#I like the rock-esc. That part throws the song off

[glamorousstarr]

Not the Hanukkah part, THATS MY TAKE!!

I love Eight Crazy Nights… even if it’s vulgar and nasty sometimes❤️

And this song is good..

[tvwriteups]

ESC SF2

Going to add those “read more” breaks when I can edit this on a computer.

[EDIT]

San Marino Totally feels like something you’d see on an awards show but with tons of pyro. Maybe the most polished entry from San Marino. Taking advantage of the pre-recorded backing vocals.

Estonia This is boring. I’m not an anti-ballad person, BTW. I don’t like video inserts.

Czech Republic It’s like everything I hated about this song got hidden. I still don’t like the song though.

Greece Not fond of these types of presentations. Also, I missed a lot of this because my living room is doubling as someone else’s office right now so I’m a little bit pissed off.

Austria I know this guy’s had a rough year. This song is appropriately sad. A lot better live.

Poland Oh, one of those throwback retro songs. Another song that seems to be taking advantage of prerecorded backing vocals. Very mid-80s sound with early 90s aesthetic. Just sort of the same thing over and over though.

Moldova More of this aesthetic — like a lot of the staging has been inspired by screensavers. Fun but blending in.

Iceland Poor pre-recorded iceland. Every ESC fan weeping or mad. Hmm... hmm... There’s a part of me that suspects that iceland would win just because of Dadi’s Internet coolness factor but they’re totally legit as is.

Serbia Nice, singing in their own language. It’s not just them but I’m not a fan of a lot of the black costumes this year. Pretty good for just the three of them and some wind machines. Lots of energy.

Georgia Feels like a mood song on an independent movie that plays during the movie. He sounds out of tune in parts, unfortunately. I mean, he’s probably not getting out of this semi but I actually like it.

Albania Singing in their own language! Weird to get solo singers in row with totally different songs.

Portugal Taking throwback very seriously. B&W and a 3:4 ratio. It could be the drugs I’m on but everything is working for me today so far. I’m really digging that light screen. Wow, that song went fast...which I was not expecting from Portugal.

Helena Paparizou interview.

Bulgaria This is very well put together. Is she singing the right words though? (I’ve only heard this song once before today.)

Finland Ahhhh, very welcome change of pace here with rock. Seems like the purpose of this song is just to be very loud and use a lot of pyro.

Latvia More pagan/witchy stuff! Totally not my jam though. I like that they’re not dressed in head-to-toe black. You know, this song feels like you took a bunch of the other songs, shoved them in a blender, and funkified it.

Switzerland I’d have staged that differently. As in “simpler.” Because the vocals do a lot of the work. It’s like throwing something on top of the vocals that you don’t need.

Denmark Back to the 80s. Eurovision of the 80s. I mean, wasn’t it the last time the Dutch won? Could play it off as a tribute to the last time the Dutch hosted or something. Their energies are different. Not sure if that’s on purpose. And then it feels very repetitive in the last 30.

Only really concerned about Iceland getting through. Won’t feel like I’ll suffer during the Grand Final if any of my least favorites make it through (but would probably consider them for a snack or bathroom break).

Maybe I’m just very happy to have the ESC back that I’m not as critical.

I’m not really an interpretative dance person. AND THERE IS THE DUTCH TRIBUTE TO BICYCLES! LOL

I don’t have the ESC app currently installed at this moment but will for the GF so I could get the background info and find out what the lyrics are for some of these songs.

Oh, “In Your Eyes.” I’m just all “Better the Devil.”

I guess we know which former winners will be performing on Saturday.

Not sure about this particular ESC Tutorial.

Oh, awkward delegation repartee! Actually, not awkward by ESC standards.

France No one could dispute that that’s the French song.

UK I always feel like I have to judge the UK as if they were a Sweden. Like “How well would this song do if Sweden sent it?”

Spain Ahhhhhhh. Hmm, last year’s song was better. Not like Spain knows how to stage a song.

“Martin Osterdahl” is not as fun to say as “Jon Ola Sand.”

Albania (good on you singing in your own language), Serbia (same), Bulgaria, Moldova, Portugal!!!, Iceland (most obs!), San Marino, Switzerland, Greece (I always wonder about them when Cyprus isn’t in the same SF), Finland (which I expected).

I think the other SF might have been more interesting but this one was good too.

I will be shocked if Italy, Iceland and Ukraine don’t make the Top 5 on Saturday. I also will rage if somehow Sweden ends up with the most jury votes again.

[dorizardthewizard]

So I watched the Eurovision movie

Uh, I have a lot of thoughts because this is the closest we’re gonna get to the real thing this year ;^; First, the positives!

What they got right:

Overall, I like that it wasn’t really taking the piss out of the competition – whether you agree or not with how it was portrayed, the creators do have a lot of love for the show and that is reflected in how much it means to the characters. I think it was fitting to start with the kids watching and being inspired by ABBA’s win (I’m always up for showing people where the group’s fame started), and making it their life goal to perform in the contest. Just like Lars and Sigrit, many musicians in Europe grow up with Eurovision being an annual tradition and it’s their big dream to one day perform on that international stage, so yeah I think it decently showed how important ESC is here.

They got the overall vibe right too – most of the songs really felt like Eurovision songs (maybe a little dated but still), from the Viking-Europop opener to the Lordi-aesthetic one to whatever the hell Russia was doing. I don’t think Greece’s song was something they’d ever send though; it fits the character but not what the country typically sends. Then again, Estonia have sent an opera song in Italian and Romania sent yodel rap so actually, I take back that statement. They were missing a Balkan ballad though! Staging was on point – I think it was filmed at the Tel Aviv stage so that’s obviously a factor, but big angel wings and hamster wheels also bring a lot of familiarity :P No pianos being set on fire though, which, in a movie with so many on-stage disasters, is honestly surprising.

Of course there’s also the past contestant cameos, for that I’ll say one thing – needs more Verka. Maybe some contestants from earlier years would have been nice too, at least we did hear Céline Dion’s song in the song-along. Would also have been nice if the whole mashup was Eurovision songs, instead of throwing in some other ones just to make it more recognizable for non-Eurofans. Otherwise, the mashup was really seamless and sounded good.

Another thing the movie got right was European’s attitudes to Americans, not sure how I feel about it since the movie was made by Americans, but it’s self-aware and pretty funny :P There’s also the funny gag about countries not wanting to host because of how expensive it is, not sure why a guy working for the national broadcaster would care about that but looking at Iceland’s population size, I wouldn’t be surprised if he was also an economist for the government or something.

What they got wrong:

Of course, there were some things they didn’t quite get right. First of all, did the UK win for it to be hosted in Scotland??? Unless Australia won, or some other country that didn’t want to host or something. They actually made a joke about UK getting zero points, but they said it’s because no one likes us, when in reality we just send the blandest songs :/

There were also a whole lot of technical inaccuracies like Sweden breaking the rule on number of people allowed on stage, big five countries taking part in the semi-final (come on, how can you not get that right? Maybe they were afraid Americans wouldn’t recognise half the flags? :P), the contestants were just sitting by themselves in some room like it’s The Voice or something, their delegations nowhere to be seen, and then there’s the total lack of security or planning around the competition, with Lars just running around doing whatever. The countries presenting their votes in the semi-final stood out as well, but since we didn’t get to see the final I can brush over it, just so we experience the voting somewhere in the movie. Wonder why they didn’t use past contestants for the points announcements? They also had the French one speaking in English but you know what, they remembered to make sure he was standing in front of the Eiffel Tower so I’ll let them off :P

One thing that did bother me was how hard the movie tried to make us think the Icelandic song was a failure, except the song wasn’t even bad so they had to resort to all the incidents on stage. They even had that complete silence after the hamster wheel incident, and there is NO WAY that would ever happen – even the null points songs get cheers! In fact, people would cheer harder, and I don’t think Graham Norton, or anyone for that matter, would be that surprised that people remembered the song and actually gave it points (oh yeah, great to see him in this!).

Okay, some of those inaccuracies were nitpicks, but they’re just fun to point out. I don’t think they quite nailed the portrayal though, but more on that later.

The movie itself:

Judging the rest of the film, the humour really didn’t do it for me- it was just kind of jarring that one half of the movie felt like your usual light-hearted music contest film that was fairly rooted in reality, then the next there’s a dismembered ghost of Demi Lovato and a guy getting stabbed by Elves??? I know it’s classic Will Ferrel random comedy but honestly, those parts could have been cut out of the movie just fine, it’s like half an hour too long anyway and you can tell by the way the humour drags. It can basically be summarised by the ending scene where Lars is yelling at the Americans and then just keeps going, and I know that’s the joke in that scene but they do this throughout the whole movie – something will happen and the characters will keep reacting back and forth and it’s honestly exhausting. That might just be me though, maybe I’d prefer more witty and self-aware humour in a Eurovision movie but I guess non-fans wouldn’t get half the jokes so they went for over-the-top ridiculousness ¯\_(ツ)_/¯

As for the characters, Sigrit was great; she’s a good mix between cute and weird. Lars is… annoying tbh, maybe I just don’t care for Will Ferrel's character type but when Alexander asks Lars what he can possibly offer Sigrit I was like “yeah Lars, what CAN you offer?”. Their relationship was cute though and his arc about caring too much about winning was decent, it does kind of resonate with Eurovision because yeah, lots of countries will revamp their songs to have English lyrics and the style is increasingly converging to Americanized radio-friendly pop music. I do wish they’d focused more on this conflict, rather than bringing in a love square (?) with Alexander and Mita.

Speaking of Alexander, I actually liked how they portrayed the Russian character; he wasn’t a villain, he was fun to watch and was genuinely happy to see Sigrit succeed. I did not expect them to go there with the whole “there are no gays in Russia” thing – I laughed but also actually felt for the guy, and his friendship with Mita was peak mlm/wlw solidarity, it was sweet.

The ending:

For me, this is where it goes American Hollywood style and kinda reminds me of Madonna’s speech about everyone being winners. Felt like I was watching Camp Rock for a second then (which is funny since Demi is in this movie) – all the other acts are fun songs but we’ll just change ours to a ballad so it must be more heartfelt and resonate with the audience, as if a good chunk of ESC songs aren’t ballads already!! To be fair, they do well in having it be a personal song about her hometown and adding in parts in Icelandic (although I’ve heard it’s so butchered you can’t understand what’s being said), it’s a sweet ode to one of the best parts of Eurovision – celebrating where you’re from and making your country proud.

Wish they’d focused more on that tbh, we really could have done without Lars speaking to the audience – that’s the more Hollywood moment for me and kind of reminds me of acts that try to connect with the audience like it’s a concert. Sorry but we don’t do that here :P Instead of the “music is feeling”-like message, it would have been nice if the movie was more directed towards celebrating why the contest is so big and important even decades after it began, and how it literally brings an entire continent together for one night. This would have been nice especially because of all the cynicism towards ESC and its dismissal as just a dumb, campy event with no quality music whatsoever.

Huh, I just remembered there are no live instruments at Eurovision so how everyone can hear the piano at the end is beyond me, also the instrumental kicks in despite the fact that that song has never been recorded in a studio, let alone able to be played out loud onstage. But I’ll just imagine that’s for us to see, the audience actually just heard her singing and nothing else. I don’t think it would have been that impressive, so Iceland probably won everyone’s hearts through memes instead :’D

Overall, I don’t think the movie was terribly offensive or anything, just some silly fun that missed out on the potential of better portraying the Eurovision spirit. I might eventually watch it again, but with skipping out half the comedy :P

[borisbubbles]

Eurovision 2010s: 165 - 161

165. Izabo - “Time” Israel 2012

Izabo captured my heart instantly upon selection with their delectable, delightful, dreamy, psychedelic disco-rock. Of course, I also realized they would die in the televote even harder than Valentina would and didn’t grow too attached. As far as Eurovision fodder entries go, “Time” is one of the better ones as well. Gorgeous Dali-inspired backdrops, great acting from everyone (especially the backings) and actually a GOOD use of falsetto’s. What else could one want?  ________________________________________________________________

164. Peter Nalitch & Friends - “Lost and forgotten” Russia 2010

I MISS WEIRD INDIE DARLING RUSSIA SO MUCH *sob*. Fuck you, Dina Garipova. 😒

You may expect me to have fallen in love with such a preciously weird indie entry at first glance, but NOPE, in 2010 I was pretty much still in my Basic Casual / Horehronie-stanning form and I HATED Peter Nalitch!!! However, I eventually warmed to him and his hipster friends as time went on and now I solidly like "Lost and forgotten”. 🤗

Russia is mostly remembered for all the wrong reasons now, but their ESC history is filled with wonderful indie anomalies such as this one. “Lost and forgotten” is a hilariously melodramatic break up song:

what r u doing man? I AM LOOOOOOOOKING HER *PHOTO*!!!! *WHAT* SHOULD I ~DO~ WITH THAAAAAAT???

 throw them to the fire AAAAAH YES I SHALL *HAVE* TO BURN HER NOW~ 😭😭😭😭 CUZ I *HAVE* TO FORGET HER NOW~ 😭😭  Holy fuck that exchange ALONE, but the entire song is drenched in the same wolf-whistling pathos. "Lost and forgotten” was way head of the curve, like its many Eesi Laul and FdC cousins.  ________________________________________________________________

163. Tanja - “Amazing” Estonia 2014

Oh my god I remember that Tanja hatred was a ~mood~ many people had for some reason: “EWWW LOREEN CLONE CAN’T SING TALENTLESS!!! GO HOME WENCH! #SHCBB4Life” Could Peter Nalitch throw those people in the fire now, so I can forget them now? My opinion of Tanja, from the first moment I heard “Amazing” had always been, “wow she sings this live while also doing ALL of that choreography?? That”s impressive.” and it still is :-) You try singing in tune when you’re literally being flung around like a rag doll. 

Unfortunately, Tanja would become the proto-version of the Conan journey where, host broadcaster DR completely ignored the intimacy of the NF  choreography in favour of showing off the stage via wideshots. 🙄 This of course made Tanja look VERY underwhelming even though it shouldn’t have (her act hadn’t changed between her winning EL and the Eurovision SF). 2014 is one of the best years in Eurovision, but DR really did Tanja dirty and I’ll never forgive them for it. 😭

________________________________________________________________

162. Kristian Kostov - “Beautiful mess” Bulgaria 2017

[2017 Review here]

BOOM! The last fully intact country in the ranking FINALLY loses its first member and it’s not the song you’ve been expecting! 😲 To be fair, Bulgaria’s entries are far from perfect, but I find their flaws and idiosyncracies charming at worst, and f’cking hilarious at best. 

“Beautiful mess” is the exception for me, and that’s mostly bad news. Its main thing is that it is.. A Competent Song and well, I don’t care about that? For the most part, the appeal of “Beautiful mess” hinges on an overwhelmingly genuine by Kristian Kostov, who is fantastic. Average songs really NEED to have an engaging live performer to create some drama, authenticity or emotional investment. Kostov passes all three with flying colours, however...

________________________________________________________________

161. Dami Im - “Sound of silence” Australia 2016

... Dami did it even better! It is almost unsettling how the same song finished in second place two contests in a row. Yes, “Sound of silence” and “Beautiful mess” are basically the same entry. ~Classy Professional Ballad Without Personality~, a perfect platform for the perfomer to make themselves shine, which both Kostov and Dami fortunately did *just enough* to not win. 🤗 However, I prefer Dami to Kostov, although slightly. Firstly, if two similar entries are of the same level of quality, the original is always the better one, and secondly DAMI FUCKING IM <3 <3 <3 <3 “Gladiator” *WAS* my summer of 2015 and there is still a little bit of residual stanboyness remaining in my heart, enough to give her the advantage in what is basically a deadlocked tie.  Now, before I end the update, let me be very clear: I do NOT like either of these songs. Beautiful mess is whatever and Sound of Silence features some terrible writing (the facetime line O_O the chorus O_O). They’re both soulless and formulaic, empty musical husks. However, Kostov and Dami OUTSOLD and that’s why they’re high on my list. I love them, even though I couldn’t care less about their songs. I’m still happy they lost though, because the last thing we need in Eurovision is have DNA or Symphonix be rewarded for their blatant demo peddling. 🤗

(um and also, Kate won Australia, :pretends to be shocked: How did it take them that long to send something mindblowingly good.)

[alieonya]

BAND AUS AND MUSIC MY BREAD AND BUTTER. HERE ARE SOME IDEAS:

- tomura is defo a lead singer

- toga, at first, is skilled in being a keyboardist/pianist... but she enjoys singing A LOT more

^ regular singing BUT ALSO... hear me out... scream singing too bc her in s7... 😁😁😁

- not really emo, but i feel like they have an a lot like birds esc style in their singing styles. tomura fits kurt and toga fits cory lockwood (ex: orange time machines care by allb)

-since toga wouldn't be their keyboardist though, perhaps... compress on keyboard.

^ he gives the silliest ideas for songs that just WORK. think a random slow jazz part in a song. he has to write that part tho, but toga, twice, and magne are all super into it.

^ (ex: "doing the same things and expecting different results" by hail the sun @ 1:56)

^ dabi, tomura are against it at first, and spinner is a little unsure abt it. but when the song is finished, they like it. begrudgingly for dabi

- dabi... he gives me bassist vibes. idk why, but he also does backing vocals occasionally. i think he'd specifically sound like the part in again by sufferer (2:35)

^ also totally gives me vibes that he knows how to play violin or something, only because endeavor pressured him into playing in orchestra in school

^ definitely joined the band and learned how to play bass JUST to piss him off, ended up liking it a lot

-spinner on lead guitarist and magne is an additional guitarist (most bands usually have 2 reg guitarists and 1 bassist)

- TWICE ON DRUMS. drumming takes strength and stamina, which i feel like he has and also just Gives Off drummer vibes to me

^ throws his drumsticks to the crowd for ppl to have LOL, gives broken cymbals to em too

additional ideas + other villains:

- tomura is passionate about music, and his dad knows afo who owns a record label 🤢 they sign to his label it SUCKS.

- they meet giran and kurogiri there. kurogiri is their manager, giran is their producer and helps scout out band members for tomura's band

^ they teach tomura how to book shows, so they don't have to spend the extra money to order to hire a booking manager

- muscular was their drummer for a short time (afo assigned him the role), but his attitude and behavior towards the band caused him to be kicked out

^ because of this, twice is apart of their touring crew and helps them set up on stage since muscular is the drummer. but occasionally he takes over if they need him to

^ kurogiri had to go to afo and explain that muscular not being kicked out would hurt the band, AND his business. thats why he agreed to muscular being kicked out

other villains + their bands:

- stain is also in a band... he's a singer that can drum too. he drums and sings. but i think his style is definitely more like zeta's (venezuelan rock band). idk who his bandmates would be tho sorgy

^ inspires toga/dabi/spinner/whoever else to actually pursue music.

- both bands tour together, with the lov as openers for stain's band! stain and tomura don't get along, but fans love when they tour together.

^ they would both hate overhaul's band though if he had one, thats the only time they bond 😭

- the shie hassaikai hypothetical band is that they have aesthetic perfection or iamx vibes...

- overhaul is their lead singer, chrono is on keyboard/synth and setsuno is a guitarist, hojo is a bassist, and rappa is their drummer

- tengai is their manager briefly, but i think it'd be funny is they signed under afo's label and forces them to have lady nagant as their manager 😭 so tengai becomes their booking agent

^ she gets along with them though. somewhat.

- if we wanna get even MORE specific abt villain bands... the meta liberation army's having thank you scientist vibes. they have a jazz/prog-rock style

- the only ideas i got for them though is curious on violin, skeptic and geten on electric guitar, trumpet on... trumpet LOL. redestro as bassist and singer, tokoname (slidin go) on drums, and sanctum on sax

^ i had to research the mla and the band to see what instruments they played and would fit 😭😭😭

anyways thats all i got, sorry this got long. i go nutso boingo for music/bands 😁

The League of Villains should've just been a band. They would've made such banger emo music.

[sole-cuore-amore-e-droga]

Tel Aviv 2019: Straight outta Latvia to Eurovision with a cinematic French rendez-vous

Supernova with their strict-on decision to only focus on all that’s radiofriendly this year went to hell for me. I mean, I like me some pop tunes, but not those that are purposefully marketed to be enjoyed by the massive sheeps of the Eurofandom who usually fall for those songs by Michael James Down, Will Taylor, even Ylva & Linda... because at the end of the day they’re all just shallow and pointless outside the ESC bubble.

Well the best they could do is to accept some different winds out of nowhere! And so they did when the audition stage hit place and we guys got to witness the 33 shortlisted tunes for this year, among which of them are loudly and proudly different - like “Alligator” and “Grow”, which I did not fathom but I was also raging for their not qualification for - more precisely “Alligator” which was way more outstanding of those two I mentioned. The guys that performed that song were fun, their performance choice was fun, they could have totally rocked on Supernova... but alas.

In fact not that many alternative songs made it to the final down-to-16 cut! There might have been a couple of those that sound nothing a radio would play unless it’s not playing pop on its purpose (Laime Pilnīga’s ”Awe” comes to mind right away), but in the end of the day, not many of those survived and we were graced with some... choices, like letting Samanta Tina waste herself on a cocky-ass tune with terrible chorus rhyme-scheme and unbearable charisma and putting through the most Eirodziesma-like mess-fest with the Beaver guy on top of it. Honey I like you in costume but... not in this emploi.

I don’t blame them though, as one of non-blatant-pop tunes conquered the Latvian hearts for this year. These next Latvian people in Laura Rizzotto’s succession are collectively named Carousel and their song is “That Night”.

It sets a romantic mood throughout, like we all are reliving this magical last date - it was in a restaurant, the candles were lit, the restaurant looked vintage with bordeaux satin tablecloth on the table, and the couple is having a smooth evening... until the love runs out to the probably cold and rainy streets and the other half of the couple starts longing for one's love. That's all I can imagine with this.

So yeah, I really like this! It's got lovely instrumentation that doesn't need all the over the top instruments - just guitar, simple drums, etc.; the noir flair is distinct on here and that's not bad on here; this is just a simple and soft song that you too could play in your own restaurants when all the lovely couples have romantic dinners and sip wine. And in some kind of a French movie, too (with the lead role being a curly redhead artiste with striped sweater, looking for love in Paris (because it’s so romantic in there honhonhon). I'm not sure if the revamp touched upon this one little problem I noticed but the problem kinda seems to be that the chorus repeats. A lot. And verses are way too short that they could be easily forgotten against the 4th and 5th time one would be hearing the "lo-o-o-o-ove, where? Are? You?" line, and then lulled into sleep at how peacefully relaxing it is. Which is indeed of a problem because repetition has quite a bit of a negative effect on people. Yes, it gets the song onto your brain more easily, but the repetition drives people insane too. Just like it was suspected for “Story of My Life” (Belarus 2017) on its original version to be unable to be ‘stood’ - after the 2nd chorus, the rest of the song just went like “hey hey hayayayaho” until the end. Naviband fixed the problem by throwing in another vocal onomatopoeia in a form of the song bridge and I loved them for it, even if there still were too many “hey hey hey”s at the end, haha.

Final conclusion? Yep, issa good entry, and if anything it’s helluva underrated. Say what you want about it being “boring”, to me it’s somewhat fresh and exciting, because the melodies are pleasant, the instrumentation is top notch and Sabīne’s vocals are relaxing. Delightful starry night music, oh yes, thanks a lot for it, Carousel, I’m taking it.

Obviously, after they won Supernova, there was a lowkey uprising from fans who were dead certain on wanting Edgars Kreilis or Markus Riva to win, eek. Honeys, honeys. I do like those two as well, BUT for a bit of a mess that Supernova 2019 was with some of their decisions to include, I think it’s for the better they finally let themselves go lighthearted over it all rather than blatant tryhard to sound radio for the masses just cuz the NF wanted. Just forgive Carousel for winning, okay? Okay. ^_^

Approval factor: Definite yes from me, because why wouldn’t I rate it a yes. Yay brotherland!

Follow-up factor: For me personally this is miles better than Laura Rizzotto's last year's melodrama. Overall I think it just flows nice and is a delightful addition to the Latvian collection.

Qualification factor: This I cannot think about all too often but I am not sure if they'd... stand a chance anymore? I'd use to think it did, but that was weeks before supposedly much stronger entries rushed in, squeezing Latvia into an uncomfortable position. But I really hope it's just charming enough to kind of get through. Sort of. A little bit. I'm positive about it happening, but not that much. And a lot of older audiences might love it enough to vote it, too.

NATIONAL FINAL BONUS

I admit that I got way too heated about hearing Supernova’s new approach to selecting entries, but in the end it turned out that I didn’t need to worry all that much in the first place - some of those alternative entries we got were very nice (or at least the entries out of the standart overbearing radio-pop norm), both in their actual auditions (this time they were on an actual stage in front of a jury instead of the listeners pick-pocketing the submissions themselves) AND among the actual picks. But what else is there to be note-worthy in this year’s edition of this show?

• Well, among of the auditionees there were those too-weird-ass bands/artists (some of them I mentioned), and you saw me mention the “Alligator” song to you beforehand, which is done by an ambitious project ATOM.LV (so did I mention “Grow" by Waterflower and her show is worth mentioning as well <3 Those flowers in her hair, the hair color, the makeup, her overall image (it’s like Jamie-Lee upgraded) and the dance moves are ADORABLE <3333 but the song is... hmm... :c). And I’ll repeat myself - those guys rocked! I may have not been a massive fan of this but I can at least commend them - they had a good song structure going on, a clear message (alligators from the stars *catchy trumpet fanfare part* trying to probably conquer the world, yeah!) and an outrageous tribal image with that facepaint on! Awh hell yeah! Who wouldn't want THAT through the live shows??? Ah, only the Latvian juries ofc. (And me because I never got the appeal of this but I sure felt sad for 'em kids hoping and wishing for them through :x)

• Thank Goodness I had my faves through - all hail Double Faced Eels! They're the little legendary pop band who went all their way to compete in some Youtube contest and have had sung with Bebe Rexha as the prize for winning it almost 1,5 years ago :o Believe it or not but I have heard of them way before their Sulernova stint - I got introduced to them through a friend, known on Tumblr as Soupgeist. :3 And I don't regret stanning a name I know, as "Fire", their entry in this year's 'Nova, was a pop-rock banger with some electro in! Granted the vocaliat might've had some troubles singing live but he still pulled it off nicely in the finals, with that energy coming out on top! Yeah yeah, uguns. 🔥

• Like I mentioned earlier, there were people rooting for other favourites this year so heavily, and that annoyed the hell out of me, because I thought that Eurofans have some sort of evolving tastes that accept more than just pretty pop boys/girls with not-so-special songs? Well, I mentioned that Eurofans’ targets were Edgars Kreilis and Markus Riva. The latter felt so attacked about him trying to achieve his representation dream over and over he even tweeted about it once... well I did like his song “You Make Me So Crazy”, but I found it a little too overrated with the fans. So I did Edgars, but his song was way catchier and had way more personality than being a club track, I tell ya. Why would his song be renamed from “Fire” (yes, he partially shared a song title with that Double Faced Eels’s song!) to “Cherry Absinthe”, anyway? It gives it a bit more of an exciting feeling, tbh. ^_^ So I ended up rooting for him a little bit more out of the two ‘pretty’ pop boys, if I had to accept one of those kind of winners that everyone wanted (like everyone wanted just either yesyes or The Middletonz for Hungary this year).

• There were a lot of other nice chosen songs too that I would’ve loved to discuss, but I just can’t not mention the Riga’s Beaver as one of the more memorable moments here. I did write earlier in this that I was disappointed though. Not because of the beaver being out of costume and coming at us as a young-to-middle-aged stunning lad, but because the Beaver-entry, “Tautasdziesma”, was a “Supernova”-times cluster-mess. I think of this as a charity music medley-parody of some sorts, and that doesn’t bode with me well, and sometimes I like parodies, like the one Klemen Slakonja (aka the guy who portrayed Putin for a musical number once) did in his country’s NF in 2012 (that he hosted) was fairly nice (although a bit too much), but... ehhh... at least the men are fine and their costumes were dandy.

• Let’s not forget that those auditions had this one glorious thing going on during the performances - we saw shots of the jurors judging all of the 33 shortlisted acts with... rather less-than-enthusiastic looks, and man oh man were they fabulously done with this shit <3333

if that’s not a big indicator of them being too dead inside to be judging anything that day, then idk what is...

Anyway, I am finished with this review also, and I’m happy about it! I don’t think I can move any of this at a more quicker pace (seriously, I have to do so many more even during rehearsals!!!), but I am still trying to do my best. Good luck to the Carousel quartet and may they not flop in May! To hell with the naysayers sweeties, you’ll do just fine x ✨

[betweenthetimeandsound]

Three Minutes to Eternity: My ESC 250 (#190-181)

#190: Kaliopi -- Crno i Belo (North Macedonia 2012)

“Отвори душа признај ми, Што сме сега јас и ти, Пола мое во тебе, А пола твое спие во мене,”

“Open your soul and admit to me, What we are now, you and me Half of me is in you And half of you is sleeping in me”

Kaliopi was supposed to be (North) Macedonia's first entrant in the 1996 with the song Samo Ti, but an audio-only pre-qualifying round ended up preventing her from doing so. Whereas Samo ti is a calming, R&B influenced song, Crno i belo is an alternative rock song which takes a number of twists.

Crno I Belo starts slowly, but it really picks up from the second verse onwards as it transforms into a rock song. There’s a sense of confrontation with the lyrics, which the music also tries to convey. And I don’t need to say much about Kaliopi’s vocals—a bit harsh, but awesome. And that scream is nothing but penetrating.

Personal ranking: 4th/42 Actual ranking: 13th/26 GF in Baku

#189: Måns Zelmerlöw - Heroes (Sweden 2015)

"Now go sing it like a hummingbird The greatest anthem ever heard"

I know there was a bit of flack of Sweden's most recent win, because they won primarily because of the jury (they were third in the televote). Compared to "Grand Amore", which comfortably won the televote but only gotten sixth with the juries, which was a pretty bad mismatch.

In addition, compared to the other fan-favorites of the class of 2015, Heroes is a more mainstream-sounding pop song, with influences from "Lovers from the Sun" and the highly produced Swedish-pop scene. But when I listen to it, it's very engaging and surprisingly danceable, with a great message of strength and togetherness. And the staging was quite slick and creative (with a bunch of influence on some of those from the following year)

So while Heroes is not my personal favorite of 2015, it's still a compelling and awesome pop song. Six years later, it's holds up fantastically.

Personal ranking: 7th/40 Actual ranking: 1st/27 GF in Vienna

#188: Elitsa Todorova & Stoyan Yankoulov -- Water (Bulgaria 2007)

"Море, Митра пее на реката Митре ле, ий… Митре ле"

"Lo, Mitra sings by the river Oh Mitra, eeh.. oh Mitra"

I have the strange impression that Bulgaria has a trance music scene we don't know of. From Elitsa and Stoyan's two appearances to the lyrics of Stanga being taken from a Bulgarian folk song, it's something that was not in focus in the rest of the world.

That said, Bulgaria's only qualifying song prior to 2016 is an experience to behold. While the lyrics are simply about Mitra meeting a lad riding a horse, the soundscape feels like you're in the surreal place yourself. You are in a rush against time, but you're also on a journey towards...somewhere.

Both the music and drumming really amplify the experience; seeing Elitsa and Stoyan drum together was a highlight for me. And while there are questions about Elitsa's vocals, including a point where she goes off-key, she still provides the necessary tone for this intriguing song.

Personal ranking: 4th/42 Actual ranking: 5th/24 GF in Helsinki

#187: Tose Proeski -- Life (North Macedonia 2004)

“Life is a book and you gotta read it Life is a story and you gotta tell it Life is a song and you gotta sing it You've got to know how to live it.”

For some curious reason, I prefer the English-version of this song to the Macedonian language one. Whereas this one, performed from Eurovision, focuses on the angst of existence and the importance of making the most of it, "Angel si ti" is an ode towards a lover who lines his streets with roses and even turns back time.

That's one of the things which work here that really shouldn’t. The mid-2000s sound, the lyrics, and the sheer angst of it. But for some reason, I really enjoy it. Tose (RIP) sings this really well, and it feels like a song out of a musical, in a scene where the protagonist cannot decide what they want to do with their life. It's awesome and I love this lots (and please, put this in a hypothetical Eurovision jukebox musical--there's so much plot potential!)

Personal ranking: 6th/36 Actual ranking: 14th/24 GF in Istanbul

#186: Lisa Andreas -- Stronger Every Minute (Cyprus 2004)

“My love grows stronger every minute And it won’t ever die You must believe I’ll always be there For you, all my life”

Greece and Cyprus are basically sisters in the contest--you can almost always expect them to give votes to each other considering the circumstances. However, their combined quality frequently varies, as well as results. 2004 was their best results year, though not necessarily their best in terms of songs (you'll get that later, towards the end)

At fifth place, Stronger Every Minute shared the best Cypriot entry ever with two other entries (one of which is #239, another coming soon) until 2018. This time, it comes in the form of a delicate love song, performed so tenderly and serenely by Lisa. Despite her looks making her look older than sixteen, she conveys a sense of innocence, helped by the glockenspiel and the acoustic guitar throughout.

I love how sincere she sings this “love letter”, as one blogger put it--I hope everyone can feel a love like this! A pure oasis in the flash and chaos of the 100% televote era.

Personal ranking: 5th/36 Actual ranking: =5th/24 GF (with Sweden) in Istanbul

#185: Paloma San Basilio -- La fiesta terminó (Spain 1985)

“La fiesta terminó Ya no hay más que niebla entre tú y yo ¿Para qué echar más leña arder Si el fuego se ha apagado ya?”

“The party’s over There’s only a fog between you and me Why throwing more wood to burn When the fire is already dull?"

Juan Carlos Calderon and Paloma San Basilio are really well known in their fields --the former is a noted songwriter who already wrote one of the biggest hits in Latin America, whereas the latter is a noted singer and theater actress who would win a Latin Grammy and play Evita.

Together, they have this really nice power ballad, albeit one with a bit of melancholy in it. The lyrics are the strong part of this piece, telling of a relationship that has come to an end using the party as a metaphor for it. It works very well, especially with Paloma's warm voice and the way she emotes the song through her hand gestures.

The resulting package is quite sad, yet very, very beautiful. Unfortunately, it didn't get the result it deserved (which maybe because of that backing vocalist picking at his nose...).

Personal ranking: 2nd/19 Actual ranking: 14th/19 in Gothenburg

#184: Sakis Rouvas -- Shake It (Greece 2004)

“I would trade my life for a night with you Driven by desire”

(Yes, this is already the third song from 2004 to appear in this section. haha. The first two that appeared here are fighting for my fifth, whereas the top four here is the exact same top four of that year.)

The first of the Greek Golden Era, we get Sakis Rouvas in all his glory. This was a hit when it was first released, and it at one point was the highest selling single of all-time in Greece. And as of 2021, it's still the highest-scoring Greek entry, despite them winning the following year.

While his regular discography doesn’t usually feature Greek elements, as he's better known for popularizing pop and rock influences in Greek music, I still think the bouzouki riffs do a good job here adding to this bop (the composer is Nikos Terzis--remember this name).

It's a dancefloor banger which I keep on repeat, and it seems that people across the continent have done so too! Especially those from Turkey. The performance is also quite fun, albeit with some...curious choreography (e.g. 1:42-1:46). That said, we also get some of Sakis' athleticism, thanks to him doing track when he was younger.

Personal ranking: 4th/36 Actual ranking: 3rd/24 GF in Istanbul

#183: Claude Lombard -- Quand tu Reviendras (Belgium 1968)

"Passent les semaines, se traînent les jours Et moi, j’attends ton retour En filant la laine dans mes beaux atours En bordant ma peine de doux fils d’amour"

"Weeks passing by, the days are lingering And I’m waiting for your return Spinning the wool in my beautiful finery Embroidering my pain in soft threads of love"

A couple of commenters compared to a Kate Bush song, and I think it comes down to Claude’s voice, which is very ethereal. However, Claude's voice has some depth, which, in comparison to Kate Bush's earlier work, is a bit more mature.

As for the song, it’s very folkloric but tragic, in which she yearns for the day her lover comes back. The use of strings helps in that it establishes a medieval ambience to it, but the overall feeling is still timeless. It’s almost as if one is caught into the story and wept along with her.

I especially love this because it stood out amongst the class of 1968--while most of the other songs has a happy-go-lucky vibe, Quand tu Reviendras goes in the opposite direction. Same with my runner-up.

Personal ranking: 1st/17 Actual ranking: =7th/17 (with Monaco and Yugoslavia) in London

#182: Doris Dragović - Marija Magdalena (Croatia 1999)

Maria Magdalena, gib mir deine Macht Für immer und nicht nur für eine Nacht

“Svjedok mi Bog, srca mi mog, Ova žena zna, da ti pripada sva...”

“As God is my witness, I swear by my heart, That this woman knows, she belongs to you entirely...”

(The first few lyrics were from the first Maria Magdalena from Austria, haha. Just wanted to mess with you. :) )

The second Marija Magdalena is a beloved entry in the fandom, and for good reason! It hasn’t aged since 1999, which shone amongst the relatively dull field with its mix of ethnic and dance music. Lyrically, it focuses on a love that redeems the narrator, hence the imagery related to Marija Magdalena (yay, religious imagery and redemption!). I think it works efficiently, and Doris performs well on stage with her powerful vocals and diva-like presence. Arguably, it's argued that it was the best song of 1999.

The only problem I have is with the backing vocals on the instrumental. The delegation cheated, and that’s the end of it. I’m still wondering why people would put this as their favorite of 1999 otherwise; even with the new rule about allowing them on the track. It puts me on edge on what would've happened had they won.

Beautiful song, but cheaters don't prosper in my book.

Personal ranking: 3rd/23 Actual ranking: 4th/23 in Jerusalem

#181: Evelin Samuel & Camille - Diamond of Night (Estonia 1999)

“Diamond of night, burning so bright Guide me my silvery new sign”

The last Eurovision song of the twentieth century is filled with mystical imagery, atmospheric instrumentation, and a beautiful violin solo. The whole thing reminds me of a fairytale, with a cool soundscape, though sometimes I feel like something is lacking in it (especially because it resembles some entries from the 1996 contest; I was thinking of I evighet when writing this)

The lyrics are especially pertinent for Evelin Samuel (the singer), who tried to get to Eurovision throughout the entire 1990s. She was about to go as one half of the Estonian duo from 1996, when she suddenly got a tour in Japan, which was then canceled. She managed to become a backing vocalist in 1997, and finally got her chance here. Seeing her sing "now i can say it's my time" is very touching, even if her eyes seem to be bulging out!

In the end, it's a peaceful and serene song, with hope for the new millenium. However, considering what the first song of Eurovision 2000 would be, little did one know it won't always start on the right foot...

Personal ranking: 2nd/23 Actual ranking: 6th/23 in Jerusalem

[thesinglesjukebox]

KEIINO - SPIRIT IN THE SKY

[6.83]

Gotta have a friend in Jukebox...

David Moore: I am glad that, via Eurovision, the millennial Europop turn to jolly pirate choruses never left us, and I am downright giddy about those sublime thirty seconds of what I have been told is a JOIK BREAK, a phrase that is as good as the thing sounds. I was reminded of a more earnest but still pop treatment of Polish folk I heard this year -- two's a trend, so JOIK BREAK is officially as essential a 2019 music neologism as BORT-POP. [8]

Katie Gill: A memorable Eurovision song is an equal mix of "well-written, amazingly catchy, (preferably) pop song" and "a dose of the unexpected." "Euphoria" had amazingly powerful vocals and Loreen's crab dancing. "Satellite" had a cute, peppy love song, mixed with a bizarrely Cockney accent. "Hard Rock Hallelujah" is a well-crafted, legitimately rocking metal song with people in silly monster make-up. And "Spirit in the Sky" is a fun, catchy, dance-pop song that launches right into an amazingly well-done yet totally unexpected joik phrase in the chorus before plowing RIGHT INTO a joik bridge. It is peak Eurovision, managing to merge some catchy yet by-the-numbers pop with at least one moment of "what? HELL YEAH! what?!?". And this is why the public is right and the judges are wrong and Keiino should have won this year, thank you for coming to my TED Talk. [8]

Alex Clifton: It's been seven months since Eurovision happened and yet my blood still boils that "Spirit In the Sky" was technically beaten by that terrible "Arcade" crap. This won the people's vote, and with good reason--this isn't just a perfect Eurovision song, it's a perfect pop song, full stop. The best pop songs make your body crackle with an energy you didn't even know you had. It's something that starts in your feet, maybe just tapping your toes, but it works its way to your body until the chorus hits and your heart just soars. It's an adrenaline rush, one that makes you lose all sense of where you are because the only thing that matters is the music. And then the joiking starts. I love it when Eurovision entries contain nods to their country's cultural heritage--"1944" was a fine example of this with Jamila's incorporation of a Crimean Tartar folk song--but sometimes they can come off as hokey or forced. The joiking in this song absolutely brings it to the next level, setting my body alight each time I hear it. When pop music makes you feel like you can fly about and do anything, you know you've hit the jackpot. The rest of Europe recognized this; it's a shame that the new and convoluted Eurovision voting system cheated KEiiNO out of what should have been a much-deserved win. [10]

Wayne Weizhen Zhang: A potentially beside-the-point, but still serious question: why wasn't "Spirit in the Sky" included in the Frozen 2 soundtrack? After watching the new movie--I'm an adult, I know, but I'm also directing a musical version of the original Frozen with my Chinese students this year, so I've been thinking a lot about the film franchise--my first reaction was to feel a little disappointed by the music, which while decent, didn't live up to the original's caliber. My second reaction was feeling pleasantly surprised by the fact that Disney actually worked with indigenous Sámi people in northern Europe to when writing the story. (Granted the plot goes something like this: a Disney princess uses her magic ice powers to pay reparations to a group of native people subjugated through environmental warfare.) But "Spirit in the Sky" is a song by an actual Norwegian-Sámi group which tackles of spirituality and environmentalism in real life. It literally includes the lines "I need a hero/I need my light/Her shining lightwaves will break way the night." Sound familiar? In any case, on to the song itself; it's a ridiculously fun, uplifting, bilingual European bosh anthem in the best way possible. I can see why it did so well at Eurovision. [7]

Leonel Manzanares de la Rosa: The song's strength resides in creating a great contrast between its voices. The traditional Sami singing feels not as a mere addition to give it an "exotic" character, but as an essential component that works perfectly with the main female and male vocalists. It's a good song for the stage -- in this case, the Eurovision stage, where I personally consider it one of the top 100 ESC songs of the decade --, but it still struggles as a single because uplifting EDM-pop is already a very tired trope. [6]

Katherine St Asaph: The midpack Eurovision formula of late: you still get to yearn and emote and try very hard for a verse or two, you still get to throw in your traditional folk interlude, as long as the chorus evokes pop that's not-totally-venue-appropriately MOR. For "Spirit in the Sky," it's "Wolves" and "Brooklyn Girls." [4]

Joshua Minsoo Kim: A [6] or [7] during Eurovision, where I'm more forgiving of intriguing but shoehorned elements of traditional music. At any other time of the year, it doesn't rise above mere curiosity. [5]

Iain Mew: The philosophy dictating the song's creation at every stage appears to have been "why not?" Outside of Eurovision and in a less intense competition for attention it eventually gets too much, but it does at least offer a compelling new direction in which to take the drop as a concept. [6]

Alfred Soto: The timbre of the male voices annoys me, but it's part of a listenable example of expert schlock, especially when Alexandra Rotan yells "I am dancing with the fairies now!" as if she saw me scowling at the laptop screen and had just the right thing to change my mind: syncing the percussion and bass like classic Eurodisco. This non-watcher of Eurovision mourns "Spirit in the Sky"'s stopping at sixth place. If you wanna be mad at the Continent, President Trump, here's a reason. [6]

Edward Okulicz: The drop and the joik make the workaday Europop seem monentarily exhilirating, but alas, there are verses, so it can't keep up the cheap thrills for its entire running length.These (hot) dorks looked like such dorks on the Eurovision stage, but it sure was better than the tired gloop the jury went for. [6]

Vikram Joseph: For two minutes, this could be a Eurovision entry by any country, at any time in the last 20 years (but especially sometime in the early 00s, when it would have been a nailed-on pan-Europe EDM smash) - this, coupled with its status as "undeniably a bit of a bop", makes it no surprise that it won the public vote this year. And then there's the bridge, with striking, incantation-like vocals in the indigenous Sami style from the north of Norway, lending the song an otherworldly feel and elevating the final, towering chorus to something close to transcendence. [8]

Scott Mildenhall: "Spirit in the Sky" crystallises the too often ignored fact that, particularly with anything involving public votes, precedents are not the be-all and end-all. Effectively, a song that thoroughly tanked with both viewers and juries -- Saara Aalto's no less ostentatious "Monsters" -- was rebadged into a runaway viewer winner in the space of a year. Admittedly, the points of differentiation are clear. KEiiNO's camp was a much giddier one, and where Aalto had destabilising drops, they had Fred. It's an object lesson in audience appeal, and a reminder that light can shine through. [8]

[Read, comment and vote on The Singles Jukebox]

[tvwriteups]

ESC 2021 GF

Opening was okay. Think that's the largest the stage has looked.

Watching on PeacockTV. No commentary. This time I'm watching through my speakers and not through headphones. Not gonna do a rundown since a lot of the songs are familiar.

I did not watch any of the big 5 or the Dutch rehearsal/jury videos so I'll be watching those whole for the first time. (I probably should have watched them. Oops. Too late now!)

I really have no idea who will win. Kind of makes it exciting!

What's a little weird with my setup is how much "sharper" the music sounds on my speakers.

Let the Grand Final of the ESC begin!

1. Cyprus

2. Albania

3. Israel

4. Belgium

What's funny for me here is that the Belgian song is growing on me on this third listen. I like it more each time. (This might actually make my Eurovision AND Hooverphonic playlist!) With the other songs I was... like I didn't feel the level of "excitement" I felt when I watched them earlier this week.

5. Russia

Oh yeah! This is another one I'm liking more on a second viewing. I like her expressiveness. This is never not interesting. And an enthusiastic response there.

6. Malta

Maltese Lizzo. I know this is very popular with the ESC crowd and I get it but it doesn't personally register with me. I think it's the speed. It's like the same fast speed and mostly same level of "noise." Crowd really loooooves it though. Might just be my own autistic sound processing issues.

7. Portugal

I still am impressed with how well-structured this is. I'll probably forget the song next week but when it was being performed I never lost interest.

8. Serbia

They seem so wholesome in their postcard. Hmm, singing doesn't sound as good on my speakers. This is like the first 3 songs for me.

And now a break.

Kind of sucks performing early because it hurts you with the vote but at least you get to sit back easy and watch the rest of the show.

I still feel very conflicted about how to feel about Junior ESC. Lots of pressure to put on children.

Jamala, Emmelie de Forest, Duncan Laurence on where they keep their awards... nope, Nikkie, I'm not gonna check out the live blog. I like the ESC but even I have to draw a line somewhere.

9. United Kingdom

First time watching. I don't understand these British songwriters who perform their own songs and yet... like, it doesn't sound ideally suited to their own voices. It was okay but it's another one I'll forget in a week.

10. Greece

Well, I didn't get to watch this properly the first time so here goes: I don't like the huge reliance on effects but it's BEHIND her so it's completely acceptable to me. I think this would've worked better for me if the dancing was "more [active?]" since it's a fast song about dancing.

The hosts briefly have to tell us something for some reason.

Hmm, apparently a lot of my sound issue is that the rear speakers are coming through louder.

11. Switzerland

This is playing much better for me today than it did the other day. The overall performance is better. I don't like the epilepsy-inducing light though. That's my only complaint. Well done!

12. Iceland

Well, literally the same exact performance we watched the other day but it was fun so... and my viewing experience is slightly different so... Hmm.. what I'm really feeling right now is a song placement thing. We went from intense to chill and that energy change is a bit much for me.

13. Spain

This song does not have a strong hook. I ... can't remember the song and it only just finished.

14. Moldova

I honestly don't think this song would've made it through the first SF. I just don't care for it. I think I spent most of the performance looking at the dancers when that was an option.

15. Germany

This feels like a cross between a Moldovan and a San Marino entry. I dunno, I enjoyed it. I wouldn't watch it again though.

I do also understand that part of watching this as an American is that I don't ever have to feel embarrassment that I'm being represented through any of these performances.

16. Finland

Now that I know that this is like this I'm totally not interested. I'd probably feel very differently if I was in the same space as these guys because it's a SHOW!

And another break. Oh, the broadcaster boxes. I always assume that they're going to harass Graham Norton but they're actually visiting the Danes right now. And the Russians.

Hosts talking about orchestras now.

17. Bulgaria

I remember this postcard from the other day because of the menagerie this girl has. This song is also growing on me. I was confused about the lyrics the other day but now am experiencing them as playful. Feeling the "production" of this one.

18. Lithuania

It's hard for me because I really liked "On Fire." I'm really enjoying this the second time and a really great, entertaining performance. And maybe it's in a better place during the night.

Hosts talking about the app. They're really hammering this whole "clap along" thing (which I haven't found on the app because I'm probably too old to care).

19. Ukraine

This song is a trip. Bangy-est banger of the night. You just never know.

20. France

You know, this comes off as something the juries would love to award. Damn, girl! You know, I wasn't impressed when they showed the short clip at the end of the SF. You really have to watch the whole thing.

21. Azerbaijan

Seems more appropriate to sing about Mata Hari than Cleopatra in the Netherlands when you think about it. It could be because I've already seen this before but I'm still processing France. There's also something about this staging that makes them look small on the stage to me.

22. Norway

I don't know why I find him adorable but I do. This song feels like a hug. (Or it's the "feathers." LOL)

Mini-break about what's upcoming.

23. The Netherlands

I was into it until the last 30 when it got really repetitive but that's still an overall like.

24. Italy

I really can't predict anything. I dig this but we've sort of filled a quota for intensity for the night.

25. Sweden

I'm just kind of like....of course Sweden has the Rijksmuseum postcard. It's like the most recognizable place in all of these postcards. And be near the end of the show. I'll be honest: I'm just predisposed to be against Sweden. Ugh, epilepsy light. I can't even look at the screen. Also, I liked Russia's "A Million Voices" in 2015. I'm guessing this song did not look like this at Melodifestivalen because it's really looking terrible on my tv. This is the worst visual presentation of the night.

26. San Marino

Honestly wondering how well San Marino is gonna finish this year. This felt more awesome the first time. Well, also Flo Rida delightfully surprised me the first time.

And how our hosts telling us about the importance of voting. I have no idea how these are going to pan out. I just know that if I was voting I think I'd throw my votes at Ukraine and France...while feeling bad that I'm not throwing some at Bulgaria, Iceland, Lithuania or Switzerland. (I also liked Russia but I wouldn't vote for them.) I mean, I liked Italy but... I don't know. I think I ran out of energy by then.

Really think it's that Ukraine and France just zapped my energy for energetic songs. The only one I felt after those was the hug of Norway. Or maybe Norway lulled me. LOL.

Would be interested in the televotes for some of these countries.

Recap. Ooof. France doesn't work in short recap clip.

"Music Binds Us"....because we've heard of Afrojack here. I swear every other major city has one of those bridges. I'd otherwise dig this but we've had so much intense music tonight.

I'm guessing we're listening to "Titanium" because Afrojack wrote and produced it.

I'm sitting here wondering if ANYONE is going to vote for the UK at all. Or, really, how many of the Big 5 are going to be in the Bottom 5.

Another recap.

Another Nikkie ESC Tutorial segment. This is actually kind of annoying.

And now a behind-the-scenes montage while the voting numbers are displayed at the bottom.

Catching up with past winners now.

ESC honoring itself again. Enjoying how much they're not overemphasizing the whole "in front of a live audience" stuff like they were doing the other nights.

Another recap.

Oddly, I think Moldova annoys me the most. It feels like the emptiest song in the final.

How quickly are they going to burn through the votes. It's already feeling like this show is long.

65th anniversary stuff. Rock the Roof. Måns again. I don't like this song. I think 2015 was a great overall year (even if I was able to predict the top 10 (except for Latvia) but I still listen to a lot of songs from that year... just not "Heroes." I resent that I have to hear it every year now.

Teach-In....because Dutch and because we need a song with 'Ding" and "Dong" in it.

SANDRA KIM!!!!!!!! Forever the youngest winner of this contest.

Lenny Kuhr.

Helena Paparizou. LOL, totally sticking to the choreo.

Lordi. Probably had to choose their roof first to get the permission to shoot the pyro off it.

So are they saving Duncan Laurence for when they calculate the votes? It feels like the voting window has been open forever now. I keep looking for a countdown clock.

This sounds like a way of saying Duncan Laurence has tested positive for COVID without saying that he tested positive for COVID.

Are they emphasizing that the Netherlands is below sea level?

New song... I'll take anything as long as it's not "Nana Banana."

The voting still isn't closed!

Oh, they have a special countdown dance is why. How very Paparizou of them.

Oh, that weird part where they banter with the delegations.

Malta. Just Malta?

Martin Österdahl. Because Swedes. Jury time. I forgot that revealing votes this way eliminates the performances during the vote calculation. They calculate the televote during the jury stuff.

Jury Votes

Israel, the least popular child in the room right now gives their 12 points to Switzerland.

Poland goes to San Marino.

San Marino goes to France.

Albania to Switzerland.

Malta to Albania.

These are going all over the place. But then it's juries.

Estonia's 12 to Switzerland.

Switzerland and France popular with juries so far.

North Macedonia to Serbia.

Recap. Switzerland, France and Italy in the Top 3.

Els and Nikki or however you spell their names. Azerbaijan throws their points at Russia of course.

Norway to....Malta.

Spain to France.

Austria to Iceland.

Ooof, UK, Spain and Norway totally blanked right now.

The UK....with Amanda Holden...and 12 points for France.

Italy gives its 12 points to Lithuania. No points for Switzerland from them!

Now it's just the UK blank.

Slovenia to Italy.

Juries don't like Ukraine. :-(

Greece...making us try not to boo by having a child tell us that the points are going to Cyprus.

Latvia with Aminata of course. 12 points go to Switzerland.

Ireland to France.

Moldova epic saxing us. Epic saxing Bulgaria too.

Serbia to France.

Bulgaria to Moldova. Ugh.

Cyprus ...should've used a child. Even the crowd is all "Greece, duh."

Belgium to Switzerland. It's almost like they have something against France, LOL.

Banter with Switzerland. Banter with France. No cringe. Practically no cringe in these interviews. They're adorable.

On a side note, my HVAC is dying on a 90 degree day.

Germany to France.

UK still sitting on a jury egg.

Australia to Malta.

Finland to Switzerland.

Portugal to Bulgaria.

Ukraine to Italy. Love the 0 points to Russia there.

Iceland. LOL. LOL. LOL. Of course a "Jaja Ding Dong" reference. Switzerland for them.

Romania to Malta.

Without televotes this stuff is almost meaningless. I can't imagine France getting the televotes.

Croatia to Italy.

Czech Republic to...like who would they.. oh Portugal. Of course. LOL.

Georgia to Italy.

Lithuania to Ukraine.

Denmark to Switzerland.

Top 5: Switzerland, France, Malta, Italy and Iceland.

"A Million Voices" Polina telling us Russia is giving their points to Moldova. Lots of side-eye from me.

France can't give points to themself so.... Greece. I... I... don't know.

Sweden with Carola. OMG Carola....why so much talking? Did she take something? Or drink something? She's on something. Gives their points to Malta.

Switzerland gives point to France. Most anticlimatic points reveal.

The Netherlands gives its points to France.

UK with ZERO points from juries.

Switzerland, France, Malta, Italy, Iceland.

We don't see the jury performances so...like... I dunno.

Gonna waste time in the Green Room again before the televote reveal. Talking with Switzerland... meaning that Gjon gets to replace John Lundvik as the face of losing if they don't get enough votes.

TELEVOTE TIME!

I hope this goes fast. And they're revealing these in the order of jury votes, least to most. So maybe a different face of losing.

UK with 0 points. OUCH! And they didn't genocide anyone this year! James Newman being a sport.

Germany with 0 points.

Spain with 0 points.

Netherlands with 0 points.

LMAO. I don't think I've ever seen this.

Norway with 60 points.

Serbia with 82 points.

Albania with 35 points.

Azerbaijan with 33 points.

San Marino with 13 points...even with Flo Rida!!!

Sweden with 63 points?

Cyprus with 44 points.

Moldova with 62 points.

Lithuania with 165 points!!!

Belgium with 3 points. Hooverphonic with only 3 points. Better than zero. But totally a jury thing their SF result was.

20 points to Israel.

Finland with 218. Shocker that. For me. Not the public, of course. Now in first.

Greece with 79 points.

Ukraine with 267. Into the lead.

Russia with 100 points.

Portugal with 27.

Bulgaria with 30 points.

Iceland with 180 points...and in 1st.

Italy with 318 points.

Malta with 47 points.

France with 251 points. Into 2nd.

Switzerland with 160 points.

Winner is Italy. So Switzerland is the new face of losing.

Televote alone it's Italy, Ukraine, France, Finland, Iceland, Lithuania, Switzerland, and Russia with 100 or more points. Serbia and Greece rounding out the top 10 in televote.

Surprised and delighted that the public gave all those votes to France. I was not expecting that at all.

In the breakdowns I really would like to see if their are any public correlations between folks who votes Italy/Finland or France/Switzerland.