#I least punch him!

[obsessedwithstarwars]

Jazz takes care of a de-aged Danny, and they lay low in Gotham. But just because Danny’s body is younger doesn’t mean his powers have lessened. In fact, they’ve only grown harder to control. Having the energy of a child makes containing his powers harder (just like when he first got them) until they realize that Danny’s powers are much easier to control when he can get rid of some of his excess energy. Jazz hears about a free gym open to all that is also meta-proof (more durable) from a wonderful woman at the library. (Lookin at you Babs)

The gym has a gigantic kids play area, along with classes for all ages and a training area complete with an American Gladiator style obstacle course for adults. Jazz will use the obstacle course sometimes when her boss has fully ticked her off. Stephanie and Cass volunteer there whenever they can. Jason always sends the alley kids there too because it’s close by and a safe place. Dick leads a class there whenever he can.

Dick actually holds the record for the obstacle course. Until Jazz gives it a go after a particularly trying day. She doesn’t realize there’s a record. She never would have used the course if she’d known. Training with Pandora and Fright Knight gave her plenty of advantages with how she can use her liminality and she definitely doesn’t need to stand out.

But again, she doesn’t know there’s a record. Or that someone saw her going repeatedly through the course (Stephanie) and decided to time her on her next go. (She doesn’t film without permission because she’s respectful of boundaries like that) She does post Jazz’s time in the Batfam group chat to take Dick down a couple notches though.

Or someone else (not Batfam, just a random citizen) takes a video of her doing the course and posts it on the internet and now they (Jazz and Danny) have to stay one step ahead of Vlad, the Batfam, their parents, and avoid the GIW. How hard can it be?

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[stewedlycan]

The guy he thought was interested in monsters has actually NO interests in them, but DOES have an interest in him specifically ( but there’s no time to process this because he needs to save his friend from being murdered)

[breadmecoshy]

Kokichi in its usual manifestation

I like both the dynamics of Shuichi x Kokichi and the dynamics of Kaito x Kokichi, but with regard to Kaito and Kokichi, I can never bring myself not to think that Kokichi was REALLY afraid of Kaito, and Kaito REALLY gave him a reason to be afraid of him

[trickstarbrave]

whatever. whores your tator.

it was supposed to be an evil!nerevar bc @wellthebardsdead posted pictures of a very cunty bane. i dunno how well this translated but. whateverrrrrrr he looks hot

[crumb-crumblet-s-crumbington]

blasting my two favorite interests into each other because i can

[just-null]

what’s your favorite clone and why? 😼

I gotta be that guy and say I really like them all. i loVE EACH ARCHETYPE THEY KINDA RESEMBLE

Sekido [in my head] has a mean exterior SO loud it makes you forget he's working with the others to actively protect the main body and has faith in their abilities. He gets annoyed at his younger counterparts cause he knows they're not using their full potential... I also really like how he's both very proper and improper, like a thug in a meeting or something... so cool.... Also, him taking the leader role and everyone going with it has big bro vibes.. oldest bro vibes.

cult leader loves tsundere guys.

Karaku [in my head] is the thrill seeker type who's more than willing to be the most annoying man around for the sake of his entertainment and living in the moment. He plays around rather than disposing of someone immediately like a fucking psychopath. Even if late, he knows when to get serious and when to tone down his antics. he still gets fucked over by playing with his opponents too much.. I like that he's not stupid, he's reckless. mega "cool big bro" aura.

cult leader loves shameless guys.

Urogi [in my head] is obnoxious and loud, boastful even especially when he's either screeching or talking, never entirely silent. While he does fight on his own, he'd drop everything if given an order and try his best to comply. also a troublemaker... like a younger bro who never really has responsibilities but does them when told so he can go back to doing wtv he was doing before. Like he's just there to have a good time. He's also not stupid, just excitable, then he gets cocky, then gets his shit rocked.

cult leader loves arrogant himbo guys.

Aizetsu [in my mind] is extremely sassy and gives passive aggressive vibes and prefers to deal with conflict swiftly because it's bothersome and makes him upset. He might look cute and weak, but he's scary. While he's sensitive, he's no pushover and will also cut pretty deep. He's definitely the younger brother who's trying to constantly get out of trouble by seeming like the angel.... It's also interesting because he never sugarcoats his words. He twists them in a way that makes him sound helpful and you, pitiful.

cult leader loves cute manipulative guys.

Zohakuten [in my mind] is a little hater who's most protective of everyone but, more importantly, the main body. He sees himself as a decent guy going against injustice for a man who's just trying to survive. Like a little bro who's stubbornly wrong about something he doesn't fully grasp. Also he's just so hilarious?? it was not necessary at all to insult your opponents looks then tell tanjiro to get over it cause the dead weren't relevant to him. How can someone so disrespectful come in a small package..

cult leader loves the brat trope.

Urami is pretty similar to hantengu, imo, just angrier 😔😔 not many opinions, but I do find it amusing to imagine he's very passionate 24/7

[puppetmaster13u]

Prompt 71

Klarion is delighted, excited, impatient, and so very happy. He’s found a friend, not the justice league baby-crew who don’t know how to make friends properly or the order-magician who doesn’t play right, but another realm-being his age! They’re even around the same death-date, his is just a couple years earlier! But to beings who aren’t adults until they’re well into the hundreds that’s practically nothing!

His new friend even has a familiar too- even if he has to explain what a familiar is- and, and even shares his two other friends with him! 

He’s been in this world for what feels like so long trying to make friends and he’s made three in just a month! And they even know how to properly play and wrestle without targeting Teekl like a certain order lord who he doesn’t like. 

Oh! Hey it’s the justice league kiddy-crew! Were they feeling neglected or something?

[chessb0r3d]

i cracked the code.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[greeneyed-thestral]

David says CIAO!

[cairos-wing]

Runt is the younger sister Troy needed and Troy is the hypeman Runt needed send tweet

(Also I have a new HC that the Overseer couldn’t see Blink’s face through the cog mask thing but could see wing tips and chin and kinda assumed Blink looked like Wolverine Hugh Jackman and they were totally gonna co-ordinate something less formal the moment “the right hand” was done hunting down the Inventor)

[blluespirit]

Another thing I love about is Zuko is 100% ready for a fight at all times. When Azula shows up at the Western Air Temple he’s immediately ready to go all hands. The Earth Kingdom soldiers in Zuko Alone want to fight? My man’s going to do it and he’s going to humiliate you while he’s at it. When he and Katara are hunting down Yon Rha and they find the current leader of the Southern Raiders Zuko beats that guy up no problem. When he sees Iroh in prison post-COD he’s throwing that guard up against the wall and off his feet like he’s a couple of grapes. The Beach has him launching people across the room. He’s ALWAYS ready to go and he’s not afraid to just throw away the bending, the swords and the knives and just go all in with just his hand-to-hand combat skills.

[adrianastrix]

So, this whole "CEOs complaining about loss of humanity of people whose child they screwed" thing really riled me and I feel I HAVE to talk about class solidarity, lest WE lose our humanity.

It's very simple: if you have to sell your working hours (or the product of your working hours) to live, you are working class, it doesn't matter how much money you make.

If you can stop working and live solely from money you receive from the working class (either by renting or by loaning), you are a capitalist, it doesn't matter how little money you make.

And by "renting", I don't mean just "house renting". At the end of the day, a person who build a company, pay a salary for the workers and pocket all the profit from said company is just renting them the structure so they can be productive. A person who build a factory, put workers in it and pockets the profits is just renting it. They would only be workers too if they had a fixed salary and all the profit were equally split between everyone.

Which brings me to the loaning part. Because sometimes, CEOs ARE working class. They DO have a fixed salary and NOT pocket the profits. That's when the profits all go to the pockets of the ""investors"". A.k.a., people who loan the company money and demand as much profit as possible in return, interest rates be damned.

Stock marketing is just loan sharking on a different name.

Any interest rate that goes over what they are willing to pay from you savings account is loan sharking.

"Oh, but what about the risk of people not paying you back??"

Yeah, what about it?

If you can't take this risk, don't loan the money.

Exceptions aside, most people who don't pay loans back are severely screwed by life, usually from the ridiculously high interest everything has nowadays. I crunched some numbers and refused to take a mortgage because I would pay TRIPLE the amount back. In WHICH WORLD it ISN'T loan sharking??

Why, YES, I DO believe that a non-profit entity (most likely from the government, but not necessarity) should deal with loans. And that the amount of money someone can hoard SHOULD be limited by law. No single human being needs 1 billion in assets and multiple millions in free capital. Heck, no single human FAMILY needs it.

"Oh, but what if I want a huge house?" - without loan sharking, mortgage wouldn't hurt you as much.

"What if I want to create my own business??" - without loan sharking or renting of the means of production, it would be cheaper and more fair. Plus, there would be space for governments limiting people from opening redundant businesses, when the ones already out there are already supplying the market adequately, which would help with our trash production and frigging global warming.

All this to say that capitalists sow dissent between workers by making some workers feel special and accomplished with a higher salary, which makes low-paying workers feel cheated and gives them a public enemy with a face to hate. All that while, they are comfortably sitting on a mansion, manipulating their stocks and assets all day, demanding whatever money they feel like and absolutely safe.

So... if the "market" (i.e., capitalists) start to feel genuinely threatened by the CEO shooting stuff, they will deploy more strongly their "divide and conquest" bs. Be prepared, y'all, and don't fall for it.

Striking workers aren't your enemy. Blue collar workers and white collar workers are all working class. Even CEOs, depending on the industry, CAN be working class (if, and only if, they aren't big investors themselves, which they usually are in huge businesses like healthcare). Like Agatha Christie repeatedly stated in her murder mysteries: follow the money all the way for your culprit.

If a war breaks out between the working class and the capitalist class, don't aim at the working class. It won't do anything to shoot your comrades, other than thin your numbers.

[azaracyy]

haikavethamtober day 2: soup "alhaitham. put that book down. the soup's getting cold." "argh, you know what? i'll make sure you finish this myself. open your mouth."

[frenchfriedgiraffe]

the real reason im sad we didn't get a 3rd dghda season is because we never got to see more angry dirk