#I may write that idk

[the-mountain-flower]

If marriage in Aurora is at all like in our world, then it's possible that, as an honorary emissary, Erin can officiate marriages (at least in Asera).

I am surprised I haven't found any fics that make use of that yet

[remxedmoon]

practicing self care (projecting my stims on my blorbos)

greyscale vers below the cut!

[radiance1]

Danny often felt tired, as of late.

He wasn't certain as to why he did, though. It happened after his, apparent, coronation as the Prince of the Infinite Realms and after finally getting a boyfriend out of that damsel in distress who made him into one.

Which was unfortunate, because though he may try, it was very hard to pay attention on dates when Danny felt he just came from using the Ecto-Skeleton and no amount of sleep would make it go away. Fortunately, however, Billy was very understanding and accommodating of his plight, letting him sleep on him whenever he wanted and having their dates be less mentally/physically demanding things.

Man, Danny loved his boyfriend.

Unfortunately, he was away on one of his Justice League mission things.

Another thing he noticed, is that he liked to sleep in more cold places now. Very, very cold places.

So much so, that he genuinely debated moving to the Far Frozen if not for his parents turning his room into a literal walk-in freezer for him.

Did he ever find out why he needs to sleep so much? No, not really. But man.

Danny could go down for a nap right now.

---

Pariah was having a good, very good day.

He woke up, stretched, ate some food he didn't actually need to, did some light exercises after aeons of not using his sword and just fighting in general and sat down for some tea.

Even had a letter from the Master of Time with a P.S that two humans would be busting down his door!

Wait what-

"Ghost King!" Came the rather loud, effeminate shout accompanying the loud slam of his castle doors. "Where is our son!"

Honestly, Pariah is impressed by the lungs on that human.

"You heard her!" He looked down calmly at the... Actually, what in the infinite is that? Since when did humans go walking around with cannons??? "Tell us where our son is our so help me! Ghost King or not we'll exorcise you right where you stand!"

Pariah blinked slowly, very, very slowly.

Then took a sip of his favorite ghost blend then calmly placed the cup back down.

"You must be the boy's, human, parents I presume?" He asked calmly, gaze sweeping over them both. They seemed to be prepared for war, a burning fire in their eyes as they stared down the very King of Infinity and saw only an obstacle.

Oooooh, how that made the part of him that longed, sung for battle purr in sheer delight.

"Why don't you join me for tea?" He said, waving a hand and conjuring forth two extra, human sized, chairs on the opposing end of his table alongside two more tea cups. "And explain whatever is going on, while you're at it."

The two shared a glance between each other, then slowly lowered their weapons down to a point where they could still draw them at a moment's notice, yet not actively antagonizing the king at the same time-

Oh, he just loves these types of mortals.

-before slowly making their way to their seats, which were right next to each other of course. Married and whatnot.

"Tea?" He flicked a finger, filling their cups with the same that was in his cup but before remembering. "Ah, right. Human and your mortality." He casually mentioned, flicking his finger and changing the liquid to one of the few mortal blends he could still recall. "Worry not, for they are not poisoned." He chuckled lightly.

Honestly, doing such a thing would be beneath him, especially when faced with mortals of such fire.

"Now," He brought his cup to his lips. "Why don't you inform me as to what, exactly, has brought you to my doorstep prepared for battle?"

They, once more, exchanged a glance between each other, making sure the king was still in sight before Maddie opened her lips.

"Our son is missing."

---

The summoning was a success.

A terrible, terrible success.

One that the Justice League, One John Constantine especially, had valiantly attempted to stop.

But, unfortunately, once it got going it seemed to be incapable of stopping.

Faced with an entity being summoned from the Infinite Realms, they had called all of the heroes who were capable that weren't occupied. Shazam, unfortunately, was one of said heroes occupied.

Superman and Wonderwoman? Were not. So, at the very least, they had two of their heaviest hitters available.

The circle glowed a toxic green, growing and growing in glow until it reached its zenith.

Then was snuffed out as brightly as it glowed.

The air stilled, followed by a chill that rivaled the chilliest of snowstorms as if they were standing within one that very moment.

The next moment?

Ice.

Pure, unflinching, jagged pillars of ice rose from the circle the same moment it glow returned. Sticking out from the circle haphazardly and nearly impaling those that stood too close.

Mist, thick, blue mist. Rolled from the pillars of ice, descending down onto the floor with a gentleness that was almost deceptive if not occupied by such cold and being completely and utterly unnatural as it was.

The Justice League readied themselves.

[doccywhomst]

the actual literal meaning of TARDIS (Time and Relative Dimension[s] in Space) is so funny cause it’s just…. a very succinct description of what the vehicle travels through? “hello i’m a human and this is my CAR (Concrete and Roads)” uh yeah i sure hope it do

[awearywritersworld]

mdni

thinking about gojo satoru, who loves seeing you in his boxer briefs, especially when you pull them from the dirty laundry because you need something to slip on real quick.

he loves the way they cling to your thighs.

he loves the way the band accentuates your pretty waist.

he loves the way they ride up and expose the crease of your ass to his hungry eyes.

it's really quite the predicament for him— does he want you to keep them on? or does he want to peel them off and reveal what's underneath?

[eightcure]

Some Danny phantom sketches for the void

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[tanglepelt]

Dc x dp idea 13?

Danny just gaslighting the JL and JLD.

They summoned the ghost king obviously Danny shows up cause i love that for him. He’s in human form. He does that on purpose.

Must ppl assume they messed up send him back and leave it at that. Nope not these people.

Constantine is checking the summoning circle again. Just tells Danny he won’t fall for his disguise and that he knows that he’s ghost king. And says he wants to make a deal.

Danny knows this man sells his souls more then his parents claim they want to tear phantom up molecule by molecule and he has no use for a soul anyways. So Danny just says if i was a king i wouldn’t be failing high school. He wouldn’t even go to high school.

Then Danny goes on about how he has a bully so obviously he couldn’t be a king. Not to mention his human non royal parents. They were mad scientist and ghost hunters but that’s as interesting as they got. Also hello he is alive what did Constantine think he was secretly a ghost.

Danny then walks around the circle just pointing at the total correct symbols going are you sure it’s meant to be a crown. What if this king is a queen and has a tiara. Like who are you to assume it’s a king if you’ve never met them.

John isn’t falling for it at all. Now everyone else is doubting him. Batman pulled up Danny on the computer a perfectly normal human child. So Danny is gonna pull out the big guns. Looks at him and goes if i step out will that prove I’m not currently the ghost king.

It’s one of the other JLD members who says he wouldn’t be able to if he was king. It was warded to keep the king in. So Danny who is currently human just steps out.

See he’s totally not the just king. Currently.

Turns out they needed someone to deal with the box ghost. Danny just say oh i got that. He soups him and goes i did say my parents were ghost hunters

Danny failed to realize once he stepped out of the circle they couldn’t send him back that way. So now he is stuck being questioned but hey at least he is in space.

[thevoidstaredback]

Just as he had last time, Barry called Wally and Bart to help him comb over the US. He took the Midwest and South; Wally took the Mid Atlantic and New England areas; Bart took Alaska, the Western, and Southwestern states.

"Didn't this happen in your timeline, Impulse?" Wally asked.

"Nope!" Bart answered, "At least I don't think so."

"What do you mean you don't think so?"

"You expect me to know everything that happened throughout the entire timeline?!"

"A little bit, yeah!"

"Boys!" Barry cut in, "Please focus; time is a little bit of the essence."

"No, no, no," Superboy, who was checking the Northern Hemisphere, chimed, "Let 'em argue. It's entertaining."

"Are you sure you don't remember anything from the previous loops?" Superman asked, speaking over the three kid heroes.

Barry found himself rolling his eyes. "Yes, Supes. I'd've told you by now if I remembered-" He stopped short, sliding down the road a few feet.

"Flash?"

"Hold that thought."

"Did you find something?"

"Keep looking; I'm gonna check something real quick." He muted his end of the line. "What in the world..?"

Apparently, there's a castle in Wisconsin.

***

Dick was not having a good time. He thought that he was done dealing with Bruce when he quit! But, no! The bastard just keeps calling!

At least he can still work with Barbara. That's a plus.

Nightwing set up shop in Bludhaven. This was well established throughout not only the city itself, but throughout Gotham and the entire hero community. Sure, he helps out other places, but he mostly stays in Bludhaven. Just because he's close, though, means that Bruce thinks he can jump between the two cities.

He can, but he doesn't want to.

But, orders from Batman must be followed or he'll throw a fit.

How the hell did he put up working with that man?

How the hell does Tim put up with it?

Even in the middle of a potentially Word Ending Crisis, Batman doesn't want any of the other heroes in Gotham, so searching the city falls to Nightwing and Batgirl. Well, it would if she didn't have her own tasks.

He'd seen Kid Flash in passing about an hour ago, just long enough for a speedster-level high-five as they passed by, as he was leaving Bludhaven.

He'd searched his home from top to bottom three times over and there wasn't a single thing out of place there. The US Government had all but abandoned the city when they'd given up on Gotham, so the lack of any government occupation didn't surprise him in the slightest. The people of Bludhaven hated the government enough that a few well placed words on his part now had the entire city on the lookout for the black suited bastards, allowing him to go look in Gotham.

As much as Gothamites hated authority figures, they had nothing on Bludhaven. Sure, they'd been given up on first, but the government still had eyes on the city because of Batman. As long as Batman works for the Justice League, then it isn't a stretch to think that the government has eyes and ears on or in the city.

Finding a base in Gotham will be much harder than finding one in Bludhaven. Not because he doesn't know his way around, but because of the sheer amount of buildings there are. Abandoned, occupied, business, residential, it doesn't matter; every one of them is a potential government occupation camp until proven otherwise. Every person found within the city is a possible government dog until proven otherwise.

Dick sighs. He certainly has his work cut out for him.

Part 7 Part 9

[side-of-honey]

Sorry for being kinda dead lately it's been hard to motivate myself to make full pieces ToT Have some doodles in the meantime tho. I enjoyed the purple game big surprise from the portal fan I know

[aychama]

"You are such a fierce thing in battle and yet, become a pile of wool under my claws."

[blaackbiird]

personally I don't think people lean enough into the fact that Lucifer could fucking demolish Alastor without breaking a sweat. There's too many fics where Alastor's threats scare Lucifer and like what??

I love their antagonistic relationship. I love the idea of their rivalry, of them needling each other and pushing each other to break composure. I love the idea that Lucifer is emotional and easily annoyed/pissed off and Alastor loves playing off that.

But if Alastor ever genuinely threatened Lucifer? There's no way Lucifer would take that seriously, or lying down. Of course he'd put Alastor in his place if he ever actually needed to.

I need more fics of Alastor attempting to threaten Lucifer, or pushing Lucifer too far, and then learning exactly why he's the king of Hell.

[the-meme-monarch]

happy birthday to my friends and i’s knight chara and strange someone frisk aus/theories :]

hi for undertale reasons i don’t like any combination of shipping chara frisk and asriel. if you ship them go away 👍

[silkjade]

by the time his eyes drift from the realm of ink and paper, the late afternoon sun has long seeped through kaleidoscope glass, dancing in threads of gold, as it weaves a crown of light and shadow atop her head. the air shimmers with hazy opalescence, and the beguiling tricks of his heart, echo the words penned by his late-grandmother, ‘may my child alhaitham lead a peaceful life.’ ….and he thinks this might be it. for love lies within the transience of time: in the fleeting daylight and the quiet solace, in the comfort found of a life unadorned. and so he makes a decision he dares not say aloud just yet, but a smile curves the corner of his lips, as he endeavors to imagine the tranquility of a life with her — forever.

illustrated by @/_hui.an on instagram; this was my second time working with them, and it was just as lovely as the last ! reblogs are okay, but please do not save or use — thank you ♡

[runraerun]

The softest Harringrove brain worm that’s ever invaded my head where Billy is the sole guardian of his little step-sister Max. (very little, like 6 years old little. And Billy is 25ish, so it’s a big enough age gap where everyone naturally assumes he’s just a single dad.) And Steve is the host of a dorky yet successful kids tv show called Mr H’s Treehouse (think Mr. Rogers) that Max is OBSESSED with.

She makes Billy watch it with her every single evening, like clockwork. Now, Billy would never admit this, not even with a fucking gun to his head—but he kind of starts to look forward to watching it with her. But it isn’t his fault! The host is, pardon his French, fucking hot as shit.

So every night he gets home from work, drops whatever take-out garbage he got for them onto their TV dinner trays, and parks himself in front of the idiot box while Mr. H from Mr. H’s Treehouse comes on and teaches him and Max about the power of friendship and sharing and eating vegetables or whatever the hell else he’s on about that week. It’s stupid, but it kind of becomes cathartic. Like Billy can just shut his brain off and stuff his face and watch the bright colors and listen to the gentle music and let the stresses of his life fade away—at least for that half-hour anyway. The fact that Mr. H has an ass Billy could bounce a quarter off of… well, it doesn’t hurt.

But what happens when there’s a meet and greet/Story-Time being hosted at Max’s elementary school? Well, Billy’s not a complete douchebag, so of course he has to take her! It has nothing to do with the fact that he also maybe wants to meet this tv host who’s all soft sweaters and pretty brown eyes that Billy’s maybe been fantasizing about for the past year and a half. That’s not it! He’s here for his nerdy little twerp step-sister, nothing more.

(Spoiler, it’s something more.)

[the-dragon-hearted]

Part 1

There is a universe, somehow, where everything aligned just perfectly and left four desperate children on Silco's doorstep. A universe where Piltover is just a bit more ruthless: where Vander's connections aren't trustworthy and where his foolish sentimentality wins.

Vander's arrested, in Vi's place. He's so proud of her for trying to do the right thing - but he'll not make a sacrifice out of Felicia's daughter. The violence in the streets has to stop and Piltover won't stop until it has someone to blame for the theft. So the Hound becomes a sacrificial lamb.

But remember, his agreements are flimsier, and the trust between enforcer and undercity is as thin as the razor blade Mylo keeps in his pocket. The gold-trimmed enforcers aren't happy with a Hound dressed in wool - they want the girl. The one Jayce identified. Some pink-haired snot-nosed filthy brat. The thief. The terrorist.

They labeled her a terrorist: Vi. For a near-harmless explosion in a district she would've been beaten in, just for the grime in her hair.

And the Hound won't have that.

For the second time in his life, Vander's knuckles are stained with enforcer blood and the undercity begins to burn. Vi's next to him, eager to fight, but scared. She's just a kid after all. Always eager. Always scared.

Claggor, Mylo, and Powder come running as they limp back to the Last Drop. Powder's too busy crying into Vi's shirt to pay much attention to the screams outside. Reinforcements are just a few minutes away. The rats of the undercity retreat to spare themselves from the brutality beneath an enforcer's heel and the streets grow quieter and quieter. They all know how to slip away when the time demands it, but this is more than sneaking through the sewers and waiting for the storm to pass.

The enforcers, the council, Piltover: they'll keep coming. The blood on Vander and Vi's hands ensures that much. And they don't want him -

He looks to where Vi is hugging Powder back, a: "Sorry Powpow," being breathed. "Didn't mean to scare you -"

He can't let that happen. He can make himself the bigger problem - the biggest threat and that will buy the kids time and give those rich bastards a victory.

But then... it'll just be them.

Claggor's strong, Mylo's sly, Powder's clever, and Vi is brave. They're all tough as nails and they'll make it. At least until this underbelly starts ripping itself around. Vander's a smart man who knows what will happen in his absence, the cannibalistic tendencies of desperate people who need scapegoats.

And Vi's already willing to play the martyr. She proved that much. No, if he leaves he needs to leave them with something. Anything. Something that's as willing to fight for their future as...

That's when he gets the terrible idea. Right around the same time he hears the tell-tale racket of enforcers running down cobblestone. He grabs a bar napkin, and Claggor bars the door. He fumbles messily around for a piece of graphite or a damned pen.

Vi pushes Powder behind her and grabs a half-empty bottle from a table. There's a shatter as she arms herself with razor glass. These kids are well versed at making weapons, they have to be.

They'll only get better at it if he finishes this note. He's signing their lives away to a different demon. There's no guarantee they'll live long enough to give him the note. It's a terrible idea -

"I'll never betray Zaun's children"

Powder's climbing behind the bar with him, clinging to his leg. Mylo climbs over the other side, fiddling with a collection of rusty steak knives. Claggor's grabbed a chair and broke it, two wooden beams in either hand.

Suffocating in the streets is better than dying on a bridge.

"Take this," he gives it to Vi before slipping on his knuckles. "Find Silco. Ask around, and he'll find you."

"What?" it's a challenge from her. She's ready to fight to keep what she has.

She doesn't realize that every fight comes with a loss. And eventually, it's going to take everything from her. Once you bloody those knuckles you never stop - not really.

But not today. Today it'll only take him, and hopefully, she'll remember what they talked about. She'll remember that despite this shitshow - he's proud of her for finding a peaceful solution. He's proud of her for putting down those fists.

But there was no way in hell he was going to let her go.

"Take care of each other," he orders slipping on his other gauntlet. Mylo and Powder stare at him with wide eyes. Claggor's lip is trembling.

"Remember. Remember, to look out for each other!" he orders.

"No!" Powder seems to understand now as Vander pulls the bracings away from the door. She scrambles over the bar with a muffled wail. Mylo stops her right as Vander throws the door open.

"Vander!" Vi screams, but the hound is loose.

He's in the streets and he's set about making these fools remember why they follow the light. Why they fear the undercity so badly they chase its children to sate their fury. Dark things live in the undercity. Zaun's children are raised in air so heavy it turns their lungs to iron. Her streets sharpen their teeth and build calluses over their knuckles until the only thing they feel is the warm crimson in their wake.

Vander had hoped he'd never do this - be this. But jaws shatter under his fist faster than glasses fill with his whiskey. He's good at this. Always has been. The kids slip away - he knows that much.

Everything else is a bit of a blur. He glimpses Ekko, once, on the rooftops. The boy heads after the other four and Vander is thankful for that. Benzo didn't survive the first wave... he doesn't have much chance to reflect on that because there's another enforcer in his grip and a new scream in the air.

He buys the kids plenty of time. Too much time.

Enough time for all of Zaun to hear the news: the Hound's fighting back! Five enforcers are dead! Six! Ten! Enough time for Vi and Mylo to find their informants.

Silco isn't exactly a subtle name. He's well hidden, that's true, but a familiar blond limped his way over to one of the abandoned warehouses after Vi kicked the shit out of him. Word on the street is that he's in with someone named Silco. Doesn't mean much to the informant or to Vi.

It's enough. They slip into one of Zaun's many industrial districts just as Vander finally falls.

Piltover's attack dogs got him - they would eventually, he knew that much. A wild hound is fierce but numbers always win. Part of him's happy to die on familiar cobblestones. Better than the cool stone of prison - better than anything Piltover had in mind for him. This way, the kids would know what happened to him. They wouldn't do anything stupid.

Well... they'd probably still do some stupid things. He coughed out a laugh, blood hacking out of his lungs as it all began to fade. Good. They deserved to be a bit stupid. They were kids...

Just kids.

Hopefully, Silco remembers that...

Silco? Oh, Silco remembers. He'd been making a plan revolving around that. Kids are foolish. Kids are loyal. Children are painfully easy to manipulate and kill. Children are easy to make disappear.

Killing Vander and his children was quite literally on his upcoming schedule. It was going to be a glorious sort of revenge, making Vander watch it happen - helpless to stop it as he drowned in his own pacifism. It was going to be inhumane. The final nail in Silco's old coffin.

So pardon him for taking a moment to stare at the victims delivered to his doorstep. Half of him wants to laugh. The other half feels like he's been shoved back into that damn river.

The children only stare back, wide-eyed and curious. Scared too... haunted in some wonderfully poetic way.

"Can I help you?" Silco demands cooly after his disbelief has been satiated.

The pink one steps forward, naturally. She's Vander's little favorite, his poster child: basically a replica. Taking charge is probably laced in her veins.

She hands him a napkin.

"He told us to come here," she breathes, and it almost sounds like a prayer.

Silco cannot focus on anything but the napkin.

"Well... not here," the wily boy in the back disagrees slowly as he gives a scathing glance to a dead mouse in the corner. "He told us to find you."

Silco watches them carefully and then unfolds the napkin. If this is a trap it's ridiculous and definitely not Vander's idea. Perhaps these children are simply suicidal - or stupid.

He reads it.

Pauses. Reads it again.

He glances to that pink one again: Violet. Felicia's daughter. The other one is to her right, clinging to the elder's bruised knuckles. Powder... right?

Mylo. And Claggor.

Vander's children.

Vander's children!

He reads it one more time.

"It is kind of messy," Claggor's sheepish tone contradicts his appearance sharply. "He was in a rush -"

"I can read it," Silco snarls. He whirls around and plunges further into the bowels of the warehouse.

The children follow, blindly. Because they were told to. They follow the devil into his den because Vander told them to.

Why Silco let them, he'll never be able to explain. Never. Why he didn't finish was Vander started: destroy all remnants of their old life, including those damned children - he'll never say.

He can't. Because Vander sent him his children and a note. It changes nothing.

Except it changes everything.