#I really am not sure about those

[poorly-drawn-mdzs]

Expertise can't help you here.

[usercelestial]

okay but literally what if buck and tommy end up together? like what if we get to see them moving in together or saying i love you for the first time or getting engaged or getting married? what if we get to see buck having a husband? literally what then...

[driftingballoons]

Contrary is a fantastic ability

[markscherz]

I… do not understand tumblr live. Like, are there actually only about 50 people streaming across the whole platform at any one time? And why are so many of them just… people smoking? Or unoccupied desks? And why is nobody talking about frogs?

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[froschli96]

Can we talk about how Kadar says to Altaïr in the beginning: "An excellent kill! Fortune favors your blade!", and then in the bureau with Malik, before Altaïr goes to meet "Robert", Malik says to him "Fortune favor your blade, brother."

And then THAT is what prompts Altaïr to actually finally apologize to him?

(It's these little things in the writing that make me go feral! Another one of my favorite parts is Altaïr and Malik calling each other "Dai" - Altaïr first calls Malik Dai before doing investigations during the Majd Addin mission, showing his character growth in how he's willing to humble himself in front of Malik by basically acknowledging him as a superior of sorts (he's even THANKING him here for his help - compare this to "I am your superior, in both title and ability! You should know better than to question me!"), and then when they last talk before Altaïr goes to confront Al Mualim, Malik calls HIM Dai, in turn acknowledging his growth 😭 I just... I love them so much, I don't even know what to do with myself anymore.)

[charmre]

Salt in my lungs, Holding my breath Making peace with my inevitable death I guess I did alright considering Tried to be a halfway decent friend Wound up a bad comedian An honest fool with more bad habits Than you can count

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[sea-jello]

hong kong miku,,,

[ancha-aus]

RealAgeAu Drabble - Shopping

I am back at it again because I had ideas. (don't worry friend @spotaus things are being planned and I got many many ideas :3 but before those happen stuff needs to be established and put in place!)

I was debating between like four different drabble ideas but settled on this one. Something calming for a bit :)

First Drabble Prev Drabble Next Drabble

as always. No editing and no beta.

*-------------------*

Dust shoots Killer another glare as he holds Nightmare clsoer "I mean it Killer. get out of my blindspot. It is getting annoying."

Nightmare looks from Dust to Killer and sees the large grin on Killer's face as he skips after Dust and Nightmare "Nah. I think it is good i am here because it is your blindspot!"

Dust grumbles as he holds Nightmare clsoer. Nightmare just pushes his skull under Dust's chin as he listens to the two bicker. Dust gives him a quick nuzzle before shooting Killer another glare "Why are you even here?" Killer still has a large grin on his face "I am backup!"

Dust groans "I am getting Nightmare clothes."

Killer nods as he follows them "backup!"

Dust huffs before looking back at Nightmare. Nightmare sees the glare disappear from his face as Dust lets out a sigh before smiling at Nightmare "makes you start to wonder who helped who out of getting stuck in a wall."

Killer gasps loudly "That only happened a few times!"

Ngihtmare grins and laughs as he leans fully against Dust again. He likes being held by Dust and Dust must like it too because he always holds him.

Nightmare figured it was because his spine is fragile and walking for too long starts to bother him but Dust still just holds him. always. Maybe he also likes being close like this?

Thoguht Nightmare isn't sure what Dust gets out of it but he must really like something abut the close contact.

They walk past another few people who look at them. Nightmare shoots a glance as Dust and Killer continue to bicker. They seem to shoot Dust and him worried looks but chuckle once they realise that Dust and Killer are just doing their way of bonding.

Nightmare always thought the flirting between those two was weird but then again he thought most things dating was weird. Maybe because he was still a child in his soul...

Not that it matters.

Nightmare shoots a glance and spots Killer grinning widely as his soul is clearly in soulshape and looks stable. Dust may have an annoyed look on his face but he has a tiny smile on his face.

Nightmare hides his face in Dust's sweater but he can't hide the purr. He wants them to be happy. They are happy even with him near.

Dust notices of course nad gives him another nuzzle "comfy? Spine okay?"

Nightmare nods "Yeah."

Dust hums to signal he heard him but still rubs his back.

They finally stop near one of the smaller houses which is the clothing shop for this town.

Dust tilts his skull as Killer snorts "oh that is adorable. ready to dress Nightmare as a tiny old man?" he grins

Dust shoots Killer a glare "It isn't that bad..." then he looks at the store "just... a bit old fashioned..." he looks at him "That okay?"

Nightmare nods before shrugging "I don't get why i need new things..."

Dust sighs. Killer leans on Dust's other shoulder and shoots him a wink "Because you are still wearing Dust's things. and quite honestly. Dusty does not have a large enough wardrobe to dress both of you."

Nightmare frowns as he pushes clsoer to Dust. He doesn't mind wearing stuff them them. It are things that are well worn and soft and smell of them and old laundry detergent.

Dust nuzzles his skull "It will be nice. You can check what you like and what feels nice and is comfortable."

Nightmare frowns "it is expensive." which is another reason why he doesn't want to get anything.

Dust frowns and Killer quickly answers "That is a worry for us. And Dusty said it is fine so it is fine." he grins.

Dust nods "made some money. more than enough to get you some things."

Nightmare wants to disagree more but Dust walks into the store.

The inside isn't like he thought it would be. there is actually quite a number of nice looking things and looks more modern than you would think from the outside.

DUst makes a pleased sound before smiling smugly "Seems like they were just showing off the knitwear because it is autumn." he shoots Killer a look "Almost as if i did my research and knew it would be okay here." and he walks further into the store.

Killer sputters before following them "I know that Dusty! You always do that! I was just joking around!" he pouts but doesn't offer anything. Really just a shadow. It reminds Nightmare a bit about how it was before. Killer beign his right hand and always by his side to help and protect him. It still feels different now and even when thinking back to those memories they feel different.

Killer spots him looking at him and grins before wriggling his phalanges in a tiny wave at him. Nightmare huffs and pushes back closer to Dust.

Dust is looking through some clothes on the hanger "Stop bothering Nightmare." he pulls something off and looks it over critically. he holds it up for him to inspect and Nightmare just shrugs.

Killer pouts as he crosses his arms "Just having fun. And tiny boss is fine with it!" he grins at him "Right nighty?"

Nightmare shrugs. he doens't mind. it is nice.

Dust rolls his eye lights and doesn't look at Killer "Even if he is fine with is safe it for later. first buying clothes. Then you can tire him out."

Nightmare huffs and grumbles. he doesn't need tiring out. he is perfectly fine. Dust holds up another sweater and he shrugs again.

"Oh hello there dears! Can you find it all?"

Killer nad Dust turn and Nightmare feels Dust freeze for a moment. Yeah not a surprise because the woman looks a lot like Toriel. But Nightmare doubts it is the her of this universe. The closer he looks the more this woman seems like a sheep monster.

Killer and Dust must see it too as Killer grins "Pretty much! but we got it!"

Dust shoots him a look "Killer knock it off." he looks at the lady "We are looking for stuff for the little guy."

The lady smiles sweetly "Oh! You two must be two of Sans- I am sorry, Crop's friends!" she looks them over and her gaze lingers on Dust for a moment before settling on Nightmare. Nightmare can't stop the instinct of holding on tighter to Dust. He doesn't like having stranger's gazes on him.

The smiles sweetly "I can see the resemblance! You must be very proud of such a young handsome little boy!"

Dust looks to the side and shrugs but his hold on him tightens. Killer snorts, which is fair as they aren't actually related. Maybe she just sees the resemblance before Nightmare now looks much more like a tiny swap sans, as that was the original form his mother used to craft their bodies. And Dust is the one of the four that still resemblance who he used to be.

At elast Nightmare assumes that is why people think they see a resemblance. That or they are just racists and think all skeletons look alike.

the woman smiles "I am sure there is something fitting for him. Do you need any help?"

Killer's laugh turns cold as he smiles widely "No thanks! We got this!"

Dust rolls his eye lights and nudges him in the side "Stop it." he looks back to the lady "I was wodnering what the... organisation was. I wanted to look at stuff his size..." and he looks at the things he had been looking at with a glare.

The sheep monster looks a bit paler after Killer's interaction but smiles sweetly at Dust. "It is a bit of a mixmatch. Of all the stuff that is handmade it only has a few of each size. you will have to guestimate those. The imported clothes are by the walls, those have more standard sizing."

Dust nods "I see." and he starts walking towards the side first to check the sizing.

Killer grins as he leans close and whispers "Holding a babybones does wonders for making you look approachable"

Dust shoots him a glare and hisses "One word and I will put you in a wall myself." and he stomps over towards the clothes.

Nightmare still doens't understand why Killer thinks that kinda flirting is efficient but what does he know.

Dust is clearly unimpressed with the clothing offered with the more standard design and fabric. but they use it to figure out which size he is before moving towards the handmade stuff.

DUst and Nightmare check what is nice and soft as Killer shadows them. Staying nearby and pretty much glaring at anyone who as much as glances in their direction.

They end up settling for two big sweaters and some sweats. They wait by the cash register as Dust has picked him up again.

The nice woman smiles at them "That will be 140!" she smiles.

Killer winces at the price and Nightmare pushes closer to Dust "I don't need two." wool sweaters are expensive...

Dust shrugs as he looks at Killer "Be usefull and hold him for a moment." and Ngihtamre feels hismelf be handed over to Killer. Dust takes out some cash from his inventory and counts quickly before putting most of the stash he had on the counter "That should be enough." he stashes whatever is left.

The lady counts it and smiles as she puts it away. She packs it in a bag and holds it out to Dust "Thank you for shopping! And Can I just say it is lovely to see such a devoted father."

Dust shrugs and mutters a thanks before shooting Killer a warning look.

Killer grins as he nuzzles Nightmare "How are you this huggable tiny boss?"

Nightmare shrugs but holds unto Killer. Killer is also nice to be held by.

They leave the store together and walk back towards the parking lot. Something about meeting up again to go back to Crop's farm. Nightmare isn't really sure. He is already getting tired again adn he mumbles unhappily.

Killer purrs and coos "It is okay tiny boss. babybones need their sleep and rest after all."

Dust nods "Shopping is always busy." he shoots Killer a glare "Why is why i didn't want you to get him tired or overwhelmed."

Killer groans "Yeah yeah you were right. you are always right. can i go back to nuzzlign the baby now?"

Dust looks considerate before nodding "You may."

Killer grins and the nuzzles resume and Nightmare wants to pout and push him off but it is so nice and he can feel himself start to relax as he starts to purr again.

He likes it when his family holds him.

*-------------------*

First Drabble Prev Drabble Next Drabble

[mymarifae]

sooooooo when i jokingly said to myself "haha did ruan mei play aeonic necromancy on tingyun's remains or something" i wasn't expecting that to literally be the case what the fuck

[misslovasstuff]

If Sanji ever gets to know about Pudding’s true feelings, I’d love if it was somewhat the same setting when he heard her say all those awful things.

Hear me out. Pudding is talking to someone else this time, be it a strawhat for example, and she’s really wearing her heart on her sleeve as she explains how she feels about Sanji.

And Sanji does not expect that AT ALL. He’s leaning hidden against something as he lightens his cigarette, this time not extinguished by rain drops but the fire gets so intensified because of his emotions that it falls off his mouth as he panics a little.

[waitineedaname]

when I started orv I expected it to be a story where lots of main characters die, like i was coming at it as someone who's read homestuck, I fully expected a lot of major character death, I expected no one from that first subway car to survive. and then as I kept reading, it really struck me just how many people survived and how aside from kim dokja dying a dozen times, no one in the main party has died, and now I've realized that is extremely intentional. this is a story where a lot of people are supposed to die, it's a story that's supposed to force repeated sacrifice, and kim dokja looked at that story and went "absolutely the fuck not, that's not the story I want to tell" and pulled that burden of sacrifice onto himself over and over because he refuses to be part of a story where his friends die

[skitskatdacat63]

Oh to be kissed the way Fernando Alonso kisses his trophies

+

[howtodisappearcompletelyand]

20/10 stars little guy