#I mostly did the drawing for fun + I have no control over what my brain decides to draw and that was the topic of the week for me I think

[reineydraws]

i have this fic series i'm still working on where mihawk sort of becomes rayleigh's kid and spends ages 11-17ish on the oro jackson.

shanks and buggy imprint on him (bugs considers him a sort of older brother figure/sparring inspiration and shanks has a crush that eventually turns into full-blown love) and this is how i imagine they're like on the day mihawk sets off on his own haha.

[cinnamon-flame]

Do you have any specific OC you’d like me to draw? I wanna return the favor of you drawing Phoenix :D

Hmmm, most of my major ocs need remakes of their references (which I need to finish before artfight whoops) but maybe this one? A scary seawing cryptid lady

Also this is like a really roundabout art trade now and that's really neat ο(=•ω＜=)ρ

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[loudclan-clangen]

The song “Beautiful Little Fool” for Fiercestripe? Because I am not getting over her death. Listened to it and she was the first character to pop into my head.

You’re so right!

YES! Please do, I would love to see it!

The boring answer is that I've been drawing cats for a VERY long time. I think since I was 8 they have been the majority of what I drew. The less boring answer is you know the movie Spirit? It changed my life. It had a bonus video where one of the artists taught you how to draw Spirit himself and it was the singular thing that inspired me to start drawing (more likely possessed me). I think I must have been about two the first time I saw it because I cannot remember a time before I had that video memorized. I would spend hours sitting in front of that video (which was only like 10-15 minutes long) with a stack of papers just fully focused on perfectly following his instructions. I still think about that video to this day. Every time I draw legs the voice of James Baxter echoes through my mind. I don't know if that translates to why my cats are so beefy, I own a cat who is quite chonky, so that might contruibute to it, but now you have a fun fact about me regardless!

All of the heirs are chosen based on birth order! Whoever is born first gets to be heir. I personally find that making strict rules about stuff makes playing the game a lot easier for me, I find it stressful to try to pick a "good heir" when I don't know what's going to happen later in the game so to limit that I just let it be completely out of my hands. 2. The game rolled for Songpaw to become a medicine cat! I would have changed it if he was an only kit or probably if I had known that Dashpaw was gonna die, cause I was really stressed about losing my run at that point, but I do my best to write a story that makes the game make sense rather than change what the game gives me when possible. I think it helps me to not have much of a story in mind while I play, just noting down events and thoughts and then going back and piecing it all together afterwards. That way nothing can "go wrong". 3. "Heir-hood" only applies to the leaders. There is no expectation that Cavepaw will become a healer. When Weed dies that position will be open until someone wishes to volunteer for it. 4. Honestly I don't really know. This might spoil a little bit, of tension, but I truly never had that happen. I was SUPER worried about it and did a lot to make sure it wouldn't, but after a couple of generations you get to a point where almost everyone is descended from a leader at somepoint. (And also everyone is second cousins with each other but you know what there are some problems that you just have to live with.) I image the clan would look for an omen and just pick a new leader based off of that and start the process all over again. In my experience worst comes to worst just make sure you have a very accurate family tree and trace it back a couple of generations.

Thank you so much! I don't play with any mods for Loudclan, I'm too scared to lose saves to less than stable code. My favorite mod currently is Kori's Awoogen though! I just like to look at the beautiful art mostly. I use mass extinction as population control, so I turn it on and off based on how many cats I have. Two full pages is the upper limit of what I'm willing to deal with, so once a third page opens I turn mass extinction on and after an extinction happens I turn it back off. (also if I dip below 1 full page I turn unknown parents on until I'm back to two pages again). I've found after a couple of generations you can mostly stop worrying about it because the bloodlines have spread so far there's always someone who's a 6th great great cousin or something.

The game generated him Dashpelt! I probably would have picked Dashfoot to stick with the generated them of a boring suffix but to make more sense overall.

[eybefioro]

(Kanji-less version, timelapse and ramblings under the cut)

ALSO OPEN THE IMAGE TUMBLR KILLED THE QUALITY AS USUAL

I wasn't sure sure which version was better, so here is the one without the ~~menacing~~ kanji! (And sorry. I'm sure the Kanji I did is horrible but I swear I tried my best)

So. Before some time before Good Omens consuming my every awaken thought, the media that lived in my head was JoJo's Bizarre Adventure. Because of a certain thing I am working on, my mind end up connecting the two and I HAD to do something about it or else I'd go crazy.

(Cues 3 min time lapse bc i spent -checks app- ALMOST 46 HOURS on this thing. Fuck)

Since JJBA is one of my fixations, at some point I end up watching every single interview with Araki (the author) I could get my hands into, and lo and behold he actually shared about his process quite a bit over the years. We even have access to some timelapses of him working on illustrations!!! I tried to follow a bit of his process, and one VERY interesting characteristic of his work is the JoJo pose – very dramatic covers/panels that showcase the character. He often uses fashion shoots as a references (Araki is very inspired by fashion, architecture and music and there is a million references in his work it's very very interesting and fun) like this:

So there I go on Pinterest looking for a fashion photo that inspires me (Google was shit. What is happening to that search engine?) AND I FOUND IT

YALL. IT WAS LIKE A SHOT RIGHT THROUGH MY BRAIN. I COULD SEE IT SO CLEARLY. Aziraphale and Crowley falling out of heaven together after the second coming. Azi holding him. Crowley giving the middle finger to all those fuckers bc HE GOT HIS ANGEL BACK.

But the thing is... the things is. I'm no artist. I have almost no experience drawing. And this is not exactly an easy pose, and is something pretty ambitious for a beginner like me (I can literally count on my hands the amount of digital drawings I have done. It's all on my blog even lol) so like.... the chances of this going well were very slim. But I am very happy with how it turned out!!

I have to thank @elenthyaolyenths and @gribouli LOTS for that. Elen teached me how wings worked, a bit of anatomy with that, a bit of how she makes those beautiful fluid pieces, Li taught me a bit about colors and light/Shadow. Their support was amazing and they're so so nice to me 🥹

I had so much trouble drawing this bc I'm still learning how digital painting works and how Ibis Paint works. Idk what half of the stuff there does LMAO yk the line work? All in one layer. Don't do that folks. I resized the canvas half way through and had to redo a bit of the line art bc I had to scale it a bit to make the proportions better. Half way in I figured out how to make masks (again, elenthya is an angel for telling me that exists) so I had to learn as I went how that thing works (I still don't know how to use it fully). Ibis Paint froze like 4 times bc my phone can't handle it well LMAO my precision is shit bc I mostly draw with my fingers so I had to gave up control and use the stabiliser on maximum... and so on.

I'm having so much trouble with everything in digital painting BUT IT'S SO MUCH FUN. THERE'S SO MANY POSSIBILITIES. I'm excited to keep going and learn more.

Back to the Jojo style. I LOVE IT SO MUCH. I love harsh lines and shadows, the dramatic effects, the detail, the crazy perspectives, the colors... THE WAY ARAKI DRAWS SMOKE AND CLOUDS.

This was my ref for the background, and to represent the heaven Crowley is flipping off and that they're falling from. (fuck this scene in the anime broke me. BUCCIARATI MY BELOVED)

AND THE CLOTHEEEEESSSSS I HAD SO MUCH FUN IMAGINING WHAT THEY'D WEAR IN ARAKI'S STYLE. Obviously Aziraphale is once again sporting something inspired by the crepes look bc omg that was so OVER THE TOP. I'm sure araki would come up with something crazier and more interesting than what I did, but I still think this is a fair shot.

As much as I love JoJo's style I have to say it isn't really an art style made to depict softness. Like. I don't think Araki ever drew something that looks soft. All the characters are slim or super strong, and the few ones that are fat he didn't really... Well. I'm gonna say it. Araki doesn't draw fat people, and when he does I don't think they're a good depiction. As I said he doesn't do softeness lol nothing looks soft in his style, not even fabric I think. It's all sharp lines, dark shadows (again, I love it but yeah) and thin (or extremely big in the first parts) people. This fits really well with Crowley but not so much with Aziraphale. If this was a pose that showed more of him I'd probably not do a great job at it. I think I'd need to go heavy on trying to make his clothes look soft and big to try to make it better.

Now WwwwwiiiIIIIIIINNNNNGGGGGZZZZZZZ!!!! Elen is such a magician at drawing wings. I can't believe she actually offered to help me with this one. I learned so much. I was taking inspiration from her work, I wanted to make them BIG and GLORIOUS as she does and I think I succeeded a bit at it (they're not as fluid and perfect as hers, obviously, but I think they still look nice.)

As she was explaining to me how the anatomy works and all we ended up talking about how they're like arms and the digits in bats and I decided to give Crowley that type of wings. I also discovered that Elenthya used to draw DRAGONS. DRAGONS YALL. SHE GAVE ME A DOODLE OF ONE AND IT'S SO AMAIZNG. So together with the bat wings I tried to give him some drangon-esque feel. And she also gave me the idea to make Crowley's wings more damaged, to give more weight to the drawing - Aziraphale helping him not to fall again, holding him in the descend.

Anyway. I talked too much already and no one has the patience for this lol I just like to register the process of me learning things. It's fun.

[tempural]

Started with this B/W sketchbook drawing. Got inspired by the look of the sketchbook spiral on the side, cuz it looked like film notches. Made me think of x-ray scans. Ended up doing the whole medical route on the final drawing.

Coloring method was mostly pressing the "invert" tool to turn the canvas black. Then painting red/yellow with gradient maps. And then drawing the glowing blue lines, as well as typing the "medical" text, on an "add" layer.

Spoilers and long head canons and unlicensed medical talk under the cut.

The text reads:

REVIEWED BY PONY EXPRESS AUTODOC MODEL-SCUMSUCK

PATIENT: CURLY

Near total body disruption from explosive decompression

Complete dermal vascular system collapse

Severe radiation poisoning

Hyperosmolar hyperglycemic state

Muscle and bone cachexia

Single eye rupture

Chronic obstructive pulmonary

Testicular rupture

Severe leukopenia

Itchiness and dry eye

RECOMMENDED TREATMENT

Administer intravenous therapy and catheter

Support neck and spine

Change bandages as supplies last

Orally administer paracetamol for pain

Turn and reposition patient every 2 hours to prevent bed sores

Create relaxing enviroment

Listen attentively to understand emotional state

Allow time for exercise and meditation

Encourage positive thinking

Brush teeth

Administer mouthwash

SIGNED OFF BY DOCTOR ANYA

Of course none of the treatment is actually good. In the game itself, you give him paracetamol (TYLENOL) for pain haha. So I thought I'd go along with the bad medical advice. Including that universal medical advice you get to do "exercise and meditation" if you are in a bad mood :)

I think I spent about as much time looking up the medical stuff (specifically things in relation to explosion damage and radiation damage - thinking of the Byford Dolphin Incident as well as Hisashi Ouchi) as I did with the coloring! We don't know what exactly happened with Curly, but I'd just guess with my lack of medical knowledge that the ship crashed, something exploded, and he was exposed to intense radiation.

Realistically he wouldn't be surviving with the level of medical care they have available on the ship, so I drew a couple things I thought would help him... namely the IV and catheter haha. Also thought it'd be a fun time to introduce my favorite headcanon to gift cute characters: the gift of genital nullification. Yes, I drew this mostly to show off my not-buff and no-pp headcanons!!!!

I like Curly with no skin, no muscle, no hair. It's ok if he had those before. I probably wouldn't draw him "recovered" with perfectly functioning prosthetic limbs and magically regrown vocal cords and sexy 8 pack abs. That's just me. He could get a wheelchair, perhaps some sort of eye controlled assisted communication like Stephen Hawking (but Curly doesn't seem to be able to control his jaw or cheek?).

Thinking about ~da dystopian future~ and what support he would even get? His job ain't gettin him anything :P He doesn't seem to be in the sort of society with universal healthcare, they'd drain his savings and then put him in a dark room with a nurse that turns him over once every 24 hours... Well, that's if they find him. I think he's staying frozen for 20 years and then melting like Walt Disney once the power runs out.

[mantequillamcwhoremick]

Why did you start shipping Bunny? What made you realize their characters had a certain dynamic you enjoyed?

Alright, story time.

My best friend is the one who introduced me to South Park and they started out by showing me select episodes from season 4 and forward, and around the time we were at like season 10ish they informed me what like popular ships exist in the fandom. Namely Creek, Style (I had already seen Tweek x Craig, it was actually the first SP episode I ever watched lmao, and I could kinda see why Style was a thing because they're best friends with lots of moments that CAN be read as romantic), and Kyman (I could also see why it was popular lmao) but when they mentioned Bunny it surprised me. Like these two characters barely/never interact on screen, but my friend just said "Trust, you'll see why later in the show." Instead of waiting to see why later in the show, the idea infested my brain and it clicked anyway.

At first it was just vibes, they seemed sweet and compatible. Let's over-articulate the "vibes" a little further; Keep in mind these are all conclusions I was able to draw about these characters pre season 14 (Pre "Coon & Friends", pre "The Poor Kid" and pre "Going Native".)

These two come from opposite ends of the family trauma spectrum; With Kenny it's neglect, with Butters it's an overly controlled/sheltered environment.

Butters is a yapper, Kenny is a patient listener.

Butters gets cut off/belittled very often for his yapping whereas Kenny isn't one to judge or dismiss.

But Butters isn't the kind of yapper who just likes to hear himself talk; he engages a LOT with whatever someone tells him, and always takes his conversation partner seriously. Kenny is rarely asked for his input, he's rarely ever even referred to directly in a room full of people, but rather just a spectator.

Based on this, I could see Butters rambling to him directly and give importance to Kenny's input and opinions, something we rarely see with anyone else. Funny that this was even confirmed to be true in season 16's "Going Native"

(idk these are just instances that kind of prove to me how Butters values & respects Kenny and his side of things, by either outright saying so or just referring to him in conversation and asking for his input that I rarely see anyone else do. This even gets driven super far in the vaccination special where Kenny is just completely and utterly patronized by his best friends & treated like their child)

So all of these things, without ever even having them seen interact, just made it make sense that these two characters were very compatible in a healthy and sweet way. They both have heavy trauma, but the ways that they cope/express themselves likely wouldn't be triggering for the other. Rather they'd kind of be good for each other to heal; Butters is the least apathetic character in the show, so he wouldn't ever make Kenny feel ignored or neglected. Kenny has seen & lived through enough shit, making him incredibly unprejudiced, he'd never even think to make fun of any of Butters' quirks he's been punished and belittled for.

As I got to the Coon & Friends trilogy and "The Poor Kid" and the whole Kenny lore bomb, something about the two of them being the most tragic characters in the show just kinda fucked my head even worse.

Picking that apart; it was kind of this underlying fact that Butters would believe Kenny about his deaths BECAUSE he's so naïve and gullible. Again, Butters would take Kenny seriously and value his input and emotions, he'd be the ideal person for Kenny to finally relieve some of the burden he's forced to carry alone. Matt and Trey are cowards for not making an episode about this like c'mon seriously it doesn't even need to be romantic

I'm not gonna get further into "Going Native" right now, mostly because the episode speaks for itself, has been probably talked about most in the fandom and kind of confirmed a lot of the things I already assumed about these characters (but if you'd like me to pick it apart feel free to send another ask), so instead I'm gonna tell you why I started going insane over them on a fandom level. Funnily enough, it was the Style-centric fic "The Scenic Route" by Hollycomb.

The coolest thing is Hollycomb actually published The Scenic Route BEFORE "Going Native" aired, and the way that they handled these characters and their relationship still fucking blows my mind. Dude, they're not even the focus of the story. They're a side story. A background ship. I'm not saying the main storyline isn't entertaining lmao but the Bunny background storyline was probably just so much more my taste I think? Especially how imperfect and messed up it started out, continued and went on. It implemented the canon fact that Kenny did kind of just not care about Butters and how his fucked up parents treat him, just like the rest of the town. Like Kenny is kind and all, but he can also be very apathetic and indifferent, and there's lots of instances in canon where the other boys treat Butters like crap and Kenny just watches it happen.

(Episodes: "Good Times With Weapons", "Marjorine", "Cartman Sucks", "Butters' Bottom Bitch" and "The Tale of Scrotie McBoogerballs")

(mind you, they're also just 9 year olds though lmao)

The way Hollycomb wrote how Kenny slowly started caring and falling in love with Butters even though he initially just intended to use him for venting about his own problems just stuck with me so hard. Like yes. That makes so much fucking sense. Kenny needs someone to take him seriously, and he doesn't need that person to be someone he cares about. He picks the easiest person available. But the slow realization that he's started pitying, then caring, and then deeply loving and wanting to help and save this person? That shit hit the SPOT.

Anyways, what I'm saying is that this fanfic was the reason I started thinking about possible ways they could get together and stay together, a lot of them messy and tragic and every bit wholesome as it is entertaining and fucked up. Kenny and Butters' traumatized asses finding comfort in each other is just something that became so special to me. I started out reading & writing Style, but whenever I tried to craft my own fics I'd always be thinking so much about what Kenny & Butters were doing and what their story is until I thought "damn dude why aren't you just writing about them instead". and thus I fell down the rabbit hole. enter chaos plan lol

This is such a tiny part of why I love these characters and why both of them separate AND their dynamic is incredibly comforting and interesting to me, and I haven't even mentioned anything about the many foil/parallel narratives around these two; Kenny & Butters as Kenny's replacement. Mysterion & Chaos. Princess Kenny & Paladin Butters. Philanthropist Dr. McCormick & capitalist scammer Vic Chaos. Especially the last one what the fuck I could write my bachelor thesis on Post Covid Bunny.

Thank you so much for the ask, anon. I'm so happy I got to ramble about my favorite little assholes <3333

[yrrtyrrtwhenihrrthrrt]

More headcanons about my comic fanchild Gregor Blackheart! (Mostly about the C! Goldenhearts as parents)

I want to draw him again, esp as a kiddo/baby, but drawing kiddos and babies is hard. Their proportions ain't right

- When Gregor was born, Ambrosius literally did not want to allow anyone else (besides sometimes Ballister) to hold him ever. Having his own baby brought up so many feelings of childhood trauma that he went into full protector-mode, and felt panicky if the baby was anywhere but his arms. Ballister had to put his foot down to not allow Ambrosius to co-sleep for safety reasons, their compromise was to have the crib right next to the bed

- Ballister derived immense enjoyment by planning cute kid-friendly science experiments and doing them together, and watching his son get so excited by the baking soda volcanoes and stuff

- Ambrosius likes to hide little toys in the garden while he's gardening, so as a kid Gregor would spend time with him in the garden looking for "buried treasure"

-Gregor loves science but he's not good at math, so he doesn't plan to become a scientist like his dad or auntie Meredith

- Meredith and Nimona have a friendly argument over who named Gregor. "I gave Ballister the idea in the first place" vs "I called Ballister Gregor which made him realize what a good name it was." Ballister always interrupts the arguments with "My partner and I are the ones that named him. I don't see your signatures on the birth certificate."

-Gregor was a colicky baby and would have long crying fits regularly which stressed his parents out a lot. Ballister was low-key very worried because of Ambrosius's tendency to lose control of his actions when he was under extreme emotional duress that he might accidentally shake Gregor. So whenever Gregor was colicky and Ballister noticed Ambrosius start crying or rocking back and forth or stimming, he'd swoop in to take over and send Ambrosius to go lie down. He never told Ambrosius about his concerns for fear he'd interpret it as Ballister calling him a bad parent. He was unaware that Ambrosius was also, and in fact much more terrified of the exact same thing happening

-As a little kid Gregor loved riding around in Ambrosius's wheelchair on his lap, he thought of it as like a fun ride (Ambrosius started using his wheelchair more on long public outings because it was easier for him to carry his baby than when he was using a cane or crutch)

- Ballister read every baby book. Every. Single. One. He did a library's worth of research before his child arrived and all of it flew right out of his brain the second Gregor was placed in his arms.

-Gregor had much lighter features as a baby than when he got older. His eyes went from blue-green to hazel in his first weeks of life, and his hair went from dirty-blond to dark brown when he was a young child (cue Ballister "who's goddamn white baby is that" /j )

-Gregor was also a chonky baby (I hc Ballister was as well) aside from his coloring and his nose, newborn Gregor was the chubby, bald, spitting image of baby Ballister.

That's all I got rn teehee

[quinloki]

humble requests for buggy, killer, and robin for marking with their lipstick (i know robin isnt drawn with any but just for fun), hella softcore femdom, and praise (not for killer i know u already did him and i.. go back regularly to read it and get all flustered and coo and adhjsfldkf) thank yoU!!!

Awwwww ♥ I'm glad you like it that much. Hm... maybe I'll expand on it for this post. Let's see how it goes.

Buggy and Robin - I think this is firsts for both of them \o/ (Oh wait, I've gotten Buggy once before, first for Robin!)

Also, I apologize, I'm laughing at "hella softcore femdom" - I don't know what to do with that, but I'm going to try my best. I'm assuming the qualifier is there because I tend to go pretty hard core, and you're trying to get me to put the mittens on and tone it down a bit.

We'll do this by character as is becoming the norm, and we'll just go in the order you've listed \o/

Buggy:

Marking w/lipstick - Yes - Buggy likes to give you his "look" in the bedroom - not the big red nose, but the exaggerated lips and the blue lines. There's just something quiet and intimate about it and he refuses to let anyone else see you like that. Generally, in the course of the night, the makeup on the both of you is ruined all to hell. Red and blue smears of paint blotched along skin.

You've even "marked" him more directly before, drawing a couple lazy hearts on his chest with the lipstick one time and he found he really liked it. He told you it was flashy and even left it in place until normal daily life wore it away.

Hella Softcore Femdom - Oh god you don't even know - Buggy can be pushed into being dom, he can even be one on his own, but he's a very stressed clown man. Handing over the proverbial reigns and doing your bidding is a tremendous stress reliever for him. It doesn't even have to be sexual in nature. He'll rub your shoulder, massage your feet, bring you snacks and feed you fruits (and/or let you feed him fruits too.) He even enjoys being made to clean or organize things.

Praise Kink - FUCK Yes - You cannot praise him too much, he cannot praise you too much. Buggy is a affirmative words kind of guy. (He likes having degradation thrown at him, does not like dishing it out). He loves to hear he's doing well, and loves to praise you for taking him so well at the same time. He's very talkative when he's with you - not in the screechy kind of fast-talk he has with other people. It's much calmer than that, maybe a little flashy still.

He'll talk a little less as things progress - once you've both learned what the other likes there'll be less instructions and questions and clarifications, but he'll still be singing your praises, and reveling in you praising him.

Killer:

Marking w/lipstick - FUCK Yes - Killer loves to mark you, and honestly the more temporary those marks are the better. As a general rule at least. The best part is how accurate he is with it. He's put lipstick on your lips without getting any outside of the lines, and he didn't use the lipstick on your lips directly. It was some of the best kissing you'd experienced with him.

By the time all is said and done it's often hard to tell what marks on you are passionate bruises, and which marks are Killer's lipstick. At least until you get cleaned up.

Hella Softcore Femdom - Yes - I don't think you'd ever actually truly dom Killer. Even softcore style. He's delighted to let you fill that role, but there's no point in any of it where you're fully in control. He just doesn't have enough "sub" in him for that sort of interaction. Much like Kid though, he's into pretty much all kinks, from all sides, and he'll happily play at being you're good darlin' without complaint.

Plus it's not bad for him to just relax and let someone call the shots for a little bit. Killer's usually non-stop on in that category. So it's refreshing for him to let someone else take the lead.

Praise Kink - Oh god your don't even know - Killer will praise you and accept your praises. But mostly praise you - how well you take him, how sweet you sound, how beautiful your laughter is, how delicious, and warm, and tight and perfect you are. Killer loves to lavish you with praise. You are his good little one, and he'll make sure you never doubt it. He'll even praise you while he's punishing you - especially if you're accepting your punishment without complaint.

It's also easy to tell that praise effects him positively as well. You can hear his soft moans shiver when you praise him, feel him twitch inside you, the flex in his fingers as he works to control himself. He doesn't really need or want anyone else to tell him he's doing a good job, but something about the way you say it, hits him at his core.

Nico Robin:

Marking w/lipstick - Sure - I think Robin wouldn't have much of an opinion on it until her partner marked her with lipstick. The quiet action of it, the subtle intimacy, the ease with which it can be removed and reapplied. Something about it will click with her and she'll be positive toward it more than neutral.

As a general rule I don't think she's one for marking any more "hardcore" than lipstick. Marks maybe from passionate kissing, but considering her past I don't think she'd want to have a show of ownership over someone. I almost think freedom is more important to her than it is to Luffy.

Hella Softcore Femdom - Oh god you don't even know - This is like, Robin's natural state. It's almost how she is just as a person existing. Everything I can think of to describe it are canonical moments in the show. She just very casually and skillfully moves the crew to her desires, and praises them when things go how she wants. It's almost motherly with, say, Chopper, but there's certainly a dom vibe with the rest of the crew.

It's subtle though - "hella softcore" is a good way to describe it. That said, it's something I see her doing to someone quite easily, but I don't think it goes in the other direction. Subtle as it may (or may not) come across in her relationship, she is most certainly the dominate partner.

Praise Kink - FUCK Yes - Degradation is not Robin's default setting. She's 100% someone that's going to praise you for a job well-done. The hardest part of being her partner is that she'll praise you for cleaning the room in the same cadence and tone that she'll praise you for taking her strap. Or hand. Or with you pleasing her.

There's nothing wrong with it, but when she thanks you for something in front of everyone else in that same tone she used in the bedroom perhaps just moments earlier. Well. To say it has an astounding effect is a bit of an understatement (and I'm certain she does it on purpose too.)

Get your asks in, I'm not taking more after tomorrow.

[ariddletobesolved]

of preferences and headcanons.

Hi! I know I haven't posted real content in over a year, but since I've been on Tumblr the past week, I can't help but notice a discourse happening on Helsa tag.

I believe as a community, we should all respect other people's takes and opinions, especially in a fandom, where everyone may perceive things differently. Everyone has their own preferences that not everyone could get or understand, and that is okay. For example, and also to address the elephant in the room, if you prefer a ship (in this case, Helsa) to not be canon, it's totally fine. And if you would love for it to be canon, then that is fine too. It's not okay when you try to tell people how they must feel towards a certain media (in this case, Frozen) and tell fellow shippers they're not a true shipper just because they don't share the same preferences as you do. Stating an opinion of your preference is not the same as telling others to change that preference to suit the one that you like.

"I would prefer to not have them to be canon."

"If you're a true fan, you would have done THIS instead!"

See how different those two sentences are? The first one is neutral, while the other one is more demanding.

Honestly, I want to respect both, but I believe respect is earned and not given, and if the person is being disrespectful then I will return the disrespect back to their faces. Treat people the way you want be treated, remember?

I've been in between fandoms for over a decade, so I've come across discourses over headcanons and preferences plenty of time. Here's a reminder: Be respectful! It's not hard if you recognise that everyone perceive things differently and that the world doesn't revolve around you and your opinions only. You can always agree to disagree.

Being respectful also means being respectful to fanartists and fanwriters. Have some decency and refrain from using someone else's works without their permission (it's not hard to ask!). Just because you found it on Google does not mean it's public domain. As for appreciating fanwriters, you can start by reading what you want to read. You can start by filtering keywords and tropes or genres that you don't like. AO3 has a tagging system for a reason. If you don't pay attention to the tags, don't blame the writer for writing what they want to write and not how you want it. They create contents for free and you are not the boss of them. If you want something that specifically suits your taste buds, you can commission them.

Learn how to differentiate between what's canon and what's your own headcanon and interpretations, what's canon and what's a mere concept. Maybe you're reading too much into it, maybe it's in your head. Headcanons are fun, being delulu is literally my middle name, but not everything that you perceive is canon. You can disregard canon (like I do, most of the time) but you have to be clear about it, and draw a hard line to separate them, label them with 'canon divergence' or 'canon compliance' (you can look up each definition). A concept that did not make into the final product can hardly be considered canon.

This fandom community is supposed to be a safe space for everyone regardless their reason in shipping Helsa (be it because of their appealing aesthetics or others) as long as they're being respectful to each other. I didn't think I would be here writing all these to address the bad apples. Sure, the bad apples are always there in every community, but when these bad apples are the loud majority, I feel like I have to say something to clear up some misconceptions about this fandom. Helsa fandom isn't exactly popular, even back in the day, and it's mostly because shippers of other ships and fandom purists have already assumed the worst when they interacted with the ship before they did the shipper, which once again is out of the shippers' control.

From my experience, name-calling fellow shippers over these niche stuff will drive people away and discourage some creators from creating content (I already am on this stage). So, in my opinion, let's just agree to disagree. It's probably just me, but it's not like we have the power to make the writers write what we want anyway (Frozen 2 is already a proof that they would write what they want to write).

[ocelot-t]

do have any Hazbin Hotel or just RadioRose headcanons? Like Rosie being a really good painter or Alastor technically being younger than he seems or something? (I just like reading other people's ideas on their favorite characters lol)

You arrived just in time.

There will be a lot of words I have mostly a lot of disconnected thoughts in my head, which I sometimes consciously or unconsciously implement in drawings. besides, I don't remember what the canon is, and what the old fanon is, to be honest. If you would like me to, I can share not only my headcanons, but also some of the AUs I have.

I understand where the theory comes from, but I don't like the idea of Alastor being forced to smile all this time. I think he wants to keep everything under his control so much that he smiles even in death. The idea that he is just a sick man, serial killer makes his eternal smile even more unnerving. I don't want to justify him.

I think Al would have enjoyed reading H.P Lovecraft’s works. The tentacled creatures and descriptions of people as nonentities suffering defeat in a fight with chthonic creatures... btw, some of Lovecraft's stories were published during Alastor's era. I have a small headcanon about Alastor's death, and I plan to create a comic in the future (if I can actually get it done).

There are 2 possible deaths of Alastor's mother in my mind, and I’m uncertain which one I want to illustrate. maybe both continuing the theme of Alastor’s human life. I sincerely believe that even if Alastor had really had an abusive father, Al would have been cruel since childhood. Guess what? I have an unfinished little comic with a hum!Al by another artist, and I'm uncertain when I’ll manage to complete it. The headcanon that suggests Alastor’s father is an abuser already seems like a canon; however, I don’t want to portray him as a completely terrible person. I like the idea of Alastor enjoying hunting, so let's say he learned it from his father. Just like all the dad jokes. on the other hand, as for the scars on Alastor, some of them probably came from his father, since domestic violence was a common problem. Regarding art, as you might have noticed, I have a headcanon that Al understands the arts in general, whether it's painting, cinema, or music. Perhaps I think this way only because I am trying to combine things I love very much. I imagine him as a person you could have a discussion about these topics with??? It seems to me that Alastor and Rosie would often discuss these topics over a glass of wine or a cup of tea. Suddenly, Alastor would show up at Rosie's and instead of hello I READ ABOUT FRA FILIPPO LIPPI. DO YOU HAVE AN HOUR FREE? BTW I HOPE YOU WATCHED THAT DZIGA VERTOV MOVIE THAT I RECOMMENDED Rosie would love art nouveau and I don't know rococo? and Alastor would be like no art nouveau is okay, cute, but rococo is bullshit. *2-hour episode of drunken dad teaching life* Continuing on the topic of artists, I repeat myself, I have a silly unfinished series of mini-comics about Alastor and Rosie as art academy students, the plots of which are based on real life (almost). I have thought about what kind of styles they would draw in, what kind of themes they would focus on, and so on. Again, there is a lot of text here already, so I'll wrap up this topic for now. P.S. I have a strange idea in my head about how to imagine Alastor in the USSR in the 10-30s. It was quite fun there: the World War I, the revolution, the civil war, the post-revolutionary years, famines and so on, and so on. For fun, of course, but Alastor the Communist has a good reason to hate Vox the Capitalist and his MMM I mean VVV or Lucifer the emperor of hell, if you know what I mean. Instead of telling dad jokes, he would say that life under Stalin was good and quote Lenin. Of course, these are all jokes, but I did have some abstract thoughts about how his life and his family's life would be arranged. However, I don't know enough about the history of USSR to actually implement this properly. so yeah

[grimfalcon746]

Jacob the Vicious: Chapter 2

This is part two to a story i started a while ago. Part 1 linked below Part 1

***

Demons Flee when Good Men Go to War

"What does that mean?" One warrior asked their captain.

"I'm not sure. Terralia, you have any idea?" The captain asked.

"No. Jacob never mentioned anything of the sort." Terralia replied.

Another ship had landed while the warriors were searching the wreckage. As the occupants of the other ship entered the cargo hold, one warrior grabbed Terralia, dragging her into the cockpit, he stood guard over the priestess while the other warriors received the aliens.

"Who are you." The alien demanded.

The alien stood tall, around nine feet, and was the shortest of the six. His orange skin was mostly hidden by his armor. The weapons the band carries were swords and clubs. No projectile weapons among them. These men were Vilguls, who had sworn off firearms and similar weapons in terms of man to man combat. Their ships still used them, as was necessary in terms of vessel warfare, however they preferred to disable enemy ships, and attack hand to hand, rather then rely on their ships weapons. It is easy to see why, with four arms and brute force, not many could go hand to hand with them. They loved the thrill of the fight.

It was rare of the Vilguls to attack humans, but the contract had been worth it. Twenty-five million standard credits. One human vessel may not be much of a threat to the Vilguls, however they knew the humans tendency for revenge. Still Twenty-five million standard credits was enough for them to take the risk.

The captain answered the Vilguls question. "We are warriors from the nearby village, investigating the crash."

"Warriors, you say." The alien responded, a smile creeping onto his lips. Grabbing a club and a sword from their holsters, he approached the warriors.

"We do not mean to fight you." The captain assured.

"Fight. Don't fight. Death will be the same either way.

Realizing these aliens were not going to allow anyone to live, Terralia made a break for the control panel.

"Terralia, What are you doing?" Her guard whispered.

"Activating the distress beacon. Hopefully there is another ship close." Terralia replied. "After that I will climb out the broken window, once I make the treeline, you should follow suit."

"I will cover you from here, but I will not join you. My squad needs my help." The guard replied.

In the time it took Terralia to activate the distress beacon and climb out the window, the Captain had already been slain. The second in command was locked into combat with the Vilgul leader now, losing badly. His dominant arm had been broken in three places and his chest had been crushed.

"We got a runner." Another Vilgul called out.

"Go ahead." The Vilgul leader commanded.

A bit of panic crept into the guard as he turned to see where Terralia was. He let a breath of relief out, as Terralia was almost at the treeline, they would never catch her. She knew those woods like the back of her hand, with all the time she spent with Jacob in them. They would never find her once she was made the treeline.

Standing over the beaten soldier, the Vilgul leader raised his club. Taking delight in the moment before finishing off an enemy. As the club came down, it was deflected by the blade of Terralia's guard. The club slammed into the ships floor hard, as the guard swung for the leg. The Vilguls leg collapsed as the blade cut into the flesh.

The guard backed off, as the Vilgul had squared off to him.

"You should have gone for the kill." The Vilgul mocked. "Your comrade is going to die anyways." Taking a moment to inspect the wound on his leg, a mere flesh wound, he continued. "It has been some time since someone had been able to draw blood on me. Our skin is thick, and strong. Your blade must be exceptionally sharp."

Without responding the guard attacked again. His sword being blocked with every thrust, as he did not have the element of surprise this time. The Vilgul was having fun, toying with his opponent, until the guard spat in his eye. As he recoiled from the wad of spit in his eye, the guard thrust the blade at his throat.

Deflecting the blade with his sword, the Vilgul brought the club down hard on the shaft of the sword, breaking the sword near the hilt. Not to be deterred the guard thrust the blade at the face of the Vilgul. The plate helmet got knocked off, as the blade dug a gash along the side his face, causing him to stumble back.

"I like you." The Vilgul complimented, not even reacting to the blood coming from his face. "Your sword shattered, and you cut me with the fractured remains. You should join us, you can live as a pet on our ship. See the other planets, learn to fight like a real warrior. How about it?"

"I'd sooner die!" The guard shot, charging the Vilgul again.

The club collided with his skull before he even knew it had been swung. Bone fractured and brain matter spattered the area with the single blow. Before the body had even dropped the Vilgul had already turned back towards the wounded enemy. Finishing him off with one more swing, he wiped the blood from his face.

"Kill the rest." Came the command, as he picked his helmet up, putting it back on his head.

Slaughter. That's the only way to describe what happened next. The warriors were dead before they could even draw their weapons, their corpses mangled with the brute force of the attack. The Vilgul leader made his way to the cockpit. Finding all crew accounted for and dead he left the ship, with his comrades in tow.

"I lost them sir." The Vilgul who had chased Terralia admitted as he returned.

"There is a village nearby." The leader said. "We will attack it to try and draw them out. Failing that we will scorch everything for 100 kilometers."

"Is that really necessary?" One Vilgul asked.

"We just killed humans. Do not forget what they are like. We can not afford to leave any alive who can identify us." He replied.

The sun was rising, as the Vilguls hit the village. The first few villages died quickly, as they were mere farmers. Their friends and family went running to the village to send word of the attack. The captain had to stop his men from chasing them down.

"Remember the objective. The louder we are, the more likely we draw the one who ran away home." He commanded.

As word spread through the village, the Vilguls could not believe what they were seeing. Instead of fleeing into the woods, the villagers gathered in a single structure in the village center. Those who could not fight taking shelter inside, as the warriors surrounded it to protect those inside. This was going to be easier than they thought.

While this was going on, another ship had landed near the wreckage. A small ship, carrying a band of ten humans. Terralia watched from the treeline, not sure if she should approach or not, as two entered the wreckage to investigate. As they came out of the ship, the rest left the safety of their own ship to meet with those who had investigated the wreck.

"Jacob!" Terralia called from the treeline.

"Stand down." Jacob ordered as the other men brought their rifles up towards the noise. "That ones friendly."

"We were investigating the wreckage when these aliens attacked. They have four arms, orange skin and are larger than any other species I've seen. They left in the direction of my village." Terralia blurted, in a mild panic.

"That sounds like Vilguls." One of Jacob's men said.

"Load up." Jacob ordered. "We are hunting Vilguls.

"Be careful!" Terralia warned. "They killed my warriors without any effort at all."

"We are aware of them." Jacob reassured her. "We will be fine."

As the crew finished loading up, they met Jacob at the treeline. Once they all gathered, Jacob spoke. "I know these woods well. I will be moving fast to catch up with the Vilguls before they do too much damage to the village. Stay close or you will get lost.

Sprinting through the woods with his team in tow, they made it to the village in a fraction of the time the Vilguls took to make the same trip. Several warriors around the village center had already been slain. Their mangled corpses laying around the Vilguls, who were toying with several more. The sniper of Jacob's team climbed a watchtower, setting up as over-watch as the rest of the team proceeded towards the Vilguls.

One village warrior was on the ground, a Vilgul standing on each arm, ensuring he could not defend himself, as the leader brought his club up with an evil grin.

Jacob's gunshots cracked through the still air, as the Vilgul standing on one of the warriors arms dropped. The rest scattered, recognizing the sound of gunshots. The rest of the team open fired as they fled for cover, in total four of the six had been killed before they made cover. Jacob and his team then approached the village warriors.

"How bad is it?" Jacob asked.

"Ten dead here, we also sent a team to the wreckage to investigate that has not returned." One warrior informed Jacob.

"That team is dead, except for Terralia." Jacob updated him.

"That makes fifteen dead then." The warrior said solemnly.

As Jacob talked with the warrior, one of the remaining Vilguls had circled around, and came out from behind a building behind the team. Charging in with a weapon in each hand, The Vilgul had intended to slaughter all the humans before they even knew he was there. The sniper killed him before he even made it within range, dropping the corpse behind the team who barely reacted. They had, after all, turned their back to entice that kind of an attack.

"It could take a while to find the last one in the village." Jacob's comrade pointed out.

"The warriors could help search." The village warrior offered.

"No, they would just pick your warriors off, or worse go after the villages in the shelter. I have a better idea," Jacob replied, grabbing his radio, he walked away from his team, throwing his assault rifle to the ground. "All men stand down."

Pulling short spear and a shaft off of holders on his back, Jacob screwed the two together, making a long spear. He then called out loudly. "Vilgul, You have to know you are going to die here! However, I know your kind likes a good fight. Come out and face me, I will give you a fight with my spear."

"Your men will shoot me as soon as I step out." The Vilgul called back.

"I have ordered them to stand down. You will have your fight." Jacob reassured.

"Do we shoot him when he comes out?" One of Jacob's men asked their lieutenant quietly.

"No. He ordered us to stand down." The Lieutenant replied.

"He really want's to fight a Vilgul hand to hand?" The soldier asked.

"You know why he was given a captain rank as soon as he joint the XIV Regiment?" The lieutenant asked, chuckling.

"No?" The soldier replied.

"His name carries that much weight." Came the reply. "That is Jacob, the Viscous."

"Oh come on, that is a myth." The soldier replied in disbelief.

"I thought so too. However, apparently not. You are looking at a man who killed fifteen Vilguls on Sade 57 with nothing but a rock in a sock." The lieutenant said.

The men stared in disbelief at that information, as the Vilgul leader came out to face Jacob. Equipping a large shield in his left two arms, and a sword and club in his right two arms, the Vilgul squared off against Jacob.

Opening his mouth to speak, Jacob cut him off with a thrust of the spear, aiming straight for his face. Knocking the spear to the side with the shield, Jacob spun the spear, striking the side of the shield with the back in, trying to knock the shield out of the Vilguls hands. Failing to do so, Jacob shoved the shaft into the torso of the Vilgul several times. The force of the blows causing the Vilgul to loosen his grip on the shield, Jacob was then able to strike the shield again, knocking it out of his enemies hands.

Spinning the spear so the blade was in the front again, Jacob trust again, this time aiming for the torso. Knocking the spear away with his sword, the Vilgul swapped the club to the left hand, swinging it towards Jacob. Blocking the blow with the shaft of the spear, Jacob was knocked back at least five feet, before stumbling back another couple steps to regain his balance.

The Vilgul had charged at Jacob at that point, swinging his sword in an effort to decapitate Jacob with one swing. Ducking the Sword, Jacob swung the shaft of his spear, catching him in the wound the warrior had given him on his leg earlier. The force of the blow easily buckled the leg of his enemy, who, for a moment, dropped his guard. Swinging the tip of the spear in the helmet, Jacob knocked it off his opponents head, causing another deep wound to the face of the Vilgul. Pulling the spear back, Jacob thrust again, aiming for the face of his opponent.

Knocking the spear away with both weapons, the Vilgul punched Jacob in the stomach. All the air left his body, even as his armor absorbed most of the blow. Nearly losing his grip on his spear, Jacob tightened his grasp on it, as the Vilgul got up and body checked him back. Landing on his back, Jacob rolled away from his opponent who had charged him. Drawing his sidearm, Jacob took aim.

Six shots fired from his sidearm, one in to each of the limbs of his opponent. Collapsing to the ground dropping his weapons, the Vilgul looked up just in time to see Jacob shoving the spear at his face. Grabbing the shaft of the spear with all four hands, he managed to stop the spear after it had dug through his cheek and pressed to the back of his throat. Stepping forward, Jacob jumped off the arm of the Vilgul, kicking him in the face as he rose. The force of the kick loosened his grip on the shaft slightly, then with the added force of gravity, Jacob was able to drive the spear all the way down through the body of the Vilgul. As the tip left the butt of his opponent, Jacob drove it into the ground, pinning him in place.

A few minutes of struggling was futile, before the Vilgul succumbed to the wound, going limp.

"I was wondering if you were going to use your sidearm." One of Jacobs men said.

"Didn't really need it, but the fight was dragging on to long." Jacob replied.

The village cleaned everything up, gathering their fallen to honor them with ceremony. Jacob and his men lingered on the outskirts of the village for a bit, Jacob catching up with the villagers, Terralia among them. Just as he was about to depart, Terralia asked him about the slogan from the ship, also printed on the chest of Jacob's armor.

"It's the slogan of the XIV Regiment." Jacob informed her. "A mercenary group I joined after leaving here."

"I don't care what the other species say." One elder said to him. "You, and your kind are always welcome here. This is only our second encounter with humans, and we have been helped tremendously both times. Other species clearly only fear you as they are looking for a fight."

"I appreciate that. I will spread the word through the other human fleets." Jacob replied. "There are so few places we can stop with the reputation of our species."

With their final goodbye's said, Jacob and his team left the planet once again. Wondering if his business was truly done, or if fate would bring him back to this place yet again. Only time would tell.

[plague-of-insomnia]

I ship sebaciel but I only like their dynamic, in my head I imagine an adult Ciel and I only read fanfics when Ciel is way over 18 and can decide by himself/not be manipulated. I was raped when I was 15, I could never ship something like that. But anti pro shippers never bother to see the nuance. I'm afraid if I start publicly shipping it, people will call me a pedo lol Also I think that the ones who like the age gap still can't be compared to real pedos who consume lolicon/ realistic drawings who REALLY resemble children and explicitly are in a setting of a child being molested. I see incels doing that, and the kuro fandom is mostly women.

Hi, anon. Sorry I didn’t reply yesterday. I had COVID a couple weeks ago and now have bronchitis and i just ran out of gas to formulate a response I felt this ask merited.

First of all, I’m sorry that happened to you. I hope you’ve been able to get past it enough that it doesn’t affect your daily life too badly 🫂.

Sadly, a lot of antis act as if they’re the only ones who have been victims of (sexual) abuse, and that any survivor who doesn’t behave the way they do either must be lying or “deserved” what they got— which is absolutely awful to do to anyone.

As I’m sure you’re aware, we’re not a monolith. Some survivors find rape play (whether role play or in fictional works) helps them move past their trauma because it helps them to have the control they didn’t have as victims. But others find it triggering and upsetting and not helpful at all— and that’s valid too.

I personally don’t ship sc anymore mostly because I just don’t click with Ciel in the ship the way I do with other pairings. I also personally get very very uncomfortable with some underage depictions. For example, there was a fantastic sc fan fic a few years ago that I had to stop reading. It is one of the best written works in the fandom, but it just made me so uncomfortable (it’s underage) I had to stop.

But what did I do? Did i leave the author an angry message saying I was not gonna read it? No, ofc not. I just clicked away.

So if for you, you need situations in which you feel Ciel can fully consent/is in control to feel comfortable and happy then that’s perfectly valid! There’s no one “right” way to ship anything, and you have to look out for yourself first. Because we come to fandom to have fun and escape, so no need to delve into things you don’t like or that make you uncomfortable.

Antis are incapable of seeing these kinds of nuances, or realizing that purposefully consuming content that upsets you is self harm.

Sadly, if you openly ship sc (or even aren’t absolutely against it) you may get some hate. I know I have gotten my share, and it’s *always* about Ciel, no matter how I’ve depicted other characters or what ages they are in my stories. But I’ve also gotten hate for being a fujoshi (misgendering me at that) more than once, and some of it even before I joined the fandom… for my original work.

My point is that people are gonna attack you if they’re gonna attack you…. if you’re not willing to take that risk by being public about your ship that’s valid too. I definitely get how exhausting antis can be and if you’re just wanting to stare at your blorbos for a bit you don’t wanna be fighting of negativity left and right too.

It’s a shame that antis have started using the word pedo as a word for anyone they dislike, devaluing it, but the real shame imo is that they refuse to see that actual CSEM is bad not because it’s gross or immoral but because it harms actual children, who grow up to be adults with trauma.

I think it’s very important to distinguish actual CSEM (or “fictional works” that were intentionally modeled off real CSEM) from anything that’s purely fictional. Because you can never really know why someone made something or why someone likes something.

I write about child abuse, sexual and not, a lot because I find it very therapeutic, but someone might read my works and may draw other, completely erroneous conclusions about me and my motives.

I honestly think a huge chunk of the kuro fandom is nonbinary, but I don’t really know the demographics. I’m sure they’re slightly different depending on if you’re looking at the western or eastern fandoms…

But women can be toxic just like anyone else. Some of the absolute most vile antis I’ve seen identify as female.

Ultimately, I think that the best thing to do with the fandom (or any fandom, really) is to curate your experience. Block accounts that trigger you or don’t vibe with you. Find like-minded friends to chat with in private, so you don’t have to worry about strangers hopping on what you say. Filter tags and use apps if you need to.

I think it’s a shame that antis are so vocal in the fandom and have divided it so much. As a multishipper not much into sc, I have definitely felt that fracture more than some others, since sadly too many non-sc shippers think they need to scream about how icky that ship is and be jerks when we could just ignore sc entirely and enjoy the other ships we like instead together?

But the no matter what antis claim, sc shippers have always been and will always be the column that holds the fandom up, and you either need to make peace with it or learn to ignore it.

🫶

My ask box is open for anyone who doesn’t feel comfortable being open about their love for kuro but would like to squee over it/the new series with someone who doesn’t mind listening :)

[seraphsfire]

Life situation & kitty update! Help me stay in Seattle instead of being forced to go to wyoming

Hello! I was able to make rent this month, but so far I cannot make rent for next month.

Ko-fi has been holding donations since paypal has been flagging them as "income" so that no longer works.

If you would like to help me out using paypal, the link is HERE. I will look into other venmo and cashapp. you can also reach out for a commission! If you donated via paypal and would like me to draw you a little something in thanks, please let me know!

I also put together an AMAZON WISH LIST , most is things for the kitties or food and some non-essentials / self care things for the hell of it that are things i haven't been able to buy myself for a while. Other than rent, kitty supplies and food are what I spend most $ on.

More on what I'm facing and what my kitties need:

about the kitties:

My sweet kitty Jade, needs a steroidal shot for her dermatitis. She should have gotten another one on the 25th, but I had no money to take her to the vet and she started ripping her fur out and made big, golf-ball sized spots completely bald on her armpit and chest :'( We put her on benadryl, moisturized her, and gave her a little jacket thing to help but I can tell she's really uncomfortable and really needs a vet visit to get that. it's $80 just to visit my vet and i'm sure the shot could be anywhere from 10-40 dollars, I really don't know. She's not in danger of pulling huge chunks of fur out thanks to the little jacket but she's really not happy and it makes me so sad.

About my situation (kind of long, sorry):

My Parents (mostly my mom; it's very hard to get responses from my dad) gave me rent money for September, but then made it clear that she will no longer help me financially under any circumstance if I want to "choose" to live in Seattle, then I'm essentially on my own. She doesn't want to give me money because she doesn't want ours to be a "transactional-based relationship" (after spending my entire childhood having them pressure me to move out on my own)

My dad is convinced that since Seattle is a city, it is very unsafe (and too full of Democrats) and that we would be safer living in their small town of Pavilion, Wyoming--which is literally just like, a few very spaced out neighborhoods. The nearest actual town is a 30 minute drive, and it's not very big either, and I don't drive. I would be snowed in *with them* for 4+ MONTHS every year, and every summer unable to leave the house for weeks because of the heat.

My dad has told my sister and I that if we choose to live right next to them, where they could have complete control over our lives, they would even buy us a house--but because we're not doing that, they refuse to support us in the life we've chosen for ourselves. They do not see the cruelty in this and think we are being nonsensical staying somewhere like Seattle which is "dangerous" and they do not like that it is full of non-republicans. I came out as queer in 2016, something which they have never spoken about since. I would likely be the only (out) queer person for MILES, and I don't feel like being the guinea pig for whether the anti-gay people there are the kind who ignore you or the kind who will hatecrime/kill you (:

Since I'd be at zero in my bank account in wyoming, they would have complete control over what I eat (not fun since I have a messed up digestion), clothes I buy, where I go, and how I behave just like they did when I was a child, or they'll start taking things away hoping that "tough love" will work. (it just made me mentally ill lol)

If I start a job in a week and a half I might be okay, but if I can't start until after that I won't have enough for October rent. I have one interview coming up but the future is still very up in the air.

[sharpbutsoft]

So I know you do digital art, but The Hanged fireMan looks like a watercolor. Do you work with watercolors as well, or is it the program you use?

(please brag about your art process, basically)

Yeah! So I do all my (fan)art in everyone’s favourite innuendo of an art program, Procreate. (Specifically on a 2019 ipad pro with a 1st gen Apple Pencil, both of which I would tentatively recommend if you can get them 2nd hand for less than 200euro like I did)

I did a lot of painting as a teenager, and still paint often to this day. Though I mostly worked in acrylics, I have been known to use watercolours (like, when I was in college I bought a little 3euro paint set and would use the inside of cardboard cereal boxes as diy watercolour paper and paint wild little Irish landscapes… and Winter Soldier fan art, sometimes. 2017 was a different world)

So in summary - I ‘paint’ digitally using some very traditional techniques I picked up over the years, and I kinda prefer digital art now, which I will elaborate on below the cut as I detail how I created The Hanged fireMan…

I’ll start with my favourite digital art ‘cheat’ which is that I use So Many Layers. Like seriously, pretty much every new colour goes on its own layer because I am a control freak and love being able to tweak them all as needed. So for this relatively simplistic piece, I’ve still got something like 20 layers all together.

I’m also usually better at grouping layers but in this one I gave up at some point and it felt dishonest to group them nicely before showing you guys lol

So yeah layers is my biggest hack, but the other is using specific texture brushes

I spent a while playing around with various brushes before finding this Tarraleah one which has just the most delicious watercolour-y texture and a really fun edge to it (and it’s got pressure sensitivity, so I can really control the amount of colour I want to put down on the page)

This background was painted entirely with the 1 brush & colour, and I think it turned out pretty cool. For this particular piece I did have a reference on screen to work off for the most part, but those clouded were just painted with my heart

Next (or maybe before, it’s a while sinceI drew this and sometimes I mix it up) is the lines, which are always done with my best friend, the Procreate Pencil!! I love her, she’s so fuzzy and textured and also if you tilt the tip on the pencil you get a broader line (like with a real pencil) which is just the coolest thing!

When it comes to lines I just sort of go for bigger shapes 1st and details later, and basically always with some kind of reference. I also use a very old & well known trick of putting the most detail into the object of most importance, and leaving the background more loose and vibey

Artists will tell you that this is to draw focus with details. Artists are lying. It’s cause we got lazy after drawing he fun part & phoned the rest of it in lol (I know this because I am an artist)

Also I love this pencil because I don’t have very steady hands and I actually cannot draw straight/smooth lines to save my life! If you’ve ever seen anything resembling a smooth line in something I’ve drawn, it is almost certainly a whole bunch of lines over each other and then erased at the edges to make it look neater

But who needs straight lines when sketchy sketch lines are so fun!

Next is flat colours (the 3layers in the middle with check marks beside them)

I used the same colours as the background, which you can tell from where they completely blend together right down the bottom, and what I genuinely do is use the Tarraleah brush to generally block out he shape, and then go back in with an eraser and smooth out the lines

Why do I do this? …good question

Next is one of my favourite parts, which is adding the lights! Procreate has some really fun -glowy- layer effects - my favourite is probably Add (A) though Colour Burn (CB) is great too for its vibrancy.

Also those 2 layer 11s are there because I duplicated one and then used the ‘Gaussian Blur’ feature to ‘fuzzify’ it (yes, that’s the technical term) It’s a pretty quick and easy way to add a more diffused light effect around something. (I did the same for the yellow reflective strips on the turnouts too!)

Last step now! So full disclosure - I absolutely traced that writing from a photo of a tarot card lol. I actually always trace writing, as, much like drawing straight lines, I’m bad at handwriting on a screen

I also stumbled upon the Exclusion (E) effect by accident - Originally it was going to be a plain cream boarder like a traditional tarot card had, but I wasn’t fully happy with it, so I just flipped through a few layer effects and as soon as I got to this one, I knew it was the right choice

I love the dreamy contrast of the pinks and purples to the dark navy and grey & how it makes everything looks kinda unreal and outer-spacey

And yeah that’s about it! Everything else comes from my 15+ years of Practical Art Knowledge but these are the specifics of how I utilise it digitally!

This was a lot of fun to write out, and I hope that if you’ve made it all the way here, it was fun to read too!

[void-chara]

My gift for the @technoblade-gift-exchange !! i was assigned to @simplepotatofarmer who asked for dsmp rivals duo. i hope you like it Loyal!

rambling about headcanons, designs, and my process and stuff under the readmore, because i wanna talk about it but dont want the post to be super long !!

i had originally planned to not have a background and then at the last second i decided to speedrun drawing one in a few hours so um. quality difference but its fine. also unrelated but im pretty sure everything about how i draw animals and anthros makes it very obvious i used to be in the warrior cats fandom lol. anyway onto the designs!!

the gold on techno is scars from the totem at the execution, which i think is a pretty common thing for techno designs. he isnt supposed to be a piglin, but rather similar species of anthropomorphic pig. also his mane and tail fluff are naturally brown but he dyes them pink ^_^ so cool !! um. i maaayyy have forgotten the crown until i was way too far into the piece to add it. haha. oops. pretend its missing because. uuh. hes in a casual outfit. "but he still has the cape" yeah its comfy. "but dream has a mask thats not casual" dream is dream he does Not relax fully ever. see entirely intentional i would never make a mistake.

dream is an original shapeshifter species i came up with because i couldnt decide what i wanted him to be. i havent decided on a name for the species yet but i plan to make almost every solid-color or nearly solid color mcyt into this species. theyre mostly involuntary/unconscious shapeshifters. so like they change slowly over weeks or months to adapt to their surroundings, with little conscious control. basically i wanted him to be like five different things so i shoved them together lol, rabbit ears but in a pattern that looks like an axolotl, a cool tail, TOE BEANS tho you cant see them. this was actually the first time ive ever had a dream design im happy with so thats really nice.

i um. i made full use of my time lol, i spent a bit over a week on the lineart, another week on the coloring, and maybe a week and a half on rendering. unless i suddenly became shit at math(which is possible) that adds up to roughly the amount of time i had to work on it. im really proud of myself actually since i usually take a while to do art, and i wasnt sure i would be able to make something id be happy with in this amount of time. but i did! woah!! this was my first time participating in a fandom gift exchange and it was so fun, and also helped motivate me to draw more instead of getting distracted like i usually do (classic adhd moment) lol. anyway super cool!!

Loyal if u decided to read all this for some reason then again i really hope u like it!! u are so cool and i really love ur rivals duo opinions and creations so i hope u like this! i know theres been shit happening lately, i hope ur doing ok!!