#I love Izzy's character so much

[fatsackfails]

Jack Manhattan is a loose cannon, bad boy beat cop from Brooklyn who plays by his own rules

Paula Donvalson is a sexually repressed, recently divorced strip mall security guard who slams computer monitors as if they were laptop screens

Izzy Roland is a God damned national treasure

[izuizzy]

excuse me, the little one requires your attention

part 2 is here

[cahootings]

I could be misreading the moment, and I’d be curious if anyone else has mentioned it already. But. In ep 4, after Stede has gone to look for the ship and Buttons is performing his full bird ritual. Ed tiredly says “Buttons, people don’t change. Into birds or otherwise.”

It’s such a specific line and I love it. I think he’s thinking about himself. I think he’s thinking about whether he is able to change, maybe into someone deserving of love, or maybe into someone who knows they always have. And he’s quiet and a little sad as he says it. People don’t change.

But then he’s surprised, because Buttons changes. And his eyes are wide and he watches him fly. And then Stede comes back.

[moggettt]

just some guys being pirates being dudes :D

s2 is consuming my every waking thought 🏴‍☠️🏴‍☠️🏴‍☠️

[finngualart]

im gonna write my thoughts about this in the tags

[witchlingcirce]

ANYYY shadowhunter who has black hair, some herondale descendant, and is flirty af will ALWAYS be in my top 5 no takers

[wistfulcynic]

a non-izzy-centric reading of the events of season two

i didn't really want to get into this because it's so, so tiresome and i'd rather talk about the things i loved about this season. Poison, positivity, etc. But.

reading this post about people doubting their own judgement due to the overwhelming noise from Izzy stans along with a rewatch of season two from start to finish made me realise that i too had been influenced by a year and a half of being intensely frustrated by people insisting so loudly that OFMD was in fact the Izzy Hands Show. My initial issues with S2 mostly stemmed from overcompensating for that by resenting any development of Izzy on the screen because i did not want it to feed those people. Which meant that i also was centring Izzy in a way that he should not be centred! i was letting their noise lead me to read him as far more important than he actually is.

So i looked back at several points from the season that had me feeling uncomfortable and which, from a cursory browse through the Izzy tag i've concluded his stans see as a contradiction or a betrayal or something and re-evaluated them from the perspective of Izzy not being a main fucking character.

point one: "He's our dick."

When Archie (a newcomer and therefore a fairly effective audience stand-in for anyone not balls deep in fandom bullshit) asks Jim why they're going to so much trouble for Izzy, who she has immediately clocked as "kind of a dick", Jim gives this response. Which, if you think Izzy is important, may read as an expression of reluctant fondness. But then, Jim continues: "There was a time when life meant something on this ship. When we lived for each other, not just to survive." These lines are punctuated by a flashback to the famous Revenge crew found-family Renaissance-painting moment. Jim is nostalgic for the "good old days" of the Revenge under Stede's people-positive management style. It is out of respect for that (seemingly) lost way of life that they take the trouble for Izzy, not for Izzy himself. They'd have done the same for anyone, because they desperately want life to matter again. Izzy, as the person whose gamy leg is a direct result of his threatening Ed and bringing the kraken era down on all of them, is simply the one whose life happens to be on the line.

(honestly, i love this from Jim, who was one of Stede's boldest detractors in season one and still the crew member most likely to call him out on his bullshit. That's your "reluctant fondness" moment right there.)

point two: the new unicorn

apparently Izzy stans see the gift of the unicorn leg prosthetic as a symbol of deep love and respect from the crew to Izzy. Which is an absolutely wild reading when you look at what led up to it.

There's tension on the ship. Divisions. Lucius is chain-smoking and jump-scared by his own shadow. Jim, Archie, Frenchie, and Fang are overcome by guilt over their mutiny and frantically scrubbing nonexistent blood from the deck in what is a fantastically darkly funny Lady Macbeth moment for them. Izzy is sloppy drunk and yelling nonsensical abuse at the unicorn masthead. Roach, Pete, Oluwande, and Wee John make a well-intentioned but ill-conceived attempt to bring everyone back together (i say "everyone" but Izzy, significantly, is not included) which leads to them all being at each other's throats in the sort of mutually-assured-destruction configuration that starts world wars. It's a great scene. Izzy is not a part of it.

until he interrupts them, throws the unicorn legs at them and in his drunken clumsiness breaks his prosthetic. He then pointedly refuses their offers of assistance and drags himself away along the floor by his arms.

my friends. This is peak pathos. The crew do not respect Izzy in this moment, they feel sorry for him. They realise that he's worse off than any of the rest of them and that knowledge brings them back together. Making the unicorn prosthetic is barely about Izzy at all. It's about the crew coming together, repairing the rifts in their found family and as a bonus helping out their grumpy second cousin who doesn't really want to be there but has nowhere else to go. It's also a very generous offer of a new place on the ship--as the new unicorn--and a fresh start. Because that's what life on the Revenge is. For everyone.

point three: la vie en rose

much has been made of Izzy putting on drag makeup and singing at the Calypso birthday party, and fair enough. That's a big character development point for him. i don't hate it, though i wish there'd been more build-up to it, a longer conversation between Izzy and Wee John at least (insert obligatory "fuck Max" here) but regardless, if we accept Izzy's amputated leg as cutting off his old self and replacing it with the unicorn then we can arrive at a place where he's able to participate in a drag performance without too much cognitive gymnastics.

i've written before about the curious choice to have Izzy sing La Vie En Rose in French (after he initially sang it in English) at the very moment when Ed and Stede are having sex for the first time. On first watch i felt viscerally troubled by it, it felt like a validation of the obsessive psychosexual reading of Izzy's feelings for Ed. Looking at the season as a whole, it feels more like a (cringy, creepy, waaaay over the line) attempt on his part to signal approval for Ed and Stede's relationship. Especially when taken in conjunction with his (super creepy, like wtf who greenlit this) interruption of their breakfast in bed the next morning to make a ham-fisted innuendo. Weird but okay i guess, it's not like Izzy and social niceties have ever gone hand in hand.

many people point to the drag scene as the crew embracing Izzy and welcoming him as one of them. Again, i don't disagree. But, also again, this is not specific to Izzy. This is just what they do. They also embraced Archie with her snake-cult stories, they re-embraced Ed (who yes, they do love, refutations of arguments that they don't love Ed are a whole other essay though) and later they embrace Zheng and Auntie and also Jackie who once stole their savings jar and threatened to cut off their noses. That's what they do! They embrace people! That's what the show is about!

point four: the death scene

i have to be honest, i still hate this. i don't hate that Izzy died, i hate that he died in Ed's arms with Ed calling him his only family. That still feels unearned to me, and alas was probably another victim of the shortened season. But even with this extremely kind and forgiving death scene, the stans are not satisfied! They feel that the entire crew should have been gathered round, assuring Izzy of their profound love for him. There should have been weeping at the funeral, wailing and gnashing of teeth, rending of garments etc. It's what he deserves as such a beloved member of the crew!

except he wasn't beloved. He was accepted, yes. Welcomed, even. But acceptance is a far cry from love. Cheering as someone sings a song at a party does not mean you feel ready to weep at their deathbed or proclaim your undying affection for them.

yet even so, the crew are visibly distraught at his death scene. There are tears in many eyes! But effusive declarations of feeling from any one of them other than Ed would have felt (to anyone not convinced Izzy is the main character) completely wrong and very weird. You can headcanon what you like to fill the gaps in canon but on screen we have seen very few meaningful interactions between Izzy and any of the existing crew aside from Fang and Lucius and to a lesser extent Wee John. Izzy's primary relationship with another character is with Ed and so, as much as i still don't like it, Ed is the only one who has any real reason to be at Izzy's side as he dies.

as for the brevity of the funeral and the fact that they went straight from it to Pete and Lucius's wedding instead of having, idk, a prolonged wake at which everyone speaks at length about how important Izzy was to them, i mean. Obviously that wasn't going to happen. More than enough screen time had already been given to a side character who spent most of it either being miserable himself or making others so. It was time for the rest of them to find some moments of joy. As Izzy himself said, not moving on is worse.

in conclusion, i'd like to address the people saying that Izzy should have lived so he could continue his arc of self-discovery and sure, that would have been great--on the Izzy Hands Show. But OFMD is about Ed and Stede and Izzy had served his purpose in their story. i feel certain there will be copious fanfics to soothe anyone who feels Izzy was shortchanged.

on the show, though, he was treated in a very logical and foreseeable way as the antagonist who was able to see the light at the end but not necessarily to thrive in such a well-lit environment. Literature (by which i mean also films and tv) abounds with examples of this sort of character. They see the error of their ways but they are too stuck in them, shaped by them, to exist comfortably in any other way. They help bring about change to benefit others and not for themselves, that is the bittersweet beauty of their endings.

Izzy let Ed go. He embraced the softer parts of himself. He died surrounded by people who may not have loved him but at least accepted him as one of their own and felt genuine sorrow about his passing. That is a satisfying narrative end for a reformed antagonist! If you truly feel that he was shortchanged by it then you have forgotten what show you're watching and what sort of character he was.

Izzy Hands: not the main character, still an interesting one, absolute nightmare, what a guy.

[bougiebutchbinch]

*E1-3 of Season 2*

Me: oh wow they're really giving Ed a dark villain arc! I love it! Of course, this means we will get a glorious redemption arc throughout the rest of the season where he does his best to make amends with Izzy and the crew, who he was explicitly shown to torture and traumatise <3

*After Ed's canonically-acknowledged-as-incredibly-shitty apology to the crew*

Me: Right, well that is obviously the moment where he changes and starts developing as a character! We're going to get a lot of growth this season; I can feel it. He's going to figure out that this isn't about him, it's about the people he hurt. He's going to actually improve as a person, in such a way that he starts to respect and care for his crew in a way he's never been shown to in the past! What an awesome arc! Yay!

*Season finale*

Me: ....

[bougiebutchbitch]

cannot believe that 'yelling at your boss when he repeatedly almost gets you and your crew killed and lies to manipulate you into staying when you try to leave, is not emotional abuse, actually' and 'there is such a thing as a mutually toxic and unhealthy relationship where both parties are incredibly shitty to each other - and this is obviously where Ed and Izzy stand until S2, when it becomes blatantly abusive' is a controversial take. But as this is Abuse Apologism And Ableism, The FandomTM, I really should not be surprised

Just.

I was deep in physically and mentally abusive relationships in my teens/twenties - including relationships that started out with mutual toxicity and bad decisions on all sides, but which became outright physical & mental & other sorts of abuse with myself as the victim. I know my shit.

I suppose I can see where 'Izzy emotionally abused Ed' comes from IF people give literally the most uncharitable interpretation to Every Single Scene, and assume Izzy shouts angrily at Ed and negs him all the time rather than this being how he acts when he's incredibly stressed by circumstance caused directly by Ed and at the end of his fucking rope? Which, as we see in S2... Is not the case.

It's not freaking emotional abuse when you're shouting at your boss who keeps almost getting you and your crew killed. Even if this is NOT a kind or productive way to help Ed deal with his mental health, considering that Ed's actions have consequences that he repeatedly and blithely ignores, it's pretty fucking justified!

It's not freaking emotional abuse if your boss OPENLY LOVES MAIMING PEOPLE AND IS MORE THAN HAPPY TO BURN THEM ALIVE and you encourage that, while upholding his right to not kill with his own hands. Even if he has private breakdowns after the fact because he suffers from black-and-white thinking, dissociates himself from any wrongdoing, and is afraid of his potential to become 'a monster'.

Are these choices helpful? No. Are they kind? No. Is Izzy demonstrating Model Citizen Behaviour? Definitely not.

But it's sure as hell not emotional abuse. And it doesn't justify the physical and emotional abuse Ed puts Izzy through in S2.

Nothing you say can 'make' him hit you. If he chooses to hit you (or... choke you out then repeatedly mutilate you and pressure you to commit suicide and makes you constantly live in fear for your life and the lives of people you care about) he makes that decision himself. Yes, even if you shouted at him first. Yes, even if you were arguing. Yes, even if you were in the wrong in that argument. Yes, even if he has a Tragic BackstoryTM and mental health issues. This shit shouldn't be controversial.

Signed: one of those actual abuse survivors.

[treesofgreen]

The "You're a baby! You just can't handle characters dying!" accusations would hold a lot more weight if so much of Izzy Canyon wasn't reading and writing alternate death scenes right now.

[sunnibits]

(guy who has been hyperfixated on izzy hands for two years voice) hey guys you may not have known this but I actually really love izzy hands

[izuizzy]

I had to make a part 2 because *inhales* dadoooowww

see part 1 here

[icomefromthemountains]

I have so many feelings about Radar that I can’t articulate so I’ll use this image instead:

[puns-and-musicals]

I can’t stop thinking about the gay pirate show.

Can’t stop thinking about Stede- in all shabby, colourless clothes but for the red kerchief around his neck- red like Ed’s silk, red like the season 1 visualization of Ed’s heart.

Ed, lying on the deck of the Revenge amidst the storm, trying so desperately to die- with the black cravat finally tied around his neck again. The black cravat that in season 1 represented Stede’s influence.

and Izzy- beloved Izzy. Izzy who holds the gun in his bare right hand, who shoots at Ed without his black glove. The black glove whose leather he used as a barrier in season 1, a shield against any perceived vulnerability.

I have so many thoughts right now and I’m losing my mind about all of them 🥰

[bacchuschucklefuck]

the nsbu table is five DM pets and rekha shankar

[kooldewd123]

honestly i think a big reason why i could absolutely never stay invested in tri is that the character designs are such a massive downgrade from the original series. the original designs are so incredibly iconic and so incredibly 90s that putting them into normal streetwear makes the series lose so much of its visual identity (and it definitely doesn't help that all the promotional art has them in identical school uniforms...). i genuinely can't recognize mimi without a ridiculous pink outfit or tk without a stupid-ass hat and i am honest to god not even joking about that. everyone just looks so forgettable here.