#I may write that idk

[the-mountain-flower]

If marriage in Aurora is at all like in our world, then it's possible that, as an honorary emissary, Erin can officiate marriages (at least in Asera).

I am surprised I haven't found any fics that make use of that yet

[remxedmoon]

practicing self care (projecting my stims on my blorbos)

greyscale vers below the cut!

[raphaerolo]

Saw a screencap from Perfect Blue and I wanted to draw it with Obi-Wan

Smth about bloody feral obi-wan contrasted with the in-universe propaganda of him...

Ref under the cut

[radiance1]

Danny often felt tired, as of late.

He wasn't certain as to why he did, though. It happened after his, apparent, coronation as the Prince of the Infinite Realms and after finally getting a boyfriend out of that damsel in distress who made him into one.

Which was unfortunate, because though he may try, it was very hard to pay attention on dates when Danny felt he just came from using the Ecto-Skeleton and no amount of sleep would make it go away. Fortunately, however, Billy was very understanding and accommodating of his plight, letting him sleep on him whenever he wanted and having their dates be less mentally/physically demanding things.

Man, Danny loved his boyfriend.

Unfortunately, he was away on one of his Justice League mission things.

Another thing he noticed, is that he liked to sleep in more cold places now. Very, very cold places.

So much so, that he genuinely debated moving to the Far Frozen if not for his parents turning his room into a literal walk-in freezer for him.

Did he ever find out why he needs to sleep so much? No, not really. But man.

Danny could go down for a nap right now.

---

Pariah was having a good, very good day.

He woke up, stretched, ate some food he didn't actually need to, did some light exercises after aeons of not using his sword and just fighting in general and sat down for some tea.

Even had a letter from the Master of Time with a P.S that two humans would be busting down his door!

Wait what-

"Ghost King!" Came the rather loud, effeminate shout accompanying the loud slam of his castle doors. "Where is our son!"

Honestly, Pariah is impressed by the lungs on that human.

"You heard her!" He looked down calmly at the... Actually, what in the infinite is that? Since when did humans go walking around with cannons??? "Tell us where our son is our so help me! Ghost King or not we'll exorcise you right where you stand!"

Pariah blinked slowly, very, very slowly.

Then took a sip of his favorite ghost blend then calmly placed the cup back down.

"You must be the boy's, human, parents I presume?" He asked calmly, gaze sweeping over them both. They seemed to be prepared for war, a burning fire in their eyes as they stared down the very King of Infinity and saw only an obstacle.

Oooooh, how that made the part of him that longed, sung for battle purr in sheer delight.

"Why don't you join me for tea?" He said, waving a hand and conjuring forth two extra, human sized, chairs on the opposing end of his table alongside two more tea cups. "And explain whatever is going on, while you're at it."

The two shared a glance between each other, then slowly lowered their weapons down to a point where they could still draw them at a moment's notice, yet not actively antagonizing the king at the same time-

Oh, he just loves these types of mortals.

-before slowly making their way to their seats, which were right next to each other of course. Married and whatnot.

"Tea?" He flicked a finger, filling their cups with the same that was in his cup but before remembering. "Ah, right. Human and your mortality." He casually mentioned, flicking his finger and changing the liquid to one of the few mortal blends he could still recall. "Worry not, for they are not poisoned." He chuckled lightly.

Honestly, doing such a thing would be beneath him, especially when faced with mortals of such fire.

"Now," He brought his cup to his lips. "Why don't you inform me as to what, exactly, has brought you to my doorstep prepared for battle?"

They, once more, exchanged a glance between each other, making sure the king was still in sight before Maddie opened her lips.

"Our son is missing."

---

The summoning was a success.

A terrible, terrible success.

One that the Justice League, One John Constantine especially, had valiantly attempted to stop.

But, unfortunately, once it got going it seemed to be incapable of stopping.

Faced with an entity being summoned from the Infinite Realms, they had called all of the heroes who were capable that weren't occupied. Shazam, unfortunately, was one of said heroes occupied.

Superman and Wonderwoman? Were not. So, at the very least, they had two of their heaviest hitters available.

The circle glowed a toxic green, growing and growing in glow until it reached its zenith.

Then was snuffed out as brightly as it glowed.

The air stilled, followed by a chill that rivaled the chilliest of snowstorms as if they were standing within one that very moment.

The next moment?

Ice.

Pure, unflinching, jagged pillars of ice rose from the circle the same moment it glow returned. Sticking out from the circle haphazardly and nearly impaling those that stood too close.

Mist, thick, blue mist. Rolled from the pillars of ice, descending down onto the floor with a gentleness that was almost deceptive if not occupied by such cold and being completely and utterly unnatural as it was.

The Justice League readied themselves.

[doccywhomst]

the actual literal meaning of TARDIS (Time and Relative Dimension[s] in Space) is so funny cause it’s just…. a very succinct description of what the vehicle travels through? “hello i’m a human and this is my CAR (Concrete and Roads)” uh yeah i sure hope it do

[awearywritersworld]

mdni

thinking about gojo satoru, who loves seeing you in his boxer briefs, especially when you pull them from the dirty laundry because you need something to slip on real quick.

he loves the way they cling to your thighs.

he loves the way the band accentuates your pretty waist.

he loves the way they ride up and expose the crease of your ass to his hungry eyes.

it's really quite the predicament for him— does he want you to keep them on? or does he want to peel them off and reveal what's underneath?

[a-most-beloved-fool]

Kira has a nightmare, one night when she's staying at the O'Brien's. Miles and Keiko, sleeping in the other room, don't hear her get up - but Molly does.

And Molly, being clever and kind, knows exactly what to do when someone has a nightmare. (Or, at least, she knows what her parents always do for her.) So she sits Kira down and brings her a glass of warm milk, and sits by her side as she drinks it.

Then, she takes Kira by the hand and leads her - to her parents bedroom. "I always sleep with mommy and daddy after a nightmare," she explains, when Kira stops outside the door. "It helps! Mommy chases the scary things away. And Daddy is warm."

"Molly," Kira says quietly, a little embarrassed, "I don't think your parents want me in their bed. Even if I did have a nightmare."

"No, they won't mind!" Molly assures.

Then, of course, Miles wakes up.

"Molly?" he asks, voice rough with sleep. "Did you have a nightmare?"

"No, but Miss Kira did!"

And now Keiko's awake, too, sitting up and saying, "Nerys? Are you alright?"

Mortified, Kira says, "Yes, I'm fine, I was just - on my way back to bed. Molly brought me here. I'm - sorry for waking you. I'll just be-"

"You can stay, if you want," Miles offers.

Kira doesn't quite think she heard him right. "What?"

"You can sleep here, if you think it might help," Keiko says.

"Or even if you don't!" Miles adds.

Kira opens her mouth, then closes it again. "I, uh-"

Keiko gets up, and takes Kira, gently, by the hand. Her palm is soft, Kira can't help but notice.

"Brr, it's freezing out here!" Keiko says, tugging Kira along. "You'd better get in before you catch your death of cold. Miles is practically a furnace, so you'll be nice and warm with us."

"And, Molly, you'd best go back to bed, too. You've got school in the morning," Miles says, as Keiko bundles Kira into the bed between them.

As Molly makes her way out, Keiko swings a lazy arm over Kira's back. "Sleep," she hums. "We'll be here in the morning."

Kira, feeling warm and cared for and more than a little overwhelmed, does.

[eightcure]

Some Danny phantom sketches for the void

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[tanglepelt]

Dc x dp idea 13?

Danny just gaslighting the JL and JLD.

They summoned the ghost king obviously Danny shows up cause i love that for him. He’s in human form. He does that on purpose.

Must ppl assume they messed up send him back and leave it at that. Nope not these people.

Constantine is checking the summoning circle again. Just tells Danny he won’t fall for his disguise and that he knows that he’s ghost king. And says he wants to make a deal.

Danny knows this man sells his souls more then his parents claim they want to tear phantom up molecule by molecule and he has no use for a soul anyways. So Danny just says if i was a king i wouldn’t be failing high school. He wouldn’t even go to high school.

Then Danny goes on about how he has a bully so obviously he couldn’t be a king. Not to mention his human non royal parents. They were mad scientist and ghost hunters but that’s as interesting as they got. Also hello he is alive what did Constantine think he was secretly a ghost.

Danny then walks around the circle just pointing at the total correct symbols going are you sure it’s meant to be a crown. What if this king is a queen and has a tiara. Like who are you to assume it’s a king if you’ve never met them.

John isn’t falling for it at all. Now everyone else is doubting him. Batman pulled up Danny on the computer a perfectly normal human child. So Danny is gonna pull out the big guns. Looks at him and goes if i step out will that prove I’m not currently the ghost king.

It’s one of the other JLD members who says he wouldn’t be able to if he was king. It was warded to keep the king in. So Danny who is currently human just steps out.

See he’s totally not the just king. Currently.

Turns out they needed someone to deal with the box ghost. Danny just say oh i got that. He soups him and goes i did say my parents were ghost hunters

Danny failed to realize once he stepped out of the circle they couldn’t send him back that way. So now he is stuck being questioned but hey at least he is in space.

[thevoidstaredback]

Just as he had last time, Barry called Wally and Bart to help him comb over the US. He took the Midwest and South; Wally took the Mid Atlantic and New England areas; Bart took Alaska, the Western, and Southwestern states.

"Didn't this happen in your timeline, Impulse?" Wally asked.

"Nope!" Bart answered, "At least I don't think so."

"What do you mean you don't think so?"

"You expect me to know everything that happened throughout the entire timeline?!"

"A little bit, yeah!"

"Boys!" Barry cut in, "Please focus; time is a little bit of the essence."

"No, no, no," Superboy, who was checking the Northern Hemisphere, chimed, "Let 'em argue. It's entertaining."

"Are you sure you don't remember anything from the previous loops?" Superman asked, speaking over the three kid heroes.

Barry found himself rolling his eyes. "Yes, Supes. I'd've told you by now if I remembered-" He stopped short, sliding down the road a few feet.

"Flash?"

"Hold that thought."

"Did you find something?"

"Keep looking; I'm gonna check something real quick." He muted his end of the line. "What in the world..?"

Apparently, there's a castle in Wisconsin.

***

Dick was not having a good time. He thought that he was done dealing with Bruce when he quit! But, no! The bastard just keeps calling!

At least he can still work with Barbara. That's a plus.

Nightwing set up shop in Bludhaven. This was well established throughout not only the city itself, but throughout Gotham and the entire hero community. Sure, he helps out other places, but he mostly stays in Bludhaven. Just because he's close, though, means that Bruce thinks he can jump between the two cities.

He can, but he doesn't want to.

But, orders from Batman must be followed or he'll throw a fit.

How the hell did he put up working with that man?

How the hell does Tim put up with it?

Even in the middle of a potentially Word Ending Crisis, Batman doesn't want any of the other heroes in Gotham, so searching the city falls to Nightwing and Batgirl. Well, it would if she didn't have her own tasks.

He'd seen Kid Flash in passing about an hour ago, just long enough for a speedster-level high-five as they passed by, as he was leaving Bludhaven.

He'd searched his home from top to bottom three times over and there wasn't a single thing out of place there. The US Government had all but abandoned the city when they'd given up on Gotham, so the lack of any government occupation didn't surprise him in the slightest. The people of Bludhaven hated the government enough that a few well placed words on his part now had the entire city on the lookout for the black suited bastards, allowing him to go look in Gotham.

As much as Gothamites hated authority figures, they had nothing on Bludhaven. Sure, they'd been given up on first, but the government still had eyes on the city because of Batman. As long as Batman works for the Justice League, then it isn't a stretch to think that the government has eyes and ears on or in the city.

Finding a base in Gotham will be much harder than finding one in Bludhaven. Not because he doesn't know his way around, but because of the sheer amount of buildings there are. Abandoned, occupied, business, residential, it doesn't matter; every one of them is a potential government occupation camp until proven otherwise. Every person found within the city is a possible government dog until proven otherwise.

Dick sighs. He certainly has his work cut out for him.

Part 7 Part 9

[tenderjock]

The end was soon To Bethlehem, it slouched And then, must've caught a good look at you

[side-of-honey]

Sorry for being kinda dead lately it's been hard to motivate myself to make full pieces ToT Have some doodles in the meantime tho. I enjoyed the purple game big surprise from the portal fan I know

[aychama]

"You are such a fierce thing in battle and yet, become a pile of wool under my claws."

[twisted-wonderland-but-gayer]

I see a lot of TWST fans enjoying Tokyo Debunker— a game just like TWST with a more mature tone.

I just want to warn anyone who cares that the game uses AI imagery for its backgrounds and some art!!

Some staircases also end up breaking or bending into itself in later background art.

It's a shame as I am enjoying the game– but please consider this before you spend any money on it

Credit: r/yoheimitoes on reddit

[silkjade]

by the time his eyes drift from the realm of ink and paper, the late afternoon sun has long seeped through kaleidoscope glass, dancing in threads of gold, as it weaves a crown of light and shadow atop her head. the air shimmers with hazy opalescence, and the beguiling tricks of his heart, echo the words penned by his late-grandmother, ‘may my child alhaitham lead a peaceful life.’ ….and he thinks this might be it. for love lies within the transience of time: in the fleeting daylight and the quiet solace, in the comfort found of a life unadorned. and so he makes a decision he dares not say aloud just yet, but a smile curves the corner of his lips, as he endeavors to imagine the tranquility of a life with her — forever.

illustrated by @/_hui.an on instagram; this was my second time working with them, and it was just as lovely as the last ! reblogs are okay, but please do not save or use — thank you ♡