#I just wanted to do this for this particular drawing

[doctorho]

thinking about viktor with a chronically ill reader. you know? we see the vision, right?

it just works.

the thing with chronic pain, illnesses, disabilities, all of that - is that you can't always see them. sometimes you can, sure, you can see the mobility aids and the not-standing-up-for-too-long and the bruising from blood draws and sometimes you can see the compression garments, the pills and inhalers and the i'm fine, i just need a moment-

but most people just don't pay attention to that. or if they do, they don't put the pieces together fast enough to figure out what's really going on under the surface. viktor does, though; he's been there, and most of the time he's way beyond hiding it. or, well, he's way beyond hiding some of it.

walking with a cane was like carrying a neon sign that said yes there is something different here. yes i can't walk the way you can. no it's not going to get better. that last part wasn't directly evident just from him using a cane, sure, but with the way his cane looked, it should've been pretty clear. He had used one practically forever and it had evolved with him, he'd made it as comfortable to use as it could be, had even made it match his uniform.

so yeah. viktor knew what it was like. he'd been the disabled kid forever, even if some of the others were never going to say it out loud. that was just a thing about him, and he knew how hard it could be to navigate something like that in an academic environment. it was hard to admit you couldn't do something, that you had to sit down, that you needed a moment. that sometimes your body was just falling apart for no particular reason and it was just another tuesday.

sometimes it was easier to sit with the pain than take medication in the middle of a meeting, knowing that someone would make a bigger deal out of it than it had to be, even if it was just raising their eyebrows meaningfully. they'd think about you differently afterwards.

he could see you push through it, and he didn't blame you, really, he did that himself, too, but - he didn't want you to hurt yourself. you hadn't been in the lab as long as he had, so he could understand you being a little cautious with how you acted and what you told people, but he didn't want you to feel like you had to put on a show for him. he was, after all, walking around with the equivalent of a light-up sign of i'm disabled, too, and he liked to think of himself as someone who wouldn't come off as judgemental about stuff like that. other stuff, sure, stupid stuff, but not that.

so when he sees you dealing with the telltale signs of being in pain, he conveniently sends jayce and the others to pick up some parts that would take a while to collect and that they wouldn't actually need until the next day. but better prepared, right? what's the harm.

and then he comes to sit next to you and sighs deeply. leans back. relaxes to the best of his abilities. asks if you're alright, and sounds like he already knows the answer.

you sigh too, shift your position, and answer with it's fine. and viktor recognizes the strain in your voice, in your posture, and he knows there's a key difference between this and i'm fine, but he'll take it. it's not what he'd like, but he'll take it.

he leans over to dig around his belongings, and then offers you a bag of candied almonds.

"if you're going to take pain killers, it's better if you eat something first," he says, and you just stare at him. "i assume you haven't taken anything yet. nothing strong enough, at least," he continues, casually, and you take a deep breath and accept the almonds.

he smiles. continues like this is totally normal. "jayce made me start carrying around some food so i could do that. for myself, i mean. but it doesn't hurt to have some snacks around either way, i suppose."

he knows he's skirting around the real topic of the conversation, but he also knows that sometimes people get uncomfortable around his bluntness, and you hadn't exactly told him you were in pain, so he'd understand it if you were a little weirded out. after all, most people didn't notice this stuff. but you haven't run away from him, and you're eating, and then you're digging around your own bag to take your medication, so he'll count this as a win.

thanks, you exhale, handing back the almonds, and he takes a handful of them himself.

"i'm fine, really," you continue, not really looking at him, "it's just hard sometimes."

he nods. it was - even if he didn't know the specifics, he knew that it was true. especially since you had been hiding it from the others. and with something like that, something the others couldn't see, the invisible step to let them see it would grow bigger and bigger with time, when they expected you to be able to do everything they did without a second thought.

he also knows you didn't mean fine in the dictionary definition sense of the word, but more in the this is normal and you don't need to worry -sense. and that's fine. he was used to functioning on different parameters than most people, so this version of fine was good enough.

my body just isn't always very reliable, you explain with a sigh, and that he knows better than well.

he hmms in answer and nods. he knows.

you exhale a small laugh at that.

and he's glad you're relaxing, wants you to be as comfortable here as possible.

"these people are alright," he says casually, "as far as healthy people go."

viktor smiles a little.

another win for him.

and then he sits with you, talking and not talking and enjoying the quiet comfort if it all. and then he makes up some excuse so you don't have to keep working yet. he was well aware what it was like trying to work through the pain, waiting for the medication to kick in, and he wouldn't exactly recommend it. besides, as a rule, you were more likely to make mistakes if you were thinking through a layer of pain, and that was just plain bad planning. it made much more sense to just take a break and continue when you felt better. in fact, he was in dire need of a caramel latte and a pastry right now, do you want anything?

and after that it just... sort of falls into place. you're more relaxed around him. and the others, too, but he's the only one that really gets it. doesn’t make a whole thing out of it when you need to sit down for a moment or take a break while your pain killers kick in. he's just there.

he knows what it's like, and that feels like an invisble curtain lifted from between you and him, and it's just easy. you don't have to pretend you're doing better than you actually are and he doesn’t hide it when he's in pain, either.

most people don't see it, but there's a mutual understanding there; yeah, sometimes life sucks and sometimes you're in pain and no it's not fair that sometimes your body is falling apart and life just keeps going. you can't do all the things you want to do but you still have to show up for the other life-stuff and if you took a day off every time you felt bad you would never get anything done and it just never stops.

but sometimes there's someone who'll sit through it with you without judgement. offer a warm drink and a snack and some understanding.

[graillore2point0]

Sadly, I'm too afraid of getting abandoned by everyone I've ever known over this, but I suppose that's what the hornyblog's been for from the beginning.

I wholeheartedly agree, to start things off. Gushing is a series that truly, well, gushes with love for Magical Girls as a genre and a concept and wants to explore it. To deepen what a Magical Girl is without actually subverting it beyond the obvious of Utena as a protagonist.

I am someone who can and will wax poetically about the themes and characters of Madoka Magica and while I'm generally too afraid of consequences to give Gushing the honour it deserves I very much want to do the same.

Now, a lot of the backlash against Gushing is over the ages of the characters, with everyone so far appearing in the anime being 14 other than Lord Enorme at 20 and Korisu-chan at 9. (The Shio-chans don't really change this, though they're 17.) People are getting up in arms over this.

Now, beyond presenting them with the obvious issue of writing a story about 'coming of age' and self exploration as a teenager (When most people start getting interested in such things) without having the main characters, you know, early teenagers, as it would not at all work as well with them above 18 due to various factors...

There's also the fact that Gushing is far from the only series presenting young girls in such a way? It's just actually open about it, and does it in a far kinder way than typical as well.

Gratuitous butt and boob shots, random slips and upskirts, hells even Magical Girl transformation sequences typically depict characters cloaked only in an unnatural light. It's a staple of comedy, slice of life, school and more action oriented genres (Look at BnHA, the average Isekai, the entirety of the Gacha Game scene, even many well recieved Magical Girl series).

(Also where are they finding these 18+ not secretly ancient anime girls? Grab ten of them and six will be 14-17, three 100-10000, and if you're lucky the last is 22 at the very oldest.)

Anyways, back towards topic, it comes down to this perception that to make or watch something that at all depicts younger characters in a more overtly sexual light is some unforgivable sin. That anyone who does is a pedophile biding their time (Which is a whole other matter they probably need to introspect on) who'll act at any moment to bring their depraved tastes into the real world. I could talk more about that in particular but not now.

The thing is it's not. It's not something morally wrong to watch or write something like Gushing or Prisma Illya. These are, in our world, fictional characters. They do not have an age, they do not have an observable will, they are not real on our dimensional plane, to watch or draw or write about them does not harm them in any way.

It's this... Christian puritanical obsession with everything needing to be Clean, to be Acceptable and Uncontroversial. It demands that nothing is explored, that nothing is considered, that nothing is made without first being judged Pure by the twelve most Racist, Homophobic and Misoginistic people on the planet.

I feel like I have more to say but I'm running out of steam so I suppose I'll call this here for now.

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[subway-boss-jericho]

Fuck it. Silly post time

My doodles from my class notes this + last week. I have been struggling to draw my guys on model lately so you can see some of the Struggles. go ahead, look at em. i am so human but watch me go. Anyways, these are in order from oldest to most recent (the ones I did in class today.) Trying to figure out how i want to draw them again, because it seems I can never quite do it the same way twice. Mildly frustrating, but it does leave space for silly posts like this. I hope someone else finds as much amusement in offended tynamo as I do.

AUs include spirit keeper (I've forgotten how to draw??? his hair??? which is like his most identifying feature???? don't know where THAT muscle memory went but it is GONE) and also Steady Tracks Ingo (who I have Never figured out how to draw in the first place tbh). Also pictured: an intentionally rare little ingo appearance. Also noticed I've been drawing more canon-compliant doodles than I normally do, so that's neat! Top right image (the third one) is my INSANELY botched attempt at drawing the One Move twins. Literally turbo fucked that one. look at ingo's face. Unrecognizable. Will I stop using an ink pen? when I die maybe

Anyways. God be damned I am Having Fun. Wanted to offer you my doodles in the hopes they make someone else smile too today. Oh the train is just a train, I just figured you guys would like that one. Even though I'm struggling to keep my pen steady or my lines consistent, I am still very happy with several things here. The smoke on the train, and the two middle Emmets on the very last image in particular I really love

silly post complete. have a great timezone

[babybluesquid]

Go read the Eberron wiki page for the Blades and tell me they’re not just Decepticons.

Like, come on! More (unstructured) noodling on the subject of warforged and Transformers under the read more.

“But if the Lord of Blades is Megatron where is Optimus Prime?" In an Eberron game, Optimus Prime is a role reserved for a player character! There are no Autobot equivalents in Eberron yet because that’s for the players to create!

Wow I wanna run a campaign with the Lord of Blades as the BBEG so bad. I've been considering a game where the party are trying to smuggle indentured warforged out of Thrane and Karrnath. The Lord of Blades recruits from those nations in particular, for pretty obvious "warforged there have the worst time of it" reasons. The party could be a force of good opposing the Lord of Blades.

Also, that would put them at odds with the governments of Thrane and Karrnath, and if we want to get international with it, the Blademarks of House Deneith could get involved. I love a campaign where there are enemies on either side of the party. They'd have to be very sneaky and rely on trusted allies of the cause.

I think it would be so much fun to draw some Transformers characters as warforged. While they're not really one-to-one story wise, there's enough parallels that it would be fun to reimagine those characters in Eberron. Like, Starscream in Eberron would be wild. Soundwave in Eberron? Soundwave with a warforged raptor, a steel defender, and two small warforged scouts! That'd be so nice. :)

The thing about that is that warforged tend to be much less colorful than Transformers. So the challenge is to make them recognizable without their bold paint colors. The fun part is that I'd get to design ghulras for them. My design process for ghulras is very impressionistic, since they're not meant to be representative of anything. Still, I can feel when a ghulra fits or doesn't fit a character, on a purely vibes-based level.

I do tend to draw on Megatron for the Lord of Blades' characterization, especially more sympathetic iterations of Megatron. To me, the Blades are interesting only if they're sympathetic on some level. Their grievances are valid but their response is evil. Becoming a war cult is uncool in any universe.

That being said, I don't think I'd place all the Decepticons in the Blades if I made warforged AU versions of them. Gotta consider all the possibilities.

Also it's a fun coincidence that the planet is made out of a god in both worlds. Cybertron being Primus and Eberron being, well, Eberron.

I think it's the fate of all people nerding out about two things at the same time to end up combining them.

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[thrashkink-coven]

So i want to start my practice but unfortunately i don't have the tool incense tarot card pendulum and especially i still lived with my parent. The deity i want to work with is a demon from ars goetia andromalius, i already did the ritual but i Haven't got any respond what should i do?

I received this ask in June so you’ve probably already figured this out but keep on tryin!

If you don’t have access to tools like a pendulum or tarot cards you do still have the option to do some good old meditation on your demon’s sigil. In fact you’ll probably be doing this way more than using cards or other tools. All you need is a pen and a piece of paper. On the front you should write your demon’s sigil. Bonus points if you can find a coloured piece of paper or pen that you associate with them. For Leviathan I would probably use blue, whereas I’d probably use red for Asmoday and green for Belial.

On the back of the paper write a short petition or prayer. Be sure to address yourself by name (doesn’t have to be your legal name, just the name that you identify most with). Detail what exactly it is that you want from them and be precise about how you want them to manifest. If you hope to see them in your dreams write that down. If you just want some mundane sign that they’re listening write that down too.

For example: “To the Great Lord Lucifer, keeper of the hidden gnosis and liberator of all, I Shi, your loyal devotee, invoke your presence and healing light. I request that you appear to me in my dreams, in perfect human form. I wish to see your face and feel your warmth upon me. I wait patiently here, in this, your temple (referring to the altar) for your messages to touch my heart. So it shall be, as it has been, and shall be again.”

For first introductions it’s always a good idea to bring offerings. Something as simple as clean water is fine if you don’t have access to incense. A piece of fruit, a yummy pastry, or a piece of candy works too. Some demons are more particular than others, but they almost all unanimously appreciate alcohol. If you don’t have access to wine or rum, white vinegar also works.

Now, you can anoint the sigil with blood. I usually only do this for my patron who I trust and feel safe offering dna to. Some rituals will insist that you anoint all your sigils with blood but it’s not mandatory in my experience. A simple kiss can work, as can just charging the sigil in your hands. Focus all of your intention into the sigil until it almost seems to vibrate with energy. Then, when you feel ready, you can begin chanting their enn if they have one. If not, you can come up with your own mantra. For example, I wasn’t sure what invocation to use with Hermes, so I always just repeat “Holy Hermes, Holy Hermes, guide my spell.”

As you chant, focus your entire attention towards every syllable coming out of your mouth, feel your vocal cords vibrate as your intention becomes sound. I like to say Lucifer’s enn deep in my chest.

As you do, continue to stare at the sigil. There is a good chance you’ll experience some kind of imagery or physical sensation. If you see a terrifying face or a graphic image, do not freak out, this is very normal. Not all demons are pretty lol. You may altogether have an idea or voice enter into your mind out of seemingly nowhere, that is likely your demon responding. You can respond to them aloud or in your head. Try to stay focused on the sigil as you do, don’t think too hard about your answers.

As an added step you can attempt to do automatic writing. This is when you allow a demon to take control of the muscles in your hand to create a drawing or sentence on a piece of paper. Whilst holding the pencil, completely relax and continue to focus on your demon’s sigil. Don’t resist the subtle movements that occur involuntarily. Sometimes this can result in amazing communication and sometimes it results in a bunch of gibberish. It’s worth a shot but don’t be dismayed if it doesn’t work the first few times.

If you don’t see or feel anything, that’s okay, these things don’t always manifest right away. Do not beg your demon to show up. They find it very annoying. Continue the ritual for a few days until you get a sign. Pay very close attention to the subtle details in your life.

You should probably recreate the sigil every time you reach out rather than using the same one from last session. You’re also perfectly okay to destroy the sigil either by burning or just throwing it in the garbage. Be sure to say goodbye and close down the connection before you destroy the sigil. If you do get a solid communication, remember to say thank you.

[sepublic]

Palismen as Mutualism

For Hunter, abandoning his magitech staff in favor of Flapjack isn’t just about finding agency outside of Belos, and it’s not just about having an actual friend. Likewise, training wands do exist, but for Luz in Adventures in the Elements it’s emphasized that she needs to figure out the glyphs anyway, and eventually she can get her staff.

There’s practical Ups and Downs to the glyphs, such as being able to draw them even if you’re missing a staff, likewise staffs can cast magic with far less prep time. But I think the emphasis on Palismen is about cultivating a relationship with the land and people around you; Luz and Hunter can’t have magic without maintaining a relationship with someone else.

Magic is a gift from the Titan, that’s what Luz understands in Adventures in the Elements when she figures out glyphs, it’s what Eda’s trying to understand by shoving moss up her nose, because of what wild witches wrote. Even when Glyphs can be learned from others, witches still commune at the Knee to understand this. And with Palismen, we see that they’re highly intelligent beings, smarter than any animal in real life, if not sapient beings themselves; Owlbert can hold a conversation with Eda, lie on the spot to cover for Luz, gamble with her, etc. Then we have the Bat Queen as further evidence.

Palismen have autonomy, they choose whether to stay or not; Escape of the Palisman goes into these and the aforementioned details, many Palismen leave their witches if they feel mistreated. In Really Small Problems Owlbert is able to go off and have fun for himself, and is allowed to be distracted even when Eda needs him; There is no punishment towards Owlbert for exercising autonomy, and what Eda does should be the standard based on the Bat Queen’s trust.

Perhaps more ‘modern’ witches don’t lend the same freedom, but this is undoubtedly influenced by the culture of the coven regime and its insistence on ‘taming’ wildness. Palismen also don’t respond or awaken, even if carved, until a witch can perform some level of self-examination for them.

Glyphs come from understanding the Titan, and being able to do everything a witch can involves having a Palisman, and those come from the Titan via Palistrom trees that naturally grow. There are Animistic ideas about aspects of the environment having a life of their own, thus they deserve a respect of their own. For Luz, she’s a human coming after Belos, who’s committed colonization and genocide on this world; Hunter is his nephew and human-adjacent enough, struggling with a colonial heritage.

So to truly idealize as witches, they need to cultivate a mutual relationship with the Boiling Isles and its life, that’s why glyphs and Palismen are relevant, that’s why Eda doesn’t settle with a training wand for Luz; She wants Luz to really understand and appreciate the wild nature of magic, or else she could become like Lilith or many who joined the coven, esp in contrast to Belos.

Belos’ magitech staffs demonstrate his industrialism and refusal to cultivate a sustainable relationship with the land, as does his Palismen consumption. Him devouring Palismen is horrific because they’re sapient innocents, and because they’re all taken from loving witches who were either murdered or assimilated, it’s systemic genocide.

And we learn how Palistrom trees are being depleted, and when Hunter suggests a sustainable way to grow Palistrom wood, Belos is furious at the idea. He has no respect for this world and wants it dead, while wanting it to serve him in his entitlement and colonial fantasy.

In particular, Belos’ Palismen consumption leads directly to his curse, which worsens to a point that he needs to possess hosts and devour them from the inside to survive. His parasitic relationship with a natural resource causes him to become a literal parasite. He chooses to devour wantonly and after centuries is finally doomed to only being able to do that, centuries after he should’ve been dead and lacking any choices anyway.

Why must other lives be cut short to extend his life beyond reason, a life that continues to only be destructive? The protagonists could never keep Belos alive if it meant sacrificing innocents, and he gets to a point where he still deteriorates even while using hosts, emerging from Raine in a worse state than he started off in.

Likewise, we don’t know much of the training wand, but it is wielded by Amity, who is the daughter of Blight Industries and its arms manufacturing; It ends up siding with Belos and playing a factor into his genocide, esp during the Day of Unity. Odalia is CEO and her capitalist tendencies are not a coincidence, given the criticism of capitalism as being unsustainable in its pursuit of infinite growth, without questioning where all that growth will somehow keep coming from when the laws of equivalent exchange still exist.

This ‘independent’ form of magic via machines is flawed, because it doesn’t hearken back to the literal and figurative roots of magic itself, or the natural resources it inevitably still pulls from. It’s not anymore ‘advanced’ if not beholden to working with the culture or the land so every party can thrive. It’s not beholden to the people and animals, it’s just destructive in the long run without respect.

But technology isn’t inherently bad or unsustainable either; Alador is the true inventor of Blight Industries and uses his machines to help undo the damage of the coven bindings, and heal the isles alongside his fellow wild witches as a newly-anointed one. He decides he cares about the harm being done by Blight Industries and can still practice his inventions.

Caleb started off as a settler, but his story shows how white people are just as capable —and thus responsible— as the locals in coexisting with a new place, after learning from said local and choosing her over colonial teachings; Celtic pagans exist and seem to be an inspiration for TOH, and the Celts were often white because you guessed it!

White people have also been indigenous, at least at one point in time, they can also have the same relationship with land that PoC do, and it’s not some innate trait exclusive to brown people (which is a racist trope). It’s learned, not “in the DNA.” There’s no excuse not to, you just have to want to learn and open your mind.

Caleb and Evelyn have a mutual relationship that results in a child, who results in the Clawthornes and their own relationship with the isles, esp Dell and Eda. Caleb dies in the pose of the Titan, indicating he understood; At worst he’d only be a little confused, but still have the spirit, because Caleb clearly came from a place of good faith and would always keep improving because of that.

Hunter is a settler’s child and didn’t choose to come here or serve his uncle, but he decides when he’s free and with agency that he wants to continue engaging with this world; So Hunter can choose to give back to this world what his forebearer took. And he works with Dell to do this, who is Caleb’s descendant. Caleb’s woodcarving may have contributed to the Clawthorne tradition of Palisman carving after Flapjack liberated both him and Hunter, they gave back to this world and it comes full circle.

Hunter works with Dell and the Bat Queen to regrow Palistrom and then carve Palismen; He loves a witch who can help grow Palistrom, make the land itself teem with life; Perhaps not coincidentally, Willow’s magic is deemed worthless by the aforementioned Odalia, and the coven system finds Abominations more profitable, likely in the service of how Blight Industries (and later Belos) uses them; By contrast, Amity and Darius wield a more fluid technique and reject this, with Amity having thrived around Willow more and making amends.

For Luz, it’s not enough whether she can practically perform magic via the wand, she needs to understand and respect her host culture. When Eda says Luz needs to earn her staff, it’s less about work for its sake, and more about proving she can respect the rituals and ways of a culture that Luz wants to become a part of, by doing what the locals also do.

Luz needs to prove she can be accepted by her hosts as one of their own, like how she proves to the Titan she is someone he can trust to wield his magic. Luz has to be her own kind of witch against what the coven deems, and because there are some parts of the process she simply can’t do; But she also has to be true to the spirit of the practice… And this culminated in literally embodying the spirit of the Titan.

Palismen as a practice require reflection, and then constantly maintaining that respect and relationship to another being in order to keep using magic. It’s a way of accountability to the Boiling Isles they’re born from and represent, a way to continue repaying the gift of magic that one keeps using. It’s a mutual relationship, it’s sustainability, it’s remembering to give back to the environment so it can keep growing.

Hence, Luz learning to respect Palismen via Owlbert, learning to speak to the Titan like the witches before her. Glyphs are learned from the Titan, and witches can then pass down that magic to others themselves if they choose to, after being convinced to. Some may be insincere and abuse that trust, but this is outweighed by the many friends of Luz’s who benefit and use it for good; Luz still has the right to distribute this knowledge and it’s why the Titan gave it to her then, and affirms it later with his spirit. And even after the Titan’s death and the loss of glyphs, they’re continued anyway via his son King, who shows them to Luz and Eda, witches that learned to respect him and his father.

The fascination in a world goes both ways; The Demon Realm does not exist for human consumption, its people are also very interested in humanity themselves. Eda’s business, Gus founding the HAS, Vee finding her home; Witches and demons have a lot to learn from us, just as we have a lot to learn from them. Luz got her time in the isles, so Thanks to Them was about her friends getting the same with her home after hosting Luz. Camila repays their hospitality to her daughter with her own, and Gus leaves deeply satisfied from the experience.

There’s now a Boiling Isles exchange program, so humans visit the demon realm but vice-versa occurs. So it’s not so simple as humans being settlers again, they give something back to the natives who get to enjoy their world too. Maybe even take each other’s places, as Vee and Luz inadvertently did! With Vee becoming a Noceda.

Sustainability is a theme in The Owl House, with the endangerment of species such as the Selkidomus, the Galdorstones becoming rare artifacts, the depletion of Palistrom, and the extinction of Glyph magic are all things that are combatted; Luz and Eda save the Selkidomus that thrives in the epilogue, Gus and Mattholomule work with the guardian of the Looking Glass Ruins, Dell helps plant more Palistrom with the Bat Queen, and King gifts a new generation of glyphs.

The Archivists and Titan Trappers committed genocide, with the Archivists having the gall to claim to want to keep mortals alive, yet it’s a faux-sustainability where they destroy those who refuse, and their archived existence is hardly a life in and of itself; Instead, it’s a passive existence where mortals exist for the Archivists’ purpose with nothing real in return. King remains as the last of his kind to bring back his people one Titan at a time, and it’s a wild witch like Eda, with her fondness for learning from nature and respecting Palismen, who is entrusted to raise him.

All of this ties into the themes of indigeneity, of sustainability, of appreciating the nature and world around you, of getting your head out of the clouds of fantasy to appreciate the people around you and their practical needs, and work with them too. Working with people, working with the environment, it’s the same idea of mutualism, supporting each other, etc. Be yourself AND be kind to others, they’re mutual not mutually exclusive.

Magic is life, magic is given and shared, it comes from the world around you to pay attention to, and give back to. It’s life and goes on even after death, like relationships and their impact on you. This is what TOH’s magic is, it represents the themes of its story.

[sweetdreamspootypie]

hey, saw your tags on my iStop notice and had to say something. if you're a nurse you really gotta take the can't leave port accessed thing super seriously. I think it may apply to all IVs but I have a port so that's what I know.

I don't think I was explicit about it: the reason it is so highly illegal has nothing to do with infection. it is specifically to prevent people from having IV access for illegal drug use.

so imagine how I feel about the port being left in now that I know what they think I wanted from the hospital.

@kelpforestdwellers

(idk how tumblr does notifications for asks so figured I'd tag you)

Yeah that makes sense as the reasoning

But still

Plenty of people have central lines out in the community - people on chemo, long term antibiotics, dyalisis, gastroparesis patients who are TPN / IV hydration / IV antiemetic dependant. And those are just the ones I have met going through y particular ward which is general medical, not specialized.

I know you have been / are going through a very long and frustrating process around getting it added to your official care plan and being properly facilitated to access your port at home.

But I have assumed that's just bureaucratic paperwork nonsense about like. Which doctor wants to put their signature to it that they've done due diligence about risk management with you. And stuff about who's job it was to organise it for you.

As opposed to being issues with just having an accessed port at home itself.

It is obviously a huge fuckup to have an /accidentally/ accessed port - but that's still to my mind mostly about infection control.

If they did actually think you were at risk of unsafe IV drug use then yes that is also a major beach of duty of care.

I just had a quick scroll through your blog and you haven't said anything about the process of discharge besides the fact that there was back and forth about when it would be. So tbh I'm confused how you also didn't know it was still accessed, as it's a whole process to de-access it unless you were expecting procedures to be done while you are unconscious. But there was so much other things you were chasing for a safe discharge that I guess it just got forgotten for you.

It sounds like that ward were not confident with the port - you mentioned them getting snotty about doing a blood draw - which is wild to me, because central lines are amazing for that. It's so easy to do a blood draw, we love it. Especially ports! Way easier than PICCs. The only issue is that a phlebotomist will not do patients with central lines, so the nurse has to do it. So it's not a 'patient refused' it's a 'not done on pleb round - awaiting nurse to do it's

So the fact that that happened implies a high percentage of nurses there aren't familiar with central lines, which almost certainly contributed to it not being on their mental checklist for when you left.

Which is a silly situation but also kinda familiar. One of our gastroparesis patients has a standing plan that if she ever needs to go to hospital, she will access her port herself and draw her own blood samples at home before she goes, because it's not worth dealing with ER staff where nobody is confident to initially access a port.

Anyway yeah

I can see the reasoning about it being bad to have an unplanned IV access for drug abuse concerns

But I still would absolutely not blink an eye about a patient coming in from home or going home with central line access. But it should be part of a clearly documented plan for discharge.

I'm in aotearoa though, so different laws obviously. If there is something similar here, I wonder if it's one of those things where they tell you as part of putting the port in in the first place, but. For anyone else it's not relevent.

I hope things start moving for you for being able to access it safely at home.

[sparklingcurepeace]

First and foremost I want to start off by saying that I had planned to respond to this all on the day your reply was sent to me. My thoughts were already spiraling with what to say, both out of eagerness and fear, because I didn't expect you to ask me a question directly—So I hope I can clear up a little bit as to why I think anime appeals to such a broad audience, including myself.

Whether or not it will make sense to you or be satisfactory, I can not guarantee.

Hopefully this doesn't become crazy long or sound like a ramble, but I can't guarantee that either. 😅

I am by no means an expert on Japanese culture. Heck, I am no expert on western culture and I live in America. So when you say anime isn't really your thing, mainly because you don't understand the culture of it, I think that's actually pretty valid. Maybe to others who have read or will read this post, your words came off strong, but at least you were honest. Much of what you said, believe it or not, is something I think plenty of people can agree with to some extent; whether you're an anime fan or not.

I do think it's possible that we as people have the capability to understand or learn to understand things that aren't necessarily from our culture. After all the world is so vast and there is beauty in our differences, and we our often encouraged to embrace what sets us apart. Of course we, at our core, are made of the same stuff, so certain ideals, values and messages might shine through no matter where they come from. I think anime can address grander themes like love, death, faith, ect. and even point to truth, but it might either be one facet of the story or you have to dig a little deeper to find it. I've seen people attempt this, so i think it's possible. It just requires some work. At least that's how I see it.

Anime is a unique medium to navigate because it 100% is coming from a country that is different from my own in many ways, but I mean this more so in the small intricacies. Again, I am no expert, so what I say might be a bit inaccurate or plain wrong, but from what I've come know, anime is used as a means to counter things in Japanese society. An example of what I mean would be how many of the characters in anime, especially school students, have hair and eye colors that aren't natural. The designs in general can be pretty out there, sometimes looking wacky or just over the top, it could never be replicated in real life unless it's cosplay (probably). You're might be wondering why I mentioned that, since anything animated could do this as well, and you are right. It's not inherently special.

With anime though, I think it has more to do with the fact that in Japan, there is a tendency to keep things uniform. To keep things orderly, rather than drawing attention to yourself, dressing or acting in ways that are deemed inappropriate or out of the norm. Anime is not a replica of the day to day Japanese society, unless a particular show is crafted that way, so even some of the things going on in a story could even be seen as odd or uncommon or dare I assume, scandalous. Anime can be criticized by the very people responsible for it, so even when they KNOW the culture, they as the audience can react to it in many ways. I am sure someone else could explain this much better, perhaps understand it much better, because I typed all this and I am beginning to wonder if I lost you and I haven't even addressed some of your comments directly. I apologize.

All of that above is basically to say, YES, the culture is tricky and unless you're willing to try and see why things are the way they are when consuming something as popular as anime, I don't think you'll have the best experience. In my case, I will admit, I had a somewhat complicated relationship with anime. I still do but not for the same reasons as back then, when I was still a child and witnessing all this for the first time. I was familiar with shows such as Pokémon and (English) Yu-gi-oh! which are rather tame in comparison to...so many other anime out there. But I wasn't a fan, yet. I hadn't really dove into the anime pool, much less felt like exploring it, due to my upbringing and general reluctance to watch anything because the way anime looked was so different than what I was used to.

Until one day, finally, an uncle got me to watch a show that is generally geared towards children. I liked it, I liked the story and while the art wasn't as weird as it could have been, it took some getting used to Then he thought I could handle one that was for an older audience but not terribly grotesque or sexual or dark. It did have violence, although I think it was mostly justified given the subject matter. Shameless advertising, I think you might want to give this one a try, it's called Fullmetal Alchemist Brotherhood. I think there's plenty of lessons to pull from it, it isn't purely made to entertain just because.

I'm getting off track, so let's try to get back to your grievances.

So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.

I think I and many other self proclaimed anime fans, got into it on the basis of the art style drawing us in. Yeah it was weird and new but it could also be fun and incredibly pretty. Also, there's real dedication and skill put into many anime I've seen, at least when you're looking at the scenery, food, and non-human related imagery. So if you're an art person or just like looking at things that are well made, that could certainly explain part of the reason why people watch anime, whether or not the designs make sense. I suppose that is also aesthetic choice as well.

So you could say, before we (The fans) understood anything about the culture, or why things were being done in the story, we just accepted it as different and went along with whatever was going on, for, entertainment and fascination. That includes things like the screaming, the humor, and even those strange speech patterns.

It definitely catches people by surprise. Even to this very day, while I am aware of these different things, I can still get annoyed or stunned by some of the anime antics. I think all the screaming has to do in part with anime being understood as a medium where you are expected to exaggerate and use excessive emotion to sell whatever you're going for. It doesn't have to be anything related to love, a battle or something super sad—That's just the acting. In comedies they can really go over the top, and that can be done as a way to sort of poke fun at anime as a whole. Then of course, if I went deeper, I might find that this ties back to ancient forms of storyteling and playacting. I can't say for certain if screaming was ALWAYS apart of how Japanese performed, however, I wouldn't be shocked by it. Same can be said about drama. Every culture has their own form of drama, each distinct in how they demonstrate it, and Japan is the same way. Their show of humor is probably a mix of doing things because its fiction , "anything goes in fiction" + certain tropes being tied once more to what they've gotten from their storytelling tradtions. Or maybe the tropes aren't even that old, they were just created first in japan and have been utilized since. Like when characters fall on their face and their legs stick up when somebody says something stupid.

As for dialogue, I can't quite figure it out myself. I assume the japanese speak more formally than your average person ? Although there is no way of actually knowing that. In anime especially, I notice they can speak in a way that just feels...weirdly poetic. Then you also have those weird breaks or pauses in sentences. Which does work if the situation calls for it, I think, but even I find myself saying something like "please just talk normal, you're doing too much 😭," every now and then. Also let me tell you, I think everyone at some point has COMPLAINED about anime taking multiple episodes to resolve an issue or reach a much needed discussion, especially when discussing romance anime. I've chopped it up to being for these reasons:

It heightens the drama and makes the audience anxious to see what happens. It's trapping you to stay for the rest of the show.

It's part of the plot, somehow. This scene can't happen until something else happens and that can drag, whether intentional or not.

I suppose you could say that there are situations in real life that would play out like this. A person who is shy or hates confrontation just keeps things to themselves, just doesn't bother to address the issue at hand and the more they leave it alone, the worse it becomes. Anime just makes a bigger hassel.

Are these all possible reasons? I doubt it. Still, I think they apply the most.

Now I'm going to merge what you said at the beginning and what you said near the middle.

Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?

You sure picked some hot button topics to ask about if I can dare say so. I call them hot button topics because whether you're a long time anime fan or short time fan or just not a fan at all, many of these things have been discussed before...usually in great detail lol. Especially the part about women, there's quite a few video essays and conversations surrounding these seemingly common yet unnecessary things. There's all the feminism and patriachy stuff and I am not dismissing it or saying it isn't important to consider, but some of that I just...don't think matters to some degree. If I were honest, a lof of those big cleavages and sexy stereotypes exist because the audience (mainly men) want it and like it, and it pertains to a fantasy. Same with the little girl looking characters that can be super old. I AM NOT SAYING IT'S A GOOD FANTASY. But it exists. Additonally, however, it comes down to art style and aesthetic. Anime can do whatever it wants, thus you can design the characters however, based on what's popular, based on what you (the creator) wants and likes. Or they are filling some sort of quota, you gotta have the comedic relief character, the moody character, the pretty girl, whatever. The feminine looking dude thing is its own archetype and has its own history, one I couldn't really explain because I am not well versed. But that too, is catering to someone out there.

In regards to how blushing is used...my dear, I think that is, once more, an art choice. Many people know anime by its cutesy big eyed designs. Usually, you'll find a character blushing too. Typically it is used to show embarassment, shame or excitment. It probably adds to that cutesy factor, as well as exaggerating that emotion being expressed. Then there are moments of crying, or just other occasions when blushes are used, and I gather that is done because in real life, people can get super worked up. They can get all hot and red in the face or they get so flustered their cheeks show it. Still, this is not wholly accurate and thus, it's just artistic choice to add blush for a specfic moment or just cause. The gasping...yeah I don't quite like that either. Or excessive violence or cursing.

Depending on WHAT the story is, I'd argue you might need that violence. Could be about war, could be about surviving from a great evil, essentially anything that involves fighting. But even I have to admit, it can go...overboard. Or feel like whoever was making that fight scene was having a little too much fun yk? If you have certain kinds of characters who are just rough and angry or have gone through something traumatic, this may result in a potty mouth. On average I am surrounded by adults and teens who just make a habit of swearing, or its just part of the vocabulary. Anime is no different it seems.

Just cutting in to say that, whoever recommended you watch Demon Slayer and Naruto or whatever else- they showed you the "mainstream" shows. Nothing inherently wrong with that but anime is filled with all sorts of shows and some can go outside the norm of what is popular. Maybe you were shown the wrong stuff or it wouldn't have mattered either way because it wouldn't have what you're seeking. Unfortunately.

You aren't wrong in saying some values that are perceivable in the animes you've seen might be ones that the West is adopting and trying to instill in us. I wish you had been a little more specific in what values you mean so I could have a better handling on whether I agree with you fully or not. Even so, I think I have an idea of what you're saying. Not everything I see in anime I agree with or think matters or should be something to encourage, and that isn't me trying to be disrespectful to the culture but it's true.

I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.

This is perhaps the hardest part of the replies because I know what I think and have come to know about this appeal young men have for anime and it isn't all...good. Neverthless I will try to be fair to them. In the first place, I think men have a tendancy to like most things with battles and cool powers and just general rough housing. So if anime has that, plus a story compelling enough to draw them in, understanding the culture doesn't matter so much as does watching the characters kick some butt on screen. That just sounds like watching something for entertainment, it just gets a rise out of you and I think that's what it usually is. I think the closet equavilant that comes to mind is superhero and action films. Is the average guy watching for a message or because it's exciting and bloody and there's a ton of bodies running around?

another thing...people like to see themselves in the characters. This happens me sometimes as well. Maybe whoever is on screen right then and there, is seen as relatable to the young man watching and he starts to imagine himself like the character or indentify with certain traits, certain situations. I am not saying that this is always good or even healthy, mind you, but it happens. And I think whoever is making the anime(s) is aware of that. This can be said for girls too but that is a different discussion.

Many men are watching anime for the eye candy too, that being, the female characters. I don't think I need to explain to you what can be done and thought about when characters are made to invoke sexual desires. It can be explicit or implicit but it's still there and that comes with its own issues. I'm not trying to sound like some kind of prude or judge, I've dealt with my fair share of strong feelings with characters, but I wouldn't call it a good thing. Much of what was said in this response to my ask, I've been convicted about because I know that deep down, not all of it is really doing anything for the audience, we're just here to have a good time with whatever is on screen. It can feel very shallow.

I could probably say more but i think this is enough. I hope this makes sense, I jumped around a lot, not sure if I answered every question the best I could. I wanted to try and provide context. This conversation hits home in some ways so that is also why this reply is long. My brain is fried though and this took forever to type, but just know, if you don't think you could ever like anime, that's fine. It an acquired taste. You might be better off away from it.

Hi, not to sound like a creep but I was trying to find this one reply to ask about the Chosen series because I remembered something and I wanted to see if you're the one who said it. But then I couldn't find it. Stumbled into this one post where you said your least favorite medium is anime and I'm quite curious about that now. I don't generally have an issue when people say they don't like anime, as a whole, but I try to understand why. Of course even if you just said "I just don't like it" then I could respect that too, since I can not push it.

I think it's like a language I don't speak. Even the English-dubbed versions. In anime, it's not made by people in my culture, for my culture. So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.

There's nothing wrong with that, per se. Like I said, it's just made for a different culture, one I'm not in. And that's fine. Could I learn it? Could I engross myself in it until I feel what the media is trying to make me feel and get what they're trying to say?

Yeah. I could.

But most often, it doesn't feel worth it. It doesn't feel like the anime I've seen is really trying to point to a significant truth or remind people of goodness and beauty, so much as it is pointless entertainment.

Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?

Not a fan.

I have seen one or two anime that clearly have a point. They're Studio Ghibli, though.

And again, I'm not saying anime's have no point in general. I'm saying I'd have to understand the culture to get the point, but the culture itself seems to be based around values that I don't find valuable. And a lot of those "values" if I'm reading them right are the ones our Western culture is starting to push down throats more and more, and I don't like those, either, so there you go.

I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.

Maybe you can?

[just-an-emily-existing]

DON'T WORRY EVERYONE I DIDNT FORGET MY MAN'S DAY HE'S RIGHT HERE

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[melonsharks]

like a thing, make a character lineup to figure out how i would draw them. thats the way my brain works! you can find close-ups under the cut!

these were fun :] theres a lot of characters in this show that would be fun to draw, is there anyone you guys wanna see next? 🤔

[canisalbus]

Happy non chocolate cake day.

.

[art-is-kayos]

Checking up on his commission

[teethlordd]

Putting some guys in some fancy outfits

[show-tunes]

Let your branches fork my veins, let your honey tide in me, blood loving, poison whispering

Inscryptober Week 1: Corruption