#I really like the children's hospital post

[psychodon525]

I think there's a difference between a reblog with a snarky retort, and a reply with a rude message. A reply is made on the post itself, and the OP sees it, and it goes in without context of what came before it in the reblog chain. A reblog has the connotation of "I'm writing this for my blog, and for the people who follow me."

Yes, it's definitely shitty to just take someone's post and be shitty to them, especially when they've explicitly asked you not to be, and ESPECIALLY if it's in the replies. But a reblog has a different context. When I reblog something with a message attached, I'm almost never looking at the specific users who said the specific messages. Instead, I'm just sorta going "This message would make me laugh if I was reading it on my timeline, so I'm going to put it here, so others can laugh the way I would want to."

Sometimes it's a swing and a miss, and you wind up saying something dumb, which comes off as super rude. Sometimes though, you say something funny, and your reblog takes off and becomes the version that everyone sees. We wouldn't have the Children's Hospital post without several people being pretty darn rude in the reblogs. The first Prozd sound clip I ever heard was the Pregante video, which is essentially just making fun of a ton of random strangers on the internet. Mbmbam got popular due to their Yahoo answers segment, which often made fun of the ridiculous questions people ask on there.

Would the internet be a much nicer place, if everyone was less comfortable being rude to one another? Yes. I mean, the algorithms on so many platforms intentionally show us things that will make us upset, and a lot of the time, that leads to extremely rude interactions online. But on Tumblr, we curate our timeline to be just the people we want to see, and it makes it feel a lot more personal, and like the people we interact with are our friends, or people we can make those kinds of jokes with, and that's part of the appeal. It would be so much more boring if everyone was just nice to each other. Imagine if there were no straight man in a comedy routine. Imagine "Who's on First, except it's only Abbott." That would be boring. We need the jokester who plays on the straight man, and ribs them, and makes jokes at their expense, because that's how comedy works.

Maybe "fuck you :D (very comfy right now btw)" isn't a great joke, but maybe "Idk about OP, but I've never felt comfortable on the internet" is better. Maybe "OP is right, and I will personally fight anyone who is rude on the internet" is better. Or maybe "What's next? I should start feeling uncomfortable when I say rude things to my coworkers? Or I should feel uncomfortable when I beat people up? Now you're going to tell me there's a law against physical assault now too?"

Or maybe you don't find any of those funny. Maybe your style of humour just doesn't jive with that particular type of routine. I mean, it's your post, so you're absolutely allowed to tell people who can and can't reply, and police which kinds of replies are made. But I just think it's a bit strange to equate "thing that was said in jest," with "actual harmful speech, meant to upset or belittle another."

In that original reply, you are correct. You're not sharing a charming joke together as friends. That person made a joke, and you didn't like it. They had no intention of hurting you, and explicitly said it for the purposes of making other people laugh. They did hurt you though, and it's valid for you to address them, and let them know that you didn't want that to happen. You have a quote up there, "[...] coming into your house and swearing at you [...]" which I think is a pretty apt metaphor for parts of Tumblr.

You see your blog as a personal space akin to your house, which you want people to take off their shoes before entering, and to speak with kindness and respect to you. Most people see their blog instead as a stage, where the few or many people who follow them can see the things they like, and the funny things they say. Sometimes they'll bring on another person, and have a funny back-and-forth dialogue, where they're exaggerating things and being jokingly rude, for the sake of laughs. But I think it can be both. I think your blog itself is a stage, and every reblog is a new person putting your act on their stage, but the replies on any given post are OP's house, and you don't bring Stage Energy™ into someone's home.

People shouldn't be putting jokes or rudeness in the replies, ever. If you're mutuals with OP, then sure. But if you have something that is intended to make people laugh, say it in a reblog. That way people know you're saying it for the benefit of others, and not just as a response directly to OP. I don't know enough about the UI of Tumblr to know if that first one was a reply or a reblog, but if it was a reply... Yeah, that's fucking obnoxious, and that person shouldn't have said that there, I mean... There's a time and a place, and that ain't it.

I think OP has been EXTREMELY kind to others on this post, and I don't understand why people are being really mean to them, ala "for fuck's sake" or "fucking hilarious the irony at play here." Like this wasn't a personal attack at you. OP had a generally good point, which someone clearly misread the situation of, and opset them. Then when OP was like "hey, don't do that?" people started dogpiling them.

Rudeness as a performance piece, meant to make people laugh, and be reblogged and shared for a chuckle? That's Tumblr, baby. Rudeness in the replies or DMs or Ask Box? That's awful, and how you get blocked. There's a social etiquette at play here on Tumblr, and I think a lot of people want their reply to be the one to go viral and make others laugh so much and get so many notes and wind up on Reddit or whatever, that they forget how to be kind, and how to follow the rules of Tumblr.

A reblog is a stage. A reply is OP's house. The tags are your house/inner thoughts. Don't bring your jokes for an audience into OP's house.

We've all gotten just a bit too comfortable being jerks to strangers on the internet I think

[genderdog]

every time i listen to ugly death no redemption i go fucking insane about ice the last generation again

[falesten-iw]

Warning: Long Post No one reads long texts anymore, but despite everything I've been through with my country, my family, and recently my son, I need to get this off my chest. It's completely unbelievable to me that so many people still don't understand the background of the genocide in Palestine. What kind of journalists or influencers do we have today? Are they too afraid to report and remind their audiences about the real story behind what's happening now? No, it's not just one year of suffering! It's outrageous how the media consistently ignores what Palestinians have been enduring for decades. Have they, or you, even bothered to look at the statistics of how many Palestinians have been killed by Israel since 1948? How many children have been killed? Who holds the responsibility for what's happening now? I often wonder: what if the situation Palestinians face was applied somewhere else? For example, what if, after World War II, the West had decided that all Jews should have a state in the USA—let’s say Chicago—how would the people of Chicago have reacted? Imagine the people there being driven off the land their families had worked for generations, stripped of their rights, and harassed or persecuted if they resisted. Do international laws simply not apply when ### is involved? Do you know that people in Gaza are killed simply for fun? Yes, for fun! Israeli soldiers have been known to shoot women, children, and even animals on the spot, then walk away. Did you feel the wind when those shots were fired? Or was it too far away for you? Do you understand what death means? Good. Do you know why there are so many Palestinians living in different countries, or maybe even right next door to you, even though they smell like hummus, garlic, za'atar, and other traditional foods? Do you know why your neighbors are Palestinian and not Israeli? It's because we've been forced to flee since 1948. Our cities were erased then, and more are still being erased—through violence, through apartheid laws, through genocide, through different methods. Ilan Pappe, an Israeli historian, wrote a book about hundreds of Palestinian cities that were erased to create the Israel you know today. This isn't a war that started a few days ago or even a year ago—this has been going on since at least 1948. More than 45,000 have been killed in Gaza just in the past year alone. 17 000 of them are children, and 13 000 are women. Do you even know what that means? How it feels to lose your children or part of your family? Are you going to tell us how it feels? Do you have no empathy? Is your heart so closed that you can't see the pain around you? Are you really so blind to the suffering of others? How can you ignore these realities? Do you know that the Israeli military has cut off all electricity and completely halted the import of food, water, fuel, and other necessities? There are no hospitals and no medicines left, and 85% of people in Gaza are living in makeshift tents. Yes, tents—but not like the ones you see in movies. These are handmade from plastic scraps. Do you know that my family is suffering from all of this, and I will lose them in this cold weather if you don't act now? Please help us and donate now!

Vetted and shared by @90-ghost: Link.

Verified and shared by @el-shab-hussein: Link

Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link

Listed on the Butterfly Effect Project, number 957: Link

Additionally, Al Jazeera News has documented apart of my family's case: Link

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@dailyquests

[jasontoddiefor]

Yeah sure we’ve all binged a long fic, but have you ever read a WIP and followed someone’s life?

Tidbits of information - (“I graduated today!”) - and small joys (“It’s my birthday!”) and you get to be there to say “This chapter made me cry, happy birthday, thank you for gifting us this”.

I remember reading this fic of someone at the end of high school, older than me then. They seemed infinitely wise, spoke of their future career and getting into the college they wanted. I remember them posting on days they felt like nothing could bring them down - and on days the whole world did and it’s the aftermath of a hospital visit. Cancer, I think it was, their father. I got to the end of the story, I know their father was fine, but also they got to finish their WIP. I graduated three years later than them, still dutifully wrote thank you notes in every comment. I wonder if they remember me, or just the collective of people reading the story as it updates.

Four years ago I was into my first year of university, my first year of figuring out being out in public spaces. I made excuses as to why my name didn’t match my paperwork and read a fic on the train, the same five chapters over and over again for the next years as I thought the story abandoned. It updated this week after such a long hiatus, I left another thank you comment.

There’s an author I love, they update their stories like a clockwork. When they don’t, I check their blog, just to see if their doing alright, not because I feel like they owe me, just to ensure whether I better get out my laptop to write that really detailed university level essay chapter analysis to get them smiling when their day sucked.

And then, once, when I was 17, I read a fic that hadn’t updated in over a decade. I wasn’t even in primary school when it started posting. On the last chapter, I left a comment that, in retrospect, was horribly rambly and most likely full of grammar mistakes. The author replied and though I couldn’t see their face, I thought of them crying. They were married now, had children, and hadn’t thought about this fic in years. They went through their files again, found another half written chapter and an outline. I got two new chapters to read that year.

And then, recently, someone told me they got back into writing original fiction because of my comments. I get to read nearly weekly chapters.

I love binge reading a finished fic, but nothing is ever going to top the feeling of anticipation of waiting for a chapter, the pure joy when someone tells you I was done with this, but you made me think of it again, so this is for you.

Anyway, I think we should romanticize reading WIPs more, growing up alongside the authors writing the stories we love.

[girlfictions]

something i’ve been thinking about lately is like. growing up muslim right after 9/11 is something i’d never really reflected on much because it was all i’d ever known — at 5, my friend’s mum didn’t let her invite me to her birthday party because i was the only brown girl in our class, at 12, my classmates would joke about my family being part of isis, at 16, my dad was interrogated by american airport security for hours — and it always stung and it always hurt but it was just the way things were because the western world hated muslims. but i don’t think i’ve ever fully comprehended the extent to which we were hated until now.

palestine is being turned into a mass graveyard. every single day there are new photos of the atrocities being carried out against them and videos of them pleading for help and still those who can actually intervene turn a blind eye. israel is claiming to only be targeting hamas “terrorists” while bombing a refugee camp. israeli police raided and assaulted a non-zionist jewish neighbourhood. israeli soldiers are posting tiktoks of them torturing captured palestinians. this is not a complicated issue and it never has been. ethnic cleansing is being committed right in front of us. and yet the western world leaders refuse to call for a ceasefire.

and while zionist organisations accuse pro-palestine demonstrations of anti-semitism, while zionist celebrities insist that they’re afraid to leave their mansions in los angeles, a six year old muslim boy was stabbed to death and his mother wounded in the same attack in chicago. a muslim doctor was murdered while sitting outside her apartment complex in texas. hundreds of peaceful protesters have been arrested (many of whom have been jewish). despite what zionists want you to believe, this is not a jewish/muslim conflict. i have so much love and gratitude to my brave jewish brothers and sisters all over the world who are condemning israel for their actions.

ultimately, israel have been granted impunity by the west. they have slaughtered thousands upon thousands of innocent palestinians. they have bombed hospitals and schools indiscriminately. they have used white phosphorus, violating the geneva convention. they have completely eradicated nearly 900 bloodlines. how many more need to be wiped out? how many more children need to be buried underneath the rubble? how many more doctors need to be confronted with the bodies of their own family members? how many more journalists need to detail the horrific acts of violence they are witnessing? what more can be done to the palestinian people that has not been done already?

i truly believe that palestine will be free one day. i believe the palestinian people will receive the justice they finally deserve. but what breaks my heart is how much they have suffered and will continue to suffer before they are deemed worthy of help. and it would be to all of our detriment if we ignored how much of a factor palestine being a predominantly muslim state has played into the way the world has reacted to their genocide.

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

[coralinnii]

‧₊˚✧ Welcome to the Family‧₊˚✧ 

↳ Getting Culture Shock from Your Friendly Family

feat: Sebek ❋ Silver ❋ Malleus genre: fluff, note: no pronouns were used for reader, established relationships, TWST characters’ age are canon-accurate (so no underage drinking), 

So... I sort of misinterpreted a request and there's just too much to change so I'm gonna have to redraft an entire writing post. But, I felt like it'd be a waste to delete this so I hope you enjoy this random plot.

The culture shock hit the fae the moment your boisterous family opened the doors with bright smiles and excited cheers. 

“You must be Sebek! Come in, come in!” 

Word must have spread because not only your parents, but Sebek ended up being introduced to your aunts, uncles, cousins, grandparents, grand-aunts and uncles who were visiting your parents that day. Apparently, your extended family tree was ‘coincidentally’ in the area and wanted to drop by to see the man you brought home. 

A simple lunch plan became an all-out buffet with your family pulling out the extra chairs and plates. Sebek insisted on helping with the heavy lifting which your parents adamantly refused. 

“A guest doesn’t do anything!” “That’s right, just relax and have a drink!” 

“Dad, he’s 16.” 

Sebek was in slight awe of the power your human family possessed, not really physical power but rather their charismatic aura that he couldn’t fight against. Sebek came from a good home as well, but this feeling of intimacy and acceptance from a group of humans that owes him no such hospitality is new to him.

It was as if he was reduced to a pampered child and any responsibility or obligation, he had was taken off his shoulders. 

Once the table was set, Sebek’s vision was overcome by a whirlwind of hands, utensils, and food. Without lifting a finger, the green-haired guest had a mountain of food piled up on his large plate. It was a cuisine unlike the Briar Valley’s food he was familiar with, but the aroma was too tempting to ignore. 

The house was full of loud chatter and laughter that brought a sense of homely warmth to Sebek.

Sebek came from a good home as well, but this feeling of intimacy and acceptance from a group of humans that owes him no such hospitality is new to him.

This feeling of being swept away by your family was… strange but not unpleasant.

"So, how are you keeping up with my family?” You cheekily questioned the tall young man, finally alone as the two of you hid in the sanctuary that was your bedroom. 

After lunch, the little ones in the family were taking advantage of your boyfriend’s trained body as they climbed and swung on him like a jungle gym. Of course, you trusted Sebek as he kept his stance and never once did he drop or falter while the children played to their heart’s content. 

“Hmph, as if a bunch of humans could ever be a challenge for a knight such as myself.” Sebek huffed with all his bravado, but you see the gel in his hair slightly wearing off from sweat. 

You smiled regardless. “That’s good, then. I’m honestly surprised that you're so good with kids.” 

The green-haired man smirked with confidence. “Of course, I would not be so easily taken down by such a puny number of opponents.” 

“Please don’t call my cousins your opponents.” 

Sebek straightened his back as he puffed up his chest. “I am personally impressed that your family are not deterred by me, since not many can handle someone of proud fae blood such as myself!” 

You hummed humorously at him. You knew behind those arrogant words, you knew that he was actually nervous about your family being put off by him, be it for his heritage or his abrasive personality. You even swore that his hair seemed a little more gelled up than usual, hoping to look good in front of your family. 

Slowly, you wrapped your arms around Sebek’s broad shoulders, with Sebek instinctively stiffening from your touch. “My family loves you because they can see what I see. Who do you think raised me?” 

Sebek relaxed and turned his head to meet your eyes. His softened eyes reflected in yours as his hidden worries dissipated from your words. 

Both of you felt a mutual pull towards each other, lips leaning ever close to touch- 

Knock Knock 

Sebek well nearly flung you to the other side of your room in panic, his face burning with embarrassment while your face expressed more shock and a little indignation. 

“Mom and auntie said there’s snacks, so come down.” A tiny carefree voice came through the door before footsteps walking away followed after. 

Maybe Sebek was right. Your cousins were opponents, indeed. 

The moment you and Silver step foot into your family home, you weren’t sure who’s the guest and who’s the actual family member anymore. 

Silver was pulled to the center of the sofa with your family crowding him, cooing and praising the handsome man. 

“Such soft hair, you take good care of yourself!” 

“Not only that, you have a strong body too. You must eat well, that’s good.” 

He’s not your boyfriend, he’s our future son-in-law

Silver is fairly used to this kind of energy thanks to a certain easygoing fae but he does internally heave a sigh of relief that your family seem welcoming of him. Being a human from a primarily fae kingdom, he wasn’t sure how he would come across to other humans.

If you ever worry about the potential gawkers Silver would attract with his good looks and personality, imagine that…but with your very own blood-bonded family. 

You and your family had to suppress your bubbling laughter as you watched your little siblings' eyes sparkle at the prince-like young man you brought home. They quickly latched onto the confused knight-in-training, chubby hands either gripping the leg of his pants or raised up high asking for a hug.

“Should I up my game so I won’t lose my only boyfriend?” 

You finally couldn’t stop yourself from laughing when said boyfriend asserted with such a convicted expression that he would never stray from you. 

Finally, you and Silver had a moment to yourself…or at least one as close as you can get while your little siblings run amok at the park nearby. While the adults were cooking up a storm back home, the children wanted to play outside which led you and your boyfriend on babysitting duty. 

“So…” you started the conversation while the two of you leisurely sat under the shade of a hefty tree. “How are you feeling? I know my family can get a little…much.” 

“They remind me of Father in many ways.” Even with some drowsiness in his voice, Silver replied without hesitation. “It was almost like being in a room with multiple versions of him.” 

“Is that a good thing?” 

The fair man looked over to the park where your siblings were yelling and running without a care in a world. He knew they could feel so carefree because they have you watching over them and have a whole room full of people waiting for them with a warm, hearty meal. 

Never alone, never unloved. A big, joyful family.

And these loving people readily welcomed him, a child with mysterious origins and an unfamiliar upbringing. Silver didn't want to come off as unapproachable or disrespectful due to his quiet demeanor, but your family was unaffected in the least and accepted him with open arms.

Silver smiled at you like a man blessed by the heavens. “It’s wonderful. I never thought my life could feel even brighter and warmer than it already is.” 

You smiled back, warmth filling your heart after hearing the man you love equally cherishing the people precious to you.

Perhaps Silver’s sleepiness has rubbed off on you as you felt compelled to rest your head on his side, with Silver immediately laying his head atop of yours.

“Next time, let’s invite Lilia too.” A quick look of panic was shared between you two. “He’s not allowed in the kitchen, though.” 

“Agreed.” 

Malleus, a being of pure fae blood, was the most clueless of what to expect at a human gathering which led to a multitude of questions regarding human customs. It was rather adorable to watch this imposing figure pace back and forth over the most minor of concerns. 

“What is the customary gift to offer your family as a greeting?” 

“I don’t know, wanna try gold bars? Haha…wait Malleus don’t actually-!” 

After calming your boyfriend's nerves, the two of you finally reached your home where your family were excitedly waiting for you and the man you brought.

Of course your family is impressed by the magnificent figure that was Malleus and the inhuman features that the fae worried over were instead adored and admired. 

“His horns look strong but shiny, so sleek.” 

“Such a tall, handsome man! A little skinny, but very healthy and that’s what matters.” 

Mayhap, this lack of fear of yours is an inherited trait.  

Soon, compliments turned to gifts as your family bombarded Malleus (and by extension you, I guess) with things around the house that they think kids your age would like. Free prizes they’ve won, treats the family bought too many of, presents given by other relatives or friends…everything was suddenly in his hands and lap. 

It was almost entertaining watching your boyfriend, who could literally acquire any materialistic goods he could want for, get overwhelmed by all the gifts and trinkets that he could barely carry in his arms.

“Just be grateful, Malleus. At least they hadn’t given shopping bags filled with those dried fruit snacks you mentioned were good yet.”

A sense of calm and peace finally came over your household. Well, your family’s version of calm at least, which is everyone sitting around the living room, chatting while watching a melodrama with that attractive actor your grandmother likes. 

Imagine the confusion and slight concern on Malleus’s face as your mother tried to explain the plot of the whole series. 

“Is he not aware of how his mother is treating his paramour? How can he let this be?” 

“Malleus sweetie, he’s been in the hospital this whole time because of that car accident with his half-brother. That’s why the mother is trying to get rid of the girl before he wakes!” 

You chuckled at the scene of your sweet boyfriend giving his full attention to your mother’s passionate venting, but a pang of anxiety pricked you. 

Your family can be quite boisterous and forward, even by typical human family standards. You never wanted to pry into Malleus’s personal life but you can’t imagine any noble fae behaving like your family do. You are by no means embarrassed by your family, but you’d hate the idea that Malleus was feeling uncomfortable but far too courteous to speak out.

Gently, you called Malleus’s attention with a subtle touch atop his hand. When he turned to you, you motioned him to lean down to whisper into his ear. “If we get too loud, you can excuse yourself. I can cover for you.” 

Malleus felt aghast by your words. Was he giving off any signs of dissatisfaction? That was not his intention at all. 

Yes, your family is unlike most families the young fae heir have encountered. In fact, they are unlike most people he has encountered in general. No one would be brave enough to crowd him so freely, to pull one of the strongest mages of their time around to their whim. 

In contrast to the large, silent halls of his throne room in his castle, Malleus found himself nearly squished into a couch with someone at every direction while chatter filled this comparatively small home. 

How delightful this has been for him to be a part of this lovely family.

Hoping to convey his sincerest thoughts, Malleus encompasses your hand in his, whispering softly to you. 

“I’m enjoying myself, truly.” 

Your mother suddenly perked up, looking away from her phone she was typing away on. “Oh, honey! My friend group is planning on a road trip to this cute retreat. Would you and Malleus want to join us?” 

“Are you…inviting me?” 

If Malleus’s tail was visible right now, do you think you’d see it wagging excitedly?

[penkura]

OP Men Holding Their Firstborn for the First Time

Note: This is in relation to my post of headcanons for these five men and their children. I just started thinking of which ones of them will cry, who will freak out over holding a tiny baby, who may reject the thought at first. And it came to this lol. I think the next one in this series will be names for the kids or babies taking their first steps! The baby fever is strong help. For now, please enjoy these men being soft about their offspring!

Ace almost has a heart attack when you try to pass your daughter to him, he swears he felt his heart jump into his throat when you ask if he wants to hold her, saying no that he's fine for now, but you insist he should. He doesn't do so for several hours, instead watching you with her as he works up the courage to have her in his arms.

What if my powers activate and I burn her? What if she cries and kicks? Oh lord, what I drop her??

"Ace, please. You need to hold her."

The look on your face, like you're begging him to hold her, finally makes Ace agree, sitting on the edge of your hospital bed to take your hours old daughter from you. You remind him to be careful of her head, make sure to support her, and smile when you finally get to see the two loves of your life together at last.

She doesn't fuss or cry or kick, instead staying fast asleep and seeming like she's snuggling into the warmth Ace radiates thanks to his Devil Fruit powers. He's just amazed by her, her tiny little nose and the beautiful, dark eyelashes that brush her chubby little cheeks. She's the most beautiful thing he's ever seen after you of course.

Ace fights not to cry but can't help the few tears that sneak out, wiping them away on his sleeve quickly, the one time he wears a shirt and it's the day you give birth to the newest love of his life.

Gosh, he always knew you were amazing. Now you've given him a family of his own, how could he ever repay you?

"Thank you for her...she's so perfect."

Ace can't seem to tear his eyes away from your daughter's little face, and that's okay with you. She's his baby too, he needs to have some time with her.

"What do you think we should name her, Ace?"

Oh. Oh crap, she does need a name huh?

~~

Law doesn't even have a chance to think about it, he's holding your son immediately after birth since he was the one to help you deliver obviously. Once your baby boy is wrapped in a towel Law hands him right to you before checking to make sure you're doing all right. Your vitals are all normal and stable, he's relived that you're both fine, while he watches you talk to your crying newborn.

You tell him that it doesn't count that he held your son right away since he's your and the boy's doctor, eventually getting Law to sit down and actually hold him as his father instead. Your son kept fussing and crying until Law finally got to hold him, the newborn quieting after a few moments but keeping his eyes shut tight and his little hands in fists as he kept whining.

Once he finally opens his eyes to stare up at Law, it's probably the cutest thing you've ever seen in your life apart from Bepo.

Especially once you catch sight of a few tears in Law’s eyes, making you smile softly as you lean back to just watch them. He's quick to rub at his eyes and make them stop, but the few sniffles you hear every bit tell you he's trying to stop himself from looking like a bigger baby than your literal baby he's holding.

He's never actually held a baby so tiny, not since Lammy was born. And to know this is his son, it's crazy to think about while he watches your baby boy start to fall asleep.

He really does wish his parents, sister, and Cora-san were there. They'd all love to meet your son, and you know he's thinking that, but you hope realizes that all the Heart Pirates are going to love your little boy just as much as his family would have.

And that eases the sting a bit, especially when they all do get to meet your son, and not a single one of them is without tears, beyond happy for you and their beloved captain.

~~

Penguin almost begs to hold your daughter once she's born and you're both stable. Law tries to push him away while he takes your daughter's vitals and measurements, asking how on earth you dealt with Penguin being so clingy the last nine months, which just makes you laugh.

"Go sit with your wife, damn it, I'll bring her over in a minute."

"But, captain--"

"Penguin, just come over here for now."

Penguin sits beside your bed and pouts until Law finally brings your daughter over, about to hand her to you before you direct him to your husband. Both ask if you're absolutely sure you want Penguin to hold her first, until you confirm it, and Law hands your daughter to her father, showing him the right away to hold her, before he leaves the three of you alone for a few minutes.

Penguin is absolutely enthralled with her. She's still fussy from being born, stretching out her little arms and legs, making cute little sounds, and he just can't believe she's finally here. He feels like you two waited an eternity for her to be born, now she has been! She's so small, she fits perfectly in his arms and it makes him want to cry so much.

"She's so tiny."

"And she looks just like you, Peng."

~~

Due to you having twins, you hold your son while Sanji holds your daughter, blubbering like the baby girl was because he's just so happy to have these babies with you. It makes you want to laugh hearing him cry, watching him kiss your daughter's forehead to try and calm her down while he dotes on her and you give your son attention.

"You're an angel, a perfect little gift from heaven!"

When you finally swap which baby you're each holding, Sanji still cries, happy to have a son too! He never really thought you'd have twins, or that they'd be fraternal on top of it! Both are so precious to him, you're precious to him, this little family you've now built together.

Your daughter has his hair, but your son looks just like you to Sanji. He kisses your son's forehead before looking at you and your newborn daughter, still unable to believe this is going to be his life from now on. You, and him, and your two tiny blessings.

"I love you so, so much."

He can't wait to call Zeff and let him know the good news.

~~

Zoro has no worries or qualms or tears when holding your son for the first time. Actually, it doesn't hit him for a few hours that he has a child now.

Your son is so quiet most of his first day outside the womb, sleeping and eating, only fussing when he needs something, but you're able to calm him down quickly. The way you're able to do that when this is your first baby impresses Zoro more than anything today.

It's only once you're asleep and he's holding your son again that it really gets to him. There's another person depending on him now, this one being his own flesh and blood, his newborn son that already looks just like him. His hands are so tiny, he's not even able to fully get his little fingers around one of Zoro's fingers.

Chopper made sure you both were left alone for the day, Zoro taking a bed next to yours and laying back with your son on his chest that night. That's when he realized just how small your baby is. His hand covered the newborn's back completely, his tiny hand fisting Zoro's shirt as he slept, small coos and whines coming from him every now and then. Zoro looks at you for a moment, before back to your son with a smile.

Your son may not have been planned, but Zoro's more than accepting of how his life is turning out.

~~

Note 2: I am absolutely willing to elaborate on these men and their children. If anyone wants to see something specific, just send me a message! I'll be posting more of my own thoughts too!

[gogobootz1]

The Mentor

Finnick Odair x Reader

Summary: As a mentor, you do your best to help your tributes. When one of them turns into a victor, she knows just how to embarrass you in front of people you’d like to impress.

part two | part three

You whisk through the backstage hallways of the filming center, wet hair whipping as you turn corners. You’re on a mission. Apparently your tribute, now victor, is having a total breakdown.

Your fellow mentor told you he could absolutely handle her post-games interview. Clearly not, though, since your phone wouldn’t stop ringing while you sat at the bottom of your shower. When you finally pulled yourself out of your stupor to answer it, the district ten escort was on the phone begging you to get down here and fix her. You thought she was exaggerating until your stylist came on and told you it was bad. At that point, you threw on the closest clothes you could find and flew out of the apartment.

Darla is a sweet girl, and you’ve grown quite fond of her. You busted your ass getting her sponsors. Every year you try your best, but you thought she had a good chance and she proved you right. Seeing her in the hospital bed, though, you knew she was different. You thought something like this might happen, but you didn’t think it would happen during your shower.

Rushing around another corner, you crash right into another body.

“Sorry!” You try to quickly remove your hands from where you’d steadied yourself, and sidestep this new obstacle.

“What’s the rush?” The obstacle won’t quite let go of you, though. Now interrupted from your task, you look up to recognize the person in your way. Finnick Odair. It couldn’t have been anyone else?

“Emergency,” you quickly dismiss, trying to get by him again. If you look into his eyes you will be thoroughly distracted. You generally try to avoid Finnick at all costs. His intense stare makes you rather nervous.

“Everything ok?” He raises a brow.

“It will be when I get through here,” you start to get antsy. You tend to accidentally default to short and rude with him.

He lets out a scoff of a chuckle, “you’re a tough egg to crack, you know that?”

You’re really not. The Capitol knows you as the gentle victor, who often visits classrooms and reads to children. You guest star on daytime Capitol tv, making some of your favorite recipes in your houses’s enormous kitchen. You’ve designed gardens and parks and are generally well liked here for your friendliness.

“Look,” you huff, “Darla’s in trouble.” This, at least, you know he’ll understand. “Let me through so I can help her.”

“That’s why everything’s been delayed?” He asks. He’s right, too. The time it’s taken you to get dressed, get a car, and get here is all time that Darla should’ve been on air.

“Finnick,” you snap.

He steps aside in an instant, “good luck.”

You breeze past him.

“Mother hen is a good look on you,” you hear from behind you.

“Shut up,” you bark over your shoulder.

Back on track, you quickly find the right door. Whipping it open and rushing in, the entire district ten beauty team turns to look at you. Their eyes are wide and they look quite upset.

“She’s been staring at the wall since before we called you,” the hairstylist whispers, quickly rushing up to you and taking your hand. You instantly tug it away, they are not your priority.

You breeze past them and slowly approach where Darla is sat. She faces away from you, and is curled up in a ball staring at the wall. Quietly, you sit parallel to her and enjoy a similar view of the wall.

“Hey, D,” you say quietly. Taking a slow approach will probably be more effective than trying to force her up. You’re certain the beauty team tried that approach, but quickly got scared.

She’s silent for a bit, “I can’t do this.” Her voice comes as a relief to you.

You hate what you’re about to tell her. You’d really rather whisk her away back to the apartments, but there’s not exactly another option here. “Look at me, honey, yes you can.”

“No, I-“

“Darla, you can.” You try to be firm, but it falls short.

“You don’t under-“

“Now I know you weren’t gonna say I don’t understand. Baby, I might just be the only one who does.”

Darla starts to cry, and suddenly she looks her age. In this moment she’s not a victor. She’s just a sixteen year old who’s been through far more than she should. You move from your spot to embrace her.

“I know, honey. I’ve been here. Sometimes I’m still here. I know. But they don’t- and they can’t.” You say as you hold her close to your heart.

“So what do I do?” You pull away to see her teary face. You rise to your feet and slowly pull her with you.

“We’re gonna clean you up, and send you out there good as new,” you say, trying to imbue some confidence in her.

Darla’s eyes widen in fear.

“Relax, honey, we’ve got time,” you wipe her teary cheeks. You wave the makeup artist over, as you sit Darla in a chair. “Now in the meantime,” you start, pouring a glass of water and forcing it into Darla’s hand, “I’m gonna tell you a story. How’s that sound?”

Darla nods reluctantly, taking in ice water through the straw. You sit on the glass coffee table in front of the girl as the makeup artist gets to work.

“Now this happened a looooong time ago- back when I was ten. It was a bright summer’s day on the ranch, and I was up nice and early when my Paw came up and told me he’d lost his wedding ring. Now, my Nana was an insightful gal- if she had noticed (and believe me she would’ve) she’d have pitched a fit.

So I was enlisted to help him find it. Well, we searched everywhere. All around the house, the garage- no luck. Finally, we headed out to the pasture. We were digging through manure, when suddenly my foot sank into a pothole and I went flying toward the ground. I landed face first in an enormous pile of shit. But that’s not the worst of it- ohhh no.

When I pushed myself off the ground, I saw my nana had come home. She’d brought four of her friends and all of their grandkids. That included little Jimmy Price, who I happened to be enamored with. (Not that I ever spoke to him since I was so shy.) And in that moment, my Paw, back turned to the whole thing, held up his ring and shouted ‘found it!’ Only to turn and find me covered in cow poop and his wife watching with all her friends.”

Darla smiles a bit at your misfortune, “so he found the ring in the poop?”

“Oh no,” you shake your head, “it was in his pocket all along.” Darla cackles this, nearly messing up the eyeliner her makeup artist tries to fix from her earlier tears.

“So what was the lesson in this fable?” Darla asks teasingly.

“Oh none,” you reply innocently, but a smirk grows on your face, “but at least you’re not heading out there covered in cow shit.” Darla grins and shakes her head, feeling up to the task now. The makeup artist nods at you and dashes from the room.

“Now honey,” you start, pulling Darla up from her chair, “you just blame your tardiness on me. Tell Caesar I was fawning all over you like a mother hen.” At least something useful came out of your run in with the Capitol’s darling.

Darla smiles a little, nodding. “And remember, just be your charming self- everyone here adores you,” you remind her. She seems a lot better now.

“Oh hey, where were you earlier?” Darla asks, about to head out the door.

“I’ll tell you when you’re older.” You tell her, smile dimming.

“Now you really sound like my mother,” Darla quips back, and you grin again.

With that, a stagehand pulls Darla away to where Caesar’s been waiting. There’s not much else you can do for the girl now. Out of your hands and into the Capitol’s. You can only hope Darla won’t freeze feeling all their eyes upon her.

You shouldn’t have been worried, though. Darla nails her post-games interview. The audience finds it adorable when the girl says she took so long because her mentor was fussing over her hair and her dress.

“You wouldn’t think it- but she’s a real mother hen.” Darla says, and you smile as you watch from backstage. The audience erupts into a gleeful sort of laughter at the comment.

Caesar knows just what to do with it, too, “well it’s no wonder, I’m sure you’ve made her proud!” Darla beams, and very convincingly so. “Let’s take a look back at Darla’s games!”

To your great relief, Darla holds it together through the recap. The girl gets boisterous applause as the leaves the stage, then comes flying into your arms once she’s out of sight. The force of it makes you stumble, but you quickly plant your feet and return the hug.

“You did great, kiddo,” you tell your tribute.

“Thanks!” Darla replies, speaking loudly from the adrenaline rush, “and thanks for telling me about when you face planted in a pile of cow poop back home, it really helped!”

Every single person milling around backstage turns to look at you when Darla says it. Not that the girl notices the extra eyes.

You drop your chin, trying to avoid the stares of these people. This is what you get for comforting her at your own expense. Taking a calming breath, you look up only to meet a pair of sea-green eyes.

Of course Finnick Odair heard that, and of course he’s smirking teasingly at you.

Like Jimmy Price all over again.

You stick your tongue out at him.

———————————————————

I did not edit this so I hope it’s ok lmao. The new hunger games movie was great so ofc finnick’s been on the brain

[remxedmoon]

What are your thoughts on ISAT's magic system?

AUTISM BLAST

okay long rambly post incoming. for the record like 90% of this is pure unfiltered headcanon. and almost all of this is about colors. sorry if this is hard to follow!!! i need to get this all out of my system.

oh also! a lot of this is based on a really good post by @/chronologically-challenged that shows off the differences between each character’s craft style! go check that out it’s really good

okay!! so!!! colors. this is just my own thing, but i personally like to color code the different types of craft!

don’t worry about those middle tones yet just put a pin in those

there’s still a little bit of color variety within craft types (for flavor), but generally, rock is blue, paper is yellow, and scissors is red. i’m not going to lie to you i only did this because the splatoon testfire had these colors. it’s also why my triplets designs are colored like that!

i think these colors also just fit the descriptions of these crafts? red feels like a more aggressive and active color, which matches how piercing craft is generally more focused on dealing damage, blue tends to be calmer, which matches protective craft being more supportive , that kinda thing. something something children’s hospital. yellow is a bit of a wildcard here lol, it just looks nice with the other two.

putting aside the colors for a mo! don’t worry those’ll come back soon. i’ve also been thinking a lot about how dual craft types work, though this is a little more speculative. i’m entirely basing this on how mira works. basically, one craft type seems to be more ‘dominant’ over the other. while mira is both paper and scissors, she’s still weak to rock, her basic attack is scissors, and her scissors skill (jolly round rondo) does much more damage than her paper skill (artsy silent burst). she behaves more like a scissors type, with an extra affinity for paper. which i think is interesting!!!

in terms of colors, i think this would manifest as mira’s craft being tinted orange, as a mix of both her craft type’s colors! this is partially what those uncategorized colors are for. while her scissors attacks are only slightly tinted, her paper attacks would be a lot closer to orange! and this would apply to other dual crafts as well. a rock/paper type would have more greenish attacks, a rock/scissors type would have more purply ones, etc etc.

i think this color mixing would also apply to single craft types trying to use a craft type that isn’t their own, though it’d prolly become less pronounced the more a person ‘gets used’ to using that craft type, so to speak. in a while rockodile would be pretty solidly purple, while rock bottom is more of an indigo color, and odile’s craft skills probably only slightly tinted as well.

ok!!! that was a lot about colors. i’m really fucking normal about colors. onto craft styles!! this is still kinda about colors tho sorry. also, again, go check out @/chronologically-challenged’s post if you haven’t already, it’ll prolly explain this better than i will

for a tl;dr on that post, each country has a different way of using craft. the forgotten island has lightless craft that tends to manifest as stars and zigzags, vaugarde has big, rounded bursts of grey craft (with smaller circles around it), and ka bue’s craft is more diamond shaped/triangular and tends to be on the lighter side.

this is also the part i’m a little less sure about. i haven’t drawn these out in my normal style!! so a lot of this is subject to change. sorry about that!

anyways. i wanted to preserve the island’s lightless craft while still making it colorful, so i decided to give it a sort of. halo effect? i guess? i wanted it to vaguely resemble the ring of light around a black hole or a solar eclipse, but that is a lot harder to do with the zigzag shape of the craft + my color limitations. and as i’ve recently learned, glow effects look really weird with my pixelly art. so this is all just flat colors 😓

shhh don’t mind the art here i’ve totally posted it before 🩶

vaugarde is pretty simple comparatively!! the craft is a sort of midshade ingame, so i just made the main color the normal craft colors. not much to say here!

and ka bue is in a similar boat! i did kinda draw it in my odile sprite redraw, but i didn’t really look at references so it’s kinda boring looking there. not much to say here either!!

and!! as we can see from the king’s special attack art, craft styles can kinda mix together. king’s style follows the general shape of vaugardian craft, but keeps the shade and stars from the forgotten island! i think it’d be fun to play with that a little more teehee. i imagine these are a lot more variable depending on how engrossed someone is in a culture, hence why odile’s craft doesn’t borrow from vaugarde’s style. unless she does? it’s not like we see other ka buans using craft in game. who knows.

also because i forgot, some extra bonus doodles of that craft color mixing i mentioned earlier! yipee!

and that’s it!!! there’s probably some other stuff that i am. currently forgetting. but this post is absurdly long enough!!! thank you so much for the ask i’m so sorry for autism blasting you about isat and color theory. am i still cool. here’s all of my craft doodles as compensation for reading this giant infodump. i’m so so sorry.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[newtlesbian]

urgent list part four

many messages are coming in. i apologize so deeply if they aren’t answered right away. i promise everyone will be given attention.

everyone who sees this please dont scroll away. the people in these lists are in horrible conditions and in desperate need of help. please give something to them it is very urgent.

food is very expensive and they are starving. it is becoming cold and they need warm clothes and blankets. these people need medical treatments. they need money to evacuate. i want everyone to really give something and not only reblog. please.

CLICK FOR PART ONE

CLICK FOR PART TWO

CLICK FOR PART THREE

check back for part five

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OLD LIST 1

OLD LIST 2

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1. URGENT. please send help immediately to khawla’s family. she is supporting her husband and three young children. she reached out to me saying she has an appointment tomorrow and needs money asap. this is a very serious situation and i want everyone to send something asap.

kawla-gaza05.tumblr.com is her blog please reblog the posts.

please send something now

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2. URGENT. abood and his wife maria reached out to me asking for help asap. they need 150 to buy flour as it has become overpriced. if everyone sends some help now they can reach this goal and this family will not have to go hungry.

abood-gaza21.tumblr.com is his blog. please reblog the posts

please send something now

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3. URGENT. fahed shehab is supporting a family of 8 people. this family needs your help as they are very close to reaching their goal. send something to them to help reach it now and end the wait.

fahedshehab-new.tumblr.com is his blog please reblog the posts

please send something now

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4. URGENT. majed is supporting a family including young children after losing the house they all lived in due to genocide terrors of the occupation. please send help with this link

@majedgerbawi on here. please reblog their posts

LOW. 8k out of 70k

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5. URGENT. mohammed salem is supporting his parents and 5 siblings while they all live in a refugee tent together. now his young son is in the hospital with a chest infection and they all need help

@s-sa-mo on here. please reblog their posts

CLOSE. 7k out of 10k

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6. URGENT. ahmed totah is supporting his family of 7 people including his parents, disabled grandfather, and sister. they have no blankets or shoes for the winter and are in dire need as the weather gets cold

@ahmedbm on here. please reblog their posts

LOW 85 out of 100k

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7. URGENT. muhammad is supporting his family with this link. He and his wife have 3 young children all under five years of age. they need your help to buy necessities like milk and food and to find safety.

@mohamed-resh9900 on here. please reblog their posts

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8. URGENT. abdul rahman hilles is the surviving husband of the martyred journalist ola al-dahdouh after they and their young child karam were targeted in another disgusting missile strike from the genocidal occupation paid for by a country you likely read this from. he and karam have been left damaged from the strike and the loss of their wife and mother. please help them recover and find safety together

@abedhilles on here. please reblog their links

LOW. 4k out of 35k

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9. URGENT. reem mohammad is supporting a family with young children while displaced and living in a tent. they are struggling with daily necessities and need financial help asap

@reemfamily on here. please reblog their posts

LOW only 30 out of 25,000!

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10. URGENT. Amany Ubeid is a 40 year old mother of 3 children ages 16, 14, and 9. they have lost their home and way of life. her husband has a skin disease and needs to pay for treatment. send help to this family asap

@amnyaburas on here. please reblog their posts

LOW. 2k out of 65k

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[aethelwyneleigh27]

Some Dad!Cod Character Scenario and Appreciation Post

Characters In Mind: Simon "Ghost" Riley, John "Soap" MacTavish, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra, Alex Keller, König, Keegan P. Russ, Gary "Roach" Sanderson.

The original creator of the picture, they also have so many works that are used in so many fanfics as well so please credit her. I found her account here on Tumblr (@ave661) and here is the post.

AFAB!Reader and used pronouns are "you"

Apologies if this is a bit too short but;

ꕥ HOPE YOU ENJOY! ꕥ

A/n: I've had a good but also bad week (good thanks to @puff0o0 and other extremely sweet mutuals), it's neutral, I'm not here to rant of any sort but my personal life has not been good. I understand that not everyone will like me but it feels as though everyone hates me, most of those people happen to be at school. Sure I'm not really going to do anything about it because I prefer avoiding conflict but those same people are trying to flip the story around as if I'm the one who hates them when in reality I don't and by being mean to me they're giving me a reason to dislike them. Sure I'm average academically, sometimes I have difficulty pulling my weight in group works and I'm not outstanding in reportings but we all have our difficulties. I just don't understand people who love to hate on others because they have nothing better to do.

This is a word of advice to everyone, don't let others let you feel insignificant, you aren't and you have many talents that make you different from them. (I don't really practice what I preach because I love self-deprication, however I don't want people to feel the way I do because I know what it can cause)

Disclaimers/warnings: OOC??, Pregnancy, Implied birth, Children (Pretty sure that was obvious from the title), People who don't want/hate children be warned.

Short note: This is also a dedication to all the Mistki and Hozier fans out there <3

He was so used to the smell of hospitals, the smell of medication, it always indicated death for him but this was a whole new feeling. It was the opposite of what he has seen most of his life

So much so that he refused to hold them, afraid of potentially hurting the fragile little one. He looked at you as if you were crazy when you tried to hand him the baby, "Come on now love, you can't just avoid holding them forever" you said to him as of it was a life or death situation.

Hesitantly letting you guide him through the proper way to hold them, he felt his breath hitch at the sound of cooing. The first time the baby opened it's eyes, the first thing they saw being their dad.

The moment he looked at the baby sealed it, he was going to protect them their whole life, he would go as far as feeling all the guilt of having blood on their hands again if it meant your baby would be protected and cared for.

The baby was so small that it's little head was practically the size of his palm, he didn't know initially what to do when the baby cried and shocked himself when he managed to make them stop.

Once the baby was old enough to crawl, he'd let the baby crawl all over him. The little one babbling non-sense while he just chuckled and replied as if he understood what the baby was saying. Gods be damned if he misses an important milestone such as their first word or their first time walking.

You'd often wake up to seeing him shirtless snoozing on the couch, the tv playing only ads for home appliances late at night while the baby only in a diaper having skin to skin contact with their dad, his huge hand big enough to support the little one from falling.

He almost cried the first time your baby reached for his face an touched it, resting it's tiny little fingers on his cheek, giving him a gummy smile. His little one unaware that they just healed something they never broke.

He NEVER wants to ever see your little one grow up, though sure it makes more memories with them, sometimes they just wish time stops for a second so they can enjoy the moment longer.

Initially was terrified that he'd pass his trauma down but he realized that wouldn't be possible and he will NOT ever let them go through what he did.

Eventually chose to resign from his work because the risk was far too much, what if he died? He'd leave you and your child to grieve over him? He won't be there for them growing up and he'd miss everything.

Sure he's worked most his life to get where he is now but nothing is ever worth more than spending a lifetime with you and your child together. He's been lonely almost all his life until he met you.

You are his family, his everything. He promised that whatever happens, he'll crawl home to you...

[vroomvroommuppett]

galex x grad student reader? maybe she’s studying arts or hospitality to work in the events side of the paddock one day and alex is always the one trying to convince reader and george to stop working so hard and chill with him

my asks are still open for requests! please send me some!

𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙

ynrussellalbon

liked by georgerussell63, alex_albon, and others

ynrussellalbon studying while watching my boys kill it 🩵

tagged alex_albon, georgerussell63

georgerussell63 Don't study too hard, baby.

alex_albon We miss you too. Soon though we'll be able to see you.

lewishamilton Please come soon. I don't know how much longer I can hear George whine about missing his wife.

logansargeant Same with Alex. Please come soon mom. ynrussellalbon soon loves georgerussell63 I'm not that bad alex_albon Same lewishamilton "Lewis, I know I just got off the phone with her, but I miss her" logansargeant "Logs, I'm going through Yn withdrawls"

fan1 mother is back

mercedesamgf1 Come work with us when you graduate!

wiliamsracing no us! scuderiaferrari us! redbullracing no us please! visacashapprb what about us? mclaren we have one of your children stakef1 us please! haasf1 we need the help! alpineracing we have your french friends astonmartinaramcof1 we have your uncle nando f1 or you know us ynrussellalbon good to know i have options

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georgerussell63 and alex_albon

liked by ynrussellalbon, mercedesamgf1, and others

georgerussell63 The daily selfies we send our wife to remind her to take a break.

tagged: alex_albon, ynrussellalbon

ynrussellalbon my boys.

landonorris You look like you're dying.

ynrussellalbon you take that back about my husbands, norris landonorris Yes ma'am 🫡

oscarpiastri Not pictured is Logan and I ahead waiting for them.

logansargeant "Hold on! We have to take a picture for Yn to make sure she takes a break." ynrussellalbon and this is why you're my favorites

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ynrussellalbon posted a story

[caption: finally visiting my boys at a race]

𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙𓆙

ynrussellalbon

liked by logansargeant, oscarpiastri, and others

ynrussellalbon graduated, got my dream job working for two teams, and visiting my boys finally. no more long distance 🩷

tagged: alex_albon, georgerussell63, oscarpiastri, logansargeant, williamsracing, mercedesamgf1

alex_albon It was way too long.

georgerussell63 You're ours now.

mercedesamgf1 welcome mother!

williamsracing we love you ynrussellalbon i love you too admins

georgerussell63 But in all seriousness, we're so proud of you baby.

alex_albon So so proud ynrussellalbon thank you my loves. i couldn't have done it without you two, reign energy drinks, your daily selfies for me to take a break, and helping me study. it was worth it in the end. and i get to work with both of my husbands.

logansargeant You really just had to post those?

ynrussellalbon you're my kid. what kind of mom would i be if i didn't embarrass you. besides you're stuck with me now oscarpiastri Love you too, mom.

lewishamilton Congrats, Yn! So happy to have you working with us!

ynrussellalbon Thanks, Lew.

landonorris Awwwww baby Logan and Oscar.

fan1 yay! mother will be back for good!

francesca.cgomez we need a girls night

flavy.barla YES PLEASE alexandrasaintlmeux Every week we're at a race together we should. iamrebeccad I'm down! kellypiquet Ooh yes! lilyzneimer YES! pierregasly What about your boyfriends? alex_albon Husbands* flavy.barla we haven't seen our wife in a bit. let us have this ynrussellalbon have a guys night

kellypiquet So happy to have you back! P has missed her aunt Yn.

ynrussellalbon P MY BABY. i have gifts for her. kellypiquet I told her your'e back and have gifts and she wants you to come as soon as you can. ynrussellalbon anything for my favorite girl

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i hope this is what you were wanting!

[toomanystoriessolittletime]

Rain Confessions

Summary: A dance in the rain at Jackson's last day of the summer celebration leads to you and Joel finding out something surprising about the both of you after you sneaked off to have some alone time.

Pairing: Joel Miller x fem. reader

Rating: E

Wordcount: 3.5k

Warnings: falling in love, a whole lot of backstory nobody asked for, implied past SA, age gap (around 15-20 years), fluff, baby fever, smut (semi public sex, unprotected sex) accidental breeding kink (?), pregnancy surprise at the end

A/N: This is my entry for @undercoverpena April showers challenge! I had so many ideas for this challenge, but this is it (for now lol)

follow @toomanystoriessolittletime-fics and turn on notifications to get notified when I post new fics

If you had learned anything about the community of Jackson since arriving here almost two years ago, it was that the people would always find a reason to have a town celebration. 

It was foreign to you at first, celebrating the first summer harvest a week after you arrived. Seeing everyone in the middle of town, celebrating while music was played by some towns people on their instruments. Children playing with wide smiles, safe from all the horrors that laid behind the walls of this tiny town. So much food everyone wouldn’t have to cook for days. 

Dancing. 

Happy people. 

You had a full blown panic attack the first time you had attended a town celebration, overwhelmed from how… normal everything seemed now. Almost like it had been before the outbreak happened. 

You only had little memory of how it was before. You had just turned 20, moved to another state, far away from all of your family for a job you were excited for, but would never get to work in. 

You had been shot on outbreak day, waking up almost a month later in a make shift hospital in what would later become the Dallas QZ. You remembered being told how lucky you were that an officer had brought you in in all that chaos. There would be many times after you had healed and been released, that you asked yourself if you really had been that lucky. The question about why you survived, being a constant thought inside your head. 

Whatever had happened to you had fucked with your memory, leaving you with big gaps about your life before you woke up in the hospital. 

You had stayed in Dallas until the QZ fell, leaving with a group of what you thought back then were friends. You had worked with those people, those men, for many years at the QZ. They had never given any indication about not being decent people. You trusted them.

Trust that you clearly had misplaced. 

You would learn in the following years that they had only taken you with them so they had something to offer to whomever could help them survive. 

It would take years for you to finally escape from them, kill all of them, leaving you with nothing but the clothes on your body stumbling through the deserted lands of what you would learn was Wyoming until a group of people found you. 

You had asked them to kill you, tired of life. 

But they had taken you in. Maria saw something in you that day. 

You became a part of Jackson. Working in the greenhouse every day because as it turned out, you had a green thump.

Yet you were still keeping to yourself. 

The years of abuse you had endured, did not make it easy to trust new people. You only had little friends. Lauren, who worked with you at the greenhouse, and Tommy who made it close to impossible not to be friends with. Maria who became like a big sister to you. 

You weren’t looking to meet more people, let alone find something more than just friendship until Joel Miller stepped into your life. 

You had been pared with him on your monthly patrol, something every citizen of Jackson had been tasked at least once per month, not even knowing he had joined the community, or knowing that he was Tommy’s brother.

He was quiet, reserved, cold, but only to the people who were to scared to look past the facade he put on. 

It was like you could see right through him, the way he was masking the pain he carried with him all day. Maybe because you had been doing the same thing. 

The first patrol you went on together left you drenched to your bones, surprised by rainfall, making you sick for a whole week after with Joel being the only one who would check on you. 

Something you didn’t understand at that time, because you did not know the man. 

You still weren’t sure who made the first move of spending some more time together. It seemed to just… happen. Eating together at the Tipsy Bison after he came back from his job at Patrol. Him visiting you in the greenhouse when he found himself lonely, telling you about his complicated relationship with Ellie at the moment. 

You spending time at his place to teach Ellie how to bake, because she had been nagging you for weeks to do so. 

He never pushed, always listened to whatever you had to say, both of you opening up to each other about what you had went through before getting to Jackson. 

He had held you after you talked about the years you had been in captivity, vowing to never let anyone ever lay a hand on you. 

It was after the first baking lesson, Ellie long gone to bed, that you found yourself in Joel’s arms for the first time, his body on top of yours, his cock filling you slowly, while he whispered words of praise against your ear. 

Yet it would take another couple of months for the two of you to admit that you had feelings for one another, oblivious to what everyone around you saw with their eyes closed. 

There hadn’t been some grand gesture like in the movies. 

It had been a normal night where you felt a little restless and decided to walk towards the stables to wait for Joel to come back from patrol. The way his face lit up when he saw you as he rode through the gates, taking you by surprise even though your face was a mirror image of his. He had wrapped his arms around you and whispered how much he missed you before he kissed you softly, the world around you disappearing when he admitted to you that he’s been in love with you for a while now. 

You had moved into his house the week after.

And now you were in your shared bedroom, getting into clean clothes while Joel sat on the bed, looking at you with warm eyes. 

„We could just stay in? Have some time for ourselves while everyone is busy celebrating the last day of summer?“ He asked and you smiled softly, putting your pants on, while his eyes continued to undress you. 

„And do what?“ You asked. 

„I can think of a thing or two. I’d start with getting you out of this jeans again,“ he winked and you smiled shyly at the way he looked at you. 

You hope he would forever look at you like that. 

„You know your brother would come looking for us. We promised we would be there. And Ellie asked you to come too,“ you reminded him and he sighed. 

Things between him and Ellie were still hard, but she was slowly coming around. There would be a small art installation from the school at the town square and Ellie had drawn a couple of paintings she was excited to show off. 

Joel got up from the bed and walked over to you, his hands coming to rest on your hips. 

„You gonna let me dance with you?“ He asked and you sighed, pulling your arms up and crossing your hands behind his neck, looking up at him. He was smiling softly at you and you were pretty sure you would never be able to love another person like you loved Joel Miller.

„Always,“ you smiled before you got on your tiptoes to kiss him softly. 

You were watching Joel and Ellie from afar, both of them standing in front of a painting she did from a landscape across town square that was currently filled with people. Ellie had told you that it was the mountain view she had woken up to for an entire week while she was sick on the road, Joel taking care of her until she felt better to continue their travels on their way to find Tommy here in Jackson. 

Joel was visibly struggling to keep the tears at bay as you saw Ellie explain it to him before they hesitantly hugged each other. 

You were sitting under one of the tents that had been put up earlier today, the sky not looking like it would be dry outside much longer. Yet it was warm enough to only wear a T-shirt.

„You think they gonna be okay?“ Tommy asked, sitting down next to you, little Elijah in his arms. Maria had given birth not too long ago to a mini version of Tommy much to her delight. She waved at you from next to the grill, and you waved back before you reached your hand out to Elijah who took your finger with a squeal. 

„I think so. She’s beginning to understand why he did what he did. And he’s understanding why she’s so upset. They miss each other,“ you said and Tommy nodded. 

„I would have done the same if it was my kid,“ Tommy said and you nodded. 

„Yeah. Me too,“ you smiled at Elijah who now was trying to suck on your finger, making you chuckle. 

„Are your parents not feeding you enough, little man?“ You said with a grin. 

Without answering he proceeded to pull your finger in his mouth, making you giggle. 

„Maria just fed him twenty minutes ago. He’s just ravenous,“ Tommy rolled his eyes.

He turned his head when he heard Maria call for him. 

„Can you take him for a moment? My wife calls,“ he asked. With a smile you nodded, opening your arms for the little boy to be placed against your chest, kissing his forehead while he still sucked on your finger. 

„Aren’t you just the cutest little thing?“ You hummed with a small smile as he snuggled against you. When you looked up you found Joel’s eyes locked on you from across the little square and you felt your cheeks warming at the look he was giving you. 

In the past couple of weeks you had the recurring dream about having a baby on your own, a mini version of Joel. You dreamed of watching him with a tiny baby on his chest. You dreamed of your own little family. 

Elijah used this moment to nibble on your knuckles, making your eyes widen before you looked down at the little guy again. 

„You really are hungry huh?“ You laughed.

„He’s teething,“ Maria said, smiling down at you with a plate of food in her hands, Tommy following behind her.

„You gonna eat some spare rips next summer, huh?“ You teased, tickling the babies side, making him giggle. 

„He sure will be,“ Tommy said proudly, before he took Elijah back. 

Music started to play from the band that had formed earlier this year from the town and you could see Tommy smirk. 

„I think you had an admirer,“ he winked before you turned around and found Joel walking towards you. When he was close he held one hand out which you took. 

„You promised me a dance,“ he said and you couldn’t help but smile. 

„I did, didn’t I?“ You said before you let him guide you towards the middle of the square were people had already gathered to dance. 

The band was playing a song you did not recognise. It was a slow song for a change, Joel and you having danced to two songs before laughing loudly at the way you just could not manage to not stumble over your own feet. 

But now you were in his arms, your cheek against his chest as he slowly swayed you to the beat, his lips against the top of your head while he murmured the words to the song. 

You took a deep breath of his familiar earthy scent that always felt like coming home. 

It was then that you felt the first drops of rain. Feeling his arms tighten around you he cursed quietly as it began to rain, the sky opening up, drenching you within seconds, your clothes clinging to your body. 

The normal reaction would be to seek shelter from the rain, just like the people around you who quickly ran towards the tents that had been put up. 

But you looked up at Joel who was already looking at you, his hair clinging to his face, drops of water falling from his nose down on you.

The band was still playing, the song changing to a distinct version of Purple Rain, making the people who were now in the tents laugh, but you just smiled, letting Joel twirl you on the improvised dance floor before you came to rest against his chest again, both of you laughing. 

You danced for a couple more minutes, before he kissed you deeply, holding you close against him.

„Get a room!“ You heard Tommy yell and you smiled against Joel’s lips, before you took his hand and led him away from the town square.

He had you crowded against the wall outside of the greenhouse as soon as you rounded the building, his lips on yours, his hands rounding your face. 

The greenhouse was closer, your house being on the other side of town. 

It was still raining, the both of you under the small and apparently leaking roof that was above the outside work station, just out of view from the building. You could still hear the people down the street celebrating when he picked you up to sit you down on the work table, your legs parting so he could step between them. 

„We should get out of these clothes,“ you mumbled against his lips, your fingers working on opening his shirt, pushing it off his shoulders. He sucked your bottom lip between his. 

„We should,“ he agreed, before he pulled your shirt over your head, growling softly before his head lowered between your tits, pushing your bra down, sucking your nipple into his mouth. 

„Shit….“ You moaned, your hands pushing into his hair, your eyes dropping close. 

There was a tiny part of you, that knew it would be a better idea to get back home and out of these clothes, but you wanted Joel so badly, right now. 

„Love these perfect tits,“ he hummed, playfully biting into the soft skin above your left breast. 

„Joel please… Just….“ You pulled his head up so he was looking at you, your eyes wide and needy. 

„You want me to fuck you? Right here? Again?“ He asked and you nodded, memories of all the times he had you right here while the people were working inside, filling your mind, a shudder running down your spine. 

„Sure is gonna be fun to get you out of these drenched jeans,“ he joked and you chuckled before you jumped from the table.

It was a little struggle, the wet denim clinging to your legs like a second skin, but after a little bit of Joel’s help, you had them down to your ankles and Joel kissed you softly. 

„Turn around,“ he hummed and you did, your hands on the edge of the table while you heard Joel’s belt unbuckle, followed from an annoyed huff that let you turn your head over your shoulder to find him too struggling to get his jeans off, making you smile to yourself until you saw him free his cock, his pants just so pushed down to get it out. 

He looked at you with a bashful smile, before he took a step closer, his big hands moving over your ass. 

„Gotta make this quick so I can get you home and out of those clothes,“ he said, before he wrapped one hand around his cock and lined himself up. 

„This okay?“ He asked. He always did, every single time, needing to hear you consent after you told him about how you had been treated in the past. 

„Yes,“ you nodded and he winked at you before slowly sinking into you, inch after inch of his cock filling you, stretching you, until he was nestled deep inside of you, his hips flush against your ass. 

You turned your head back forward, letting it fall down, your eyes closing. 

„Baby…“ he sighed, letting his head fall against your back. He kissed your spine before he began to move, finding a slow rhythm that had you positively losing your mind. 

The rain was still falling hard, dripping down Joel’s back as he fucked into you.

„Need it harder,“ you whined, finding your back pushed against his chest the next moment, one of his hands across your chest, holding one of your tits as his thrusts got deeper. Faster. Harder. 

You brought your hands up, both holding Joel’s arm that was across your chest as he fucked into you. 

His lips found your neck, licking up the rain that was still dripping down your body and you whimpered. 

He took a couple of steps back, pulling you with him until you were back outside in the rain, the warm drops hitting your flushed skin. You leaned your head back against Joel’s shoulder, your eyes opening to find the sun coming out just when Joel’s other hand slipped down between your legs, his hands covering your pussy, his fingers parted to feel how his cock entered you before he moved it in slow circles, stimulating your clit. 

It was too much. 

The rain, his cock fucking you, his hands all over you, his mouth sucking softly at your neck, in the middle of the garden you were working in every single day. 

You came with a soft cry of his name, clenching around his cock, struggling to keep yourself on your feet as he continued to fuck into you. 

„Good girl,“ he hummed against your ear, his hand on your breast tightening, groping, and you gasped. 

„Wish you could cum inside me,“ you hummed and he cursed. 

„Wish I could….“ You stopped yourself, not wanting him to know your deepest secret. Not before you had an actual talk about it. 

„Wish you could what?“ He asked, his thrusts getting slower. He turned your head so you were looking at him and you were sucking your bottom lip in. 

„Wish I could have your baby,“ you whispered, whimpering when you felt him twitch inside of you immediately, his eyes darkening. 

„You want that?“ He asked and you nodded. 

„Fuck,“ he groaned, beginning to fuck you again, somehow ever harder than before, both of his hands now on your tits as he pumped into you. 

„You wanna have my baby?“ He asked. 

„Want me to fuck you so full of me, until it takes?“ He grunted and you moaned. 

„God yes. Yes please Joel. Fuck a baby into me,“ you whimpered and he groaned, his thrusts getting sloppier and you could feel him pulse inside of you before he pulled out, coming against your thigh, his head falling against your shoulder. 

You were both panting, trying to fill your lungs with air while the rain around you seemed to finally slow down. 

Suddenly nervous about what you said you were trying to form an excuse about it, when Joel spoke up. 

„You really meant that?“ He asked, his voice soft. 

Gulping you turned around in his arms, avoiding his eyes until he tilted your head up to him, so you had to look at him. 

„I don’t… I guess I do? I… At first I thought it was just the fantasy about it, but the longer I thought about it….“ You mumbled. 

„How long have you been thinking about it, sweetheart?“ He asked softly. 

„Since I moved in?“ You said and he huffed before he shook his head with a soft smile on his lips. 

„How about we get home and out of these wet clothes and talk about it?“ He asked.

Slowly you nodded and he kissed you, before he helped you get dressed, which was almost more complicated than getting out of the wet clothes before. 

The rain had almost completely stopped as you made your way towards your shared house, Joel holding your hand, stealing glances at you as you looked towards the ground. 

He would be lying if he said he hasn’t been thinking about it. 

And yeah, maybe it was reckless, he wasn’t the youngest anymore. This world was not the best place to bring new life into. 

And maybe it wouldn’t even work, having a baby.

But as he looked at you, with your shy smile on your lips, he knew he would give you everything you wanted to make you happy. 

Both of you not knowing that that one time almost two months ago when you were out for patrol together and he had fucked you against a tree, the second he had pulled out to late was enough to already have you pregnant. 

But you would found that out a month later. 

[qcomicsy]

The Office but it's the Batfamily.

Bernard (To the camera): I think Bruce hates me.

---

Bruce (to the camera): I am very glad Tim, found himself dating someone. I don't think there's someone who would ever be enough to any of my children.

Bruce: But he is happy. So I am happy as well.

---

Bernard, invited over to dinner: That's. . . Um, A very nice mansion you have here sir. Really big. Big enough to hide an secret passage to clones but–

Tim, gesturing to him to shut the fuck up: HAHAHAHA ISN'T HE FUNNY?! (whispering) ᴮᵉʳⁿᵃʳᵈ ᴵ ˢʷᵉᵃʳ ᵗᵒ ᵍᵒᵈ.

Bernard: WhichI'mnotimplyingyoudoanyway. But– IT'S NICE. Really nice. Thanks for uh inviting. . . Me.

Bruce, glaring: Hn.

---

Bruce (to the camera): Dick told me to make a "chit-chat". Be sure that our guest felt welcomed.

---

Bruce (to Bernard): Did you gave it a thought about your internship yet? When I started medical school I had a great interest on how Gotham's Hospital deals with post mortem patients.

Bernard:

---

Bruce (to the camera): I tried to find a common ground to make conversation. We both had similar majors, even though I've drop out

Bruce: I'm glad it was enough for a good starter.

---

Bernard (to the camera horrified): He wants me dead.

---

Dick (to the camera): HOW WOULD I KNOW HE WOULD PULL UP THE SERIAL KILLER TALK??–

---

Steph (to the camera): There's something really uncanny in seen it happen to another person.

Steph: And also really fucking funny too.

---

Kory (to the camera): The first time I got there I'm pretty sure was the time he made a contingency plan for me.

Kory: Which is cute. He thinking it would work but– Yeah.

---

Barbara (to the camera): Me and Dick? Oh he stopped talking to me for several weeks.

Barbara: When he did, he said "You are making a mistake".

Barbara:

Barbara: Don't you hate when he is right?

---

Kon (to the camera): I wasn't aloud to enter the house– I when I dated Cass, so–

Kon: Not that stopped me. But it still hurts.

---

Cass (to the camera), shrugging: I liked his piercings.

---

Bernard: . . . I didn't– Yet. No sir. I'm just, huh. . . Going with the flow?

Bruce: That's unfortunate. It's really important to always have a plan.

Bernard (gulps): You think?

Bruce: Yes. You never know what might happens next.

---

Damian (to the camera): It was the best dinner I've ever attended in this house.

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Tim (to the camera): *Loud sight* I don't know what I was expecting.

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Jason (to the camera): Are we really just going to pass on how his boyfriend looks like a knock off Scooby-doo member?

Jason: Like he is rocking a StarStruck haircut– And we just?– Okay.

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Dick (to the camera): I mean it's not like Bruce is doing on purpose right?

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Bruce, grinning to the camera: Hn.

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Duke (to the camera): Oh he's absolutely doing on purpose.