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wortsandall · 6 months

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Steven Grant-the lies we tell ourselves au

unironically, I fear these are only getting longer prev/next

steven is the most adjusted one of the moon knight system. that has happened purely because steven been kept from more of the damaging truths that could cause more maladaptive behavior. he's not perfect, in any way of course he's not. but because of that sheltering he's not prone to marc's doom spirals or jake's habit of shutting them all out. we see this in the show, his first instincts are healthy communication and understanding. I think because of this, some people tend to write steven without any flaws but we can see that this isn't true. he's also prone to anger and has a stubborn streak like all three of them leading to decisions that aren't well thought out.

I feel like I picture him as more calm than others do. he makes mistakes, but I don't think any of them are based in naivety. I tend to see steven being treated like a child who doesn't know what's going on. and I think that does him a great disservice to his character. it's possible to be a kind and forgiving character without wiping any negative traits out. I get that marc and jake, to an extent, kind of treat steven like a child but that doesn't mean that we have to as well.

from watching the show, marc learns to accept steven and stop hiding things from him. he is a full grown adult who can handle being treated like one. steven is tired of being told what to do and what he cannot handle and its fair to let him make him own decisions. in my au, I think that's an uphill battle that he's trying to fight marc and jake on. to no longer be babied and told what his boundaries are.

part of me thinks that steven is envious of marc. he has the name of the body and the most time with it, yet all he's doing is falling ass backwards into bad situations. this plays a part in his view of layla. you have this beautiful, intelligent, capable woman, and instead marc's spending all his time distancing himself? steven sees that as a waste. that maybe marc isn't appreciating her enough.

add in the opportunities that steven has missed out on due to marc and I could see him trying to endear himself to her. I don't think steven is maliciously thinking that he can treat layla better or purposely trying to steal marc's wife. but how many experiences does steven realistically have had? with someone like layla especially, someone who is as into his interests as he is and that he can keep a conversation with and not be treated like an inferior. I think he quickly latches on to this idea of her.

I've said it before, but steven doesn't really know layla at all. and this features into how he sees relationships in general. I think he'd be very all-in when it comes to relationships, platonic and otherwise. he's very loyal and if you can show that willingness to see him as an equal it's instant heart eyes. partly due to the lack of real life experiences he's had. he was so willing to go on that date with that woman despite knowing absolutely nothing about her-just that she was interested in him.

the point being that he's not really in love with layla-it's more what she represents to him. that he could be loved for who he is without being belittled similarly to how marc has treated him in the past (whether marc meant to or not) he does love her, but it's surface level. more of putting her on a pedestal, rather than a deep love of who she is as a person. that part can come later, and probably will but I'm not a huge fan of romance so that's not my focus in any capacity.

this au starts with the fact that layla has stayed in Cairo to be a superhero over there. and a way for her to give both the system and herself space to really process their feelings and relationship. those divorced papers still stay unsigned, but for all intents and purposes they aren't together. and I think this is crucial to steven's realization that he might not be as in love with her as he once thought. later, once marc and him have a real conversation about layla, he'll fully decide to let marc and layla find each other again without him muddying those waters. and learning who layla is as a person and as a friend.

when I think about the backstory, before the events of the show, steven has a lot of blanks. and he's both scared and so curious to know exactly what he's missing. his memories can't all be fake. there has to be good moments and things that are real. he gets into the habit of asking marc if it's real when he remembers something. occasionally, he'd forget what the reality of what their mother is since he has no memories of it. there'd been a couple times where he asked marc about their mother, but learned quickly to not broach that topic with marc.

the one thing that sticks with him, is that they didn't seem to have anybody in their corner. most of his memories are happy, yeah, but they are also alone. I think this loneliness bleeds into steven's adulthood also affecting how he views relationships. he might think he's better friends with people than he actually is. in my mind, steven does have memories of the time period that randall was still alive in, but randall isn't in them. like a family beach trip or something, but in his memory it's just their parents and him. like all mentions of randall were erased, so he didn't have to remember the fact their brother, their main friend was dead.

one person that steven would have memories of that marc wouldn't have is their babysitter. where their parents would go out weekly, maybe for dates or related to their father's Rabbi duties, and they couldn't leave their son alone. so they hired a babysitter. I imagine the first time steven asks to confirm if that was real or not, marc looks at him strangely.

marc doesn't remember these periods at all. and steven does but he doesn't remember anything bad but he knows by now that really means nothing. and it becomes something that steven can't let go of, because surely if some of his memories are fake that's marc. but if marc didn't give him this fake memory is it real? and they argue about it back and forth until steven drops it (for now)

when it comes to finding out about jake, steven loves the idea that they have a third. he ignores the implications that they'd been hurt more than they realized, but at least they aren't alone. they can have their own little family since they were denied that as children. the specific's of this will be left to be written but steven would love to get to know jake better, despite how difficult jake is making it.

I like to think is steven is more self-aware than others think. yes, he may be awkward at times. and he can have a one-track mind and get distracted easy but he's not stupid. he may play it to his advantage even knowing how he comes across. he may not have realized that he's well liked because he's used to people like donna who dismiss him immediately. but in general, he has this natural charisma and charm that draws people to him.

selfishness and stubborn ness is something that runs in the moon knight system. a link that connects their very different personalities. I don't think its as severe as marc's would be. he's self aware enough to recognize when what he's doing is counterproductive, as seen in the show. he wants the body and to not be fighting, but when he catches himself being injured or in the way he relinquishes easily enough. but he also knows when he's valid in those beliefs and will keep pushing. but still he knows when to take a step back.

and that makes him perfectly suited as an emotional protector and physical caretaker. emotionally, he knows what he can and cannot handle. he can continue even if something hurts, because he's relatively open emotionally. if things are too tough for marc to handle, steven can take over for him. give marc that chance to breathe and process as he needs to.

I feel likes he's less prone to emotional panic like marc. he gets overwhelmed, sure but he can compartmentalize in a healthy way. not just pushing it down to be forgotten and never spoken again like marc. he's not a perpetually bleeding wound. and I think he's better able to take care of their body when the needs arises. when it comes to groceries, showers, keeping routines. that's all steven. marc tries to an extent, I think jake would be the worst at it, not knowing where to even start.

their system needed gentleness when they were children, and this is what steven is. he's not immune to anger, but his empathetic nature allows him to recognize when he's fucked up and course-correct. but that doesn't mean he can be bulldozed. the stubbornness and kindness, making a perfect combination to be able to counter bullshit when he sees it. he knows when he's being talked down to, even if he isn't immediately calling it out. he knows when it's appropriate and when it would make things worse.

with the other two alters in this au, it makes him the perfect caretaker for the littles. the gentleness needed to handle children. the ability to compartmentalize (thinking about the type of shit they had to handle brings him to tears but they came later, it does nothing for them to watch him cry) for leo, who is more wild and a teenager, steven needs the ability to handle bullshit without wavering (thank marc for helping him develop that skill) and the gentleness needed for the timid younger rose.

he never learned to run or hide from his emotions. he never had to do that when he was young, that's not a skill he has. he can tackle them head on and come out better for it. I think he would still be a little exhausted and frustrated at being the one with the brain cell 80% of the time. and sometimes it might come out unintentionally. but he loves everyone in their system so deeply.

it boils down to steven being a man who values communication and honesty trying to work with a system that doesn't know how to do that. trying to balance that and the frustration that might grow from it. while also trying to come to terms with who he is under the fake truths that he'd been fed. his struggle is detangling it all and finding the truth in the middle. the calm in the storm that the system might need, but he might not want to be at all times.

the lies we tell ourselves au masterpost

#tlwto au #steven grant #marc spector #jake lockley #moon knight #moon knight system #moon knight thoughts #steven grant meta #current wip #my writing #writers on tumblr #moon knight fanfic

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ultrahpfan5blog · 2 years

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Black Panther: Wakanda Forever thoughts...

So I watched WF today as a big fan of Ryan Coogler. I was a little apprehensive admittedly. I was worried that the film would feel a bit like a 160 minute therapy session for the cast and crew. But I had enough faith that Coogler would do good with this movie. I had overall enjoyed the first Black Panther, but I didn't love it as much as a lot of people did. I think it was a good movie with a terrific hero and a terrific villain. Coming out of Wakanda Forever, I overall felt satisfied but still slightly disappointed, which is a contradiction, I know. I think it is a decent movie. Certainly better than the latest Thor movie. But its middle tier Marvel. But its a creditable effort, given the loss that the Coogler and the team experienced with Chadwick's passing.

The good parts are the obvious ones. The film is quite well crafted. The costumes and music are wonderful. The film does a nice job with some of the under water scenes. The film is tonally fairly somber, which is a refreshing change of pace from Marvel recently. The acting is quite excellent across the board. Letitia Wright is the de factor lead and she handles that quite capably. Certainly in all her scenes of processing grief and loss are extremely well acted. She is not as convincing in scenes where she has to show anger and a thirst for vengeance, but its a very strong performance nonetheless. Obviously, due to where the character is at personally, the humorous part of the character is largely missing. Angela Bassett is a force of nature in the movie. She commands the screen in every moment she's in. Tenoch Huerta, playing Namor, is quite terrific in the film. While the character isn't quite as strong as Killmonger from the first film, he's still a strong antagonist. Lupita Nyong'o, Danai Gurira, and Winston Duke are all excellent in their returning roles. Dominique Thorne helps provide much of the humor, as Riri Williams. Martin Freeman and Julia Louis-Deyfus are just there in to be there so it feels like the MCU. Overall royally wasted. Michael B. Jordan makes a short but impressive appearance.

Asides from this, there are some narrative issues with the film. Everything with Ross and Fontaine feels completely unnecessary and out of place. Like with the first film, there are some dodgy CGI sequences. Also, and this may be a problem of the film itself or the theater where I saw it, but it was very difficult to see what was happening in some of the night and under water sequences. The film felt narratively a little too busy. I feel the backstory to Namor and Talokan felt rushed and half baked as a result. I didn't really understand his motivations behind going to war. In the end, The Talokans still murdered people who were innocent. So I am not sure the film makes a convincing argument of making us understand their side. I feel it could have been fleshed out. It also really didn't make much sense that Riri Williams was walking around as a normal college student after having made the technology to find Vibranium. The film is definitely 15-20 mins too long. I think there are characters and subplots that could have been cut and certainly there are sequences that go on for too long. For me, the biggest issue was that I ended up feeling emotionally cold after the film. For a film that was promoted as being about Wakanda dealing with the death T'Challa, his character's passing is a bit of an afterthought. In fact, there is a death in the film that ends up feeling a lot more relevant to the movie and Shuri overall. It was a bit surprising because I was worried it was going to be too much of that but I didn't feel as much of an emotional punch as I should have. In fact, the one scene I did find powerful was the mid credit scene. Also, as harsh as it is, there is a big missing space with Chadwick's departure that the film is not really able to fill.

All in all, still a good movie, but not necessarily a one that will stay with me. I think there is a lot of craft and care behind this movie and a cast that is giving it its all. Coogler has still made a solid movie, though its arguably his weakest in his filmography, which is a credit to him. Among MCU Phase 4 movies, I think this ranks in the middle. Above Black Widow, Eternals, and Thor: L&T, but below NWH, Shang-Chi, and DS2, which I know I like more than other people do. A 7.5/10

#black panther #wakanda forever #ryan coogler #letitia wright #angela bassett #lupita nyong'o #danai gurira #winston duke #dominique thorne #tenoch huerta #martin freeman #julia louis dreyfus #shuri #okoye #nakia #m'baku #riri williams #namor #queen ramonda

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peppermintbee · 4 years

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OMORI’s poor writing (Part 2)

Once again, if you are a big fan of OMORI, this review is not for you. Treasure this game, love it, recommend it, make fan art, buy the merch, do what you will with it. I am not here to take OMORI away from anyone. Based on the overwhelmingly positive reviews on Steam, I know that my opinion is in the minority.

However, just as the fans have the right to praise the game, I have the right to examine it, criticize it, and explain why it failed to provide a compelling experience. This is second part of my review where I will tackle OMORI’s problematic themes and disrespectful appropriation of mental health.

[ See Part 1: Plot Writing Lies ]

(Note: I use “OMORI” in all-caps for the game title, and “Omori” in title case for the character name.)

Spoilers and criticism below.

Part 2: OMORI’s message is mishandled and distasteful

OMORI provides a warning that it depicts scenes of depression, anxiety, and suicide. Because the game includes these scenes, I assumed these mental health issues are presented in a way that is meaningful and respectful.

However, that is not the case.

Despite having depictions of such, this game is not really about depression, anxiety, or even suicide. It’s about committing a horrible crime, lying about it, and getting over the guilt.

1. Suicide as a game mechanic

Suicidal thoughts are intrusive, terrifying, and painful. As well as ending the victim's life, suicide wreaks havoc on the lives of those who once knew them. It is often a taboo topic, but discussing such matters is an important step to understanding and preventing it. Video games are a medium well suited to approaching such dark topics.

Unfortunately, OMORI does not handle the topic of suicide well at all.

First, suicide is written as a unavoidable game mechanic that seems to have been included for shallow reasons such as aesthetic and shock value. To leave Sunny’s headspace and wake up, you--as a player--must direct him to stab himself in the stomach.

But why? It’s not like waking up involves some sort of major sacrifice. In fact, waking up is something that is more or less unavoidable. Reality should be something that snatches Sunny away from his headspace against his will, perhaps as an encroaching darkness that Sunny can run from, but never truly escape. But instead, facing reality is something you are forced to opt into in the most needlessly violent way possible.

Forcing you--as a player--to literally commit suicide just to wake up from a dream is a pointless, distasteful, and disrespectful action that sets a precedent for suicide not being taken seriously in this game. (And it isn’t.)

In the black space, Omori is pressured to kill a cat. In that scene, regardless of your choice, you are forced to kill yourself. However, the act of stabbing yourself has been seen so many times at that point that it has completely lost any impact. Who cares about suicide when it’s been reduced to just a means of travel?

Lastly, if you fail to defeat the final boss, Sunny commits suicide in the real world. However, this is not a cutscene, it is once again something that you--as a player--are forced to do to progress. Putting these actions in the hands of a player is not as meaningful as the writer seems to believe, because there are no other options to progress. Any weight in making that decision is lost to resignation; a frustrated sigh of “Well, okay, fine. I guess I have to click Z here.” You are then rewarded with a SLAPPING pop song and a psychedelic cutscene of Sunny falling to his death. It’s tasteless to its core and appropriates the deaths of every suicidal person as a quirky, shallow “bad end.”

(Seriously, this is how the writer decided to depict a child taking his own life.)

youtube

2. Sunny/Omori is a poor presentation of depression

Sunny/Omori does not smile. Even in past photographs before The Incident, he still is not smiling. The contrast between Sunny and his friends stands out like a sore thumb, so I assumed this was the writer’s attempt to show that Sunny is dealing with depression, where he can’t be happy even in happy situations.

Of course, if that were the case it would be inaccurate since depressed people do smile and do hide their true feelings. They are often dismissed with, “You can’t be depressed, I saw you smiling once.” However, I was willing to let Sunny’s chronic frown slide because sometimes you have to oversimplify an idea to get your point across.

Much to my surprise, there is NO evidence of Sunny having depression before The Incident and there is very little indication of him having depression throughout the game either. The evidence of this is that while looking at a family portrait, Sunny comments that he's never liked to smile. Since he's a a baby in this portrait, this goes to show that his not smiling is simply a preference -- a quirky character trait that makes him stand out so that you feel an emotion during the true ending when he finally smiles.

Everything in the game seems to point to him being pretty happy and well adjusted up until he killed Mari. Then, even after he killed Mari, he pretty much looks and behaves the same way. Wouldn’t it be more jarring and tragic if you saw Sunny was happy in the past, but depressed now?

Which leads me to my next point...

3. Sunny and Basil are not depressed, they’re guilty (and for good reason)

In the book I Thought It Was Just Me (But It Isn’t), Brené Brown explains the difference between feeling guilt and shame.

Guilt means: “I did something bad.” Shame means: “I am something bad.”

Guilt, when attributed to bad behavior, is actually a healthy emotion. It means that you have a sense of right and wrong, that you empathize with those you’ve hurt, and it motivates you to make things right.

Shame is an unhealthy emotion. It arrests growth, destroys self-esteem, causes poor decision making, isolates you from your loved ones, and is directly correlated with anxiety and depression.

OMORI should be a game about overcoming shame. All the right set pieces are there. Sunny’s walled himself off, his sister (allegedly) committed suicide, and he seems to be struggling with lifelong depression. However, this all falls apart, when it’s revealed that he killed his sister and staged her death as a suicide to escape blame (with Basil’s help). He DID do something bad. It’s not shame, it’s literally guilt.

All at once, OMORI stops being a game about recovering from grief and depression and becomes a game that demands the player to sympathize with a killer and liar who is hiding from his crimes. Because he and Basil feel bad about what they did, Sunny and Basil are presented as greater victims than their actual victim.

4. OMORI asks you empathize with villains (with ZERO self awareness)

Games where you are playing a character with a guilty conscience has been told before, but where OMORI really fails is that Sunny is not truly held accountable for what he did to others. Instead, the game focuses on HIS pain: since killing his sister he’s been isolated, he’s having nightmares, and he’s suicidal.

The plot of the game is focused on helping Sunny forgive himself for ruining other people’s lives. The writing barely acknowledges how his friends/family feel about what he did. When his victims’ pain IS addressed, it’s either used to further victimize Sunny (ie: isn’t it sad for him that he made his friends so sad?) or it’s used to reassure the player that Sunny’s victims have forgiven him (or will forgive him).

In fact, the game holds Mari responsible for her own death, citing that her "perfectionism" must have been what pushed Sunny to attack her. OMORI presents Mari, through headspace, as someone who accepted death gracefully and wants Sunny to live a happy life. She is never given her own voice and nothing in the game suggests she is capable of feeling bitter over her death and postmortem desecration. She plays the role of the Madonna archetype--and the perfect victim--allowing the player to empathize entirely with Sunny while accepting that Mari brought everything on herself.

[Mari suggesting that Sunny acting out his aggression on her was her fault.]

The climax of this game is NOT Sunny telling the truth to his friends. The climax is Sunny defeating his guilt and forgiving himself. We know this because the story does not even show how his friends respond to his confession, because-- once again-- what’s most important thing is resolving Sunny’s pain, not the pain he has caused others. (Though the game does heavily imply that his friends will forgive him.)

[Pictured: the boys shedding their guilt is the true happy ending ]

Imagine, for a moment, if this game was about an abuser, who caused immense pain to someone and got away with it. Then, the whole game was about how they felt bad for the abuse they caused, and-- as a player-- you help them forgive THEMSELF for their past abuse. Then, in the last few seconds of the game, they either apologize to their victim or kill themself. The victim’s response is not shown because it is not important.

This is the plot of OMORI, except with a bunch of excuses thrown on top to make it more palatable. Sunny and Basil are just soooo cute and sad. Killing Mari was an accident. Stringing her body up like a piñata was a juvenile mistake. The boys feel SO BAD that they want to kill themselves. And because suicide is so tragic, you-- as an audience-- are manipulated into empathizing them.

5. In OMORI, suicide is used as a cheap ploy for sympathy

As I mentioned before, suicide is horrible and tragic. People struggling with suicidal ideation need help, support, and respect. That said, let’s make one thing clear: being suicidal does not automatically make someone a good person. There are plenty of examples of criminals who kill themselves to escape the penalty or guilt for something they did. It is so common in the news that I don’t think I have to list out examples.

In bad endings, Sunny and Basil’s suicides are 100% motivated by guilt for their very real crimes. Now, it should be stated, Sunny and Basil do not deserve to die. And because suicide is such an extreme, permanent end for those two boys, we-- as players-- are invested in preventing that tragic end at all costs.

However, the looming threat of suicide is used as leverage to force the audience to dismiss the severity of what Sunny and Basil did. As I’ve said before, the plot of the game is about soothing and alleviating Sunny’s guilt and stopping him from killing himself as opposed to making things right.

The worst thing is, this tactic actually works. The threat of suicide is so strong, it has distracted many players from the truth that this story is about sympathizing with a boy who has killed his sister, with little regard for those his actions have affected (see point #4).

It’s terrible because suicide is such a serious topic worthy of discussion, but when used as little more than pity-bait, it twists your perception of what the characters did and silences those who try to criticize how this game handles such topics.

6. Mari's suicide being fake is a terrible twist

Lastly, by revealing Mari’s “suicide” as an accidental death, OMORI misses an opportunity to tell a much more powerful story. In the first half of this game, when Mari is thought to have committed suicide at the young age of 15, is a sobering moment. That tragedy is something very real.

If Mari had killed herself as opposed to being killed, Sunny isolating himself after his sister takes her own life is realistic. Mari’s death coming as a surprise is also realistic; how often have we heard people saying that they never knew someone was suffering? That they seemed like such a happy person?

Losing a loved one to suicide does not just cause horrible grief, but crippling shame as well. Those left behind will blame themselves, tormented by thoughts of how they could have saved them, how they would do anything to get them back. That shame can follow you forever, haunting you like a ghost, threatening you with the same fate. Overcoming that grief and shame is no simple task, and I truly thought OMORI was going to be about grappling with grief and letting go of survivor guilt.

Instead, Mari didn’t commit suicide, her life was cut short by her brother. Then, her body was staged as a suicide, forever changing how her family and friends perceived her. Her hanging body did not represent a devastating loss of life and horror of teen depression, but instead is a cheap twist that represents Sunny’s guilt for killing her and tampering with her corpse.

Conclusion:

As I’ve mentioned before OMORI has a lot of potential. The set pieces of a depressed kid who escapes to a dream world to cope with his unresolved trauma is one that had the makings to be very meaningful. However, it fumbles these issues, creating a sloppy plot that results in a problematic message. It’s baffling that this even happened, especially considering the length of time this was in development.

#omori #omori hate #review #words #the more I analyze it the worse this game gets #suicide cw #omori spoilers

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fbfh · 3 years

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light up the dark [VI] - leo x reader

genre: mid adventure domestic fluff overture, romance, smutty lemony bit towards the end

word count: 3k

pairing: Leo x gothy!child of eros!fem reader

requested: very much so, yes

warnings: magic manipulation powers, feelings are hard and weird and scary, some innuendos, the phrase hot gusher out of context, the word dirty talk, trying to "proposition [someone] in front of two for one cookie crisp", brief credit card theft, jason thinks ketchup is spicy and gets clowned on for it, one use of the word lube in reference to mechanical lubricant, shirtless leo remember that one piece of shirtless leo viria art?????? remember the caption?????, your facade is beginning to crack, deadpan joke about being dead in space, making out, whole lotta sexual tension, brief mention of a boner, teeny tiny bit of grinding, getting interrupted, c*lypso

summary: after an extensive shopping trip, you, Leo, and Jason settle into your airbnb and wait for the others to arrive. Jason takes a nap, and Leo helps you dye your hair. You return the favor by helping him make dinner which leads to two things; a well timed boner, and a poorly timed visitor.

listen to: power and control - marina, 100 bad days - ajr, all I ask - adele

a/n: let's play spot the zack and cody reference within the first paragraph

also surprise the series isn't dead!! a shock to all but mostly me!!

as with all smexy smutty nsfw content, all characters are aged up to 18+

Standing in front of a wall of hair dye taller than you are should have been exciting. It would have been, except for the fact that all the colors were various shades of honey mist auburn. You really don’t want to have to make a separate trip to a beauty store for hair dye. Your eyes land on a firetruck red box, and gratefully, you realize you won’t have to.

“Perfect,” you muse, throwing it into your cart, along with the other stuff on the list you’d divided between you. You grab a few other things from the beauty section while you’re there; some makeup, eyeliner, a glass nail file, and a tiny pair of oil slick cuticle scissors.

Nearby is a guy a little older than you in a varsity hoodie and sweatpants squinting at a two in one shampoo label.

Perfect, you think, beginning to approach. You work your magic - literally - and within a few minutes you have his credit card. It takes way less time than it used to. You also didn’t have to smile and flirt nearly as much as you used to. You’re relieved that you don’t have to fake enthusiasm around rich douchebags the way you used to, and a new inky drop of fear begins to stain the corners of your mind. You can’t even bear to admit it to yourself, but you’re kind of scared. Before you can begin to question if you know what love is and if you’re capable of experiencing it without the influence of your divine heritage, you shove it all away. Not the place, not the time. You speed up a little, passing an endcap of candy, and knock a box into your cart.

On the other side of the store, Jason checks off items from their half of the list as Leo tosses items in the cart, talking along the way. Of course, you came up in conversation rather quickly.

“She’s… a real piece of work.” Jason says, treading lightly.

“You said it, man,” Leo agrees, sliding a pack of coke onto the bottom of the cart. Jason thinks for a moment before continuing.

“She seems to,” he tries to figure out how to phrase their dynamic, “not hate you as much as everyone else.” Leo laughs at the accuracy of the statement. He can tell Jason has something else to say, so he’s quiet while putting paper plates and napkins into the cart.

“Hey, Leo?”

“Yeah?”

“Just… don’t let her hurt you, okay?”

He stops for a second. He’s so lucky to have a friend like Jason, one that will genuinely look out for him, but sometimes people caring for him still catches him off guard. Really off guard. With no idea how to begin to verbalize that complicated mess, he takes a split second to collect himself.

“Thanks, man.”

His smile is sincere.

Don’t let her hurt you. Can he just do that? Not let someone hurt him? Especially someone like you. He’s only had a few long term crushes before, all just out of reach and only getting further away. Only one had amounted to something - not that he could call what he had with Calypso ‘something’. She certainly wouldn’t. He looks around, trying to shake off the sting. He starts to get that unsettled, itchy feeling when he focuses on stuff like that for too long.

‘At least I got some good stories out of it,’ he thinks, messing with the back of his hair and fixing his hoodie strings.

“Here.”

He turns around, coming face to face with you, holding out a box very close to him.

“Hot gusher.” You say softly. What? His cheeks heat up, pulse speeding up suddenly. He glances at Jason, who’s at the other end of the aisle asking an employee something. Are you implying something? Are you trying to proposition him in front of two for one cookie crisp? He’s unable to look away from your gaze, intense and striking. You couldn’t possibly mean what he thinks you mean. Your fingers brush and he’s struggling to find an elegant way to say ‘hey, maybe the grocery store isn’t an ideal place for dirty talk’.

“W- uh, sorry, what?” he says, laughing in an equally hushed tone, needing to make sure you meant what he thought you did. You glance down, then back up.

“They’re spicy gushers. I thought you’d like them.” the feeling is gone in a split second, the same time it took to arrive, and is replaced with relief. He looks down at the box, realizing he’d taken it from you at some point. He laughs at the ridiculousness of his previous panic.

“Thanks,” he says, a reflective smile on his face.

You realize how comforted you are to see him smile, really smile, when you catch yourself having to keep a neutral face. One of the first times your resting bitch face has been intentional. Before you can say you’re welcome, Jason comes back over. You hand him the card.

“Pin number’s 0401.”

They both stare at you, skimming the label of a granola bar, completely unperturbed.

“How…”

“Credit card theft.”

The logical part of Leo’s brain starts to speak up, telling him to raise his guard, that his stomach should be twisting. If you can just take someone’s credit card without a hint of remorse, who knows what the hell kind of damage you could do to him if he got closer to you? And he really wants to get closer to you.

“Oh,” you pull a small pop top tube out of your cart and hand it to Leo, “this is for you too. You know, since you don’t like coffee,” you trail off as he reads the label. Caffeine and electrolyte drink tablets, red berry rampage flavor. He looks up at you, feeling warm and… something else, something ineffable, at the gesture.

You stare at each other, eyes locked, surprised at the strangely intimate feeling stirring in both of you.

“What are those?” Jason asks, snapping you out of whatever that was.

“Spicy gushers,” Leo says, smiling again, “I didn’t even know they made those.”

“Hot mango,” Jason reads from the side of the box, “that actually sounds pretty good.”

“No way dude, you can’t handle spicy food.” He starts to protest, and Leo continues, “You think ketchup is spicy!” He looks shocked.

“Okay, that was one time! It was a weird brand and there was way too much pepper in it!”

You bite back a giggle at their bickering, taking note of how much better Leo seems to be doing and finding surprising comfort in their banter.

It doesn’t take long to get to the airbnb and get set up. You all dump your bags in your rooms, bring in the groceries, and shove everything into the cabinets in a reasonably organized manner.

Jason heads upstairs to unpack and call Piper, announcing a few minutes later that they should be here in less than two hours.

“Perfect,” you pull out your hair dye from the last bag. It’s not exactly the manic panic wildfire red you’d initially wanted, but it’s definitely better than nothing. You stare at the box for a second, then up at Leo who’s trying to get one more bag of chips to fit in with the others.

“Hey,” you say, just loud enough to get his attention, “do you… can you get the back of my head?” He looks at you, questioning, and you hold up the box dye. He smiles, once again noting your softened edges around him.

“Yeah,” he agrees, and minutes later you’re in the bathroom, adorned in a big tee shirt covered in all your previous hair colors. He’s staring at your shirt, eyes dancing over the swirls and splatters of color. It reminds him of a painting he’d seen once, unable to remember the name.

You shake the bottle, skimming the instructions again, then start speaking to him, eyes still on the box.

“Take a section of hair, about this much,” you demonstrate, holding out a section of hair, “rub in the dye like this…”

You hand him the second bottle of red dye, and he starts on the back. His fingertips start separating out a section of your hair, and you still, a shiver running up your spine. He hesitates for a moment, then continues, and you hope he hadn’t noticed. His breath fans your ear, and you can feel the heat radiating off his chest. Your lungs are shallow suddenly, squeezed tight like a bouquet clutched in a shaking hand. You find it almost impossible to focus on dying the front half of your hair.

You don’t want it to stop, you realize. His fingertips dancing along your hair, the glimpses of his incredibly focused face in the bathroom mirror, the way he’ll gently turn your head to make sure he didn’t miss a spot.

“Shit,” he leans back, hunching forward. You look behind you, eyes landing immediately on the spot of red dye on his shirt.

“Shit,” you echo. He looks back at you, waiting to see how he’ll react.

“Oh, it’s all good - no worries. I already have a ton of motor oil and lube - lubricant… machine grade, petroleum based engine lubricant-” he laughs, “stains on this shirt anyway. Don’t sweat it.”

You almost laugh. A giggle bubbles up from your chest and stomach, but catches in your throat. Before it can come out, he slips off his dye stained gloves, and tugs off his dye stained shirt from the back. It seems to happen in slow motion. In a mere moment, your eyes engraving every detail, every line and curve and freckle to memory.

There’s really no delicate way to put it; he’s fucking jacked. Deceptively so. You’re frozen in place, cheeks flushed. You suddenly wonder what it would be like to be wrapped up in his arms, held so close to him.

You snap yourself out of the thought, all of that occurring in just a few seconds. He leans past you, setting the dye stained shirt carefully on the counter, glancing at you intensely.

“Are you checking me out?”

You make yourself roll your eyes and turn away, replying, “I’m sure you’d love that.”

Angled away from him, you momentarily reprimand yourself, squeezing your eyes shut and mouthing oh my god. You turn back to him, not recalling the last time you had to deliberately keep up your aloof front around someone like this.

“So, are we finishing my hair or just gonna leave it like this?” you ask rhetorically, motioning to your half done hair.

He watches you do this, confirming his suspicion that you’re really not as cold as you let on. A smile blooms on his face, and he doesn’t think he’s ever seen anything as… cute as that.

“Yeah,” he replies, slipping his gloves back on. The things you do around him seem to mean more now. He notices the way your eyes flutter closed for a moment when he plays with your hair, working in the dye, or the way you still for a split second when he gets a little too close to the side of your face, checking that he didn’t miss a spot.

He doesn’t want this to end either. But eventually, your hair is fully saturated with dye, the timer on your phone counting down slowly. There’s still some dye left. He sits on the closed toilet.

“Your turn. Do me.”

“What?” you laugh.

“Yeah, a little streak - up here.” He leans forward, sectioning off a part of his hair.

“Seriously?” you ask.

“Yeah. Unless you don’t want to match…” he muses. Your eyes get this dreamy look for the briefest second, then you’re turning back to shake the bottle some more.

“I guess… I mean there’s too much dye to throw out, we might as well do something with it.”

It’s his turn, now, to feel the warmth from your body, your hands running through his hair. His eyes want to close, and bask in the feeling, but he refuses to miss out on the view of you so soft, so close to him. It doesn’t last nearly long enough for either of you, and much too soon you’re pulling away and throwing away the gloves and empty bottles.

By the time you finish cleaning up and throw out the garbage, it’s time to rinse your hair. Hanging your head over the tub, you let the water flow over your head until Leo tells you it’s running clear. He does the same, and you point out too late that he only had to rinse the dyed part, not his whole head.

You both laugh as you wrap a towel around your hair, teaching him how to do the same.

“Sweet, I’ve always wondered how to do the spa snail towel thing.”

“The spa snail towel thing?” You try in vain to fight another laugh.

“Yeah, you know… cause it looks like a snail, and they do it at spas…”

“Oh… my gods…” you laugh, exiting the bathroom and heading down the hall, “I”m going to get changed.” you call.

“Am I wrong?” he asks after you, and you bite your lip to stop yourself from laughing. He heads to his room to do the same.

A few minutes later, you’re carefully pulling on your top, when he calls through your door.

“Hey, I’m gonna be in the kitchen, come down when you’re ready.”

“...Okay,” you agree.

You check your outfit in the mirror. You can still feel his fingers brushing your neck. Your head tilts at the memory. Snapshots of him pulling off his shirt in slow motion flash in your memory.

You realize how much of an affect the last hour has had on you. Your stomach drops.

You can’t possibly be falling in love. No way. Not a snowball’s chance in hell.

You’re not the falling in love type. At most, you’d hook up with someone a couple times on the rare occasion you thought they were hot, too.

Oh, you decide, that must be what’s happening. I just think he’s hot. I mean, duh. Of course he’s hot. Did you see him in there?

That’s all you have to do; hook up with him once, maybe twice, then you’ll get over it. It’ll make his ex jealous, and they’ll get back together. It will go just like it always has. Then you can move on to whatever the next crisis is.

You take a breath, resolving to follow the plan, exit your room. You throw yours and Leo’s old clothes and towels in the hamper, and head down stairs. He greets you, and pulls you into the kitchen.

“I have something to ask you.” Your brow furrows.

“...Okay.”

He takes your hand in his, the other behind his back.

“Will you…” he looks at you, gaze piercing, “...be my sous-chef.” he finishes, holding out an apron, matching his.

You study him, a hopeful, surprisingly confident look on his face. His hair is still damp. You’re sure yours is, too. You wait a beat, before replying slowly.

“Yes. But I’m not wearing that.”

“That’s fair,” he says, setting the apron on the counter, “I will have to dock your pay for being out of uniform, though.” You let out a puff of air from your nose, biting back a laugh. He pulls out a skillet, bowl, and oil, and begins preheating the pan. You watch him pull out more ingredients, and begin to set things up.

“Right now we’re waiting on that,” he says nodding at the stove. You nod, inspecting a bottle of seasoning he’d pulled out, and settle into a comfortable silence.

He thinks back to the last time you had time like this - playing twenty questions at your apartment. A pit forms in his stomach as he remembers the conversation veering to Calypso, as it always seemed to. He shoves it away. Not this time. He steadies his nerves. “So, you want to play twenty questions?”

You agree, coming closer to him.

“If you could go anywhere, where would you go?”

Your eyes flick over to the clock. You have a solid hour, hour and a half before the others are supposed to get here. You stare at him, brushing hair out of his face.

“I’d be dead in the endless void of deep space.”

He cracks a smile at how on brand that response was. Your fingertips trail down to his neck, rethen shoulder. The smile doesn’t leave his face, not completely. Your heart beats loudly in anticipation.

“My turn. Do you want to make out?”

His head snaps up, eyes locked with yours, trying to tell if you’re serious or if this is another example of your distinct sense of humor. But he can tell it’s not - there’s something a little too close to the surface in your eyes.

“Yeah. Yes, totally-”

You grab his collar, pulling him in for a kiss, and leaning back against the empty counter.

His lips are soft and warm, moving gracefully with yours. You barely register that the first kiss ends before you dive back in. You angle your head, deepening the kiss. He plants one hand on the counter, the other making its way to the small of your back. You flick your tongue past his lips, and his grip on your waist tightens. You clutch his collar tighter, other hand moving through his hair, still damp at the ends.

You can tell he’s enjoying what you do by the way his mouth quirks up ever so slightly at the corners, and by the way he starts to harden beneath you. You roll your hips into his, and he falters, sighing, breath fanning your lips. Not quite a moan, but you’re getting there.

The front door opens before you can.

Leo pulls away reluctantly, very reluctantly, and turns off the stove.

“That was fast,” he says, panting slightly and still very flushed. They’re not supposed to be here for a while, still.

A tall girl enters the kitchen, dark strawberry blonde hair pulled over her shoulder. She looks between you and Leo with a sour expression on her face.

“Calypso,” Leo says.

"...Hi."

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lvlyhao · 4 years

Text

『127′s ideal type』

headcanons, NCT 127

A/N: je suis back~ in these headcanons i talk about the type of person i imagine each member with, along with some of the traits i think they wouldn’t be too fond of. i did NOT include physical traits (ex: “would like a short/tall/blonde s/o”) because i really don’t know them??? lmao also that kind of thing could be a bit damaging to someone’s self esteem, and i want yall to know ur perfect & beautiful so

mark and hyuck will be included in dream’s version of this, and sicheng will be in wayv’s :)

today’s gif theme is just random gifs i like bc idc, there’s no aesthetic

as always, this is gender-neutral

IF YOU LIKE MY WORK PLEASE REBLOG IT AS WELL AS LIKING IT T^T

𝓖𝓮𝓷𝓻𝓮𝓼: fluff (♡) and if you squint really hard angst (❆) bc of some REALLY small things that for me are not actual angst but oh well

𝓦𝓪𝓻𝓷𝓲𝓷𝓰𝓼: i think none?? if you read this and find something you think should be here let me know please!!!

word count: 1.5K

pairing: nct 127 members x reader (includes taeil, taeyong, johnny, yuta, doyoung, jaehyun, jungwoo)

disclaimer: the characters in the story below do not reflect real people or present real facts. this is purely fictional, and you may not copy, change, translate or repost my work in any way. all rights reserved © cherry-hyejin 2021.

*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:

Taeil

I see Taeil getting with someone who’s not only mature (personality-wise, actual age doesn’t matter) but also very determined and decisive. He’d like a person that doesn’t change their mind about things too often, learns well from their mistakes and is just all-around balanced. Other traits that I think he’d look for: politeness, a MUST; grounded; good at giving advice. Pretty much a twin-flame of his.

I think he’d find it cute if they think in a detail-oriented way and appreciate the small things in life. A positive, grateful mentality would be SO attractive to him, I swear.

One of his deal breakers would most likely be excessive jealousy and possessiveness. He trusts you and your love for him, and I think he’d feel distraught if you were constantly questioning the relationships he has with other people (friends, co-workers, fans, etc.)

Last important thing: needs a person that can take a hit. He’s probably looking for someone he can spend the rest of his days with, so a quitter just isn’t good for that. There will be difficult moments in the future and he needs to know they won’t give up on him and on the life he chose.

Taeyong

I think Taeyong would like a calm person that knows how to take control of the relationship. He probably feels tired sometimes from leading a group of 23 people, so I can imagine he’d be thrilled if he was able to not worry at all when he’s around his partner. He trusts they’re capable of dealing with any problems that may arise and keep their feet on the ground. Bonus points if they have a good relationship with themselves.

By that I mean: you know how people say you can’t truly love others until you love yourself? Yeah, that. He’s a person like any other, and there are times when he struggles with self-love, but he needs someone that doesn’t hate themselves, or he’ll simply go crazy. With his career come so many rumours and moments that tear at his confidence… he just doesn’t need a person that has to be convinced every single day that they’re worthy of the good things in life.

I’d say, in general, all he asks for is someone that can watch out for themselves. He’d take care of them too, but he’d like it SO much if just for once in his life he’s the one being cared for. Would just melt on the spot if you have that caring, almost parental instinct in you. Gods, yes. That’s all I can say.

Johnny

I can see him being with a very bright, smart person. He’d like someone that comes from a different background so he could learn more about their life—whether that means the country they were born in or their field of work. I think he would appreciate a very laid back person that doesn’t get stressed too often and won’t make fun of him for his bad jokes. Also, doesn’t like people that try to play him. Honesty above all.

He’d like it if they are super curious and creative, too. Picking up new hobbies and interests is something he’d be up to anytime, and it doesn’t matter what it is either. He’d give anything a try—from knitting to marine biology, no questions asked.

Something he’d dislike is if the person is too materialistic. It’s not like he’s a completely spiritual being and lives with 0 detachments to objects but he’s a firm believer in what Antoine de Saint-Exupéry said: what is essential is invisible to the eye. And, you know, what you truly find essential is up to you; it can mean family, friends, love, hope, all of that… he just wants you to love life itself as much as he does.

Yuta

He’d probably like one of the two drastic variants: a very gentle, sweet person or someone who’s on his level of flirtatiousness and boldness. Wouldn’t mind any, but he needs a strong personality, either way, you know? No blandness here.

Something very attractive to him is being involved in social issues and caring for the world around you. Very sexc, yes, and also likes people that make others smile.

Something that would make him quite literally give up on someone is the excessive fear of change, or just the will to remain in their comfort zone at all costs. He earns for a person that wants to live life to its fullest. If not they’re not ride-or-die to that level, then he hopes they at least accompany and support him in all of the things he wants to do.

One thing that is very tied to that is his dislike for know-it-alls. He lives in such a diverse scenario that it’s just dumb for him to think someone would ever be capable of knowing every piece of information on everything that’s out there. He’s fine with people making mistakes, but if they can’t admit to that or admit they don’t know something he just gets pissed off. So, yeah, he’d avoid stuck-ups.

Doyoung

He’d like someone very loyal and fair, who treats people with respect but calls them out if they ever have to. I think he’d prefer a person that is naturally a deep thinker and wouldn’t lose their mind over small disagreements.

Much like Johnny, he likes that intellectual side of yours, and when I say that I don’t mean like “ah, he’d want to date a math genius” or something. No, no. I’m referring to all types of intellectuality and intelligence. The thing for him is simply using your brain and being proud of it. He would just dislike a person that kind of lives life on autopilot, you know?

He’d like it if they’re interested or professionally involved with music somehow and would consider their opinions in his career. He wouldn’t mind if their taste is hugely different from his, though. It’s alright if pop music is not your favourite or if you have no idea who EXO is (lol). All he wants is to see the world through your eyes too, in all aspects of life including this one.

Will also love you forever if you side with him when he’s being teased by the others, because, c’mon, it’s always 22 people against poor, defenceless Doyoung. Please don’t join them, he’s begging you—

Jaehyun

This is very, very clear to me but he needs to be with an independent person. He’s quite sentimental and he has his more romantic moments, sure, but he wants someone that can give him the space he needs when he needs it. A person that’s constantly begging him for attention would be way more of a burden than anything else.

Also, he’s 100% alright with someone that has a very explicit and loud love language (like saying “I love you” 300 times a day) but he’s not like that, and he needs them to see that. Jaehyun could NOT be with a person that doesn’t appreciate the love he shows in the little things, like making coffee in the morning, and if they ever question the way he feels… yeah, not good. He’d feel misunderstood and that’s a big no-no.

He’d find it cute if they’re bubbly or just very youthful but is also capable of falling for an old soul that shares his interests in things like classical music and vinyls. I don’t think he’d ever get with someone that's kind of a tech addict, though, idk why but that’s quite clear to me. Always being on your phone or caring too much about social media would probably make him feel like you’re not grateful for the things you have around you, in real life. So, yeah, not attractive, bestie.

Jungwoo

Jungwoo is a very, very, very sweet person and he needs someone who’s also like that. He wouldn’t care if that’s there for everyone to see, in the sense that they’re not shy about it, or if it’s a part of them that only a couple of close people know. As long as it’s there, he’s happy.

Aside from that, I think he’s fully capable of falling in love with quite literally anyone. He can see the beauty in all types of people, from all places, backgrounds, races, and just—anyone. He’s just so full of love for people, ah I can’t even. He’s too good for this world.

Some things that could, however, push him away from getting to know someone: a negative way of thinking, being too traditionalistic, and too much scepticism. He’s fine with people that like to honour the past and their roots but like, you’ve gotta keep up with the world you live in and accept that things change. I think that’s very tied to how much he likes defying masculine standards, too.

The scepticism thing is quite simple: he can handle teasing just fine but if they’re constantly making fun of him for wearing his heart on his sleeve or being a bit goofy, he’d feel kind of betrayed.

---

final notes: this is the 3rd nct work i’m posting here and i’m already writing more, so i think it’s time i set up a masterlist, a fic rec blog and a tag list. if you want to be tagged in my future fics, let me know (dm, comments, anything) :)

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tundrainafrica · 3 years

Note

[Part 1] Hi Sav! What are ur thoughts on Kamiya's (Levi's VA) words regarding Levi? Here are two translations I found on twitter. Since you know Japanese I think you're the perfect person to ask this from ^^ " Today at Anime Japan Kamiya Hiroshi said, “Levi hasn’t changed. The loss of Erwin is so huge that afterwards his life in a sense is like ‘yosei’.” Yosei (余生) means like, the rest of one’s life (after raising kids or retiring) where you have nothing left to do"++

Disclaimer: Please I have no intention of starting a ship war with this, I just wanna drop my own interpretation for my own Levihan stanning heart.

Note: I had no plans of watching the Japanese Seiyu panel for the last episode of Attack on Titan for many reasons and 90% of it is because Romi Paku didn’t show up and I’m still salty overall about how AOT and the narrative is treating Hange altogether and literally the only comfort I get about Hange this whole AOT season is that she looks great in all her scenes but anyway, enough about the rant. I’m still low key salty about not getting our Levihan reunion yet… But whatever.

I got all of these asks in succession and soon after I did some research on twitter to see what all the fuss was about and apparently, a lot of Eruri fans are likening Levi to a widow--- A WIDOW of all things.

And I dunno, I feel like this conclusion for one kinda cheapens Levi’s character altogether and just cheapens the bond of Levihan so I kinda realized I just cannot stand and watch some obviously Eruri-biased Japanese translations of that statement run rampant on twitter without my own take.

So anyway, I’m gonna drop my own take on this, my own interpretation as a Levihan stan.

Disclaimer: I am in no way trying to push any Levihan agenda on anyone. If you like Eruri and you wanna stick to your widow interpretation feel free too. I just feel like a pro Levihan take, and a more ‘non Eruri’ take on that statement should exist as well so I’ll just drop this here for Levihan fans to seek comfort and possibly for any casual reader or Eruri fan to get some other perspectives on this statement I guess?

This is the original Text

声の方「団長、エルヴィンを失ったことはとても大きかったと思うんですよ」

「だからそこから先ってある意味余生みたいな感じになってる気がする」

Isym先生「エルヴィンの最期を看取って役割を全うし、現在宙ぶらりんな状態」

リヴァイ本人「…俺達の役目は」「あそこで終わりだったのかもしれない…」

And if I were going to translate it word for word.

“For Levi, losing Erwin was a big thing. And everything after that became some sort of ‘retirement’ (Yosei) for him. Since he took it upon himself then to follow Erwin, right now it feels just dangling in space.”

Okay these are obviously Eruri crumbs at first glance and I recognize why exactly Eruris would celebrate over something like this because if we had a Levihan thing like this too, I’ll probably be celebrating too

But Let me offer my own interpretation of this as a Levihan stan

Yes, I recognize that for Levi losing Erwin was a big thing, but I’d like to paint some of the terms in a positive light for Levi. And the main key terms above were ‘Yosei’ and “Levi dangling in space’

So I’ll be focusing on those two:

余生 (Yosei)

余生 (Yosei) isn’t necessarily a bad thing. Yosei literally translates to ‘the remaining years of someone’s life” So it doesn't necessarily mean Levi’s a widow or Levi is lonely because Erwin’s not there anymore In fact, Yosei is used a lot from what I see, to mean, retirement years. So after you’re done with your job and you retire, your last few years playing golf, playing with grandchildren, those are your ‘yoseis’

And there are lots of takes I saw online to this Yosei thing

There was a meta in Japanese I found where they discussed the fact that Levi was approaching his twilight years. and the main reason he was facing ‘retirement’ wasn’t necessarily because Erwin was gone but because soon after Erwin died, the basement happened and it turned out there were enemies much stronger than titans out there.

The ‘Yosei’ meant, Levi retired from his role as ‘humanity’s strongest soldier’ because Levi was the ‘strongest soldier’ against titans, not against humans, the rapidly changing world and technology. I mean if we actually are objective about this, we could see the most capable survey corps member for handling the new enemy which is Marley and the Hizuru and just all the other countries and the impending war, was Hange since she is the best at navigating politics and she would be the quickest to adapt to technology.

So yes, if it’s obvious, I do not like the ‘Levi is a widow take’ AT ALL.

「エルヴィンの最期を看取って役割を全うし、現在宙ぶらりんな状態」

Since he took it upon himself then to follow Erwin, right now it feels just dangling in space.

But I’m not gonna discount the role of Erwin in Levi’s life. I think it is actually very important to understand why Levi feels like ‘he’s dangling in space.’

We all remember that last scene from ACWNR after Isabel and Farlan died and I’m sure we can all connect those last words from Erwin all the way until Levid decides to follow him to the role implied above.

Erwin was Levi’s compass. Erwin gave direction to Levi’s life and suddenly Erwin dies and at the same time the world opens up and Levi starts to realize he’s not as needed anymore and his role as humanity’s strongest is gone.

So obviously all those events at once would leave Levi in some sort of limbo right. And that’s why he gets this feeling that he has reached his ‘yosei’ years and he’s also dangling in some limbo

I can think of two more specific reasons he ends up ‘dangling.’

First reason is: Killing the beast titan, the last order Erwin gave Levi wasn’t so easy to do anymore given the political nuances, the environment and of course the fact that the world was already more complicated than killing titans. And to think that Levi makes a promise to do that right before Erwin died?

So I’m thinking the ‘dangling’ refers to Levi grappling with such complexities and nuances while trying to fulfill a goal which would have been so much easier if the basement thing didn’t happen and the world didn’t open up.

And my second reason is:

Warning: Before I go to this, I wanna warn you that this is my Levihan stan self reaching for pro-Levihan interpretations so feel free to ignore this if you don’t want crazy Levihan delusional interpretations.

Anyway, my second explanation which I like to play with and I like to keep close to me, being a Levihan fan is that Hange of all people, was the last veteran stuck to Levi and as we all know, according to Yams old interviews about Hange’s gender...

Hange’s a free soul. She’s like the balloon, the kite that just floats in space and just continues hanging, dangling and flying. And she’s the person who Levi ended up sticking to after Erwin’s death. And since he ended up with such a free sould, he didn’t necessarily find much direction again, the same way he found direction with Erwin.

Hange didn’t give a straightforward direction for Levi. But Hange provided comfort.

And I’d just like to introduce a pro-Levihan interpretation this.

So maybe ‘dangling in space’ and leaving the remaining years of his life like that isn’t such a bad thing? I mean I like to interpret this ‘retirement’ and ‘dangling’ as Levi finally being free of whatever ‘Ackerbond’ or whatever compass or order Erwin has set for him.

Because Hange went about her position as commander more as a parent to the cadets and more as a comrade to Levi than anything else. And with title of ‘humanity’s strongest soldier’ not so relevant anymore post season 3 with titans becoming a not so big threat compared to the impending war, I think the ‘yosei’ and the ‘dangling’ could be interpreted as freedom for Levi from his role as Erwin’s right hand man and freedom from the burden of being ‘humanity’s strongest.’

And the transition from having to report to Erwin to having to report to Hange, I think this can be interpreted as a breath of fresh air for Levi.

Yosei after all can be interpreted as freedom. When people retire, people are free right? They’re free to try out different things, they’re free to focus on other things. Even if people have to experience the pain of ‘loss’ when losing one position, the remnants of it, the ‘yosei’ isn’t inherently bad although it can be interpreted as that.

And the crumbs for this? I always believed that Levi generally acted freer under Hange than under Erwin. And I feel like I have created metas about this before about Hange’s leadership style: here and here

Anyway if you got this far, thanks for reading!

#levihan

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androgynousblackbox · 3 years

Note

have you seen the latest RaM episode? I was hoping to see if you had any thoughts about it! I really liked the exploration and the going off the gotdamb rails with the decoys. Also that scene with rick just. dick out and making morty peek at his ass for No actual reason sndhs

Don't forget the fact that his family didn't questioned for a single second that it should be MORTY the one to look into Rick's ass, like there was never anyone else but Morty who should be do it. It was gross, sure, but also such a... "guys would be guys" moment but not in the violent/toxic way but on the silly and unnecesary way, you know? Like Morty called it "punishment" and, sure, nobody wants to be farted into their face, but I can see Rick pulling a similar move on just any friend he feels like pranking to and, on a way, that was kinda wholesome. Okay, so I am going to pour my thoughts about this and the other episode as I usually do here so bear with me: -The fact that Summer IMMEDIATELY picked on what could go wrong about the whole decoy thing, and Rick has to aknowledge that Summer was smarter than this on this regard. This to me is talking again about how Summer IS actually smarter, emotional and socially wise (meaning with interelationships at least), that she could tell that if one Rick thinking he is not a decoy was going to make decoys then of course other Ricks would have the same idea. But Rick never saw this coming because he was only thinking of the decoys as instruments to be used and disposed, even as he was giving them actual personalities and filled their memories with real ones. He never considered they could go on to make their own because, well, they are not This Rick and this Rick is the smartest man in the universe, the guy that unironically think himself to be god, so OBVOUSLY think only HE would be capable of pulling that off. -The fact the immediately after a Rick wins while proclaiming himself "not a man, I am god!" only to be killed by what is essentially JUST A TOY, some little creature that was MEANT to be killed but got pissed when nobody did it. A literal "god" got eliminated for something fucking mundane that didn't even had to do with the main conflict. He doesn't even understand WHY this little dude just killed him, he died with uncertainty, and if that isn't the most human experience ever then I don't know. -With this episode and the first one, I HOPE this season is going to be about desconstructing Rick thinking himself above anything else. I said this before, but I don't trust fans who truly believe Rick is entitled to do anything he wants and be shitty with everyone because he is smart. It seems to be like these two episode literally adressed that kind of attitude by putting Rick on situations where not even he can get out of and revealing he is, in fact, still just a flawed human being. A major criticism that many people have levered against the show is that yes, we know Rick is sad and miserable, but the show still goes out of it's way to keep making him win on anything he wants (most of the time at least) and thus is signaling to the audience the idea that he is always right, that he should be always right, because he has the power to do anything he wants. The very first episode start with Rick about to fucking die with all his regrets ("I am a silly man, a silly old man") and then he is saved BY MORTY. If it wasn't because of Morty being there that would be it, they both would be gone. -The previous season was already descontructing Rick as the patriarch of the house and show how nobody "needs him" on the same way they needed him on the first season. The only character you could argue still gives a fuck about Rick's approval/recognition is Summer, but even then Summer was never submissive and passive like Season One Morty was to Rick, instantly believing anything he said. Plus, we all know that Rick COULD take Summer on all his adventures and she would never complain about it because she doesn't give a fuck about school anyway. But he still insist on taking Morty instead, despite his protests, because he just likes Morty better than Summer and he does not take well with Morty not relying on him. I don't fucking buy the whole "cancelling brain waves" excuse anymore because, come on, there is a million ways in which Rick could circunvent that problem if he wanted to

but he just prefers keep Morty around. -On the first episode Rick literally says "let me deus ex machina out of here". Deus ex machina literally means the hand of god because in ancient greek mythology many plays would have an element of a literal hand coming from the sky to take the characters out of any problem they are in. And it didn't worked! He needed Mr Nimbus to save them. Because he is not fucking god, and the show is finally showing us concrete evidence of this, while Rick is still the only one with this delusion on his head and this delusion is part of his downfall. The whole second episode is nothing else but Rick's ego fucking him in the ass, literally killing him over and over again. -Beth was GREAT rejoicing on Rick's existential crisis and she fucking deserved that moment, I am glad they gave it to her. -The way so many of the decoys decided to react to knowing they were decoys was so amazing. Like yeah, a majority of them decided to be all "oh no, there can only be one", but many other just off themselves because they couldn't handle not being The Original, insisting to the last moment that they MUST be the original because, well, that is what they think, and then other decoys were just ready to accept death because they had accepted there was no other way. -The only wish of Summer to be on the ocean was... so wholesome? Like it made for a beautiful scene in general, but then they dying hand by hand and just happy to be together, Rick apoligizing to Morty because they couldn't make his wish come true, such a good moment. -The fact that all those Ricks made decoys purely out of a sincere desire to protect his family, it's just great. It was still selfish to basically create life with the only purpose of it being destroyed, but it was motivated as another security measure to protect others, not just himself. -The skin wearing Rick on the swamps talking about "a Rick must provide for his family". Ricks CARE about their family so much. -The puppet Smits were so cute, I loved their voices. -THE MUPPET SMITHS. Even if it was nothing but a costume, it was cute and I want them on Pocket Mortys. -This scene is a Call Me By Your Name reference and nobody tells me otherwise:

As I explained on a server: 1. Italian. The movie happens on Italy. 2. Pool. Many crucial scenes include a pool. 3. Age difference. If they just wanted to imply Morty was flirting they could have used just an older teenager, they didn't need a literal hunk that kinda looks like the older character on the movie. 4. THERE IS FUCKING PEACHES ON THE FOREFRONT. If anyone saw Call me by your name, they know they literally fucked a peach at some point and then the love interest EATS IT ANYWAY. And what does it look like the guy Morty is with is eating? PEACHES. 5. Parents are watching and don't give a fuck. 6. I have decided. -Regardless if it's a reference or not, though, is still pretty fucking gay. -I have seen some fans theorizing that the Smith family we see in the end with Space Beth was our own, and at first I thought so too because they are with Space Beth but then I was... wait a minute, ALL Beth decoys knew there was a Space Beth. They went out of their way to show us this by always having Beth being the one who insisted that no decoy had to die, because she knew what was to feel like a copy. When Rick decided to make another family exactly as his own, he also made HIMSELF expendable and interchangeable. We don't need thirty Smith families, the show only needs one and it doesn't matter which one is it as long is one we can recognize. Why couldn't that have been another decoy family that just so happened to want to do a space trip while all the bullshit was happening? I don't think they are ever going to confirm if this was our original Smith family or don't, just like they won't confirm which Beth is the clone, but I personally think it would be fucking hilarious if they were a decoy and Our Rick just died thinking he was a decoy. -Also the way that Space Beth was just casually putting an arm around Morty made me so happy. Considering that Beth is also the mother who prefered to save Summer over Morty when their lives were in danger, I really like the idea that Space Beth sees how much Morty has grown and is proud of him for becoming a badass himself without Rick's help. That is just my headcanon though, but wouldn't be nice to have SOMEONE appreciate Morty? -Finally, but not less important... Rick knew Morty uses a yosemite shirt in order to cum. This man literally knew about the masturbatory habits of his grandson. Rick went as far on his desire to protect his family he used that knowledge for the decoys. He also told Morty to not fuck his double, which is a nice little reference to Morty literally doing that on the comics but also a subtle way to tell us that Morty is definitely Not Straight because, yeah, I am fucking counting selfcest as a form of queerness because regardless of everything else, that is still two identifying male characters fucking. We only need Beth showing attraction to some female character and the entire Smith family would be officially pan/bi.

#rick and morty spoilers #andro is talking

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tepkunset · 4 years

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@avatarfandompolice�� is a blog that likes to misuse progressive language in attempt to make ignorant, racist posts sound more intelligent than they are. While most of their blog consists of arguing about ‘zutara,’ (which I recently learned is a ship name for Zuko and Katara from an anon), there is also a large number of posts and reblogs under the premise of being “hot takes” on how unfair it is to address racism in fandom and in media.

Avatarfandompolice is very sensitive about people pointing out that Avatar: The Last Airbender is not, in fact, flawless. That a show made by two white men featuring Asian and Indigenous characters and influences is fully capable of getting things wrong. That their western colonial views are influences all on their own, and it shows. Rather than listen to fans of colour point out things like these posts for example: [Link] [Link] [Link], avatarfandompolice has decided that such things must simply be fake, and has made multiple posts complaining it. This is not just regular ignorance, this is wilful ignorance. The dismissal of critique simply because they cannot fathom not everyone being able to handle the amount of issues they are freely educating others on, or people holding the ability to like something overall while also pointing out where it could be better.

It is my firm belief that you should never absorb media with an uncritical eye. If this was the case, if people just accepted everything given to them, then we would never see any progress. We need to be able to look back at something and say here’s what we did right, and here’s what we need to do better with.

The argument that A:TLA was made in 2012 and therefore should not be analyzed with a modern understanding of the world is downright hilarious, too. As if we aren’t taught to write literature analysis on books and plays that are centuries old in school. In particular regards to the whole cop thing... if anyone reading this seriously thinks that hate and fear of the police is just a 2020 trend, you can meet me in the pit. I was four years old when I learned how terrifying cops are. If your experiences differ, let me tell you that does not make them universal. And as for all the 20-somethings talking about it today, well, gentle reminder that as said by avatarfandompolice right here, the show aired in 2012. Little 10-year-old kids don’t have social media, (at least I hope they don’t,) and unless they grew up experiencing first-hand police terror, probably were not aware of it at that age. I do not know why avatarfandompolice insults people's ability to grow and learn. I can only guess it’s jealously from their lack of ability to do so.

Now let’s address their defences of whitewashing, which is easily the most backwards reaching I’ve seen on this issue in a while. Primarily their defence relies on four repetitive “points” —

Fake minuscule percentages to downplay the high prevalence and extremity of whitewashing in the fandom

Deflecting the addressing of whitewashing with rapid-fire fake scenarios and claims of “reverse racism” / “blackwashing”

Claiming whitewashing isn’t real because people only care about it with Katara

Claiming that calling out whitewashing in fandom is wrong because it hurts artists

I have only so much as dipped my toes into the A:TLA fandom, and even I have seen a lot of whitewashed fan art. If you do an image search for fan art, I guarantee within the first couple rows of results, there will be in the absolute least, a few examples. The idea of these artworks not substantially lightening skin is also just plain inaccurate. Just from a quick Google search, this is literally the first result for ‘Avatar The Last Airbender Katara fan art’:

Avatarfandompolice is also hyper-focused on the lightening of skin, and seems to be under the impression that this is the only component of whitewashing. I come to this conclusion because when someone pointed out the equal prevalence of depicting these characters of colour with Western European features instead of their actual eyes, noses, etc., they rip a giant turd out of their ass and scrawl the words “but stereotyping” over it. No, not all Asian peoples and Indigenous peoples look the same. The original poster made no such claim of this at all. Avatarfandompolice jumped to this conclusion all on their own... (which really says a lot in itself). It is entirely unrelated to the point. The point being the erasure of how these characters look, in favour of giving them whiter features. And guess what? This does hurt. But I’ll get to that below.

The lack of understanding of whitewashing is on full display when avatarfandompolice talks about “blackwashing”; the idea that colouring characters with darker skin is just like whitewashing. Firstly, there is no such thing as “blackwashing.” “Blackwashing,” “brownwashing,” etc. does not exist because it is a false equivalency to whitewashing. It is a false equivalency to whitewashing because white people are not even in the slightest loosing representation when a white character is re-imagined as a racial minority, whereas when racial minorities are re-imagined as white people, they are taking away from what is already very little representation for us. If we lived in a world where the statistics of representation were not so drastically disproportionate, then there would be something to talk about. But if you are really wanting to support equality, you should focus on equitably supporting those who actually need it, not white people. As for specifically depicting characters like Sokka and Katara with darker skin than what they have in the show, the same applies, (so long as it’s not racebending them as we really shouldn’t be taking representation away from each other, and the artist avatarfandompolice ridicules above has done no such thing,) because colourism also exists within nonwhite communities as well.

As for the fake questions about cosplaying, the answer is really simple: Cosplay however you want, but don’t make pretending to be a different race part of your cosplay. If you want to cosplay Katara, you can do it without painting your skin darker, aka brownface. If you want to cosplay Zuko, you can do it without editing yourself to look East Asian, aka digital yellowface. The racist history behind this is an internet search away, but I suppose that is too difficult for avatarfandompolice to do.

Avatarfandompolice has made multiple claims that people must not really care about whitewashing if they only call it out for Katara. It is laughable at best, and sad at worst, that this is the conclusion they come to, and not the fact that unfortunately Katara just happens to be subjected to more whitewashing than other characters. I assume this is from a mix of her popularity as well as being a WOC and not MOC. This is not to say that whitewashing does not exist with male characters—not in the slightest. Half the images on this “10 fan art pictures of Sokka that are just the best” list from CBR are whitewashed. Only that across fandoms, whitewashing is more prevalent in female characters, by my observations at least.

Finally—and this one pisses me off the most—avatarfandompolice claims that whitewashing is no big deal, but calling out whitewashing is too harmful to justify. How fucking dare you put the feelings of artists who can’t handle critique of their work (that they publicly share) over fans of colour, who are constantly subjected to seeing our identities and looks not being worth respecting. As if it doesn’t imprint on your mind from a very young age how only villains ever have your facial features, because they’re ugly and I guess that means you’re ugly. As if there is something wrong with you. As if respecting you is regarded as extra effort, and not just common courtesy.

Whitewashing is a form of colourism, which is a form of racism. It is the favouritism, unconscious or not, of white features and the erasure of visible characters of colour. It is not fandom drama. It is not being too lazy to focus on “real issues” because it is part of a real issue. It is yet another part of why fandom spaces are so uninviting to POC. We live in a society that favours lighter skin. Corporations make fortunes from selling products to bleach your skin, products to contour your features away or go as far as surgery, all to meet beauty standards set by and influenced by white colonizers. That does not exist in A:TLA, and that’s called refreshing escapism. But it’s hard to escape that when the fandom constantly reminds you otherwise. It is a perfect example of how the classic “just let people enjoy things” complaint is nothing but disguised racism, because it’s only ever said regarding white fans’ enjoyment, at the expense of fans of colour.

None of the characters in A:TLA are white. Redesigning them and recolouring them as if they are, be it out of accident or intent is wrong. If you get called out for it, apologize, learn from the experience and do better going forward. You’ll also improve your art this way.

Beyond excusing whitewashing, avatarfandompolice has overt racist posts as well. A Black fan said they like to headcanon Katara as being partially Black; “I swear Katara was a sister. Im convinced there ain't no way she didn't have some black in her.” Avatarfandompolice jumps in saying “She's literally an Inuit but ok” as if being an Inuk person means Katara can’t possibly also be Black. The OP never claimed Katara was not Indigenous, simply that they also saw her as Black. Black Indigenous peoples exist. Black Inuk peoples exist. It is overtly anti-Black to say otherwise. But what even is the point of talking to avatarfandompolice about that? You know, you would think in trying to put such a front up of caring about the Inuit, they would do the most basic learning of the proper grammatical use of Inuit and Inuk. (As is the case with a great many Indigenous Nations, Inuit is both the Nation and plural. Inuk is singular. “An Inuit” / “Inuits” as avatarfandompolice has used just makes their dressed-up racism all the more pathetic. It’s similar to as if you said “Chinas” instead of “Chinese”.)

But all this is nothing, nothing compared to the worst post I had the displeasure of seeing. In a single post, avatarfandompolice manages to squeeze in insult against low income people, Mexican people, Jewish people, and Black people in a mockery of financial help posts. Absolutely disgusting, childish behaviour from a place of privilege. As someone who has had no option but to make such a post before, more than once, let me fucking tell you that the embarrassment and desperation when in that situation is unparalleled. It is not done lightly. It is done when you are at the last resort of having nothing but hope that the combined generosity of others will be enough to save you and your family. And what adds a whole other level to the odiousness of avatarfandompolice’s post is that they specifically targeting low income minorities to boot. Because we’re all poor beggars, right?

All in all, for someone who prides themselves in calling others ignorant, avatarfandompolice has to be one of the most obtuse fandom blogs I have ever scrolled through. They are as vile as they are pathetic, and my sincere sympathy for anyone who has been unfortunate enough to interact with them. It has been a while since I so strongly recommend blocking someone.

#avatarfandompolice #atla #atla fandom #racism #whitewashing #long post #fit for a queue

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damnusillygoose · 4 years

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Somebody is jealous( jellal’s edition)

https://www.fanfiction.net/s/13786166/2/somebody-is-jealous

for erza’s edition:

https://www.fanfiction.net/s/13786166/1/somebody-is-jealous

Thank you sapphireblue2007 for suggesting me to write jellal's version.

Disclaimer: these characters are rightfully owned by hiro sensei.

Somebody is Jealous (Jellal's edition)

Well, Jellal perceives himself as a very liberal and progressive person.

He wasn't a possessive person. No, not at all- Even in his relationship with Erza, he believed in giving ample space for growth and self-introspection to each other. He certainly didn't believe in getting jealous when one's partner gets some excessive attention from the opposite gender. Nope, not at all, he was a progressive person, wasn't he? He didn't want to smother her with suffocation. Jellal was aware of the fact that his woman was a strong person who didn't need anyone to save her. She was her own person and stood up for what she believed in. That's how he viewed relationships- a sweet added bonus to one's life, separate from a person's purpose in life.

Yet,

He felt horrified, as he realised, he was shamelessly contradicting his very own beliefs. His eyes twitched in mild irritation, well not exactly mild- only slight, that's how he soothed his not so jealous soul, as he watched the scene before him unfold.

His beloved was sitting comfortably on one of the chairs kept near the bar, eating her sweet dessert in contentment, oblivious to the lusty stares that eyed her glorious exposed thighs and cleavage. There were men hovering around her, drooling repugnantly.

Erza was a beautiful woman. It was an established fact. Not only did she win various beauty pageants, but she also attracted scores of men who simped after her and bolstered her as their 'waifu'!

Jellal was fucking replete with fury when he came to learn about this obnoxious verbiage. What a derogatory term! He opined. How dare they lust after Erza and claim her as their 'waifu'?! well, typically he was doing the same. But he was her partner and it's pretty healthy in a relationship to be intimately attracted to your partner! Yep, he reasoned with his conscience.

It was no secret that men secretly/openly lusted after females who were fairly popular. Given fairy tail's reputation, they were inglorious for being rambunctious all over the continent. This shouldn't come as a surprise to Jellal that Erza was kind of a national crush of Fiore. She even got disgusting offer letters from rich officials asking her to be their mistress. Every single person, be it a man or a woman, acknowledged her regal presence. Wherever they went, people were in awe of her. She was a beautiful woman, confident and sassy, along with a splendid personality. Who wouldn't be attracted to such an amazing person?

Analysing her fan following, he was sure of the fact that Erza must have dated some men in the past. However, He gasped in utter disbelief when he got to know that despite of the attention she received; she never laid her eyes on another man. They were reserved for him. Always.

He was her first man, the first man who held her hand, the first man who witnessed her vulnerable side, her first kiss, the one who took her virginity, the one she would like to start a family with and the only one who she would devote her heart to.

Forever.

That gave him a superior complex over all those degenerates who hated him for stealing their waifu.

Her devotion made him feel extremely fortunate, to get a woman who would choose him over everything else.

But that didn't mean that he couldn't get jealous.

'Oi chad, snap out from your murderous intent, will ya?'

'Laxus.'

'What happened? Why are you in such a bad mood?', Laxus raised his eyebrows in amusement. It was fun teasing Jellal especially when he was in a foul mood.

'Jelly-chan is jealous because other men in the party are eyeing Erza ravenously!', Meredy chimed in the scene, humming a tune under her breath almost nonchalantly.

Laxus let out a nasty cackle as he smashed his beer pint against the wooden table they currently occupied. Meredy joined in with her sniggers; annoying Jellal in his misery.

'Cheer up Jelly chan, if you brood so much, you will end up getting wrinkles quickly and look almost 20 years elder to Erza!'

'Stop calling me Jelly chan, Meredy!'

'Why? I think that name suits you a lot Jellal.'

Oh no.

The trio turned around to acknowledge the owner of this sardonic comment.

Erik approached the group with a wide smirk plastered on his face, much to Jellal's discontentment.

What a great timing. Now they will gang up to bully me.

'Say Jellal, want to murder those assholes? I could feel your malignity from the far end of the hall, reverberating louder than Gajeel's singing shit'

'I wouldn't go that far, they are just harmless flies'

Actually, he could.

'Then why are you getting so hot-headed over those harmless flies?', Meredy smiled knowingly.

'I am not.'

'oh boss! Stop lying with your pathetic ass!'

'I am not lying Erik!'

Erik scoffed at his reply. He didn't even try to hide it.

'Then what do you plan on doing chad boy? Just sit in a corner like a lost puppy and watch as those men eye your woman?', laxus joined in the conversation, adding oil to the fuming spark.

'I can't pause to throw a stone at every dog that barks. Plus, Erza is a strong woman. I shouldn't stick my nose where it isn't needed. I think she is capable of handling this herself.'

But actually, he was trying his best not to jump in the scene and take her away from those bastards but he didn't want to appear as a jealous freak who had no control over his irrational aspect.

'of course, she is Jellal', Meredy reasoned,' but a woman, no matter how strong she is, would love to be spoiled by her man and feel protected. That doesn't mean you are undermining her strength. It's called chivalry.'

'…'

'What about ramming some hot iron rods up in their assholes?', laxus had no chill at all.

'Laxus your speech is so vulgar', Jellal cringed.

'Not as vulgar as your mind, boss'

'Erik, listen up- '

'it's okay Jellal', Meredy patted his back sympathetically, 'You are always harsh on yourself. You don't have to berate yourself so much. Being jealous is a sign of affection after all.'

'Really?', he raised his eyebrows in suspicion.

'Well, when exercised in moderation. Don't become Juvia though.', Laxus grimaced in exasperation.

'I just-I can't handle those people who eye her like she is their personal property!'

'Oohoohoo, finally the lover boy is being honest!', laxus slapped his hand against jellal's back harshly.

Jellal ignored his remark and chose to focus upon what Erza was doing.

Erza, unfortunately, was already surrounded by random men drooling over her assets while he was busy merry making with his guild mates.

He was pissed. He was fucking pissed.

He clenched his fist in impuissance until his knuckles turned white. He let out a shaky breath, biting his lips, trying his best not to eradicate their existence by casting sema right at this moment

'Erza-sama, I know this beautiful villa by the country side that I can rent for you. Would you like to witness that scenic beauty? I can make the arrangement just for the two of us.'

'uh, no thank you. I am not interested, I am busy at the moment with my ongoing missions but I would certainly take-out time to visit this said place with my friends and my boyfriend', Erza exaggerated the last part to make this pathetic pervert clear of the fact that she wasn't interested in his offer.

'He doesn't need to know'

'When I said I won't go, I won't go. Please learn to respect a woman.'

She was already seething at this moment, ready to requip in her armour to beat the shit out of these perverts but she held herself back. This was an important party for her guild as many magic council officials appeared to discuss some important matters with master Makarov.

'Erza-sama!', another pervert chimed in, 'what about-!

'My honeyyyyyyyyyyyyyyy!'

Erza felt a shiver travelling down her spine even before she could react from the horror of hearing his voice. She didn't need to see who this abhorrent creature was. She didn't even acknowledge him as a person. Ichiya had already latched himself around her leg giving it a wild sniff, trespassing all boundaries of her private space.

This is it. This was her limit.

She was shaking wild. Her fingers were itching from wrath as she tried to remove him from her. These men latched themselves upon her despite being firmly rejected by her. She was being polite and considerate of her guild. That's the only reason she somehow tolerated their creepy remarks. She desperately searched for familiar eyes through the crowd that was bustling from the onset of vibrant ebullience. She grew impatient by every single moment when she failed in her search to find them. That's when she felt a presence behind her. The eyes she was searching for were already looking down from their vantage but not at her. She followed his eyes to find them glued on Ichiya.

Jellal got hold of Ichiya's hand and ruthlessly broke him apart from Erza's legs, not caring for a single second where his poor ass landed.

'Ichiya-san, that's a unique way of greeting someone. It could very well qualify as harassment you know', Jellal hissed menacingly, walking in front of Erza to make a defensive guard around her.

Jellal was a master at hiding his emotions and maintaining a stoic demeanour but Erza could still look beyond that very well.

He appeared perfectly placid but he wasn't.

His eyes bellowed bloodlust. He was growling with belligerence.

He was not going to let these repulsive hands touch the body that he revered so much.

The rest of the crowd started to disperse, succumbing to the impingement Jellal displayed, while laxus, Meredy and Erik watched the scene in awe. That's the impact Jellal's presence wielded.

There was a limit to which this man could tolerate bullshit after all. This was Jellal, who was fiercely protective of the woman he loved.

Erza snickered to herself smugly seeing the crowd become frail upon his arrival. These were some spineless cowards who weren't even half the man her Jellal was.

Jellal blissfully ignored the crowd that was whispering his name with resentment, something along the lines of 'their waifu'

He looked at Erza, taking in a deep breath of relief as he put his hands over her shoulders securely.

'Well gentlemen, I just remembered that my boyfriend and I have some work to do, if you will excuse us.' Erza stood up from her chair and bowed her head signalling her departure as she grabbed hold of jellal's hands, leading them across the hall through the exit door. Jellal looked at his guild mates who were giving him smug smiles and thumbs ups.

After exiting the guild, Jellal let out a sigh as they strode further away from that crowd. He still was shaking, his hysteria urging him to go back and beat the shit out of those bastards. He tore his thoughts away from the former events and looked sideways at the enchanting woman walking by his side.

'This dress really looks nice on you.'

'Thank you, sweetheart', Erza smiled and turned her face to give him a chaste peck on his cheeks. 'But I think I will opt for a less revealing outfit next time for a formal party like this'

'Why?'

'tch, didn't you see for yourself what happened today?'

'Don't fret about those assholes, just wear what you want', he snaked his arm around her waist protectively to pull her closer to him.

Jellal rarely cursed, that meant he was infuriated right now.

'Jellal', she whispered lovingly, taking his face in her hands, 'look at me'

He locked his gaze with her, facing her completely. His arms gently fondled her waist, pulling her entirely towards himself.

She leaned into him, melting like butter.

'I love you Jellal.' She brought his face towards hers until their foreheads were touching each other, 'Thank you for helping me back then. I was really helpless'.

They closed their eyes and sighed in synchronisation. She felt his arms locking her into a tight embrace, clutching the fabric of her dress.

'I just…..couldn't help myself when I saw them degrading you like that.' He felt the weight of her hands shifting down towards his neck, near his sensitive spot which only she knew about, caressing it to calm him down.

'Thank you love, but don't over-exert yourself over this issue, this isn't worth your time and effort', she looked at him tenderly. Jellal was such a worrywart but she loved him the same.

'yeah…you are right', he leaned into her, nuzzling his nose with hers, her sweet scent taming his raging heartbeat down, 'I love you too'

It's almost been a year since they started dating and obviously they never hesitated to show their love to each other- verbally, physically or emotionally, but Erza would never get tired of Jellal saying 'I love you' to her. She had dreamed about it so long, she yearned about it ever since she realised her feelings for him, she would never take his confessions for granted. It still had the same impact on her as the first time he poured his heart out to her.

Such was their affection for each other-always raging against the odds.

The hooting of the owls could be heard in the depth of the night. A sudden breeze struck her form as she shivered from the lack of her clothing, she had worn a simple flowy dress, not deemed to be fit in a chilly weather.

'it's getting cold Erza', Jellal pointed out as he draped his coated over her shoulders, 'let's go home'.

She hummed lightly in solace as she felt his lips softly touch her forehead. She entwined her hand with his as they started treading towards the path that led to their small cottage, their personal heaven.

'Can you make me a strawberry smoothie with vanilla ice cream?', she asked him tentatively, testing her waters.

'I thought you wanted to curb your midnight snacking'

'But jelllaaaaaaaaaaaal!', she wailed in desperation, 'dealing with those perverts drained my energy!'

'I can always make a bowl of fruits oats for you.'

'Noooooooo! That's way too heathy!'

'Okay how about this?', he tried to reason with her, 'I'll make milk oats for you with honey and loads of freshly cut strawberries. Sounds like a good deal to me, what do you think?'

She thought about the offer for a moment. It did actually sound like a good deal. She knew she kind of gave in to her midnight sugar cravings. Milk oats were a heathier option.

She pouted and tried to act a little spoiled, 'only if you bribe me.'

'What a scandal! The great titania is asking for a bribe!', he nudged her shoulder playfully and she huffed in response to his actions, 'what are your demands?'

'You need to pepper me with as many kisses as I ask you for!'

' My, My, I was already planning on giving you a thousand kisses when we reach home, don't worry about that', he replied as he gave her a wink making her blush profusely.

If anyone heard them conversing in this manner, their eyeballs would pop out from their eye sockets. They were incredible mages, well versed with the ethics of professionalism. They completed their tasks seriously but when they were alone, it becomes a different story.

A/N: if you liked my story please leave a review and do check out my works as well.

Constructive criticism is appreciated.

Keep loving Jerza!

#jerza #fairy tail #fairy tail jerza #jellal fernandez #jellal x erza #erza scarlet #crime sorciere #fairy tail laxus #Meredy

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opbackgrounds · 4 years

Text

Alright, friends, you know the drill by now. Here’s Part III of Sarcasticles’ overblown thoughts on sexism in One Piece. If you haven’t already, go read Part I and Part II before proceeding.

I promise after this I’ll be done. By hook or by crook, we’re getting through the point of the original question. To the Anon who originally sent the ask, sorry it took this long to get here, I hope it’s helpful.

Also, I allude to some very, very minor Wano spoilers, so if you’re sensitive to that sort of thing here’s your warning.

Characterization? I Don’t Know Her

What makes a good character?

I’ve spent an awful lot of time talking about character designs, when, funnily enough, it’s one of the aspects I pay the least attention to when it comes to deciding if I like how an author portrays their characters. I personally don’t care for fanservice, never have and never will. But unless it’s particularly egregious, I tend to ignore it because there are other factors I think are more important.

The secret sauce for building characters is hard to define, because a good writer can take a concept that has no right being any good and turn it into something incredible (Oda does this all the time) where bad writers will seemingly slot all the right information in the right holes and still have their characters come out of the developmental oven flat and under cooked.

One of the biggest buzzwords floating around these days is agency. Is a character active in their own story, or are they jerked around by the needs of the plot? Is their voice heard? Is their voice unique, or do they blend in with the background?

This is particularly important, because the term Strong Female Protagonist has been warped into shorthand for “girl who fights a lot and looks pretty doing it”. You can have a girl strong enough to lift mountains and still have her be a shit character. You can write a girl who’s main motivation is to get married and have babies with phenomenal depth. What matters is execution.

The Petition to Call A Group of Rescue Arcs a ‘Damsel’

Both Nami and Robin had to be rescued, their main arcs bearing similarities that are impossible to ignore. But these aren’t copies of one another as much as variations on a theme, and with the existence of Marineford and Whole Cake Island I think anyone would be hard-pressed to say that One Piece’s rescue arcs are a girl’s thing. At this point it’s a feature, not a bug.

Which makes sense given how fundamental the idea freedom is to the series. Hell, the first thing Luffy does after becoming a pirate is free Coby from Alvida’s tyrannical reign. Then he frees Zoro from an unjust authority that would have killed him had Luffy not intervened.

Notice a pattern here?

One Piece is written like Pachelbel Canon, in that a very simple core of ideas are repeated over and over with layers of complexity and nuance added over time, examining the same themes from every possible angle.

And when you look at the Four Big Rescue Arcs -- Nami, Robin, Ace, Sanji -- you’ll see that it’s Ace who’s given the least agency throughout his arc. Nami chose to hijack the Going Merry, repeatedly chose to push away the Straw Hats until she reached her breaking point, at which she chose to ask for help, with Luffy only intervening once she does.

Robin is a little less obvious, but during the post-Water 7 party chapters, Aokiji makes the interesting observation that Robin could have escaped CP9, but chose not to

Remember that before Robin’s backstory was shown, Luffy specifically said he didn’t care if she wanted to die or not, so long as she was with the Straw Hats when she made her decision. No one bullied her into “I wanna live”. It was a choice she made of her own volition after realizing the depths the Straw Hats would go on her behalf.

I know there are people who disagree with me, but Nami and Robin are well-written characters. I’ve expounded enough on my reasoning both here and on my main that I don’t want to spend the time belaboring the point. What I do want is to note that Luffy wouldn’t be able to attain his dreams without them. Nami keeps them on course while also severing as a sort of moral compass for the crew -- remember she was the one who insisted on saving the giant kids at Punk Hazard -- while Robin’s ability to read the poneglyphs is what’s going to get the crew to Raftel.

Robin admittedly doesn’t have the same presence within the Straw Hat Pirates as Nami, but I would hardly call that sexism. Since Water 7/Enies Lobby she’s been pretty content to go with whatever Luffy says, and the fact that she’s literally quieter than anyone else in the crew means she doesn’t get as much focus. I think there could be more scenes with her using her specific skill set, like her investigations in Wano and the forensic anthropology scene in the pre-Jaya chapters, but I’m okay with her being a supporting character.

The East Blue Crew have consistently gotten the most focus of any of the Straw Hats. They are the core of the crew, something Oda admits in a roundabout way in the Color Walk where they all appear together for the first time in a color spread

With the main cast as large as it is, not everyone is going to have the same amount of focus or development. Robin is given a unique voice within the story because she doesn’t overreact the way literally everyone else does. Through her silence, she stands out. I find there to be very meaningful character development when she feels comfortable enough with the Straw Hats to start calling them by name in Thriller Bark, relaxed enough with her friends to comitt her first facefaults in a series lousy with them in both Dressrosa and Wano.

In an ideal world, Oda would better rotate through his cast, much like how Brook was the unsung MVP on Whole Cake Island (where Nami was also excellent in a supporting role) but I don’t think people realize how hard it is to juggle almost a dozen different people in a story that’s bloated exponentially over time. To his credit, Oda has handled his expanding crew better than most writers.

I also find it hard to judge this aspect of the series because the manga’s not done yet. I don’t know how Robin and Nami will be used in the future. I mean, Robin never got a chapter title declaring her “The Seventh” which I find suspicious, so Oda could very well have events in store that completely turn our perceptions upside down. It’s impossible to say.

I will acknowledge that the lack of big fights is somewhat disappointing, but neither Robin nor Nami’s dreams revolve around them getting stronger. Robin doesn’t need to use her power to make people explode from the inside out, Nami doesn’t need to fry end-game bosses with her lightning stick. That’s simply not their narrative purpose. With the exception of Tashigi, I’ve found that the female characters advertised as fighters have lived up to their billing. Hancock came out of Marineford unscathed. Carrot’s sulong form was awesome, in the old-fashioned sense of the word. The whole climax of Whole Cake Island revolved around surviving Big Mom’s wrath. Not beating her, not fighting her, it took all the Straw Hats had to just survive. Once again you’re left with a number’s game where where there just aren’t enough female characters to even pretend things are balanced.

All said, I think if you’re going to complain about the lack of Robin fights then I think you also have to complain about the lack of Brook fights, and that’s just not something you hear about, especially after Whole Cake Island. You can’t have it both ways. Either there needs to be more even distribution of major fights throughout the entire crew, or you have to acknowledge that a character’s worth isn’t dependent on their fighting prowess.

One Piece is a battle manga, and I do think that it’s fair to criticize when a character isn’t allowed to fight when they’re perfectly capable of kicking ass. But it’s also an adventure story, and that opens up entirely new space for a character to occupy, and that’s where I think Nami and Robin (but especially Nami) really shine

That Moment You Realize Humor Isn’t A Universal Language

I’ve spent so much time defending Oda’s designs and characters that it might seem like I’m perfectly okay with everything that’s portrayed in the manga. To be clear, I’m not. If the messages and comments I’ve gotten over the past several days have taught me anything, it’s that many fans share the same sticking points I do, namely in regards to some of the gags.

I again want to be careful here, because I’m hardly an expert on Japanese culture and it’s really hard to tell if Oda writes his jokes because he thinks they’re funny, or if he thinks his audience will find them funny. I’m again going to default to somewhere in the middle, because if Oda truly found the perviness distasteful he probably wouldn’t have included it, and I’ve read enough SBS to know the guy likes his dick jokes.

First and foremost, one must address the culture gap. Japan ranks last among G7 nations on gender equality, In 2004 two-thirds of Tokyo women in their 20-30s reported to being groped while on public transport. There are numerous barriers that make it difficult for a woman to succeed either in the workplace or politics.

From what I can gather, some of these trends are reversing, albeit slowly and with great resistance. Contrary to what many people seem to believe culture is not always value neutral. And I say that as an American, recognizing there are plenty of things about my culture and country that are really fucked up.

But who gets to decide who’s right and who’s wrong?

When inside that kind of environment, that kind of culture, it’s a lot easier to understand how a character like Sanji can exist. It’s easy to understand why Momo shoving his face into Nami and Robin’s boobs might be played for laughs. It’s not an excuse, but an explanation. And with Sanji failing more often than not, being the butt of his own joke as he slowly turns into a parody of what he once was, one could almost say Oda is pointing those types of people and saying, “Look how pathetic this guy is. Now go laugh as he gets a nosebleed so bad he needs multiple blood transfusions in order to not die.”

I say almost, because Sanji is never condemned for his actions, nor does he learn from them. Instead you have this character who’s supposed to be one of the kindest characters in the series decide to immediately go peep on a woman’s bath house after gaining the power of invisibility.

Stay classy, Oda.

As distasteful as I find it, I don’t find fanservice to be an inherently evil thing that must be eradicated at all costs, and with Oda doing things like putting his entire cast, male and female, into skintight leathers you can hardly say that he’s excluding the men.

Everyone will have their line in the sand, and mine goes back to agency. When Nami did her Happiness Punch way back in Alabasta, that was of her own volition. When Nami and Robin dress in clothes that show everything but the nipple, that’s something they chose and feel comfortable in.

But when Smoker and Tashigi swapped bodies at Punk Hazard, Tashigi specifically asked Smoker not to strip, and he did anyway, opening her coat and removing her bra. This is especially egregious as Tashigi is one of the very few women in the series who is always shown wearing very conservative clothing. Oda specifically showed Tashigi getting upset at Smoker’s actions, and Smoker repeatedly refusing to listen to her.

That’s where I draw my line.

Some Final Thoughts I Couldn’t Fit Anywhere Else

Thought The First--Oda has an interesting habit of turning his most despicable, scummy pieces of flaming human garbage into the butt of the joke. Villains like Crocodile and Doflamingo are certainly evil, but it’s the idealized, cool type of evil that makes you almost admire them. There aren’t very many real-world Crocodiles, but just about everyone knows a Spandam, or an Absalom, or a Vander Decken. These kinds of villains aren’t scary because of their physical prowess, but their unyielding obsessions and the power they’re able to wring from the system, and -- surprise, surprise -- all three are either actively trying to be creepy sex pests or coded as such with the visual language of the comic.

And Oda turns them into a mockery.

While there are some who feel like not treating serious issues like sexual assault seriously are doing a disservice to people who have endured similar experiences I think there’s merit to turning them into a laughingstock. As someone much smarter than me said once, if an opinion cannot withstand mockery it’s revealed to be ridiculous, and these scummy-scum villains are certainly ridiculous.

Thought The Second--It’s hard to say how much sexism is a thing in-universe. Kuina is the only one who is explicitly told her dreams were impossible because of her gender, but with the recent reveal confirming that her family came from Wano, which in turn is based on Feudal Japan, it’s hard to say how widespread these beliefs are. Tashigi brought it up again at Loguetown and Bellemere specifically told her girls that they lived in an era where “girls needed to be strong, too”, but otherwise it’s not a topic that’s been explored in any depth

Thought The Third--The in-universe fetishization of mermaids has some implications that I think are unintended but worth discussing. Shirahoshi has a reputation of being one of the most beautiful women in the world despite not leaving her tower for over 10 years (she’s 16). Mermaids whose tails have split are worth less on the slave market than those whose are intact. Even Zoro erased Kokoro from his memory after meeting the more attractive Caime. It’s one of those odd things that when combined with the more obvious racism themes could have some unfortunate implications, and I think could have been avoided had Oda show a little more restraint with some of his jokes. Unintended consequences are still consequences.

Thought The Forth--There are many other instances throughout the series that people bring up with talking about sexism in One Piece. I feel like a lot of these can be explained away individually -- for example, both Belo Betty and Rebecca’s stripperific outfits were inspired by other media, the painting Liberty of the People and Red Sonja respectively; Lola chasing after an obviously abusive man makes a whole lot more sense when you meet Big Mom; Hancock’s love sickness could be seen as an emotionally stunted woman experiencing her first crush, etc., etc -- it’s when they’re all put together that they begin to read as “Problematic”.

It would be impossible to go over all these individually, but I tend to fall on the side of leniency. In the end, everyone has to make their own decisions based on their own values. I’m hardly unbiased, and my enjoyment for the series will undoubtedly make me look the other way when another might call the exact same incident The Worst Thing Ever. The thing is, opinions are like assholes, everyone has one and most are convinced that theirs don’t stink. I include myself in that statement. In the end it’s a comic for kids. It’s supposed to be fun.

Thought The Last--I have spent entirely too much of my time writing this up, but in the end I guess I have to go back to what I said when I talked about my thoughts on Sanji: Everyone has their own personal line of acceptable bullshit, and for me Oda does more good than bad. Sanji specifically gets very little leniency from me because I don’t like a lot of the gross behavior Oda passes over as a joke. But the female characters themselves, generally speaking? They’re fine. There are other mangaka that have more equal male to female ratios or have women play more active roles in the story, but Oda does a lot better than most other shonen titles I’ve read.

It’s okay to be critical of media you enjoy. It’s okay to complain. But remember that One Piece is a very long series, and there are some fans who have been a round for literally decades. I myself started reading weekly around the time Duval was introduced, way back in 2008. Every time a new batch of fans comes in the same old arguments get stirred to the top of the pot: Sanji is a creep, Oda can’t draw women, why doesn’t Robin ever get to fight?

It can be exhausting to go through the same hoops time and time again. So if you’re someone who is being critical and feel like no one is listening, or that a bunch of fans are going out of their way to defend Oda, that could be one of the reasons why. They’re tired of having a series they enjoy be shit on.

There are other fans who legitimately don’t think that Oda’s done anything wrong, that jokes are just jokes. If you happen to fall in that category, remember that not everyone feels that way. Art reflects life, which in turn reflects art. One Piece is a few million copies away from outselling Batman. To say it isn’t influential to young readers, both in Japan and abroad, is beyond asinine.

I thank everyone who’s taken the time to read this so far. I’ve been pleasantly surprised by how civil the discussion and my inbox as stayed. Even if I didn’t respond to your message, I promise that I did read it.

I wrote as much as I did because I know this is a topic a lot of people care about, and also so I hopefully don’t have to write about it again. A lot of hours has gone into this project, and it’s been exhausting, but in a good way, if that makes any sense. I’m ready to put it to rest.

I was joking with some friends that I think I’ve hit just about every hot topic issue now, so hopefully I can go back to fun questions like speculating if Wapol can eat a person and poop out a devil fruit.

Until then, Sarcasticles, out

#sexism #one piece #long post #sarc talks

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thejustmaiden · 4 years

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I’m honestly hoping with the current movement of #saveourchildren and the lgbtq community calling out pedos will give the sequel backlash if Rin is the mother. Also I hope none of those shippers are a part of the movement because than it’s just hypocrisy at it’s finest. I’m honored praying sunrise gets the backlash if they decide to do that, especially since it’s 2020, NORMAL and SANE people will be shocked. I’m pretty sure everyone’s sick of the “it’s normal in Japan.” People want change.

Hey, nonnie! I'm not sure if you're the same person who sent me the previous anon ask about what Jaken's VA sent during the livestream or not. I'm assuming that because I received them almost back-to-back, but maybe I wrong. Whatever it may be, happy to have you. 😊

It would be hypocritical in many ways, yes, but at the same time many Sessrin shippers say they would never condone acts like child grooming and the such in real life. I really believe them for the most part, too.

So where does that leave us? Well, what it all really comes down to is at what point do we start acknowledging the spaces both fiction and real life occupy and the (in)direct impact they're capable of having on each other.

In my opinion, Sessrin shippers refuse to accept their correlation- whether that be due to denial, lack of awareness, or a bit of both. Regardless, it's safe to say they simply don't take how linked these two are as seriously as antis do.

As has become a habit of mine in recent blogs/asks lol, I'd like to refer you to a great write-up by boycottyashahime. Read their thoughts on this very subject here. They always put it better than me anyway. Here's a preview excerpt:

"Predators have and continue to use fictional relationships to convince their victims that the abuse they experience is perfectly fine. I think that it would behoove the SessRin community to make sure that those in their midst who are young and vulnerable know the warning signs, understand when an older person may be trying to take advantage of them, and encourage drawing a clear line between the fictional ship and real relationships."

Sessrin shippers would respond to this by saying that shipping a fictional pairing- yes, even if it has harmful implications- isn't actually bad since it's not real and therefore can't be viewed in a negative light. A common misconception of theirs is that antis can't separate real life from fiction. Let me break down why these two reasonings lack support and are basically justifications:

1) Inuyasha is aimed at a young audience, and at no point in this series should a teenager watching be subjected to controversial dynamics closely reminiscent of pedophilia or child grooming. Period.

2) Most of us who have a problem with it CAN in fact differentiate between real life and fiction so please stop missing the point, be it intentionally or not.

The main issue we have is why are we exposing young minds to a heavy topic they are not mature enough to handle yet. Whether you agree or not, it's common knowledge that Sessrin raises a lot of red flags. Antis aren't overreacting because of dumb shipping wars or anything trivial like that. What we're reacting to is the typical Sessrin shipper's response to this pairing. Ship it if you want, but please don't tell us how we should frame our opinions according to your "historically accurate" portrayal, especially if it morphs the truth into something unrecognizable in order to fit your narrative.

Here's an example to give you a better idea of what I mean:

Let's say my favorite animal is the koala bear and yours is the kangaroo. Both are marsupials, right? Both lovable, but one is friendly and the other can be quite dangerous. Now imagine you trying to suggest a kangaroo is as friendly as a koala- so essentially something it's not. Shouldn't I correct you? Sure, you can love the kangaroo (Sessrin in this case) all you want, but shouldn't we stick to the facts presented to us? Accurate identification is the key to appropriate representation! (Say it with me! I like alliteration and rhyming, what can I say? lol) This way there isn't any confusion and we can help prevent our young ones from misinterpreting potentially threatening situations. By attempting to pass the kangaroo off in a category among docile species like the koala (aka healthy ships), you risk putting others in harm's way. Who's to say a child won't take your word for it and just run up to a kangaroo someday and get gravely injured (aka they've now exposed themselves to a real life predator). All this could've been avoided from the get-go if a certain group of people didn't refuse to admit that the kangaroo is indeed dangerous no matter how much they wish it wasn't. Trying to convince us that a kangaroo can be like a koala or something it's not is never going to happen. There's absolutely nothing wrong with that either so there's no need to get defensive. The kangaroo can still survive and thrive and so can your ship, but just in a different environment/genre.

(Did that analogy work? xD)

And nobody as far as I've witnessed (with the exception of maybe one or two occasions) has straight-up called Sessrin shippers pedophiles. Pedo apologists, perhaps, but those two aren't one in the same. Petty and ugly name-calling on the other hand? Well, that's taking place on both sides so you can't really use that against antis.

People do want change! Not only am I tired of Sessrin fans speaking on behalf of an entire country regarding the popularity of a ship despite a strong presence of antis there, nonnie, I'm sick of those same fans telling us we don't have a right to be critical of the content we consume. "If you don't like it, then stop watching."

Since when did it become wrong to demand we do better and improve in areas? It's only normal we care and expect our entertainment to be aligned with our real life morals, because how else do you think fans relate to characters? Of course fiction can push the boundaries as is its nature, but like with everything else in life there are limits. After all, the stories we make up are but reflections of the human experience and we're taught that there are some lines you must never cross.

I'd like to end this off by saying that I hope you're right, nonnie, and that Sunrise and everyone else involved in this sequel receive all the backlash they deserve if they decide to go through with Sessrin. It's possible that movements like Save Our Children can help people who are struggling to understand why making this ship canon is problematic. On top of that, it can help them re-evaluate their values and put them in better perspective in regard to this pairing's close connection to serious acts of abuse like child grooming.

Maybe this whole time we've just been underestimating Sunrise and Rumiko's ability for profound and consistent storytelling. *knocks on wood* All along maybe we had nothing to worry about, who knows? Don't break my heart, readers, and just let me be the half-glass full kinda gal I've always been. It ain't over till it's over. 🤗

Edit: I recently discovered that a right-wing conspiracy pro-Trump group by the name of QAnon is trying to hijack the Save Our Children movement as their own. As much as I support anything that brings more light to children's issues, I do not support Trump, this terrorist organization, and their conspiracy theories.

#inuyasha #hanyo no yashahime #anti sessrin #save our children #anonymous asks #answered ask

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kuriquinn · 4 years

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Dear Mr. Kuri, thank you so much for your recent post concerning the young artist who was effectively censored from sharing his/her/their art on a particular subject (just... so sad). I was hoping to get your thoughts on how adults might navigate interactions with minors in this space. Specifically, extending our support for their work w/out necessarily... engaging with them. I know this sounds crazy stupid but before tumblr I wasn't really active on any social media and I had no idea (cont'd)

there were so many users under the age of 16 on this site. I've even come to learn that some identified users I had interacted with early on were as young as 13, and as someone in my 30's - tbh that scared the shit out of me. I totally agree that someone that young and impressionable would be crushed by the kind of criticism that poor artist faced, and would likely never create or share again... to their detriment. The thing is though, I feel really hesitant following any creator (cont'd)

that isn't 18 or older... What are your thoughts on following/reblogging/interacting with minors in fandom? I fully agree that they need support, especially from older users who don't care what some stranger on the internet has to say... but I just feel... like I don't know how to go about that the right way. I really REALLY don't want minors on my blog at all... sorry to bother you with this, just wondering how you'd suggest handling this. I didn't comment on the post bc I didn't (cont'd)

want to risk that young artist reading my inquiry and feeling even more alienated. As always, thank you for your time and insight. - Birk

I may go a bit off-topic here, but let me give this a try:

I think in, In the end, it all comes down to communication and mutual respect.

Adults have this pervading mentality that until a child hits 18, they need to be infantilized and sheltered, but once they pass that magical number, then it’s a free for all. So, for eighteen years, it’s all about sticking a Potemkin village in front of any idea, person or situation that a child might find uncomfortable (read: they don’t like the feelings it gives them; very different from actual harmful ideas/persons/situations). Then, these sheltered almost-adults enter public spaces and expect society to keep doing that…when it turns out that’s not how it works, they become toxic.

This is how poisonous movements like purity-culture develop online, or new fans who demonize older fans and adults as being perverts for enjoying the very same pastimes they have.

For those of us interacting with these people, the automatic reaction is to “cancel” that person, thereby alienating and isolating them even more in their bad behavior. Instead of taking the time to talk with and try to show them through actions that the world isn’t limited to what they know.

As adults in fandom, we know that a large majority of the fandom is younger, because we were them once. We were that 12-year-old discovering fanfiction existed or sharing drawings we made of our original Harry Potter characters or quoting our favorite movies and televisions ad infinite. We got shit for it in real life, so we had to create spaces of our own online.

We, in effect, built fandom so that it would be more welcoming for the generations that came after us. And while a lot of us stick to that unwritten knowledge, as the years pass, a lot more become gatekeepers. They set a standard of what a fan must know or do to be considered a “real” fan, and they’re mean about how they do that.

Is it any wonder that new fans coming in experience this behavior and then jump on the “adults in fandom is creepy” bandwagon?

These new fans coming in, especially tweens and teens, they still live in this false reality where they only get to enjoy themselves and be kids for a limited amount of time, and once they Become Adult they have to give it all up—and can’t figure out why all those old creeps online are still a part of such “childish” things.

That fault lies squarely on our society, which pushes kids from a young age to be thinking of what they want to do when they grow up so they can get out there and start producing, producing, producing for the state and becoming a “useful” member of society.

We as fandom veterans, need to do our best to teach them differently, and that comes right back to my point: communication and mutual respect.

Older fans need to respect newcomers, as much as the new baby fans need to learn to respect their fandom elders. There is no maximum age for fandom; there’s no minimum age, either, although the younger the fan, the more their parents should be keeping an eye out for the truly damaging stuff and teaching their kids how to avoid that stuff on their own.

Now, obviously, people don’t always announce online how old they are (though it does happen more frequently now than when I started writing), but regardless, there should be a certain etiquette to it.

When you interact with someone online, you don’t know if they are 15 or 50. And the way you interact with them shouldn’t change based on knowing their age. We should maintain the same level of respect for the new fans as the older fans.

So, as to how adults might navigate interactions with minors (especially when you know they’re minors)?

Treat them as any other intelligent human being: with respect.

Because how else are they going to learn?

My mom always used to say to us, “I’m not raising children, I’m raising adults,” which basically meant she was teaching us how to be adults. Kids don’t pop out of the womb magically knowing how to interact with the world, they take their cues from the adults that are already there.

Fandom babies learn how to be active participants in fandom from the people who are already there. And they’re more likely to listen to and look up to someone that treats them as a mature and capable being, than someone who dismisses them as too young or too green, or dismisses their knowledge and experience because they haven’t earned their metaphorical stripes.

Remember, a lot of these kids are coming to fandom because they need an outlet. In this age of helicopter parents, this is the only place where they get to be treated as an individual adult-in-the-making instead of the overly protected child or student that must be shielded from the world. A lot of them are trying to figure out how to deal with the horrors that happen to them or around them every day. That 16-year-old girl writing a rape/non-con fic under a pseudonym? She could be exorcising her own demons through the only way she has because no one in her life is listening to her. That 14-year-old writing about homelessness might know more about it than someone twice his age.

Expertise and experience knows no age, and as adults, we need to not fall into the trap of thinking it does. There are some kids out there that have seen and endured more than I can even imagine.

In recent years, there’s been this trend of treating kids like sexless beings until we, the adults, deem them capable of having a sense of sexuality. When the reality is, once kids start puberty, they’re developing that sexuality, and are trying to figure out what it means to them and how to navigate it, and the world. It doesn’t matter if adults are uncomfortable with it, this is what our human biology has decided for us.

And chances are, as much as adults try to curate the world and keep kids from seeing the darker, less safe stuff? They’re already doing it. I saw this when I was teaching, the kids are already accessing and interacting with stuff like sex, drugs, relationships… Whenever a faceless censor tries to block that sort of thing, they find a way around it. Humans are funny like that—we want the things that are kept away from us, whether harmful or not.

It’s our responsibility to help them think critically about what they’re seeing, and teach them to express themselves about it in a respectful manner.

So by all means: follow that amazing artist even if they are only 15. Their age doesn’t negate the fact that they have talent that needs to be nurtured and encouraged. Reblog the images and the fics that strike you, even if you find out the person writing it isn’t 18 yet. Send a shoutout via DM or review or comment to someone that you admire whether you know they’re age or not.

Unless you’re being actively creepy and offensive (and seriously, don’t do that, it’s gross whether the recipient is a minor or not), chances are these creators are desperate for some assurance that the medium they choose to express themselves in is having an effect on people—and that they have the power to make even adults sit up and listen.

So…TL;DR:

When interacting with younger fans, do so with respect. And if they say something problematic, don’t automatically cancel them and write them off as “obviously too young and immature to understand”. They understand more than you think and will seek out their interests whether adults think it’s appropriate or not. That’s how freedom works. But if we’re going to nip bad behavior like purity culture and agism in the bud, we need to start by treating minors in fandom as adults developing their worldview, not as infants to be sheltered.

#longpost #asks #fandom #content creators #content consumers #reading #writing #online etiquette

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undeific · 4 years

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i promise it’s not that deep, or why you’re wrong about self-inserts: an essay by your friendly neighborhood chaotic neutral

So, self-inserts. A hot topic, apparently. In 2020. Perhaps it’s due to a dashboard full of young, possibly underage writers (which is not a bad thing! embrace your creativity!), but this is a discussion I believed we had matured past. Since it has been floating around, though, here is my take, and the take a great deal of circles have embraced in the past 6-7 years or so.

There’s always been a self-insert problem in the community — not necessarily self-inserts themselves, but rather the response to them. It’s no secret that these characters are commonly regarded with disdain and always have been: they’re viewed as the most self-indulgent form of character, the least creative, and the worst-written, having been made solely for the purpose of connecting with canons and living out one’s own Mary Sue-adjacent fantasies. To some extent, these generalizations make sense and line up with a reality we are all very familiar with; after all, these assumptions must come from somewhere, and there would be few canon-portraying writers among us who could say they’ve absolutely never been met with an uncomfortable situation brought on by an overeager self-insert. In 2013, the worst crime a roleplayer could possibly commit was create a character like this, and would result in what was considered, and many times was, a well-deserved blacklisting from entire fan spaces and writing circles. A self-insert was, after all, created with no integrity and only had bad intentions.

We all know the self-insert girl — and yes, she is a girl, of course. Her dialogue is clichéd, her plots are threadbare and consist primarily of smut and romance, her backstory is tragic and attention-seeking. She often has the same name as her creator and her faceclaim is self-flattering. She seeks out canons and attractive original characters of the male persuasion, persistent in her attempts to reach out, hoping to begin shipping with her victim — or victims — of choice. She is a being purely of self-gratification and wish-fulfillment. She is, in a word, embarrassing. We do not like her. She is told on the rule pages she does not read that she will be blocked, banned, and ultimately mocked by those who have seen her floating about. She is “politely” insulted and threatened for crimes she has yet to commit, and chased from the platform as quickly, cruelly, and efficiently as possible. Yet she always comes back in one form or another, like a cockroach.

These characters still exist, of course. They were never a myth. I am familiar with them, as are you, and everyone else who has dipped their toes into the writing pool. But they are an exaggerated breed these days, and often used to perpetuate elitism in spaces where it is entirely unnecessary. The shadow of the stereotypical self-insert’s reputation has been cast over original characters as a whole, specifically female characters, and has created an unwelcoming environment prone to cliques and harassment. A character outside an established canon is suspect. A woman outside an established canon — and sometimes even within — is eyed suspiciously, hypercritically, before being thrown a generous bone by a “lower-tier” roleplayer who will determine whether or not she’s worthy of attention.

If any desire for wish-fulfillment is detected or perceived, she’s dropped quickly, often with no warning.

There is a strange idea that permeates throughout roleplaying culture that wish-fulfillment writing is done in bad faith. This is flawed logic in many ways. Roleplaying is not a job. It is not an inaccessible artform. If you engage in this form of entertainment, you are getting something out of it. You are stepping outside of yourself and becoming someone else, and you are enjoying it; you are, in other words, engaging in a form of wish-fulfillment, though perhaps not with the sticky connotations you are familiar with when contemplating the term. This very idea goes against the rhetoric that has been built up by the community, however — self-indulgence is taboo, roleplay is serious business, and only those worthy and “quality” shall partake and be given attention. (It has even been taken to the rather sad extent that if one does not keep up with aesthetic-based trends, they are met with passive disinterest if not outright disdain. But that is another essay entirely.) If you seek wish-fulfillment, you are not welcome. If you are a self-insert, you are not welcome. If your character shares too many traits with yourself, you are obviously seeking wish-fulfillment, and probably a self-insert to boot, so you are not welcome.

There are layers to this. People do not want to associate with these leper characters, and so they create strict rules to be adhered to — and that makes sense, as everyone is entitled to their own pleasurable experience, and their own guidelines. But these rules become meaningless in the shuffle, placed on carefully-crafted Google Documents to do nothing other than promote elitism and limit creativity, whether that is the intention or not. If you like a character, but find out it shares the same name and birthday with its creator despite little else in common, what do you do? If this character does not seem interested in pushing a ship onto you in your interactions, are they still breaking your rules? If a character was created with its writer as the base, though they do not behave in the stereotypical way that makes self-inserts unbearable, why is it so important? What do the origins of a character have to do with its current iteration? Why, if it does not have a negative impact on interactions, does it matter if a character is a self-insert or not? At the risk of sounding like a dusty academic, the bard once wrote, “A rose by any other name would smell as sweet.” What, aside from preconceived ideas, does a character’s self-insert status have to do with anything?

“Discomfort” is the word primarily used when discussing these characters negatively, and many hoops are jumped through to justify why this discomfort is felt if there is no concrete reason, no offense committed. If one is willing to dissect another’s character, but not one’s own reasons for their own discomfort when confronted with the simple, low-impact reality that this character exists, some self-reflection is warranted. Even more so if this character is, as far as you have seen, well-written, fleshed out, and interesting, with the only “downside” being that it is, in fact, a self-insert.

To write well, one must understand the character they are working with. Divorcing oneself entirely from the characters they write will only work to their detriment. All creations, all characters, must contain a piece of the writer within them to some degree; that is the only way a piece of fiction will function — but if that is against the rules, we cannot write. We cannot engage in any sort of believable storytelling. Self-inserts are, at their core, only the most exaggerated form of original character.

This, of course, is capable of leading to problems; one of the greatest issues here is the possibility of the lines between fantasy and reality getting blurred. This has happened to me when dealing with self-inserts, as well as other original characters and even canons. It is distressingly common, one of the most unpleasant situations to arise in roleplay spaces. However, if it is your assumption that the lines of fantasy and reality will be blurred purely because a character has self-insert origins, that likely says much more about your own grasp on reality rather than the self-insert’s. It is and always has been important that proper distinctions and boundaries are maintained, no matter who the writer or character are. During heavy or dark threads, writers will often be found shooting jokes back and forth in the tags to put each other at ease, and people give out their handles on instant messaging platforms to ensure easier, more efficient communication out of character. If this is done efficiently, any issues that arise are handled in a stable, mature way, and the problems that lend themselves to roleplaying become ever rarer.

Self-inserts are like any other character, they just have a label with nasty connotations and an unfortunate history and stereotype attached. There should be no thorny questions here, only whether or not the character interests you personally. If the very term is a dealbreaker for you, you are taking yourself, and this, too seriously — and missing out on some fascinating storytelling in the process.

That being said, the character I portray owns a knife and I own a knife, so I am practically a self-insert myself. I guess I’m gonna be blocked!

#in honor of izaya's birthday i'm going to be controversial #disclaimer: i have no personal stake in this matter; i have not had a self-insert character since i was twelve;#i just hate roleplay culture as a whole.#i have a lot more thoughts on this but the essay had gotten long enough;#if anyone wants to engage in friendly and mature debate #or ask questions #i am open to it! because i am nice and stable and an adult.#this is just a polite and academically-leaning reminder that maybe we don't have to be so hostile.#forgive the sarcasm at the end lmao!#anyway back to writing in character.#✚ OUT OF INFORMATION.

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kihyunswrath · 5 years

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An essay on why I fight for Wonho

I think there has been too much of this “why do you even care that much?” bullshit lately and I’d like to make things clear, at least for my part. And I am assuming many other Monbebes can relate.

Indeed, why do I care? Wonho was never my bias, I have always liked other groups too, I have seen hundreds of groups come and go, it’s just one member in that group and although I want him to return, I actually want this entire industry to burn down to ashes even more and yes, that would mean death sentence to all idol groups.

But first of all, let me ask this question in return: Why does it bother you that we care? Who gets to define what’s a useless endeavor? What makes you think I can’t simultaneously care for “more important” issues? Why the hell are you judging us for wasting time on this, when we all already know you wasted days watching that useless Youtube vine compilation, binge-watched that one Netflix series you didn’t seriously even care about, played that one stupid mobile phone game when you should have been sleeping, ate those two boxes of cookies that could’ve lasted you two whole weeks? Who are you to say things are useless just because it’s not your favorite idol group or whoever the fuck you care about, who’s under attack? Why do you think we have explaining to do, when literally none of this has anything to do with you personally and it’s literally you who fail to see the implications this incident had?

I don’t need to explain why I found a person inspiring as an idol and human being, why I found his background story motivating and moving and why I found his presence in Monsta X very important for the entire group’s mental health, group dynamics, success and happiness. I don’t need to explain why I find it upsetting that the people I cared about are torn apart because of no fucking reason, and that I can see that pain from their faces as they’re forced to pretend Wonho does no longer fucking exist?

I don’t fucking think I need to explain why I have empathy for a person who is under a police investigation just because. I don’t think I need to explain why I don’t find it fair that someone is under an attack for doing something that is not deemed as illegal in the most civilized, democratic countries. I don’t need to explain why I want to defend someone who’s kicked out of his group because of conservative internet trolls and a couple whose own background is about ten times more shady than Wonho’s. I don’t think I need to justify myself protesting for him, when he is fired from a job that has absolutely nothing to do with the things he’s being accused of. I don’t think I need to explain that unlike many others, I am indeed capable of reflecting this incident against the bigger context and see how flawed the entire Korean legislative system is.

But let me do your homework for you asshats and explain what this bigger context is. It’s the context where simply having an allegation of whatever kind placed against you is enough to ruin your entire career. The context where people are literally lying about a person’s background and have been caught doing that, but can still continue with the investigation. The context where people can be punished again and again for things they did ages ago, apologized for, moved on and learned from. The context where literal rich drug dealers, convicted criminals sitting in prison, their minions and ENTIRE companies (cough pdx101 cough) might be able to escape from justice, but this one unfortunate person whose existence is only justified by the Korean population if he is superhumanly perfect and flawless, is brought down for allegedly committing a crime that was not harming anybody and was committed six fucking years ago. The context where you can be punished for something so meaningless that it feels like there is indeed space for a conspiracy theory or two. The context that paints idols as literal gods and goddesses who are not allowed to have pasts, backgrounds, redemption arcs or flaws to their character. The context that is taking idols from their hard-earned positions just because someone influential enough had a personal grudge against them. This context where Koreans are not protected by their own companies or labor unions but can be treated like non-human playthings, chess pieces and pawns just for having human traits.

I don’t think I need to explain why I have empathy. I don’t think I need to explain why this bigger picture I see doesn’t only clash with my morals, but also potentially hurts hundreds of thousands of other people, because something like this could easily happen to them, too, especially if we now use this incident as an example of how things should be handled in similar situations. And if you as a person fail to connect the dots, if you personally fail to see why this is giving an ugly view into a ruthless society many of my friends and loved ones have no other options but to live in, I think that’s on you. That’s literally your personal problem, not mine.

Wonho was not inspiring because he was flawless, he was inspiring because he demonstrated character growth. He was not inspiring because he never did any mistakes, he was inspiring because he kept improving and kept sharing his love and gratitude toward his fans. He was not inspiring because he had wealth, connections and endless virtuosity, he was inspiring because he built his career from nothing and still remembered to explicitly thank his family, his friends, his loved ones and his fans every single day. That alone is something we can’t say from many other people.

And if you think my argument is flawed because I was biased? Yes. I am biased. It’s not suspicious that people care about stuff more when it turns out to be personally relatable. Stop fucking pretending you are so virtuous, wise and pure that you already fought against bigotry, oppression, discrimination and bullshit in its all forms, way before you were even fucking born. That does not give you more social justice woke points, it just makes you annoying. Just because some Monbebes woke up to notice how flawed, ugly, embarrassing and pathetic the kpop industry can be now that their own favorite idol is attacked, is not a bad thing if it leads to them protesting against similar incidents in the future. Just because people cannot fully grasp issues before it has something to do with themselves doesn’t mean they can’t now use that realization as a boost to change the entire society.

Yes, we intend to not bring only Wonho back, but also bring down the entire industry that made it possible for things like these to happen. Yes, we as human beings are capable of empathizing with people who we don’t have much to do with, but it’s not wrong if we fight even more fiercely when we try to protect our own. When was the last time you have done something similar?

If our movement brings light to the fact how little protections workers have in Korea, if our movement makes people see how devastating consequences bullying and baseless accusations can have on people, if our movement continues talking about the same problem that caused a person to commit literal suicide a month earlier? If our movement makes it transparent to everybody how much power all these companies have over their idols and how they can not only treat them like shit after trusting and rooting for them for several years, but also silence all the remaining members and force them to continue even if they’re at a breaking point? If our movement brings light to the fact that maybe, just maybe it’s not fair to punish people for things that they might not only NOT have done, but also are literally meaningless even if he did them ALL, especially because they happened before he ever even was an idol?

Well, I’ll call it a movement that exists for a good fucking reason.

One of my Korean friends, after being told about this, said that well, the only thing I now need to do is to change my favorite group and move on with my life, because I am literally just a customer and I can’t change things. And you know what? That is exactly the problem here. Without knowing it, she summarized the entire problem up perfectly with that one sentence.

She and so many other Koreans (and non-Koreans) consider idols mere products. They think idols are here to sell us a certain image of a perfect, successful person who does not really exist as a human being. Idols just represent something the Korean society aspires to be, but if enough people get fed up with them for whatever reason, just to bolster their own feelings of revenge and jealousy like in this case, idols can be dumped and forgotten in a matter of minutes. That hurting one idol does not really matter, because there are people lining up behind him to do his job even better. That being an idol is an endless cycle of improving oneself, requiring less and less time for resting, recovery, privacy and human rights and asking less and less forgiveness from the audience. That if you get an important position in the society, it’s on you if you cannot handle the negative publicity that might follow. That if you have done one mistake once, it prevents you from ever moving on in your life, because it can come and bite you in the ass whenever, arbitrarily, just because, even if technically you had already been forgiven long time ago. That people who have gotten money and fame do not earn those positions because of hard work, but because they are supposed to be superhuman. And because there is no such thing as a superhuman, every and any idol can be brought down whenever they show the smallest sign of humanity. Even if that sign of humanity is just them showing open solidarity and empathy for a friend and colleague that was wrenched from them for no reason.

She and so many other Koreans think the only thing they can do as normal citizens is to pretend this one “flawed, miserable” individual never existed, because they are powerless against the decisions of the companies, press and rich conservative trolls?

And for some reason, somehow, these same Koreans fail to see how that reflects the state of their entire society and how it affects their own rights as workers, as human beings. They fail to see this very, very crucial factor: that idols are more similar to everyday Koreans than they are to the entertainment companies, wealthy chaebol CEOs and a couple of filthy rich drug dealers who escape their own punishment because of their even richer dad.

Idols are NOT extremely wealthy celebrities who have a freedom to choose their own paths, influential politicians who can escape from scandals after scandals or sons and daughters of the company leaders and estate owners of Korea.

They are workers who have inhumane working conditions. They are faces to faceless, cruel companies who are intentionally hiding behind them to cover their own tracks.

Idols have no real rights, freedom or future, and thus, they represent us normal people. What you do to one of these idols, you essentially do to every single one of his/her fans. You take our dreams away, you punish us unfairly for things we tried to learn from, you take away our voices that we used to express our own oppression and challenge the status quo.

Idols are not us, but they represent us more than any of these companies, leaders, rich heirs and heiresses and CEO’s could ever do.

And that’s why I’m fighting for Wonho.

And please miss me with that cultural relativism bullshit. I know injustice when I see it. I can distinguish suffering and pain even in cultural contexts I am not born into. Also? Maybe if Koreans don’t want us to meddle with how they handle their own problems, maybe they should have really been thinking twice before trying to buy the entire world with the help of their idol industry. We can hold companies accountable. We can demand change. Companies and wealthy shitheads are not representatives of a culture. We know there are Koreans with us in this fight.

And if this doesn’t change with us, right now, today... it will sit down with us until something like this happens again, and then the change will come in the shape of a fucking tsunami.

And what are you going to do at that point, stand in the fucking way, or pretend your past mistakes can no longer hold you accountable?

#monsta x #monstax #kpop #wonho #shownu #kihyun #jooheon #hyungwon #changkyun #minhyuk #mine #gif not mine

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