#I might need to expand on this

[an6elic-d3vil]

The way some of y’all talk about reeses feces (RhySAnd) like you know him is beyond wild to me. Like when you guys attempt to defend him you just sound like Feyre throwing a tantrum because nobody likes her mate.

Tamlin Stan: Feyre and Rhysand are toxic for each other and they both suck ass at communicating. The only reason they’re better at it than Feyre and Tam is because they can read each other’s minds. They rarely ever ‘talk’ about things….

Feces Stan: Nuh uh how dare you disrespect my beautiful, black haired, so blue they look violet(tf does that even mean???) eyed god that realistically would discard me so quick! 👹👹

No because you want to live in the night court??? You, a women, in the night court?? Rightttt. Your totally not gonna get abused👍🏾

The thing you claim to hate so much when someone else does it but when Rhysand someone in the inner circle does it there’s hundreds of explanations, reasons, and theories. Make it make fucking sense.

[juuuulez]

carmy and his girlfriend who’s a celebrity chef

maybe you won one of those reality cooking shows and skyrocketed in popularity. a steady social media following, featuring on ads, before eventually getting your own daytime television show. it’s something cute, where you where a nice little outfit and apron, showing the viewers how to make restaurant quality dishes from home.

of course carmy knows who you are. it’s his job to know the local talent, and yeah, maybe you being so fucking pretty certainly helps. it’s a stupid crush, really. just someone attractive on his instagram feed, someone who also happens to be an amazing chef, and just has the sweetest, most welcoming smile.

your face has been printed out and taped next to a list of names to be aware of, different people of importance who’s opinion of the bear would be crucial. all the wait staff has been heavily trained for such an occasion.

but that doesn’t mean they’ll behave.

because when richie spots you? it’s over. he knows about carmy’s little crush, thinks it’s fucking adorable. plus, eva likes watching those cooking shows, you’re pretty good.

you’ve had a lovely meal, some wine, and find the conversation with him to be pleasant. it’s always flattering when the staff knows who you are, makes you feel a little less weird for dining alone. but richie being richie invites you back into the kitchen, and you being you, absolutely fucking loved that idea.

and you do try to stay out of the way, coat wrapped tight around your body as you step through the pass, making sure to look over the staff’s shoulders and not distract them. but carmen? oh, he has lost it. any sense of coherence has gone out the window, because what? you’re in his restaurant, in HIS kitchen?

you be polite and introduce yourself, offering out a nicely manicured hand for a handshake. carmen stares at it for a moment, before kicking into action, frantically wiping his palm on his apron to accept it.

and when you tell him your name? he says:

“i know.”

it takes you aback for a moment, brows raised in surprise at how blunt he’d been. carmy has enough sense to clock that his reply was strange, for he’s backtracking, trying to save the interaction.

“no, no, i mean— i mean, yeah, i know. you’re on, um, those ads, yeah? for the fucking.. the fuckin’, uh, french cookware.” he practically rambles.

it’s cute, so, so utterly cute. you save the conversation by complimenting the meal and how lovely the experience here has been, which has carmy flustered and red in the face. you decide not to torment him anymore, allowing him to get back to work and the kitchen return to its usual pace.

which, for the record, does not happen. carmy’s flow has been ruined for the night, unable to stop thinking about his embarrassing word-vomit.

it’s okay, though.

on the bill you leave a generous tip.. and your phone number, addressed to “that cute chef.”

[rapturebin]

obligatory vampire thing

+ having fun with 1830s-ish silhouettes. not made for authenticity's sake im just playing around...

[susielesbianism]

Sometimes I think back on when chapter 2 came out and there were people saying that Susie’s turnaround from ch1 to how she is in ch2 was too sudden and jarring. Hell, even back in ch1 people were saying that Susie’s character development happened too quickly.

then Spamton sweepstakes happened and so did the newest girl post, which I really think was partially meant to serve as a reminder to people entering the fandom with ch2 that this is how she used to be.

Not to mention the aftermath of the Lancer fight, with how quickly she went from seemingly wanting to tear Lancers fucking throat out to immediately wanting to reconcile with him and affirming their friendship. (which. the whole thing WAS a huge misunderstanding. but still)

besties I think this is just how she is. She’s a good person and great friend but she’s also a little bit emotionally unstable! And I love her for that!!

[landwriter]

Hi! I hope you feel better soon!

This is a great prompt by @academicblorbo about Hob Gadling being the landlord of the Dead Boys. It has a wonderful fill already by @omgcinnamoncakes but I’d love to see what you come up with for it!

Alternative prompt from me if that doesn’t work for your brain: remember the date between Jenny and Maxine? How about one between Jenny and Esther? Poor Jenny is going to really question her taste in beautiful blonde women 😭

Thank you! I saw ‘landlord’ and ‘decades’ and blacked out. I love Hob having them as tenants. Maybe even before the modern day meeting in Sandman.

The Sandman/Dead Boy Detectives, 2.4k, G Dream/Hob, pre-slash, alternating/outsider POV, found family, a reunion and revelations etc.

---

Hob did not, strictly speaking, have tenants. It was more of a minor haunting. Pun intended.

The small room above the pub and below his flat wasn’t worth charging anyone rent for; when he first bought the building he had put a handsome oak desk in there and some bookshelves before wondering who he was possibly keeping up appearances for. Who was he going to take back upstairs that would stop and say, Wait, can I see your office? So he’d left it as more or less an abandoned room.

When he realized a pair of boys were using it as their clubhouse, he didn’t do anything at first. He saw them quietly coming and going a couple times, disappearing around the corner of the first landing. Brazen things. He meant to call after them, but the shout had died in his throat. He’d been young once. He still remembered the need to get away from it all. It was only when he went to check if they’d been making a mess of the room that he discovered it was still locked.

He’d crouched down and inspected the latch and found no marks at all. Huh, he’d said, and jiggled it again, and been a little more interested in whatever clever way they were getting into it after they disappeared up his stairs. Then he didn’t see them for weeks, and assumed they had gotten bored and stopped.

Until they came back. In the middle of an argument, striding through the pub like they owned it. Hob straightened up as they passed him.

“I cannot believe you broke the mirror.”

“I was in a rush! It’s not my fault you forgot you needed Arcana Incantatum after we arrived at the church. And found the demon.”

“I hardly forgot, I only made the mistake of assuming you would know to pack it by now.”

Hob raised his eyebrows. The boys disappeared into the back hallway. He followed them as they went upstairs, too preoccupied with their drama to notice Hob. They turned onto the landing, still carrying on. Even as they walked through the door. The locked, closed door.

Hob blinked. Then he drew his keys from his pocket and opened the door. The boys were still inside. One of them was pulling a mirror out of a backpack that was several times too small for it. They didn’t even look up, and Hob wondered how he couldn’t possibly have put it together earlier. He cleared his throat.

“Hello, boys.” That caught their attention. Hob grinned. “Seems we’re neighbours.”

---

Edwin abhorred getting involved with the living. He and Charles got along perfectly well on their own. They were a duo. An intrepid pair. Best mates, like Charles often stressed whenever he was about to ask something particularly ridiculous of Edwin. They were solid together. As solid as two ghost boys could be. The living, though, were messy and unpredictable.

Perhaps the most salient fact at present: Charles invariably became attached to them.

“He’s sad, mate. I can see it in his eyes.”

“You said those exact words in ‘94 about a dog. At least ask Hob himself.”

Before you decide to adopt him too.

Hob Gadling, irritatingly, was unobjectionable on every ground Edwin could think of. He had made no imposition upon them. When he found them, he only asked them their business, and then told them he was usually downstairs, or upstairs, if they needed anything they couldn’t procure themselves. He had an interest in rare and old books, as it happened. In explaining this, he had also hinted at being far older than his looks would suggest, which vexed Edwin twice over. He knew his curiosity would not be slaked until he talked to Hob, but then he would be the one getting involved with the living, and Charles would hardly let him forget it.

“Do you think he’s really immortal? Mate’s far too calm. Last week I saw him stop a fight downstairs by stepping right between these huge blokes. He just said something and smiled and they backed right off.” Charles lit up. “Do you reckon he’d teach me how to do that? Conflict de-escalation, innit? I could show him some moves with the cricket bat, I bet. Oh, do you think he’s a cricket fan?”

It was obviously a hopeless case, and since the Dead Boy Detectives never took on hopeless cases, there was only one course of action that remained. Edwin had long since disabused himself of the notion he needed to breathe. He had no beating heart, yet when he was startled, he would find himself clutching his chest. Now, he exhaled slowly through his nose in an entirely superfluous sigh of resignation. “Well, Charles, shall we go talk to him?”

---

When the millennium came around, Hob found himself celebrating it with his accidental tenants. There was something gloriously satisfying about being able to make a toast to the next one and have it taken seriously. He’d asked them if they had something better to do - spectral trouble to get into et cetera - and they both looked at him with almost identical put-upon and incredulous expressions.

Hob had a terrible suspicion they thought they were taking care of him as much as he thought he was taking care of them.

Edwin, with his insatiable curiosity and, deep underneath it, something Hob thought he recognized from himself: a sharp animal ferocity and a refusal to go until he’s good and done, natural laws be damned. Charles, still brightly, painfully alive for a ghost - who should be alive still, by all rights, but nothing of this life was fair - who joked to cover up hurt in a way Hob knew too, and glowed any time Hob turned so much as a kind word to him.

He wondered what they saw when they looked at him.

The year ticked over, and technology kept working. Charles grinned innocently and said he could probably possess the telly and break it that way if Hob wanted?

Hob’s heart twinged. He knew they weren’t his, not to keep, but it seemed that teenagers didn’t change at all over the centuries, even if the boys were only sort of teenagers in the way Hob was only sort of in his thirties. It didn’t change that they’d been punted from the mortal coil before having a chance to grow up, and figure out the kind of men they were, and make their own choices and fuck up and try to be better than their fathers, and everything everyone deserved. Hob had made more than his share of mistakes. They hadn’t been given the chance to make nearly any at all.

So they made toasts to the new millennium, to the detective agency, to themselves, all stuck out of time in different ways and refusing to move on for different reasons, and Hob allowed himself to think of Robyn and privately pretend that they were his all the same.

---

A week later, Hob was reminded of the other universal traits of teenagers when he mentioned his stranger and both boys began to grill him with terrifying alacrity. Before turning to his dating life, like ravening bloody wolves. When Edwin had asked, in a specifically nineteenth century manner that Hob remembered all too well, if Hob had always been unmarried, he’d nearly put his head in his hands.

“It can be hard for me to associate with the living too, you know. For obvious reasons.”

Charles had turned to Edwin and hissed “See? I told you.”

Right in front of him. Nobody had taught them manners.

“Manners, Charles,” replied Edwin loftily. “We will, of course, respect your privacy. A man is entitled to his secrets.”

“You’ll go upstairs and rifle through my personal things, is what you’ll do,” said Hob.

Charles coughed to hide his laugh. Edwin flushed and looked away. Hob snorted, and told them about Eleanor and Robyn. Properly. It was a strange relief. He’d told the story wrong for plausibility’s sake so many times he had been worried he’d forget the truth of it one day.

They had listened, and been remarkably quiet until Charles piped up and offered to set him up with a ‘really fit’ ghost. Hob had roundly shut that down. Woefully, not all explanations were satisfying enough. Charles cornered him again the next morning while he was cleaning the bar.

“No, mate, I still don’t get it.” Hob was about to say he no more wanted to be with someone who couldn’t feel pleasure from his touch than someone who would grow old and be taken from him while he stayed the same, when Charles went on, bafflingly, to ask, “Why don’t you meet your mysterious friend more often than once a century?”

Hob sighed. “Adults are often busy, Charles.” Nevermind that he had begun to wonder the same since the eighteenth century. He’d always just assumed time passed differently for his stranger.

Charles just laughed and perched himself on the bar top. “Ooh, low blow. We’re busy too, you know. Plenty of cases to solve.”

“Really,” said Hob. “You’re busy. Right now.”

Charles waggled his eyebrows.

“Charles, I am not a case,” said Hob, sternly as possible. “I’m not even a ghost. He’s not a ghost. No ghosts.”

“We could investigate. Maybe ghosts are involved. What even is he? Why every hundred years? Is it some sort of Persephone situation?”

Hob bit his lip against shouting I don’t know! I don’t know anything about him! Instead, he tried to smile, and felt it come out as a wince instead. “He’s very private.”

Charles scowled. “Yeah, obviously. You don’t even know his name. He can’t be that good of a friend if he’s too busy to see you more than once a century.”

Hob couldn’t see the expression on his own face, but he saw Charles’ shocked reaction well enough. It was so long ago for him, and still Hob knew at once what Charles saw now: that first time you manage to visibly hurt a grown-up’s feelings, people who seemed too old and too stern to actually feel pain, when you’d been going around kicking at them like a new foal, just to stretch your legs.

“Sorry,” said Charles, instant regret chasing his surprise. He was a good kid.

“It’s alright,” said Hob. He meant it. He looked down at the shining bartop. His hands were restless with the urge to light a cigarette. He gave in. It wasn’t like Charles would be dying of lung cancer any time soon if he decided to follow Hob’s example. “I don’t think he would say he’s very good at being a friend either. Truth is, I’d love to see him more often. But we had an awful fight the last time we met. If he forgives me, I’ll have to ask.”

“Mates always make up,” said Charles earnestly. He was such a good kid.

“I suppose they do.” Charles still looked sorry, and Hob clapped him on the shoulder. “Hey. Thanks for looking out for me, Charles.”

Charles beamed at him. “Always. We’ve got your back, me and Edwin.”

---

Charles couldn’t bloody believe it. Hob’s friend was here. There was nobody else it could be. He and Edwin were watching from a nearby table, pretending to be absorbed in their own conversation. Neither man noticed them. They were too busy looking at each other.

He couldn’t imagine spending more than a century apart from Edwin. The way Hob had talked about him and his stranger over the years, it sometimes seemed like they were best mates too, no matter how little they saw each other. He was dead sure that’s what had Hob looking so gutted when he thought nobody was looking. He had known they would make up, though. Maybe now Hob would be happier.

“Charles, we really ought not eavesdrop,” hissed Edwin. Right as he scooted his chair closer, the cheeky hypocrite. Hob and his friend were talking too quietly to properly hear, their heads bent together. Lots to catch up on, Charles reckoned. A hundred years. He couldn’t stop thinking about the number. It seemed impossible. Funny, he couldn’t imagine that long away from Edwin, but he could imagine spending that long being best mates. There was nobody he’d rather hide from Death with.

Hob’s face was doing something strange as his long-lost friend talked. Then Hob moved and grasped him by the shoulders, so tight that his knuckles stood out in relief. The man said something in low tones and Hob shook his head, and then pulled him in for a hug. The man stiffened and then relaxed, and his arms came up around Hob’s.

Their cheeks both looked wet.

Charles swallowed and it felt suddenly a little like he was choking. He should look away, only he couldn’t.

“They must be great friends,” said Edwin softly.

“Yeah,” he managed to croak. We won’t ever need to have a reunion like this because I’m never going to lose you, mate. I won’t let them take you. It was stuck behind the phantom lump in his phantom throat. His hand, without him telling it to, reached out and grabbed hold of Edwin’s. Edwin squeezed it hard, and Charles knew he didn’t have to make his voice work after all.

Then the man pushed Hob away, but only far enough to grab his face and pull him back again, thumbing over Hob’s cheeks, and beside him, Edwin honest-to-god gasped, and then Charles momentarily forgot how thoughts worked too.

---

It happens thus: in the New Inn, just next door to the White Horse, some 639 years after they first met, Hob Gadling and Dream of the Endless share their first kiss. Neither, if they had bothered to think about it, would have intended to have an audience, but it’s a well-known fact that some kisses cannot wait, and theirs was chief among them, being that it had so much to say, and was so very long overdue.

I missed you, it said, and I came back, it said, and Please don’t go away from me again, and I could not.

And atop them, like blankets, were laid invisible the daydreams of those who saw them, including two long-dead boys, whose dreams were woven from the fresh and unaccounted-for possibilities of Hob kissing his mysterious stranger. Another man, thought Edwin. His best friend, thought Charles. Dream was the only one who could have heeded this, but he did not, because Hob Gadling was holding him tight and daydreaming loudly of this kiss and more, of this today and tonight and tomorrow, ever greedy and ever easily pleased, and Dream could hear nothing at all over their clamouring and comingled joy; the bright gold daydream between the scant space of their bodies that sounded so much like at last.

[spaghoffee]

What if I. Miles Chainsawctopus Spaghoffee. Wanted to upload my Victor Jenkins Stardew Valley Expanded Portraits to NexusMods. But my brain said. REDRAW IT!!!!!!!! AGAIN!!!!! Anyway here's a sheet of my Victor portraits + seasonal outfits that I drew months ago, it's actually V2 cause he wasn't chubby enough in the original (and now I'm looking at this again and he's still not chubby enough so maybe I should do a V3, O U G H —)

Would anyone want this version as it is though? If so then I could try and upload the actual individual outfit sheets on NexusMods one day, you'd need to use Portraiture to use it though cause I can't code for the life of me lol XP

[tseecka]

Jayce has always loved his hands, is the thing. They’re big, strong; well-shaped. There are callouses on the pads at the base of his fingers, rough and raised, the skin there deadened to sensation from hours of grasping rough-hafted tools, from cranking on the handles of the bellows. There are scars along his fingers, on the backs of his hands; errant embers from the forge landing on bared skin, places where a chisel glanced off of unshaped slag or where a delicate screwdriver slipped from the head and stuck into his hand instead. He’s always been proud of them, the story they tell of him, his life,, his origins. Talis hands.

He hates them now. Useless, ugly, indelicate things. He stares at them, stomach churning. He turns them over, eyes darting from callous to scar, tracing the deep-cut lines along his palms, follows the heart line all the way over to the back of his hand, to where a star-shaped mark sits pale on the rise of his first knuckle. He balls them into fists, watching the tawny skin turn to white as the bone presses up against it; clenches tighter, tighter, nails biting into his palms, until his eyes squeeze shut and he has to bow his head. He digs the knuckles into his eye sockets, hating, hating, hating. It’s a writhing twisting seething thing inside of him, this hate, this disgust. How prideful, Talis. How prideful to believe that these hands could change the world, could do anything worth doing, could make even the smallest solitary difference.

Wetness slides along the creased skin between his curled-in forefinger and his thumb. He doesn’t know if it’s blood welling up from his palm, or tears squeezing out from his eyes. Does it even matter?

“Useless”, he mutters to himself, lifting his head just enough to drop it back down, knocking stars into the blackness behind his eyelids. “Fucking useless.” He lifts his head again, this time bringing his forehead to rest against the heels of his hands, elbows digging into his thighs. His fingers unclench, just enough to rake back through his hair, then curl again, gripping tight.

The thing is that he has always used his hands to solve his problems. Well, his hands and his mind, sure, but—it’s the hands that bear the weight, that lift and carry, that solve, that take up the pen and sketch out the thoughts in his mind, that bring to fruition his thoughts and dreams and plans, and right now they might as well be lumps of clay on the ends of his arms for all the good they can do. He can’t fight this away. He can’t work this problem with forge and anvil, can’t beat it out of formless slag into something beautiful and clean, can’t lift it away—can’t lift it’s weight off of—it just keeps bearing down, heavier and heavier, crushing his lungs, his spine, his--

As though to punctuate his racing thoughts, there is a sudden rattling inhale from the bed. It sounds like condemnation. Jayce lets his fingers wrench tighter into his hair, lets the pain in his scalp land like a punishment, because that’s all his useless hands can do with this. His breath catches, panicked, in the back of his throat, choking more tears out of his eyes as he listens to Viktor’s laboured breathing. What good is it, any of it—what good are his hands, with all their callouses, with all their strength, what good is he if he can’t even do this one thing? He’s not a healer and he knows that, knows that he can’t expect to have the final answer to this, but—something, there has to be something he could do, and weeks of late or even sleepness nights has revealed nothing.

Viktor is in pain, is dying, and there is nothing Jayce and his Talis hands can do.

[x-marge]

If you’re gonna make Tim the red hood in your reverse robins au instead of Steph you better have a Damn Good Reason

[realchemistry]

Breaking down all the Buddie from "Confessions"

Did I write a photo review with over 5000 words dissecting the episode? Yeah, I did... Hope y'all enjoy!

Gonna ignore the first call because other than the bad mustache CGI/shots where it's not even there, there wasn't anything of substance. I wonder if they used that old call cause they had to fill up time, were short on budget, something else fell through or what happened.

So let's move to Eddie going to church. After 23 or so years he felt the need to confess his sins. But after an explanation of the crazy stuff that went down with Kim, including mentioning how Eddie lied to his son, his best friend and his girlfriend, he concluded he's not deserving of forgiveness and fled. The priest looked conflicted and that's supposed to be that.

Eddie, catholic guilt and all, went to church to confess. It's like the most desperate measure, I imagine, but desperate times... He gave the priest his name. Interesting. I got so emotional when he described Chris and talked about his optimism. Lying to Buck was pretty much at the top of the list, huh? Like, Eddie knew how bad he was behaving because their relationship's made up of truths. His talk in the kitchen with Buck was actually instrumental to him seeing how wrong all of it was. They need to be married immediately. The fact that one of the prayers (?) Eddie was meant to repent with was called "Our Fathers" was also interesting because it's coming from a priest or father but also, more obviously, Eddie's got a million daddy issues. Ramón traumatized him and Eddie said he traumatized Chris and Chris ended up going to Texas to live with Eddie's father.

The Buck and T date scene was super interesting for many, many reasons:

Buck thought he had the upper hand, saying he'd pay for dinner and trying to get T to guess the reason behind it.

T already knew it's their anniversary, which Buck clearly didn't expect.

T didn't just know, he actually brought Buck a gift for the occasion.

Interestingly enough, last season we learned that Buck didn't like basketball in the episode in which his jealousy and Eddie and T and him being bisexual happened.

T, after SIX months of dating the man, somehow didn't know that and gifted Buck tickets to see the Lakers.

For some odd reasons, T told Buck he didn't even have to take him to the game, "Take Eddie if you want," he suggested.

Buck looked confused but not exactly averse to that idea and asked, "really?"

And then T went, "and die" and then Buck replied, "okay, that sounds right."

Now, let's go through all that. It's their anniversary, they're out for dinner, and they apparently had a good time and then it's like they're completely out of sync. Buck wanted to pay for dinner to commemorate their anniversary, thinking T had missed it, whereas not only did T not miss it but he also bought him a present. Problem was said present wasn't something Buck actually cared for, which T seemed unaware of. The joke about taking Eddie... Why even suggest that? Was that a test? Did Buck fail it by wondering if that was really a possibility?

Then the woman interrupted the date and asked for a picture, with some unnecessary touching involved. I truly didn't get why Buck grabbed his own phone to take the pics... Was this second nature to him? A practical way to have an excuse to ask for the woman's phone number to send the pics? She wondered this and Buck denied it but there's literally no other reason to do that. T looked at the whole thing amusedly. Buck took the pics and went back to the table, expressing how weird that was.

Was that weird? I'm honestly so confused by that scene, like... people ask strangers to take their pics all the time. Yes, some of those might be an excuse to flirt but they're at a restaurant, which isn't exactly the greatest place to be trying to pick up someone. Also, Buck made it weird with the whole using his phone thing. Even if the woman was flirting, which she seemed to be, it didn't have to be made into anything. We can assume from this that Buck is uncomfortable being flirted at in front of T but he might also not feel great about feeling attracted to somebody other than his boyfriend who's right there to see it all.

Here's where it actually got weirder. T acknowledged the fact that it's okay to look and then Buck remarked that T didn't do that. T explained he's gay by saying he's a Kinsey 6. Buck, for some reasons, didn't pick on the meaning of that so T had to explain it. That's just... I call bullshit on that. Buck, recently bisexual, lover of research and internet deep dives would know ALL about it. This scene, I gotta say, felt super wonky. At points it was meant to but at others, like this one, it just... felt off. There's also the fact that Oliver and L have zero chemistry...

Anyway, back to the date. So T didn't know that Buck disliked basketball and Buck didn't know that T was gay? After SIX months of being together? What in the hell? Why were they only talking about that at this point? I don't think full disclosure or knowing your partner's history is a must at all, but considering Buck's curiosity and the fact that he was newly out, I figured all these subjects would've part of the first conversations between them. I'm not sure what to think. Was the writing completely off? Were they unable to come up with a better excuse to bring about the past partners talk and resorted to this? It's baffling. And since it's canon, whatever the reason, I found that the whole date showcased how little they actually knew about each other, which could only be a bad sign of the things to come for their relationship.

Of course, after that comment, T revealed he was engaged to a woman and called it off. Once again, the dialogue... T saying the woman went "nuts" after their break up, taking up some "himbo" half her age... Buck figured she was just trying to get over T, and then he mentioned the name of the woman. Of course it was Abby. Of course. Buck was literally having a crisis there, but the waiter showed up and asked how everything was. T, completely out of tune with what Buck was clearly trying to process, said it was "perfect." The waiter asked if he could get them anything else and T said "no, I think we're good." Buck looked so the opposite of good. Then the waiter wondered "who gets the damage" and, at last, a flawless piece of dialogue with T pointing at Buck and saying "That would be him." Buck was handed the check and the waiter told him, "whenever you're ready, no rush" and left while Buck looked like he was having a heart attack.

So, yeah, the date was a complete disaster. It's a mix between the actors not clicking, the dialogue serving the plot instead of Buck as a character (and Abby and even the show) and finally the actual plot dictating that it had to be a disaster. Honestly, the moment this bit ended, I knew they were going to be done.

Next, Buck went to dispatch to talk to Maddie. Why didn't he talk this through with Eddie, Hen and Chim? Curious... Maddie wondering how many men Abby had turned gay was hilarious. But I can't believe they didn't squeeze in the fact that Buck's bi there. They didn't do it during the date, though it was implicit, but here they had the perfect opportunity since they hadn't done it before. It would've taken a second for Buck to correct Maddie. Again, the writing this episode was all over the place, specially cause Buck looked at Maddie offended and Maddie clarified she was joking but then Buck sorta explained himself and T... anyways. Josh showed up then, and something was totally off with the actor's hair btw, I couldn't focus for a second there.

Josh eavesdropped and caught the kissing a boy part and eagerly asked if there was another boy... Buck was quick to deny that. Well, there's Eddie... Maddie and Buck explained the whole situation and Josh apparently knew her but they weren't close. And then, again, this whole thing just didn't make sense. Buck remarked that T led her on, said he loved her and then hurt her. Maddie thought Buck was afraid T would do that to Buck but Buck denied this and said, "I thought I knew him" and that he didn't think T would be capable of being dishonest and cruel.

Let me rewind for a second. Why was Buck under the impression that he knew T? Buck didn't even know T was gay... Also, didn't Buck know about T's past? He was worse than cruel to Hen and Chim... Truly, was he not told about all of that? I just, the use of the world cruel here... don't get me wrong, leading someone on is cruel but the whole being gay and repressing it part, while not excusing it, would at least explain T's actions. But the way he acted towards Chim and Hen... that had nothing to do with self-repression. It just didn't. I need someone to explain to me in detail how come Buck was deluded to think he knew T when at this point I'd be shocked to learn he knew T's last name.

Then the Josh speech happened. I wasn't happy with it at all. First of all, what's Buck loving him to do with any of it? If T was a cruel person, then Buck loving him wouldn't justify any of what he did to Abby. Buck looked super not in love as an answer, which was hilarious to me because of course he didn't love T, he didn't know the man!!! Josh backtracked from that word and asked a series of questions aimed at... gauging how much Buck cared for T? IDEK, it was all pretty ridiculous from the start. Also, first two questions made sense for Buck to answer affirmatively but T was literally such a plot device that there hadn't been a single instance in which Buck had shown that he was thinking about T or making T's concerns and happiness his own. These things, though, get positive answers in canon as far as Buddie is concerned. The future question was interesting because Buck's answer was "I could." It's never a definitive answer, it's another instance of "I guess" from the time T echoed "my attention?" when they first kissed. It's like Buck was convincing himself then. Josh took that to advice Buck to stop judging T because Buck didn't know what he was talking about.

The speech went into pre and post Glee world and all that nonsense. I truly hate a lot of things this episode chose to be. Was mentioning a Ryan Murphy show in a RM show a necessity? I don't wanna get into what Glee did or didn't do for the queer world, the point here is actually moot because T and Abby weren't a thing before Glee. Again, whatever experience with coming out T and Josh had, it had nothing to do with what Buck was asking. Buck was worried about the side of T he claimed not to know and how cruel he could be. I think the way T referred to her and the situation was also pretty awful, in the present tense. Even if one thought T was protecting himself by being with Abby, there is still room for judgement. We have Hen and Karen, in this same show, not being cruel to anyone, for one. Also, T didn't fight a single battle. He treated his coworker who was out like scum and was racist towards Chim. T wasn't an activist fighting for his life and his rights, he was just a bad person all around as far as we know. He had no scars to show. We can pretend he had an internal battle, maybe a family issue with his coming out but there's nothing to honor him for.

I cannot believe this show did that speech so awfully and pretended it was the greatest thing since Jack Shephard's "live together, die alone." Truly, they thought they had done a brilliant job and it's utter bullshit throughout.

Moving on, Eddie went to get juice... but then he changed his mind and got water instead. Who's there to witness that but Father Brian. Eddie's outside, drinking his water looking gloomy about it when Brian asked him of he could take a seat. Eddie allowed him to and for some reason, as Brian was sitting down, looked around. Brian told Eddie about being there for the first time, as if compelled, and then asked Eddie if he went there often. Eddie immediately assumed he was being hit on. Now, whether this is indicative of Eddie being hit on a lot or he just took those words as the line they sometimes can be and interpreted it that way, I hope we'll find out soon. Either way, Eddie told Brian "no offense, I'm straight." The lady doth protest... Hilariously enough, Brian's answer wasn't "me too" or "I'm not interested" but "I'm celibate". Eddie took that in and then Brian introduced himself and revealed that he knew Eddie. Eddie was processing that and the Father part, his hand still in the air.

Brian mentioned that he noticed that Eddie chose the juice initially and then got the water instead. He asked Eddie why he did that and Eddie kinda asked "decided I wanted water?" Brian posed that Eddie was punishing himself, denying himself because Eddie didn't feel worthy. Eddie sighed and, "I don't feel worty of juice?" Brian went straight (haha) to the point, "Of joy." Eddie chuckled and looked around and spoke in a low voice as he said he didn't have a lot to be joyful about because Brian was bringing up something Eddie had confessed to him in public. Eddie's well aware he's in public... Brian started listing the things that Eddie had, Chris, his parents, his job and his mustache. Eddie was kinda not happy but that last one got him laughing and blushing. He then confessed that he grew the mustache because he couldn't grow a full beard due to the LAFD. Brian concluded the mustache was a disguise and Eddie said it was something like that. Brian asked what Eddie's afraid of seeing in the mirror and Eddie said, "A failure. A man who doesn't deserve forgiveness. Or joy." Brian said that's now what go wanted for Eddie, that he'd already forgiven him. Eddie repeated that he doesn't deserve that and uncapped the bottle to take a sip of the water. Brian told him to earn it, and to stop punishing himself in the meantime. He remarked that Eddie spent his life in service and he understood that but they couldn't take care of others if they didn't take care of themselves. Eddie smiled and said he understood and Brian told him that after praying, he wanted Eddie to do something frivolous, something fun, something that expressed pure joy. Eddie told him he'd think about it.

The Eddie scenes were clearly written by someone else because they were all pretty on point. We had Eddie conflicted, and while it could just be him preferring water (the alternative is truly devastating to me so I want to believe Eddie isn't punishing himself through food), Brian decided to go with it to get Eddie to reflect about what he was doing to himself and it worked. Eddie didn't run away like he did in church but Eddie was shown to be aware of his surroundings, so the fact that he claimed to be straight with all of his chest... Why did he do that? Why did he think he was being hit on in the first place? Why was that moment necessary within this scene? Was juice really a representation of joy? Was joy a metaphor for something else? What were tptb trying to show or say here? Would a heterosexual character need to affirm himself as such? Would a repressed one? Thoughts, so many thoughts!!!!

The well emergency happened and it wasn't about Eddie, but it was interesting cause they seem to be doing Greatest Hits for some reason... Now I gotta ask, wouldn't Eddie, as a medic, know that getting the kid oxygen wouldn't work? Why was Hen explaining that to him? Honestly, the writing this episode... Buck's first idea was to dig... funny. Eddie said someone had to get down there and Bobby told him he wasn't gonna fit this time. Interesting. Bobby announced they would pull the big brother out after two minutes no matter what, specifically addressing Buck and Eddie. Interesting.

So it wasn't about Eddie because it wasn't the same Eddie. The pipe was smaller and Eddie didn't fit. But Eddie also didn't fit himself. He disguised himself with a mustache to avoid looking at his face in the mirror because he felt like a failure. He was shown in an episode entitled "Masks" at home taking down Halloween decorations all on his own. Bobby made sure that both Buck and Eddie knew the clock was ticking and they had to abide by it this time. Unlike Eddie's well, when Eddie cut the line and Hen refused to have Buck look for him because they'd end up with two cut lines. No more lines being cut? No more alternative ways to escape? Maybe I'm reading way too much but the camera did show Buck and Eddie's reaction as Bobby singled them out.

Back at the loft, T said he had a spot right out front and they should Uber to the movie so he didn't lose it. That phrasing... Buck agreed but asked to talk first. T replied positively, "we got time." Again, funny way to put it. They were both going to the movies so why was T the one who was going to lose it if they didn't get the Uber? You know who actually got an Uber with Buck recently, right? Also, "we got time".... famous last words. He'd just said they didn't have time but then said they did and, well, as it turned out, they didn't.

They sat down around the island and Buck brought up the story at the restaurant that T shared with him about how he "almost got engaged." This was odd and T corrected Buck, "I did get engaged. What I didn't do is get married." Buck said he appreciated T's honesty and that he wanted to be honest with him. T knew this spelled trouble and Buck denied it before taking out his phone and passing it over to show T pictures of Buck and Abby. T was surprised at first but then he scrolled to a pic of Buck and Abby kissing. Buck announced he was the himbo. T agreed it was crazy, after Buck put it like that, but added it was a little awkward. Buck decided to go closer and said it was like that for him as well at first, and that he should had been honest at dinner, but T asked or gathered that it had freaked him out a little. Buck said yes to this and T explained that if he had known, he wouldn't had used the word himbo because he didn't think Buck's one. Buck claimed that he was, at least before Abby, because what they had wasn't that, not for him. Buck said it was the most transformative relationship of his life until then. Buck said one of the reasons he's comfortable with T was that T's comfortable with himself. T said he wasn't always that way and Buck said he's aware and it made him admire T more. And then dropped the bomb, saying he wanted T to move in with him. WHAT?

No, really, WHAT? Buck really got deranged thoughts cause why on Earth would he ask T to move in? They clearly didn't know each other, they didn't love each other either, so explain how this made sense?? I'm hoping that it's a case of tptb purposefully having Buck spiral and go from zero to a hundred. There's also parallels between this and Eddie and Marisol, with Buck and Eddie asking their partners to move in when their relationships were clearly not at that stage.

T's reaction to Buck's words was crystal. While Buck said he was ready to take the next step and then, for entirely insane reasons, made it clear that he wasn't proposing marriage and or an engagement, though that'd be a possibility thanks to the brave people that came before like T. WHAT? Really, no, I'm so serious. I fucking cannot with this dialogue. Moving in, the suggestion, was bad enough, but bringing up marriage? Attributing the fact that they had that right thanks to people like T? SERIOUSLY? This was atrocious. I know Oliver was thinking of his bank account while delivering those lines because they were as non sensical as they could get.

"Why be apart when we can be together?" Buck finally asked. T said that's sweet but he couldn't move in. Buck wondered the why and T answered, "Because... I know how this ends." And my heart literally stopped or skipped a beat or something. I legit thought he was gonna bring up Eddie or a hint and, well, he kinda did, though not directly.

Buck asked what that meant and T explained. He mentioned Buck's qualities but then said that Buck's feelings were new and so it was all exciting and it felt like forever but he's still figuring himself out, which was good. Buck asked what he was saying and T said that no matter how bad he wanted to be, he wasn't his last but his first. Buck interjected that they could be the same but T said they usually weren't. If he were to move in, Buck wouldn't mean to but he'd end up breaking T's heart and he didn't think he could deal with that. He got up to leave, saying he should go and Buck told him to wait and asked him if he had just broken up with him, to which T replied, "yes, I guess I did. Believe me, I didn't see it coming either. Should've known that parking spot was too good to be true. I'll see you around, Buck."

At last, free! But while the beginning of the conversation was terrible, it ended on a high note. There's a lot of questions, like: according to what he said, T knew there wasn't a future between them. So I'm guessing here that after six months, they hadn't actually discussed that because Buck was clearly on a different page. T knew they weren't long term while Buck was thinking of moving together and being together for good. Make it make sense, how were these two dating not knowing anything about each other and not discussing basic relationship stuff??? T knew that Buck had to figure himself out yet he was still with him hoping it'd be casual without actually talking about it??? Yet he later claimed he didn't see a break up coming and he could see his heart being broken?

Now, my shipper heart wants to believe the between-the-lines reading of this scene had Eddie written all over. Eddie is how it'll end... And the fact that T's answer to Buck's question contained the "guess" this time around, mirroring Buck's response to "my attention"... INTERESTING. It was all a guessing game between BT, It's also the first time he called Buck by his name, which was the first and probably last because we're not gonna see him ever again. I was glad Buck asked if they were done because we all know he got confused about it with Abby... So long, T, you will not be missed. Buck's loft door opened and later on, another did...

Finally, we had Eddie. My boy. Looking at himself in the mirror and getting rid of his disguise.

And then... I literally felt so many things at once, y'all! The music, the shot... I couldn't believe it was about to happen. And then the mole made an appearance and Eddie was wearing pink and tighty whities and I swear I couldn't. I just, even rewatching to write this... I love him so much!!!!!!!!!! I was so happy to see Eddie letting go of his disguise and allowing himself to have that joy. The fact that Ryan looked like that... I was fighting for my life the whole time, NEGL.

I kept thinking Buck was going to show up midway. I was truly bracing myself for it. But the doorbell rang. Eddie looked through the peephole. Buck was there. Eddie opened the door, nodded at him and Buck gave him a beer as an answer to an unasked question and got in. Eddie closed the door and looked at the beer, at Buck and at the beer again. He made a face and then climbed the sofa. Buck was already drinking when the camera panned to him. Eddie opened his beer and drank from it. Scene.

LISTEN. I was unhinged already because they had Ryan dancing like that. But then the final scene happened and I just... I don't know how I'll survive what I hope it's to come.

Let's break that one down:

Eddie decided to follow Brian's words. Eddie didn't forgive himself but he decided to stop punishing and disguising himself in the meantime.

The way Eddie looked at himself in the mirror, both before and after he shaved off his mustache... My heart!!!

Eddie allowed himself to do something frivolous, something fun, something that expressed pure joy. The fact that he chose to dance half naked around his house... that's very babygirl of him, and I don't say this lightly.

The pink... the moves like the ones from the bachelor party... I felt crazy.

I kept waiting for Buck to show up, like my mind was half insane at what I was seeing and half insane at the possibility of Buck seeing it as well.

The doorbell rang instead.

Why didn't Buck use his keys?

It was the perfect opportunity for Eddie to put on some pants. Eddie didn't do that… Neither before or after looking who it was.

But, really, why didn't Buck use his keys? WHY????????

Was it to hammer the fact that Eddie was comfortable opening up his door to Buck while not wearing pants?

Was it so Eddie could see him standing on the other side of the door, mimicking Brian's view of Eddie in the confessionary? Will there be something for Buck to confess in the future? To Eddie specifically???

Buck wasn't looking at Eddie when Eddie saw him behind the door, btw...

Eddie opened his door and they looked at each other and said not a word but understood each other perfectly.

I truly hate the continuity error with the shirt collar. It's gonna hunt me forever.

Buck made himself at home while Eddie considered the beer.

Remember how Eddie's choices were water or juice? Well, what about a third secret option? BEER. Buck's beer, in fact. INTERESTING.

I went nuts and will continue to go nuts at Eddie climbing the sofa. Whose choice was that? I need to know. It was so freaking cute!!!

The camera went steady and Buck was already drinking from his bottle. Eddie, on the other hand, uncapped the bottle like he did with the water, and the shot ended as he drank the beer.

The contrast in the colors of their clothes… the fact that Eddie was looking to the side while Buck was looking ahead.

Was all of this symbolic of the fact that Buck already figured his sexuality out while Eddie's just starting? I'd like to think so.

Was it symbolic of Buck reaching conclusions he'd later have to confess to Eddie before Eddie arrives to those same conclusions himself? I'd also like this very much.

Now, the episode was called "Confessions" and Buck and Eddie didn't speak to each other. Not a single word. Even in that last scene, the only one in which they actually interacted, they didn't use words to communicate.

I see this lack of dialogue between Buck and Eddie in two ways:

First, it could show how good a relationship Buck and Eddie have in order to not utter a sound and still get each other completely. Regardless of all the issues I had with the writing, I can safely say that Buck and T were the complete opposite and lacked communication all around. The space and lack thereof reflected this too. Buck and Eddie know each other so well and Buck went directly to sit down on the couch, waiting for Eddie. Eddie followed right behind. BT, though... Buck stepped away from their table and the whole conflict with T's dating history started. Buck sat very far from T at the loft and only got close to be broken up with. Incredibly enough, that final shot with Buck and Eddie sitting together at Eddie's couch was the first that ever happened... Maybe that's foreshadowing something else, like couch theory related stuff? I never really spiraled about it before but I might soon.

Second, it could indicate there's something Buck and Eddie aren't saying to each other. They didn't speak to each other because they can't -- they're not ready or aware that there is something to confess. They remained silent because it isn't time yet but if they were to confess something, it would be impossible to take back. It would change everything. It will.

This is a legit insane post. When I say they're driving me nuts, I mean it and this is proof. Even though it's the longest ever, I probably forgot stuff that I might add tomorrow.

Now please share your thoughts on the episode and Buddie and everything so I don't feel alone in my madness. <3

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[lambmotifz]

sam can control dean emotionally by pleading & using submissive puppy dog eyes while dean has physical control over sam. you understand

[aeriona]

this is the girl that used to bully me in highschool, trust me she looked exactly like this

[sysig]

It’ll all go fine if you’d just don’t worry about it, probably (Patreon)

[sgt-tombstone]

Dance You Off My Mind

Civilian AU where Soap got broken up with by his long-term boyfriend and his best friend Gaz tells him to come visit in London for a week or two (both as distraction and to make sure that Soap isn't alone). Soap mopes for the first few days, and Gaz understands, but by the fourth day, he's over it and he drags Soap out to the nightclub around the corner to get smashed (hopefully in several ways).

Soap is hesitant at first. He hasn't been dancing in a long time; his boyfriend (ex-boyfriend, he has to remind himself) never enjoyed the club scene, so he had stopped going out. For a while, he sticks to the wall, nursing his drink, watched Gaz on the dance floor. When he finishes his first drink, though, Gaz presses another into his hand, and that's how he finds himself three drinks deep and in the middle of the crowd, whirling like he owns the dance floor, not a care in the world.

Simon is ex-military and picked up a job as a security guard/bouncer at the nearest gay club just to keep himself sane. He has a strict, self-imposed (and possibly club-imposed, he's not really sure but it's never mattered) rule not to even flirt with customers. He's gotten more propositions than he can count in the years he's been here, and he's turned them all down. He might look good (he makes sure to keep himself in shape because it helps to both look like he could throw London's largest bear out and also have the actual strength to back it up), but he's working, and his job is to keep an eye out, to keep everyone safe.

The man with the mohawk, however, has caught Simon's eye several times. He's there with someone, but that hasn't stopped him from giving Simon a once-over so salacious that it should be illegal. He has to stop himself from falling into the man's magnetic allure, crossing his arms over his chest and setting his jaw against the temptation. The pair leave just before the club closes, stumbling against each other as they exit, and Simon tries his best to push them from his mind as he helps clean and close.

When he steps out into the chilled night air, he's shocked to find a mohawk waiting for him, the man leaning against the brick wall nonchalantly, and this time, he doesn't resist the pull. He pulls out a fag and offers one to the other man, exchanging names over twin glowing tips and exhales of smoke. As the other man, Soap (weird fuckin' name, but who is he to judge? He went by Ghost for almost his entire adult life), is obviously less drunk than he had been when he had left the club the first time; either time and cold air have sobered him, or he's a damn good actor. Either way, Simon has absolutely no qualms about tilting his head up to press a soft kiss to his lips, especially when Soap whines and presses impossibly closer, his mouth tasting of smoke and ash instead of liquor. His eyes are bright, clear, and eager when they part, and Simon can't wait to get this beautifully responsive man into his bed.

He ends up putting a ring on his finger, in the end, and all of their friends graciously pretend to be shocked by the news (though Gaz does roll his eyes and mutter "it's about damn time" when he thinks that Soap can't hear him)

[snackugaki]

[ Michael Jackson's Thriller in the distance ]

[becauseplot]

anyway spiderbit "as the world caves in" by matt maltese except they're separated. roier screaming at the edge of the boat being held back by three different people, cellbit standing calm on the cliffside staring at the boat (it's too far). roier clutching his comm to his chest with cellbit's final message to him. cellbit's comm dangling in his limp grasp. lyrics reflecting what their ending should have been: the two of them together as the world crashes down around them because oh god it's you. it's always been you. i don't care if the world ends so long as i am with you. i don't care if i die so long as my bones rest with yours. i don't care if i burn so long as my ash is carried off by the same breeze as yours. but here we are. 100 blocks away from each other. so close.

and yet.

it's not fair. it's not fucking fair. this isn't how it was supposed to happen. why aren't you here.

it's not fair.