#I love all of you who ask me about my characters!! You are amazing!

[infiniteaugends]

Okay! I need to get this out of my head. I’ve seen some posts that are upset that people are upset about the BuckTommy break up. The core gripe of these posts is that the show still has HenKaren and so we shouldn’t be upset about the handling of the other main queer couple. Which makes no sense because BuckTommy and HenKaren fulfill different niches. One is a bisexual man exploring a new relationship and the other is two gay women who are settled with multiple kids.

However, this post is to talk about HenKaren. Yes I love them! They were the main thing that drew me to the show long before bi Buck became a thing. They are two black women in a relationship. Neither is ‘conventionally’ attractive. Hen is pretty visually queer. I love them. I want more of them in the show. However I don’t relate to them. Almost all of their storylines revolve around motherhood. There is very limited exploration of them as queer women outside of motherhood. Karen is a literal rocket scientist and that has never even been used as any sort of plot point. Like the amount of physics she knows and understands could be used to great effect. Micheal got to help break into a bank vault with Bobby, but Karen has never been used in a similar way. Like the amount of STEM knowledge stored in her brain 100% could have solved at least a few rescues. Can we explore these amazing woman as queer women instead of mothers just sometimes pls.

I read a fanfic that explored how Don’t ask, Don’t tell could have affected Karen. That she couldn’t become an astronaut because of it. I would love more of that energy in the show.

So yes you are right I am bemoaning the way Buck and Tommy’s break up was handled. I am bemoaning the lack of care given to exploring Buck’s bisexuality within monogamy. I am allowed to be upset. I am allowed to not relate to the storylines given to Hen and Karen. What happened to Hen being kinda witchy and blaming the moon cycle for her cheating? What happened to Hen and Karen and Athena’s wine mom nights? Where is our exploration of Karen as partner to a woman in a dangerous field of work? Where is our exploration of their relationship outside of kids?

You want me to appreciate the crumbs of queer representation being tossed my way? Well won’t you’re right we should be angry that Hen and Karen are treated as second class citizens in the narrative. We should be upset that their importance has been reduced to only motherhood. We should be upset that this show is mishandling all of its queer characters and letting Eddie Diaz have freedom and joy while our queer representation suffers.

BuckTommy was the straw that broke the camels trust in 911 ability to craft realistic queer lives and continue to care about them more than a diversity check mark. I will continue to watch HenKaren clips on YouTube and read fan-fiction. I will continue to engage with Bi Buck fan-fiction that heals the parts of me that Glee and this show have bruised. I will not thank them for the stale crumbs they brush from the table. Do I love Hen and Karen? Yes! Is it enough? Not anymore!

Anyway, I got a little heated and upset, but all this discourse is really just rubbing me the wrong way. Let people be upset and hurt. Their feelings are valid whether you agree.

[nile-the-empathy-cleric]

I'm a huge fan of your work, your writing is so beautiful, and the way you add your own personal love of art is just; it's genuinely amazing. I was wondering if you have any paintings that you think each of your favorite characters would represent or maybe even what u see when u look at them. ❤️🖼🎨🖌

Oh boy do I love this ask! Firstly, than you 🥺 you're too kind 💕

Second I have so many paintings that spring to mind for various characters! Immediately off the bat my brain went right to Lestat and how his presence and aesthetic (especially in 1920s New Orleans) gave gigantic J.C. Leyendecker vibes.

(left) The Sleuth J.C. Leyendecker, ca. 1906 and (right) Arrow Shirt Collar Ad, 1916. By J.C. Leyendecker For Arrow Shirt Collars, 1916

The way Leyendecker plays with shadow, light, and color to project an air of seduction and power is just *chef's kiss.* He is a master at depicting an idealized masculinity that still has a level of vulnerability. I don't think it's just the styling/ fashion of the men in Leyendecker's illustrations that remind me of Lestat, but the features as well. J.C. gives them this attitude of nonchalance but there's something deeply concerned with appearances underneath. Is that not Lestat?

For Claudia there are a couple. First (not a painting but a sculpture) is Degas' The Little Dancer Aged Fourteen. I look at this piece and think of the history of ballet and the connotations of ballet at the time Degas was working. In France at the time ballerinas were highly taken advantage of and exploited. The exploitation was sexual in nature and simultaneously adultified and infantilized. They were highly fetishized. It's very sad and tragic and it reminds me of Claudia. The Little Dancer has an almost defiant energy to her, like there is a sense of pride and restraint, something dignified despite her lesser social standing.

I also see something of Claudia in this piece: Girl in Pink Dress, ca. 1927 by Laura Wheeler Waring. I also think this girl embodies the qualities of both Bailey and Delainey's Claudias–– there's simultaneously an innocence and maturity. I see something similar in Isabella, (aka Young Woman with a Fan), 1906 by Simon Maris and I just think it's neat to see art of Black people done by a white person from the early 1900s that isn't fetishizing or racist (don't look at J.C. Leyendecker's art of Black people, yikes!)

For Louis, my first thought was Derek Fordjour's STRWMN, 2020. It gives NOLA Louis to me in terms of style, but also the colorful and fun energy has the vibes of his little journey of gay self-discovery in Paris. I also see Louis in Lois Mailou Jones' Negro Youth, 1929. It mirrors depressed Louis for me. There is something very fragile in his expression, but you can tell he's trying to be strong, much like Louis.

As for Armand? Well, the number one is Botticelli's Saint Sebastian (it just has an uncanny resemblance to Assad) and the metaphor is too apt to not point out. The other that immediately make me think of Armand is The Abduction of Ganymede by Correggio. It's less the painting and more the myth it's based on, but out of all the Ganymede paintings, Correggio's is my favorite.

And Daniel is just like... any Nan Goldin photo, but I'll pick Heart-shaped bruise, 1980. I don't think I need to give my thoughts here 😂

Thank you again for such a fun ask! I appreciate every message I get from anons and mutuals alike 🥰

[*Edit: Being transparent––I went back and corrected a mistake I made in the original because I don't want an inaccurate/ racist post going around, even after a correction in the reblogs if people aren't seeing the original. I accidentally implied that Laura Wheeler Waring was white. I meant the statement about Simon Maris, who was a Dutch portrait artist. Laura Wheeler Waring was a prominent Black artist. Lesson to self: do not write deeply thoughtful posts at 1 am while you have a fever.]

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[meo-eiru]

oooHHH- Meru, my dear, I was going to wait until I had time to draw something before talking about it since I normally do that. But you guys have been talking about it so l can't hold back anymore.

Spoilers ahead for anyone who hasn’t played the game~

(And talk about dark themes. 🫶✨)

Inserting my live reaction here to keep others from accidentally looking at spoilers like I do sometimes:

SO!!!

Based on what I saw in the game, yeah. Starling definitely loved Maelyn. Or at least felt an affection for her. An approximation of those feelings for her. Ultimately, Starling isn’t a human and doesn’t seem to operate quite the way that we would emotionally or mentally (wow that sounds so BAD I SWEAR I DIDN’T MEAN IT IN A BAD WAY-).

Like you said, Starling goes out of his way to dress Maelyn up and even remembers what she said about the “collar” in order to keep her while making sure it isn’t hurting her.

The whole thing didn’t feel malicious, really. Even the drowning. It just felt like he didn’t really understand the consequences of that one action. I hesitate to make the comparison, but Starling kinda feels childlike somehow. I don’t mean this in a way to infantilize the character at all, I swear. It’s just the way he reacts to things. Very dangerous baby with big pointy claws and teeth, lololol.

And you’re definitely right about him being able to make you forget that he’s very capable of violence. Because even when he does things that could be considered violent, it’s in such a way that it doesn’t come off as such. I feel that this aspect of him was reflected pretty well in the game as it is from Maelyn’s perspective and she kinda just goes “well there goes my fingers oh well-“ It was to the point that I was like “wait wait wait rewind and lemme move my bang so I can read that again- her FINGERS??? JUST??? GONE??? LIKE THAT???” But, then again, you could argue that it was partially because of her mental state as well. And I think the whole almost childlike feeling I got from Starling only plays into this whole thing about him feeling almost safe at times even with his glaringly obvious “otherness”.

It doesn’t help that he was so amicable for the most part. But that was likely because he was getting everything he wanted up until Maelyn said she would only come back after four days.

Onto a few other things… This game reminded me of things about myself that I forgot about for a while LOLOLOL-

It was funny because. I got the marriage ending first. But while playing the first time and getting to the part where we first see him open himself up… I was like “what if I just crawled in there- no I shouldn’t think that,,,” THEN LOW AND BEHOLD. WHEN I GOT THE OTHER ENDING- 😂😭

Great minds think alike. ✨

His ribcage the perfect cradle and his heart singing the best of lullabies… Or it would have been were it still beating-/j

SJDJDJ-

Honestly, when I got that ending I was like nOOOOO STARLING- WHAT HAPPENED??? I still don’t think I quite get how it happened.

Also hmMMMMmmmm let’s not talk about how my first thought when he opened himself up that one time and reacts when we touch (I chose to give in to my impulses) was to be like, “What if I… licked…? Insi-“

LOLLL-

Listen one reason I liked Beastars was because of the theming around the inherent connection between… eating (canniba-//shot) and intimacy- Like… yeah… Two carnal needs/instincts… ANYWAYS-

I love how the game turned out! You guys did great! So a belated congratulations for finishing the development and releasing it!!! 🎉✨

And of course amazing artwork as always, Meru~

Will draw something in celebration of it later when I have time. And just because I wish to draw the funny tongue-fish man. 🫶💫

Will probably also yap about this more later.

Another amazing ask I'm sure @celerifleuri will love as well

This is such a good analyses honestly, and yes you are right, Starling is quite childish. It's not that he has the mind or mental capacity of a child but it's in a bit of a "pure" state if you will. It really makes me want to talk about his backstory but that's why we are making bonus episodes.

Maelyn as a character definitely effects our perception of the events as well. Honestly if that happened to my fingers I'd pass out right then and there.

It's so funny how you mind aligned with Maelyn's, I'm sure she would love to try licking his insides (he did kiss his heart)

I'm glad you liked the art!!! And for the drawing, I can't wait to see what you'll come up with :D Good luck with all his tongues

[alltimefail-sims]

what made u give Erwin a sister? jw

Ooooooo okay this is a good question!

So Erwin as we know him is pretty one-dimensional. I thought maybe this was a "Johnny Zest" situation where they give him lore but it just isn't reflected in the game (not via traits, family tree, or etc.) and you have to go looking for it. But after I did some research and even searched his tag here on Tumblr, I realized there really wasn't much more to him than what we were given. This is kind of unfortunate because in my mind he's got so much potential - he's this big open canvas with unconventional traits and behaviors that are somehow paired with a "heroic" disposition through trailers with 0 explanation as to why this is. Basically, it leaves you with more questions than answers: what is his motivation? Why and how did he come to Strangerville? Why does he care about this mystery? Being a textbook overthinker when it comes to people, I figured the only way to answer these questions was to create the "before" Erwin - the Erwin pre-Strangerville. Thus, his family was born!

His sister was actually the first thing I thought of when asking "Why is he the way he is." You'll see it a lot in my story, but Maggie is really complex - she's impulsive, explosive, reclusive, and unstable. However, Maggie is also compassionate and loves her little brother - she wants Erwin to be happy even if she thinks she can't be. She has a lot of mixed feelings toward her family, but not with Erwin. His love and admiration for her kind of makes him defensive and protective of her, because she has always shown him compassion and supported him openly. She's the first person he confided in about being trans, even before he knew what being "trans" was, and although her instability scared Erwin he always tried to see past that and focus on the best of her instead. That's just the tip of the iceburg really... but needless to say, once she goes missing he feels like he owes it to her to bring her home, and unlike everyone else who is willing to believe she might have taken her own life, Erwin just feels like that's not realistic because she was doing better, she was trying to be happy, and above all she'd never leave him without saying goodbye... not willingly at least. Despite the discouragement from his well meaning parents who don't want to lose another child, he decides to take matters into his own hands anyway and move to Strangerville** after high school - now there's a motive and a reason for the motive, if that makes sense.

**On a slightly related note, I want to clarify that in my story I depict "Strangerville" as a real place in the American southwest desert. Any "sim world" that I utilize in the story will actually be a community within a bigger place as opposed to being an independent "world." For example, Erwin grew up in Brindleton Bay, which I see as a small fishing town on the American northeastern coast - it resides within a state like Maine. Different places of origin will influence each character's upbringing and serve as an additional motivator for certain "quirks" they have - in Erwin's case, this serves the purpose of explaining one reason why he "sticks out" so much in Strangerville!

TLDR; I figured that Erwin needed a compelling reason for being involved in the Strangerville mystery, along with a reason why he was considered to be such an outcast to the locals because I wasn't satisfied with the near nonexistent reasoning EA provided (people don't just get involved in a life or death circumstance because of curiosity, but that's just how I see it lol). Plus, I believe everyone has a story, and I thought giving Erwin a more "complex" family dynamic would satiate my need for a motive AND give context to who he is and why!

Thank you for this ask! I hope everything makes sense; I wanted to avoid spoilers but also give you a clear and satisfying answer because this is a great question (and I love talking about my OCs as you all know 😉).

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we���re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[the-way-astray]

i am not ready to get pissed off today but can we not ruin people’s positive fandom experiences. can we not. if someone makes a post saying “i love sophie foster!!!!” can we not go to that post and immediately comment “well i don’t like her”. if someone shares a headcanon and it clashes with yours can we not go to that post and reply “well that headcanon is WRONG because HERE’S WHAT CANON SAYS”. if someone talks about a ship can we not go on that post and start ripping it to shreds. can we not. you are aware that just scrolling past without engaging is an option, right? you know you can tamp down the urge to express your negative opinion where inappropriate, right? make your own damn post!!!! can we not ruin positivity posts for the people that like/made them. can we please not. please.

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[mobius-m-mobius]

I cannot believe that season. truly just. there was not a single episode I didn't sit down to without a genuine conviction that *this* would be the episode where they spit all over everything I loved about the show. I braced constantly throughout the episodes as they kept setting themselves up for Very Stupid story choices only to pull the rug and go "HAHA surprise, idiot!!! We've given you exactly what you wanted <3". until the final episode which was NOT what I wanted and also exponentially better storytelling and character development than any of the ideal scenarios I'd constructed.

something deeply meta about it all. truly a chaos season for the chaos god, where the most chaotic, unexpected, transformative thing they can do is to be good.

Spent the day processing my love for this season only to have your message sum my thoughts and feelings up perfectly, thank you so very much for sending it 💖

Same as you, not for a second did I go in truly expecting anything from s2. Owen and Mobius have my heart, always will, so primarily the show was a vehicle to provide whatever crumbs of his scenes and chemistry with Tom I could get and with the start of every episode I braced for the moment that would get ruined in some way, only to be continually hit with everything I've ever wanted in a show or pairing right up until the finale. Which, while not what I would've chosen, was beautifully crafted and an almost Shakespearean tragic romance that will haunt me for the rest of my days and is still infinitely better than the nightmare scenarios I'd been floating around in my mind so at least there's that and it's impossible not to be thankful for eps 1-5 for giving content anyone could dream of and more 😅

Besides the obvious ending, I'm mostly crushed our Loki and Mobius didn't get a proper goodbye but honestly believe Loki decided to seek out s1 Mobius instead knowing s2 Mobius loved him too much to ever let his sacrifice happen and it would've been too much to bear, so having made his mind up already he at least tried to visit a version most likely to validate his choice. Just wish the Mobius now waiting until the end of time had at least a similar opportunity, but I'm just thankful he didn't lose his memories and could make his own decision that his faith in Loki is what's carried him before and will continue to do so now.

The flip of their characterization from order or chaos is exactly what has me convinced Lokius will reunite because how can they not with such an open ended future?? Even in separation they revolve around each other and they're the only ones left wanting. Mobius and his life are in ruins with nothing but the passage of time and possibility of some spent with Loki ahead while Loki's surely going to find a way to meet halfway when the choice of order has not only made him potentially the most powerful being in existence but one who spends eternity looking at the only person who ever saw him back.

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[narsh-potatoes]

DOES ANYONE ELSE WANT TO BITE OFF HEADS WITH ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[gojorgeous]

"creature of myth."

pairing: vampire!gojo x fem!human!reader summary: when you receive an offer of marriage from a mysterious wealthy lord, it’s too good a deal for your family to turn down. but nothing could be so perfect... right? content: MDNI (18+  ONLY), dark content, nsfw, gets dubcon/noncon in some spots, yandere behavior from gojo, implied death/k*lling of a character (not reader or gojo), arranged marriage, victorian au, plot that ends with porn lmao, spooky dooky vibes, blood, blood sucking/eating, praise, biting, unprotected sex, creampie, virgin!reader, discussion of virginity, cherry popping, pain, pet names (princess/love), reader is highkey clueless about sex, discussion of masturbation, ideas of masturbation as “sinful”, very minor religious themes, fated “mates”, gojo is highkey insane, coercion and manipulation, like SO much neck kissing, ooc gojo??? (had to alter his character to match a victorian vampire lord LMAO). a/n: PLEASE READ THE CONTENT WARNINGS. THERE IS DARK CONTENT AHEAD. is this a gojo fic or a twilight fic?? Going back to my roots fr fr. straight down to the “SAY IT, SAY IT”. this fic is also way too long my apologies bbs. i hope you like a hefty side of plot with your porn. parts of this fic feel way too cheesy to me but sometimes i eat that up, yk?? this fic was inspired by this amazing work by @rice5x ! and, finally, thank you all for the support on my most recent fics. i'm just getting back into being active on this blog and it's been amazing reading each and every comment/reblog/ask. they genuinely fill me with so much joy. keep them coming hehe. anyway, i hope you enjoy and remember, ALL AGELESS BLOGS WILL BE BLOCKED. credits: dividers by @cafekitsune. banner art by @ndsoda on twitter. wc: 11.6k (sowwy)

You remember perfectly the way your mother’s jaw dropped when Satoru Gojo proposed to you. You’d never seen the man, and you still hadn’t. He’d asked to marry you via messenger, a simple letter delivered by hand with a list of all the things he’d be willing to pay for your hand. Offers of money, land, protection, connection- anything so long as he got you. You’d thought it was a joke. Your father nearly took a shovel to the head of the poor messenger, thinking the letter was some kind of cruel prank, some sort of targeted disrespect. You’d only started to believe when you really looked- saw the Gojo crest embroidered on the man’s suit, the fine leather of his boots. If it was a prank, somebody had spent a great deal of money and effort to pull it off. 

You’d asked for proof nonetheless, and you’d gotten it. Documents signed and sealed with a well-known waxen crest, gifts that could only have been purchased by a wealthy lord. The one thing you never got was the lord himself. He refused to see you, to come down from his mysterious castle on the hill. It didn’t surprise you. He rarely deemed town worthy of his presence. He had a reputation as a recluse, as a man who only ever liked to see and never be seen. What little glimpses people got of him were usually through the dark window of his carriage. Still, his appearance preceded him. White hair, light eyes… “haunting” said those who had the luck to see him. Those who went to work for the lord tended to return… changed— if they returned at all. 

You accepted, of course. How could you not? You were a peasant family with no status or wealth to your name. The promises Lord Gojo had made would make your parents into aristocrats all on their own. But that left you wondering… why did he want you? You offered him no benefit. If anything, you sullied his bloodline. The question scratched at the back of your mind. It came to you while you ate breakfast, while you washed your clothes, while you weeded in the garden. Some part of you told you that you needed the answer before you ever stepped foot in that castle. You needed that answer, but you’d never get it. 

Your wedding wasn’t even a wedding- just a piece of paper that had already been signed and witnessed, once again delivered by a familiar messenger. You signed at your dining room table and… that was that. You were married. 

Later that night the carriages arrive. Men flood your home, all dressed in blue velvet, the Gojo crest embroidered on their chests. They seem puzzled when you tell them you’ve packed all your belongings into a measly three bags. 

You say a quick goodbye to your parents, drawing them into stiff embraces. You love them, and they love you, but you can’t bear to see their faces as they send you away to a man who couldn’t even show his face for your wedding. 

The carriage ride is somehow longer than you’d thought it would be- apparently, the castle’s size makes it seem deceptively close. The trip is rocky and twisty and altogether unpleasant as you steadily make your way toward the castle gates. By the time you reach them you think you’ve probably dozed in and out of consciousness at least half a dozen times. 

The castle is even more intimidating up close. Spires that swirl into the clouds, sculptures that stare, doors that look more suited to being locked than opened. It’s… terrifying. 

When you finally roll to a stop, you move for the door. When you swing it open you get your fair share of strange looks from your attendants and remember that you should have waited for the footman. Your face heats as you climb out anyway, unwilling to subject yourself to the further humiliation of waiting for assistance. 

Your feet hit gravel and all you can do is stare- up, up, up, to where the castle’s peaks disappear into the fog. When your eye flashes to a window on the east side of the manor you think you see a swaying curtain. You tuck your arms around yourself and shiver, but it’s not from the cold. 

You nearly stumble over your feet on your first step inside. The entrance hall is larger than your former house, with ceilings that stretch so high you can hardly make out the figures on the frescoes that adorn it. Silver and blue drape everywhere, the Gojo family colors. You swallow when you see a chair that is most definitely worth more than your family’s annual income. 

The floors are marble and when your worn heels clack against it, you only feel reminded that you don’t belong here. That question pricks in your mind again as you pass portraits of every Gojo heir to have lived in the last three hundred years. Why me? Why me? Why me? 

Your footman deposits you in your room, a place more lavish than you’ve ever seen. You have a four poster bed with a canopy of blue velvet, a window that overlooks a sprawling estate, and more square footage than you’ve ever dreamed of. 

“Pull this if you need any sort of assistance, ma’am.” 

You turn to see your footman referencing a silver cord at your bedside. You assume it’s one of those contraptions that rings a bell in the servants’ quarters. You try to hide your amazement- you’ve never seen one in real life before. 

You clear your throat and give your most ladylike nod. “Thank you, um-” you pause, your brow furrowing. “I’m sorry, I don’t think I asked your name.” 

Your footman appears stunned to silence, like he’d never expected you to care about his existence, much less his name. He recovers quickly, though, and forces a small smile. “Thomas, ma’am.”

You smile and it’s genuine. “Thank you, Thomas.”He bows and makes a beeline for the door, but you have one more question. “Oh, um, Thomas-” He freezes, turning slowly on his heel to face you. 

“Yes, my lady?” 

You cringe at the title. The sound of it creeps across your skin, foreign and… wrong. Why me? Why me? Why me?

You clear your throat again. “Do you know, um, well-” You shift, trying to word your question properly. “Do you know when I might see the Lord?” 

There is a pause, a moment of tension and silence, and then an answer. “No, my lady.”

Thomas does not stick around for more questioning. The door clicks shut behind him and then you're left with only the sound of retreating footsteps. 

You’re stunned to say the least, mouth still halfway open, more questions on the tip of your tongue. Should you seek him out? Was that proper? Would he come to you? Would he meet you for dinner, perhaps? Surely he would come to your room tonight to… consummate. Would that be the first time you lay eyes on him? When he’s over you? 

You sigh. There’s nothing much to be done about it now. You find your way to the bed and sit down hesitantly. It feels like a crime to rumple such primped and polished cotton. You do it anyway- it’s going to happen sometime, right? You fall back against the mattress and don’t fail to notice how utterly comfortable it is. The silvery patterns on your canopy swirl and bend together. You’re tired. You didn’t sleep much last night, anxious for the morning… and it’s only mid-afternoon now. You had time for a nap, right? Your eyes are closing before you can convince yourself it’s a bad idea and then you’re swept away into a world of warm darkness. 

You wake with a start. Your first thought is that it’s dark now. Your room is pitch black except for the stream of moonlight passing through your stupidly large window. Your mouth feels dry and your skin is cold, like you’ve just woken from a nightmare. If you have, you don’t remember it. Perhaps that’s a blessing. 

You sit up, combing a finger through your hair and laughing pitifully when you realize that you left your shoes on as you slept. You hope Thomas didn’t walk in to find you in yet another unladylike position. A glance at the foot of the bed reveals he might have. Your bags have arrived- all three of them. You eye them with a combination of longing and contempt. They don't match this place. They’re worn and used- everything here is shiny and new. Still, they’re all you have, and all you have left of your life before. All you have left of home. 

You stretch your arms above your head, nearly groaning at the burn in your muscles. The carriage ride did your body no favors and you suspect you’ll be sore for many days to come. 

You rise, no longer content to lie in bed. You’ve had your rest and, from the state of darkness outside, you suspect your new husband might be joining you soon. The thought twists a certain tightness into your gut, but you push it aside. If that was the price you paid for all he gave your family… then you’d pay it gladly. 

You start with candles, finding a box of matches at your bedside. You light every candelabra you can find. The room, the castle, seems so perpetually… black- like it soaks up every ray of light it touches. Even when you’ve finished it doesn’t feel like enough. You make a note to ask Thomas for more in the morning. 

You find a meal, carefully prepared and preserved, on a table near your dresser. Judging by the fact that it’s still warm, you conclude that it can’t be much past mid-evening. You originally intend to pick at the food as you unpack, but one bite has your mouth watering. It is the most delicious thing to ever touch your lips, complete with dessert waiting on the side. You clean your plate before moving onto your bags. 

You lay your clothes out on the bed. A few dresses, riding pants, undergarments, an assortment of ribbons and bows. At one time these items had been the finest things you owned- now you owned a castle. 

You find an armoire that looks like a master sculptor carved its edges and grab a dress, intending to hang it. Instead, your dress hits the floor when you part the doors to find the hangers already full. Your lips part. Luxury dresses of silk and satin line the rack, fading into some that appear more casual outfits of cotton and linen. You stretch a hand out, curious and utterly… amazed. To think your new husband had gone to all the effort… Your hand brushes purple silk and- 

“Do you like them?” 

You screech, jumping to face the voice at your back. It takes a moment for your eyes to find him, leaning casually against one post of your bed. Your breath is stolen for a second time. Snow white hair, piercingly blue eyes, pale soft skin… you know who he is even without looking at his dress, at the air of authority he claims. He’s your husband… and he is the most devastatingly beautiful thing you’ve ever seen. 

He laughs, then, and it’s a warmer sound than you’d thought it would be- rich and full. A sound that seeps into your bones and settles in your soul. 

“Sorry. Didn’t mean to scare you,” he says, but the twinkle in his eyes makes you think that perhaps that’s a lie. 

Your heart pounds and your eyes flash to the door. It’s shut. You didn’t hear it open, nor did you hear it close behind him. You also didn’t hear footsteps, didn’t hear breaths, didn’t hear him. 

He follows your gaze and laughs again, though it sounds a bit… strained? 

“I have a habit of being unintentionally lightfooted. I apologize.” 

Your heart is still pounding but you find it in yourself to have some decorum. You snap your jaw shut and bow your head slightly in respect. “You must be Lord Gojo. Forgive me for my insolence.” 

There’s a beat, and then footsteps– ones you actually hear this time. You clench your jaw when he stops before you and then nearly gasp when he takes your hand and brings it to his lips. 

“Satoru, please,” he winks and you think you might stop breathing. “I am your husband after all.” 

You force yourself to nod, to swallow, to act normal. But how can you in the presence of a man that looks like… that? There’s something too unreal about him, too perfect. It’s almost… unsettling. 

“Of course… Satoru.” 

He straightens and shows you a close-lipped smile that digs a dimple into his left cheek. You have to look away to avoid stumbling over your own feet. 

“So, do you like them?” Your brows furrow- “The dresses,” he clarifies. 

“O-oh.” Your features relax into an easy smile. You turn back to your armoire, running a hand along another gown. You don’t think you’ve ever touched something so… finely made. “I like them very much. I don’t know how to thank you.” 

There’s a little chuckle as you turn to face him again and you have to steel yourself before you meet his eyes. He’s mesmerizing, too mesmerizing. You think you could probably lose yourself in those eyes forever… 

“No need to thank me. If they don’t fit, we’ll call for the seamstress in the morning.” 

You nod softly, still lost to the situation. There’s a beat of silence in which your husband does nothing but… look at you. His eyes roam freely and the hair on your arms stands under his gaze. He traces the lines of your nose and jaw and lingers on your pulse. Can he see just how fast your heart is pounding?

“Did you… get dinner?” It’s a stupid question, you know, but you don’t think you can bear another second of that look he’s giving you. “I fell asleep and found a plate. I hope I didn’t prevent a proper meal…” You trail off. Perhaps you shouldn’t have pointed out your own shortcoming? 

He gives you another smile and you swear he inches just a little closer. “You did no such thing. I’m… perfectly satisfied.” 

You nod, glad that he doesn’t seem upset at the very least. Your lips press together, unsure of what to do or say. You’ve never had a husband before. Wasn’t he supposed to just sort of… put you on the bed and… do it?

Your eyes flit to said bed and your husband must see because he hurries to continue. 

“Well, I’ll see you in the morning then, hm?” His eyes flit to your armoire and back again. “Wear the blue dress with the lace to breakfast, yeah? Been dying to see it on you.” He chuckles like he’s just told some sort of amusing joke.

Your brows furrow. That was… not the topic you’d been expecting. “You’re not…” You feel your cheeks heat and tighten your jaw. “Not staying the night?” 

His lashes lower a fraction and those eyes pierce you again. You don’t think you could move even if you wanted to, even with him prowling closer, each step eating up the space between you. He doesn’t stop until you’re nose to nose and you can feel his breath fanning over your cheeks. It’s cold somehow, chilling, and you shiver. He smirks. 

“Not tonight.” 

His head dips and for a moment you think he’s going to kiss you, but then he’s bypassing your mouth altogether and- his lips connect to your pulse. His mouth is cool, just like his breath, and you shiver uncontrollably under his touch. 

His touch is just a fleeting moment, just a wrinkle in time, and then he’s gone. His footsteps are quiet brushes on the hardwood and the creak of the door even seems tamed in his presence. 

“Goodnight,” is all he says, and then he’s gone. 

You climb into your bed an hour later wondering what in the world just happened. 

~  

You do wear the blue dress to breakfast and you can only gape in the mirror when you realize that it fits perfectly. It has you second-guessing yourself. Had you sent your measurements in advance and forgotten about it? No, you’d only sent a handful of pieces of information to the Lord prior to your marriage and you remembered all of them very clearly. Everything had gone through a messenger, everything had been clear and direct– you would have remembered sending your measurements– you didn’t. So had he just… guessed? 

That seemed impossible with how everything fit you like a glove, but it was the only explanation you had. The only one that made sense. 

When you join Satoru for breakfast it’s in a sitting room as lavishly decorated as the rest of the castle, but perhaps organized to be a bit more… liveable. He has no plate in front of him, only a tin cup that hides the contents of whatever he’s drinking. You assume coffee or juice. Perhaps he’s just not a breakfast person. 

“It fits!” he says. His hands clasp together in front of him and he smiles again, dimples and all. 

You nod and fight the heat that bubbles beneath your cheeks as you take your seat. “Yes, perfectly.”

A plate is set before you and a glance up reveals it’s Thomas serving your breakfast. You smile, hoping for some acknowledgement from him, for a small piece of comfort. Instead, you get his averted gaze and quick retreat. Your brows furrow, but before you can say anything, Satoru is back to speaking. 

“I hope Thomas treated you well yesterday?” 

You glance up, but Satoru’s eyes aren’t on you, they’re on your footman. His smile is bright, but it’s anything but friendly. You fight a shiver. 

You glance at Thomas. He’s perfectly still, perfectly straight, but you think you see a muscle clench in his jaw. You clear your throat. “Y-Yes. Thomas was very helpful.” When Satoru keeps staring the boy down you add, “-and very respectful.” 

That seems to satisfy. Satoru breaks his stare and some of the tension in the air instantly eases. He shoots you another dimpled smile, this one with a little more warmth. “Perfect.” 

There’s a beat and then he’s standing, draining whatever he has in his cup and then straightening his jacket. “Well, I have some work to do. I’ll see you for dinner?” He’s grinning again, like it’s so normal for a man to abandon his bride on their wedding night and then again the morning after. All you can do is nod. He chuckles. “See you then, princess.” And then he’s gone.

~

If this is to be your life you don't know how you will survive it. You spend the day milling about. Through the gardens, through the castle, through the stables. Thomas is never far behind, but any attempt at conversation is nipped in the bud by hit shortness. It’s like he fears coming too close. He’s never closer than a couple paces except when he has to bring you something, only to retreat again as soon as possible. The other servants barely pay you any mind apart from giving you a respectful greeting and then immediately averting their eyes. There is no work to be done, no guests to be had, no parties to plan… and no Satoru. You don’t see your husband once on tour around the grounds. You ask Thomas where his office is only for him to vaguely point out a window in the east tower. You don’t see so much as a ripple in the curtains. 

Dinner comes around at the pace of a snail. When it’s finally time to get dressed a lady’s maid whose name you don’t even catch arrives to help you lace your dress. As soon as your corset is deemed tight enough she’s back out the door with a curtsy. Thomas leads you to the dining room and your eyes roam the whole way. Even after having spent the whole day exploring, there are halls and corridors that you’ve yet to step foot in. 

The dining room is just as gorgeous as the rest of the place– filled with singular items that could feed entire families for years. Somehow, you think you’ve already grown accustomed to such things, since the only thing you truly care to look at is your husband. Satoru’s already seated, but he stands when you enter, looping around the table to pull a chair out for you. 

You give him your most genuine smile, accepting a kiss to your knuckles in greeting before you settle. “How was your day?” you ask as he takes his seat again. 

He chuckles. “Perfectly fine. And how was yours, princess?” Your nose crinkles. That’s the second time he’s called you that. Something about it feels wrong. You’re still getting used to being a lady. Princess feels even worse. 

“It was… good.”

You watch a perfect white brow arch in the candlelight. “Oh? Just good?” You don’t miss the way his eyes flicker to the corner– to Thomas. 

You hurry to elaborate. “Well, I just– I can’t help but feel as if there’s not much… use for me.” Servants flood in, some carrying wine, others carrying trays that hold more food than the both of you could ever possibly consume. 

That brow arches impossibly higher. “Use?” His lips crack into that smile again, but it’s tight this time. Too tight. “You have no use. You only enjoy yourself. Surely Thomas has told you that.” 

A plate of steaming food plops in front of you. Even its heavenly smell can’t quell the sudden dread in your gut. “Of course! Of course he did.” Your stomach twists and you decide that perhaps now is not the time to press the subject. “I’ll just… I’ll try riding tomorrow.” You hate riding, but it’s the first thing that comes to mind. 

Satoru’s smile thaws into something less menacing. “I’m sure you’ll enjoy that.” 

You nod eagerly. “I’m sure I will.” 

You grab your fork, eager for a new subject. From what you can tell, dinner is roast chicken and vegetables, though it’s the luxury version as everything seems to be. The spices are intoxicating and the green beans are even arranged in a pretty little pattern that makes them look too good to eat. You do anyway. The first bite nearly makes you moan, but you chew slowly, delicately, trying not to let your upbringing show.

It’s not until several bites later that you realize you’re the only one eating. A quick glance reveals your husband has no platter, no chicken or green beans. He’s only… watching you. You clear your throat, dabbing at your lips with a napkin. 

“You’re not… eating?”

That permanent smile grows a little wider and you can’t help but feel as if there’s something… menacing about it. “Ate before I came.” 

Your brows furrow. “Oh. Were you on the road?” 

You think you see something wild flash in his eyes. “No.” 

The rest of dinner passes slowly, almost painfully. Satoru doesn’t eat a bite, doesn’t even look enticed. You wonder how that’s possible when it smells like a spice bomb went off in the dining room. 

By the time you’ve cleared your plate you’ve discussed everything from the number of horses in the stables to kinds of crops grown on the estate. It’s comforting to know a little more about your new home, but it’s not enough. 

“Is there a library?” you ask. You’re on dessert now. It’s the best chocolate cake you’ve ever had and it takes everything in you to hold back a moan each time it touches your tongue. 

“Of course.” Your husband’s eyes flicker to Thomas again and you’re honestly starting to fear for the poor footman’s life. Everytime you ask a question it’s like Satoru is angry it hasn’t already been answered. “It’s yours to use as you please.” 

You smile lightly. “Perfect. Thank you.” 

He softens a bit at that. “Is there anything specific you wanted to read about?” 

You shrug. “The estate, I suppose. I should know my home’s history, no?”

His eyes get that wild look again, that sparkle that you know speaks to nothing good. “Oh, absolutely. I have some personal favorites to recommend. I’ll leave them aside for you?” 

You swallow and give him a shallow nod. “That would be perfect. Thank you.” 

He chuckles. “My pleasure.” 

When dessert is finally over, you stand slowly. Satoru’s not far behind you, saying he’ll walk you to your room. Your heart leaps at his words. Will he stay with you tonight? 

He offers you his arm in the hall and your mouth runs dry when you feel the corded muscle beneath his jacket. By the time you reach your room, you’re thinking of tugging him in behind you. His denial to stay with you last night was not only confusing, but… off putting. Nearly offensive. Did he not like how you looked? Did he think something was wrong with you? 

You muster all the courage you possess and force your lips apart. “Will you stay with me tonight?” 

His eyes spark again and you hold your breath. He presses closer. This is it, you think. His lips hover over yours, eyes glimmering in the candlelight. And then he dips his head, his mouth pressing to your pulse. 

“Not tonight,” he whispers– and then he’s gone. 

~

You wake suddenly. It’s the middle of the night, you gather. The light streaming through the window is weak enough to only be that of the moon. 

Your heart is pounding and your skin is slick with sweat despite the chill in your bones. A nightmare, you think. It must have been a nightmare. 

As you settle back into your sheets you swear you see a ripple in the darkness. You close your eyes. If your nightmare is real, you’d rather not see it coming.

~

The library is huge. It’s sprawling and smells of paper and leather and everytime Thomas lights a candle you flinch at the idea that one misplaced spark could end thousands of years of knowledge. 

The books Satoru left you are… perfect. Just what you were looking for. They’re all comprehensive volumes of the history of the estate, many of which reference each other. You’re stunned to see that several are written by very well-known authors of both the past and the present. You knew the Gojo family’s influence reached far, but not that far. You peruse the titles. The Gojos: A History, A History of the Gojo Crest, History of the Gojo Castle, Revisiting the Gojo Family: A Comprehensive History. Altogether you have well over a few thousand pages of information– but there’s one book that doesn’t fit with the rest. It’s relatively unassuming. A black cover with some sort of gold rune etched onto its front. When you flip to the title page it reads “Creatures of Myth and Where To Find Them”. Your brows furrow. You slide it to the side– must have gotten mixed in with the others, you think.

~

You ask Thomas to bring the books to your room. He does. Very respectfully. He sets them on your bedside table and then retreats like a kicked puppy with only a polite goodbye. You sigh. His behavior has only gotten stranger in the past few days. You think the servants’ coldness must have something to do with Satoru, but you can’t figure out why. Had he ordered them to stay away? Why would he? 

You decide it’s a question for another day and dive into your books. You spend hours, days, reading every chapter, page, and word. The pure amount of information is dizzying. Apparently this specific estate had been in the hands of the Gojo family since the eighth century (with several razings and consequential rebuilds). You also learn that Satoru was not only the most wealthy lord on the continent, but the most wealthy man. Even wealthier than the king apparently, though that fact was kept fairly under wraps to protect the crown’s ego. The estimates of your husband’s net worth made your head spin.

Satoru joins you for breakfast and dinner every day. You never see him eat a morsel. It’s… unsettling to say the least. It’s always just that tin cup, filled with something you could never quite see. You develop a pattern of waking in the night, too, with the overwhelming sense that something is watching you. Sometimes you could swear you feel the bed shift as you jerk awake. Each time you simply close your eyes and try your best to slow your heart, convinced your mind is playing tricks on you. 

Your days feel a little more productive with a book in your hands, but you’ve read them all three times over by the time a fortnight has passed. You find yourself packing them up to return to Thomas when a certain black cover catches your attention. You grab it from the pile and settle back into your seat. You’ve nothing better to do, right? 

You flip back the cover, revealing a familiar title. “Creatures of Myth and Where to Find Them”. You don’t recognize the author’s name. A quick scroll through the table of contents reveals nothing particularly interesting, but you pick a random chapter on ghouls and decide to start there. 

It’s fascinating. Nothing about the style is boring and the words fly by. Your silly little myth book is a page turner. By the time you notice the light has started dying you’ve read about ghosts, fairies, werewolves, and goblins– all of which have been a delightful little read. A glance at the clock reveals you have a half hour before dinner. One more chapter, you think. Your eyes skim the title. “Vampires [Vampyr]”. 

You skim the first paragraphs until your eyes settle on a line that catches your eye. 

“Contrary to popular belief, vampires are not always crazed blood-hungry monsters. Many live among humans quite comfortably and are able to avoid detection with a little well-placed effort.” 

You purse your lips. What a… terrifying thought. You skim a little further. 

“A vampire’s key characteristic is, of course, their desire and need to drink human blood as sustenance. However, a vampire can be spotted sooner if one is able to recognize their subtler traits. Vampires often have skin lacking any sort of flush. The lack of blood in their veins results in a sickly pallor, even after the most rigorous exercise. Their skin is also noticeably cold to the touch. At best, a vampire’s body will reach room temperature. Vampires can also be noted for their preternatural beauty. They will stand out as the most attractive person in any crowd. Finally, a vampire will have fangs. If one wishes to identify a vampire, one only needs a good look at their teeth”.

A chill settles over your skin. You flip ahead a few pages. 

“Vampires are unable to consume typical human food. Should they attempt to, their bodies will immediately reject any and all foreign substances.” 

Your stomach drops. You don’t want to think about why. You skip the rest of the paragraph. 

“Vampires possess several supernatural abilities that set them apart as a human’s predator rather than their equal. Vampires are known to move unnaturally fast and are notably light footed. If a vampire does not wish to be heard, they will not be. A vampire’s strength is inhuman, well over ten times that of the average man. They also have a penchant for darkness, an ability to hide away in the shadows that cannot be explained. Oftentimes they will seem to appear from thin air.”

You skip ahead again.

“Vampires have been known to take mates. Mates usually come in the form of another vampire, but in some cases a human has been chosen. Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly. Oftentimes, vampires make these decisions with haste, with little regard for whether or not the threat was real. A vampire will do everything in their power to please their mate, but have been known to forcibly restrain their mates in situations of unrequited feelings. Above all else, vampires wish to possess their mates. Two bonded vampires will sometimes spiral into gloriously destructive fits in their endless desire to protect and possess one another. A vampire bonded to a human will show an increasingly protective nature, often isolating their mate from others.”

Your heart pounds. A bead of sweat rolls down your back. You flip the pages, desperate– desperate for a piece of information that will save you from the thoughts spilling in your mind, from the thoughts you will do anything not to believe. You reach the “Where to Find Them” subsection and nearly gasp with relief. Surely, vampires do not pose as wealthy lords of Europe? 

“Vampires can be found everywhere. They do not exist in only one country or continent, but all over the world. Odds are that you have faced at least one vampire in your life, unknowingly or not. Some vampires choose to live solitary lives, surviving in the wilderness where human society will not attempt to tame their wild nature. Others choose to live among humans, some even existing in positions of very high authority.” 

No, no, no. This can’t be happening to you. It can’t be real. You’re dreaming, you’re having one of those nightmares again. You’re going to wake up any second. 

“One tale recounts a razing of the Gojo estate in the 12th century.” 

You’re panting, hyperventilating. This isn’t happening. 

“Soldiers of the enemy force recounted a singular man, the son and heir of the then Lord Gojo, taking out a minimum of 800 men. He was described as having his family’s characteristic white hair as well as blue eyes. Eyewitness accounts depict the Gojo heir as covered in blood and killing savagely and with inhuman strength.” 

No, no, no. 

“(See next page for only existing portrait)”

Your fingers tremble but you can’t stop them. There’s no way. It’s not possible. 

You flip the page and Satoru stares back at you. 

Knock! Knock! Knock!

You nearly scream. Your door rattles angrily, but you’re not sure you can answer it, not with the knowledge flooding your mind. The knocking continues. You run your hand over your face and smooth down your hair. You feel frazzled, dirty, despite not having moved from your chair all day. Another knock prompts you to set your book aside and stand. You do your best to compose yourself, to put on a straight face. You fail instantly when you pull back the door not to reveal your faithful attendant, not Thomas, but Satoru. 

You bite back a shriek and instead force a smile. You’re suddenly very aware of the blood pounding in you veins and of the fact that he most likely knows. 

“Hello,” he says, but his voice is lower than usually, more intense. 

You force a breath into your lungs. “Hello,” you answer, but it sounds more like a squeak than a greeting. 

Something flashes in his eyes, something familiar, something that is no longer interesting but rather terrifying. “Are you alright? You seem a little… flushed.” The concern on his face feels anything but genuine. 

“I’m fine,” you answer, but even you can tell that reply too quickly, too eagerly. You rush to cover it up. “Is it time for dinner? Where’s Thomas?” 

His lip twitches and you see a muscle in his jaw flex. “Thomas has… left us.” 

No. This wasn’t happening to you. There was no way this was happening to you. 

“He… what?” There’s an unmistakable wobble in your voice that only causes Satoru’s face to fall further. 

“It’s no matter. He’s gone. Now it’s just you and me, hm?” He chuckles and the sound rattles your bones. “In fact, I was thinking I’d cut down on the number of servants we have entirely…” 

You mind races with the memory of knowledge you wish you didn’t have. “Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly.”

You nearly stumble, but lean against the doorframe just in time. Your husband had disposed of a man, all because he brought you meals and books?

“What have you been up to today, princess?” The question breaks your trance just in time for you to see your husband’s eyes flicker behind you. 

You wet your lips. “Just some reading.” You plead that he doesn’t ask anything further. He does. 

“About the estate?” he asks. 

You nod and try to swallow the lump in your throat. “Yes.”

His smile returns and this time it’s not forced. “You got my books, then?” 

You try smiling back, but you’re fairly sure it looks more like a grimace. “Yes.”

“Anything interesting?” he presses.

This isn’t happening. This can’t be happening. Does he know? Does he know that you know? “Yes, of course. Lots.” 

He pauses and you see the debate and then the decision in his eyes. You think it’s the first time you’ve felt true terror when he meets your gaze again. “I think we should skip dinner tonight. It seems we have so much to discuss.”

You don’t even have the wherewithal to scream when he steps into you, forcing you back until he’s shutting your door behind him. He doesn’t stop there, though. He keeps pressing, keeps pushing until your knees hit the bed and you’re falling to the mattress. He crawls right after you.

“Who knew my little wife was such a reader? All those books in such a short time… You must be simply spilling with information.” 

You retreat across the mattress, squeaking when your back hits the headboard and his arms cage your waist. You’re trapped.

His hands find your hips and you’re all too aware of how cool his touch is. Even more so when he pulls you right into his lap.

“Satoru-” your voice is pitiful, breathless, and you’re ashamed to say it’s not just from the fear in your gut. He’s never been this close before, never touched you, held you like this. “Thomas-” 

“Don’t speak his name.” His face pulls into the first scowl you’ve ever seen and the sight is enough to root you to the spot. Never have you seen anything more frightening. A creature so beautiful, so perfectly angelic, filled with an insurmountable rage. It’s wrong. “He’s gone. He’ll never bother you again.” He’s closer now, his breath skating over your skin. It’s cool and now you know the reason why. 

You shake and tremble and you know– Thomas is dead. Your husband killed him– killed him for getting too close when all he did was stay at a distance. Satoru killed him. Killed him. 

He buries himself in your neck, his voice a near whine. “Thought I could put up with it, just so you’d have someone to take care of you…” He groans. “I was so wrong, princess. Couldn’t stand it. Couldn’t stand the way you smelled more like him than me…” 

You feel him melt against you then, relief washing over his body in a wave. “But he’s gone. And now it’s just you and me, hm? Just you and me…” He hums, like remembering that fact is all he’s ever needed.

He’s kissing your pulse again, now, and your heart is racing faster than ever. Your fingers curl into his shoulders. You should push him away, away, away. He’s a killer, of thousands no doubt. You’ve never felt at home here, never felt like you belonged. This is why. You’re not even the same species. He’s something else, something your hands were never meant to touch. 

Your mind screams at you to do go, to shove and kick at him and leave this place behind. Go, go, go your gut says… but you don’t. You can’t. It’s too… good. The feeling of his cool lips against your skin, of what you’re sure is his tongue prodding at your pulse… it’s intoxicating. He is intoxicating. How could anyone blame you for wanting more of someone, something, so divine? 

“Have you figured it out yet, love?” Your breath hitches and he chuckles, licking a long stripe up your neck, before he settles back at your pulse. Always your pulse. “I can feel those little gears turning. Tell me, what have they discovered?” 

He knows you know. But he’s going to make you say it. You swallow and feel his grip on you tighten. “You’re…” Your breaths come faster. You can’t. Not aloud. Aloud makes it too… real. 

“Yessss?” he prods. He’s licking at you again, all the way across your throat to find your other pulse-point. 

“You’re not…” Something sharps nicks at your skin and you bite your lip to hold back a whimper. 

“Go on, princess.” You think he’s just smelling you now, just burying his face as close to you as possible and taking you in. 

You close your eyes tightly, holding back tears. “Not human,” you breathe. A piece of you breaks with the admission.

He huffs a little laugh against your skin and pulls back to look you in the eye. “That’s good,” he purrs. “But I think you can be a little more specific, no?” His lips press to your chin, then the corner of your mouth, then down to your jaw… “Tell me.” 

Your lips wobble, muscles clenching tighter with each passing moment. You don’t want to say it, don’t want to speak it into existence, but you also don’t dare to disobey him. 

“You’re a…” You shake and tremble. He draws a line up your neck with the tip of his nose.

“Mhm?” 

You open your eyes, thinking this might be the last time you see. “Vampire.” 

He chuckles and you feel his teeth press to the skin of your neck. “That’s right, princess. So smart.” 

He smiles and you suddenly realize you’ve never seen his teeth before. Everytime he smiles at you it’s close-lipped and dimpled. But this… this is the smile of a predator– all white and pointy and fitted with a set of menacingly long fangs. You sob at the sight. 

“Shhhhh,” he coos. He has your chin in his hand, forcing you to truly look at him, to see him for what he is. “I won’t hurt you, love.” You want to believe him so badly it burns, but his laugh washes away any fire and turns it to ice. “Not unless you want me to.” He wiggles a brow like it’s just a little joke, like he’s not an actual fucking vampire that had his fangs over your neck just moments ago. 

“Satoru,” you beg. You’re not sure what you’re begging for. Release maybe? But, no, that’s not right. You don’t want him to let you go, not when you finally have him close after all this time. “Why did you pick me?” 

The question slips out. You hadn’t even been thinking about it, hadn’t even noticed it scratching at the walls of your mind, but it made its way out nonetheless.

His brow creases, but not in confusion. Moreso in… thoughtfulness. “Do you think about that a lot, princess?” 

You nod and you suddenly want him closer, want him to touch you everywhere, hold you like his life depends on it. You want him, no matter how horrible it might be. 

He nods and hums, kissing the tip of your nose lightly. “Well…” he says. His thumb swipes over your lips when he leans in to whisper in your ear. “At first I wanted you for this.” His head dips to your neck again and you feel the familiar brush of his lips against your throat. “You smell…” he chuckles. “Like heaven. Which is a place I’ll never get to on my own, so I had to bring my own little slice home, no?” He laughs again, a little louder this time, genuinely amused. “Went into town one day and caught your scent on the street. At first I thought I must be walking past the bakery, but, lo and behold, there was no baker in sight.” He’s still kissing at your pulse, worshiping it. “Went crazy, princess. Didn’t think I was going to be able to contain myself when I found you. Thought it might be quite the scene.” He huffs a laugh and you shiver, somehow both terrified and intoxicated. “But then I saw you–” he groans and something clenches deep at your center. “And I knew I needed more than just your blood. Needed you.” He’s rocking into you now, and your breath catches when you feel something firm against your backside. “Went to you in that little room you slept in every night. Watched you. Couldn’t stay away. Knew I had to have you.” You feel him smile against your skin. “After a week I couldn’t take it anymore. Sent you that letter, married you. Made you mine.” He groans again. “Then I met you and you were so pretty, princess. Already knew it, but hearin’ you talk to me, look at me.” Teeth graze your pulse. “Needed you more than ever. Almost took you right on the fucking floor in here while you were lookin’ at those dresses.” You whine when his hips roll into you again. “Oh, but I knew I couldn’t. You’re so fragile, love. Had to wait, had to make you feel safe, yeah? Spent all this time forcing myself to stay away, ‘fraid of what I might too if I was in your presence too long. Had to control myself. Had to make you realize you could trust me.” He panting, like he’s so pent up he can hardly sit still. “Do you trust me, princess?” 

Your brows scrunch. Say no, say no, say no a part of you screams. Run, run, run. You can’t. “Yes,” you breathe. 

You feel him smile again, feel the pleasure of submission. “Good girl.” 

You’re on your back. It happens so fast your eyes don’t even have time to gasp. You don’t see Satoru, but you feel him. Everywhere. His hands are roaming your body softly, sliding under buttons and laces and popping them off. Your dress loosens with every passing moment until Satoru reappears above you, diving straight for your neck again. “So good, princess. Let’s get you out of this dress, yeah?” 

You nod wordlessly, entranced. He finds your mouth as he rids you of your clothes. His tongue presses in and you flail against him, unsure of what to do, of how to handle the intrusion. The kiss is heavy, too heavy, but Satoru can’t seem to stop. He devours you as he gives up on laces and buttons and simply shreds your dress down the back. You tremble when the cold air hits your skin, when his cool fingers dust your collarbone. 

“I always forget how many damn layers they make you ladies wear,” he chuckles. His hands run beneath your shift, up across your bare thigh. You gasp at the touch. No one has even been so close to you before. You feel the threads of your corset snapping away, feel your breaths growing deeper. You tremble when he pulls your sleeve down past your shoulder and runs his mouth along the newly exposed skin. 

“Satoru,” you gasp, and your hand pulls at his flowing white shirt. 

He chuckles, pulling back just enough to see your face. “You wanna see me too?” You nod, lips parted and eyes glassy, and he laughs again. He lips dust over the corner of your mouth. “Alright.” 

His hands shift from you to himself, working at the laces on his chest. His movements are speedy, practiced, like he’s been lacing and unlacing shirts for hundreds of years. Your throat tightens when you realize that he has. 

You gasp when he reveals himself, when his shirt slides away to reveal an expanse of pale skin and carved muscle. You’ve never seen a man like this and seeing one this close up for the first time is nearly blinding. He’s art, you think- nothing less. 

“Touch me, princess,” he says. You can’t. You shouldn’t. He’s too beautiful, too perfect to be beneath your insignificant hands. “Need a little help?” he asks, and there’s a lilt in his voice that makes you sure he’s grinning. 

His hands find yours and bring them to his chest, running your palms over his collarbones, his pecs, down, down, down across his abs that you can feel each and every one… You whimper, watching your own fingers grope his skin. He pulls you lower, lower, lower, and you gasp when your fingertips brush the waistband of his pants. But then he’s laughing again and he’s throwing your arms over his shoulders and pulling you closer, kissing your neck like it pained him to be parted from your pulse for so long. 

“Not so fast,” he says, like he wasn’t the one nearly stuffing your hands down his pants. His hands are on your corset again. You can feel it dangling onto you by a thread, literally. All he needs is a couple more pulls and you’ll be bare. By the look he gives you, you can tell he’s 

thinking the same thing. “You touch me, now I touch you, yeah?” There’s a tug and a tear and then so much… cold. You’ve never realized how cold this castle is, not until you’re exposed to its elements fully. You’re naked. 

Satoru sits back on his knees and just watches. His gaze is searing, burning, despite the iciness of his being. It’s too much. Your hands move to cover yourself, to maintain some modicum of your dignity- 

“No.” Strong hands find your wrists and pry them apart. “Let me see you,” he says. His tongue darts out to lick his lips. 

Your jaw clenches and your frame shakes, but you do as he asks, letting your hands fall limply at your sides. There’s silence for many more moments and it seems to go on so long that you can only squeeze your eyes shut under his gaze. Surely he will turn you away now, get up and leave, tell you this was a mistake, tell you that you’re– 

“Beautiful,” he breathes. Your eyes snap open to find him already staring at you. “Beautiful,” he says again, and then he’s on you, lips at your pulse, hands on your skin. His touch is cool and you squeak at the chill that runs up your spine. You’re not sure it’s entirely from his temperature. 

His mouth seeks yours and he devours you. You feel as if he’s sucking your soul out through your lips. “Tell me you’ve never done this before,” he begs. “Tell me I’m the first to touch you.” 

You whine against his mouth, both aching for more and overwhelmed by what he’s already giving you. “Y-You’re the first,” you whisper. 

His groan is deep, primal. It rattles through your chest and you whimper when his hands dig into your waist hard enough to bruise. “Yes,” he breathes, and you shiver again. “Lie back, princess.” Your eyes widen, with anticipation or fear you’re not sure. Probably both. He chuckles. “Don’t worry. I’ll be gentle.” 

You pray he means that. “Just relax, love. Here, hold my hand.” His fingers find yours, twining them together. When you swallow, his eyes follow the bob of your throat. He leans back again and your body twitches when his free hand skims the skin of your thighs. His tongue darts out to wet his lips as he finds your knees and you gasp when he parts your legs, revealing you so completely to his gaze. The way he stares, like he’s committing you to memory, it’s nearly enough to make you snap your thighs shut, but a squeeze from his hand reminds you to relax, to trust. 

His palm skates up your thigh and settles near your hip, his fingertips inching closer to where you can feel an embarrassing throb. 

“Tell me, love. Have you ever touched yourself here?” His fingers dust low on your tummy- just low enough for you to catch his meaning, but not low enough to give you any relief. Your face heats and your teeth dig into the flesh of your cheek. You have, you have touched yourself there, but it’s the last thing you want to admit to your new husband. It’s shameful, it’s dirty, it’s- “Don’t think I’ll judge you, princess. Just wanna know.” 

You gulp down a breath. You should come clean. “Y-yes,” you stutter, and the sound of your voice so weak and helpless only makes you flush further. 

He chuckles and squeezes your hand again. “On the outside or the inside?” 

Your eyes widen. I-inside? You’d never considered that… “J-just the outside,” you answer. 

Your eyes grow even wider when his head rolls back and he moans straight up to the ceiling like your answer is heaven-sent. When he looks back to you his fangs are on full display. “Well, I think you and I are in for a little treat today, hm?” 

Your brow furrows and your lips part to ask him what he means– his fingers travel those last few inches down your tummy and find your clit. You squeak and jolt so violently that he presses a hand to your hip, holding you to the mattress. “Somebody’s sensitive,” he chuckles. He holds you still for a moment and then lets your hips go free. “Try to stay still. I promise it’ll feel good.”

You nod hopelessly, but this time you’re prepared for when he touches you again. Your muscles clench at the first touch, at the foreign sensation of a touch down there that wasn’t your own. But then it’s more. It’s languid, slow circles around a spot that you’ve never been able to pinpoint so well on your own. It’s heat building in your tummy that seeps through every vein and into every pore. It’s relaxation that you’ve never known, that has you melting into the mattress despite the chill of the touch. 

There’s a little huff of a laugh and then his voice. “Good girl. Feels nice, yeah?” You nod hesitantly and squeeze desperately at his hand, searching for an anchor. His head cocks to the side and you watch the smile slide across his lips. “It’s about to feel even nicer.” 

By the time you realize what he’s doing it’s far too late to stop him. His mouth closes around your cunt and you yelp, trying to wiggle away from the overwhelming sensation- but he’s got his freehand on your hip again and his grip is bruising, punishing, as he holds you in place. He licks a stripe through your folds and you find yourself jolting again, uselessly so against the pressure of his palm on your hip. “Stop that, princess.” Your heart drops at the admonishment until you feel his guiding touch. “Rock into me like this.” His hand rocks your hips into his mouth and the pressure of his tongue against your clit is so delicious that you whimper. “Good girl,” he says and your heart rises right back up. “Keep doing that, now.” You don’t dare defy him. You rock like he showed you, a little jerkily at first, and then you find a rhythm that has you seeing stars. “That’s it, love,” he says, and the sound is muffled against your cunt. “Here, put your hand in my hair.” He finds your wrist and guides you forward until your fingers are tangling in those snowy locks. They’re even softer than you’d imagined. “Good girl,” he whispers and suddenly he’s taking one last long lick and lifting his head to meet your eyes. “‘M gonna put my fingers in you now, princess.” Your chin wobbles. “It might hurt a little bit, but stay still, okay?” You can’t do anything but nod. 

His eyes return to your cunt and you can feel him prodding at your entrance, circling the hole as you clench in anticipation. “Relaaaaaax, love,” he says and you nod. A deep breath in through your nose and out through your mouth– 

You feel the exact moment he pushes into you and a whine of pain rips from your throat. Your walls clamp down like a vice, angry at the intrusion– but it’s already too late. There’s a beat of silence, of anticipation, and then he’s– laughing? 

Your brows furrow when you hear it, your head lifting to a sight that locks your limbs in shock. Satoru’s hand is lifted in front of his face, his pointer finger coated in– blood, you realize. Your blood. And he’s a fucking vampire. 

“Oh princess,” he coos, and the manic look in his eyes makes you tremble. “You really are perfect.” 

Things seem to slow as you watch him take his blood covered finger into his mouth. You’re sure you’ve never seen an expression more blissful, more lost to sensation. His eyes roll back and his body shivers, like he’s ascending to some higher plane. Maybe he is. 

When he pulls his finger from his mouth it’s completely licked clean. You hold your breath. He’s going to go for your neck now, right? He’s had a taste and now he’ll want more of it, all of it?

“Fuck,” is all he says. His mouth is back on your cunt so fast you don’t even see him move. 

Your mouth falls wide. It hurts, the way he is so desperately licking at you. You feel his finger again, pressing in, in, in, only to pull back and suddenly be joined by another. The stretch tears at you. You thrash and jolt, but Satoru doesn’t bother telling you to stop this time. His arm wraps over your hips, holding you in place. He seems immune to how hard your legs squeeze at his head or your hands pull at his hair. He’s lost. You can feel him licking, lapping, and prodding at you like you’re a fucking gold mine. He’s lost to desperation, to the need for more, more, more. Every so often he lifts his chin and you see his mouth smudged with a mixture of your wetness and your blood. He laps at his lips like an animal, dragging his thumb across his chin and sliding it into his mouth to make sure he gets every last drop. 

You’re not quite sure when the ravenous pain turns to a ravenous pleasure, when it turns from terrifying to downright delicious. You don’t notice your moans filling the air until Satoru joins you, groaning and whining into your cunt and telling you to keep going, to keep making those sounds. The hand you have buried in his hair doesn’t fight to push him away any longer, only to pull him into those now practiced rocks of your hips. His fingers thrust deep, curling into a spot that makes you feel so good and his mouth has found your clit again. He sucks your nerves lightly between his lips, tongue swirling in little circles. Your thighs start to shake. 

“Yes. Yes. Give it to me.” 

“S-Satoru–” you breathe. Warmth and tightness pool in your tummy, and you recognize it as your approaching orgasm, though you know this one will be far different than any you’ve ever managed to give yourself. Your body shakes and your breaths tremble and then– you fall over the edge, rocking your hips senselessly, losing all form of rhythm. Warmth tingles in your spine and seeps all the way down to your toes. You think you cry out, cry for your husband, cry for more, cry for less, but if you do you don’t hear it. All you hear is the pounding of your pulse, of pleasure throbbing in your veins until the world slowly seeps back in through the corners of your vision. 

Satoru is grinning. A speck of your blood clings to his chin and his fangs peek out from behind his lips. The sight makes your blood run a little colder. If any part of you doubted what he was before… well, there was no doubt any longer. 

There’s a shift between your legs, his hips slotting between them, and you’re suddenly snapped back to reality. From the look in his eyes, you’re not done. 

Frantic hands find his pants and he undoes each button with a quickness that is almost inhuman. You wonder if he could go even faster, if he’s holding back so as not to scare you. If he is, it isn’t working very well. Fear surges in your veins right alongside anticipation. 

“S-Satoru–”

“It’s alright, love.” His hand finds yours without his eyes ever looking up. His grip is just a little too firm, a little too cold. “Just stay still.” 

You whimper, but you don’t think he’s paying attention to that, and soon enough, neither are you. His pants slide down just past his hips, just enough. You gasp. 

You’ve never seen a man in the nude, never even dared to think about what it might look like, though it seemed you no longer had to guess. His hand wrapped around his shaft, giving one long and slow stroke that made his breath hiss through his fangs. The tip was flushed, angry, and leaking something that looked clear and sticky. You couldn’t help but notice it was a lot thicker than a finger, or even two. If his fingers had hurt…

He moves with that alarming quickness again, leaning down to hover over you, chests nearly pressed together. “Gonna take you now, princess. Gonna make you mine.” His eyes bore into yours, blue and shimmering with something wild. His hand presses into the mattress beside your head. “Stay still, now.”

It’s all the warning he gives you. You feel like you’re splitting– straight up the middle. You wail, hands flying out to claw at his back. It hurts. It hurts. 

“Satoru, p-please! It’s–” 

Lips catch yours– hungry, feral. The kiss is not gentle, not soothing. It shuts you up, it keeps you quiet, it keeps you still as you feel him sinking further, deeper into you. It’s too much, you try to say, but the poke of sharp teeth against your lips keeps you silent. Your hips jolt and wiggle trying desperately to escape the stretch but it’s no use. By the time he’s fully inside you, tears are streaking down your cheeks, fat and heavy. His lips break away and his eyes reappear. You shake when you see that none of the wildness has been tamed, that you’ve only just begun.

“Good girl,” he coos, and a cool finger traces a line across your jaw. “Took me so well.” You hold back a sob when his hips shift a little, testing, prodding. He must see the pinch of your eyes, the twist of your mouth, because he’s quick to comfort. “Just hold my hand, princess.” His hips rock in earnest this time and you whimper, squeezing down on his hand with all your might. You’re panting as he chuckles. “Breathe, love. Breathe. Soon you’ll be begging for more,” he laughs. It’s not long before he’s rocking into you sincerely, setting a pace that stretches you to the brink of breaking. At first it’s all you can do to grasp onto him, to bite your lips through the whimpers and hold his hand. And then it’s… more. It’s heat and warmth despite the coolness of his body on yours. It’s sensation and… pleasure. He laughs when the first moan slides past your lips, burying his face in your neck once again. You hear him at your ear, panting his hot breath across your skin. 

“Feel good, princess?” You nod, letting your hips rock against his as he showed you before. It feels good– it feels right. He chuckles, but there’s nothing light about the sound. “Wanna feel even better?” Something sharp pokes at the skin of your neck, hard enough to make you squeak, to make you freeze at what you know he wants. 

He pulls himself back, pressing his forehead to yours, searching your eyes with his. Something like a cruel smile dances on his mouth. “Just a taste, love. I promise it won’ hurt.” His tongue darts out and licks across your lips, his thrusts rocking just a bit faster. “You’ll feel s’ good an’ I’ll only take a little.” He laughs again and it sends a chill through your bones. “Promise.” He sounds breathless, like he’s struggling to restrain himself. The increase of his pace makes you whine and you squeeze his hand again. He buries himself back in your neck, panting. “Come on, love. Say yes. Say yes f’ me.” Your eyes glaze over. Your body justles with each new thrust. He’s desperate now, seeking a release that you don’t think is any kind you’re familiar with. “Yes, yes, yes,” he chants in your ear. You’re not sure when his words twist in your mind, when they settle on your tongue and push past your lips, but you know it feels so right when they do. 

“Yes,” you whisper. 

His fangs clamp around your pulse. You scream when the sting rips through you, violent and savage– but it only lasts a moment. Pain fades to… ecstasy. You feel his throat bobbing with each swallow, feel your blood seeping from your skin and onto his tongue. You’d thought it would feel slicing, draining, like the life was being sucked from you. It doesn’t. It feels wonderful. Heat spreads under your skin, emanating from your neck and down to your toes. It feels like breathing for the first time, like sugar being pumped into your veins. It feels like heaven. Your hand tangles in his hair, holding him close. You don’t want it to stop, not ever. You could die like this, have him suck every last drop of blood from your veins and thank him for it with your dying breath. 

He’s moaning now, hands curling into your hips while he fucks into you relentlessly. The pace is grueling and brutal. You know it should hurt but only feels perfect. Anything less would not be enough. Anything else would leave you wanting. You feel it building, feel that familiar twinge at your core. The ecstasy flooding through your veins has it coming faster, has you teetering on the edge in moments. 

“Satoru…” You hadn’t noticed how dizzy you felt until you tried to speak. You wonder why… “‘M gonna…” 

He fucks you harder, something menacing and deep rumbling in his chest. The sound makes you shiver, makes you whine, makes you come. 

Your body shakes and a cry rips from your throat, cunt clenching like a vice around him. Your eyes roll back, hands scraping trails down his back. Your thighs quake with the intensity, with the overwhelming senses of pleasure that erupt throughout your body. Every nerve is firing, every hair rising. It’s an unstoppable current, one that sweeps you away, helpless to its pull. 

His thrusts grow sloppy and untimed. His grip on your hips tightens, holding you in place while he makes you his. His teeth break from your neck and when you look up through blurry eyes you see his head thrown back, your blood streaming down his chin in thick little globs. You feel it when he cums, feel the thick ropes of it seeping into your womb, feel the way he keeps fucking you, pushing it deeper and deeper inside. He’s moaning, chanting your name like a prayer at the heavens. 

When the moment ends he slumps over you, eyes half lidded and tired. There’s a familiar grin on his lips, one that inspires both comfort and uneasiness in your gut. You can’t help but stare at him, at the blood that stains his chin and cheeks, that reddens his lips so beautifully. You want to reach out and touch him, touch his blood-soaked skin and see what it feels like, what it tastes like. What you taste like. 

His eyes slide to the side, finding your pulse again. You groan. Yes, you think. Please, yes. More. You don’t think you’ll ever get enough of that. Of his teeth in your flesh, of the euphoria flooding your veins. More, more, more, your mind chants. 

He chuckles lightly and shakes his head. “No, princess.” He raises a finger to trace the curve of your neck. “I took more than I should have…” His expression doesn’t tense with worry. His cheeks pull into a smile, those little dimples shining through. “But what can I say? You just taste so good.” Like he needs to emphasize his point, his tongue darts out to trace his lips, lapping up some of the remaining blood on his chin. “You taste like mine.”

You whine. More, more, more. It’s all you can think about. You lift an arm weakly. You want to pull him to your neck, to make him drink, to make him fill you with the heaven you had just moments ago. 

He catches your wrist and brings it to his lips, inhaling deeply. His lips split into another grin and you see his eyes spark again with the wildness you crave. 

“Not yet, princess.” he coos. “But soon.” His smile grows even wider, until those fangs are on full display, until you’re trembling again. “Forever,” he whispers.

taglist (dm me or send an ask to be added!): @lacheri, @la-undercover-latina, @keiva1000

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[astrxealis]

astarion... the man that you are.....

[starkwlkr]

happy life, happy wife | hugh jackman

an: “you attract what you fear” GUYS IM SO SCARED OF A 55 YEAR OLD AUSTRALIAN 😭 definitely thinking about making marvel actress!reader x hugh an actual series… i have ideas

marvel actress!reader

Deadpool & Wolverine Press tour - Hot Ones

Hugh felt like he was going to die. Each wing was getting hotter and hotter, but immediately when he heard his wife’s name he forgot all about the spice.

“Hugh, your wife is part of the Avengers, how does it feel having your wife be part of such a huge franchise? Have you two talked about a potential team up with the X-men and the Avengers?” Sean asked.

“My wife . . . Oh god, I think I’m crying-”

“I can’t tell if you’re legitimately dying or completely in love with your wife.” Ryan told Hugh.

“Wait . . I am completely in love with my wife and I would legitimately die for her.” Hugh gasped as he rearranged Ryan’s words.

“Is that in the contract she made you sign when you married her? ‘I vow to die for you’. My contract said I had to give all my money to my kids and wife.” Ryan said.

“No, she’s amazing, um, if I start talking about her I think I might go on for hours,” he laughed. “Our kids do want to see their parents fighting the bad guys together. We would love to team up, maybe it could happen.” Hugh smiled.

“The entire movie would be them making out and her beating the shit out of you. I’d pay to see that.” Ryan added.

•••

Comic Con 2024

Like RDJ, your last Marvel movie had been Avengers: Endgame. After being in ten mcu films, it was time to say goodbye to your character.

But that was in 2019.

At this years comic con, you were back. The cast of Deadpool & Wolverine had taken the stage and showed their appreciation for the fans. After their panel, it was time to announce Marvel’s upcoming projects. Kevin Feige announced the Fantastic Four, Thunderbolts, Captain America 4, and finally the new Avengers movies, which everyone was extremely excited about.

After showing the title card for the upcoming Avengers film, Kevin turned to the audience.

“Something people have been asking, as of late, is who the heck is going to direct these two movies?” The audience clapped.

From the side of the stage, you were nervous. What if the fans didn’t like the idea of you directing the next two Avengers films? Your worrying caused Hugh to come to your rescue.

“Hey, they loved you as an Avenger, they will love you even more.” Hugh kissed your forehead. “If anyone says anything about this decision, they have me to deal with.”

You laughed at his words. “I really love you so much.”

“Love you too, bub.” Hugh was about to kiss you when Ryan cut in.

“I really love us too. I convinced half of the people here that we’re a throuple.” He said in the most serious tone ever.

Kevin announced you as the director. Your doubt of the fans not liking the announcement was proven wrong when you walked the stairs to the stage and stood next to Kevin. They cheered when they saw you were back.

As you said a few words, thanking Marvel, Kevin and the fans, you were being recorded by Hugh, who was being recorded by Ryan.

“That’s my wife!” Hugh cheered from backstage, holding his phone in his hand.

“She’s Marvel Jesus now, holy shit!”

•••

WIRED autocomplete interview

“Is Hugh Jackman married?”

“Yes, to me, Y/n, probably to half the population,” Ryan answered. “He’s Australia’s biggest slut.”

“All the times, I proposed.” Hugh laughed. “But yes, I am married and I love my wife very much. She’s stuck with me forever.” He lifted his hand to show off the wedding band.

“Funny, because she texted me right now. Her and Blake are in the courthouse getting married. So Deadpool three was actually made so our wives could divorce us and marry each other.”

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[areislol]

twitter links w/ hsr men

pairings. blade, jing yuan, aventurine, sunday, gepard, sampo x afab/fem! reader

warnings. NSFW no minors! please read at your own discretion, explicit/18+ smut, established relationships for most, brat taming for blade, mention of being called a whore (teasing manner) for aventurine, mentions of puppy for gepard but there's no meaning about it. aggressive sex, passionate sex, masturbation (fem.) sub! gepard for 1 twt link, fingering

a/n. i don't think i've done one for hsr yet... or genshin so maybe that'll be in the future. sorry (not sorry) guys i'm ovulating (i need them all carnally). also i think for some you need to be logged in twitter for them to work! this only has a couple of characters cause i'm a bit lazy today

blade

✧ fucking you so good from behind, "you like that don't you?"

✧ eating you out in a room just beside his colleuges room, he likes the risk and it turns on him. you feel the same way, right?

✧ teasing you for being such a brat, spanking your tight pussy and rubbing soft languid on your sensitive clit. you'll learn your lesson sooner or later.

✧ the size difference never fails to amaze him. but that's fine, he'll take his time with you.

✧ making you cum just by his slender fingers

jing yuan

✧ riding your boyfriend jing yuan

✧ fucking you in his bathroom while you're wearing his shirt. how adorable of you ♡

✧ best friend! jing yuan who fucks you right and how you deserved to be fucked. "feels good doesn't it? i know baby but you need to keep your voice down.. your mom is here.." it's quite hard to stay quiet while being pounded relentlessly, isn't it?

✧ a 5 star meal in his opinion, nothing beats your pussy.

aventurine

✧ slowly and painstakingly teasing you with his cock, oh, and you're wearing that new blindfold he bought for you!

✧ bouncing up and down on his dick, "like the whore you are"

✧ morning sex (is this based off the artwork recently posted by hoyo? yes)

✧ fingering you from behind

✧ "fuck..." aventurine loves hearing you moan

sunday

✧ "ride my face, please."

✧ passionate sex with sunday

✧ giving your boyfriend an awaited tit job ♡

✧ restricting your movement by binding you. "stop moving or i won't put it in." he says while also rubbing his hardness on your entrance.

✧ fucking you 'till you're braindead

gepard

✧ your puppy boyfriend who loves eating you out. best meal ever.

✧ breeding you just like you asked, one peak down at the messy sight gets him 10x more hard. good luck with a horny gepard

✧ milking your beloved with a vibrator

✧ teasing your poor husband with a video of your wet pussy while he's at work.

sampo

✧ your boyfriend still continuing to finger you through your orgasm. overstimulated would be an understatement.

✧ making out in your room

✧ fucking you aggressively after seeing his rival, gepard, flirt with you (?? gepard flirting??)

✧ your pleasure is his pleasure//masturbating while eating you out

a/n: me after not writing anything for a couple of weeks (i think almost a month?) :) i haven't done this in SO long. no continue reading for this since it's short. (this is a shitpost)

taglist: @tomansimp @one-offmind @miitchiji @dainsleif-when-playable @momoewn @stygianoir @irethepotato @v4an @imetsk @fiannee @sunnyf4lls if im missing anyone please tell me because i have an inkling feeling i missed a few..

liking + following + reblogs are very much appreciated!!!