#I need a break so fucking badly

[malachitezmeyka]

I’m so tired

[gemharvest]

Hey Karl you think whenever BF or GF just hit Pico with a random hug no matter the circumstance his face just crumbles into the most vulnerable and yearning look and suddenly the hug lasts for 20 minutes because they don't have the heart to pull away when Pico lays his arms around their backs in the most gentle way possible

(id in alt - do not repost, please ask before using as icon/ banner etc.)

yeag..

Close-ups of my personal favorite shots LOL. I also really like how Boyf came out here but he's already Huge in the piece so he doesn't need a close-up.

Do you ever think BF and GF get super emotional when he's soft with them? This guy, known for his fuckin' Bite with an attitude developed partially for self-defense, melting at their touch and allowing them to see his more gentle side? Something that nobody else will ever get to see?

The demon and the rapper are nice by default. Boyf can be a bit of a menace and Girlf is not afraid to show her demonic side when necessary, but they're kind to others as a default, maybe even to a fault. Not that Pico doesn't ever show kindness to others, but he's usually prickly and standoffish; his kindness could come off in ways that read almost as passive aggression. And yet, around the two idiots (used affectionately lol) he's like putty in their hands.

Anyways idk what I'm on abt really I just think if you gave him the choice he would literally melt into their embraces. Safe, and protected in their arms; for once, he isn't the one who has to do the protecting. I think the worst part of a hug to him would be having to let go.

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[amarimeta]

actually so crazy when you think about it like. random scientists came to her saying “hey we think your entire family was raptured because of the location they were in” and she’s like “i was in the kitchen with them” and the scientists are like “well you were at the sink! they were at the table!” oh ok. we’re getting departed based off our longitude and latitude now. okay.

so where is she meant to feel safe in the world. because it’s not like “departure hot spots” were identified BEFORE. the idea that these hot spots exists only comes afterwards. so where are you meant to feel safe. well maybe if it happens again the same “hot spots” will be relevant. so you have to go somewhere without any “hot spots”. a place where the location guarantees your safety.

except you get there and the next night three girls disappear. and you keep telling everyone it wasn’t a second departure (because the idea that the sudden departure could happen again terrifies you. but the idea that it could happen again at any moment is also motivating every choice you make.) and no one’s listening. and then scientists start talking about a new theory. what if the departure wasn’t location based. what if certain people acted as lenses magnifying the likeness of someone departing?

what if your entire family got taken from you so you ran away hoping to feel safe and now people are hypothesizing that the common variable causing these departures is you :) you’re the danger!! :)

[welcometogrouchland]

i was gonna make a whole seperate post about how context and art seems to imply that the ex boyfriend that got stephanie pregnant was at least 18, if not older, when she was 16/15, which is kinda squicky (i mean not if she's 16 really, but 15 yes) but in my journeys on the Stephanie Brown wiki (real and delightful thing that exists) i discovered the batman chronicles #22 where her UNCLE HITS ON HER???? i think that's what we're meant to get from it anyway the dialogue is subtle (the art is not imo). AND I. WAS NOT EXPECTING THAT. STEPHANIE YOU CAN START AS MANY GANG WARS AS YOU WANT WITH YOUR LIFE THE WAY IT IS WHAT THE ACTUAL FUCK

[msharmonycobel]

life is so hard when you love your Blorbos so much and you want to write all the pretty stories about them being pretty (as well as 876 original fiction projects) but your dull yet intensely stressful day job has just zapped you into half a person

[carefulfears]

top 5 (or 10 if you have em) scully taking care of mulder moments <3

she said IF i have 10 😭😭😭

1/ sein und zeit

i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...

my tags here:

she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.

this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."

she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.

(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)

i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.

the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.

it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)

2/ demons

god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?

i always think about this post:

and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?

and these tags:

this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.

she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."

but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.

what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)

(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)

3/ the end

"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)

i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.

in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.

this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")

following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.

(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)

4/ paper hearts

oh, starbuck. we are really in it now.

paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.

one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."

in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."

i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).

from my newsletter:

There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.

he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?

i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.

what does that mean? what is she really saying?

this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.

and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.

it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.

it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.

(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)

in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.

the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.

this post:

Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”

she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.

5/ redux ii

remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."

the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.

she cries when he won't do it.

6/ herrenvolk

okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?

this is just so scully.

she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.

these tags:

she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.

one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.

there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.

(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.

in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."

remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)

7/ anasazi

ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.

the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.

(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")

8/ fire

girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.

trish, i loved this part of your post yesterday:

scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.

she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?

he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.

trish's tweet:

really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)

(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)

meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.

yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!

(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")

9/ deadalive

oh, you guys remember that time she raised him from the dead, right?

scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.

i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.

then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”

she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.

i always think of this fic and feel so ill:

“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”

she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.

(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)

10/ fight the future

there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).

from my newsletter:

“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)

That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.

there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.

(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)

some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)

how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.

and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.

[eyrieofsynapses]

me @ my professor: why tf did you have to put an exam the day after election day. wtf. we're already stressed out and bouncing off the walls. cruel

me, today: ...fine. maybe frantically studying is a distraction. whatever

[spiritsglade]

in my productive era may it last longer than an afternoon this time

[gncrezan]

#regardless of if seven meant it or not like unfortunately they tried to alienate him and succeeded

#not even sure aki understands this. i think he would act completely fine and normal in most cases around them

#but its like. he is never going to get rid of that feeling that he's going to mess it all up again (← the most warped self esteem ever)

Yes. YES. A KINDRED SPIRIT YOU WANTED TO GET RID OF MC AND YOU SUCCEEDED BUT NOW YOU REGRET IT.

GOD MY MC HAS BEEN SO NICE AND CIVIL SINCE THE BREAKUP. EVEN A FAN OF SOFT VIOLENCE BECAUSE DESPITE EVERYTHING THEY WANT YOU TO SUCCEED. THEY WANT YOU HAPPY. AND YOU DESTROYED THEM EMOTIONALLY. AND NOW THEY ARE HAPPY WITH SOMEONE NOT NEARLY AS PASSIONATE AS YOU. YOU WERE FIRE AND YOU ALREADY BURN THEM AND NOW THEY HAVE SOMEONE WHO IS SOOTHING AND STABLE, SOMEONE TO LEAN ON WHEN THEIR SELF HATE HOLDS THEM BACK

I LOVE YOU SEVEN LAWLESS BUT I WANT YOU TO NEVER BE ABLE OF HAVING JUST AN MINUSCULE PART OF THE HAPPINESS YOU TOOK FROM MC

LITERALLY . like no notes omg you are so real for this. i wish seven the best and that best is "arms length away from my mc". just a kind of bittersweet 'i can be around you, i can never be close to you' sort of ending </3

[oozeandgoo-art]

had an odd dream that i was reading a comic book. sketched a couple of the pages i could remember.

[pzychojinx]

anyways sydcarmy is as real as ever. and i'll be very real it's even More on to me now. it's a slow burn let it fucking slow burn besties

[galpalaven]

I need to you all to understand that I am so so so unwell about G’raha Tia and the Warrior of Light

[puppyeared]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[umbr3llaz]

Gonna be struggling so hard to not be openly suicidal at work

[stuck-in-the-ghost-zone]

preemptively sorry for how fucking long this is it is YOUR FAULTT THOUGH!!!! large bowl of seeds for u. it is almost 2am sorry.

SO. there are. two ways to assign the prime defenders powers etc. the first way is just, like, categorize their existing powersets within the prt framework, & the second is to give them entirely new abilities based on the way worm works. delightfully, all the powers they Do have work really well for the most part, so even that doesn't require a ton of shuffling.

categorizing their pre-existing powers:

wiwi-- breaker w/ a shaker subclass. neither of them rated very high, but that's already a rare and versatile enough combination!!

dakota-- brute babeeeey!!! brute/mover its so straightforward. hell yeah babey. i don't know what he'll end up looking like post-heart removal & stuff but my guess is that'll end up looking more like a mover/striker.

vyncent-- now THIS one gave me trouble. i... hm. to say this without talking about stuff that i don't think has come up much already, (hey!! you're at that clockblocker pov! directly related to what flechette says!) i'd call him a grab-bag cape, irt the greats at least. post-greats-- again, i don't know what his powerset will look like after this arc! but if he's going all in w/ the fire magic, that would for sure be some striker shit! :]]]

giving them new powers... man i'm reining myself in so hard from five more paragraphs on Why exactly i'm saying all this.

wiwi still breaker for sure, maybe breaker-master, maybe master-stranger. yknow. powers are fluid, the prt categories are pretty rigid. i... don't know. enough about his situation yet to be clearer than that vague idea yet-- i really like the idea of him just. ditching his body & using a noncorporeal form but he still has to keep an eye on his body i think that's great. the noncorporeal form would b able to change its visibility but still b limited by proximity to the body. & fluctuating energy shit powered by fluctuating amounts of recent-death in the area, maybe probably also limited in that it's only accessible in his breaker form.... also i think u will appreciate this style note from the [UNNAMED PARAHUMANS TTRPG] i'm referencing a lot here.

dakota--in this situation he probably would not. have that mechanical heart and shit. he' would still be a mover/thinker-- thinker rating is for faster mental processing + senses imminent pain for the people in his immediate vicinity. not danger, just pain; it immediately registers ambiently & can be generally traced back to whoever it is. no he can't turn it off ever, it manifests as feeling a similar level of pain, yes it works on himself. + mover-- he can fucking fly. no super strength, just very fast flight & the general "won't splat himself flying into something" capabilities, which meshes well w/ the faster processing & reflexes. i'm split on how exactly this would work mechanically but i will NOT go into that now. i am also not going into the 15k discussion in my brain on why dakota 'notoriously bad at thinking about things' cole would be a thinker but u gotta trust the process ok??

vyncent-- trump!!!! somehow this is the only straightforward one to me? he can copy powers at the full strength or ability level of the original for an unspecified amount of time that's usually 1-30 minutes by touching the cape. crucially, he doesn't have any edge on how to use these powers + can easily misuse or become extremely overwhelmed by them. he's easily the most powerful out of the three of them <33

ashe-- ashe is NOT HERE currently and also it's 1:30 am so i gotta go fucking sleep soon BUT they would be a master. easy. :o) they can make some lil guys n do stuff with them!!!!

in general these are pretty fucking cracked abilities, all of them would b oosely above a seven or so in a number rating once they're really settled in their powers-- this is mostly because i'm assuming that they would still be heirs-apparent to the prime force equivalent, which would b the triumvirate :]] anyway. good lord. this is like the cliff notes edition of what i've been thinking and scribbling in the notes app for the past several hours. sorry if it's fucking incomprehensible. gn!!! <333

AAAAAH FUCK YESSSSSS OKAY OKAY OKAY my response is probably going to be equally as long. so it's fine. oooouh buddy.

I KNOW WHAT BREAKER MEANS NOW !!! I dontttt think ive learned shaker yet. breaker is like.... breaking the laws of physics/shifting planes or whatever. PERFECT for william hell yes. for putting them actually in worm world ... ughhhh breaker/master william is REALLY cool. I havwnt learned stranger yet but i think he would develop a complex over being classified as stranger <3 (like how weld doesn't like that he's classified as a brute even though that's not exactly what it means, he just doesn't like the word) . GODDDD just thinking abt putting pd boys in worm is fucking me up haven't they been through enough. I want to see them all in a fit of despair. william ditching his body is SO good I miss when he would do that, also the powers being limited by how far away he is AND THE AMOUNT OF RECENT DEATH IN THE AREA. holy shit. that's so fucking good . im sure he would not overthink at all the fact that he is stronger when more people around him have died . I'm sure he'd do awesome in the leviathan fight for sure for sure .

DAKOTA BRUTE <3 DAKOTA BRUTE/MOVER I LOVE THIS A LOTTTTTT hellbyes. awesome. it's so perfect for him <3 worm world I'm SURPRISED u didn't stick with brute for him. eyes emoji. I trust your judgement but now i am Thinking... Hmm..... YOU BRING INTO QUESTION something I have been thinking about. and I'm going to probably get derailed a little here but stay with me. how the way powers manifest directly relate to the trigger event. because for a WHILE before we learned taylors I was like "OH i bet the powers are going to be directly related to what traumatic thing happened to them" and then we learn about taylor and grue and a couple more and I kind of lost that theory because while you can. technically draw relations between their powers and their events it seemed like too much of a stretch to do . HOWEVER now my thinking has changed AGAIN and I think the powers ARE related to specific trigger events but it's not as straightforward as "oh something scary happened to you with bugs so now you have bug powers" I think it's gonna be more complicated than that. WHICH. THE WAY THIS RELATES. BACK ON TOPIC NOW. to DAKOTA . assuming his trigger event is still he and katori falling off the building I think it's AWESOME that his powers would manifest as FLIGHT for one. and the fucking. pain sense thing. fuck me up. dakota extreme hero complex cole would be so fucked up by a power where he ambiently senses pain from the people around him at all times and cannot turn it off. I'm sure he would feel so normal about being around william chronic pain wisp 24/7. also I can SO CLEARLY imagine how this power specifically would lead to him getting super overwhelmed in chaotic situations like he does in canon. and just fucking. bolt out of there because it's too much. again. he'd have such a wonderful time in the leviathan fight

I AM AT CLOCKBLOCKER POV !!!! actually technically I'm on kid win pov now but I haven't finished his chapter yet. vyncent grab bag cape..... yeah... I think it would be EXTREMELY funny imagining the PRT in pd world trying 2 classify vyncent like. what the fuck does this kid do . what do we do with him. hes got other guys in his head that give him powers. is he a master??? no he can't fucking control them. is he a striker??? only SOMETIMES. is he a blaster?? AGAIN ONLY SOMETIMES. cannot classify him bitch!!!!!!!! giving him worm powers though.. UGH. being able to touch someone and COMPLETELY copy their powers but only for a short period of time???? I fucking love that a lot. he WOULD be the most powerful out of them!!! I can hear taylors inner analysis dialogue about him now and it's very similar to the clockblocker "DONT LET HIM.TOUCH YOU" panic. loooove imagining this playing off of the rest of pd,,, i know there was AT LEAST one time where he had william sort of transfer some of his ghost powers for a minute? I think it was during the lich fight in the theatre but i just remember vycnent floating and going intangible and NOT KNOWING how to control it or anything. loveeee that. in world dynamics I feel like vyncent would be a late addition to their team (instead of coming from another world maybe he just. had his trigger event happen way later than the other two..or something.) and not trusting them as much at first/being REALLY shaky using either of their powers but after a while being really comfortable in a fight with using either Williams or dakotas powers in a fight. Just like. imagining the fluidity of how they'd work together in a tense situation assuming they're not being complete dumbasses <3333 UGH it's really good

AAAASHE ASHE ASHE IM SOOO SO GLAD YOU INCLUDED ASHE IN THIS I miss him.so much every day. from what I know so far master involves having/making/controlling some sort of minion (cannot think of a better word than that rn) AND I THINK THATS REALLYYYY perfect for ashe. i assume he would actually work pretty closely to canon in that his limitation would be the book? or if he doesn't have the book maybe his limitation would be a) having only a few different types of things he could summon (the big hand, the water fairy, duck etc) and/or b) only being able to control them.for a short amount of time after they're summoned so he has to be quick about dismissing them. can't keep the demon hand around for too long or it might start picking things up and throwing them at random. putting teammates in danger bc he can't control it anymore etc etc. alsooooooo in clockblocker pov they VERY briefly mentioned the possibility of having secondary trigger events (?!!!!?!?!) and you know I locked onto that SO FUCKING HARD. ashe being born with powers and then his secondary trigger event being his mom's death <3 im.NOT even going to attempt to talk about how the trickster would work in worm world/if it would even exist in this setting bc i don't know enough about the types of powers and things yet..but just know. I am keeping this in the back of my mind "this is a fun surprise tool that will help us later" style