#I really really hated doing this one

[valtsv]

stuck between "psychological horror statement" and "objectively the funniest thing you could say to your real flesh and blood dad" in the father's day card aisle

[crumb-crumblet-s-crumbington]

the worst family ever ladies and gentlemen

[listen-to-the-inner-walrus]

so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.

and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.

...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.

see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.

while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.

especially if the president of the united states is on board.

yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.

and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."

but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.

...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.

not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.

yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.

but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire

[hell0mega]

it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.

i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.

and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.

and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."

[egophiliac]

Please elaborate on your twst Pokémon headcannons I’m very interested

I had planned on drawing everyone for this (I made a LIST!) but it. hasn't been going well. 💀 soooo here's what I have so far!

Riddle - Roserade (I was going with 'no legendaries', otherwise I would've given him a Shaymin) (and I don't think Togedemaru is actually a hedgehog or I would've given him one of those too) (...they kind of do fit though. hmm.)

Trey - Alcremie (clover/mint cream + strawberry/ruby cream)

Cater - DITTO SQUAD! DITTO SQUAD! DITTO SQUAD!

Ace - Impidimp (I feel like there's probably a better one for him, but I can't think of it)

Deuce - Scraggy (meanwhile I KNOW deep in my heart that this is true)

Leona - Pyroar (but like. a nasty Pyroar. just a grizzly old Pyroar with the shittiest attitude imaginable. they pretend to hate each other but secretly they are a bonded pair, do not separate)

[menlove]

average post about paul mccartney: I want to bend him over and fuck him so hard he starts crying god I hate him so much my beautiful princess

average post about john lennon: estrogen would have saved her. look at her. that's My Wife. she's evil. she's insane. I want her.

average post about george harrison: has anyone ever served this hard? personally, he should have murdered john and paul and ran off to have beautiful bisexual sex forever and ever 🫶

average post about ringo starr: ringo! 🥁

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[softinvasions]

DIRECTOR'S NOTE • Nov. 2023

You can't go home. This play has a particular care for and interest in its victims. The resident

inciting event is endless. tragedy is much more concerned with footnotes than it is with gods.

well acquainted with what happens afterward, storytellers claim they can't diverge from what's

written: resist. rage against what must be. tell a story about war without talking

about love. survive its aftermath. fail to find resolution. make this suffering

a home. There's no breaking this chain— fate, as always, gets its way.

Poetry assembled from the program of an Oresteia production. Nov. 2023.

[sourkreem]

happy pride month from our silliest goofy goober pretty boy bicon tim robin drake

dont like how it turned out but need to move on to other things

so have an unfinished ref sheet of timmers

[tubbytarchia]

wtf get these two losers off my dash

[poorly-drawn-mdzs]

I've never been more normal in my life.

[First] Prev <–-> Next

[arsenicflame]

Bonus round! Do you use a queue tag?

[notwithoutafight]

max & daniel + eye contact

[cuubism]

i feel like dream in human aus is usually characterized as being more stoic and stern while hob is more easygoing, but i think it would be funny to have a university au where hob is the professor who's like "no work is deserving of 100%. find 27 more sources and do it again" while dream is just like "they put their dreams into it, hob 🥺 A+! A+! A+! A+!"

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[lucabyte]

Different standards