#I literally can’t make a character who isn’t riddled with issues

[polarades]

Incapable of making characters who don’t have something wrong with them

[pebsterino]

Im a fan of Da since 2019, I've cherished all 3 games, my favorite one is DA2. I will not be persuaded by anyone that DA4 is a good DA game.

They have damned everything I loved about Dragon Age for... this???

This is no longer the dark fantasy I fell in love with; it's a game that feels more like a Disney movie, complete with writing intended for children. The way they treat YOU as a player suggests that you aren't capable of solving the easiest riddle in this world. The direction of the writing is baffling. The constant explanations for everything make my blood boil because I'm not a child, and I can think for myself. They claim this is an RPG, yet it lacks any meaningful RPG elements. You have no choice whatsoever; your character is scripted the way the developers wanted them to be. (By the way, I had no idea that no matter which option you choose, your character will always try to be funny in an unfunny way.)

As for the gameplay, I've never cared for the gameplay in any Dragon Age games, so I won’t dwell on it, but I’ll share my opinion nonetheless. I think it’s still an improvement from Inquisition, but that’s not hard to achieve. The game was designed to be played online, which is another insane thing to consider. Is a Dragon Age game supposed to be online??? It’s so ridiculous, and I have no idea how BioWare thought it would work when nobody showed any interest in the multiplayer mode in Inquisition.

The lack of choice and the absence of consequences for your actions are glaring issues. Not a single companion cares if you try to be "rude" to them because you simply can’t be. The fact that you cannot make any of your companions leave your party is ridiculous. You are forced to harden one of your companions (which happens in almost every title), and the only consequences of them being hardened are that they will refuse to heal you and their approval rating is slightly lowered. You can literally romance both of them as if nothing happened.

I'm tired of my companions constantly reminding me that they have issues and need to work through their trauma with my character. As someone who goes to therapy every week, I find this portrayal insulting and ridiculous. Therapy is neither fun nor pleasant. It isn’t something you resolve by completing two quests and reassuring a character that “it’s fine, we have each other, and I care about you; your feelings are valid.” It’s the most absurd echo chamber I’ve ever been in. The fact that none of my companions can stop making everything about themselves and get their shit together while a blight is swallowing the world is beyond me. Therapy takes months, even years, and it’s a deeply personal journey that friends cannot, and shouldn't, interfere with. The whole idea that my protagonist can choose what’s best for the companions is equally absurd. My companions should be making choices based on how I treated them throughout the game; it shouldn't be up to me to decide that. And the best part is that, in the end, it doesn't matter, because no choice in this game has any real weight. Honestly, it’s narcissistic of anyone to expect others to fix their mental health issues. This was a reality check for me when I was younger; it hurts, but it is what it is.

The writing of the characters is something I never thought possible, but here we are. Most characters are written as if they're afraid to offend anyone. My wise friend once said, "If you live your life trying to avoid offending everyone, you might as well not live at all," and that’s true. It’s probably another reason why I can’t take anything seriously in this game—because nothing is serious. Nobody talks like this ever. So much of this is self-indulgent writing, which is fine and valid if you do it for yourself, not for the masses who will play this game.

This is easily illustrated by the Commander of the Grey Wardens, who tries so hard to be the bad guy. He won’t listen to logic or reason; he’s just a children’s movie villain who is evil for the sake of being evil. Honestly, the dialogue speaks for itself.

[a-forbidden-detective]

When I first read new chapter, I was glad that Toto's character has a development and now not afraid to look at corpses like Ron. Plus I thought he become smarter.

However, once I re-read the chapter, I realized something. Toto hasn't grown at all as a character.

His observation skills for important details have really improved, no doubt about it. But the ability to solve riddles and deduction haven't improved at all. Toto couldn’t do it and still can’t do it. After running around with Ron for over a year, I expected to see at least some kind of thought process.

And that's Toto's problem as a character in the story. He's just... boring.

No matter how much I love Toto, (he is the best in my heart) as a character he is NOT interesting to watch. He is not growing, he is as he was in the beginning “for everything good and fluffy. I value every human life” he remained that way. And it's not a bad thing i think, but compared to others it's boring.

Maybe I'm wrong but tell me how Toto has changed throughout history? And no, there’s no mention of self-confidence here because he still has self-destructive tendencies.

Now let's take others.Ron has obviously changed a lot and that's a good thing. Kawasemi changed and stopped being so strict. Chiori stopped being so a rabid fan of detective. Even Spitz and Amamiya changed somehow. I can't say anything about Toto.

No matter how paradoxical it may sound, the only thing that makes Toto stand out from the rest is his lack of personality and mysteries around him. He literally feels like a piece of cardboard but not as living person.

Most of his actions are literally told but not shown. It's like Toto himself was left out of the picture.

So yea , I think Toto is the character who suffers most at the hands of the author in manga

Heya! Thank you for waiting.

I thought about this long and hard. Like you, I love Toto, seeing that I am a Watsonian first of all. And at times, biased.

It is not easy to give you answers, bc I might change my opinion in the coming days. But for now, I can say that your concerns are valid, that Toto as a character remains somehow stagnant. On the other hand, if you change him, just a little bit, like he has reached Ron’s level in deduction we would lose him as a stand-in for the audience. Seeing that the titular character isn’t Toto, his role is more like Jiminy Cricket. He gives advices, scolds Ron, he can’t arse finding out the solution bc he isn’t the genius character. This is Ron’s place.

Once Akira changes him to something like equal to Ron then in the grand scheme of her storytelling, his role as the receiver of wonderful deduction would be gone.

And in all honesty, it is a bit mind-boggling how will Akira direct Toto’s characterisation in a new direction without involving him as someone who is part of the antagonists or giving us hints of his familial background, if she considers him as a deuteragonist of the story. Bc so far, like any Watson-esque character, he’s become a character in the background, it is the downside of having a genius and eccentric friend.

True, it is frustrating sometimes, and he’s maybe boring bc of it. In truth we applaud him when he shows signs of improvement. But I don’t think he’ll reach Kawasemi’s excellence nor Ron’s genius bc he’s none of these things. Kawasemi changed emotionally and has become a disciple of Toto.

And yet, and yet, Akira seems to be content in status quo.

He is changing but gradually. Maybe, the moment Ron will receive his license is the moment we’ll see Toto can hold his own. Cross my fingers.

PS: that’s why i am counting on the anime crew hoping that they can remedy some issues on Toto’s characterisation, which they did during the first season.

[raxistaicho]

Edelgard suggested she might be wrong, though!

Eeeyyy, Strikes (that’s her nickname and it’s a lot shorter than butwhatifidothis, sorry) doesn’t usually make arguments anymore! This’ll be a nice break from Fantasy Invader.

Maybe.

Hopefully.

Spoilers for Trails in the Sky a ways under the cut

And uhh, that’s not an argument I’ve ever heard before, honestly, it must be a super old one. Good thing it got dropped, it’s weak.

So because Edelgard said,

It means the devs are saying, “you did wrong, tho.”

So I guess when Dimitri says he’s a monster who deserves death it means we need to ram him into something that can kill him, accept the game over, and start a new file of Three Houses?

When Joshua Bright said he was a broken person with a broken heart, it meant Estelle should have immediately given up on him?

When Velvet Crowe said she was monster and claimed she ate Seres just ‘cause, that meant she retconned reality and changed the circumstances under which she ate her?

It’s almost like sometimes people with trauma and a poor self-image say self-deprecating things that aren’t actually true.

“Which doesn’t mean Byleth is defying destiny by walking at Edelgard’s side. No sir.”

Again, the devs only said Silver Snow was the route that was made first to explore the world, not that the worldbuilding suits SS specifically. Otherwise, what the fuck is Azure Moon there for? I’ve seen it argued that White Clouds best suits Azure Moon because of Lonato and Miklan (setting aside that their respective issues were not about Dimitri’s personal tragedy but the broken state of Fodlan society), but with Strikes’ argument Azure Moon can’t possibly mesh with White Clouds because White Clouds only supports Silver Snow, according to her!

I mean... Azure Moon doesn’t mesh at all with White Clouds anyways, but that’s for very very different reasons.

I’m on to you, you red-headed, red-caped bastard.

I won’t let you invade Nohr, Ryoma >:(

Also, correct me if I’m wrong, but Byleth’s side, whichever side that is, does plenty of mowing down in all routes.

Damn, Fodlan is doomed.

Those poor celebrating commoners.

Oh no, is this Crushed Nugget again?

Now we’re delving straight into, I believe, Crushed Nugget’s Everyone is Miserable in CF set of posts, which is something I’d reeeeeaaaaaally like to dig into sometime, because it’s just a lot of petty and trivial ways to try to demonstrate everybody as being unhappy or less-fulfilled characters in CF.

These can range from the ever-popular “Lysithea doesn’t want to destroy the Empire in CF”, to “Yuri feels overworked in CF”, to “Raphael is irresponsible and happy in CF”, to “Ingrid is sadge in CF”. Yeah, being happy is bad if in CF and being unhappy is also bad if in CF.

It’s basically just her plucking at literally anything she can find to say that CF is bad in that exact moment without any regard for consistent standards. Ignatz’s is especially amazing given you know if the paintings he drew were reversed she’d instead say VW Ignatz is good for wanting to immortalize the horror of war so we never forget what war takes from us while CF Ignatz is bad for trying to cover up the pain with pretty pictures of something.

If you looked at red flags through pink lenses, wouldn’t they still look red?

Hey, you’re the one who said,

Because even the lord of the route is trying to tell the player that uhhh Byleth doesn't belong here, they're supposed to be on the other routes. Which checks with how the devs said that SS is the route the world-building is based on, and how within the game itself CF directly goes against SS' world-building. 

Don’t blame me for arguments you made!

She’s missing the point. It’s not argued that you don’t get to choose SS. The argument is that you do have to choose CF. You can’t default onto CF the way you can SS.

Another important point is how riddled with But Thou Musts SS is.

Who’s in charge of the army here, Seteth!?

So... going CF isn’t about tearing Byleth away from their proper place in SS?

If Byleth is meant to go SS, as Strikes said above, then CF is about defying fate.

If CF isn’t about defying fate, then Byleth isn’t meant to go SS.

So suddenly Byleth is more than a self-insert for the player to glom onto? That’s a bit contradictory to the usual Edelcrit line, but okay.

Since Byleth is now their own character and not a self-insert to represent the player, then Edelgard isn’t trying to date the player and the player demographics have no bearing on whether or not she’s bi, nor does her "gap moe” have any bearing on whether or not CF is a valid choice, because maybe Byleth doesn’t care about all that. Maybe they’re into MILFs.

Technically no, there’s a sequence of options that can have Byleth making no positive choice regarding which side to take.

Miss the coronation entirely, then you have a “I must kill Edelgard,” and “...” option at the Holy Tomb.

Indeed, you can spend basically all of SS being dragged around expressing discontent, and getting But Thou Must’ed into following along with the plot.

Also, again, the argument is not that Byleth can’t choose SS. It’s that they have to choose CF.

Hey, speak for yourself, I usually marry Dorothea.

Strikes is getting real fuckin’ philosophical all of a sudden about the concept of player character agency in a narrative-driven video game.

For real, this is some Bioshock/Undertale-level shit.

You know, I never considered that maybe Corvo would rather just stay in his cell and accept execution as penance for his failure to protect the Empress. He can’t speak in Dishonored 1, how do I know what his thoughts on the subject are? Am I puppetting him to commit mass murder like some kind of revenge-loving cordyceps!?

I am so sorry, Corvo :(

But actually, Strikes, how do you know that Byleth wants to fight Edelgard? Maybe they want to pick Black Eagles every time? Are you perhaps denying their agency every time you join your beloved Golden Deer? (I’m just assuming GD is her favorite route since she professes to love Claude). Are you denying their agency when you click on, “I must kill Edelgard”?

How could you do such an awful thing?

Bonus round time!

Why is she continuing her arguments in the tags??? That sounds annoying as hell.

Also, uhh,

Look at that fucking smug grin. Is that the face of an expressionless killing machine?

I have no idea where this, “Byleth reverts to being the Ashen Demon in CF” argument came from. I guess because they’re killing people the Edelgard detractors would rather they not kill, they have to be doing it heartlessly? That’s assuming a lot.

That’s... more or less exactly what it is, actually.

I know Strikes doesn’t like Edelgard being portrayed as a sad, tragic figure, but uhh... she is. Edge of Dawn is right there, it’s about Edelgard’s sorrow thinking about the future.

[miraculousmaladys]

TFP If You Ship...

Starscream Edition

Updated: KOSS added, Starcee revised

Starop: you just want Starscream to be happy, you want Optimus to be selfish for fucking ONCE PLEASE. Usually a ship based around character development/un-development and positivity. Also its funny watching Starscream absolutely refuse any of Optimus's advice only to watch him either accidentally take it or use it.

Megastar: you either really hate Starscream, or you really hate Megatron, or you hate them both. You may also just really like the thought of these two being an absolute POWER COUPLE with major issues. This ship is riddled with character development possibilities, and MULTIPLE plot ideas; this ship could go several ways and I'm here for it.

Starwave: shut the fuck up, this can't exist..... it does? Holy fuck- uh well honestly, it seems like y'all just wanna lowkey see Soundwave DO more. Especially in TFP. Take charge and be selfish. This could also be a plot thing, as some have the HC that in TFP Soundwave is a victim of slavecoding. You just wanna be watched over by a lowkey unstoppable force and I’m here for it.

Stardown n'out/ BreakStarOut/ etc.: this ship could have multiple names and I'm upset at the gays for not coming up with something. You probably just want them all to find SOME kind of comfort with each other on the Nemesis, but some of you absolutely wanna see them all Manipulate, Girlboss, and Malewife their way outta shit.

StarShock: you bitch. You pretentious whore. I love you. They fit together really well physically given the fact that Shockwave thick as fuck and Starscream is a literal twig. I can see one-sided pining from either side with this one. Y'all just wanna be chased huh.

Starbee: yall just wanna soil the UwU babu thing Bee has going on, tbh I can live with that. Bee taking charge and being his own leader and Starscream learning to be a little more positive to himself and others. This ship is very similar to StarOp but Bee's getting more than just 'learning to put himself first' out of it which is cute.

Starchet: TWO CRUSTY OLD MEN BAKING ENERGON COOKIES AND COMPLAINING ABOUT THEIR CO-WORKERS. TWO CRUSTY OLD MEN DRINKING HOT ENER-T IN THEIR LITTLE COTTAGE IN THE WOO-

Starjack: I have never seen a more crackhead ass ship. What the fuck was y'all thinking. Pretty sure your answer would be "why the fuck would we think?" This is what happens when you pair that one kid who barked and bit people on the playground with the know it all kid who took up class time kissing the teachers ass. We all hate them with a passion but their relationships been going strong for 20 years and they are highschool sweet hearts. Good for them.

Starscreen: you are horny, in a take care of me I take care of you and we cuddle afterwards but also love me kinda way

*Starcee: you are horny, in a "dominate me mommy" kinda way. BOTH ways. Switch huh? Switch who? Arcee definitely tops most of the time. This ship argues as foreplay. This ship also has the smaller one running things, but both fucking SLAY when it comes down to the deep shit. This ship could be angsty as fuck, but could also be the most therapeutic fucking hurt/comfort thing anyone has ever SEEN.

Starbulk/ Bulkstar/ Bulkscream/ idk the names don’t mesh well: .....holy fuck this is a thing? This is a thing and no one told me?? Hang on...ok so I found like 7 stories on archiveofourown. Y'all are definitely starving I'm so fucking sorry. This is probably one of the only mentions of your ship you will ever find that isn't a porn without plot/some plot fanfiction.

Star.....magnus??/ MagnusStar: ok hear me out I can totally see this being a thing. Both are SiC and....honestly babes BDSM?? All of it. Dominant Stars and body worshipping Magnus??? You don't know WHERE this ship could go. Could be absolutely filthy or an exploration of both their characters given that they are sort of two sides of the same coin.

Shattered Glass Starscream/ literally anyone: tbh you a hoe and I hate you and you probably just want to be loved. You ain't fooling no fuckin' body he is your self insert.

*KOSS: This ship has red bottom energy, a look that screams parada and a mouth that turns words into knives that kills peoples self esteem. This ship uses spinal struts as accessories to go along with its new finish. Honestly these two could be such a power couple but they’re both...pretty fucking scared. Like all the time. I wanna make jokes about this ship but given what happens in the show- bro this ship is just fluff/comfort because the hurt is implied. Ain’t even gotta put it in the tags- anyway the people that ship this as their top ship scare me but I know y’all to hurt to actually do anything. You probably come to this ship to live vicariously through either character or your kinning one of these bitches. I say this as a feminine guy who sees themself in knockout.

//Good morning lovelies, I'm serving you violence wrapped in kindness today. Don’t be afraid to msg me abt spelling/grammar errors, or if you want you can send me a ship to add lol. 

[raven-at-the-writing-desk]

hi yes im still alive

DON’T MIND ME, I’M JUST--

HAVING A MOMENT TO PROCESS ALL THE LORE AND STORY CHAPTER 6 JUST DROPPED ON US, I CAN BARELY WRITE

AHHHHHHH, I HAVE SO MANY THOUGHTS 😭 kjdbbaufbiafafvoaybo LEMME PUT ON MY THINKING CAP AND THROW SOME STUFF OUT ASDYUBUASDLI;AGVUOQIB;VI You’ll understand why I used Leona’s face here even though it’s Idia and Ortho’s chapter after you read my thoughts--

***Chapter 6 (and other main story) spoilers below the cut!***

Okay, just to keep it simple, I’ll try to keep things in chronological order!

First is a bullet point list of my thoughts on chapter 6 so far, then all my questions and theories (mostly a biggish theory on Ace) are at the end of the post.

Expectation: Idia cowering in his room, Vil and Rook busting down his door using Epel as a battering ram, dead Ortho theory confirmed

Reality: SWAT TEAM RAID ON NRC, DORM LEADERS (sans Kalim) AND JAMIL GET KIDNAPPED

Admittedly, I’m disappointed to see that the injury Grim inflicted to MC was basically just a cat scratch and nothing more. I thought it would be a lot more impactful if MC had to deal with juggling the realization that Grim has betrayed their friendship and trust while also on the verge of death (or at least while being severely injured)... And given how MC reacted to the attack at the end of chapter 5, I would think whatever struck them was much more substantial than just a cat scratch. I’m going to go out on a limb here and say either the script got scrubbed by Disney, or the intent was that MC was still woozy from VDC / OB Vil, MC felt so betrayed that it shook them emotionally, or that MC was just that weak by default that they can’t defend themselves against cat claws.

Hey, Ramshackle’s finally getting renovated! Proceeds to immediately get destroyed again--

I feel like????????? They tried to retroactively explain why Neige won to try and mitigate the uproar over how VDC ended. There’s some dialogue between the VDC group about how they didn’t perform at their peak because of having just walked out of dealing with OB Vil, and how Neige’s fans were going to vote for him anyway because they resonated with his background. Honestly, I think they should have moved on from that sore spot instead of bringing it up again, even if how chapter 5 ended didn’t personally bother me.

BOOM, HERE COME THE TWST TERMINATORS--

NOT GONNA LIE, THOSE STYX GUYS LOOK HOT SO COOL

AAAAAAND IT’S KIDNAPPING MONTAGE TIME, KIDS

JOABSFHUPAUABDBADB CALM DOWN, RIDDLE??????? YOU’RE GOING TO COMMIT ARSON IN BROAD DAYLIGHT--

Okay, I know this chapter’s focused on Ignihyde and Grim, but the standout part to me (so far) has been the scene where Leona’s being kidnapped. Historically, Leona has not been a character that I like (excluding that one time I had to pretend to like him for a game). I feel like he’s one massive missed opportunity (he didn’t show up much in chapter 2, he’s pretty similar backstory-wise to his Disney counterpart compared to the other Dorm Leaders, he didn’t seem to learn anything or become a better person even a LITTLE after chapter 2, etc.). I’m not a fan of his lazy and arrogant attitude either (even if it is justified by his backstory). But here? THIS IS THE LEONA I ACTUALLY LIKE AND WANT TO SEE MORE OF. 

LIKE????? I CAN’T DESCRIBE TO YOU HOW MUCH I LIKE THIS SCENE???? Yeah, we have Leona fighting STYX at first, but as soon as he realizes who they are, he wises up and surrenders because he knows better than to resist arrest. AND NOT ONLY THAT, but he uses King’s Roar in a smart way--to turn the falling greenhouse glass panes into sand so they don’t hurt anyone nearby (namely him and Ruggie).

And after he turns himself in????? LEONA TELLS RUGGIE TO TAKE CARE OF SAVANACLAW FOR HIM!!! THIS is what a real leader would do. He looks after himself and his people, but he knows when to surrender, AND he leaves his “kingdom” (the dorm) in good hands while he’s away. THIS is the Leona I want to see.

AJBDUASHPFBUABFIABIYFBIPFAAFIAF I ALSO REALLY LIKE HIS SASS WHEN HE JUST THROWS HIS HANDS UP AND ASDBIASBIABAIODDAYOFAIPPADAIDB SAYS “I’ll go with you, but be careful while escorting me, okay? Despite my looks, I'm a precious prince. I’ll get sick/dizzy if you drive recklessly.” SARCASTIC SASSY SMARTASS??????? IF YOU HAD MORE LINES LIKE THIS, I’D LIKE YOU MORE

I love how Azul’s still talking about capitalism/how he can profit from Idia (apparently the Shrouds are like the TWST equivalent of Google??????) as he’s being escorted away by the agents?????? IF I WERE HIM, I’D BE PISSED OFF THAT THEY INTERRUPTED MY BOARD GAME????? At least let the man finish first--

Damn, everyone’s being tasered???????? And apparently all the STYX agents are equipped with anti-magic plates? I guess Bind the Heart can just eat shit then--

Lilia’s ringtone is cute, period.

CROWLEY CALLED STYX TO CAPTURE GRIM???? GRIM IS OFFICIALLY A SCP THAT NEEDS TO BE CONTAINED????

WAIT WHAT CROWLEY’S BEING KIDNAPPED TOO??????? Oh well, the school is probably safer in Trein’s hands anyway--

askhlbfbilhidbabbidasb RIDDLE WAKES UP POST KIDNAPPING AND HE’S USING LEONA AS A LAP PILLOW?????!

How does it feel to be held in a room against your will, Jamil? Yeah, don’t like a taste of your own medicine, do you?

OH HI IDIA, NICE YZMA MAD SCIENTIST GETUP YOU GOT THERE

Wait, what????? THAT’S IT?????? SERIOUSLY???????

MAN.

I have so many questions??????? Specifically about STYX and what they do, and how the Shrouds are tied into all of it.

So they say STYX is a specialized unit called in to quell serious Overblot cases. And if Crowley called them to deal with Grim... well, bad times ahead for Grim. STYX has also been studying Overblot for a long time, which is why (I think?) they captured Riddle, Leona, Azul, Jamil, and Vil. 

There’s been some allusions made between Grim and Stitch in a lot of fan art and fan theories I’ve seen, since their struggles have some parallels: that being them struggling to decide if they are “good” or “bad”. I don’t know if this was intentional on the part of the TWST writing team, but regardless, it’s a really good concept that plays into the themes of TWST itself. There’s no good, there’s no evil, no black and white--most of the characters we see may be BASED on villains, but that doesn’t MAKE them villains. They are good, and bad, in their own ways--and now Grim is dealing with that crisis as he fights to keep his sanity and avoid completely succumbing to Overblot.

Though Idia seems to be involved with STYX’s research, it doesn’t sound like he personally gave the order to retrieve those test subjects (or at the very least, he’s not happy about roughing up the test subjects), it sounds like the orders came from other people in the organization. His parents, perhaps?

They mention briefly that Idia’s parents are asking him to “come home”, so it must be for something urgent. Are they worried about his safety? But Idia’s lines at the end of chapter 5 lead me to think he is estranged from his family, since he straight up rejected a job offer linked to them (Olympus Corp is owned by the Jupiter family, and the Shrouds are a branch family of Jupier), and says something like “I’m not welcome anywhere”. Has Idia done something to disgrace him from the rest of the family? Or is it more of a self imposed/self inflicted statement, given that he always says he’s “cursed” and acts like he’s guilty of something that deserves scorn?

Why is Idia participating in STYX research, even if it means experimenting on his fellow students (and fellow board game enthusiast Azul)? People are speculating that he wants to use blots to fully revive Ortho (if dead Ortho theory is true), or that Idia actually has heroic intentions (he wants to know more about blots to prevent OBing from happening?), but at this point??? Literally anything could happen?!

In future parts, I’m guessing Pomefiore, MC, and Adeuce will team up to break Jamil and the Dorm Leaders (except Malleus, Malleus got left out again www) out? And HOPEFULLY we get to see Rook’s Unique Magic or at least more screen time, since I feel like he got so little in chapter 5... Another thing I’d like to see is Ace and/or Epel getting their Unique Magic, or at least starting to develop it. It’s really mostly Ace I want more details for.

A theory I’ve been holding onto for a long time is that Deuce getting his UM will spur Ace on to become jealous (since he has always seen Deuce as an idiot/”lesser” than him), and that will cause a rift in the friendship, or for Ace to throw himself into a dangerous situation to prove himself (he has done it before with Riddle)... and has his ass rescued again. This would make Ace even angrier, since he feels like everyone is treating him like a little kid or rubbing it in that he isn’t “as good” as they are. I don’t know where it would go from there (I’m sure TWST would get creative), but ultimately it would culminate in Ace making amends with everyone and rushing in to save them from either Grim or Idia OB.

I don’t think Ace would discover his UM in a similar manner as Deuce (Deuce had to embrace his own stubbornness and straightforwardness, but as the term “Unique” Magic implies, the way a magic develops and manifests is “unique” to the user). While Deuce has to learn to accept his own way of thinking, I believe Ace is already sure of his own way of thinking and has totally accepted it. I think what Ace has to deal with instead is coming to terms with his fickleness. We’ve seen him time and time again treating his loved ones kind of callously, from constantly bullying MC, Grim, and Deuce to ghosting his own girlfriend and flaking on people when they are counting on him to do a task.

The issue with Ace isn’t that he isn’t aware, it’s that he is aware and he seems to think this behavior is totally okay. He demonstrates little to no remorse in what he does and says, and he doesn’t seem to care about the consequences either (how many times does he get punished by Riddle, yet he keeps doing the same dumb things over and over?). Ace appears to operate under the mindset of always being in the right, or (if he’s in the wrong), he won’t really acknowledge it, or he will wave it off as “no big deal”--and I think that’s his greatest weakness.

In the scenario I described earlier, I mentioned that Ace’s jealousy will cause a wedge between him and his friends, and I think this will play into him realizing the error of his ways. When he has finally driven away all of the people that supported him, what will he have left? Nothing. Then maybe Ace suddenly finds himself relating to Idia, or to Grim, who have Overblotted and are in a similar emotional state as he is. Confused and lonely... and that energizes him to pitch in again, even if all he has is wind magic up his sleeve. Everyone could be shocked that Ace has returned, and in that moment, he could finally realize his true potential and unlock his Unique Magic!

(Maybe that’s too specific, but that’s a scenario that I’ve had playing in my head for a long time!)

... Buuuuut given that Ace has gotten little to no spotlight so far in chapter 6, I’m not sure if they’ll lean into him developing his UM yet (unless they pull a chapter 5 and really start addressing Ace in the latter half of the chapter like they did with Deuce). Seeing as chapter 6 is dealing with a lot of heavy topics (death, Grim lore, Overblot lore), I’m thinking maybe the TWST team will push off Ace’s UM development to chapter 7???? The only way I can see it happening in chapter 6 is if the chapter is SUPER long, or if the writing is REALLY good or really bad. 

Anyway, I’m keeping my fingers crossed!!! I’m so excited for the rest of chapter 6... I hope that we don’t have to wait too long for it!

[pianostarinwonderland]

Jamil, Vil, and Leona for the character ask, please?

[From here!]

Oooooh, a fun set of characters!! 👀 Since all three of them have gotten development from chapter 6, this post will be much longer thanks to all the thoughts I have of them and the thoughts I read from other fans. Fair warning that this will contain spoilers for chapter 6.

Jamil

Chapter 6 in general gave a lot of depth to the Overblot boys, Pomefiore, and Ignihyde, but I find that Jamil was especially made more complex.

Something that many Jamil or Scarabia fans in general will say is that Jamil isn’t as malicious as people would paint him out to be—which isn’t wrong! Jamil did what he did not because he hates Kalim, but because he hates his circumstances. He was born into a hierarchy where he has to live to serve someone, at the cost of his own life. And I don’t mean that he literally loses his life—which, by the way, is a real risk for him when he’s serving the heir to the Asim’s wealth—but rather, I mean things like his own future. Take note that Jamil can never score higher than Kalim or even do better than Kalim in anything. This will affect his tertiary education when he starts applying for universities. His options will be limited for sure, and unless Kalim gets homeschooled for university, well it’s likely that Jamil just won’t have any choice at all. 🤡 This also affects his view on relationships. He has a hard time understanding relationships where people are on equal footing or relationships where people help each other without any benefit because… that’s just not what he grew up with. He has to help Kalim for the sake of his family. He has to be the servant to the master. And it will be difficult for him to shake off that mindset.

Yet it can’t be denied that there is a lot of selfishness in the way he thinks. In fact, that selfishness reached a point where he didn’t care about who gets hurt, as long as he accomplished his own goals, which is something that can’t be excused no matter what. A huge part of why Jamil overblotted was because he wanted to be free to show off what he can truly do. And since he never had that chance to really show himself off, he doesn’t have an accurate gauge of how talented he is compared to others. He only has people like Kalim and other Asim household members to compare to, and that would lead him to think that he’s much better than most people.

That’s what Leona points out in chapter 6, that Jamil really isn’t as big of a deal as he makes himself out to be. And you know what, despite the complicated circumstances that led to Jamil’s way of thinking, Leona really is correct in telling Jamil that he isn’t really much. While all he would be doing is saying, “If only I could show off my full potential…”, people like Riddle and Azul have already done so much. Jamil is really compelling as a character, and I really enjoy that about him.

Onto personal thoughts! Yes, I feel that I would be afraid of Jamil. I think his dead stare would make me feel like I’m being judged. 😔 And stares like that would terrify me.

Now what issues do I project onto him? Frankly, it’s less of personal issues and more on observations that I have seen growing up. Being in Asia, I have grown up with maids. I once knew a kid who was my age back then and would be a maid to another family. Jamil’s arc made me think about the people who work for other people at home. Are they content with doing what they do? Do they have freedoms? Do they tend to be discriminated more? It’s things that I would have never deeply thought about if it weren’t for TWST and Jamil in particular.

Vil

I think anyone who’s been around the TWST fandom since its early days will know how much Vil got shit for “abusing Epel”, being ‘narcissistic’ when that isn’t the point of his character, and many other things. I think back then, it was hard being a Vil stan. You had to be either lowkey or with good friends to be able to happily stan Vil because I have heard of stories where fans used to be bullied for stanning him.

Thankfully, we now have more Vil stans 😌 and I will say I like Vil now that he’s within my top 5. Actually, he could have been my #1 oshi. He’s my type, after all. But Octavinelle came before Pomefiore, and it’s hard to just change my favs lmao

I love Vil for being one of the most mature characters in the game. He knows how to lead, he knows how to get people to cooperate, and he knows when is the right time to apologize, something that is hard to do when you’re a very prodeful person. He’s beautiful in both looks and brains—Vil is astute in battle and in reading people’s intentions. He’s a very admirable character, and I would love to incorporate some of his own habits into my own lifestyle.

Despite that, if I did meet him IRL, I’d be scared. 😞 Obviously, there’s his reputation, and it would be really nerve-wracking to be in front of a celebrity. But I’d be more scared of his strictness and scrutiny. Some people may want to be in Pomefiore so that he could help discipline them, but personally, the way Vil teaches and disciplines others will break me. 😔 So yeah, I’d just be even more terrified of him.

Despite how much I admire him, I do think that his character arc wasn’t executed properly. I have most of my thoughts about it in this post, but basically, I think Vil’s arc didn’t give him the proper build-up to his overblot. I also think that Vil was painted a bit too perfectly. Sure, he’s got really good beliefs, and he’s a formidable leader, but I wish that there was more acknowledgment that he was kinda :/// it does make their loss more meaningful at the very least

You can find Leona’s here!

[spiderling-space]

Hey so this thought has been on my mind for like ages and I think that you'd be able to write a headcanon about it in a wonderful way, so I'm presenting this idea to you hehe ( I love ur blog so so so much btw!)

So let's say that whatever miracles of seven happened, that Yuu overblots. Being constantly pushed around by other students by being magicless, solving the idiot trio's problems, trying to survive overblots and dealing with Crowley's neglectful ass cheeks sure is not easy. With all the piled and bottled up negative emotions, Yuu like the previous boys, overblots. Yuu wasn't that hard to defeat cuz you know, they're magicless, but the twst boys did struggle and Yuu's quite the challenge too. So what if, after Yuu's overblot, they had a full on mental breakdown. Not like crying mental breakdown, they're full on SCREAMING, their voice are cracking too, and very painful to hear. They started to unconsciously harm themselves so they have to be tied down to prevent to hurt themselves further. How would the dormleaders react to that?

(Sorry for my English and if I ever break a rule, it's OK if you decide to not do this too. Btw I got this idea when I watch ATLA aka Aang the last airbender, for reference of the breakdown of Yuu just search "Azula's breakdown" that practically how their breakdown looked like :D)

I cant write headcanons because you basically wrote everything. I will just make comments and additions to this. first I mention the background, secondly Azula’s breakdown so non ATLA watchers can understand a little and lastly, MC having breakdown like Azula. For the record, I could write about ATLA for pages since it is something I love since 2005. LOL This became a bit meta xd

You can join the discord server here 😉🤣

Firstly, the back ground:

I was 7 years old when ATLA started airing. I’d be excited to get back home to watch ATLA after school. Azula’s breakdown was awful back then when I first watch it as a kid. And of course, when they aired the episodes again and again. I rewatched again because I remembered the show being dope when I was in 12th grade which was stress relief while studying for university exams, and then I rewatched last year and even founded a Zutara server. Now I’m getting back to the point. In the last two rewatching, I saw Azula in a different light and her breakdown at the end of the show was understandable. I can recommend some ATLA meta that you might like. 

Secondly, Azula’s breakdown: 

Azula lost everything. In the flashbacks, you saw she was getting along with Zuko, laughing and playing tag until Ozai’s influence on her grew while Ursa showed more affection towards Zuko since Ozai basically hated Zuko. These two triggered each other and it grew like snowball effect which came to the point that Ozai-Azula and Ursa-Zuko. She didn’t get love from Ozai, she was just a puppet, someone to empower him more, not his daughter meanwhile to Ursa, she was a monster. Azula was 8 years old  Ursa disappeared. Imagine how this would affect the child. After this, she had estranged brother that she was jealous of because of Ursa’s love, a father who manipulated her, and an uncle who was too in pain to do anything and he was more focused on Zuko. She only had Mai and Ty Lee as “friends” but it was toxic and Azula used fear to control them. After Zuko got banished, Mai and Ty Lee went to their own places, leaving Azula alone with Ozai. Just when Zuko got back, she was being like the last times, cruel teasing, Mai and Ty Lee with her. Later, Zuko went away and probably got lectured by Ozai for her lie. Mai and Ty Lee stood against her. In the end, she had no one. Ozai didn’t want her with him either because he only wants power. Being alone drew her to the edge. In the Royal Hair Washing, the girl sje fired had her face. Her self hatred was palpable. She started to reflect this via Ursa, the mother who thought her as monster and didn’t love her like she did Zuko. I believe she would have had breakdown if she actually killed Zuko. At the end, she couldn’t handle it anymore. Being all alone, not being loved, self hatred and finally failing at something which is something she knows Ozai would never tolerate like he did with Zuko. This 14-year-old wouldn’t be able to handle it anymore and had breakdown.

Now last section, MC having breakdown like Azula’s:

Let’s see the things MC went through:

Stripped away from home

Doesn’t have much memory of it

Is thrusted into a world so foreign to them, where everything is foreign to them. There is no familiar thing that can make them recall home or feel at home

Is forced to study things that they have no prior info where the others have prior info and they are expected to ace the tests. This puts on pressure on regular students, can’t imagine the pressure they would feel since they barely understand the magic.

Is treated like trash by everyone at least once. From the first moment they came to Twisted Wonderland, they were like dirtbag. Dire gave them a house where they could get Hepatitis A to C, tetanus, hypothermia and any other disease. They have lived in that state for months and the house barely got fixed by the end of exams. They got belittled or used by almost all characters at least once. Examples: Vil calling them nobody; Azul trying to take the only thing they have from them, the dorm; Riddle calling them uneducated because not having magical parents; Leona acting like they are a toy in E2; Jamil literally manipulating their choice; sometimes NPC characters talked; Cater making them do his work etc.

They are given more than a person should handle. They are not certificated psychologist, they aren’t superhuman, they don’t have super healing... They are just human but has to fight enemies than can easily kill them if it were not the magic users around them. They are given the task of dealing with the emotional breakdown of the other people.

All of these are building up more and more. Maybe they started to get along with people after the belittlement and being used but every new character does this. At one point, it will be too much and they will think “they are only nice to me because I did a favor to them. If not for that, they wouldn’t be nice to me” which would lead to self doubt. When one starts doubting themselves, everything else starts to go down. Also, new characters treating them that way adds salt to the wound.

MC isn’t a professional psychologist. They can’t handle other people’s issues without taking a toll at themselves. They don’t even catch a break between everything.

Dire is deliberately keeping them away from home as they all do the errands he say. To him, what MC wants doesn’t matter much. The game doesn’t show but if MC has family and friends or pets, you can’t tell me that they wouldn’t miss them once or see, hug them or know their state, alive-dead, healthy-sick etc. 

Lastly not being invincible. The end of Episode 5 shows this well. They couldn’t stand against Grim who isn’t as powerful as the other overblot characters. They are mortal who can get hurt easily.

Now all these build up meanwhile we don’t see an MC centered chapter, how they are etc. It’s all about the others. Maybe there were a few chapters asking if MC is okay after everything but it feels like it is in the second plan. 

Everything that I mentioned can lead to a breakdown like Azula’s. Everything is just too much to handle and they don’t talk with a professional about it. When they finally let out everything, it feels much better, screaming out their lungs, lashing out like all of them did. They are finally letting out all of their emotions, crying and screaming; yet still feels better than bottling everything up. They think maybe that’s how overblot characters felt.

All in all, everyone in NRC needs a counselor.

[bigskydreaming]

What is it with every fandom under the sun like, COMMITTING to being like ‘here is a character known for self-esteem issues and whose cup overfloweth with insecurities and here is us doubling down on every other character fixating on JUST that specific character as the constant butt of jokes and digs that are totally in good fun even though we’ve literally established at every other point in time.....this character is absolutely shit at determining that they have value, etc, etc.’

Like....that dichotomy will always blow my mind. Its like there’s this incessant need to normalize the idea that you can be aware there’s someone in your friend group or family who is particularly vulnerable to self-worth issues and still be ‘allowed’ to constantly punch down with jokes that dig into their insecurities while claiming ‘oh but as long as you still care about that person, you’re allowed to punch down for the LULZ, its fine.’

I mean, its not that deep most of the time, and so its usually not worth turning into a big issue every single time this sorta thing happens in media (and in fanfics), but it adds up in a death of a thousand papercuts kinda thing, and I just.

Idk, guys. I’m just saying its pretty damn interesting that the ‘other characters constantly belittling one specific friend all in the name of good fun’ phenomenon seems to without fail single out the specific character who is MOST prone to self-esteem issues, instead of like....literally any other character. Its comparatively rarely a case of ‘characters poking harmless fun at each from across an equal playing field’.

But nope. The problem I have is how often, across fandoms, you can make a Venn diagram where “Character Least Likely To Interpret Being Made Fun of as Actually Being ‘All In Good Harmless Fun’” and “Character Most Widely Targeted By Other Characters As The One To Make Fun Of” are one single overlapping circle.

That’s just....kinda interesting, don’t you think?

Almost like even while milking some characters’ insecurities and self-esteem issues for the angst, there remains a concerted effort to normalize that you can be aware of someone’s self-worth issues and still manage to justify why as long as you can still claim ‘oh but I’m their friend, I care about them, so its fine,’ thus its totally not a big deal to consistently target them with ‘harmless’ humor that nevertheless is still a clear case of punching down.

What if that weren’t the case though? What if you had to actually like....pick, between someone’s self-esteem and being able to fall back on punch-down humor at someone else’s expense whenever you need a pick-me-up?

What if there isn’t ACTUALLY a way to balance both, because even just conceptually, these things are directly in opposition to each other, and always were?

It’d almost be like....wow, that entire dynamic, upheld as socially acceptable across pretty much every fandom I can think of, could be like...inherently just...not as funny as people insist it is, perhaps out of defensiveness and an unspoken sense that “mayhaps I see myself and my own real life behavior reflected in this dynamic and that’s why I continually uphold and reinforce it in fics and seek it out in media, even while otherwise hyper-focusing in on the angstiness of these very same characters being riddled with self-esteem issues that can’t POSSIBLY be helped by being the constant butt of even ‘well-meaning and harmless and yet nevertheless somehow still barbed’ jokes.”

Buuuuut I’m sure there’s absolutely nothing to that.

[rainy-day-coffee]

hi... how about head cannons about the dorm leaders with a magical girl mc from either the puella magi magica madoka, magical girl site, magical girl raising project or princess tutu universe please?

I'll be doing Magical Girl Raising Project for this one! I’ll be using the abilities found in the anime since I’m not creative enough to think of any myself. The personalities of the characters themselves have nothing to do with the abilities I chose, they’re their own person! This is written as platonic! I hope this is alright!

As an extra note, this was a really interesting topic to write about. I enjoyed it! I actually just binge watched this anime for this request! It was quite good, I might pick up the light novels!

Warning: Mild mentions of gore; spoilers for Magical Girl Raising Project(?)

Dorm leaders reacting to a Magical Girl Mc

A new game has been released! Customize your own Magical Girl and work hard to defeat monsters!

Granted a 1-in-10,000 chance to be a real-life Magical Girl, the unfortunate souls who agree to the contract are unknowingly pulled into a world of bloodshed. All Magical Girls are expected to collect Magical candies through acts of helpfulness. Whomever is at the bottom of the ranking list by the end of the week is greeted by death. That is, if they can even make it that far.

Magic: Swimming through objects as if they were water - the objects do not affect the user as they pass through them.

He’s never heard of an ability quite like yours! It isn’t teleportation--it’s literally going through objects, ignoring any kind of barrier. It sounds impossible. Understandably, he doesn’t believe you until you show him.

Please refrain from popping out of random places in an attempt to scare him. He doesn’t want to be on edge everyday, the stress he has now is more than enough.

He’s curious about the whole situation. Just how and why did these “people” wrap you (and others) into such a terrible contract? How is it possible to grant these special abilities onto otherwise magicless people? Unfortunately, you most likely don’t have answers for those questions.

Sadly, Riddle doesn’t know of a way to help you out of this. The library may have some information, but the chances are slim nonetheless. He can offer assistance in candy collecting instead!

Something always seems to be going on at his dorm, it would help him greatly if you were to keep an eye on everything and everyone. He knows it isn’t much, but every little bit counts. You have his full support.

Magic: Entering the dreams of others - the ability to pass through the Dream World, granting access to the dreams of those who are currently sleeping.

He’s extremely annoyed. He doesn’t understand what’s happening. He’s only seen you a couple times before, so why do you seem to plague all of his dreams?

In his dreams, you move so vividly and in-character, it baffles him. Dream versions of people can be accurate, but never to such an extent each time. He’ll confront you about it soon enough. He has no evidence of what you’re doing, however vivid memories of dream-you push him to demand answers anyways.

Highly uncomfortable to know his dreams, his usual safe place, can be invaded by a person. He demands that you stop. You can go bother someone else, he doesn’t need that kind of help. If he sees you in there one more time, he may have to resort to other methods to get you to stop.

In regards to earning candies, unless you ask him specifically for help, there isn’t much he can do. You can always help Ruggie out with chores around Savanaclaw and you’ll be set. It’s a good deal for both sides, you can earn some candies and Leona can finally sleep comfortably again.

He finds the system you’re stuck in deplorable. Unfortunately, he can’t get you out of it, but if you ever need extra help he can always have Ruggie find one or two ways to get you those extra candies you need.

Magic: Hearing the thoughts of those in need - with enough training, the user can pinpoint the location of a person. Additionally, they can hear thoughts apart from cries for help.

Your special magic interests him greatly. He already has a good pool of information of all the students, but being able to hear their most inner thoughts is something truly amazing. No amount of research could easily give him those kinds of details.

He has the twins watch over you for a bit, gathering as much information as they can about your situation and what you go about doing.

Given the circumstances, he doubts he can rob this ability of yours through a contract. This does however present an amazing opportunity.

This could blossom into a wonderful partnership. You need to collect candies, and he’s always willing to accept requests from those “poor” souls who need help. By helping him, you can meet your quota! The rules never did mention what kind of help you were limited to offer after all.

He pities you, nothing can be done about your situation at the moment. You can rest assured though, you’ll never be at the bottom of the leaderboard with him around!

When time allows it, Floyd and Jade will be busy poking their noses where they don’t belong. The mascot that appears when you’re around seems to come from that phone you use. If they can see it, then that means these beings have made a mistake somehow. Is it possible to find a way to free you from this through that?

Magic: Transforming into any biologically living being - the size and shape of the creature do not matter, anything is fair game.

When he first discovers your special magic, he’ll be amazed! Transformation magic isn’t exactly easy, so being able to turn into whatever creature you want sounds like a lot of fun!

He’ll be begging you to turn into a wide variety of animals. Can you please turn into a tiger? How about an elephant? Maybe an alpaca? This could go on for hours if you don’t stop him.

Upon learning the darker side of the Magical Girl world, he starts to cry. He knows the world isn’t all sunshine and rainbows, but this is too cruel. You didn’t know you would suffer this way. They should have at least given you all the information beforehand. Better yet, they shouldn’t be doing something so awful in the first place.

Because he finds it hard to keep secrets from Jamil, he ends up telling him about you. He then needs to convince Jamil that you aren’t trying to get him killed.

He goes around asking if people need help. He wants to do everything he can to ensure you survive. Money can’t get you out of this game, he’s tried to use it but that mascot that follows you around always refuses it.

Kalim doesn’t want you to die. Just thinking about it makes his head spin and worry bubble. It wouldn’t be his fault if you died in the first place, but the guilt would consume him entirely.

Magic: Freely manipulating sound - the user can generate sound from anywhere and even recreate the voices of others. As an added result of this ability, the user has enhanced hearing.

Vil won’t forgive you if you decide to mimic Epel’s voice so he can escape. He may be evading his lessons for now, but Vil will find a way to drill them into him later on.

He never would have thought such a thing was possible. This terrible fate you’ve had forced onto you makes no sense. The beautiful power you’ve been given is nothing compared to the price. He doesn’t blame you, he blames whatever is doing this. 

If such a game exists in the world of Twisted Wonderland, he’ll use his influence to dissuade people from playing. Vil will do this behind the scenes of course, his public image has to remain intact.

He actively requests your assistance. For example, helping his dorm improve their instrument playing--your impressive hearing can detect small mistakes they need to work on. Apart from this, he regrettably can’t offer more help.

Hone your abilities and work with what you have. He knows you can prevail. Please take care of yourself as you move forward.

Magic: Receiving one futuristic tool a day - the ability to randomly pick one useful tool out of 444,444,444. The tool breaks down and is no longer of use after a day passes.

He’s in awe. A real life Magical Girl! To think they could really exist outside of anime! Just what kind of world did you come from? Forget living in a world where magic is common, Magical Girls are on a different level entirely! Curiosity gnaws at him, but given how shy he is he won’t approach you with questions himself. Ortho is more than happy to ask any questions for him in his place though!

Once he finds out you’re one of those Magical Girls, he feels a tad sympathetic. You really got the short end of the stick in life didn’t you? He knew the possibility was there, that trope is not uncommon, but a small piece of him wished it wasn’t the case.

He supposes your special magic can be compared to gacha luck. You never really know what you’re going to get. Unfortunately, in your case you can’t even calculate rates for good rolls.

If you’re willing to let him, he’ll happily take apart the tools and gadgets you get from your daily pull. One of those future items should help him create even better machines than he can now! And even they can’t, disassembling and reassembling objects he’s never seen is a thrill in and of itself

If you happen to hear a small tip from Ortho or someone else about an issue occurring around campus, it may or may not have been Idia. He has eyes all around the school, spotting problems is quite easy.

He’ll be rooting for you from the sidelines. You’re a protagonist in this story, he hopes you can make it through to the end.

Magic: Extreme regeneration - being able to recover from any wound so long as a portion of the user’s body is left.

Mortified when he finds your body all mangled and bruised after a rough “accident.” Malleus is ready to destroy whoever or whatever did this to you. He cares about you greatly, the very thought of seeing you in such a state makes his stomach churn and pure rage wash over him.

Once you explain your situation, he can grasp enough to understand the major gist of it. He doesn’t quite know what a “Magical Girl” is but obviously it isn’t something good. Otherwise, you wouldn’t be in such a terrible situation.

To know that you can take care of yourself in the face of danger, makes him relieved. Although he doesn’t like the idea of you getting hurt at all, a healing ability is always wonderful to possess.

While you earn candies, Malleus will be working on a way to free you.

Even if these beings who granted you this ability are “all-powerful,” his magical capabilities are among the top in all the world. Perhaps, he can start by politely asking for answers from the leader of this group. If that seems to fail, killing off that mascot seems like a good place to start instead.

[heartslobbf]

let’s talk about perfuma. imo, she’s one of the best characters in the show despite being underdeveloped, and i wanna explain why. she could’ve been extremely average, just some lanky flower girl that doesn’t believe in violence and loves everyone, but she is so much more than that (and it pisses me off that y’all reduce her to that).

in her introductory episode, perfuma is clearly in denial about the horde almost destroying plumeria. she doesn’t want to acknowledge the problem, wants someone else to take care of it for her. she’s scared of change, and that is because change makes you vulnerable. if things always stay the same, there’s a whole lot less danger and uncertainty, and therefore you’re safe. secure. perfuma’s kingdom is dying and she can’t bear to accept it because it is unknown to her. it’s putting her in a position where she is no longer secure. this fear of vulnerability can also be seen at the beginning of 1x10 when the princess alliance falls apart and she literally says ‘being together makes us vulnerable.’

the thing is, perfuma isn’t wrong. look at her choice of words. she says that being together makes them vulnerable, not weak. here, she kind of has the words mixed up, but we see that by s5 she has come to understand the difference. that’s what’s so great about perfuma, her motivation to do better, her hunger for self-improvement. it’s why she’s such an important part of catra’s redemption, actually, because she embodies the kind person catra is or wants to be.

let me explain: perfuma is an angry, impatient, short-tempered character. we are shown this again and again with her passive aggression to others and how easily mermista can annoy her with trivial things (sitting in her seat in the war room, for example). catra is also an angry, impatient character, but perfuma works every day to manage those emotions. she knows she needs them, she uses them as a tool (calling catra out, for example, is a time they were practically pivotal for getting her point across) but she also acknowledges they can hurt the people she loves. we know she does a meditation ritual each morning and we see in 4x02 how quickly she can unravel without it. she wants to be better. she puts the work in. that is such a valuable lesson for a character like catra who has always felt she’s just not good enough, she’s always going to be this angry and unlovable and no one can do anything about it.

so, 4x02. it’s a brilliant episode for perfuma’s character, really, and the first proper development we’ve had since 1x04. we see her anger, her impatience, but we also see her self-doubt. her belief that she’s inadequate, ‘just a flower girl.’ this is also when we get introduced to her little mantra that becomes a bit of a motif later on, ‘i can do this.’ we know perfuma doesn’t wholeheartedly believe this, but she says it anyway because she wants to. perfuma wants to be better. she will do whatever she can to be her best self, whether that be actually conquering her gripes with cacti or realising there’s a loophole with the roots (love that conflict resolution by the way, another good deconstruction of hero bs by spop).

this episode is also significant because it comes back to perfuma’s fear of change, of vulnerability. she’s thrown into a situation she doesn’t want to be in, one she feels miserably unprepared for, and she hasn’t done the one thing that puts her at her best beforehand, but she pulls through in the end because she is surrounded by people that support her, that listened to her and consoled her when she was vulnerable. 4x02 teaches perfuma the power of self-worth and the power of true, mutual, unconditional love, which can only come with vulnerability.

and this is where her character gets really interesting, in my humble opinion. ngl, one of the reasons i love perfuma so much is because she’s a pisces and i am too. i’m not gonna go astrology hoe on you rn, i’m just using this to demonstrate the part of her character that teaches others. pisces, if you don’t know, love to play therapist. we like to help the people around us with whatever strifes they may have because we think we’re fucking great at it. perfuma actually is.

you know how i said perfuma learns the importance of self-belief and vulnerability? yeah, she teaches both of those lessons to other characters in s5. like i said, perfuma is a character who values self-betterment and also happens to be a pisces, so when she sees scorpia, riddled with so much self-doubt and such low self-esteem, her immediate response is just i’m gonna teach that bitch how to love herself. and she does!

i’ve seen some people say they don’t like scorfuma because it seemed as though the writers just decided to ‘fix’ all of scorpia’s problems by giving her a girlfriend. that’s very dumb, first of all because they aren’t even together by the end of the show, they’re just interested in one another. second, the whole point of she-ra is that we’re stronger together. scorpia doesn’t go through growth in s5 because a girl likes her, she goes through growth because someone is showing her support and love for the first time in her life and that empowers her. you know, the worth that scorpia finds in herself doesn’t hinge on perfuma, like it did with catra. it’s about her as an individual, and perfuma so clearly makes it about that when her big lesson revolves around singing. scorpia loves singing. perfuma tells her she should do it because she enjoys it, a sentiment you’d never hear in the horde, and when scorpia does sing, she is actively rejecting the people who did make all her self-worth hinge on them catra. she’s doing something for herself, because she enjoys it, because it makes her happy, because she can.

it’s that same mantra: i can do this, i can do this. i really love how this was brought back from 4x02, how perfuma repurposed something that taught her such a valuable lesson for someone else. perfuma and scorpia are great foil characters actually, both constantly underestimated and thought of as weak by their groups, but some of the strongest characters in the show due to their deep value of love and self. i can do this, and i know i can because you believe in me, because i believe in myself. it’s brought back again in 5x10, when the last thing perfuma says before scorpia breaks the beam is ‘i know you can [pull through]’. she tells catra she believes in scorpia. it’s that belief, that support from other people that empowers the self to believe it too. we are stronger together, you know??

anyways, onto vulnerability. return to the fright zone is in my top ten episodes of the whole fucking show and you might think that’s a bit weird but i don’t. 5x10 encompasses so many important themes of spop so well and tells them with scorfuma and spinnetossa, our two side lesbian couples. this is significant since perfuma literally draws a parallel between her and catra at the end of the episode, and catradora and spinnetossa have always been significant to one another. i’m gonna say it, perfuma is the reason catra is finally able to confess to adora in 5x13. i’ve already talked about how important perfuma is to catra’s motivation to improve, but she literally makes catra rethink everything about strength and vulnerability, two words catra has a lot of feelings about.

catra fears vulnerability. we know this. she has such a deep love for those important to her but is never able to articulate it because she worries she’ll be taken advantage of, shot down, laughed at, whatever. all of this stems from the abuse she suffered at shadow weaver’s hands and her attachment issues, and it’s also why catra pretends to hate scorpia’s very open displays of affection and love: she sees it as weak because she has been taught to, but it’s all she ever really wanted to be.

we also know perfuma used to fear vulnerability. she doesn’t any more. the entirety of the episode leading up to her and catra’s heart-to-heart is her being vulnerable, putting herself in a position where she’s in danger but believing it’s worth it. and it is. despite what everyone said to her, perfuma is right: it was worth it. she got through to scorpia, even if it was only for a moment. she literally spells it out to us and catra with one of the best lines in the whole show: it’s hard, keeping your heart open. it makes you vulnerable, but it doesn’t make you weak, and i have to believe it’s worth it.

back in 1x10, perfuma was right: being together makes you vulnerable. horde prime tries to use people’s relationships against them, that’s literally the plot of save the cat, the point of pitting catra and adora against one another. he sees them as weak, just like shadow weaver deems adora’s feelings for catra ‘confusing’, just like light hope insisted adora was a danger to her friends as long as she was around them. they were all wrong. yes, they’re vulnerable. perfuma acknowledges that vulnerability puts you in danger, that it’s difficult to do that, but she knows it doesn’t make you weak. weakness vs strength is a big conflict in 5x10 literally introduced to us with netossa’s theories on everyone’s weaknesses in the first few minutes.

like perfuma says, friendship isn’t a weakness. it’s her greatest strength. her belief in love is literally what saves her and adora’s lives, it’s what saves everyone who got chipped, glimmer, bow. belief in love, both of others and yourself, is what saves adora in her dying moments. perfuma summarises she-ra’s entire fucking message to us repeatedly in 5x10 and she tells it to catra because catra is the one who will do the most with it. that glance at adora, it’s obvious what it means. perfuma is telling catra she should be open with adora about her feelings because you have to believe it’s worth it.

you won’t get anywhere waiting for other people to make the move. she-ra couldn’t heal plumeria’s lands, so plumeria had to fight their own battle alongside her no matter how much they felt unable to. the rebellion couldn’t move mara’s ship, so perfuma had to despite thinking she wasn’t strong enough. the reason they always win in the end is because they have each other, they have love and support and people motivating them to do better. just like perfuma motivates herself to do better.

it’s the mantra. i can do this. i can be vulnerable and still win, because i have love. and it’s hard, it’s so fucking hard to be vulnerable when you’ve feared it all your life and you’re so angry, so hurt, but you have to believe it’s worth it. and it is. it is, it is, it is, love is stronger than anything and being vulnerable for the people you love is the only way you can ever get what you want from them. perfuma as a character embodies that, having learnt it herself, and teaches the lesson to one of the characters who needs it the most.

adora is dying, and catra loves her, and she knows she does, and she just has to believe. adora is dying, and she loves catra, and she knows she does, but she doesn’t believe. not until catra teaches her too, in that moment, to realise they were all wrong, light hope, shadow weaver, horde prime. adora doesn’t need to let go, she needs to hold on and believe she will be pulled back up by the girl she loves. she needs to believe she deserves it. that it’s worth it.

and it is.

[cto10121]

Harry Potter Clown Takes Part 2

Featuring shipping whinging, fatphobic fatphobia, and…old-fashioned conservative pearl clutching? Oh, heavy burden. Spoilers, of course

“Glaring Societal Issues”

The “Muggle farmer” in the GOF is actually the camp director, Mr. Roberts, who had been growing suspicious at the number of people (wizards booking tents for the Quidditch World Cup) who are booking tents. The wizards need to keep their existence a secret (that’s, like, the number 1 rule of being a wizard) so they modify his memory. The Obliviator who does this says he needs to do it “ten times a day,” not every few minutes, and carps about wizards (Ludo Bagman in particular) not shutting up about wizard things that draws suspicion.

Wizards in HP can be indeed callous, indifferent, patronizing, and even cruel in their attitudes towards Muggles, but this example really isn’t it. It’s already established that wizards have to use Memory Charms and damage control in order to hide their world from the Muggles. It’s standard protocol.

Yes, because the people in HP that want to change things and make things better for Muggleborns are portrayed as the bad guys and the ones that want the wizarding world to be for wizards only are portrayed as the good guys. Oh, wait.

“Not A Glaring Societal Issue”

Harry and Ginny becoming a couple was foreshadowed as early as the first book, OP, and there were many, many essays back in the day on why they were endgame because of these subtle hints. Ginny had a huge crush with Harry, but I don’t think it reached the level of God worship even in her younger years. Even then she tended to understand Harry’s true nature (his modesty, his aversion to nagging, and resistance to authority) way better than even Hermione.

I agree that Rowling could have set up Hinny better by exploiting Harry and Ginny’s connection of both being victims of Voldemort, perhaps had Ginny aid somehow in the Horcrux mystery (Memory!Riddle canonically “poured some of his secrets into her” so why not?). But of course she was always meant to be Harry’s safe haven, so to speak, untouched by the long shadow of Voldemort. Rowling was also playing the “who will Harry end up with???” shipping game with the fans as the series went on so it behooved her to keep is a tightly wrapped mystery until the last possible moment. Not a good choice in the long-term, frankly, but then HP never really revolved on romance.

As for Harry/Luna, you’re not the only one, OP. My dad shipped them from the movies (Radcliffe and Lynch did look good together)…until he read OotP and found a much quirkier Book Luna than Movie Luna. Nothing wrong with Harry/Luna, but I’m personally fine with Harry/Ginny.

Yes, these never-ending accusations of fatphobia are exhausting. It’s an old one, which Rowling has flatly denied before and fans themselves have argued for and against, over and over.

Suffice to say, both fat and skinny characters are portrayed negatively and positively throughout the the books and their size has nothing to do with their personalities. While Vernon may be fat, he isn’t really described as ugly (he has ugly expressions when he loses it, though). Dudley actually lost weight due to his diet and boxing, but he was still nasty to Harry up until Dementor attack. Neville stopped being comic relief past Book 4/5 and in 7 became a straight-up BAMF (and still chubby!). Hagrid is more than fat—he is literally half giant, so of course he is clumsy and doesn’t fit in much anywhere (he has accommodations). While he has some comic moments, he can’t really be said to be a comic relief character as a whole. Molly Weasley is also described as “plump” (I think Charlie is also described as stocky) and she is one of the most idealized characters in HP. Slughorn was never portrayed a bad guy, just a flawed one, and Fudge’s weight is barely mentioned. Among the truly skinny characters, there is Petunia, Snape, and, er, Voldemort.

If anything, the series is skeptical of (extraordinary) physical beauty and charm in general, sometimes to a fault. Fleur, Sirius, and Cedric aside, there is also Gilderoy Lockhart, Bellatrix Lestrange. And then there is perhaps the hottest, most seductive character of all HP—Tom Riddle, a young Voldemort. HP definitely leans towards the “looks can be deceiving/don’t trust appearances” category in terms of theme.

As for this supposed negative framing revealing Rowling’s supposed IRL fatphobia, years ago she shared a telling anecdote about an old friend she met, who had this to say about her appearance:

I went to the British Book Awards that evening. After the award ceremony I bumped into a woman I hadn't seen for nearly three years. The first thing she said to me? ‘You've lost a lot of weight since the last time I saw you!’

‘Well,’ I said, slightly nonplussed. ‘Last time you saw me I’d just had a baby.’

What I felt like saying was, ‘I've produced my third child and my sixth novel since I last saw you. Aren't either of those things more important, more interesting, than my size?’ But no—my waist looked smaller! Forget the kid and the book: finally, something to celebrate!

And of course this now-famous quote:

Is 'fat' really the worst thing a human being can be? Is 'fat' worse than 'vindictive', 'jealous', 'shallow', 'vain', 'boring' or 'cruel'? Not to me.

“They’re Supposed To Be the Good Guys!!1!!”

You keep saying the phrase “good guys.” I don’t think you know what it means.

So it’s pretty obvious that the injustices and corruption of the wizarding world are deliberately meant to reflect the injustices and corruption of the real world, particularly Britain. But since Rowling is evil now, all depictions of government corruption and the prison-industrial complex are now meant to be endorsements, approved by Rowling herself! After all, it isn’t as if Rowling didn’t confirm that the new generation did make radical changes to the Ministry of Magic (the Auror Department in particular) or the world in general. Perhaps she should have gone more into detail as to the nature of these changes, but that would require another HP book. Honestly, that’s really up to the fanfic writers.

[twstheadcanons]

This is a lore question and a slightly specific one. Cater as a character and otherwise is super interesting to me but at the same time insanely confusing. While at first I thought he would end up having maybe slightly abusive family there's a possibility that's not the case. His sister's seem to enjoy dolling him up and his mother seems to go along with it and his father's a bit more absent. I think I would mainly like to know what his true self is truly reflecting and also if Trey seems to know about this 'true version'. Don't feel pressured to anwser this if you can't btw ❣️

Cater fans come get yall’s food.

S, iideally I’d go through events Cater’s prominent in (Beans Day, Halloween), but that would just make this whole post longer.  So I’ll be using Cater’s card stories for now.  What we know about Cater, on the surface level, is that he comes across as happy-go-lucky, energetic, social, trendy, superficial, flaky, and insensitive at times.  But that’s Cater on a surface level.

So for Cater, his major issues from his background are:

his family frequently moving to accommodate his father’s occupation as a banker

his sisters dragging him into their own interests that he was expected to accommodate as well

Cater repeatedly states he disliked getting dragged around by his sisters and having cutesy stuff he wasn’t genuinely interested in shoved into his face.  This would even happen on his birthday, where his sisters got him things they’re more likely to enjoy, which made Cater feel frustrated since he was supposed to be the focus on his own birthday.  But despite that annoyance, Cater understands his sisters didn’t really mean any harm.  From the sounds of it, they liked hanging out with Cater, and assumed that Cater enjoyed how they spent time together as well since Cater preferred to go with the flow, rather than rock the boat.  

In his Bday SSR, Cater mentions that his sisters became more considerate of his own interests and asked him what he wanted.  All three coming from a family where they move and lose close friends a lot, the sisters are probably close and want to stay close to their brother as well, since they’re the only consistent company in a similar age range.  His sisters are each other’s best friends, Cater didn’t have that growing up.  He also mentions his sisters and mother’s sweets-making kick, and how he eventually got over having sweets every day.  But when he protested, it’d disappoint and sadden them/they’d have dejected looks on their faces, which Cater didn’t know how to handle, so he made himself go along with their whims to keep them happy.  

This pours into his social media life, where he’s a peppy, cheery guy that posts upbeat content and responds with light, casual, carefree messages to people.  His Lab SR literally has him state that he ‘should always be happy and excited, after all’.  So, clearly, whatever dynamic the Diamond family has, while not what I’d call something as heavy as abuse, isn’t considerate of Cater’s feelings and views Cater’s ‘go with the flow’ ways as approval.  If he ‘breaks character’ of the devil-may-care person he is on the surface, it raises questions, and Cater would rather just avoid all that and enjoy himself instead of getting involved in anything heavy.

Again, Cater doesn’t like to rock the boat.  He also mentions in his Lab SR that this obsession with cutesy stuff became rather invasive, and he’d even be criticised or second-guessed if he didn’t go along with the idea.  Cater ends up accommodating that interest to prevent any debate, even if he didn’t actually care for them.  That said, with such an emphasis on aesthetics being the way he grew up, Cater has a good understanding and practical knowledge of decour and eye-catching designs, which makes him helpful and invaluable when the time calls for decour.  This is something Cater knows he’s good at, and enjoys showing off since the focus is on himself and he’s acknowledged for his skills.

With their family moving all the time, Caters gained and lost friends a lot.  Cater has an outgoing personality, at this point, it’s safe to assume he’s an extrovert, so making friends comes naturally to him.  But when you’re moving a lot, maybe sometimes in the middle of a school term, .  Cater needs engagement and social interaction, but at this point in his life, he’s tired of trying to keep up with old and new friends on deep levels, hence his interest and obsession with social media.

One thing to note about Cater: he likes cutting corners.  a lot.

In his R card “Portrait of Rosalia”, it’s understood that Cater being nice to Rosalia by throwing her a party with some lively students around is a way for him to get on her good side, because Rosalia overhears the teachers’ discussions of tests and future lessons so that he wouldn’t have to study for an upcoming history test: while Cater’s idea of a party to lift Rosalia’s spirits is in good nature, he wants something out of it that benefits him.  But while disappointed the plan didn’t work, he’s quick to brush it off, and Rosalia’s anger, by mentioning that she’s cuter when uptight anyway.

In his PE card “This betrayer!” Cater only have five laps left to do in PE.  But he hates how sweaty he is and how tedious the overall task is.  So he uses his UM to try and avoid doing all five laps himself.  Riddle catches him red-handed, and Cater tries - albeit I’m sure he knows it’s a lost cause - to flatter Riddle at the last minute.  Trey’s also involved, and despite leaving Cater in the dust, Trey also returns with Riddle, because Trey knows that Cater’s the type that tries to cut corners whenever possible, something against the rules in Heartslabyul.  Honestly, as far as Trey goes, Trey’s someone used to the way Riddle holds himself back.  Cater’s exterior personality wouldn’t be hard for Trey to recognise as Cater pushing himself or exaggerating points of his personality just to keep up an image. especially after being in the same dorm for three years.

In short, while he isn’t malicious about majority of the time, Cater will use others to get out situations and tasks he wants no part of.  This is a huge thing reflected in his UM, as it allows Cater to be in more than one place, so that he personally doesn’t have to be involved.  Growing up with two pushy older sisters, it makes he develops a UM that complements a need for escape when pure wit won’t work.  And despite being someone with a superficial interest in trends, that experience accumulates in him understanding the basics about social media and how it affects others, himself included, since it became the only way he could stay in contact with acquaintances and ‘friends’ from previous years. 

 Cater has a good understanding of how people, in general, work, especially those in his agegroup, which makes him rather crafty when he wants to string others along and get out of a situation.  This doesn’t make Cater a mean or conniving person, and in fact, he’s generally amicable and social.  Cater lives by a pretty ‘live in the moment’ credo.  He enjoys having fun and not getting overly serious about issues when he can help it.  There are instances where he doesn’t care about the situation he’s in, or thinks it’s lame/boring, but he tries to make the most of it as something to post about on MagiCam later to engage in low-effort social interaction for a mental break. 

Cater pretty much states this in his Halloween SSR:

“If I left there, they remained there. That’s why I’d rather have a casual and happy time with everyone instead of going steady. It’s like a circus troupe, you know, having fun hanging with people all over the world and then leaving. And that’s why MagiCam is the best. I suddenly got messages from acquaintances from the school I went to 3 years ago. Aren’t my casual and light relationships multiplying? It’s lovely! “

Social media helps him keep in contact with people on a low-effort level, so the risk of moving doesn’t damage his relationships online like it would physical friendships.  As for family, Cater’s feelings towards his family are difficult, tricky ones he has problems with.  He certainly doesn’t hate them, but their lifestyle, the moving and pushy personalities, don’t mesh well with Cater’s personality overall.  When Lilia tries to relate to Cater’s experiences of fleeting relationships, Cater can’t help but dismiss Lilia’s empathy as surface-level, since, to CATER’S knowledge (it’s not like he knows Lilia’s old as shit), Lilia’s always lived in the VoT with his own family and friends, which hits a sore spot with Cater:

““Cater: ….Family…huh.

Flashback Lilia: I feel like I understand you. But it is just as Cater says, it might be the truth that you should not attach yourself too much to one person in particular.

Flashback ends Cater: (That was full of lies. For a guy who grew up in the same place and never had to deal with rebuilding relations over and over… He wouldn’t understand my worthless and meaningless feelings.)

/Notification

Cater: Hello, Trey. What’s up? Huh? Are we doing our rehearsal for our night show at the stamp rally now? And is Deuce from my committee lacking in hands, so Ace is helping him out? Darn, Ace is definitely going to use this to ask me for a favor later!

Cater: Argh! And is Riddle on the verge of a rampage? I’ll be back soon, Trey, please calm him! It was such a pain getting involved in the biggest crisis of this Halloween week! No, for real! I’m not lying. That’s why you don’t have to say such cold things to me, kay? URGH, TREY, YOU’RE SO CRUEL!!

Cater: Now that Diasomnia’s turmoil has settled, it’s time to change the mood. No matter how you slice it, we’ll still separate if we become 4th years… It would be different if I repeated a year though. Anyway, I should just enjoy the memories I’m making “now”! I’ll surprise everyone with this charming skeleton costume! I’ll show them my serious side!”

Cater calls his own feelings ‘worthless and meaningless’, which likely ties into how he got dragged into his mother and sisters’ own interests over his own, and sometimes even criticised if he didn’t go with their flow.  He also expects the friendships he’s made in NRC (as we see with him talking to Trey about the rest of the Heartslabyul cast), to inevitably disappear after he and Trey are fourth years with their own internships and lives to live.  Because to Cater, the future of his life and relationships appear disruptive and inconsistent, so instead of fretting about them, he wants to live in the moment and enjoy what he’s doing at all times, hence why he cuts corners to make things easier on himself.  This is why he can come across as superficial and easy to get along with, because he doesn’t want to fret over the details.

unrelated but we’re team ‘former dorm leader cater’ here because him doing it because it sounds cool and fun fits perfectly with his personality

[sk1fanfiction]

the many faces of tom riddle, part 1

-no hate (this is merely my humble opinion) but i strongly dislike tom hughes as tom riddle, and here’s why-

FULL DISCLAIMER THAT THIS IS JUST MY OPINION OF A CHARACTER WHO DOESN’T HAVE THE STRONGEST CANON CHARACTERIZATION, AND THUS ALL THIS IS BASED ON MY CONCEPTUALIZATION.

Just personally, this fancast induces a lot of cognitive dissonance for me, but this is the first time I’ve been able to sit down and articulate properly why it always throws me for a loop.

Now, does he fit the visual/aesthetic archetype?

Yes. I understand completely why people like this fancast. We know that he is studious, intellectual, and (at the time people generally fancast him for) involved in the criminal underground, and he more-or-less fits the physical description.

And, to be clear, it’s not that I don’t think Tom Hughes could play Tom Riddle, it’s that I don’t think the character he plays in the fancasts is a close enough approximation of Tom Riddle.

For me, herein lies the issue.

Tom Riddle’s character is all about the emotions bubbling under the surface. He’s a disaster waiting to happen -- he’s angry, he’s lonely, he wants revenge, he feels empty and hopeless and desperate, he’s irrational...

Not sure what movie/show the Tom Hughes clips come from, but the character he plays isn’t that at all. the character he plays is very self-possessed, poised, self-aware. Reflective. Remorseful (there are clips of him crying when/after he shoots someone). Introspective. 

That, to me, is not Tom Riddle at all. 

Yes, he does deal with moral conflict, but it’s never at the forefront of his mind. It’s not something he’s constantly grappling with. He doesn’t really... brood in this Hamlet-esque way.

Tom doesn’t think. Sure, he plans, he ruminates, he rationalizes a posteriori. But he’s very unaware of himself (in fact, it’s one of his fatal flaws). It’s not that he doesn’t have emotions; just that his internal state is a mystery most of the time.

He doesn’t connect with his own emotions; he is completely estranged from them. Tom cannot tell you whether he is happy or sad (not just because of his pride). He keeps his emotions and moral compass (which are highly uncomfortable things), in a locked little box, swallows the key, and disregards them. And yet, this character connects so deeply with his emotions that even the audience can see exactly what he’s going through. 

(There’s an openness -- an ease of vulnerability -- that Tom Riddle doesn’t have)

The thing about Tom, is that he hates himself just as much as he hates everyone around him. Creating Horcruxes to save himself from death is not an act of self-love, or even narcissism to the extreme; instead, forcibly ripping your own soul seven times is the most literally and metaphorically self-destructive thing a person could possibly do.

"Of the Horcrux, wickedest of magical inventions, we shall not speak nor give direction —"

If we go all the way back to Book 1, Harry Potter and the Philosopher’s Stone, you’ll remember that the eponymous material (first described in the Epic of Gilgamesh) is capable of producing the Elixir of Life, a magical substance that makes its drinker immortal, as long as you have a steady supply. Not only that, but according to the beliefs of historical alchemists (such as Nicholas Flamel), it was capable of curing any disease. In the alchemical tradition, it symbolized perfection, enlightenment, and heavenly bliss.

If all Tom Riddle was concerned about was prolonging his life, this is the obvious (and better) option.

Here’s the alchemical symbol of the Philosopher’s Stone. Looks kind of like the Deathly Hallows symbol, right? It represents the interplay of the (at the time, believed) four elements of matter -- a sort of periodic table, if you will.

The mature Philosopher’s Stone was believed to be a red stone (for making gold), and the immature one a white stone (for making silver). Rubeus Hagrid and Albus Dumbledore, anyone??

"So he's made himself impossible to kill by murdering other people?" said Harry. "Why couldn't he make a Sorcerer's Stone, or steal one, if he was so interested in immortality?"

And Dumbledore responds:

"But there are several reasons why, I think, a Sorcerer's Stone would appeal less than Horcruxes to Lord Voldemort.”

"While the Elixir of Life does indeed extend life, it must be drunk regularly, for all eternity, if the drinker is to maintain the immortality. Therefore, Voldemort would be entirely dependent on the Elixir, and if it ran out, or was contaminated, or if the Stone was stolen, he would die just like any other man. Voldemort likes to operate alone, remember. I believe that he would have found the thought of being dependent, even on the Elixir, intolerable...”

And while, yes, he did try to steal it rather than make it, I am sure that in the time it took Tom to make all of his Horcruxes, he could have learned enough alchemy to produce it for himself (or wheedled the information out of Nicholas Flamel). While Dumbledore hypothesizes that it’s because Tom hates feeling dependent, this must be irony, because he spends the first book as a literal parasite, the next three as a virtually helpless creature, and the remainder still reliant on his Horcruxes.

"Well, you must understand that the soul is supposed to remain intact and whole. Splitting it is an act of violation, it is against nature."

But, like me, Dumbledore is making guesses at Tom Riddle’s internal state, and in this case, I think, he’s made an oversight. Horcruxes make him equally as dependent as the Philosopher’s Stone would have. It’s been established in canon that you cannot make yourself immortal without help; either you rely on the continued existence of your Horcruxes or your supply of the Elixir.

And while the Elixir represents the positive aspects of eternal life, like renewal, rebirth, and the cyclical nature of the universe (see above the ouroboros of Cleopatra the Alchemist, one of the four women who knew how to make the philosopher's stone), a Horcrux is antithetical to life. It represents disorder, and once the creator of Horcruxes dies, they are unable to move on from Limbo -- shut out of the cycle. Harry describes Tom’s mangled soul as looking like a flayed and mutilated baby -- permanently immature and stagnant.

This theme of destruction is furthered by the Golden Trio’s discussion on how to reverse the process:

Ron: "Isn't there any way of putting yourself back together?"

Hermione: "Yes, but it would be excruciatingly painful."

Harry: "Why? How do you do it?"

Hermione: "Remorse. You've got to really feel what you've done. There’s a footnote. Apparently the pain of it can destroy you. I can’t see Voldemort attempting it somehow, can you?"

With this in mind, we can surmise that Tom is either (a) impatient, which we know he is not (b) there was some deeper reason for favouring Horcruxes -- so, yes, I believe that either metaphorically or literally, this was self-harming behaviour.

He takes on the name of Lord Voldemort because he hates himself, Tom Marvolo Riddle. He hates the Muggle part of himself so much that he’s willing to tear apart his entire being. 

"Voldemort, is my past, present, and future, Harry Potter..."

If that isn’t renouncement of himself, I don’t know what is. He was clearly not born Voldemort.

While of course, this does NOT excuse ANY of his actions, I find it vastly implausible that the likes of Malfoy, Mulciber, Carrow, etc... would have been welcoming in any way, shape or form to an assumed ‘Mudblood’ in scruffy secondhand robes from a London orphanage, and as such, indoctrinated him into his fanatic belief in blood-purity via antagonizing him. 

(Imagine Hermione, but poor and without parents, in the 1930s/40s. She would not have been treated well in Slytherin, either.)

Children are more vicious than you think. And while Tom probably gave as good as he got at Wool’s Orphanage (and was possibly an active aggressor himself), Hogwarts wouldn’t have been a level playing-field. (I’ll talk a bit about this and the significance of the Gaunt Ring in Part 2).

In other terms, I think Tom was bullied for having dubious origins. That’s often the swiftest way to radicalize someone, and would have left Tom with a crippling sense of self-hatred that I don’t think he would have even picked up from the orphanage.

(And it’s possibly this early experience with relational aggression that results in his constant need to be on the offensive/defensive, distrust of others, and fear of vulnerability. To me, this is an archetypal response of someone who was a past victim of bullying.)

Why else would an extremely powerful half-blood subscribe so strongly to those beliefs? (Rather than discriminating via amount of raw power or something -- because what Tom is immensely proud of when Dumbledore meets him is his ability, not his parentage). But I digress.

Now, Tom Riddle is never, ever quietly menacing like this. The mask is either completely on or completely off. We never see this character angry. Tom Riddle, when the mask slips off, is fury incarnate. Anger is the one emotion he doesn’t find weak; the one emotion he’s completely and utterly honest with.

Besides, that brings me to my next point. Tom’s not quite so austere. In fact, he’s quite witty, and often quite pleased with himself.

Just look at the difference in their body language. Tom has much more fluidity (he’s circling Harry, the head-tilt, the eyebrows move and he smiles a bit) than the other character, who has so much tension. Yes, they’re both menacing, but in completely different ways. Tom is comfortable with his actions, no matter how shitty they are. This other guy doesn’t like doing what he’s doing, but he’s going to do it, anyway.

Contrasted with the above, Tom’s unawareness of himself is such that we end up with a character who has a bizarre mix of extreme self-hatred and high self-esteem -- he always believes he is in the right -- in this case, doing Salazar Slytherin’s noble work -- while going to extreme, self-destructive lengths, such as tearing himself in half at the mere age of sixteen.

So, sorry... I kind of get the appeal, but... I don’t like the fancast. 

(More unpopular opinions coming at 5:30 PM EDT tomorrow!)

[cosmicjoke]

Okay, onto chapter 128 of SnK.  There’s some really huge thematic payoff in this chapter which I want to talk a little about!

The big theme that really comes full circle here is the theme of violence, and how it’s intrinsically linked to the human condition.  That’s obviously a huge theme throughout this entire series, but in a lot of ways it culminates in this chapter.

I first really noticed it in a big way, in terms of having a big impact on the characters, way back in chapter 50 something, during the Uprising arc, in that scene where Jean, Connie, Sasha, Mikasa and Armin are waiting around, and they start talking about Levi and how repulsed they feel by what they perceive to be his unnecessary violence.  They flatly condemn him for it, even going so far as to say there’s something wrong with him, and making bold statements about how they would never kill another person, no matter the circumstances.  This statement of course comes back to bite them not long after, when Armin is forced to kill one of Kenny’s squad in order to save Jean, and Jean begins to understand the impossibility and even selfishness that can be inherent to holding without compromise to one’s moral values. 

That theme comes back in a huge way in chapter 128, and it’s really interesting to see Reiner try to step in and take on the role of martyr by telling the members of the 104th that they don’t need to fight, trying to save them from the moral dilemma of killing their own comrades.  What I found really interesting here was how Jean, Connie, Mikasa and Armin don’t answer at first, and you can see this is a huge struggle for them, the scenario presented before them one which clearly goes against everything they want to believe they’re fighting for.  Connie even says that they’re supposed to be saving people, not murdering their friends, etc...  But it’s impossible to ignore how it’s Hange who steps in and dashes any possibility of them sitting this fight out against the rocks.  They say they aren’t interested in being a spectator, and reminds everyone there that humanity doesn’t have any time left for them to be debating their morality.  This ties back in perfectly with what Levi had spoken to his squad about way back in the Uprising Arc, again, when he told them he doesn’t know what’s right or wrong, and that all any of them can do in any given situation is act in the way they think is best, both for themselves and those they care for, and for humanity as a whole.  We’ve seen Hange come to terms with this blunt and often brutal reality well before this, during the battle for Shingashina, for example.  Hange really began to separate whatever moral qualms they might have had, any emotion they might have had about killing other people, during this arc, and coming to really understand and accept that sometimes morality was something that had to be sacrificed for the greater good.  Here in chapter 128, Hange isn’t interested in or willing to indulge in preserving either their, or anyone else’ moral purity at the expense of the Marlyean group.  They’re in this together, and Hange understands fully that to accept Reiner’s offer of sitting back and watching while he, Annie and Pieck take on the Yeagerists would be the height of selfishness and a prime example of placing one’s own moral purity over the well being of others.  I always think it’s brilliant the way AoT explores these issues, of how an uncompromising loyalty to one’s idea of morality can, in fact, lead to total disaster for others, can in fact worsen the lives of others.  How if one has a moral code they are absolutely, under no circumstances, willing to break, that person often is the one who is most self-serving and self-centered, more concerned with keeping their own hands clean than with helping anyone else.  SnK doesn’t condemn violence, but instead makes very strong arguments for why it is sometimes not only an option, but the ONLY option, and that’s incredibly bold, and incredibly true to reality.  

Armin, as usual, is the first to understand this, after Hange reminds them all.  Armin was also the first, back during the Uprising Arc, to extend understanding towards Levi and his violence, and why he had to at times resort to it.  Armin flat out says here “I refuse to stand by with clean hands”.  He’s acknowledging the selfishness inherent in an uncompromising moral code, and refuses to place himself above the rest of humanity, even if it means once more getting his hands dirty with the blood of other people.  He still comes up with a plan to try and avoid any bloodshed, but you can see Armin is willing and ready in this moment to do whatever is necessary, which he does when he and Connie get into the situation they do with Daz and Samuel.  Armin is the one who tackles Samuel, which is what gives Connie the chance to shoot him.

There’s this huge moment with Levi I want to talk about, after everything goes to shit and Armin’s plan falls apart, where Yelena says “You can’t separate humanity from violence.”  And then she says to Levi “Right, Captain?”, and we get a look at Levi’s face, and once again, he just looks filled with naked despair.  I think these two panels are incredibly important in understanding Levi’s own psychology during this entire final arc.  Yelena is right, for once, when she says you can’t separate humanity from violence.  It’s a part of the human condition.  And she asks Levi specifically about it, because if anyone understands this, it’s Levi, who grew up in a world where violence was often the ONLY option, if one wanted to survive, or protect those they cared for.  But Levi’s saddened expression in the following panel really speaks to his feelings regarding the undeniable truth of Yelena’s words.  Levi knows it’s true, but he wishes desperately that it wasn’t.  I’ve called Levi an idealist over and over, and it’s because Levi is someone who understands the way of the world, and understands human nature, with more clarity and compassion than probably any other character in the series, he understands that violence, pain, poverty, desperation, fear, death, are all a part of life, and especially a part of the human condition, and yet, even with that understanding and acceptance, Levi is also someone who strives towards something better,  towards a world in which these things AREN’T necessary, aren’t inevitable.  Levi has been fighting this whole time in order to try and create a world in which people can live in genuine peace and prosperity, without fear, or violence or inequality.  But every bit of Levi’s life experience tells him and reminds him, day in and day out, of the impossibility of that ideal.  The impossibility of creating a world in which these things don’t exist.  Nothing in Levi’s life would ever lead him to believe true peace and prosperity for all is an attainable dream, nothing in his life which would ever give him real hope in that dream becoming reality.  But still, he fights for it.  This is part of what makes Levi so remarkable.  It’s the very fact that he STRUGGLES to believe in the possibility of a better world, and yet still gives everything of himself to make it a reality, that makes Levi such a hero.  In fact, Levi doesn’t really believe that it’s possible, I don’t think, his life having been too hard and too desperate to fully embrace such an ideal notion.  But, once again, even as he’s riddled with doubt as to it’s attainability, he sacrifices everything he has for the possibility, no matter how slim.   Levi’s naked despair in the panel following Yelena’s question is because he’s being reminded once again of the impossibility of that dream.  Once again, he’s being shown that humanity is incapable of achieving true peace within itself, he’s being shown once again that people are by nature violent and warlike, and that everything he’s fought for seems more and more like a distant and hopeless dream.  Yelena sits in stark contrast to Levi here.  She’s bitterly accepting of the ugly reality, unmoved and unemotional.  She doesn’t care.  She thinks humanity is a worthless mess, unsalvageable and unworthy of salvation.  To Yelena, this is the inevitable result of humanity’s very existence, and to fight for something that unrealistically idealistic is a fools errand.  Indeed, Yelena seems almost to revel in it, the violence serving as affirmation of her beliefs, giving her a sense of validation.  But Levi, beside her, is deeply affected, his pain and sadness openly expressed in his face, his disappointment and heartbreak plain to see.  Levi is HURT by the violence, by seeing it unfold.  Levi, despite knowing the truth of Yelena’s words, despite knowing from the most first-hand experience the brutal and violent nature of human beings, and the improbability of humanity ever achieving true peace, still believes with his whole heart that humanity is WORTH fighting for.  Levi, despite how hard it is for him to believe in actually achieving a better world, still believes that FIGHT is worth an attempt.  And that’s really one of the most vital philosophical difference between Levi and people like Yelena, or Zeke.  Despite knowing and understanding better than anyone the brutal and harsh reality of the world and humanity, to Levi, it’s still something that’s worth fighting to protect, and worth sacrificing for.  Even against his own, weary doubts as to its possibility.  And that just shows a strength of character that is immense.  To be so burdened by doubt, but still to fight with every last ounce of your strength, to give to your very last breath.  That’s Levi.  That strength of character, that unwavering conviction in giving his all to a cause he isn’t at all sure is even possible, is never more apparent than in this final arc, when Levi is in the most literal sense at deaths door, physically wrecked and barely able to even stand, and yet still he fights with everything he has.  That truly is remarkable.  That truly is heroic.

Just one more note.  Floch really exposes himself in this chapter for what he actually is, which is a power freak.  He’s been spouting off this whole time about the Empire of Eldia and saving the island and the people on the island and blah, blah, blah, but during his conversation with Kiyomi, he admits that he doesn’t really believe that the island will be safe, even if Eren wipes out all of humanity, that people will still continue to kill each other, and then he starts in about how what’s important now is for people to “know their place”, as he holds a gun to Kiyomi’s head.  Floch is a power freak, he wants to control other people, wants to dictate to them, wants to hold power over them.  He exposes that about himself here.  He doesn’t actually care about Paradis, or the people on it.  He’s simply getting off on being able to push other people around and make them do what he tells them to.  He’s such a bitch.  It was hilarious when Kiyomi took his ass down and messed his arm up.  

[deltaengineering]

that was the winter anime 2021 that was

Still not quite ready for a dozen posts about how terrible the likes of Combatants Will Be Dispatched are, sorry. Watch Vivy though, it owns. Here’s some more things that are (mostly) good. As always, worst to best.

Yatogame-chan Kansatsu Nikki S3

Yatogame has long run out of hot Nagoya facts and its ensemble comedy never amounted to much, so now it seems mostly content to just spam more and more wacky character designs. About the only thing that it has left going for it is that 3 minutes a week are more effort to drop than to watch, so I expect them to make a movie next. 4/10

Go-toubun no Hanayome S2

Quints is a weird one. S1 was a barely good enough (i.e., well above average) implementation of the ages old harem chestnut. S2 is actually better at the core of its appeal, since it gives all the characters a sharper profile (things like taking Nino from joke to badass and making Ichika a villain are no mean feat), but it does pay a steep price for it. You see, to deliver a steady drip feed of meaningful character moments it apparently has to rush through the source material at a breakneck pace, which completely wrecks the "story" part of this story and makes every episode seem like a recap. And it still keeps wasting precious time on vestigial nonsense like its framing device and the Kyoto flashback scenario that was already the worst part of S1. But by far the most annoying aspect is its insistence on keeping all the options valid, since it prevents any real progress and makes everything seem arbitrary and pointless. So sure enough, after a season of much ado we still don't end up anywhere — you can't really raise the stakes if all at stake was "who wins" to begin with. It's watchable and even enjoyable scene-for-scene but it's getting harder and harder to call it a solid show overall. 5/10

Skate Leading Stars

I was watching this primarily because I didn't like Yuri on Ice much and wanted to see if something that is a blatant attempt to cash in on it would be better — because while YoI delivers on one aspect (being hella gay), it really is an absolute shambles of a sports show. And sure enough, Skate Leading has none of the auteur appeal of YoI, but it just works much better. In particular I appreciate how it managed to make me care even a little about a cast of assholes, which is a nice contrast to the nauseatingly ingratiating way YoI tries to make you love its characters. Also, Skate Leading is just generally cheap and unambitious, so not susceptible to trying hard and painfully flaming out on the presentation side like YoI is. But at some point you gotta let go of these comparisons and on its own Skate Leading is... just fine, I guess? Competent, mildly engaging, not very memorable. And that's probably where it loses to Yuri on Ice in the end after all, even if I think it's "better". 6/10

Idoly Pride

Idoly Pride sold itself on me with a really good (and hilarious/tragic) first episode that was just too bizarre to ignore — I mean, how can you ignore GHOST IDOL MANAGERS. Well, the majority of the show isn't like that. It's a competent and solid version of the idol franchise show, yes, but it really had more potential than that. Especially midseason, it gets lost in these dozens of characters, and while they're all likeable, it does seem like a waste of a good story just centered on Mana/Kotona/Sakura. By the end it comes back around to the heart of the matter with a Maeda-style sob story, which could be a disaster but seasoned veteran Jukki Hanada makes it work anyway. Overall, there's quite a bit of ridiculous hacky melodrama in this, but quite honestly that's the best part and I wish it would concentrate more on it. The rest is just okay. 6/10

Yuru Camp S2

Yuru Camp is still likely the best pure iyashikei show when it gets down to business. Compared to S1 though, this seems to happen less and less. At its peaks (i.e., basically any quiet moment with Rin) it's at least as good as ever, and there's some good cast additions like Mini-Inuko, but it appears that Yuru Camp simply has run out of things you can do with camping and it fills up the time with other... stuff. This stuff includes the generic school club shenanigans it was never particularly good at, and a gigantic helping of crass consumerism. Yeah, I would say the majority of Yuru Camp is just a straight up infomercial at this point, which itself ranges from the perfectly acceptable (which cute anime isn't about food constantly), to the sketchy (I don't know whether the Izu tourism board cut this production a fat check, but if they didn't, Yuru Camp still gives its best effort to make it seem that way) to the highly irritating – I am aware that camping requires gear and you can't just ignore that, but you most definitely do not require whole arcs dedicated to talking about raising funds for the purposes of acquiring the Lamp of Comfy Happiness at your friendly local Caribou™ either. Not to mention an arc where the aforementioned lame school club does the same, for double irritation. Make no mistake, this show is so riddled with scenes that beg for a solution to embed affiliate links in video files that it makes me wish I was watching something as anticapitalist and underground as Love Live. And irritating really is the last thing a show with this core concept, as stellar as it is at that, can afford to be. Bummer. 6/10

SKOO the Infinity

Skoo has one really huge asset: ADAM, its magnificent villain. It also has one really huge liability: Reki, its not magnificent protagonist. To be more specific, it's very good at anything outrageous, physics-defying and silly, such as most scenes ADAM is in, and quite bad at anything serious, dramatic (in a serious way) and down to earth, such as most scenes Reki is in. So, what's the verdict? Well, the rest of the cast is more ADAM-like, and Reki's co-protagonist Langa is fine as the straight (yeah, right) man. The tedious buddy drama is a comparatively small part of this show, and at least it pays off quite well in the end. Seriously, I was ready to give this a 6, but the final episode is probably the best one of the show, in all of its aspects. That's really not something you see often. Skoo's a great time. Except when it's not. 7/10

Non Non Biyori Nonstop

Speaking of the rare good ending, what about we gave one of those to a slim and inconsequential slice-of-life show? NNB has always been solid, comfy and amusing quality with a couple of standout moments (usually something with Renge), and Nonstop has that plus an ending as conclusive as any show of this type is ever going to have. Besides, it does a lot of things right by focusing on more characters than the central 4 (especially Konomi has great material in S3), it expands the universe just enough to not get stale, and it moves things forward — It's definitely a lot better than the movie, is what I'm saying. Apart from that, well, we're three seasons in, if you have any interest in this you probably don't need me to explain what's good about NNB at this point. Bonus points for being nothing but an ad for the manga. 7/10

Wonder Egg Priority

Oh boy, so here's the big one. Wonder Egg is the rare Meaningful Arthouse Show About Real Issues You Guys, as you might have heard. And well, the long and short of it is that it's a very good show with quite a few glaring problems (besides not actually being finished due to production issues, but what we have is enough of an ending to be able to meaningfully talk about it). In particular, one problem: WEP is, at its core, one of these metaphorical Magical Girl-ish series that are just a thin layer of abstraction over coming-of-age or societal problems. The issue is that "metaphorical" in this case means "literal" and "thin" means "basically nonexistent". This show is not subtle regarding what it's about, at all. This is a double-edged sword — on the positive side, some things really should just be said aloud, and I'm really, really fucking tired of the Ikuhara style of "here's some wacky things, maybe a blog post will eventually tell you how it's actually about the most important thing ever" obfuscation — if it's really so important, just spell it out. On the other hand, there are limits to this and when a second, different Ai appears I don't really need a voiceover line telling me that yep, this show is about parallel universes now. WEP spells out many important things, but it also spells out many things that are implicitly clear or better left vague. Not to mention that with being so obvious up front, the show's tendency to leave figuring out what it's actually saying about it up to the viewer can leave the wrong impression. Again, I settled on the opinion that it's subtle after all where it counts the most, but you might easily get the impression that it pulls its punches (Ikuhara does this the exact other way around — once you figure out what the fuck he's talking about it's abundantly clear what he's saying about it).

In fact, this show is so good at subtle, quiet character moments that it calls into question the need for big huge fighting fantasy layer in the first place, especially since I'm not a fan of the fantasy designs and the fights aren't great. Sure, they look impressive on a technical level (this show is very good looking in general), but the lack of actual impact or rhythm makes me think this is not made by people who are very familiar with action and maybe they should have asked some seasoned shounen veterans for this — or just, you know, not do it. They can (and do) impress with character acting in quiet scenes just the same. And while Ai's character story actually does pay off quite nicely by the end we got, and Momoe and Rika are also handled well, Neiru's backstory is significantly less good, not to mention the whole Frill subplot regarding the show's mythology that they introduced just before (and that's the part to be resolved at a later date), which is a huge can of worms. We'll see how well they handle that, I suppose, but as it is it's a weird and vestigial detour that doesn't add much besides thematic headaches.

But yeah, apart from all that — I like it, a lot. Great character writing in the details, cool looks for the most part, tons of ambition, and a message that I consider to be appropriately handled — for the most part, and for now. Not quite ambitious arthouse anime at its finest, but also not a pretentious disaster like Sarazanmai, Monogatari et al. 8/10