was a welcome improvement to me over Inquisition. I played Inquisition for the first time about 3 years ago as a mage but I played it again in the last year as a rogue. Both times I played on easy difficulty because I found combat such a nuisance. I am biased as I prefer combat systems more in the realm of Witcher 3 and Breath of the Wild so this fit in with that if a bit busier. I played my Rook as a mage and I tended to use the ability wheel rather than the shortcuts because I needed the time to process and think about what I wanted to do, also the fact I kept switching companions and their abilities depending on the situation I couldn’t remember what abilities were mapped to what buttons. Dodge and parry didn’t feel the best, although I admit that could be fully on me (especially parry). For parry it constantly felt like there was a delay in pressing it though it could very well have been made worse depending on which tv my Xbox was connected to. My issue with dodge was the fact that after a double it basically left you halted with no momentum. Again, very possible it’s just a me thing and I need to “get good” but for how much certain encounters were chaotic enough to be constantly dodging it did become annoying especially if you get hit once and then get caught repeatedly. On normal difficulty as a mage, fights usually felt fair and doable with some more challenging than others depending on wave size or vulnerability paired with specific companions. There was only one fight in a miscellaneous side quest for a haunting that I got too annoyed with and even after trying multiple companion pairings I lowered the difficulty to just get it over with because I couldn’t be bothered. For a random side quest with no real story or likely payoff it didn’t feel worth it.

Now for the largest problem I had with this game: it’s gall to call it an RPG. I don’t expect or need Balder’s Gate level in every RPG game. But this didn’t feel like it even met the level of RPG that Inquisition offered. Whether it was world choices or companion choices very few things felt consequential. For the world, I can only think of 2 or 3 choices that I felt would have any change on the world one of which is literally just a 50/50 of which city is getting destroyed. And of course for the others you never saw or heard and real consequences or reactions aside from initially following the decision. There was nothing that made me second guess myself like deciding to forgive or banish the wardens like in Inquisition, who drinks from the well, the inquisitions fate. And for companion arcs, the choices all felt underwhelming and more a direct effect on gameplay/rewards than any story ramifications. There was never a moment that felt like it mattered to the companion story or their future interactions with me or others. Nothing that felt like it mattered like making Bull choose between his friends and the Qun, encouraging/dissuading Cullen from taking Lyrium, or having a hand in choosing the new Divine. A common thought I had throughout this game was it seemed really hard to get a “so and so disapproves”. There seemed to be more instances in Inquisition where decisions would inevitably be both approved and disapproved by various characters so it was never going to be a case of pleasing everyone. I remember seeing the disapprove notification maybe three times in Veilguard. The critique of the dialogue wheel is also very valid. There is no real choice as all options typically lead to the same outcome just with a different line. You can’t even really be mean or an asshole from what I could tell. Options were sincere, joking/less serious, and stern. None of this I think would’ve mattered as much if it weren’t for the fact this was advertised as a choice based RPG when that just isn’t the case and going in with those expectations is bound for disappointment.

As a last issue it had to do with romance. I liked Lucanis. I like him as a character and I like the voice actor’s delivery. There were lines of his that made me giggle and smile. But the overall writing of the romance and their moments sometimes came across as awkward with the subpar writing. There also wasn’t the same charm I got from Inquisition when at the base. Part of that comes from the lack of actual interactions of being able to talk with your companions in the lighthouse. I hate to keep comparing it but in Inquisition you could still talk to the characters even if they had no new dialogue. In that, you’d have the moments where Solas would call you vhenan or speak Elven or like in my second with Cullen you always had the stealing away for a kiss option. It just felt warmer in a way where in The Veilguard I would get a random one off line when I stood in front of Lucanis and, while some of them were sweet, the lack of player input and interaction caused more disconnect.

So overall as a game I think it’s a good buy assuming you go in with the right framing of what you’re going to be getting. A competent story, some interesting characters, good performance, good gameplay marred by a good helping of juvenile safe writing and lack of choice.