#I like drawing woosh wooshes

[somerandomdudelmao]

Quick doodle of future Mikey :>

Ah I think he's doing some powerful dark spell and we all gonna die in like 2 sec

[ningadudexx]

posting this before i convince myself not to

[whatwooshkai]

A+ mentorship

(he's not actually their kid. but I designed quint and baz before I started watching rescue bots and at some point it occurred to me that Heatwave looks like their love child)

[orionscelt]

Spying on the Hufflepuff team at practice🦡🔍🔍🔍

@fuokir @witchheroines

[penheadie]

I'm starting to think I should just upload all of my furry shite

[ayanathedork]

saw this image online, HAD to draw it with aziraphale and crowley dkfsja;klfdkj

[hovkinnie]

Marina's no good very bad day

Marina: Soooo, yeah, it was a pretty good day, I think! Isn't perlita amazing? 😊🥰 Marina's therapist: Mhmm yes I see 📋

[dykedivorce]

if any other bitch in konoha had been gay apart from sasuke none of this would have happened to my son naruto.

[the-trans-dragon]

Hehehe >:3 got a kissie and some headpats from a pretty girl >:3 muahahahahahaha >:3

[queeriboh]

it's funny bc even when I wasn't actively into ygo, I literally had a flashback to my junior high English classroom every I had to draw chains bc drawing yugi is how I Learned

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[ijustcutmyhandonabrokenbottle]

Accidentally deleted everything off my computer and can’t get it back. My art programs not even gonna download again cause apprently the systems not compatible with it? even though the fucker was working fine before lol

BRO I DON’T EVEN KNOW WHAT THE FUCK I DONE (╥_╥)

[im-just-a-boy-guys]

Vampire husband <3 (AFAB!) reader/ Fill in any hair, race, or size. This is open and I can guarantee this dress would look amazing on anyone. especially for this wonderful vampire.

He left a note on our bedside table that you woke up to see, in his beautiful cursive he wrote,

"Good morning, my beloved. there's a gift for you in the wardrobe across from the bed. do your hair how you like, drip yourself in any diamonds you choose, and meet me in the ballroom."

You squeal excitedly and run to the wardrobe, practically tripping over yourself. You open the doors to see the most beautiful gown.

A white corset led into a full ballgown bottom, with the base color being white. Laid over the fabric of the skirt was a sheer piece of material adorned with at least one thousand white diamonds. The corset was also decorated with the same diamonds, but scattered wonderfully across the entire dress; were what appeared to be Blood spatters. However, upon further inspection, they turned out to be the most beautiful rubies. Attached to the corset's shoulders were shining, off-the-shoulder sleeves that sparkled in the light.

you call one of the maids to help you with the corset and adjust the dress to your liking. you thanked the maid and sent her away so you could do your hair in your favorite hairstyle, which also happened to drive your lover crazy on more than one occasion.

You do your best at a natural makeup look, your skin glowing after your moisturizer, though you lace your eyelids with a soft, but dark red shadow that compliments your skin tone, followed by a blush that has the same effect.

You deeply contour your neck to accentuate it and choose a simple diamond, teardrop-shaped necklace. This would hopefully draw more attention to your neck by covering it less.

After spraying his favorite perfume on your neck and slipping on your white, sparkly heels, you walked to the stairs from your room, already able to hear your lover's fingers gliding across the ivory keys of his piano. This makes your heart swell as you glide down the carpeted stairs. His delicate hearing picks up your footsteps and he stands, waving his hand to encourage the piano to keep playing with his magic.

With a soft wooshing sound, he meets you at the bottom of the stairs, standing behind you with his hand on the waist of your corset. His breath teases your sensitive neck as his eyes devour every inch of you.

"Hello, Mon cher, how beautiful you look in that gown astounds me. I knew you'd look radiant. Dance with me?"

You practically fawn against him as you turn around, your chest to his. You nod, speechless as he takes your hand and leads you into the middle of the giant black-marbled floor, golds dancing across the black. You lean your head back joyfully as you relax into the dance, and the ceiling above you is painted with heavenly depictions of cherubs, the architecture, and the chandelier a bright, shining gold.

your stomach spins with your feet as you two dance, your heart pounds and you laugh. Your husband gazes down at you with a fanged, gentle smile. You can see his gaze lingering on your neck. This causes a blush to spread across your cheeks, showing through your makeup. He lifts you to himself and holds you strongly around the waist. Your feet lift off the ground and he proceeds to keep dancing with you as he buries his face in your neck.

"You're always so warm, and you smell so good. Your scent hungers me- and I an hear your heart pounding darling..."

This makes your breathing hitch in your throat and you can feel his fangs grazing your skin, a soft wet spot gathering on your undergarments. He takes a deep, shaky breath against your neck and begs quietly.

"May I? Please? I'm starving for you."

He sets you down carefully and kneels to one knee, clutching at the overlapping fabrics of your dress and looking up at you with his bright, pleading eyes. you can't say no to him, breathing deeply and nodding.

He stands quickly and pulls you to him once more, sinking his fangs deeply into your flesh and drinking from you needily. His arms hold you strongly around your waist, keeping you from moving barely an inch. As he drinks from you, you can feel the dizziness flooding your head.

You're not sure how much time passes, but after a while, he gently pulls you into a bridal-style position, carries you up the stairs, and lays you gently in your shared bed.

Somehow, your dress had been removed and lay gently over a chair in the corner of the room. Your eyes opened to see your husband undressing himself, looking over at you with that wonderful soft smile of his. You always swooned when you saw it, giggling and hiding your face in your soft pillows. He walks over to you and lays behind you, spooning you softly.

"Come here, face me."

you do as he says, met with a rough kiss, his fangs digging into your lips softly. you moan quietly and drape a leg over his waist, intertwining your fingers into his hair. The vampire pulls you on top of him and pushes his tongue between your lips.

Your hips, as if on cue begin to move and grind desperately against his bulge. He gasps and takes hold of your hips with his long fingers, digging his claws into you. You could feel the wet spot on your panties begin to grow against him, moaning lewdly into his ear.

Even though you don't have his flesh-piercing fangs you bite softly against his cold neck, sucking softly. His skin is slightly more living-looking due to him recently feeding on you, a soft pink tinting his body. The blood quickly gathers at the spot as you began to suck, his groans filling your ears, giving you more pleasure and incentive to grind.

You move your hips faster and faster as a tingle swirls around your clit, finding yourself close to climax. His cock throbs softly beneath you, encouraging your movement.

"Ah- Beloved- you feel- amazing..."

He breathes into your ear as he grips your hips tighter, his nails drawing a little blood. both of you pant like dogs as you lean into each other, desperate to finish with each other. He reaches behind you rips the fabric away from your drenched hole, and tears off his own. He quickly shoved himself inside of you, causing you to whine out.

Your husband's eyes roll back into his head as he moves his hips rapidly against you, thrusting roughly against your walls. Your walls clench tightly against his length as your body refuses to hold its climax any longer you squirt over his lower half.

"Oh my- God yes!"

He pushes himself as far into you as he could and his cum fills you to the brim, surprisingly warm. You rest your head on his chest, your hair a mess and had come out of its hairstyle, frizzy in all directions. You and your husband laugh with each other as he cuddles you close.

After a while of cuddling, he helps you to your feet and leads you into your bathroom. He helps you into the tub and runs the warm tap, using a small glass to rinse you off before plugging the water. He smiled at you lovingly as he poured an almond milk bath into your bath water and lavender petals.

"I am so deeply in love with you."

He pampered you for the rest of the night, with face masks, lotions, and moisturizers. Anything to make you feel more comfortable. Then you had a glorious dinner full of all of your favorite foods.

[hihimihwa]

Kelbreyweek day 5: Free Day

i was actually drawing headspace for yesterday's prompt and then I was like: "naww wait maybe it doesn't fit the prompt very well" so I saved it for today. finished up the drawing, and ye!! It.. It doesn't make a lot of sense to look at haha.. I like Kel and his meteor ball weapon in headspace, but I forgot Aubrey also had a meteor hammer. so yknow. Meteor weapons!!! woosh!

[kuro-is-doodlin]

This au lives in my head rent free

It's made by @adxrnunofficial , check it out! :D

Also screw Tom. I wanted to draw him nicely like the others but I couldn't resist.. the chomp. His head is just straight up a chomp

Also this because I wonder if woosh or no woosh

[danosrosegarden]

my love, mine all mine - edward nashton x gn!reader headcanons (slight NSFW) ⋆⁺₊⋆ ☾⋆⁺₊⋆

{contains: descriptions of a protective and obsessive edward. very minor illusions to smut but nothing in any detail.}

{note: this piece was a paid commission, and i have permission to share it publicly. find out more about commissioning a piece from me in my pinned post.}

☽ Extracting Edward Nashton’s love from the tired, weary woosh of his heart is no difficult task. He might’ve thought, before you at least, that his body did not hold the proper room for love. Love was far too bright and shimmering of a word, blinding him like the beaming reflection of the sun on scintillating waves. It was far too strong of a feeling, exploding and sizzling in his blood like face-scrunchingly sour candy. Love was neither something he could handle, nor something he believed he needed. He’d survived through his own strength. How demeaning to suggest that he needed a kiss on the cheek or to hold someone’s hand in order to be complete.

☽ But now he has you, and he’s not sure what to do. You’re so easy to fall head over heels for, and it’s an overwhelming high he’s found himself riding. You didn’t force your way through the walls he had built up around himself; you gently grabbed hold of his hand and took each brick down with care and tenderness. You didn’t coo at his sob story or cast pity upon him, looking down at him patronizingly as if he was a starved, abused puppy; you listened carefully to his woes and…well, you were just there for him. You didn’t rush to try to fix what was shattered or leave when it all got too moldy and dark…you simply sat with him through it. So no, extracting Edward’s love from his heart was no difficult task for you. But here’s the kicker…it’s even easier to draw out his lust.

☽ It’s the littlest things that any other person might easily overlook. It’s the way your eyebrow cocks as you ponder the crossword puzzle you two solved together each week. It’s the way you tap the eroded pink eraser of the pencil against your lips as your brain wanders. He wishes he could crawl inside of the deepest wrinkles of your brain. He wishes he could crack you open, flow through your body like your thick, warm blood, protect you like your bones. He wants you and you wholly. He wants you in ways the outside world will never get to see. They don’t deserve it. They don’t deserve you.

☽ It’s sort of a blessing and a curse for Ed, having you in his life. He gets his answered prayer, his angel. But now he constantly worries. His stomach lurches and churns with every bad scenario his mind can conjure whenever you leave. His palms dampen with warm sweat when he thinks about what the world might do to you.

☽ He refuses. He refuses to let the world contaminate you with its filth.

☽ And you wonder. You wonder what’s going through his mind when his hands are gripping your sides like you’ll disintegrate if he lets go. You wonder what could possibly be racing through his body when he growls those words into your ear over and over like a scratched record: mine. Mine. Mine.

☽ When everything else that’s ever resembled goodness and purity and hope has been ripped from his arms, there is no other option. He has no other choice but to protect, to watch over, to keep safe. To ravage and devour and lovingly consume. You’re his, his, only his.