#I love that you can't even see crowley's eyes

[aziraphales-library]

I saw my first ballet and fell in love! Do you know of any Ineffable fics centred around ballet, or dancing in general if ballet isn't an option? Any rating, although I do love the smut 💛

We have a #dancing tag with loads of recommendations. Here are some ballet fics to add...

An Adagio For Two (A Pas de Deux) by CynSyn (E)

Crowley is a famous dancer. Aziraphale is a renowned choreographer. Despite the fact that they're both divas, they somehow manage to fall for one another when working on the same project.

Taking flight by Sani86 (T)

Aziraphale is a first-year fine arts student with an eye for beautiful people. Crowley is a professional ballet dancer with the most perfect body he'd ever seen. A story about art, self-expression and friendship through thick and thin.

Erect as a dancer by Joseph_Amadeus (E)

"And how long have you been limping?" Crowley sharply moved his head. "The way you walk, dear boy, implies that either your pelvis is not attached to anything at all or that you're doing your best to hide the fact that you just can't walk they way you'd like." "I think I might hate you, Dr Fell." "I think I might be aiming for it." "Whatever for? I can hardly imagine anyone hating you." Crowley used to be a promising ballet dancer, but after an accident he has to become a choreographer. Eli Fell is a scholar in Oxford, twenty years his senior. They have nothing whatsoever in common, they don't even like each other (they doooo).

Dance Me to the End of Love by Black_Bentley (E)

In general, Crowley would very much like to see the ones who hurt her grovelling at her feet, experiencing her pain and fear. But Lucifer’s plan is... well, it far surpasses what she considers ‘getting a revenge’ falling wildly into wreaking complete havoc and destroying innocent lives as collateral damage. Most importantly, that puts her dearest friend in danger. And she is to bring the proverbial cuckoo into the Celestial nest. OR: Aziraphale is a ballet dancer for the British Celestial Ballet Company, which grooms its perfect 'angels' from childhood Crowley used to dance for them too, but after they literally kicked her out, she took on pole-dancing for the Nine Circles of Hell Nightclub Its owner, who used to be the Celestial Ballet's star, is ready to take his revenge on the company's Director (referred to by its 'angels' as Mother) and chooses Crowley to enact it by forcing her to deal a brand new drug among the ballet dancers.

The Accompanist by MostDismalFeldsparkle (E)

Crowley is a principal dancer for a ballet company, approaching retirement. Aziraphale is the new pianist hired to play for the rehearsals and the academy.

Of All the Stars by Cardinal_Daughter (E)

Anthony Crowley knows that his career at the Morningstar Ballet Company is hanging by a thread. But when he and famed theatre & dance critic Ezra Fell cross paths during a critical moment in his life, Crowley starts to wonder if his possible fall from grace might not be such a bad thing. Especially if Ezra is there to catch him.

- Mod D

[mizgnomer]

Eye rolls with David Tennant (Part Three)

See also [Part One] [Part Two]

[pomefioredove]

Could I HCs for the headmasters (or only Riddle, Leona and Azul) reacting to one of their students asking to be transferred to ramshackle? like a small club of Yuu admirers :3

*ੈ✩‧₊˚ Yuu Admirer Club!

I misread this the first time and thought it was yuu transferring to THEIR dorms but, actually, I like this better. this is fun

summary: yuu admirer club :) type of post: headcanons characters: riddle, leona, azul, vil additional info: romantic, reader is gender neutral, reader is yuu

seeing as Heartslabyul hasn't had an expulsion, transfer, or dropout since Riddle became housewarden, this comes as...

...quite a shock

he thought Ace had been joking at first

or annoying him on purpose...

and then he comes down to the lounge one morning with his bags packed and a forged letter from Crowley

despite Riddle's strong feelings towards you

(and they are strong)

he's still offended!

all of the loving and tender discipline he's given, and Ace just leaves?

well, he can't stand for that

Riddle marches to Ramshackle, ready for heads to roll, but before he can even knock, you're there, dragging Ace and his things to the door

"oh, thank goodness. TAKE HIM BACK!"

*ੈ✩‧₊˚

Leona doesn't even notice that Jack has been missing until he passes the spelldrive disc at morning practice and there's no one there to catch it

more of a "huh" reaction

then he forgets about it, takes a nap, and only remembers to ask Ruggie the next morning

"he's been gone for two weeks. he moved to Ramshackle, remember?"

Ramshackle? weird choice, but okay

Jack has always been a little... strange

Leona's reaction is more or less, "huh. nice kid. oh, well,"

but after that, he starts seeing you and Jack together more and more

and he starts to feel... weirdly jealous

it's like he's rubbing it in Leona's face

taking up all your time, always making you smile and laugh...

Jack was never that funny at Savanaclaw

*ੈ✩‧₊˚

it takes Azul at least three days to start worrying about Floyd

he and his brother are known to disappear at random

then, the Mostro Lounge has to open an hour late because someone didn't show up for his morning shift

now Azul suddenly can't remember the last time he saw Floyd at the Lounge

after a brief manhunt, he finds Floyd all cozied up on your couch, in your slippers, with a mug of hot chocolate

great

"you cannot transfer dorms by avoiding your old one!"

"exemption!" Floyd says. is he also wearing your robe? "I'm simply a part of the Yuu Admirer Club"

Azul rolls his eyes

...and drags Floyd back to the lounge

after all, if there was such a club, Azul would have been the first to hear of it

*ੈ✩‧₊˚

Vil can feel something is off even before Epel is late

and, as always, he's right

Epel misses curfew, and Vil sets out on a mission like a mother hen missing a chick

of course, he knows just where he's hiding

and he lets himself in unannounced

"Epel, here. now,"

the poor boy looks like he's seen a ghost

you're not even involved in the conversation, but Vil's tone alone is enough to send a chill down your spine

"but- but- I got permission! this is the Yuu Admirer Club!"

Vil, of course, has no patience for this

"I gave you no such permission, and there is no such club,"

you can admire them on your own time like the rest of us, he thinks

luckily, Epel is saved

he's not the only member of the club, after all

"now, judge not so quick, dear Roi du Poison! does our admiration for our Trickster not exemplify that of a club?"

"wh- Rook?"

[vidavalor]

I love how Aziraphale is so taken with Crowley in The Flood scene that he is actively trying to avoid looking into his eyes... all while Crowley, equally besotted, keeps trying to meet Aziraphale's.

Especially when you consider S2's whole thing about rainstorm-adjacent eye contact...

We start with the one moment where their eyes do meet, as Crowley slips around Aziraphale, causing Aziraphale to be caught in his gaze for a moment. Aziraphale has to steady himself. He doesn't breathe for a moment. He blushes. He looks away as soon as he can get himself together enough to do so. One day, he's going to paint his house the color of those eyes, but in this moment? His heart is going to beat out of his chest just looking at Crowley.

Then, Aziraphale keeps looking ahead and only glances occasionally slightly to the side, trying not to make it obvious that he is not looking at a flirting Crowley-- who, for his part, can't take his eyes off Aziraphale. Aziraphale avoids fully catching his gaze, looking away quickly, just undone by those eyes enough that he's too shy to meet them.

We get to a point where Crowley is literally *leaning forward* to try to get Aziraphale to meet his eyes, but Aziraphale is dodging by looking anywhere else.

Even when exchanging a brief look of understanding, Aziraphale looks in Crowley's direction but not directly into his eyes.

This keeps happening for the rest of the scene, with Aziraphale not directly meeting Crowley's eyes through telling him about the plan for The Flood, the rainbow, the Oi! Shem! unicorn moment, etc.. It ends with them both looking up as the rain begins. It is a whole scene showing us that Aziraphale's attraction to Crowley makes him shy away from his gaze while Crowley's attraction to Aziraphale makes him seek out his eyes. This scene, though?

It is the only scene where this sort of dance is taking place, is it not? There's no scene after it like it.

By the Job minisode, this eye contact issue not only no longer exists between them, but we have the scene where Aziraphale asks Crowley to take his glasses off and look him in the eyes.

So, back in Mesopotamia... come S3, might we see that this sudden rainstorm of The Flood eventually forced them together beneath a canopy where they looked into each other's eyes and... vavoom?

[onceuponapuffin]

Because I'm in a sharing mood and have some extra time:

I've put this in a few other places, so if you see it floating around elsewhere it's me. As far as I know, I'm the only one with this headcanon.

After the Job debacle, Jemima keeps trying to summon Crawley. Not intentionally, and not by way of hellish ritual or anything. She just keeps praying to God for "that funny demon" to come back and play with her.

Crawley can feel it. At first he laughs it off, but after a while it gets annoying. So one day he goes back to Job's place to tell Jemima to stop doing that to tell her that she can't be doing that. He means to tell her off, really. But she ends up showing him all of her new pottery projects. By the time she eventually ends up plaiting his hair he makes up his mind to tell her...

When Sitis comes in, wondering who Jemima is talking to. She sees Crawley, recognizes him.

"Ah Bildad the Shuhite, how lovely to see you again. You're staying for dinner of course." Then she leaves, presumably to get dinner going. Crawley is left speechless, mouth open, no words, not given a choice.

At the dinner table, he feels out of place. Ennon and Kesiah keep looking at him funny, and once or twice they try to ask questions, but Sitis shushes them. After they eat, Crawley is given an open invitation to join them again next week. He says no.

Sitis sets him a place anyway.

He shows up.

Each dinner he's given another invitation. Each time he declines. Each time Sitis sets him a place anyway. Each time he shows up anyway. It's almost like she's known his type before. The type who are prickly on the outside, but sweet on the inside and just wanting someone who is willing to hold them regardless of the thorns. The only other person ever to do that has been Aziraphale, and Someone Knows where he is these days.

Next thing he knows, Crawley has actually become Bildad the Shuhite: Family Friend. He is around regularly, and even Ennon and Kesiah don't mind him so much, although they still roll their eyes at him whenever they think they can get away with it.

He tells Jemima his real name ONCE. While the two of them are alone, playing Tea Party with her dolls.

She mishears "Crawley" as "Crowley."

He keeps it.

[harunayuuka2060]

Professor Trein: I've never seen your classmates- I mean, your students this behave.

MC: They just value their lives, professor.

Cerberus: Grrr...

MC: Oh. Is there anyone trying to cheat?

Random student: !!! *immediately rips off his cheat sheet*

MC and Professor Trein: ...

Professor Trein: Can I borrow Cerberus for my history class later?

MC: Sure thing, professor. But how about, Lucius?

Cerberus: Grrr...

MC: Aww~ Look at you, Cerberus! You're such a good boy! Be good to Professor Trein and his cat, hm? I'll play with you together with Lucifer after you finish your task. *pets him*

Cerberus: *wags his tail*

The students: *thinking* Curse Crowley...

Barbatos: Great work, MC. Here's your Hell Coffee.

MC: Thanks. *takes a sip* Ah.

MC: So bitter.

Barbatos: *chuckles* It's more bitter than before, isn't it?

MC: *smiles* Yes. *then their face saddens*

Barbatos: Is there something wrong?

MC: I just missed Luke and Simeon.

Barbatos: Hm. Then why not invite them here?

MC: ...

Barbatos: Don't tell me you have forgotten that you possess the power of the Ring of Light?

MC: ...

MC: *facepalm* Yes.

Barbatos: *chuckles* I figured. Now, don't sulk and enjoy your recess.

MC: Thank you, Barb.

MC: Vil... What are you doing here?

Vil: I've heard from your demon butler that you are turning yourself into an angel to gain access to this Celestial Realm.

MC: Yes?

Vil: I must see what you will look like, potato.

MC: ...

MC: Okay. I think it'll be fine if you're the only spectator- Lilia, what are you doing here too?

Lilia: Same reason. *while holding a camera*

MC: ...

MC: Whatever.

Solomon: *chuckles* You're famous even here, huh?

MC: More like infamous, but yeah. Anyway, Sol? Mind lending me a hand?

Solomon: No problem. *uses magic to change them*

Vil and Lilia: *in awe; also Lilia not forgetting to snap pictures*

MC: Okay! I'm ready to get my baby!

Solomon: And your other husbando.

MC: Right. *breathes in*

MC: I am the magician, MC…Ring of Light! Heed my words! Open the way forward and create a path where there was none!

MC: Unlock the Gates of the Celestial Realm!

Vil: Ugh... Everything is bright! I can't see a thing!

Lilia: Good thing I have my sunglasses.

Vil: *frowns*

*The light disappears after a few seconds and MC as well*

Solomon: Yup. I'm sure they are in the Celestial Realm right now.

MC: ...

Simeon: ...

MC: *ended up straddling him*

Simeon and MC: *both blushes in embarrassment*

MC: I am sorry!

Simeon: *chuckles* I thought for a second that I had committed a sin.

MC: Come on now. You're calling me a sin?

Simeon: *chuckles again* No. I mean, I have been thinking of you for a while.

MC: *smiles* Sorry for being gone. I got into some sort of... unexplainable event.

Simeon: Oh?

MC: By the way, is Luke here? I'm here to invite you and him to this new world I'm living in.

Simeon: Is it similar to Devildom?

MC: No. It's a bit similar to the human world, except with magicians.

Simeon: Oh. *smiles* We would love to be there.

MC: Great!

*Back to Twisted Wonderland*

Diavolo: Simeon! Luke! I'm so glad to see you again!

Simeon: *chuckles* We're glad to see you too, Diavolo.

Luke: Yeah!

Lucifer: I'm surprised you easily got permission, MC.

MC: What permission?

Lucifer: ...

Simeon: MC snatched Luke in front of Michael. *laughs*

Luke: *giggles* It was fun when the other angels started to chase us!

Lucifer: ...

Lucifer: MC, why you-

MC: It's my parental rights, Lucifer.

Lucifer: ...

Malleus: That is your son, child of man?

MC: Yes! Isn't he adorable?

Luke: *staring at Malleus and wondering if he's a demon*

Malleus: How old is he?

MC: Um. He's ten. Yes. He's ten years old.

Luke: *pouts* MC! I'm over a thousand years old!

Malleus: ...

Malleus: What? You are older than me? *squints his eyes*

MC: Mal, don't. *knows that he's judging his height*

[brainwormcity]

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

[wordsinhaled]

thinking about how much crowley and aziraphale have been getting slammed for their poor communication and on the one hand... absolutely, i agree 100%. they have so much work to do in that department, they are always missing each other when it comes to seeing what they each want from the other and expressing it clearly. but on the other hand... like... encompassing six thousand years into a conversation? six thousand years of knowing each other. six thousand years of gravitating toward one another

like... the bit that really gets me, in crowley's confession, is - "...and we've spent our existence pretending that we aren't. i mean, the last few years, not really" - this implication that like... at least on crowley's part... since they saved the world together he's allowed himself to be more open in how he feels about aziraphale. that in his mind he's already long since chosen Their Side, they've chosen their side in their behavior towards each other, and they've talked about... our car, our shop, but even before that...

we see in the minisodes, the way they already act. they're a pair that shows rather than tells all the time and it's so abundantly clear that everyone around them can see it, is constantly asking about it, assuming it, reading it on them like they're an open book - with everyone but each other.

but like how do you put into clumsy human words how much love you feel for someone who stood next to you while you created the stars? who helped you create them? how do you say openly how you feel to the one person who understands you and your nature better than anyone else, who indulges your every whim because they want to see you happy while everyone else says you were built wrong, you're too indulgent, you're too soft but you're perfect for him, specifically, because you stood at the beginning of the universe together?

like how are they supposed to talk about that? especially when it's so forbidden to talk about that?

there are so few words that truly feel like they properly encompass what love truly and genuinely means? what loving someone TRULY means? how it's giving up your onliness and entrusting yourself into the hands of another, now you're not just you, now you're you but the world is brighter and sharper and more beautiful because of another? how we're all stuck on a spinning rock in the middle of space in the middle of the universe in the middle of the galaxy in the middle of eternity just little grains of sand and then there's another little grain of sand in the scheme of things, but it's the most important one ever created because of how happy it makes you?

but multiply that by six thousand years

so like of course you fucking cry and you stare at each other with tears in your eyes like you're absolutely ESSENTIAL to one another. but like how do you make it work in words when you don't know if there are even words for the prospect of existing without one another? and you have this absolutely incandescent and fragile thing between you that everyone understands to exist, you understand it to exist too, and sometimes it is scary as fuck to admit that you need someone. it is terrifying and uncomfortable and vulnerable and we're just people who live maybe 100 years on this earth? a blink of an eye compared to six thousand years of shared existence?

like...? truthfully i don't think i could talk about it easily either because oh my god that's fucking terrifying. that six thousand years of your comfortable and beloved shared existence could go up in smoke with one misplaced word. like no fucking WONDER he can't get the words out. and no fucking wonder, it's easier to couch things in terms like group and team and everything when you're on the verge of falling apart into a million pieces because the other half of your soul wants to leave you behind. it's easier to say come with me, work with me, be my second in command, than to admit he's first in your heart and mind every second of every day since you saw him bringing light at the beginning of the universe???

just... you know? they need a fucking break. they need a vacation. they need a cottage in the south fucking downs

[highseas-swede]

Becoming Real

Recently Good Omens Prime Twitter account posted a BTS photo of Aziraphale and Furfur and it started the gears in my head turning, trying to parse it. It's only just now that it finally coalesced into a proper thought.

I kept thinking Aziraphale reminded me of something, especially when compared to the other angels. Look at him next to pre-Jim Gabriel, Uriel, Michael... heck, even Furfur, who he's standing next to right now.

Furfur is a demon, but his outfit is impeccable, it's sleek and stylish. The angel's suits in heaven are all pressed and flawless and New.

But not Aziraphale. He's dressed in old human clothes, his waistcoat is worn and tattered and long-loved. Aziraphale is, as Michael put it, like an old sofa. Worn and comfortable. He could choose to look basically however he wants, but instead he chooses to clothe himself in actual human clothes, to eat human food, to enjoy human entertainment - books, music, plays, etc. He does this despite the fact that it actively makes the other angels dislike him and find him unpalatable.

And that's what stuck out to me. Because unlike those other angels and demons, Aziraphale doesn't feel distant from humanity. He might be odd or eccentric to humans, but they don't question his humanity. He doesn't stand out to them in the way that the other angels do when they show up.

It occurred to me that this is because unlike the other angels... Aziraphale is Real.

Have you ever read The Velveteen Rabbit? There's a scene in it where they talk about what it means to be Real:

This made me think of Aziraphale. About how the other angels are these pristine things, kept aloof from the world, and then there's Aziraphale, who is worn and shabby, who's lived on earth for millennia among the humans. He's loved and learned and experienced what being human is like and because of that he's Real in a way that the other angels aren't. Humans have personhood, a sense of agency, a sense of self. Angels and demons have only the divine plan, as Beelzebub and Gabriel noted, that's all they live for "if you can call it living".

But what strikes me the most is how potentially devastating Aziraphale's Realness will be to Heaven. They only succeed at keeping angels in line because they're undistracted from the Great Plan. We see how Gabriel - as Jim - takes to cocoa after trying it. We see how quickly Muriel becomes fascinated with books.

Now consider that this is the angel they're putting in charge of Heaven. This worn, shabby, old sofa of an angel who has an endless well of love, for Crowley, for the world and the humans in it. He doesn't seem dangerous in the slightest. He seems Fragile.

But he is dangerous. So very dangerous.

But it's not because he's a guardian, not because he's a warrior, not because he's the Angel of the Eastern Gate who leads a battalion and was issued a flaming sword. He gave all of that away and it's worth noting that this is the first actual choice we see him make in the show, the thing that sets him apart in Crowley's eyes, and it wasn't even Crowley's doing! Aziraphale made a choice to give the mortals his sword out of compassion and it is a sense of compassion we don't see from the other angels.

His deviations all stem from that initial act. It takes him from being this two-dimensional cardboard entity existing only as part of the Divine Plan and set him on the path to actual Personhood.

It doesn't happen right away, of course, because as the Skin Horse says:

"It doesn't happen all at once. You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But those things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

And doesn't that sum up Aziraphale? He's shabby and worn and he's beautiful to the people who understand and appreciate that being Real means being imperfect, and that every imperfection is still beautiful.

No wonder the angels mock his corporation, his flaws, all the things he enjoys that make him less than what they think he should be. We see evidence over and over that Aziraphale is essentially "ugly" to them. But that's because they don't understand.

Aziraphale's Realness, his personhood, what Crowley has helped nurture from the Wall of Eden all the way to that last desperate kiss, is what really matters. Good Omens has always been about People being fundamentally People. It's the underlying current that ties everything together, for good or for ill. People have agency. People have self-actualization. People have the ability to make their own choices, for good or for evil.

And now Aziraphale has that too.

That's the very real danger he presents to heaven.

Because we've already seen that any angel, given sufficient time and interaction with humans could be like Aziraphale. All it takes is one small opening, one bite from the apple. Whether deliberately or not, Crowley tempted Aziraphale into every step, the way he tempted Eve in the garden. He gave Aziraphale the knowledge of Right and Wrong, presented him with the option, the way he did with humanity. Were they even really human before Crowley? Did he give them free will? His actions cast them out of paradise, but did it ultimately set them free? Has he struggled for millennia to do the same for the angel he's loved so well and for so long?

Does Crowley know how horribly, wonderfully well he succeeded?

Bringing Aziraphale back to Heaven, putting him in charge, was the absolute worst thing the Metatron could have done for keeping the status quo and it's not because of Aziraphale's fighting prowess. It's because of the small Human acts of kindness and pettiness that Aziraphale is capable of. That's not going to go away when he's in Heaven. It's going to spread. He's going to infect Heaven with Humanity. It's going to be so slow and gradual that they won't see it coming until it's far too late.

It's not going to be the way that Aziraphale intends to change Heaven and yet, it will surely ultimately be what really makes a difference.

I wonder too, if maybe that's some subconscious part of it. After seeing Gabriel change, seeing Muriel change, I wonder if there's not some part of Aziraphale that realizes that Heaven is a miserable place that makes miserable people. He'll extend compassion to them that they don't deserve and don't know they're missing and he'll surely go on with whatever his own Plan - with a capital P, of course - is and he won't even realize what he's actually done.

And then, like the ending of S1, like the ending of S2, the ultimate deciding factor will not be who is the best warrior, who is the strongest. It will be about the Human element.

Metatron thought he could control Aziraphale, bring him in line by bringing him back to Heaven. He wants to take away the human element of Aziraphale and shove him back into that Obedient Little Angel shaped mold and he doesn't realize it's not possible anymore. Aziraphale's grown. He'll never fit, he'll never be that again. There is no going back anymore.

As the Skin Horse says: "Once you are Real, you can't become unreal again. It lasts for always."

And Real things, things with depth and purpose and will, are impossible to ever truly control.

[melbatron5000]

It's a 2-man Con

Listen, I think I know a thing.

When Aziraphale comes back from talking to the Metatron and is telling Crowley about being an angel, we've all heard the theory that he's speaking code, trying to ask for help. The more I look at that scene, the more that theory tracks.

Maybe less well-known is the theory that Crowley didn't miss a damn thing, he's answering in his own code. And again, the more I look at that scene, the more this also tracks.

(When my husband, annoyingly observant beloved partner that he is, saw the second season for the first time, he said, "That whole thing was a show for the Metatron. They have a plan. Crowley slipped something to Aziraphale when he kissed him." And I said, "Nah." But now I think he's right, and damn if he isn't smug.)

I'm gonna try to break down what I think they're saying here, because it takes just a hot minute to piece it together. I've been thinking this over for a couple of months now. I think I have most of it. I just don't know when Crowley puts whatever he's handing to Aziraphale in his own mouth. I need more eagle-y eyes, it seems.

First, Aziraphale comes back from his talk. He's pensive as he crosses the road, and anxious when he starts talking, and mouths "I need help!" as he's talking. He's acting like he does when he lies to the other angels, and once it's seen "I need help!" is pretty clear.

He does the whole thing about telling Crowley he could appoint him as an angel, like old times, but even nicer. It's all very uptight and not positive at all. My interpretation? "The Metatron is here, I think he knows we're up to something, we have to go to Heaven right now and put things right before he really does something awful to one or both of us. The time to spring the plan is NOW."

Crowley stares at him. At first it seems like he's staring in disbelief, but if you really look at his face, he's listening, hard, and interpreting as fast as he can:

He asks Aziraphale if he told the Metatron where he could stick it, then. My interpretation? "The plan has changed. I can't go with you to Heaven. You'll have to go alone."

Then Crowley starts his confession -- "We've spent our existence pretending we aren't."

Aziraphale looks at him -- not with shock, or surprise, or love, or hope, but with a "Why are you doing this now?" face. Not "Why did you wait til now to tell me, you love me, oh, I love you too!" But "Why are you telling me SOMETHING I ALREADY KNOW while our ENEMY IS LISTENING??" :

He's confused, but also listening and interpreting. What I'm hearing/seeing: I don't think this is a love confession from our demon. I think they are both well aware they love one another. They can't say it in so many words, and it's a secret from Heaven and Hell, but it's not a secret between them. I'm hearing Crowley set the scene. "The Metatron either wants us together in Heaven under control, or separated. I have things I have to do here or the plan won't work, so we'll have to separate. We need to make it look good. I do love you."

I don't think Aziraphale likes this change of plan. And Crowley can't detail why the plan has changed, not with the Metatron listening. So Aziraphale insists, come with me. The plan we had will work. Do it my way. Crowley says, "You can't leave this book shop." It's easy to interpret that as "You can't leave me," but I don't think it's that. He's saying something about the book shop being safe, or even that he can't leave without whatever they've hidden in the book shop. (I THINK THEY HID SOMETHING IN THE BOOK SHOP!) Aziraphale says, "Nothing lasts forever." I hear him saying the book shop is no longer safe, and they have to move/take whatever they've hidden and they can't speak freely there anymore.

Crowley replies, "No I suppose it doesn't. Good luck." He's gotten that much, but he is still set on his "We need to fake a break up because I can't go with you."

Aziraphale still doesn't like that. "Come back! I need you!" He's scared. Whatever he has to do in Heaven is big, and scary, and he needs and wants Crowley with him. He does not want to go into the mouth of danger alone.

This is when we get, "No nightingales." What I'm hearing? ESPECIALLY since if you listen, you can hear a LARK sing as Crowley goes out the door? It's the line from Romeo and Juliet, by Shakespeare, whose plays they both enjoy, though Crowley prefers the funny ones. "It's too late, that's a lark singing the dawn, not a nightingale singing to the night, we have to part. Our happy ending isn't yet."

Then the kiss. I do not believe this is their first kiss. I don't believe they've allowed themselves many, maybe not even more than one, but I do think they've kissed before. I'm not sure when, but I suspect 1941. (Season 3, come ON!!)

And when they part, Aziraphale stops himself from saying "I love you," and instead says, "I forgive you." I'm hearing so many things in that "I forgive you." I forgive you for leaving me on my own, I forgive you for hurting my feelings like this, I forgive you for changing the plan without telling me, I forgive you because you are forgivable whatever anyone else says, I forgive you because that's what I said when we split up at the bandstand and everything was okay in the end and I hope hope hope that everything will be okay in the end this time too.

Crowley says, "Don't bother." I'm hearing, "yeah, I hope it's all okay, too. Wish me fuckin luck. My part will be hard, too."

And as Crowley leaves, Aziraphale mouths, "No." And we hear a lark sing. A lark, singing to the dawn, and so fair Romeo must away.

Just because the break up is a ruse, doesn't mean it doesn't hurt and isn't hard. It has to look real, and so it's going to feel real, too. Ouch. :'(

And then Aziraphale touches his lips. Not once, but twice. My bad, he only touches his lips once. The first long second is pure emotion. "Why now, I hate this, I want that so badly and I can't have it."

After that, though --

After he pulls himself together a bit, he has a bulge in his cheek. He shifts his jaw to move whatever he has in his mouth to his lips, and then his first two fingers go stiff for a moment as he palms something right before he takes his hand away.

And then, this.

Edit to add: someone on Facebook asked me why a kiss to pass whatever Crowley gave to Aziraphale, why not palm it or drop it in his pocket?

My answers: 1. The kiss is a message. "We're still good, I still love you, I still want this." 2. The item is too important to be dropped in a pocket and hopefully found later. 3. The Metatron is paying WAY too close attention, and will definitely see them touch hands. Seeing a kiss and the angel rejecting the demon, though? Well, the demon forced that kiss on him, the angel didn't want it. Clearly the demon thinks this relationship is different than it is. It's a bigger gesture that sells the ruse. 4. Houdini's wife used to pass him the keys to his cuffs with a kiss before the show. This is a message that magic-loving Aziraphale WILL understand: here are the keys to your cuffs, sneaked to you by your beloved in plain sight.

That's it. That's what I got so far. I still have questions.

What did Crowley pass to Aziraphale? What's the plan? Why did it change? What does Crowley need to do that he can't go to Heaven again?

[h2llish]

i've been following your blog for a while and absolutely adore your writing!

if its okay i'd love to see something with either leona or jamil (up to you!) and a reader who falls asleep on their shoulder during some sort of nrc road trip.. i'm not sure if nrc would have buses per say considering all the magic and stuff but the concept of an nrc school trip seems super interesting to me so if you're up for the request by all means just have fun with it!! i do notice that your requests are semi open so feel free to decline ofc !

— ☁️

⁀➷ ˖ ROAD TRIP DROWSINESS

notes ─── hi anon! i’m so happy you like my writing! i don't think they'd have buses at nrc because of the mirror, but crowley would probably spring a sudden road trip on them which would just confuse the students, because why? (i also imagine their bus would probably be a bit fancier? idk how to explain it but nothing like the busses i'm used to.)

LEONA KINGSCHOLAR ─── a wave of drowsiness leads you to find comfort on his shoulder ♡ fluff, gender neutral, can be read platonic or romantic, not proofread

transportation for students at nrc was not hard, all they had to do was enter the dark mirror and then they found themselves safely at their destination. so if it was that easy, why in the world was the headmage so adamant that they boarded this bus like they were kids back in middle school? ─ a road trip was his very (might many students say stupid) answer.

the only person who seemed to not have a problem with this sudden turn of events, was the magicless prefect from ramshackle. you didn't give any complaints or groan about using the easy way to get to the destination. you just nodded when the headmage announced the decision.

students were chosen at random, names drawn from a hat (a method the headmage seemed to rely on often).  and as the prefect, and the designated scapegoat for everything crowley did, you were of course among that group, with your dire beast other half. 

“i don't get it,” grim frowned, sitting on your shoulder as you approached the bus, where many familiar faces waited to board. “why can't we just use the mirror?”

ace was walking alongside you, being one of the people drawn to join the group. he had decided to met you at ramshackle, knowing you would inevitably have to board the bus as well. “i think the headmage called it some sort of bonding experience. don't know how a hours-long road will be a bonding experience.”

grim grumbled, turning his head to look at your face. you have yet to say anything to add to the conversation. “whaddya’ think, [name]?”

“what?” you blinked, sending a glance to the dire beast before looking ahead of you once more. “what do i think about what?”

“were you even listening to anything we just said?” ace sighed. 

you hummed, “i’ve learned to tune you guys out the moment you start speaking.” ─ and then you were wincing as the two of them shouted, leaning your head away from the monster as he and ace expressed how offended they were.

you sighed, this was going to be a long ride.

and right you were. 

things were okay (as okay as a group of irritable teenage boys with magic on a bus could be) during the first hour. but as the first hour turned to half, and you found yourself growing drowsy, you attempted to doze off, at least for a good twenty minutes. you were unsuccessful, as the moment you closed your eyes, you were quickly opening them to glance at a yelling grim.

epel and sebek, also being among the names drawn, were sitting next to you. epel and grim looked ready to pounce on an unnamed student who seemed to have picked a fight with them. ace didn't do much to stop the argument, in fact, he was actively encouraging it. and sebek, while he made an attempt to hold back a seething grim, was not of much help either. 

you sighed, but made no move to stop it ─ you expected something to happen eventually, and you weren't all that up to being the “reasonable” one of the group. you aren't sure what the argument was about, but neither did you care. if grim got in trouble for attacking a student, it would come back to bite you, but that was something for future you to worry about.

you glanced around the bus, before your attention landed on the savanaclaw housewarden sitting alone. ─ your friends continued to argue with the random guy, and you were sure they had no intention of ending the argument anytime soon. and you would rather sleep off some time on the road rather than listen to your friends go back and forth with someone you didn't even know the name of. you stood from your seat, uncaring of whether or not it was okay to do so as you approached the empty seat. 

leona had his head down, probably napping, the same thing you wanted to do. when you sat down beside him his ears twitched and he lifted his head to look at you, probably intending to scowl and scare off whoever had been stupid enough to sit beside him, until he realized it was you.

“what are you doing?” he frowned at you, but you went unfazed.

“sitting next to you, obviously.”

leona rolled his eyes, “why?”

instead of giving a verbal answer, you pointed at your friends, where sebek now had a grip on the scruff of grim’s neck, keeping him from jumping at the student. ace was laughing, offering no help to the half-fae. epel was no better than grim, with sebek’s arm held out in front of him, keeping him from doing anything.

"so you came to bother me instead?" he asked, and you looked at him straight-faced.

"yup."

leona sighed, but he didn't tell you to scram (not like you would if he did). he didn't say anything else, only close his eyes again and turning away, likely to try and nap. you weren't offended by his lack of reply, leaning your head back against the seat and trailing your eyes over the bus and your peers.

the longer you sat in somewhat silence ─ save for the incoherent yelling from your friends, you had for the most part zoned out, and the chatter of those on board ─ you found yourself falling to the drowsiness that have been interrupted before. you closed your eyes and let the movement of the bus guide you to sleep.

leona was awake, annoyed by the bus and those on the bus. his ears twitched when he heard your breathing slow beside him and he lifted his head, just as your head lolled to the side and you leaned against his shoulder.

he sighed, but made no move to push you off, glancing around you at the rest of the students of nrc, who were all either sleeping themselves, or chatting with friends. he leaned his head back, eyeing you as you shifted for a moment before relaxing again.

"where'd [name] go?" leona could hear your friends ask, no longer distracted by the argument that they were having with the random student.

he looked back at them, just in time to catch ace's eye, who was the first to see you sleeping against leona. he looked ready to say something, but leona narrowed his eyes on the first year. ace immediately shut his mouth, grinning awkwardly as he turned back to his friends.

leona huffed, looking back down at you to make sure you didn't stir. he adjusted in more comfortable position, an arm resting behind you on the seat, allowing you to lean closer, and hopefully, be more comfortable than leaning against his shoulder the way you had. and then he closed his eyes and joined you in a nap for the rest of the ride. (at least until they stopped for a break.)

this wasn't proofread so there will be probably be mistakes, i'll try to come back to edit later!

do not repost, translate, copy or run my writing through an ai

[regulusrules]

A very long meta explaining why the confession scene in Good Omens is the best that has ever been written and performed on screen

First of, the scene begins with two different realisations that makes each of them believe that their dynamic will significantly change (Crowley wanting to confess his love and Aziraphale wanting to break out the news about heaven). This, you can see, creates an unprecedented shift in their energy, makes them super excited (Azi) and super nervous (Crowley) to break the news to one another. And despite the two matters being drastically different, when Aziraphale begins his revelation we don't get the Miscommunication trope where Crowley listens to the offer and passively retreats back his emotions. No. He is steadfast in his resolution, in his love for Aziraphale.

And that right here is king attitude no.1, because even if Aziraphale just threw something so godforsaken on him, he won't allow himself to be cowardly or let go of the one person he loves more than eternity. Crowley still bares his heart, still lets it all out, because he will not lose Aziraphale in his naivete of still believing that Heaven is good and Hell is evil. (I write this with supreme detachment of my own beliefs lol) He tries to make Aziraphale understand that sides didn't do them any good the past 6000 years, that the only solid foundation they ever had was them, and that Crowley would rather have them than have everything.

The way you hear Tennant's voice breaking when he said “And we spent our whole existence pretending that we aren’t”, is the perfect reflection of how Crowley genuinely despairs the time they lost and wouldn't have any more of it. And even with how bare and raw he's feeling with revealing all this, he still goes on. He still tries to tell him and I would like to spend our whole existence together, but struggles and struggles because he's strung wide open. But he keeps trying.

Now you see here a moment of disbelief on Aziraphale's behalf, because he doesn't understand why Crowley would refuse going back to heaven with him when all Aziraphale remembers of Angel!Crowley was how utterly bright his eyes shone when he lit up the stars and surely Crowley must miss that too? He wants the same thing Crowley is saying, just in a different dimension. The “I can make a difference” immediately changes to “We can make a difference” because that's all what’s ever been for Aziraphale; them changing the small engines of the world according to their partnered will. He is genuinely benign and not ill-intentioned when he says “Nothing lasts forever”, because he truly wants a better life for them, a better existence. And that's when it gets better: Crowley has his walls back up, he's walking away, because he can't bear that he was never enough as he is for Aziraphale. That he was never worth reciprocation.

But Aziraphale doesn't let him leave.

And that is king attitude no.2, because he doesn't want Crowley to leave when things are strewn all over the place that they don't know where they stand. All Aziraphale ever wanted was for them to stand on the same ground. He asks him to come back to him but hides it by finishing it with “to heaven!” because the whole conversation is going too fast for him, and he's undergoing a religious crisis of sorts that does not end in 6000 years, yet even so he still doesn't want to lose Crowley because he's everything he has and he can't do it without him and “I — I need you!”

And that's when it gets reaaally interesting. Aziraphale's expression then turns from sorrowful desperation to rageful desperation, because he's baring his heart and Crowley is walking away from him. Their solid ground is completely shaken when he says “I don't think you understand what I'm offering you” because he's trying to be subtle about his love for Crowley and still direct as much as he can, but Crowley responds with a condescending “I think I understand a whole lot better than you do” and if this isn't peak human beings in their arguments, I don't know what is. Because we all think we are so misunderstood every time we get into an argument with someone we love, and we absolutely despise it when we feel patronized, so it's no wonder Aziraphale bitterly says “Then there's nothing more to say”, because if Crowley understands, truly does, then he'd see right past his fear to how much he loves the ground Crowley walks over.

And on the other hand I don't believe Crowley truly meant to be patronizing, but in a desperate last attempt he wanted to make Aziraphale understand what he is trying to say, what he spent his entire eternity feeling for Aziraphale, what Aziraphale would be giving up if he goes to heaven. What their life sounds like with no nightingales.

“You idiot, we could've been.. us” is the very culmination of love confessions. It took every single emotion and equated it. Tennant's delivery of it was unsurpassed in the way that it truly covers everything. And the way he grabbed Aziraphale, not entirely lovingly but desperately and angrily and, honest to God, awfully, is the reason why their kiss is so perfect. No queerbaiting, no beating around bushes. It is raw and sad and giving and agonising. Crowley wants to say see what you're giving up? See what we can have? And all Aziraphale thinks is how could you lay this on me now after everything, after every chance we could've been something, after me loving you from the first time I've met you. He's angry towards himself too, because nothing he can offer Crowley will be good enough that he chooses him instead of his choices. Sheen's choice in making his character grab Crowley's shoulder and let it go and then grab it once more in desperation is so unexplainably perfect of how much Aziraphale wants to hold onto Crowley.

But in the back of his mind, Crowley isn't choosing the same. Instead, Crowley's choosing to run from something that no doubt will rebound in their faces. They are angels and demons of heaven and hell, how could Crowley expect they could run and hide without being a repercussion later on? At least what Aziraphale is suggesting ensures that they will have a high position of power, enough to make them together, enough to make them happy, but instead, Crowley is walking away.

And when Crowley lets go of him, not the other way around because of course it is Crowley who must let go and detach from the utter pain that pierced his heart, you can see his expression being one of defeated longing. He sees all expressions passing across Aziraphale, sees how torn apart the other man is, too, and awaits just a semblance of anything they could work with. But instead, Aziraphale's face closes, and he tells Crowley “I forgive you”, and Crowley thinks this must be his second falling, because he's never felt more pain. “Don’t bother”, he says, yet still waits for Aziraphale outside and doesn't leave until Aziraphale has left him. Because in the end, Crowley would always be there for Aziraphale, even if he doesn’t feel worthy of it.

And that, my beloveds, is why eternity will remember this scene.

[actual-changeling]

This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

[pomefioredove]

Can we have kalim's ending for the yuu auction as well? I was pretty excited for his outcome

of course of course!

parts 1 | 2 | 3 | kalim | bad ending

summary: a kalim ending type of post: short fic characters: kalim additional info: yuu is gender neutral, this is maybe a little short, hi kalim :)

"Problems don't just go away when you throw money at them, you know," Vil says. The tone of his voice is sour, and he's making no effort to hide it. "You'll have to actually take some responsibility."

Leona rolls his eyes. "Oh, shut it. They're not a pet, they can handle themselves. You're just butthurt it wasn't you,"

"And yet, here you are, still moping just the same," he snaps back. "Kalim, congratulations. I'm sure the prefect will- where'd he go?"

Despite their best efforts, Kalim hadn't heard a single word of the other housewarden's well wishes (and warnings).

He was gone before they'd even started, in fact.

Even with all he'd had prepared beforehand- the new room, the uniforms, all of your favorite foods- there was suddenly a list a mile long on his mind.

First, he had to get you.

Then, he had to show you around your new place.

Then, dinner.

Followed by dessert, of course.

(Maybe a light appetizer to start? Why hadn't he thought of that already?!)

And then he'd treat you to an evening of your favorite songs, laughter, and fun.

So on, and so forth.

Kalim may be a little oblivious at times, but your poor condition at Ramshackle is no secret to anyone. He'd been talked out of helping more than once before- and, so, this was his chance.

The gravity of technically owning a person who doesn't legally exist in this world hasn't crossed his mind even once. The way he sees it, he gets to host you indefinitely, take you on vacations with his family, treat you to the life you deserve after all you've done for everyone, and no one can tell him no.

Though, something still sits in the back of his mind, something that asks him to walk before running. A voice of reason.

If Kalim had a shoulder angel and devil, both of them would somehow be Jamil:

"I would advise taking it easy on them as they adjust. This whole spectacle must have been difficult for them. You're a good listener when you try. Now's a chance to show that,"

More than anything, Kalim wants to impress you.

Such a thought would make anyone else scoff- the gold and jewels and magic carpets aren't enough?

And his answer would be... well... no.

Kalim possesses many things. He has entire houses full of treasure, trinkets, fine silks, servants at his every whim... and yet, he's still missing something crucial. Something he's become more and more aware of since coming to NRC.

A bond.

Of course, he loves his siblings. And his parents. And the students in Scarabia. And the students in the other dorms. He might consider all of the above friends, but not at the emotional level he seeks. Jamil is a work in progress. But you- you're already well-acquainted, and friendly. You're a gracious guest, a great listener, and... well, you had the kind of bond he looks for with so many other people on campus.

Why else would everyone be lining up to pay to be your friend otherwise?

(That's how he saw it, anyway).

So, he listens. Makes an effort to, anyway. He even stops feeding Grim at dinner when you ask him to.

"Oops!" he says, offering the direbeast a gold-lined handkerchief to wipe around his mouth. "But it's good, right? Jamil's family recipe is always delicious!"

You quirk a smile at him. "I liked it. Grim?"

Grim mumbles something indistinct and crawls to sit on the other side of you.

"I'm glad! I remember you telling me that you miss it from your home- I can't believe some of our recipes are so similar!" he beams. "Maybe Scarabia will start feeling like a home to you, too, then!"

You laugh, a little awkwardly. "Aha... maybe. This is all just so sudden,"

"But... good, right?"

"Yes, good," you smile, tilting your head to the side. "It's a step up from being Crowley's errand-runner and sleeping in the cold, at least."

"Well, you'll certainly never be cold here!"

He laughs again, and a murmur of agreement ripples through the students in attendance, all the way down to the end of the long table.

"Ah... Kalim, this is nice. Really nice... I don't know how I'm going to repay you for any of this,"

"Pay? Like with money?" he raises an eyebrow. "You're my guest, and an honorary member of Scarabia now, so you don't have to do anything but relax."

That's not exactly what you meant, though you don't have the heart to explain what exactly Crowley's care had been like.

"...Right. But really, if you need anything done- I'll be glad to do it,"

He's quiet for a moment, thinking. "Well... if you're really bored, I'm sure you could find something to do. We have lots of board games,"

"No, I meant like, work,"

Kalim blinks. "Why would you have to work?"

You should've just let it go. Now this is getting embarrassing, admitting all that Crowley had you do when you had no say in the matter.

"You know... to earn my keep,"

"Earn your..." he squints. "You don't have to earn anything. Having you here is reward enough for me!"

Sometimes his oblivious nature can be a little comforting.

And even though it's dark, his positivity is as radiant as the sun... you can't help but return his smile.

"Alright, then,"

"Alright! Now..." he says, looking around the table. "Who's ready for dessert?"

[fuckyeahgoodomens]

I know that there are a lot of feelings right now, and everyone is absolutely entitled to them. The announcement certainly hit hard.

I did, however, want to add a little bit of my own hope into the mix. Maybe it won't matter. But maybe it will help someone feel just a bit better about everything.

For context, someone on Reddit made an excellent point that 90 minutes is plenty of time to tell a great story. Many have been told in less than that. Lion King, Nightmare Before Christmas, Beauty and the Beast, Totoro, I could go on.

I completely agreed with them. But I also wanted to add my own personal spin as well.

When you really get down to it, the plot of season two was truly only compromised of 90 minutes worth of plot between A + C. Maybe even less than.

A lot of it was drawing out a mystery that didn't need to be as long as it was. As much as I love me some putzing and meandering, seeing this entire 90 minute drama go down has made me realize just how weak season two was.

Did I love it? Hell yes.

But I'm also realizing that the plot wasn't tight.

Most of the memorable moments are comprised of seconds of screentime.

Not minutes.

Seconds.

The touching of Aziraphale's hand to Crowley's chest

"Look at you, you're gorgeous."

Hands touching during dancing

The final speech and kiss

Michael Sheen's bitchy little eyebrow raise

Michael Sheen eye fucking Crowley every chance he gets

Just Michael Sheen's quiet, quick acting choices in general

When breaking it down, most of what mattered added up to less than 90 minutes, with the rest of it being unfocused and dithering.

Now imagine 90 minutes. 90 minutes of focus on these two characters. No chance for meandering, no opportunity to wander off. These two will be forced to confront their issues, their grief, their resilience, their LOVE with nothing to pull us away. There won't be time for side characters to take the focus. There won't be time to worry about other relationships or spending time apart.

This is going to be about them because it can't waste time on anything else.

AND ANOTHER THING.

I keep seeing people saying "90 minutes isn't enough time to tie up all the loose ends". And to that I say...

What loose ends?

We really only have two. The second apocalypse and their love.

And to those who say 90 minutes isn't enough to stop an apocalypse, I counter with; season 1 stopped it in 5 minutes while they stood on what was essentially a parking lot. And they were side characters at that point.

In conclusion: we will be okay. Would I have loved six episodes to watch them circle one another? Sure. But I have spent more time reading fanfiction of them than watching the actual show, and those writers have created better scenarios than Neil Gaimen ever could. The kind of stories that would make Terry Pratchett proud.

We will get what we need. Because the people who fought for this love these characters. And because David and Michael would personally square up with Jeff Bezos in a parking lot just to be able to lock lips on screen again and again in a cottage by the sea

We will be okay. More than that, we will thrive.♡🖤

❤.

[kingconia]

VIL SCHOENHEIT, LEONA KINGSCHOLAR AND MALLEUS DRACONIA WITH READER, WHO IS ALWAYS IGNORED BY THEIR FATHER...

(...Who happens to be the headmaster himself.)

Bonus points: reader studies in the Diasomnia.

Malleus Draconia. 💚

— When he heard for the first time that the new student of the Diasomnia, is the children of the Dire Crowley, he had a very low expectations, to be honest. Not like he hated on you beforehand or something, more like he was too aware of headmaster's character...

— So, he was pleasantly surprised to see that you are completely the opposite of your father. Responsible, hardworking—if not for you being a crow yourself, and having the same surname, he would never guess that you were raised by this man;

— However... It was clear as day that the reason why you had nothing common with him, was because he hardly payed attention to you. You tried so hard by studying diligently and achieving the first places in different school contests, and yet... He didn't really care?

— Malleus had never met his father, but Lilia made sure he would never feel neglected in the way you were. And the mistreatment towards you hurt him even more, than it hurt you.

•

”Shit,” you groaned, baring your teeth in unhidden displeasure. ”Headmaster will not approve seeing that that these students broke the window.”

Malleus gazed at you curiously—both of you were sitting on the roof, talking about everything and nothing—and the question left his lips by itself.

”We are all alone. Why are you still calling him a headmaster?”

As you brought knees to your chest, resting your chin on them, you shrugged. With voice impassive and eyed cold, you explained:

”I don't have a particular way to call him. He is either headmaster or Crowley. So...”

Malleus's heart squeezed instantly of the thought of that.

It sounded so unbelievable.

He grew up witnessing how gentle Lilia was to Silver, and how the latter called him a father. Their bond, a sincere and tight one, was always an example for Malleus of how families should like. And here you were, ignored by a man, who was the reason you were in this world. How unfair.

”Y/n?”

Malleus thought, if you asked him to fulfill your wish—to make your father love you—he would. Without a doubt.

”Yes?”

But for some reasons, you never do.

”I hope, you understand, a precious raven of mine, that Diasomnia is your family, too.”

So, he can only offer you an alternative. An alternative, where you need to accept that despite not having your father's love, you had all of them—him, Lilia, Silver and Sebek.

”...Thank you for that. I... I try to keep that in mind.”

Yet, you still need some time to comprehend that.

He could wait. They all will.

Vil Schoenheit. 💜

— He was naturally suspicious of you. It is not a secret that Vil hates privileged kids—such as Leona, for example—and for him, it was logical that you were the one, too;

— However, he started to doubt about that after observing you more closely;

— You never skipped lectures, always did your homework and participated actively in the classes. And not only that! Your achievements weren't passing through him—he was quite aware of all your wins in competitions, and a good reputation;

— So, to the moment, when you came to ask for his help for your talent show, Vil already admitted to himself, that despite having a privilege, you were a high achiever, who knew how to work. But, oh, little did he knew, that you were an opposite to the privileged person...

•

“Y/n-san,” Vil frowned deliberately, glaring at you with a genuine concern in his eyes, ”I think, you should take a little rest. Please.”

With your shoulders shaking, hands being red, and legs hardly keeping you up, you looked awful.

Vil knew how exhaustion looked—he wore it on himself all the time, after all—and he could say for sure, you were too close to the meltdown. If not to the overbolt...

”I can't. I should try harder,” you murmured, voice raspy. ”Only this way I can...”

The desperation in your eyes were so familiar that Vil almost flinched from it. Carefully, afraid of doing the wrong choice, he put hands on your shoulders, squeezing them softly.

”Y/n-san, you are one of the best students of our school. Even more, you are standing on the same place in the world, along with Leona and Malleus,” he reminded, lips slightly brushing your hair as he spoke. ”What else are you trying to achieve?”

”His attention, of course!" A sob that escaped your lips were too gut-wrenching to hear. ”What else I can need, if not a father?”

Vil didn't even try to conceal his own genuine sadness as he heard you saying that. Almost instinctively, he hugged you tightly, allowing to hide in the crook of his neck.

It was the moment, when he regretted that his assumptions about you being spoiled, were wrong. It would be much healthier for you, if he was right.

”Oh, darling,” he whispered gently. ”Cry all you like. You are allowed to.”

And so, you did.

When on the next morning you pretended that nothing happened, Vil wasn't mad at you for that. If anything, he was merely happy that he was able to help you for a while.

...If only you understood how worthy you are.

Leona Kingscholar. 💛

— The unbothered king had only two complaints to you, and both of them sounded ridiculous. Because, he was unhappy with you being a part of Diasomnia, and he couldn't settle with a fact that you were a crow. The end of the story;

— Leona truly couldn't care less about you or your father. What he cared was the fact that you were a powerful rival in the Spelldrive Tournament, and he was slightly bitter to losing both to you and your housewarden;

— Overall, he respected you. And that was why when you offered him to play chess together, he didn't say no. Since that, you became close, always playing together, in the same time and place;

— As Leona became closer to you, he obviously realised that your family relationships were fucked up—takes one neglected kid to recognise the other—but, decided not to pry out. If you want to talk about it, you will. Otherwise, he will not do anything.

•

”Huh?”

Leona blinked, not caring to mask his astonishment as he saw you sitting in the botanical garden, with chess board being set up, ready for another game.

”Hi, Leona,” you raised your head at him slowly. ”You are late.”

He weren't late, he just didn't know that you will be here.

The school was on the winder holidays, and the prevailing amount of students already left to their houses. As far as Leona had heard, the headmaster was the first one to leave, since he had a special vacation somewhere in the Shifts. Of course, Leona expected you to go there with him.

”...What are you doing here?” He asked bluntly. ”Shouldn't be you on holidays, or something?”

”My house is too empty,” you shrug, the slight frown indicating your irritation by this question. ”I decided, it would be better to stay.”

”...And the vacation?”

”Oh, Crowley never takes me with himself,” you huffed easily.

Leona had no idea that your relationship was that bad. Even Falena always invited him everywhere, just in case if Leona suddenly decides to agree.

”Well?” You rushed him. ”Are you going to play with me?”

There was nothing Leona could say to console you, words never being his strongest quality. But as he slowly made his way to the armchair, he couldn't help but being hit by the wave of the sheer madness towards your father.

How could anyone neglect such an ambitious and perfect kid as you?

”If I win, you are celebrating New Year with me,” Leona finally spoke up, moving the white piece of chess.

Well, it didn't matter. Not like Dire Crowley deserved you anyway.

”And if I do?”

”Then, I am celebrating New Year with you.”

You smiled at him, before concentrating on the game

”How cruel. I am in.”

He couldn't help but feel proud that the smile on your face was his doing.

Perhaps, you had not the best father, but... At least, Leona will make sure, that you will have a perfect holidays for once.

And that was fine, too.