#I love when I can create mini stories from stuff like this

[onehundredelevven]

Hello there, merry belated Christmas (if you celebrate)! I hope all is well ❤️ I have a request how about something angsty, but with a happy ending. This will be for JJK. Fem reader suspects her lover is cheating on them with their ex. this is due to the ex creating fake texts or doing something scandalous to set the men up to trick the reader. And the “evidence “ they provide is very convincing, unfortunately. The men have to find a way to win them back and prove their innocence. You can choose to do either a mini story or general head cannons, whichever is easier for you ☺️ as for which JJK male, you choose. But I do love Gojo, so please include him. Thanks so much! Take care ❤️❤️❤️

Hello Anon~ merry belated Christmas too ! Here's your request !!

JJK Men proving their faithfulness to you.

content: JJK Men x reader, hurt with comfort

☆☆☆

Satoru Gojo

☆When you confront him, Gojo initially laughs it off, thinking you're joking. But when he sees the hurt in your eyes, his expression turns serious.

☆“You think I would cheat on you? Baby, look at me. I could have anyone I want, and I chose you. What does that tell you?” It sounds cocky, but it’s his way of trying to reassure you.

☆The “evidence” hits him like a truck, especially when you mention it involves his ex. His playful demeanor drops completely.

☆He investigates obsessively, pulling every string he has. When he finds out his ex fabricated the texts, he makes sure they’ll regret ever messing with your relationship.

☆To prove his loyalty, he takes you somewhere significant—a quiet shrine at sunset where he confesses all his vulnerabilities. “I know I joke around a lot, but I don’t with you. You’re my everything, okay? Please don’t doubt that.”

---

Suguru Geto

☆When you confront Suguru, he’s calm but visibly pained by your accusation. “Do you really think I’d betray you like that?” he asks, his voice quiet but firm.

☆The fake messages shake him because they do look convincing. Still, he keeps his composure and promises, “I’ll clear this up, just trust me for now.”

☆Suguru digs into the situation like a detective, finding subtle inconsistencies in the texts and proving his ex’s deceit.

☆To win you back, he pens a heartfelt letter, explaining how much you mean to him and how he would never jeopardize what you have. He delivers it in person, sitting with you until you’re ready to forgive him.

---

Nanami Kento

☆Nanami takes your accusation with devastating seriousness. His brow furrows, and he listens carefully to everything you say. “If this is how you feel, I won’t dismiss it. But I need you to believe me when I say it’s not true.”

☆The texts from his ex make his jaw tighten. “That woman is trying to cause trouble. I’ll handle this.”

☆He wastes no time confronting his ex, collecting receipts, and presenting them to you methodically, like a courtroom defense.

☆Nanami shows his love through action. After clearing things up, he surprises you with a quiet dinner at your favorite restaurant. Over candlelight, he takes your hand and says, “I’ll never let anyone come between us again. You’re all I need.”

---

Toji Fushiguro

☆Toji laughs bitterly when you accuse him, but it’s not out of amusement—it’s disbelief. “You really think I’d go back to her?”

☆The fake evidence pisses him off. “That snake’s been causing problems for years. I should’ve known she’d try something like this.”

☆He tracks down his ex in record time, not mincing words or threats. Once he has proof of her lies, he drags himself back to you, guilt written all over his face.

☆“Look, I’m not good at this stuff, but you gotta know I wouldn’t mess this up. You’re too important to me.” He leaves the decision in your hands, but his sincerity is undeniable.

---

Ryomen Sukuna

☆Sukuna’s pride takes a hit when you accuse him. “You think I’d stoop so low as to sneak around? If I didn’t want you, I’d tell you to your face.”

☆He scoffs at the “evidence” at first, but when he realizes how much it’s shaken you, his expression hardens. “Whoever’s behind this is dead. Simple as that.”

☆He confronts his ex with terrifying intensity, uncovering the truth and making sure they won’t try anything like this again.

☆To prove his loyalty, Sukuna softens—just a little. He sits with you, looking you in the eye, and says, “You’re mine, and I’m yours. Don’t let anyone make you think otherwise.”

---

Choso Kamo

☆Choso’s reaction is pure heartbreak. “You… you think I’d do that to you?” His eyes well up, and his voice trembles as he tries to process your accusation.

☆The fabricated texts devastate him, but he refuses to let them ruin your relationship. “I’ll fix this. Please don’t give up on me.”

☆He works tirelessly to prove his innocence, eventually gathering enough evidence to expose his ex’s scheme.

☆Choso is a quiet but passionate lover. After everything is resolved, he holds you close, whispering, “I don’t want to lose you. You’re the only one I’ve ever cared for like this.”

---

Shiu Kong

☆Shiu’s sharp eyes narrow when you bring up the accusation. “You think I’d waste my time on an ex when I have you?” His tone is clipped, but you can tell the idea hurts him.

☆He examines the “evidence” like it’s a case file, immediately noticing details that don’t add up. “This is amateur work,” he mutters before setting out to expose the truth.

☆Once he clears his name, Shiu sits you down and pours you a glass of wine. “I’m not a saint, but I’d never cheat on you. You’re the only one who’s ever made me want to stay.”

---

Hiromi Higuruma

☆Hiromi listens patiently as you explain the situation, his expression unreadable. “I understand why you’re upset,” he says carefully. “But I promise you, I’m not lying.”

☆He meticulously analyzes the fake texts, his legal mind working overtime to find inconsistencies.

☆Hiromi confronts his ex with calm but firm resolve, collecting a confession and bringing it to you. “I’d never do something so cruel. I hope this proves that.”

☆To make amends, Hiromi takes you on a quiet date, away from the chaos, and reassures you with every word and gesture that his heart is yours alone.

[ramons-elevator]

Fuck it. Appreciation Post for the amazing QSMP admins.

Heres a list of just a small bit of the amazing shit that they did on/for the QSMP and its players:

Made a huge prison/event for Pac e Mike which later turned into a job for Fit for his lore

Helping Foolish out with his Titan by raising it up, lighting it up, and even making sure the brightness of the light blocks where okay for him

Listening to Fit and Phil the day the task was "Make a grappling squawk" and made it interesting with Walter Bob delivering the news

Making Gegg a reality and letting him run for president

Every event is so cool no matter how big or small. The dungeons the The Jaidens did was so fun and interesting. Every new players event is always chaos but very detailed. Even making stuff for French Independence day and the 4th of July so people could experience each other's cultures.

The amazing wedding cake and rings for Cellbit and Roier's wedding

Helping Tazercraft with the Hide and Seek Arena and making the code so they can actually play hide and seek easier

Giving Charlie, Roier, and Max (idk if theres more) key binds so they easily switch their skins and their names in game

The little jokes/ nods to stuff that happens on the server. Like the day after Missa came back and failed a water bucket clutch, they made one of the tasks "Have a water bucket competition".

Them elaborating on stuff that happens on the server. For instance, Bad putting up mini bulletin board at spawn so they keep everyone updated. So the admins started putting the newspaper there so people could see and be updated.

Philza found an insane mob that basically soft locked your game and Phil messaged the admins telling them that information, to which they immediately disabled the mob.

The side NPCs that everyone fall in love with them. From Walter Bob, a random admin who they let the players create a story and love for, to the Capybaras, which are basically the admins having fun but turned into them having their own lore.

The insane enigmas they make for Cellbit and the story it tells. They make the puzzles very detailed and sometimes can hint to other stories.

Fucking making Felps a new member

Making a button so people like Cellbit who frequently switch between Portuguese and English dont have to constant fiddle with the settings and can just switch easily

The fucking insane shit they do with Max and his story is so cool. From what Ive seen, they give him so much room and freedom to make what he wants. Im always so impressed by whatever Max does and the things he does with this server.

They make sure everyone's lore/story is seen/heard and also try to connect the lore together. From what I have seen, nothing is half assed. Cellbit finding books about a powerful weapon? It is used to trap Pac and Etoiles had to go through the nether to get the shield to counter the sword.

Lastly, just listening to the members and hearing their concerns while also letting them having fun. They joke with the members/audience, but also hearing them out when they think something is unjustified.

The admins care so much for this server and put so much work and love for it. I hope they know it never goes unappreciated or looked over.

[thechekhov]

Dungeon Meshi Quick Reacts

CH.30 (Good Medicine)

I kind of assumed that things would get worse from here...

...yeah, there's no 'but' to that. Getting Falin back so quick was too good to be true.

Aren't those the ghosts Falin talked to? They could be friendly.

"ee gads! a hairless little man!" I'd be frightened too if Chillchuck was suddenly behind a door I'd just opened.

Chillchuck, buddy, less than 24 hours ago you threw a knife directly into a dragon's eye. You can take care of some worgs, right?

Senshi's a card carrying member of the smells-okay-to-me-chief club.

Orcs be like 'oh, dragon's gone? Hm. Curious' and then just carry on. Wouldn't you be worried that something took out the dragon? Could be even more dangerous than the dragon itself.

I feel like at this point Falin might be just that.

MOUTH TO MOUTH RESUSCITATION!

Marcille, I don't think you have a lot of options.

......just realized those moose antlers are holding up her rack. Talk about a pushup bra. Damn. Respect.

Wait go back to that "create monsters to do their bidding" thing again. Was that the little mini dragons or does that include larger monsters like the dragon itself?!

OR something that was IN the dragon, controlling its actions and make it act irrationally? Is that why the Sorcerer wasn't surprised to see Falin as a separate thing outside the dragon? Was the assumption that whatever THING it was had escaped and become Falin?

And for all we know... it kinda had. It had merged with her spirit....

Or maybe I'm way off.

Congrats on the larger story plot! :D You're now in even more danger! Hoorah!

Chillchuck, a normal person would just go 'I'm leaving, pay me'. You're giving yourself away, worrying for them.

I can't hate him for the reasoning here. The deeper you go, the less likely you are to be found. The only person who cares enough about Marcille and Laios and Chillchuck to find their bodies are.... each other. So if they're dead here, they're likely dead-dead.

I want to nestle into her bosom and live there as a little creature.

Moreso than when she was literally in the gullet of a red dragon?! Come on, be reasonable. At least she's alive now. And remembers who she is.

Ooooh friendly ghosts. Makes sense why Falin was so chill about them.

All the more reason to believe there's something to be done!

Love the doggo yawning behind Chillchuck.

He's a coward, but being afraid isn't necessarily a sign of weakness. It's a sign that you realize how dangerous a situation is. Cowardice isn't stupidity, no more than ignorance of danger is bravery.. I think the orc leader is maybe realizing he's not doing it for completely selfish reasons. Mad respect to her though.

It WAS Falin, wasn't it? It wasn't as if it was a thing pretending to be her. She was there, and she was revived successfully, and then the soul confusion thing happened.

......damn. What a small holiday they got, before the next horrible thing happened...

hey, Marcille is not dumb! She's got loads of braincells! they're just all focused on doing evil stuff and being gay.

🎯

That's right! It's just like you, Chillchuck!

Was that... there before?

Oh, okay, no, it was. Hm.......

This stupid man is about to full a Falin and jump out a window to go look for her, isn't he.

Gods, this sucks for him so much. For all of them. Because they.... they WERE successful! They rescued Falin! They brought her back from the head! They DID that!

But now, instead of getting the reward of it, she's just gone. Is it better, because she's alive?

Or worse, because the threat is even more nebulous?

If they all died, would it be worth it?

who's the coward...? he's ready to go back.

For Falin, they went down there. They risked themselves.

For them, after talking to him only a bit, the orc leader went from 'hey, nice snack for my dog' to 'we're helping you get that girl back'.

It's about the CONNECTION!!! IT'S ABOUT HELPING EACH OTHER AFTER LEARNING TO UNDERSTAND ONE ANOTHER!!!

[margowritesthings]

The French Are Glad To Die For Love

A Bridgerton x Moulin Rouge crossover

pairing: Colin Bridgerton x ? word count: 2.1k words warnings: 18+ minors DNI, un-beta'd, mentions of sex, spitting, lots of debauchery authors note: surpriiise! i have been sitting on this since part 1, so to celebrate part 2 tomorrow here's my new mini-series! i have never written for Colin before, so i'm nervous, but i loved writing this.

i also need your help! i cannot decide if this mini series should be Colin x reader or a Polin fic, where Penelope is Satine. I have created a poll here for you to vote, so please let me know!

and as always, enjoy! it's been a hot minute since I last published, so thank you if you're still here.

Bridgerton Masterlist

The stars sparkle especially brightly tonight, the crimson lanterns guiding Parisians and tourists alike through the winding streets, and Colin Bridgerton stands in awe of it all. 

He’d read stories, heard tales of this place during long nights at Whites, but nothing could have quite prepared him for what lay ahead of him, a long string of lights hanging in the sky leading the way to his destination. 

The Moulin Rouge. 

A house of debauchery and sin, of freedom and truth, filled to the brim with bohemians and artists and beautiful women unlike anything or anyone he’s ever seen before. Even now, 30 feet away from the illuminated windmill, he can hear the music and the joy spilling out from the building. His senses are filled with the perfume of hundreds of women passing him by the minute, all with real, toothy grins he rarely has the pleasure of seeing back home. It is far too impolite to be so happy in London society. 

Colin steps forwards, his boots crunching against the gravel and his coattails flying in the breeze. His shoulders brush more wonderfully merry, positively inebriated partygoers on his way in, catching odd fragments of conversations that would have scandalised him and his whole family were he elsewhere. 

But he wasn’t elsewhere. He was here, in the city of love, away from anybody who had ever known the name Bridgerton. His clean slate clutched close to his chest, waiting to find out what will be written on it next, Colin feels the fresh air on his face for the last time before his life is changed forever.

The heat hits him first, a symptom he knew all too well of too many people packed into a small space. But unlike every ball he’s been to, this doesn’t feel claustrophobic or fusty. It feels alive. 

There is a feast for the eye wherever one looks. Burlesque dancers showing off stockings and garters by kicking their legs up, toes pointing towards the aerial hoops holding acrobats hanging from the ceiling. Gentlemen, if you can call them that in this state, wearing top hats, arm in arm with their glasses raised high, spilling their contents all over the wooden floor. 

The music blasts loud from each instrument the band masterfully pluck or blow or bang, but laughter and conversation buzzes amongst the melodies. It is a near overwhelming amount of joy, one Colin certainly could use a drink to wash it down with. 

If he could just find the bar…

Bodies fill his view, so entangled in each other it is difficult to tell where one starts and another ends. Frilly skirts flow over the knees of suits as ladies dangle from the necks of patrons, sharing cigars and passing around bottles of an unknown green liquid. Rosy cheeks as far as the eye can see, wether from too much of that green stuff or the exertion of all that dancing, Colin can’t be sure. Between them all, in tiny empty spaces, he can just about make out rows of bottles and glasses. 

Weaving through the crowd is like treading through water, but their energy and joy seems to rub off on him. There isn’t a dance card in sight, women choosing their partners themselves whenever they like with a freedom Colin isn’t sure he’s ever seen before. Is this truly what people are designed to be when they are free?

Eventually, his hands find the sticky wood of the bar, quickly lifting themselves back off it on instinct at the sensation. When Colin looks to his left, he sees a woman pouring a shot of liquor between her breasts, a man knelt below her waiting to lick it back up, and he quickly realises why the bar feels so tacky- every surface here seems to be host to someone’s revelry. 

“Welcome to the Moulin Rouge, monsieur. Can I get you a drink?”

Colin’s attention is quickly pulled by the welcome, his gaze snapping to a tall French woman dripping with red jewels that compliment her rich brown skin perfectly. She is captivating to be sure, deep hazel eyes commanding Colin’s attention, competing with the most incredible curls of hair he has ever seen. Ladies of the ton are welcome no matter their race back home, but Colin has never seen a lady allowed to wear her hair so beautifully natural before. The Afro framing her face has more tiny rubies that sparkle under the cabaret lights, and Colin is speechless. 

“I…uh, pardon me, Miss, I-“ he sighs, giving up entirely at his failed attempt at decorum, “Is it so obvious I have never been here before?” 

She laughs, gems twinkling as her head shakes with mirth. 

“Not at all, but most gentlemen who have been here before know to wear a top hat. And there’s that look in your eye…” 

As she speaks, she pours out one finger of the green liquor Colin has spotted a few times already, sliding it along the wood towards him. 

“Wonder. Drink this. It will help with the nerves.” 

Colin looks down, finding himself fascinated with a drink that seems to glow of its own volition. He has smoked blends and meditated with world weary travellers from across the globe, drank tea containing unknown substances that left him staring at blades of grass as if they held the worlds secrets, and yet this… whatever it is, seems to terrify him.

The barmaid laughs again, that melodic sound with the real joy Colin very much enjoys. 

“It’s only absinthe, monsieur. Loosens the inhibitions, relaxes the body…” she explains, pouring a second out for herself and lifting it to him as if to prove her credibility. 

“Santé.” He toasts to health.

“Amour.” She toasts to something far greater.

It leaves no room for argument, and all Colin can do is lift his own glass and tap it against hers. 

It burns his tongue, leaving a fiery trail down his throat as he swallows and tries not to cough and splutter. A bitter yet herby anise flavour fights with his taste buds and seems to seep straight into his mind, teasing at those tense knots that held him back from fully immersing himself here. 

When his eyes eventually reopen, he finds the barmaid beaming at him, unphased by her own potion. Rather used to it, if she shares a glass with every newcomer, he should think.

“Be careful, though, monsieur. Many a man has spent a night with the stuff and swears he fell in love with a fairy dressed all in green. Ruined him for any other woman for the rest of his life…” She speaks words that belong in fairytale, with a tone containing such severity Colin is inclined to take every single one of them as gospel. 

“I dare say I should be careful, then. I do not think this green fairy would want to join the rest of my travels when she can instead entice all of Paris’ men to sin…” 

The residue of the liquor smells just as strong as the full measure, which Colin tries to blink out of his senses when he puts the glass back on the bar.

Almost as if society itself had cleared its throat at him, Colin remembers himself, remembers just where he is. Undoubtedly the most unique establishment he had ever set foot in, but an establishment all the same. 

“I beg your pardon, miss, I seem to forget myself. How much do I owe you for the drink?”

She considers him.

“Hm,  the absinthe I think… for you, a kiss.” 

Colin, already pulling coins from his breast pocket, pauses, a little grin tugging at the corner of his lip. The francs clink together when they fall back to the bottom of his pocket, a long forgotten currency of the past. It’s a perfect reminder of just how different things are here, how easily walls crumble between strangers and connection is offered so freely. He has never kissed a woman he has not paid for back home, so afraid of getting too close to another in case they ruin each other. Here, a beautiful woman leans over the bar, offering her flushed cheek for him to softly press his lips against. 

And he does. 

And it is lovely. 

“If any more handsome men capture the eye of Mademoiselle Belle, I will surely be out of business!” A loud, hearty voice pulls Colin from one blissful moment back into the party.

He regards a rather large man, clad in a red tailcoat and stunning golden waistcoat. His top hat, near the same to all the other gentlemen in the room but somehow grander, tops wild orange curls that match a fantastic handlebar moustache. A true ring leader to this wonderful circus of debauchery Colin has found himself in. 

“Harold Zidler, at your service. Welcome to the Moulin Rouge.” 

“Colin Bridgerton.” He replies, offering a hand that Harold seems bemused at. Unsurprising, considering what passes for currency around here. Nonetheless, Harold shakes the offered hand. 

”I must say, your establishment is rather…” he hesitates, unable to find a word in any language he has picked up along his travels that quite captures the Moulin Rouge. Perhaps he could blame the absinthe, or the intoxicating hedonism he feels rooting its way through his mind, hidden in the brass notes from the band and thrown with each cancan kick of one of the dancers that surrounds him. 

Luckily, Harold seems well used to this phenomenon. 

“Isn’t it? And you have seen nothing yet! I assume you are not from around here?”

”It is rather obvious, I have been told.” Colin adds a glance to Miss Belle, who’s skirt frills bounce in the lights while she shakes up a cocktail. He adds, “London.” 

”Well, Monsieur Bridgerton, I promise you that what we have here in the Moulin Rouge is unlike anything you have back home in London.” 

Colin’s eye is caught again across the room, as a beautiful woman with blonde tumbling waves spits a drink into a man’s mouth. 

“I am inclined to agree with you there.” 

It truly is unlike anything back home. Colin has travelled across Europe and back again, seen incredible sights and met wonderful people. He has felt that ease that distance from London society and its unwritten laws and social rules that bind him back home can bring. He’s seen beauty and felt freedom and thought he might have found truth somewhere along the way, but it pales to whatever is contained within these four walls. 

In truth, it couldn’t be farther from London society.

”Just wait until you see my Diamond, Monsieur.”

… Perhaps not. 

Intrigue hits Colin as Harold pulls out a pocket watch on a brilliant gold chain. 

“Your diamond?”

”My Sparkling Diamond. The main attraction of the Moulin Rouge, my most sought after little chickee.” He speaks proudly, with a mist in his eye Colin normally finds on ambitious Mamas at grand balls, secretly trying to auction their daughters off to the highest rank. 

“I do not believe she is booked yet for tonight…” Harold adds, that mist darkening, disappearing, leaving a shiver stuck between Colin’s shoulder blades.

Not because this Diamond is a courtesan. Colin is hardly a stranger to the profession, and he bears no judgement. In truth, he admires the women he has been known to spend the night with, finding the courage of living outside society so freely quite brave indeed. No, that shiver came from Harold entirely, Colin just cannot figure out why. 

Harold excuses himself, though makes sure Colin knows to stay for the show, and Colin orders a whiskey on the rocks, insisting on paying in cash this time. Though singular in person, he has never felt less alone in his life. Looking around, there isn’t an empty chair in the house. If there were, there wouldn’t be room to put it down for all the dancers and patrons enjoying every ounce of the world they can. Music played straight from the soul ringing in his ears, Colin could make out every instrument. The lights dazzled in his eyes and the spot caught him every so often, lighting his drink up in his hand like golden ambrosia. 

And then, darkness. Silence. 

A single spot, though the mirrors scattered around catch the light and illuminate the faces of the people around him. Everybody is looking upwards, as if they all know she is coming. 

Even if he did know, Colin could never have prepared himself for what he saw when he looked up.

Who he saw.

The Sparkling Diamond, shimmering high on a swing hanging from the ceiling. 

The most beautiful, breathtaking, person he has ever seen. In any city, on any continent in the world. 

Crimson lips part as each and every person hangs on the breath she takes.

”The French are glad to die for love…”

don't forget to vote in the poll for your fmc!

[podemechamardeeli]

Tiny Town Challenge Expanded - The Sims 3

The inspiration for this challenge came from Deligracy's Tiny Town challenge for The Sims 4 (Original rules HERE). I loved the idea of the challenge, but The Sims 3 has a huge advantage: it already has an open world, so the houses didn't need to be restricted to one lot, but instead, we could build a real community. That's why, in addition to translating, I took some time to adapt it in the best possible way to everything that TS3 offers us.

I kept the characteristics of the Sims from the original challenge as best as I could, but adapted them to keep them as "autonomous" as possible.

I have all the expansions and stuff packs, so feel free to do only what fits into what you already have in your game and/or adapt it as best you can.

When I saw the Stardew Valley map by @boringbones, I felt this would be a perfect match! You don't have to start on the same map as me, but I strongly suggest you start on a tiny or small mapto really have the proximity between the lots and, even better, if it's empty so you can populate it as you play with the Sims.

I'm just starting to play this challenge, so not all the rules have been tested. I will adapt as needed and welcome suggestions.

Tags: #TinyTownTS3 #tiny town challenge ts3 or tag my "@". I would love to know you're playing too. 😍

The Goal

The goal of this challenge is to build a town with tiny houses for up to 16 Sims (depending on whether you want to use mods or not or which packs you own) that match their desires and skills.

You can watch my gameplay of this challenge on my YouTube channel here. (link to be available soon)

The Stardew Valley map can be purchased here (link for download).

The Rundown

Each Sim has a set skill that you must utilize to fund the construction of their tiny home. For example, Frank Stem likes flower arranging, so you must sell flower arrangements to fund his Tiny House build.

You must also represent each Sim's favorite style and color in the build (see the Sim characters below). You can only work on one Sim's house at a time, moving each Sim in individually as you "unlock" them.

To "unlock" the next Sim, you must complete the previous Sim's home.

How to Play

Start by moving your first Sim into a lot of your choice.

To select your first Sim, you can use an online randomizer or simply choose your favorite.

After moving your first Sim in, use a money cheat to set the Sim's money to $0.

Each Sim should start on their lot with their skill item of choice and some useful items. They also start with a sleeping bag (requires Generations), a mini fridge, and an All-in-One Bathroom (requires Island Paradise, Into the Future, or Movie Stuff). Feel free to adjust these items if you don't have the necessary packs. After placing these items on the lot, set the money back to $0.

After finding your skill items, start earning Simoleons by selling your creations!

Use this money to build your Sim's tiny home!

Since we don't have a sales table in The Sims 3 like we do in The Sims 4, I suggest that all collectibles and creations be sold at the consignment store (requires: NRAAS Consigner - [link HERE]).

Extra Rules and Ideas

Your Sims can contribute to community areas to help other neighbors when they move in and to create a pleasant sense of community and lifestyle. Ideas could be a shared laundry, bathroom, BBQ area, garden, central square, pool, etc.

As you play, your town will grow and your community will become fuller. When you reach the last Sim, you can go back to playing with the first family, and here, my suggestion would be to put everyone in a rotational household using Story Progression and evolve with each family.

If you don't have all the necessary packs, feel free to alter the challenge to suit the packs you have, or use the base game features. There are many ways to make money, including tasks like collecting valuable objects or careers.

You can play on any lifespan, but I suggest playing on epic or disabling aging altogether to get the most out of your Sims.

According to the original rules, you can use cheats, rewards, and anything else to make it easier, but keep in mind that the easier you make it for yourself, the less challenging it will be!

The Tiny Town Sims

Azure Hue:

Skill - Painting (Base Game)

Decor Style - Contemporary/Boho

Color: Blue

Cyprus Handyman:

Skill - Sculpting (Ambitions)

Decor Style - Rustic/Farmhouse

Color: Orange

Frank Stem:

Skill - Flower Arranging/Gardening (Base Game)

Decor Style: Vintage/Garden/Farmhouse

Color: Green

Suggestion: If you want to go with Flower Arranging, I recommend this mod HERE.

Opal Gem:

Skill - Jewelry Making (Supernatural)

Decor Style: Victorian/Fairytale

Color: Purple

Annie Aperature:

Skill - Photography

Decor Style: Industrial/Minimalist

Color: Red

Beatrice Jam:

Skill - Cooking (Base Game)/Baking (Store Content)

Decor Style: Cozy

Color: Pink

Suggestions:

Cooking can be done through the Culinary career. Your world will need to have the Bistro lot or the Rabit Hole rug, which can be downloaded HERE.

Baking can be done with the Deliciously Indulgent Bakery. (requires: NRAAS Cupcake HERE)

Ziggy Yarn:

Skill - Knitting/Crocheting

Decor Style: Mid-Century Modern

Color: Yellow

Suggestion: If you want to make this Sim this way, you will need this mod HERE.

Pippin Playmaker:

Skill - Toy Making (Midnight Hollow)

Decor Style: Colorful and Eclectic. Think of a dream child's room, with furniture of different styles, vibrant colors, toys scattered on the floor, and walls decorated with drawings and posters of cartoon characters.

Color: Rainbow (use and abuse the color wheel)

Sophie Sauvignon:

Skill - Nectar Making (World Adventures)

Decor Style: Rustic and Provençal. Imagine a French country house, with worn wooden furniture, floral fabrics, soft pastel tones, and many elements that refer to nature, such as fresh flowers and wicker baskets.

Color: Burgundy

Morgana Spellbinder:

Skill - Alchemy (Supernatural)

Decor Style: Gothic and Mysterious. Think of an alchemy lab filled with old books, jars of colorful liquids, candles, mystical objects, and dark wood furniture with metal details.

Color: Dark Purple

Melody Harmony:

Skill: Music

Decor Style: Bohemian and Artistic. Think of a music studio with instruments, band posters, vinyl records, comfortable furniture, and vibrant colors.

Color: Sepia (Warm and soft brown)

Oliver Quill:

Skill - Writing

Decor Style: Dark Academia, Cozy. Imagine an office with a wooden desk, a bookshelf full of books, a comfortable armchair, a fireplace, and earthy tones.

Color: Coffee Brown

Newton Gears:

Skill - Inventor

Decor Style: Industrial and Technological. Think of a laboratory with tools, machine parts, wires, neon lights, computers, and metallic colors.

Color: Metallic Gray

Scarlett Zinger:

Skill - Fashion Stylist

Decor Style: Modern and Elegant. Imagine a fashion atelier with mannequins, fabrics, mirrors, designer furniture, and neutral colors with vibrant touches.

Color: Hot Pink

Ink Ryder:

Skill - Tattoo Artist

Decor Style: Urban and Alternative. Think of a tattoo studio with graffiti, urban art posters, metal furniture, dark colors, and neon lighting.

Color: Black. This color represents rebellion, individuality, and the art of tattooing.

Finn Fisherman:

Skill - Fisherman

Decor Style: Nautical and Cozy. Imagine a fisherman's cabin with nets, boats, shells, light wood furniture, shades of blue and white, and elements that refer to the sea.

Color: Ocean Blue. This color represents tranquility, serenity, and the beauty of the sea.

Final Note

Have fun! You can change and adapt the rules as needed. The goal here is to have a lot of fun with the best game ever! So feel free to explore everything a truly open world has to offer.

[stxrsniolo]

⠀⠀ ⠀✦ ⠀ :⠀⠀somnium⠀ ⠀💭 ⠀ . . .

𝐀𝐄𝐆★𝐍'𝐒 notes : dear reader, this story will unfold over approximately 15 chapters, all of which have been meticulously outlined by yours truly (aka me, yes). it’s a slow burn between the characters, filled with a little bit of everything—from scenes not suitable for sensitive audiences to purely comedic moments, and even the classic teenage drama you’d expect from characters navigating this stage of life.

𝐀𝐄𝐆★𝐍'𝐒 pairing : dreambound!matt x lucid dream!reader

Chapter 02: Whispers in the Night

matt woke up feeling like a new man. after what had seemed like an eternity of restless nights, the encounter with heist in his dreams had been like a balm to his soul: his mood was lighter, his steps had a bounce, and for once, he didn't feel like he was dragging a hundred-pound weight behind him.

the morning sun filtered through the curtains, and matt found himself actually looking forward to the day. his brothers noticed the change immediately.

"yo, did you finally catch some z's or what?" chris asked, his eyes wide with surprise as matt entered the kitchen with a spring in his step.

"yeah, i guess ya could say that," matt replied, his accent less pronounced today, the fatigue that usually weighed it down gone. "had one hell of a dream though."

nick looked up from his sketchpad, a grin spreading across his face. "must've been some dream if it's got you all... not grumpy."

matt chuckled, the sound foreign to his own ears. "let's just say it was interesting."

the day was all about content creation, and today, they decided to dive into the world of tiktok again, where their fans had been busy creating edits, thirst traps, and all sorts of content. setting up in their space, which was more like a mini studio with its lights and cameras, they logged into their account.

"alright, let's see what the crazies have cooked up for us," nick said, his fingers dancing across the screen to pull up the first edit.

the video started with a montage of matt's best moments from their vlogs, set to some upbeat pop song. matt couldn't help but laugh at the edits where they'd slowed down clips to make it look like he was winking at the camera.

"bro, i already said i don't wink like that!" matt protested, his laughter genuine, feeling the good vibes from his refreshed state.

then came the thirst traps, where fans had taken clips of them doing weird stuff, stretching, or just existing in their natural habitat, adding flirty captions, explicit songs and heart emojis.

"check this out," chris said, showing an edit where he was doing push-ups, and the text overlay read, "who needs a gym when you can have fresh love?"

they all burst out laughing, with matt clapping his brother on the back. "you're gonna give 'em heart attacks with those muscles, bro."

as they scrolled through, they came across ai edits, where their faces were superimposed onto various anime characters or even k-pop idols or some cool dance trend, moving to the latest hits.

"this is gold," chris said, his voice filled with amusement as they watched themselves doing a coordinated dance they'd never actually do.

the day flew by with laughter and banter, reacting to each video with more enthusiasm than usual. they even took suggestions from comments, diving into fan theories and ship names that made them blush and laugh in equal measure.

when dinner rolled around, matt was unusually eager to wrap it up, he ate quickly, his mind already drifting to the possibility of seeing the misterious girl again.

"you in a rush or something?" chris asked, noticing matt's speed.

"yeah, kinda. got stuff to do," matt said, not wanting to explain that his 'stuff' was hoping to dream again.

upstairs, he got ready for bed, his heart racing with both excitement and a touch of anxiety. was he going crazy, hoping to see a girl from his dreams again? he shook off the thought, slipping under the covers, the day's positivity fueling his hope.

and then... sleep came, swift and merciful.

in his dream, he was back in that bizarre, beautiful world, but this time, the setting had changed to an ice rink. there was heist, standing in the middle of the ice, looking like a deer caught in headlights, her wide eyes filled with fear.

"whaddya doin' out there, lookin' like you're about to freeze up?" matt called out, his tone thick with concern and amusement.

"i don't know how to skate!" heist shouted back, her voice quivering as she tried to stay upright.

without missing a beat, matt, who had once been on his high school's hockey team, glided onto the ice with confidence. "don't worry, i gotcha."

he approached her, a smirk playing on his lips. "ya know, it's not that hard. just gotta let me help ya."

heist, still terrified, clung to his arms as he steadied her. "this better not be your way of flirting, because i'm not impressed!"

matt laughed, the sound echoing in the icy arena. "nah, if i was flirtin', you'd know it. now, lean on me and move your feet like this."

he guided her, his hands on her waist, showing her how to move. their breaths were visible in the cold air, and their laughter mingled, creating a warm bubble in the chilly environment. every time she stumbled, he was there, catching her, their bodies coming closer than necessary, making the air around them charged with a playful, spicy tension.

"see, you're getting it!" matt cheered as she managed a few steps without clinging to him for dear life. "now, how 'bout we make this a little more interesting?"

with a mischievous grin, he spun her around, making her laugh and squeal, the sound music to his ears. "you're a terrible teacher!" she said, but her smile said otherwise.

"maybe, but you're a quick learner," matt replied, his eyes twinkling with delight. "and hey, if you fall, i'll be right here to catch ya."

just as they were getting the hang of it, heist's balance wavered, her eyes widening as she began to fall. matt reached out to grab her, but before he could, the dream began to fade. "no, no, no, no!"

©𝗦𝗧𝗫𝗥𝗦𝗡𝗜𝗢𝗟𝗢 | my little starfish: @courta13 @chrislilcumslvt @marrykisskilled @chrislova @sturnshood @inspiredangel @strnilolover @emely9274 @sturns-mermaid @blushsturns

[lithuanianking]

Do you have any outsiders headcanons-

@hatter-holding-tea don't know why you keep pretending i don't know it's you

I may make a little mini fiction about this cause I got the bug if there's a demand

I vaguely based this off of randomly generated headcanons because it takes me 30 years to formulate an opinion on characters I like after I indulge in my little obsessions. But dw i expanded in them alot so hopefully it won't be too Cliche

Two-bit is a very skilled artist. He's no van gogh and he can only really copy things and not create original works,it's because he drew characters from comics, mainly Archie,for his sister.

He doesn't tell anyone about it since there's really no need to and it doesn't go well with being a greaser. He can dish it out but he can't take it. But when he starts dating Marcia he starts opening up and eventually draws her.

Dallas steals a lot of his clothes,no surprise,but what is surprising is it's from his friends. More accurately those who's he's been in the house of and really less of his friends and more of their dads since he's way bigger than the rest of his friends . A pair of Darrel Sr ‘s shoes from the Curtis house,a jacket from Steve's dad,A belt from Johnny's and so on. It usually gets the last two in hot water and it was funny to the first,until Mr. And Mrs. Curtis passed away.

Steve used to have a dog. Some mutt leftover in a “free puppy box” left on some random street corner. It reminded him of Johnny in a way,and when he whined at him he couldn't leave in behind. He loved that dog and it loved him. Until one day while he was at work the dog chewed on Steve's Dada shoes. When he got back the dog was dead.

Darry is oblivious to any and all romantic interests someone may show them. There's been tons of girls (and even guys) who've come on to him. He was more aware of it when he wasn't working but now he's too busy to notice.

Sodapop sings at the top of his lungs in the shower. It's random songs and he's not particularly good at it. It's annoying every time but especially when he gets home real late.darry just turns off the lights in the bathroom whenever he'd Start so he'd think the power went out and it used to work.until after 5 times soda wised up.

Ponyboy can't sleep in complete darkness. He's always gotta have either the door open a crack or the curtains open. Luckily soda can sleep through anything and the house never seems to get too dark.

Johnny loves books and just stories in general. He enjoyed it when they read Romeo and Juliet in class and all that stuff. Unfortunately, unbeknownst to him, he's dyslexic and that's why he can't read too well on his own.

[elderwisp]

hi! Im so sorry if this is the wrong place to ask, I've looked for answers for this before so I'm just not sure,,

i absolutely adore your sims and your story! Its completely inspired me to create a story w/ my sims as well! the only thing is I'm quite overwhelmed with it all and I don't know where to start :(

do you have any tips? Whats your process? there's so many things to use and I'm just curious what you use! Thanks in advance and no pressure to answer if this is the wrong place :))<33

HAI :D OMG EXCITING <3 no worries! my inbox is always open for assistance and i'd love to help! here's a bunch of tips ranging from writing to technical to artsy stuff:

the start:

⟡ i should preface this story did not begin as one typically would which is say following the example of how to write a novel in a year. my writing style for this project started out with my interest in the characters created. my desire to wanting to know why certain oc's acted the way they did and that's where it all began. what started out as short stories of certain individuals reworked into something much more authentic. this was the hook for me so you gotta find that one sliver of interest and run with it. you can most certainly utilize tools like character sheets, pinboards, storyboards to assist you but i find that if i'm not connected to the story, it's difficult to use them

⟡ with that being said LOL invest the time in fleshing out your character because when you understand how they work, when you believe in them, the easier it'll be in creating scenes and writing dialogue. for me, it's almost intuitive writing for characters to the point where i will easily check myself and rewrite a scene because it didn't align with a certain character

⟡ while the influence of your own ideals/experiences eventually bleed into an oc, it's important to identify that, otherwise a cast of diverse characters eventually feel the same. this was something i struggled with for years which is why i could never really begin until now!

⟡ it's good to ask yourself what sort of story do you want to create. the best question is is it plot driven or character driven? what sort of tone do you want to set? do you want to blend them? i think there's a huge stress on just doing things for fun and not taking things seriously but i do want to challenge others to consider what that might look like for others. sometimes people like to create grand posts or fun slice of life posts and neither is more valid than the other. it's truly up to the author

technical stuff:

⟡ i'm gonna be honest with you, i'm not as organized as i once was in how i go about plotting things however! in the beginning, i would utilize sticky notes with ideas written on them and then shuffle around how i wanted things to play out. now i use a dingy little notebook LMAO but i've heard good things about milanote! as for dialogue, i do use google docs but i do think they're under fire for using your things for ai training or somethin O_O

⟡ i do use photoshop to edit my photos and that usually looks like cropping, color/contrast enhancing and sharpening. i do add dialogue last because when i sharpen it all together, the font looks cwispy! there's this mini tut by @/stinkrascal on how to format the text so it's all even if that's the style you're going for! anyways it changed my LIFE lmao! right here are some free alternatives. also this is an older post in which i shared my process and it includes some tips and tricks with photoshop (you can also see how i used to format text lmaooo)

⟡ knowledge is power. if i find myself really struggling with certain aspects, like maybe the logistics of a character, i'll set aside some time to learn from certain authors, commentators or directors. even if it's a short clip of seeing how they approach something as simple as their thought process behind how a scene supported a character to something as small as the significance of Isha's hat from Arcane

misc writing tips:

⟡ ooh! because tessellate is such a large group of characters, it can be challenging to structuring a plot. so i started off by slowly introducing characters rather than all at once. i also break up character plots into arcs but with that comes filler episodes to help space out big moments. i like to utilize filler episodes as bite sized pieces that introduces the readers to newer characters while also allowing there to be breaks in between. those filler posts highlight certain events, ways of living, etc that might influence how things play out in the future. a good example is kai, we're nearing the end of his arc but all of those little moments in between really helped shaped how things played out!

⟡ when i think of conflict, i think of it a lot like a boiling pot. it starts out at a neutral temperature (your foundation), before bubbles begin to form (minor annoyances between characters), steam hissing (the lead up) to an eventual lid popping off (the conflict). the build up is the most important part to the pay off!

⟡ my best piece of advice for darker themes is really understand the topic and stray away from stereotypes as it diminishes a lot of depth in certain subjects as well as does more harm than good. recognize that at the end of the day a weakness does not define a person as they are a person through and through. approach it with compassion rather than judgement.

⟡ i know i know everyone says to read your dialogue out loud and that is incredibly important however while doing that, think about the flow too. as a writer, because we are goal oriented, sometimes dialogue can be turned into what will progress the plot which makes things feel a bit unnatural and sometimes lacking the proper flow. remember to consider the personality of a character. how is a line delivered through a character who is brash versus one who is a bit more reclusive? also! here's a great video about the stiff dialogue in veilguard that shows what unnatural dialogue can sound like.

⟡ remember, comparison is the thief of joy. it's easy to get caught up in recognition and likes. there was a time where i consistently got 3-5 readers and that was it. there are moments now where certain posts are incredibly inconsistent in engagement and sure, it can be disheartening but then i think about the handful of individuals that consistently comment, the specific asks about how a certain post made them feel seen and interact and i remember why it's i chose to write. it isn't the recognition i seek, it's the connection. it's important to have that one thing that gives you the strength to continue because truthfully, things can be inconsistent and that's okay.

the artsy stuff:

⟡ i am a huge fan of cinema, animation and photography. i think consuming a lot of media and art has helped train my eye especially if i feel as if my screenshots are becoming repetitive. it's good to see how different directors go about framing dialogue. comic panels are amazing as well since artists find new unique ways of captivating an audience through levels like coloring, framing, posing and such! it's honestly why i introduced some vertical shots to black out bars in story posts because of that unique angle! remember, media is meant to inspire you! after watching the latest season of Arcane (haven't finished it yet tho) it genuinely relit a fire under my ass LMAO

⟡ different angles, lighting and positioning can help elevate a story. the aesthetics of a story can really add another layer of depth however it's important to remember that it is a supporting role, not the entire role

⟡ i do use my own reshade and i've formatted it to have similarities of a film camera as well as my preference of color correcting. i lean heavier towards contrast, colors and shadows however i always encourage for people to look into what supports their vision the best! the lightroom shader by quint and pd80's contrast/brightness/saturation shader help with color grading in game as they do have sliders that tweak certain colors. the sepia shader is great for adding a cinematic tint but it can conflict with relight and the way the lights are presented. relight of course can add those shadows in lighting. i'll sometimes have two presets, one for up close shots to further shots because sometimes zooming out can create inconsistencies in your preset as things might look to muggy or like a disco ball LOL (ps what helps with that is adjusting bloom if used and messing around with shadows/midtones/highlights/saturation with that lightroom shader)

last but not least, a story is a labor of love, it's a tool in which authors can utilize the pen to their own manner whether it's to communicate ideas or to simply tell a tale. don't be afraid to dive deep into the layers of your story and remember each piece can be important factor but it's entirely up to you as to where you want that focus to be. it does take a lot of courage to start but i truly believe if it's something you cherish, it'll always be worth it!

i do wish you the best of luck! thank you for trusting me enough to give you some tips and tricks! i tried to lean more into the more finite details as i felt like this is what truly helped me throughout the years! <3 also here is a complimentary meme i made:

[the-lark-ascending69]

I'm sorry but I have a very real problem with Vickie as a character. A fan-favorite character is revealed to be queer in the previous season and gets a love interest shaped appendix with no plot relevance or personality, created only to be Robin's trophy girlfriend, in a way that is so painfully and obviously different from how they did it when they tried to make a new character entirely to give her a love story with an already existing main character.

I'm talking about Robin herself, and how, despite not having the deepest character arc in S3, she still had some meat on her bones. She still had some stuff to work with. She was actually important and involved with the plot and had real chemistry with her would-be love interest, Steve. Making her a lesbian at last second pretty much saved both her and Steve's characters and made the Scoops subplot, the only redeemable subplot of S3, actually salvageable. By recontextualizing Stobin with that revelation, you go from a forced, heteronormative/amatonormative "love story" with mysoginistic undertones (because what are frmale characters if not trophy wives for male characters!) and 1) you give Robin actual stuff in her life that has nothing to do with Steve, turning her into a real character on her own, yet also shows why their friendship is so valuable to her, giving her a mini-arc in the process about overcoming isolation, alienation and loneliness, and 2) you wrap up Steve's arc the way his character clearly needs to be wrapped up - by moving on from his immature pursuits of women as romantic/sexual fulfillment and his highschool persona constructed on that, and embracing maturity by working on himself with the help of the people who challenge him the most, his platonic bonds (Dustin and Robin). Like I'm being 100% serious when I say making Robin a lesbian somewhat saved season 3.

But you can tell the brilliance of that move did NOT come from the Duffers' mastermind because they couldn't even attempt to replicate their unexpected success with Robin and Vickie. Because even before Robin was made into a lesbian, she still had SOMETHING. Vickie has nothing. She's a non-character. And it's interesting to note the difference in treatment when it comes to straight male characters vs. queer female characters. You can make the case that Max's introduction in S2 followed a similar pattern to beta!Stobin - new character paired up with pre-existing character. But you wouldn't say Max was added just to give Lucas a girlfriend, because even if her plot relevance in S2 was rather lackluster, she still had... so much more than even Robin in S3, and she's simply uncomparable to Vickie. She feels like her own person right from the start. We know the Duffers like to add wayy to many characters, making the show feel crowded and inevitably leaving a few characters behind, but when they add new characters in a given season, they're actually pretty good at making us fall in love with them quickly. Max, Robin, Eddie, hell even Billy if you're into that - like I said before, there's always some work that goes into them that makes you care about them.

Sure, there are less important characters that don't get half the effort put into them - Heather, Benny, idk, Barb's parents? And many others I can't remember right now. Not every character needs to be a fan-favorite.

But none of these guys were a main character's love interest. Not even for like, a second-row main character like Robin. Lucas gets a girl and she gets proper character development. Steve was originally intended to get a girl and she gets plot relevance, screentime and charisma (and a bit of character development pre-coming out too). Robin gets a girl and... it seems like Robin and her girl don't matter that much.

Which makes me question, why give Robin a love interest at all if they weren't going to do anything about it. My guess is that, well, she's a lesbian, so of course she gets to kiss girls. Character arc? What is that? Just watch her gush over a girl without last name and not care about anything else for most of the season. The writers just didn't know what to do with her now that she's no longer gonna be Steve's trophy girlfriend. Just throw in a poorly put together gay subplot, because everyone knows gay people only get to kiss other gay people and there's nothing else about the lesbian experience worth talking about (like, idk, the loneliness? The alienation?). I'm of the belief that, if you're gonna half-ass it, don't write a romantic subplot at all, regardless of the characters' genders and sexuality. But what bothers me isn't a shitty romantic subplot. It's the difference in treatment that the queer characters get vs. their straight counterparts.

And it bothers me because it could have been fixed SO easily! You get three options:

Give Robin a character arc that's not a romantic subplot. That doesn't mean she doesn't get to have a crush, but it should be in the background. My idea would be to make it about her, Nancy and Barb, and their old friendship + Robin's sense of alienation. Robin learning the truth about Barb's death, and her and Nancy helping each other heal. Robin and Nancy becoming friends through long conversations about their feelings, through which Nancy gets a sort of "second chance" at having a friend again and Robin gets to connect with someone who initially hated her in her own special way. The point is to not make r0vickie obviously endgame, EVEN if it turns out to be that way next season, because if it's obviously endgame it suddenly begs for a deeper development and the lack of it becomes a problem. An easy solution would be to give Robin multiple crushes, to signal at how unserious they all are at the moment.

Give Robin a love story with a newly introduced main character. And the obvious option is *rolls drums" genderbent Eddie! Or Vickie in Eddie's place. Best and easiest solution imo. It may sound weird but if you think about it, it all makes sense - plot relevance, character development... only problem would be killing your gays if you squint, though Robin would be alive and ready for a new character arc next season, as a changed person. Sad, angry, possibly seeking revenge and seeking to assert herself as a threat after hiding and running her entire life. Robin's feelings are suddenly plot relevant now. I'm picking Eddie here (or rather, his role) because he's the most important one out if all the new S4 characters, and the one that spends time with the group the most. It's clean, minimalistic and practical.

Give Robin a love story with a pre-existing main character, i.e Nancy. As a ronance shipper, I maintain that pairing up Nancy and Robin would have been original and unexpected in the best way. I feel like I don't even need to explain why this would have been a good idea - tons of people already have. Mostly, I want to lament the impossibility of this option, which links directly to the point I'm trying to make.

Robin was never going to be paired with a main-main character, old or new, because queer relationships on-screen need to be pushed to the sides as to not interfere with or threaten the straight main characters. Nancy, as the main girl, was never going to get a romance with a girl. Vickie was never going to get the centrality that Eddie got. Straight relationships get to be taken seriously, even if they're writen stupidly, like whatever the fuck happened with stancy and jancy in S4. Queer relationships don't get to be more than silly forgettable subplots. Queer characters like Robin need to be inobtrusive. She could never fall in love with Nancy, even if one-sided-ly, because that would create a conflict straight audiences don't want to see.

And if a queer character DOES fall in love with a main straight character, like Will, it's all meant for pointless suffering. Not the kind of suffering that's vital for a character arc, or the kind that gives depth to a character. It's not a kind of suffering that leads them to change, to take any given decisions that they wouldn't otherwise have taken. It's not a suffering that could possibly interfere with the straight main couple's happiness. It's not a pain that causes conflict. Queer love and pain doesn't get to be part of the conflict in straight-dominated stories. So Robin can never fall in love with someone from the front-row sphere and Will suffers pointlessly, even though that pain has no real effect on him.

[jotadoul]

rewatching Cowboy Bebop as i recover from surgery.

it's really cute and somewhat bittersweet to see how Sunrise got there from Escaflowne... (Watanabe also boarded on Escaflowne and you can reeeeally tell in episode 5.) those delicious dutch angles. they're not "cinematic" in the sense of being nice to look at, although they are. they're cinematic in that they both literally pull from film theory in their compositions and cuts, in a way that sets them apart from pretty much everything else. Jet's episodes are mini Michael Mann films and they're really good lol, clever beats and editing. overall extremely well-directed, tightly considered, and both stories have a huge, endlessly sympathetic interest in humanity. Sunrise is the Wow Cool Robot factory and they're still being Wow Cool Robot'd up to 2025!!

by the esteemed titas vilkaitis

maybe it's just my interpretation, but by watching this i think you can tell how much they loved Escaflowne + were jilted by its unlit brain reception. Bebop too sought to completely break/redefine the boundaries of genre but it's so much more bitter/cynical and imo emotionally withholding— and ancillary deaths have little meaning and there's usually something to take the attention/edge off of sad and sombre moments. which is nothing like Escaflowne, where emotions are allowed to hang in the air as atmosphere.

Escaflowne is a fantastical but dystopian distant past (war-torn, creating huge weapons of war by ripping energists— an analogue for both oil and nuclear energy— from the natural world) with a difficult but defined fix/conclusion, if the characters can gain unclouded awareness of themselves and each other. Escaflowne believed in utopia, one that is very much possible when disarmed, built with focused intent on mutual respect and commonality— communistic, even if we don't know what exactly happens with the royals of the story, we can see what's truly valued and status is not it. Cowboy Bebop sees itself beyond utopia; the time for utopia has ended with people so scattered and severed from one another, at once stratified and classless, where classlessness of this kind is not freedom. Bebop is a fantastical but dystopian distant future with no fix/conclusion, as the characters reject themselves and each another. both stories are about how the past walks with its characters, how it lives alongside them and how they're stuck— willingly and very much not— in its cycle. there's even an eye motif, one which began with Escaflowne ;^)

i love Cowboy Bebop, i have it memorised forward and backward on the inside of my eyelids, but the stuff it's critiquing is so similar to Escaflowne it does make me a little sad how shallowly these stories were taken and then iterated upon with such diminishing returns. you can't so easily iterate on something that commented on and predicted not just the future of storytelling, but also us as people— and now we just try to rehash the old instead of making predictions/engaging with the present and future ourselves. or even the past, really. stuck in suspended animation trying to regurgitate what worked once for a world that decided none of it was needed anymore, and opted for the cheap, the easy, the impersonal. you can't just thoughtlessly breathe life into something that entire systems have deemed dead unless you also seek to confront, dismantle, and work outside those systems as much as possible— otherwise you're reanimating a corpse.

does anyone really give a shit about the live action Bebop remake? does it really hold a candle to the original? what's the point? why bother making bullshit if you could make something beautiful instead? WELL, because companies want more money. your nostalgia is someone at netflix's paycheque as they delete entire libraries of film from their catalogue. please god never remake Escaflowne. the circumstances which produced it are gone. we have moved on. it's horrible and unfair but that's what happened. we're in schlock city now, baby.

like just read the full text from the Bebop interstitial,

Once upon a time, in New York City in 1941... at this club open to all comers to play, night after night, at a club named "Minston's Play House" in Harlem, they play jazz sessions competing with each other. Young jazz men with a new sense are gathering. At last they created a new genre itself. They are sick and tired of the conventional fixed style jazz. They're eager to play jazz more freely as they wish then... in 2071 in the universe... The bounty hunters, who are gathering in the spaceship "BEBOP", will play freely without fear of risky things. They must create new dreams and films by breaking traditional styles. The work, which becomes a new genre itself, will be called... COWBOY BEBOP

that is a STRONG manifesto. nothing in Bebop or in Escaflowne is random. it is written and designed to be signfiicant, but that light shines more or less strongly on different elements within each. maybe if Escaflowne had outright stated its aims and ideals in this way, more people would've understood and appreciated its range and depth. maybe. maybe.

in either case, it's sad and disappointing that works of art made in a time where art spoke directly to us and asked things of us were/are sidelined. we weren't being condescended to by the art around us. we were being instructed to have standards and aspirations and conversations. i look at these beautiful, heartfelt pieces with wonder. i can't love them as mere slivers of their whole because i can see that those pieces aren't disparate, nothing exists on its own, every person and every relationship, every action and reaction, everything is important. pulling it apart only reveals more of how it's connected.

oh but look at this...

:^) cute

[urlknight]

Hi there, Love your work! I'm also doing stuff in Unreal and it feels like it's rarer to find other indie devs using it. I love how clean all your UI feels, and UI is something I seem to really struggle with.

Do you have any recommendations for workflows / tips / sources etc for getting better at UI?

Also I'd love to know more about the material / shader workflow for your latest post if you have more information anywhere.

Thanks :)

Hello there! Thank you!! I hope you don't mind me answering publicly as I feel like some people might be interested in the answer!

I really appreciate your UI (User Interface for those not knowing the acronym) compliment as it's something I've spent a long time working on and specializing in, in my career as a software engineer. UI/UX often goes completely unacknowledged or taken for granted even though it takes a lot of time and hard work to create and develop. In the engineering world I frequently had to advocate for and explain user experiences to those who didn't have as deep of an appreciation for UI or a very sophisticated understanding of why a good, visually appealing user experience makes, or on the flip side, can break everything. I think it's a very challenging, overwhelming topic to grasp and communicate, but just by being interested in it you're already way ahead!

There's a lot going on with UI. From visuals to knowing common design elements to successfully conveying a story to the user to implementation to testing to designing for accessibility to animation and I probably didn't cover everything with that run-on sentence. There's frontend engineers out there whose role is solely to maintain and improve UI component libraries for companies. And that's without throwing games, whose UIs are all uniquely visually tailored to their experiences, into the mix... I could keep going on about this honestly, but I'll get to what I think you can do personally! 1. Learn about common design patterns. What's a toast? What's pagination? What's a card? Little things like that. These apply to all software UI/UX, including video games- and knowing these off the top of your head will make it so much easier for you to invent your own UI designs and patterns.

2. Study the UI in the everyday applications you interact with. Step through menus and think about how you got from point A to point B. Take a moment to think about the why someone put a button where they did. Study the UI in your favorite video games, too! Take a lot of notes on what you think works really well and what you think doesn't. And also there's online resources that are great for inspiration. I personally spend a lot of time on the Game UI Database. - https://dribbble.com/ - https://www.gameuidatabase.com/ 3. Don't be afraid to start with basic sketches or even just simply representing everything with grey boxes. All my UI starts out as really crappy sketches on paper, or tablet sketches on top of screenshots. Visualize your ideas and then keep iterating on them until you've got something. For example, I went from this:

To this. (And come to think of it I might actually still want to make those cooler looking buttons in my sketch) 4. Break everything out into pieces and individual components. A good UI is made up of building blocks that you can reuse all over the place. That's how it stays consistent and also saves you a lot of stress when you need to go in and update components. Instead of a million different looking UI pieces, you just have to update the one! These individual components will make up your very own UI Component Library, which will be the standardized design system and source of reusable components for your project. This also applies to your visual elements that don't do anything (like I personally have a whole mini library of diamond and star shapes that I reuse everywhere).

For reference, here's a breakdown I made of my Inventory UI. On the right, I've labeled most of the individual components, and you might be able to see how I'm reusing them over and over again in multiple places.

5. Spend some time listening to designers talk, maybe befriend some designers! Many of them have an unique, interesting view of the world and how we interact with it even beyond just software. Their perspectives will inform yours.

6. Test your UI on users whenever you can. Get feedback from others. This is the best way for you to see what works and what doesn't. As game devs we spend so much time with our games it's easy for us to lose sight of the full picture.

7. Be patient and don't give up. Continue to be open to expanding your knowledge. These UI skills take time to develop. I personally am still learning even after like 10 years of doing it. Coming up with the visual elements is very challenging for me and I spend a lot of time rearranging things in photoshop before I actually start coding anything at all in Unreal.

Whew, that was a lot, but I hope that gives you some thoughts and a place to start!

I don't have any posts out there about Blender/Unreal shader workflows right now, but I'll consider making another post sometime soonish. I appreciate you asking and you're welcome! :)

[holmesxwatson]

The Private Life of Sherlock Holmes dir: Billy Wilder, 1970

I only watched The Private Life of Sherlock Holmes for the first time a few days ago but it lights my brain up in that special way that I know I’ll revisit it a lot. Don’t get me wrong, it’s far from perfect, for one thing Colin Blakely’s Watson is a little too shouty for me, but it’s very worthwhile to check out despite its shortcomings, which I think mostly come from the fact that so much was cut from the intended script.

I absolutely love Robert Stephens as Holmes. His face is so good, he has a way of looking at Watson when he doesn’t know he’s being observed that is very soft. I thought I was hallucinating the beginning of this movie with Holmes telling the ballet dancer he’s gay and in a relationship with Watson. I thought it was going to be played for a joke, and it was a bit, but it didn’t just end there. Holmes and Watson have a conversation about the repercussions in a lengthy scene that turns very serious by the end. I can’t believe this was 1970 and no one has since tried to build on this specific dynamic in a more meaningful way. Someone needs to remake this into a mini-series exactly how Billy Wilder intended it to be, here’s hoping public domain can make it so.

[above: script page from the cut story The Curious Case of the Upside Down Room, where Watson creates a fake case to make Holmes feel better]

Also, the backstory of the making of this film is so out of control: Robert Stephens’s nervous breakdown and suicide attempt during the production, the amount of years Billy Wilder was trying to write it and get it made, the interference of ACD’s son, the Loch Ness monster prop that the crew lost in actual Loch Ness, the immense scope of the episodic story they were going for, the way it got cut down from its original 3 hour 45 minute runtime and how that cut footage was lost forever! (this is crazy! everyone go check your attics and storage lockers right now).

In one of the interviews I found, Robert Stephens says “if something is boring — if it’s three minutes long it’s too long, but if it’s interesting it’s never long enough…you don’t want it to end.” Big same Toby Stephens’ dad, big SAME. I didn’t want it to end. I read the uncut script and I am just floored at what we missed out on. Thankfully some footage and audio remain of some of the cut scenes (but still! check your basements too).

Just fully let it settle into your brain that they filmed all of these stories in the script, and then cut most of it away. Like that is mind-blowing to me, it existed at one point as it was fully intended to be. If this was made now during home entertainment times, they would have no problem releasing an almost four-hour movie, but at the very least there would be a big director’s cut dvd release and we would be enjoying all the small Holmes x Watson moments we deserve.

Anyway, in pretty short order I found a bunch of interesting links to stuff, details below. I also consulted my very well-thumbed Conversations with Wilder book by Cameron Crowe, but there wasn’t that much more information in there. I have Robert Stephens’ memoir Knight Errant and the TPLOSH blu-ray on order so I’ll add to this post if I find any more good resources. Let me know if I’m missing anything, and enjoy!

Full movie on YouTube (x) <-update: this link went private, but it's also streaming for free on Tubi and Freevee, and available to rent on YouTube, Google Play, and Apple TV

Original roadshow draft of script on Internet Archive (x)

Missing footage: Prologue [sound only plus stills] (x), The Curious Case of the Upside Down Room [sound only plus stills] (x), The Dreadful Business of the Naked Honeymooners [footage and soundtrack only, no sound dialogue] (x), alternate ending [sound only] (x)

Making of documentary that includes behind-the-scenes snippets of some of the cut scenes [this doc is in German, but you can turn on the auto-translate to English in the YouTube settings] (x)

Interview with Ernst Walter, film editor of TPLOSH (x)

Interview with Christopher Lee “Mr. Holmes, Mr. Wilder” 2003 (x)

My YouTube playlist with all of the above links in one place plus an excellent fan vid by Just Bee that I added to the list because it’s just so good (x)

Missing Movies: A Case for Sherlock Holmes from 1994 BBC Radio 2 on Soundcloud [includes interview with Robert Stephens and folks involved in the production] (x)

Articles about the lost Loch Ness monster prop (x) (x)

The soundtrack by Miklós Rózsa (x)

[amethystsoda]

What is time princess about? I've been seeing it on the Play store but I have no idea if to download it

hello anon! I'd be glad to give you an overview and some tips for starting out! :D

Time Princess is what happens when all your childhood dreams of getting transported into a book come true.

At heart, the game is a set of continual isekai stories, transporting you to different "books" with the help of a magic desk and giving you "create your own adventure" options to see how the story plays out.

Your fairy companion Isabelle helps you learn the ropes, and you have to go through one mandatory book (a Marie Antoinette themed story) to get access to your room and the larger bookstore

(I'll put the rest under a read more bc it'll get long)

For each chapter you complete, you earn 1-3 tickets. With these tickets, you can unlock new books! The more you play, the more you earn towards new stories.

The game currency works on a coins and diamonds system--you don't NEED to purchase anything to play (though it may make the game a bit easier in some areas)

You get free stamina to access books and crafting materials every 11 hours and the Time Princess discord server has codes pretty frequently for diamonds, tickets, etc.

I personally splurge for the Fashion Booster every 2 months because I know it helps support the game and the artists! I try not to use real money on the random outfits unless I REALLY want one bc it can get addictive.

One of my favorite parts of the game is that, as you play, you unlock "album" art (full color illustrations that tie into the story!!)

One other thing I love is that the game is very targeted towards Bisexuals, as there are TONS of queer wlw story lines (though because of the games' popularity overseas and censorship, often gets called "best friends" etc)

Another fun part is the variety of stories!!!! There's art history!! There's stuff based on old fairy tales like Swan Lake. There's fantasy stories like The Apothecary. There's a Pirate story!!! There's Chinese, Japanese, and Korean stories. There's a western cowboy story! There's futuristic scifi!!! There's a victorian flavored horror story!!!

Most, if not all, of the stories are with adult characters and have adult storylines!! (the books will also give you a content warning before downloading)

On top of the stories, there's plenty of other fun aspects--mini games, fashion challenges, checking in with your companions every day to earn crafting materials, joining a society, playing events, and just playing dress up with your outfits and taking pics for fun.

The discord community is great too, and there's often interview nights with some of the book authors and giveaways of materials and prizes (I actually ended up winning a plushie Lafayette one time!)

The discord server also has game guides and walkthroughs for everything!

Everyone who plays the game gets really into the stories and characters, so even though the tumblr presence of fans may be smaller, you have an immediate bond with the other players!!!

They've also done some really cool collabs with museums like The Louvre and the Flamenco museum. You get to earn clothes from famous paintings or historical ones during that event period!

Finally, don't forget to save your big clothing crafting for Saturdays! You get double the materials!!

[snoodls]

2024 art year in review ↫

Wow. Here we are again. Long time no see or speak, friends. Hope you have all been doing and keeping well!

This past year has been the strangest and most onerous yet for me yet. I'll get into it a bit in this post but fair warning that I may mention difficult, emotionally charged topics. If you're not in the headspace for that, no worries, you can skip to the other symbol. I'll see you next year.

∵

Art was extremely difficult this year. I really struggled even finding 12 pieces to throw into a collage like this. I tend to keep a steady pace of one medium-largeish, "postable" piece a month, interspersed with little doodles and sketchbook scribbles here and there. Therefore, it's usually fairly straightforward to compile these. I scroll through my digital art folder, pick out the best or my favorite piece I made within each designated month, sometimes sprinkling in mini works or traditional pieces when applicable. This year, I only made about 8 that I would consider posting--some of which are featured, most of which are actually not. Why? Why am I so hard on myself? (A rhetorical question, but one I ask myself every day and have yet to find an answer to.) Online platforms have become a formalized space for me--a "only the polished enter the portfolio" kind of mentality. I can't quite figure out if that is something to wrestle with or listen to. On top of the usual frustrating strain of perfectionism, I haven't felt the desire to post anything at all this year.

This reticence was mostly due to deep and inordinate amounts of interpersonal stress from changes in a community that I loved and had a huge part in building. I grew fearful to be perceived publicly online and to share any part of my art or life. February and March were black holes. I felt alienated from my identity. I didn't know who I was anymore. It got so bad, I was suicidal. Truthfully, the only thing that stopped me was knowing I had to live until April.

In April, thankfully, I went on a massive trip I had been planning with all of my best friends for four years. (vlpn, Kiire, 1ore, I love you so much!!!) I traveled out west to watch the eclipse and go on a road trip to a national park that I have always wanted to see. Better yet, I was surrounded by so much restorative, healing love. I sat on Kiire's warm leather couch soaking in the real, tangible community that I had built, and drew for the first time in ages. Kiire also gave me the most thoughtful gift--a little hand lino cutter and some vinyl squares. We all gathered at her kitchen table, carving away, laughing and sharing stories. Part of me is still in April, I think.

In May, I started a summer-long pottery class (turned residency, let's be real. I lived in the studio.). It was my first time working with real clay, after dabbling with oven-bake polymer clay and play-doh before that. Since it was focused on handbuilding, I didn't get the chance to use the wheel...which I desperately want to do this summer if I'm still in town. However, even if I was only making pinch pots and tiles, I felt myself grow by leaps and bounds as an artist. Not just in technique, but also in the conception. Why am I doing xyz? What does it mean? What does my medium add to my work? I enjoy working with my hands at a physical craft, but I still wrestle with creating stuff. I love physical objects, but have no space for them at the moment.

I lived more in my sketchbook this year, continuing the trend from last year. My former boss gifted me a shitty little 5.5 x 8.5" journal that I've been using as my work sketchbook. It helps keep me sane at my desk, and my creativity muscles exercised, but does not keep me from still drawing on lined notepads...lol. That work sketchbook has truly helped me break even further away from the trapping of art perfectionism. More and more I am embracing the messy, the ugly, the unfinished. I love drawing in ballpoint pen now, and have started Yet Another Sketchbook of pen plein airs. Okay, some pencil doodles here and there. But mostly pen.

Despite having an upward swing mid-year, my world kind of collapsed in on itself September onward. I don't want to go into too much detail about everything, because it's a little personal and frankly, there's too much to go over. From housing precarity, major random trauma-related panic attacks, a natural disaster, nasty people rearing their heads in my life, grief over losing family land, my grandma getting cancer, my job being so soul-crushingly frustrating and about to become much worse in the new year...it's been so much for me to handle. I'm tired, uncertain, quaking from what has and what may be. I'm creeping through the loamy undergrowth towards 2025, trying to drag myself towards what I love. I want to forge a better life for myself; I just want to live again.

Back to art, as all things seem to go--last year I wrote that I wanted to experiment with new mediums and techniques. Good news, bestie, you absolutely did. From linocut to pixel art to markers to to clay!!!, it has definitely been an experimental year at least. In 2025, hm...I think I want to keep at studies and focus on light and depth. I also want to keep up the trend of getting weirder and less literal with my work. I'm interested in trying out some interesting compositions and having patience with myself when stuff is not turning out. Turns out you can put down the pen and pick it back up. I also miss zines and want to make more...and also I want to keep up valuing my creative time and mini projects (like my tarot journal & my media journal).

I did hit some other interesting art milestones this year--I was rejected from some zines and even gallery openings. There's this great song off the new John Craigie live album that especially resonated with me. Listen to the whole song and whole album if you've got time. "If you haven't been failing, you haven't been trying." / "Maybe the cool thing was that even though [Van Gogh] wasn't successful, he still painted, every day, all the time, right up 'till the end. I wondered why. Probably for the same reason I was driving to these coffee shops. 'Cause it felt good to swing." / "As I passed under that sign, I could almost hear the tired voice of Jiffy Lube call down to me. "Oh Johnny. How long must we watch you fail?" And as I raced past into the unknown darkness, I called back, "Oh Jiffy, how long you got? We gon be up for a while."

∵

To close, I've never really done this before, but since I haven't posted much this year, I thought I'd go through everything pictured for some context. This is generally left -> right, top -> bottom...

A panel from my comic for Commander of your Heart zine, featuring Ximone and Sappho. I was also published in 2 others this year; very cool! A tiny doodle of Wideeyes from my mini sketchbook. A gift for my friend's birthday of his cat, Lily. Her muzzle really does look scrunkly like that. Ahku, sweet Ahku, from when I did a challenge to draw with your Least Favorite Brush. I still hate the brush. A linocut stamp I made of Xiyu using the aforementioned supplies. One of many stamps I carved this year.

A piece for Archalyte to gift a character to 1ore. Fletcher, my Wermz NPC and the mascot of the summer event I ran this year. Getting into pixel art! A goofy paintover of a guinea pig featuring Nickle. A study that I did using a tablet in the studio I helped build--my third time ever working with one! I think it came out alright. Work notebook doodles for a self-published zine I'm working on. Copic markers on trading cards, featuring two of my Neopets and a Werm of mine. Ora's was done freehanded with some leftover acrylic paint I had after painting a sculpture. Since this year has sucked so bad, I've been self-soothing in silly ways; namely, spending some time on Neopets and getting wildly back into Pokemon cards / into Battledome cards for the first time. I've been enjoying tiny scene compositions and collecting little art prints.

Daihei for Artfight for 1ore...I did this while on vacation with my family and it was my first digital painting on my computer in months. Tiles from my ceramics class; my first project! I wish I could show my final project, but it does not photograph well. Ceramic coaster I painted with The Archivist. Doodles of The Sphinx and The Archivist I unearthed today. Marker drawing of vlpn's character 6298.

Vent painting from October. Painted sculpture of Starrain. Ink painting of Ahku surrounded by stuff.

Onward, blinking towards the sun...

[melondareaper]

MY INTRO BLOG - MelonDaReaper

UPDATED: WHAT I DO (underneath about me)

Welcome to the silly zone!!

ABOUT ME

★ Melon

★ Female

★ 14 [TURNING 15 ON 4TH JUNE THIS YEAR]

★ Friendly and chatty

★ Likes Art + Edits

★ Likes making new friends

★ Huge MK men simp

★ Draws and makes edits

[INTERACTIONS AT THE BOTTOM OF BLOG]

WHAT I DO

Hi guys!! So context of what I really do here on my blog is I just reblogged stuff. I'll post art sometimes and edits but they dont get a lot of likes so I'm starting to just post silly images of MK characters off my TV cuz.. it's silly. I won't post a lot due to school and lack of interest of what to post, but I try my best to make sure it's interesting!! (I took a sneak peak on the poll and saw a lot of you asked for Reader X Character stories, so here's what's gonna happen).

I cannot and will not do NSFW, I am a minor, suggestive stuff can be allowed but not to the extreme (you'll be allowed to ask, Anons too are allowed!! :3). I'm not as good as I used to write stories, I prefer to handwrite but I will personally take my time to type out stories just for you guys 🫶, and just a heads up, I can't write long stories cuz then I make it too confusing and boring, it's unintentional and it makes me sad when I read it so I'll be doing short stories, not EXTREMELY SHORT, but during the time of making stories I will make them longer 🫶

If you still want me to do other things like post my art or drawings of MK characters, you're absolutely allowed to request that too!! I understand that everyone else's choices were beaten by the Reader X Character choice so I'm willing to allow you to request what you want me to post, I'll absolutely do it! As long as there's no NSFW then I'm okay with it :3 (I'm not very good at drawing MK characters so forgive my bad drawings skills 😭)

PROJECTS

★ Making MK PFPS + BG COVERS

★ Making Edits

★ Make short stories

INTERESTS

★ Mortal Kombat

★ Call Of Duty [MW + Ghosts + BO]

★ TF2 (maybe)

★ Sonic The Hedghehog

★ Ratchet and Clank

★ LittleBigPlanet

★ Red Dead Redemption 2

★ Bendy and The Inkmachine

GOALS

★ Learn how to draw Johnny's hair

★ Learn how to draw Kenshi's hair

★ Request someone to draw Johnny give me a rose :3

★ Be Tumblr Famous

★ Become the bestest friend ever

★ Get my Kuai Liang [MK1] outfit

★ Get Johnny Cage shirts

★ Animate and create a mini series

★ Make Music/Songs

TAGS

★ When I Draw [#melon art]

★ When I Edit [#melon edit]

★ When I post things that are mine [#melondareaper] [#meet the goober]

★ When I make tired posts [#melon wants a hug from Johnny Cage]

★ When I Rant [#melon screams]

★ When I Write [#melon's an author]

★ When I talk w friends [#melon has friends]

★ When I talk in general [#melon talks]

INTERACTIONS

★ People who need a friend

★ Anons are welcomed

★ Magic Anons are welcomed

★ Every Gender is welcomed

★ Every sexuality is welcomed

★ Every Nationality is welcomed

★ Everyone has a right for their opinions (unless it's obviously unnecessary or wrong)

★ 13+ [MAINLY 15+]

DO NOT INTERACT IF YOU ARE:

★ 30+ [UNLESS I FOLLOW YOU + YOU DON'T DO NSFW]

★ Pedos

★ Transphobic, Homophobic, etc

★ Racist or Sexist

★ Hate my blog [don't interact if you don't even like my blog]

★ Harrassment

★ Proshipper [DNI AT ALL PLS]

SILLY OCS

INSERTS

★ MK1 MELON [SELF INSERT]

[hehe, Tomas<3]

HI GUYS!! I MADE A NEW INTRO BLOG AGAIN AUGH, I WILL UPDATE THIS POST OFTEN IF I'M ADDING NEW CONTENT TO MY BLOG, CHANGING MY INTERACTIONS OR ADDING NEW STUFF!! I HOPE YOU HAVE A GOOD DAY!!

I love Johnny Cage<3

[rocksibblingsau]

Man, even though what pop did to Branch in canon wasn’t good. It’s still fascinating to think about how Pop got to acting that way.

Like the numerous number of asinine holidays. Probably created specifically to keep morale up of “Hey! Life is still worth celebrating!” Especially if you followed the theory that Gray trolls would be ‘culled’ by Bergens due to “going bad.” Then keeping the population as happy as possible was paramount & probably top priority so that way they wouldn’t die out. Would also explain why they were so pushy and unhelpful with trying to get branch to be happy again. Cause in their minds gray = death. Even if they were safe now, they were taught over generations that this was the truth.

And then the knowledge of other genres. I always thought that maybe the pop monarchy did try to reach out to the other genres for help with the Bergens. But no one came to their rescue. (Whether due to the scouts getting eaten before they’d make it, or the other tribes refused due to suspicion against pop or too much risk to themselves at the time.) And as that became more evident that no rescue was coming, the monarchy limited the knowledge on other tribes to keep their populace from being disappointed at not being rescued & going gray/keep too many of their populace from trying to escape on their own and dooming the pop tribe entirely due to too little population.

Also I have a mini theory that Pop trolls refuse to eat livestock because they know what it feels like. They still keep livestock for milk & wool and stuff. But they never keep livestock to eat.

I can only imagine just how different modern Pop Tribe culture is compared to pre-Bergen pop trolls. Just how much of their original culture was just destroyed because they were trying to survive under those conditions. And just because they’re safe now doesn’t mean they forget. They just kept doing it that way because in a way they’re still in that survival mode of “If we keep doing it this way we will survive cause that’s how it always worked.” Truly. Generational trauma to the extreme.

Exactly this. Pop Trolls, in my opinion, celebrate everything because they needed reasons to keep going. They have half birthdays and quarter birthdays because sometimes a year was just too much to ask for.

I like the idea that they tried to get help but couldn't. Maybe they couldn't find the tribes or the ones that did could get to the actual trolls, or they were immediately chased off. Maybe all scouts were just immediately caught, which is why no trolls were shown running through the gaps of the cage.

I LOVE the idea that a lot of Pop's culture was destroyed due to the Bergens. Practices that got pushed aside or became impossible. Arts or oral stories where all the performers/knowledgeable trolls were eaten. Precious tools used for celebrations destroyed when pods were invaded.