#I just really wanted to draw this for some reason

[ozziethegreat]

hue makes an appearance again.. if any of yall know me from tiktok and saw my first post about him ily

don’t mind me @toffeebrew @howlsofbloodhounds

Yapping below \/

So initially he didn’t have much of a story because I’m not very creative and I blank out whenever I try to make something original so yeah.

basically, if Color were ever to get error-d, I think he would be on a hike, probably in some random AU that had nice scenery or something. He’s wearing a rain jacket because it was raining at the place he was, and he he just happened to be at the wrong place at the wrong time, and Error or some other entity was destroying it or something. As for how he got into the anti void,,, yall can use ur imagination 😭

(That’s the best explanation I can give, kill me)

I was more focused on the actual character than his backstory, so I’ll just explain my ideas of how he would act and such..

I called him Static Hue, or just Hue for short. (It’s a synonym of color I’m very creative guys)

I think whatever caused the error in his code amalgamated the human souls, and kind of made them fuse together, so Hue can never understand what they are saying because they speak over each other all the time. The different traits overlap and he feels mixed emotions all the time, along with intense mood swings and anxiety attacks. His flames also change color at a much faster rate, so people with epilepsy will stay FAR away from him 😭😭😭😭

Fun fact: he’s also blind. The only thing he can actually see is the color of his flames (which change all the time), and it tends to give him headaches and nausea. His grabblings are always out and just attached to his back so he can use them to move around.

As for the strings, they are very hot to the touch and leave burn marks on however he uses them on. They burn himself as well but he doesn’t pay any attention to it.

Hue’s memory is very jumbled, he didn’t necessarily forget about everything, but he doesn’t remember why exactly he does things. He knows he needs to help killer and protect him at all costs, but he isn’t sure why. He knows he hates Nightmare and REALLY wants that guy dead, but he doesn’t know where that hatred came from. And of course he naturally feels safer near the epic trio, and nervous staying in the same places for too long.

hue’s pretty obsessive over Killer for this reason. His need to help killer was multiplied by a gazillion, and he tends to just.. kidnap Killer and take him random places to keep him close. Sometimes he accidentally hurts him, but he doesn’t realize it, the only thing he can think about is keeping him safe and close to himself. On the contrary, he gets super aggressive and defensive at the mention of Nightmare, and if he were to see him face to face he would attack without hesitation. He knows his job is to keep Killer safe and away from Nightmare, and that’s really his only motive. He just doesn’t know where it came from.

Similarly to most errors, he has trouble speaking because of stuttering and glitches. He also can’t form very clear thoughts because the souls are constantly influencing his behavior. He has trouble explaining his thoughts and feelings, he tends to speak more in actions (as in he would crush you to death in a hug to show affection.)

anyway. If anyone wants to add onto this or share thoughts I’d appreciate it..

Here’s some older drawings of him LMAO

[rubiisun]

IM SHY TO SHARE ORIGINAL IDEAS AND STUFF… but here goes nothing! 🙏

If you’ve been following me for awhile (since i started posting knd art to be exact lol), you may remember my drawing of numbuh 3, 5, 86, and 362 in a band…

Introducing some older (2 years to be exact) doodles of my future/high school au!

More band concepts w/ the girls…

And some sports ideas as well! (because i love imagining what sports they’d play in high school 😂 it’s so fun)

I thought Kuki and Fanny would be the best cheerleaders with their unbeatable energy and spirit. And for some reason Rachel gives me tennis vibes… idk 😅

(side note, i drew these before i made my official teen designs, so there are a few differences w/ how all of the girls look in these compared to now. 💔 at the time i was really just jotting stuff down without a plan and having fun. now that i want to develop this into something a bit more, i want to make some changes!)

I HOPE YOU ENJOY THESE!!! 🥲 if anyone has questions or input i’d love to hear it!!

[rabioa]

First Cut

Alastor x Nurse!Reader - Fluff - Gender Neutral

Alastor has never cared much for the residents of the hotel, but with you, he couldn't help but grow curious. You were so attentive to everyone's health so would you care about him as much? He knows you're scared of him just like everyone else, but maybe your generosity outweighs your logic? Oh, that would be so delightful. You had a bleeding heart so aren't you a helpful little doll! You ought to be rewarded for your boldness, truly

TW: Alastor gets a cut on purpose for your attention, any Hazbin Hotel warnings

My first short fanfic about Alastor!! I love him so much omg :3 i intend to make a part 2 where Alastor returns the favor. I hope you enjoy this and as always, any feedback would be super appreciated!!! Remember to hydrate and remember that you are loved!!!! <333

Imagine you were a nurse while you were alive, and for whatever reason you ended up in Hell. Despite your sins, you still wanted to help others. It's that desire to heal others that led you to the Hazbin Hotel. You had been staying there for a few weeks now, getting used to the new dynamics of everything.

Alastor definitely took notice of you; you weren't quite an employee, yet you somehow became the resident nurse. You fretted over everyone: constantly providing hangover cures for Husk, painkillers for Angel Dust after a filming session, band aids for Niffty, and other medical attention as needed for everyone.

Although you were initially shy around Lucifer, you eventually got comfortable enough to take care of him too. You ensured he got food in his system and some fresh air, even after he locked himself in his room all day.

Much to Alastor's amusement, you wormed yourself into everybody's heart besides his. He noticed how formal and stiff you were around him, growing meek in his presence. You were intimidated by him. It didn't stop you from being polite and sweet though, you just tried your best to slip out of the room whenever he appeared. He was trouble, and you knew that.

Imagine one day though, you're both in the kitchen. He was cooking something for the hotel, a luxury he blessed the hotel with often. You were restocking some ice packs (because a certain spider demon wouldn't return them to their place after each use!). You kept your distance, quiet as a mouse as you placed the melted packs into the freezer. 

Alastor observed you, the way you nervously worked. Your hands would fumble in their rush to be done. He had to give you credit though, you looked composed compared to most other demons.

He continued to chop some vegetables. He was skilled with a knife, moving with lethal efficiency. It was something you noted with apprehension. Still, you focused on your task, not wanting to interact with the terrifying Radio Demon.

Unfortunately for you, he found you amusing. You were bold enough to demand the king of Hell himself eat three square meals a day, yet you were a shivering mouse under his gaze. He briefly wondered though, despite your fear, does your kindness extend to him? 

He decided on an experiment. He was no coward to pain; he had been cut by a blade many times in his life. To become both a skilled chef and killer took trial and error with knives. That was why when he sliced his hand, he didn't even flinch. It was a meager gash on the back of his hand. He let the knife clatter against the counter loud enough to draw your attention. 

“Hmmm,” he let out a disapproving hum at the injury, not so subtly forcing you to see his wound. A performance of sorts. 

“You're injured!” you noted with surprise. Your first reflex was to step closer to him, the ice packs now forgotten. Then you looked at his face staring intently at yours. Oh, this was Alastor. Did you really want to risk angering him by fretting over him? But then again, he was hurt, and you were never one to turn a blind eye to someone in pain. 

Alastor's grin widened when he watched your eyes bouncing back and forth between his hand and his face. He could almost hear the gears in your head turning, trying to figure out if your fear would overcome your morals. He knew human nature well; you might put on a brave front, but just like all the others, you're a meek little ant in the face of his power. 

“It appears so, dear. Would you care to do something about it?” He prompted you, glee in his voice. 

The joy in his voice was undoubtedly a red flag in your book, but you gave in. You let out a huff, a sound you often made when dealing with troublesome patients, before finding the kitchen medical kit. You moved with familiarity, placing the kit on the counter and gently guiding his hand towards you.

Although he expected the kit, he didn't expect you to gently grab his hand and bring it towards you. On instinct, his hand twitched closed around yours for a moment, his claws warning you of how easily he could tear you apart. Your breath had hitched, but your plan remained.

“We need to disinfect the wound first. That knife could've been contaminated,” you muttered. It was mainly to fill up the silence lingering in the air like an insistent plague. His hand relaxed, appeased by your explanation. 

You grabbed an alcoholic wipe and carefully cleaned the wound, the wipe turning red. Your face was still, focused. 

Alastor watched in small surprise, not expecting you to be so attentive towards him. He was so used to other demons being too scared to think straight, yet here you were, touching him so casually. Your touch didn't even feel too incredibly invasive. Instead, it felt professional, but not cold.

You were glad the sting didn't make him react too much, disinfecting the wound going well. You then pulled out a strip of bandage. “The cut isn't too big, so it just needs to be covered as it heals, but I know you wear gloves, so it needs to be extra secured so the glove doesn't mess with it,” you explained. You carefully wrapped it up, and finally finished with your work. You looked up at him, gauging his reaction. 

He tested the treatment, clenching his hand a few times. That seemed to satisfy him. He looked at you and you couldn't help but fidget, averting your eyes. He was still unnerving as fuck, but at least he didn't try to eat you alive?

You began to put your supplies away, but his voice demanded your attention once more. You shifted your gaze over to him when he began to speak.

“Well, aren't you a helpful little doll! You ought to be rewarded for your boldness, truly,” he mused. He picked up the knife with his good hand. You stumbled back a little, bumping into the counter. He twirled the knife as you watched with wide eyes, oh God, maybe he was going to kill you now? Or torture you? You really were bold, oh God. 

He twirled the knife in his hands, the metal glinting menacingly at you. Then he angled it away from the both of you as if holding up a finger. “I'll make you some Gumbo!” He grinned merrily at you. Your paled expression during his teasing had him absolutely delighted. He couldn't help but poke some fun at you, scaring you to your wit's end. 

“O-Oh, thank you… sir,” you let out the breath you were holding, relief flooding your system. 

“Now why don't you go rest up and I'll call you when supper is ready?” He ordered you, waving you off with his bandaged hand.

“Ah, sure, after I finish my-” you trailed off as you looked towards the freezer. Black inky tentacles glowing green were doing your job, placing the ice packs in neatly. “Thank you,” you muttered in surprise. That was one job finished.

“You are quite the diligent little mouse! You should take a break and take care of yourself,” he hummed, leaning against the counter as he watched you. 

Shivers went up your spine, the hairs on your neck prickling. You sighed, forcing the tension in your body to disperse. “Thanks. I suppose I do need to take a break,” you agreed. You didn't have the best sleep schedule, and you could go for a nap after staying up a bit late tending to Husk and then getting the scare of your death. You shuffled out of the kitchen.

Now that Alastor was alone, he began to reflect. You weren't boring, that was for sure. He would definitely have to tease you more. You looked so adorable when focused, why he could just eat you up! He looked back down at his hand, looking at the carefully bound bandages. You remembered he wore gloves. You even took it into consideration. How awfully kind of you. Well, he took it upon himself to reward your kindness with relentless teasing from him.

After all, you were like a shiny new toy for him to bat around. He would see how long it would take to get you around his finger. He clenched his fist, ignoring the pain erupting from the cut. He readied his knife and grabbed his half-cut vegetable to continue his work.

He was getting ahead of himself, getting so excited over his future plans. First, he needed to make some Gumbo.

[cokicito]

Tw: talk of csa (I'm gonna be VERY crass about it, please protect yourself if it's not something you're ready for), proship discourse

As someone who had the j o y of experiencing csa multiple times throughout my childhood, I just want to express how much I fucking hate antis. My experiences are not comparable to a fucking drawing. I WISH the predators that came after me had resorted to drawings and fantasies. Like, they can't tell the difference in morality between some drawing of a loli and me being forced to give a forty year old man a blowjob when I was eight... really? You seriously think these two are at the same level of 'heinous'?? Fuck right off. Defending lines on paper while telling actual victims how to cope with their trauma. You have more empathy for fictional beings than REAL HUMANS.

I can tell you what it felt like. I can describe every single incident in vivid, excruciating detail. I can explain how this affected my development. I can tell you how this trauma continues to influence the way I interact with people, the way I see myself, the way I view society, it affects every single fucking part of who I am. I've had to deconstruct my entire psyche and put it back together piece by piece. I can tell you all of this. A drawing can't.

And this is without mentioning the fact that most artists, professors, and authors are 'proship'. Being an 'anti' is such a chronically online thing, it's so staggering to me to realize there are people IN REAL LIFE who don't see the issue with censorship.

"So you support pedophilia??"

If this is your first argument, congratulations! You have the same reasoning skills as a fourth grader, making leaps in logic based on wild assumptions fueled by emotions. What YOU find upsetting is not universal. Problematic content is how I cope with my trauma, who the fuck are you to tell me I'm wrong?!

Every time an anti pretends to know me better than I know myself, I can't help but think of my dad. He's an amazing liar and an even better manipulator. This condescension antis bring into the conversation give me such violent urges. I know who I am. I am telling you who I am. And you shoot back with "actually, you're THIS way". HELLO??

I'm TELLING you I don't like this shit irl

I'm TELLING you I don't condone this irl

I'm TELLING you this helps me process my trauma

Why the FUCK is your first response to assume you know best?? Who the fuck are you to me?

Antis' perception of the world is so fucking narrow they can't even fathom the possibility of someone experiencing life differently.

I could go on and on about how anti sentiment is rooted in conservative Christian extremist beliefs but I am tiiiired

[loustica-lucia]

Heroes of the Dragon Age

An animation I've made for Dragon Age Day 2023, featuring my main Warden (Alyssa Cousland-Theirin), Hawke (Eleena Amell Hawke) and Inquisitor (Sulevin Lavellan)!

It's to this day one of my best artwork and I thought I should share it here too! 90+ hours between the original sketch, outfit design, the rough animation, rotoscope, inking, flat-colours, background shading and even the audio :')

Interested in the process? I detailed it below since it was my first time doing something like that:

I would like to start by saying I'm not a professional animator!Everything you've seen here is the result of experimentation and a lot of practice to learn and understand how 2D animation works.

My first idea started in May 2023. I just finished rewatching DA Absolution for the X time, and wanted to analyse why I loved the intro so much. (Even after countless rewatch, I never skipped it once.) I was inspired to study it with my main three protagonists!

Then came the first test with Alyssa Cousland-Theirin, my Hero of Ferelden! I tried to understand which part to separate for the animation. Mainly the hair and cape because it flows a lot more than the rest! If I recall, my first idea here was to make her counter flame attacks (?). Then, as the camera turns around her, I tried to add a grid to know how the camera would work around it.

I ended up making the clip longer, so she could position herself to the further left and leave space to the two other protagonists.

Now it was time to try to animate Sulevin Lavellan, my Inquisitor. I really kept that quick doodling style just to capture the vibe without putting too much time/effort into it! The background would be static to contrast with Alyssa's. I also loved the idea of a rogue sneaking!

Instead of working on Eleena Amell Hawke, my Champion of Kirkwall, I went back to Alyssa and started working with Clip Studio Paint 3D models (this entire animation has been done on the EX version of the software!) It helped for rotoscope animation and maintaining likeness! That's when I got the idea to make the background swirl around the character to let the eyes be guided by the rest of the screen!

After a couple more hours, I planned the entire animatic with 3D models and quick doodles! I finally found a cool pose for Eleena Hawke, which was honestly the hardest of the three to imagine for some reason? I tried many other poses but ended up picking an animation from the game!

This whole time, I was studying a bunch of background ideas and how studio Red Dog Culture House (who made Absolution) work! Thankfully, they have a YouTube Channel where they shared some BTS content so I could analyse it!

Then, I simplified my character and their original designs in the style of the studio! These outfits are how I imagine them after Trespasser. Alyssa as the Queen of Ferelden, looking for a cure to the Calling, Hawke following Fenris to Tevinter & Sully as a Red Jenny Inquisitor!

The idea for Sulevin's animation actually came from a piece I doodled on a live stream, when I was drawing pose studies and turning them into finished artworks haha As for Alyssa, I wanted to draw the fight that got her facial scars!

Once their designs were ready and the background ideas too, I made the rough version of the animation! Basically a sketch done on top of the 3D models to add the details, staying pretty rough just to capture the idea and movements.

Then it was time to start the lines! I decided make a folder per frame, so I could separate all he main elements and draw them one by one. It helps keeping the likeness of a character in the different frames without having big "jumps" between frames! In fact, every parts were coloured differently to recognize them, and then I used vector erasers and masks (Ah yes, the entire lineart is done in vectors of course! It's easier to adjust and save time when working on similar frames!)

At first of course, everything overlaps! But I find it easier to draw too much and erase after, just to make sure everything is coherent in each frames! The cool thing about CSP is how you can change the colour of the layers in one click! So all the coloured lines turned into black in one second, and I could reverse it just as quickly to double check!

Then I started working on Sulevin! I made a blue line to mark where her feet were, as the sketch in the background wasn't perfectly straight! (Like Sulevin's sexuality 🤭😂) The silhouettes were very quick to do, but I had fun adding more & more details as she came closer to the foreground!

I really wanted to add that little dagger trick, but I remember it required me to change the pacing of Eleena's apparition, as it was recovering her arm too quickly! I had to change the pace of multiple frames quite a lot during the project, to make sure the flow was right! For Eleena, most of her animation remained around her arms and the staff itself, as magic would be the most difficult part! That way each character has their own focus: Alyssa has a very animated background, Sulevin got the grappling hook and Eleena the ice!

Then it was time to start adding colours! Just like for the lineart, I separated every colour on it's own layer, so I could easily adjust the colours later if needed. I added one colour at the time, going through all the frames, and then another colour!

I made full palette tests with the colours I would use for their background at this point, checking if the details remained readable! Alyssa was the most challenging in terms of clothes, because I made her a very detailled armour! I had to simplify the Theirin heraldry, vectorize/redraw the Cousland, and make a brush for her cape's pattern!

Once I was done adding the flatcolours, I started the background, and oh boy it was a wild ride. For the cave, I painted multiple tests. I imagine was to use CSP panorama tools, which transform a texture into a 3D sphere, so each corners must match to look good. Sadly, it made the background very blurry, so after hours of testing, I changed ideas. Instead of the random fire balls (?) I originally imagined for Alyssa, I made three simple frames of a Rage Demon to attack her.

I ended up using the cave as a repeated pattern to make it turn 360° around the character. For Eleena, I mixed inspiration from the comics, Dreadwolf & Absolution, using warm colours matching Hawke's signature red. Just like I made the cave very grey/blue to match Grey Wardens. For Val Royeaux, it was more complex because I wanted to make it green, matching the Inquisitor's signature green. But bright green couldn't work, and the original colour during day time was blue/white/gold. So I added more leaves, played around the design a bit! After adding the rage demon, I made the shading! It was surprisingly easy and quick to do now!

I clipped a white layer on the flatcolours to not be distracted by the colours, and made thin lines to separate the light/shadows, then simply filled everything with the bucket tool! Then you set the layer to multiply and remove the white layer, and you have celshading shadows! Now the character looks out of the picture, so I added layers of blue in color burn, saturation and substract blending modes to make her look like she's in the right setting! Of course, I did the same with the other two, giving Hawke a red overlay and Sulevin green shadows!

Then I added the details, it went from white irises, to sword/staff smears to earrings and smaller finition that goes on top of these layers. To add the lights, I simply selected the shadows and reversed the selection! Using warm and cold tones to create contrast with the purple/bluish shadows! I also added more ambient light layers for Alyssa to reflect the Rage Demon fire. Now it was time to add ice magic! My first attempt had too many frames, making it look weird! Sometimes it's better to lower the frame rate to make things less bumpy!

Then I downloaded some cool ice brushes on CSP assets that made it look less like blue magical flames! But when I covered the screen in ice, I realized "Oh wait, I could make a cool transition from the ice, to blue lyrium turning red?"Red Lyrium truly links these three games and The Veilguard somehow! I spent the next hour painting over the idol and putting it in a black background, with lyrium and then the golden Dragon Age title text.

For the SFX, I used free youtube libraries sounds & "Darkspawn!" comes from the violent human female voice set (iconic for ""Can I get you a ladder? So you can get off my back!"😂🤭) After editing all that, the animation was finally done!

Here's the final math:

About 15 hours for the sketching/rough/animatic phase, 30h for the lineart, 25h for colours, 10h for backgrounds, 5h for details & 5h for music & SFX, for a total of 90 hours. Aka the same amount of time it took me to finish Baldur's Gate 3 the first time lol

If you have any question regarding the animation or the softwares etc. do not hesitate to ask, I'll do my best to answer!

[honeycreammilkshake]

If that leak is real Gege may really want a sequel that has Sukuna but NOT yuji lmao, sorry Gege, I LOVE Sukuna but Sukuna without Yuji doesn't sound good, he is a good character but the rest of the cast is.....I still don't get why it was so hard to understand the huge appeal Sukuna/Yuji duo had.

Same with Yuji without Sukuna, standard safe ending with a trio safe ending, sorry I don't like those anymore

100% with you, anon. even if you don't ship sukuita, you can't deny sukuna and yuuji had one of the most fascinating relationships between a protagonist and an antagonist.

they both hate each other so deeply, but everything between them has always been much more personal than when they're fighting others. and sukuna definitely gives yuuji special treatment. he uses kozou almost exclusively for yuuji (and the one time i believe he doesn't, he's still referring to megumi as the "other" brat) to the point where it's almost like a pet name.

and what is so interesting about this is that sukuna so dismissively calls megumi "brat," in a way that i feel is trying to disassociate yuuji from the word.

there's a reason why i think of this as the sukuita divorce era and that is mostly because of how sukuna keeps claiming to not need yuuji any more, always trying to sideline yuuji in favor of others, but he also can't seem to stop obsessing over yuuji and making everything about the guy he supposedly finds boring and worthless. sukuna goes out of his way to praise/compliment others during their fights, so that everyone but yuuji (who he only ever admires in his private thoughts) seems to get some kind of in-depth commentary on their abilities, while sukuna merely insults yuuji (rather weakly, too). it's even funnier when sukuna unironically can't stop making everything about the brat even when yuuji isn't there, because when sukuna's fighting maki he still manages to frame his admiration of her skill in a way that insults yuuji, despite the fact the boy isn't even there so why does it have any relevance at all??

not only that, but sukuna loves to torment yuuji, dragging his cruel taunting out in a way he doesn't do with others. he deliberately changes back to let yuuji see the devastation of shibuya, because sukuna understands how much the needless death of strangers and innocents impacts yuuji.

and he also makes a big deal of how little he thinks of yuuji, how unthreatening and boring the brat supposedly is to him shortly after possessing megumi's body.

what's really interesting here is how, despite a chance to kill yuuji, sukuna still doesn't. in fact, he's had multiple chances to get rid of yuuji but still he keeps the brat around. maybe he finds yuuji a more worthwhile opponent after all. maybe he even wants yuuji to remain alive till the end of it all, if only to see the brat suffer through the breaking of all his ideals.

there's also the matter of how sukuna can't keep his hands off of yuuji, almost as if he misses the closeness he had when yuuji was his vessel. it's far more intimate and physical than it needs to be.

this panel in particular really showcases sukuna's overall feelings toward yuuji. he's cradling the back of yuuji's neck, almost tenderly, as he pounds his fists relentlessly on the side of yuuji's head.

yuuji drives sukuna to such violent reactions because sukuna's on the defensive with him. they both get under each other's skin and ignite a hate far more consuming than others bring out in them.

and the way yuuji also fights sukuna is so unnecessarily up-close and physical as well.

the raw emotion of yuuji beating into sukuna, his crazy side really showing in how rough and unmerciful he is right now.

sukuna draws out the worst in yuuji just as much as sukuna arguably drew out the best in him, too. if it wasn't for swallowing that cursed finger and becoming the vessel of the king of curses, yuuji wouldn't have started down this path of working so hard to save other people's lives. as he himself said, he'd never before considered putting his own strength and talents to use helping others, and never before had he considered he might be the only person capable of doing so, but seeing how sukuna caused so much devastation and death drove yuuji into becoming a fighting force for good.

and just like sukuna brings out so many overwhelmingly strong feelings in yuuji, the boy does the same to him as well. sukuna is at turns extremely aggravated and enraged because of yuuji, and surprisingly pleased because of him as well.

sukuna can keep talking big about how uninteresting and inferior yuuji is yet the moment yuuji comes into view, sukuna is all psyched up for their fight....

he even looks excited and pleased to fight with yuuji again even though he claims to have no interest in the brat .... not fooling anyone sukuna ( -. -)

sukuna also can't seem to stand yuuji looking down on him with "pity" which sparks a much more violent reaction than he had with other people when they suggested sukuna was lonely and unfulfilled with his life, or even tried to "force" sukuna into thinking like them.

i think my biggest disappointment with this series overall is how gege chose to focus so much less on these two and their dynamic. i hated it when yuuji kept getting relegated to the sides over and over, and i also didn't like it when sukuna kept having rather pointless fights with everyone but yuuji.

the fact that yuuji suddenly wanted to offer sukuna mercy and even connect with him despite hating and despising his very being before was also such an unexpected twist that i would have loved gege to expand on and give a little more context and feeling behind.

i think, with a relationship as fascinating and complex as theirs, focusing more on it would have only made jjk even greater. but sadly, gege chose not to do that. and i feel like that why a lot of the recent chapters have been rather disappointing.

thank you so much for your ask, anon! sorry for the rant i came back with.

[mariyekos]

I like to imagine Dante's able to use some basic magic beyond just typical demonic stuff. In the opening of DMC1, a magic circle appears below Trish when Dante shoots the motorcycle back at her, so I like to think Dante knows some basic spells, wards, and the like. For the most part he uses it for little things like making a special lock for his Devil Arm vault, maybe heating up soup or a drink that's gone cold, and so on, rather than any combat things. Dante's spells are not at all refined and he doesn't have a natural talent for it, per se, but he has a lot of power he can put into things so he often ends up brute forcing whatever it is. It's not necessarily efficient, but it works, and that's all he cares about. He's not really interested in most precise or specific things.

Vergil on the other hand has a lot more control and a much greater interest in magic in general. A post DMC5 Vergil (and pre DMC3) would use magic a lot more often, and without as much prep. He spent a lot of time learning different charms etc. to use in daily life, and he's a lot more elegant about it. Some he learned when on the run and trying to hide from demons, while others he learned when trying to track down Sparda, and others still he learned for purely convenience reasons. Post DMC5 he gets a lot more into it than he did pre DMC3 when it was more a thing of survival, even if it had the convenience aspect back then too. He's the kind of person who would learn spells for the sake of knowing them, and while he prefers using demonic abilities in combat, he might try to learn a magical combat spell or two just to see what it's like. He mostly sticks to practical things though (which sit on the border of practicality, but he considers them practical, uses them often, and makes Dante's magic look like child's play).

On the magical third (regrown!) hand, Nero's absolutely horrible at magic, to the point of not being able to do basically anything. He's got the magical reserves, but unlike Vergil who can cast precise spells with relatively little effort, or Dante who gets through spells by basically overloading them until they work, Nero just can't get magic to work for him at all. Lessons with Vergil end with him stomping out when he gets fed up with Vergil commenting on how easy it should be, while attempts to get Dante to explain how he casts magic end in frustration when Dante's explanations basically start and end at "I dunno, it, it just works." Sure Nero can memorize and draw a warding sigil perfectly, but any and all attempts to get it to actually do anything end in failure.

Kyrie, in a reveal that surprises everyone, most of all herself, is apparently extremely talented at magic, which she does not know until she sees Nero trying and failing to activate a warding sigil Vergil taught him, puts a finger on it so she can trace over it as she reviews Nero's work in case he messed something up, and inadvertently activates it. After that they end up doing some testing and discover Kyrie is a natural when it comes to magic. The only problem is that while casting spells, activating sigils, and the like come easily to her, her magical reserves are rather small, limiting what she's able to do. When she first activates the sigil Nero had drawn, she ends up unable to get up and Nero has to carry her to bed (which she insists he doesn't have to do, because she just needs a minute to catch her breath, but he insists on)

Nico is stoked to hear about this and ends up figuring out a way to essentially fit Kyrie and Nero with a magic converter that allows Kyrie to draw on the magical reserves Nero can't utilize so that she can use them for whatever she wants to. While Kyrie isn't someone who really cares to use magic for things in her daily life like Dante and Vergil, she does use it to make little charms for the kids, and to establish wards around the house to protect them from demon attacks and other small misfortunes. She and Vergil end up bonding a little bit as he teaches her the spells and other bits of magic Nero was never able to pick up on.

(Vergil himself feels a mixture of pride at how quickly she picks up on things with his instruction, and jealousy when he sees how good she is at things first or second try when he knows it took him a good five or ten attempts to get it down when he was first learning. Kyrie notices and tells him that he's still much better than her in the long run since he's able to use magic without needing a separate "battery" to power him, but Nero absolutely digs into Vergil about it when Kyrie isn't there. Dante meanwhile finds it all hilarious. But he and Nero are pretty proud of Kyrie too.)

[ninyard]

Hii, I guess this is a question not only for you but also your followers. Why wouldn't it be ok to like aftg? Like I've seen people say is problematic? But the only thing I've seen criticized is how unrealistic it is and like is a book so... idk maybe I lack critical thinking on some topics so if anyone could point me where to look I'd love to keep liking these books while being aware of it's failings :3

this is an interesting question! i guess the biggest part of whether it wouldn't be "okay" for someone to read aftg would be somewhat down to personal tastes.

re: the unrealistic part, i think if you go into a lot of books expecting them to be "realistic" you'll probably find there's a lot out there that just... isn't. i myself think that 90% of the biggest arguments i've seen about it's realism are from people who 1) refuse to suspend disbelief for the sake of enjoyment or 2) go into it with a certain expectation as to how realistic it's going to be before reading.

you can pick apart a million different books and movies and tv shows out there and find "unrealistic" parts in them all. and what do people say is even unrealistic about it? the different languages that are spoken in it? the trauma all the characters have? i understand it, to some degree, but i think people who think that fiction that is unrealistic = fiction that is bad, are probably just reading the wrong things. and that's fine. it's personal taste. but not everything has to be realistic for someone to enjoy it. that's just me.

as for the problematic aspects of it, i guess my gut instinct is to say that's once again down to personal perspective and opinion. i personally don't like or agree with some things in it, but i don't know if i can definitively say, oh it's problematic for this reason or that reason. are there triggering topics in aftg? are there uncomfortable scenes and problematic things that the characters do and say? are there bad people who do bad things? yes. that's just the truth. does that make the books themselves inherently problematic? i don't think so. but maybe i'm wrong with that. i don't know.

if you try to justify and explain and dissect everything that happens or is said in a book like aftg, i think you can probably find yourself in a real rabbit hole of is this appropriate? is this okay? is this problematic? i just feel that, it's a book, that has shitty things said and done in it, and it's up to you yourself whether you think those shitty things cross the line of being problematic or not. there's limits to everything, and while i dont think aftg crosses those limits, it doesn't mean i think it's perfect or an exception to criticism.

i guess what i mean is that if you try to find things wrong with aftg, you'll probably find something. it's not perfect. you could pick it apart if you really wanted to. but i suppose i'm just happy enough to enjoy it without doing that because it is what it is. it's a book about people who have had shitty things happen in their lives, about people who say and do shitty things, but i don't think it glamorises or makes those shitty things okay. me liking the series also doesn't mean i'm 100% a-okay super cool with everything that happens in it either. i am not the media i consume or enjoy.

but it's also really important to listen to people who talk about things that do personally hurt them or make them feel like they're not seen for who they are or what they've been through. i can say that i personally am not offended or hurt by 99% of what happens, but that doesn't invalidate someone who was. that doesn't invalidate other people who aren't me who say "it's problematic for x reason". i'm happy to share any insights into this if anyone wants to send them my way!

maybe this isn't a good answer to your question and i'm still not sure if i've gotten my point across properly. there's a million things problematic about aftg, i guess, but it's just about where you draw the line between the problematic content inside the series, and it maybe being a problematic series from the outside. i don't know exactly where to point you towards to have a balanced understanding of why it might be okay vs not okay. i'd just say to keep an open mind and listen to what people say when they raise their concerns about it.

[blueberri-chee]

Golden

parings- nanami kento x brown!reader/oc [no use of y/n or 'i']

summary- who knew a mission to a beach would turn out so pretty

Kento loved the beach. He loved feeling the sand underneath his toes. He loved the salty tang which permeated the air. He loved the breeze and most importantly. He loved the waves. The cool waves lapping at his feet never failed to make him feel like home. He always wanted to go to Malaysia but he never imagined that he’d have to exorcise a curse on a resort. Anyone else could’ve easily done it and there was no need for a Grade One but here he was. He suspects Gojo must have meddled around and assigned him here. Not that he’s complaining. 

Why would he when he has such beauty beside him? He doesn’t know how it happened but this kind lady who bumped into him and apologised profusely was now walking with him on the beach telling him about the folk tales from the town. He likes the way she tells the stories so animatedly. He likes the way she romanticises her quiet and simple life. He likes how she is unaware of the evils of the world and the work he does. He really likes her curls and her broken Japanese and her slight foreign accent and the way she always smells of coconuts and the ocean. He loves the way her wheatish skin reflects the golden sunlight. He could only define her as a goddess. From the way she walked with a slight skip in her steps to the way she has a flower tucked behind her ear, he is enamoured. 

In his whole life he has never met someone so blinding, someone so sweet and someone who’ll hold his hand and guide him out of his shell. His boring job and working as a jujutsu sorcerer never gave him time to pursue romantic relationships but seeing her is really tempting him to leave everything behind and stay with her on this beach. 

He sighed and shook his head. Too many thoughts. He turned to look at the goddess beside him. She was collecting seashells. She picks a pink coloured one and shows it to him with a bright grin. He feels like he has been hit by a beam full of sunshine. 

“Look, it’s a reward for your hard work!” She hands him the shell. He looks at the pink shell which looks so small in the palm of his hand. A small smile tugs on the corner of his lips. He told her that he’s here for inspection of the old rundown warehouse which was out of the town. He technically wasn’t lying because that’s where the curse was.

“I’ll keep it on my desk and look at it whenever I'm feeling down.” He tells her truthfully and keeps the shell in his pocket. He feels his heart almost stop because of the way her smile turns into a beam. Her eyes crinkle and her soft lips spread into a giddy smile. He can’t see her eyes but he knows that they are sparkling the same way her golden anklet is. He can’t help but smile wider himself. He is really loving the beach even more now.

“Your energy is rather infectious.” He says as he takes in her face under the setting sun. Somehow her face turns even brighter.

“Thank you.. I really love the beach. It makes me happy.” She says with a soft giggle.. This girl is going to be the death of me. Kento thinks.

“The beach makes me happy too but the company makes it even better.” He says with a confident smile.

A very soft but visible tint of red coats her soft round cheeks. She looks away with a small grin, “you are very cheeky.”

An amused chuckle makes its way past his lips, “cheeky? I’ve never been called that before.” He tilts his head and looks at her with a mischievous glint in his eyes. He knows this is so out of character for him but for some reason she makes him act this way. It’s like she holds some invisible power over him and draws him towards her like how the moon revolves around the Earth. She keeps pulling him in her orbit. 

“Maybe no one has seen this side of you.” She says with a teasing smile. 

“Now who’s cheeky?” He asks and walks along the shore. She doesn't waste time to follow him.

“Cheeky? Nuh huh. Just stating the facts.” She says with a really cheeky grin. This would’ve pissed Kento off if it were Gojo but something about her makes it very endearing. It’s like she is rewriting all of his rules and inhibitions and he is a weak man who’d let her do as she pleases. He sighs and shakes his head again. 

She suddenly holds his hand and tugs him along with her, “I know a place I think you’ll love.”  She says and points at a cliff in the distance. He tilts his head to one side and lets her pull him along. He can just stand there and hold his ground but he doesn’t. Her excited smile is too hard to resist. 

“Where are we going?” He asks calmly, looking around.

“You’ll know.” She says with a mischievous smile. And tugs him towards the littoral cave. Kento just followed her like a lost puppy. He should be cautious about what might happen but he is too blinded by her enthusiasm to care about anything else. Maybe this is what they call being in love? Kento shakes his head. Too early to be called love… but too intense to just label it as curiosity. Maybe it’s just adoration. Adoration for her laugh. Adoration for her stories. Adoration for her eyes. Just simple adoration. Kento draws a line there and turns his attention towards her. 

They have now reached the opening of a small cave and she lifts up her dress to avoid it from getting wet but to no avail. Kento follows her inside, not caring about his tourers soaking in the salty water. He was just excited to see what beauty the cave was holding within. Kento’s eyes widened at the view in front of him. White limestone creates an arch over the clear water of the sea. The sunlight reflecting on the top, making a mirage of patterns. The soft sound of the waves hitting the walls of the cave made the place even more peaceful than it looked. 

She turns around and looks at him with an expected grin, “so? How do you like it, Mr. Kento?” she says in a faux professional tone, “how do you like this humble abode of the sea?”

Kento chuckles and shakes his head, “this is anything but humble, precious.” He doesn’t notice the sweet adjective which slips because it felt so natural for him to say. But it didn’t go unnoticed by her. Another layer of red dusts her cheeks and she turns around. 

“I’ll take that as you like it then.” She says to keep her mind off the sweet word.

“I love it.” Kento said earnestly and he had never been so honest about anything in his whole life. An awestruck look is plastered on his face as he walks deeper in the cave. It isn’t like the cave was any deeper but he wanted to sit on the bank near the back. “How did you find this place?” He asks as he sits down. The sand was relatively cooler here and the sun was also setting. The cave’s mouth faces the west giving them the perfect view of the deep red setting sun. 

“Wandering gets you places.”

“I see. I’m glad you were wandering then.” 

“Me too.”

Another shitty ending i know. but can't help it.

[lovemyromance]

A lil angry rant

FOR THE LOVE OF GOD -

Elain eating drinking and sleeping again in ACOWAR had nothing to do with LUCIEN. Very tactically - It had to do with FEYRE - Our NARRATOR - arriving at the Night Court. Not even in the sense that Feyre brought her out of her depressive state. But in the sense that until FEYRE arrived:

We would not have known Elain was even depressed

We would not have seen Elain getting better

We would not know anything ABOUT Elain or her current state - or ANYONE in the NC, because Feyre - Our first person narrator - was NOT there.

The idea that Lucien was the reason she started eating and drinking again is LAUGHABLE. For that to be the REASON - he would have had to ACTUALLY DO SOMETHING to help her.

And I'm sorry but his mere existence did NOT fix Elain. There was a VERY clear cause and effect that fixed Elain, and it was Azriel discovering she's a Seer. People can try to downplay it as much as they want, but it doesn't change the fact that Azriel revealed she was a Seer - and literally the next page - Elain get's freed from her murky realm. Clarity returns to her.

Do NOT try to make this a thing. This is NOT the argument y'all want to actually use for Elucien. There are a dozen other things that make MARGINALLY more sense than saying "Elain got better because of Lucien and Mor and Feyre not Azriel". Mor & Feyre? Fucking really? REALLY?

Like I'm sorry but I am drawing the line at saying MOR fixed Elain and Elriels are misogynistic for erasing her BIG ROLE in fixing Elain. Like my god, if she really had such a BIG part in fixing Elain, maybe the real ship here is MorElain??? Or that Feyre fixed Elain because she literally asked AZRIEL "What is wrong with her??"

Like stop, just STOP at this point. Calling Elriels misogynistic over this is such a reach.

You are the same people who claim Elain is out here sniffing and cradling Lucien's cloak he gave her after the same most traumatic day of her life, disregarding her ENTIRE trauma and PTSD just to have a 'cutsey lil headcanon about elucien'- and you have the fucking nerve to call ELRIELS misogynistic? For what? Reading the books?

Sorry I don't read things like quizlet flashcards, like random letters cut out of a magazine and shuffled and taped together to try to send a message that just ISN'T THERE.

Y'alls logic is literally "Lucien made her feel better because he arrived and then she got better" even though she literally cringed away from him and all he told them to do was get Elain some fresh air. You are just theorizing - desperately hoping, really - that somehow, Lucien's "mate-ness" cures her? Through what? Osmosis? Tf? "Through the mating bond" -> You mean the one Elain called strange and runs away from? That mating bond somehow cured her? What led you to that conclusion when even Feyre didn't come to that conclusion?

Azriel figured out she was a Seer. He found out why she was in that scared, depressed state, and he freed her. And then as soon as she could put a name to what was happening to her, babygirl straightened her spine and came back to her senses. That is literally written - black and white - in the text (that you so carefully cut Azriel out of btw).

And I keep seeing this ridiculous shit about how "oh well Elain's powers are not WRONG >:( so Azriel figuring out her powers didn't fix what was wrong with her" -> And to that, all I have to say is stfu and stop being crazy, you look like fucking clowns 🤡 . You are trying SO - SO hard to try to disprove every Elriel moment it's making you seem so desperate.

You shouldn't have to do this level of mental gymnastics to prove your ship is relevant? Why are these people SO - SO obsessed with trying to "disprove" every Elriel moment to claim they aren't significant??? Like newsflash - if Elriel wasn't significant or important - there WOULDN'T BE so many moments!

Why don't they - IDK - put half as much energy into trying to prove Elucien? Why don't they put that energy into appreciating canon Elucien moments? Why don't they have cute quotes and fanart about canon Elucien moments? Why don't they sit here fawning over cute Elucien moments from the actual books?

Oh....lol...wait. BECAUSE THERE AREN'T ANY. 😫

They HAVE to sit here and make headcanons and try to disprove everything about Elriel because they don't HAVE anything to fawn over in the books. 🤷🏻‍♀️

Why is their ENTIRE ship:

70% trying to disprove every time Elriel ever even breathed beside each other + 20% over-analyzing random out of context words and sentences + 10% headcanons about Lucien (cough, oopsie I meant headcanons about Elucien. Sorry guys, sometimes I type too fast and its so hard to miss the small, miniscule E for Elain in the Lucien ship. Sorry did it again - meant E-Lucien)

[thrumbolt]

Small guide to art posts on Tumblr:

I'm writing this because I keep seeing more and more beautiful art with absolutely terrible presentation on my dash. Presentation that is so bad it makes me sometimes not reblog the post even though I love the art itself. Call me superficial, but the presentation is part of the art as well and usually these posts also have less notes than you'd expect for the quality, so it's probably not just a me thing. That makes me sad and I want everyone to get the attention they deserve so here are my tips on how to present art on tumblr:

Put the image first, then add a small description - NOT the other way around. So many art posts have people yapping and yapping, only to then post an image in the middle of a wall of text. Don't do that! Have you ever been to a museum? Descriptions and titles should be small and below a piece of art. That's because you want to center the art as your main piece in your post.

If you have a long description or context, put it under a cut. Honestly, that is how everyone should do with long text. Nothing worse than making people scroll endlessly if they don't want to and it's also what makes people hesitate to reblog long posts. Short descriptions also give the benefit that people outside your fandom corner will be more inclined to reblog your art as well!

So generally keep text short and clear if possible. If you didn't draw the art, credit the artist above all else! I keep seeing people who commissioned something confused for the artist and it's fucking annoying. No one truly cares if you paid someone to draw something, everyone just wants to know who drew it. Also please for the love of all that is holy, do not pair your art with an embedded spotify link to a playlist. If you really want to share music, put it under a cut as well or in a hyperlink. Last thing you want is some ugly ass album cover to take away from your art!

No colorful fonts. There's a reason the majority of tumblr has ignored them ever since they were conceived (I remember the update! I was there!) and it's because it's ugly as sin and in the terms of artwork, it usually distracts from the piece as well, even if you try to color code. It's also the easiest way to out you as a newbie :D

If you have more than one page/piece in a post, consider the arrangement carefully. You do not have to accept the tumblr default - you can rearrange! In general, if it's not that many pieces, it makes sense to post them below each other rather than side by side. Make people look at your art that you spent so much time on! It's allowed to be eye catchy! If you have a more horizontal piece with short sides, consider adding a detail shot or two to lengthen your post so people don't accidentally scroll by.

Please, please stop using the huge title font in art posts, I beg you.

And that's basically it. In the end you can of course post however you like - it should please you first and foremost after all. This is just meant as tips and tricks of someone who has reblogged and posted art for over a decade on this hellhole of a page now. Some things newer people might not be aware of.

[neflil]

Aah here is the text post...

The usual couple doodles ::D

And future projects / catching up vv

*taps mic* Yaelokre gabbro makes a return. Also new song is out! Go listen to it if you haven't jshfjjs

Just gabbooo :3c

Okay so, gather up everyone. Schools started, I suddenly have to study and memorize two latin texts within a few days, history, and ancient Greek philosophy analyses and translations. Not fun, kinda! I don't have as much time as I did during summer and I can't finish a full drawing within a day. *But* ideas are as vivid as ever. And honestly I really want to do some of the stuff I'm imagining. Some are already in the works !!! These are mostly gabbro/time buddies related. Sorry fans of other characters but I spent the entire summer only drawing slate </3

Sooo... What to expect from me? Well:

• I'm writing a short fic! Which is close to being done- Without saying much- a replay of certain memories before the eventual death/creation of everything.

• I am currently doing an OC piece with two owlks ::D this should probably be next post if I finish it soon!

• More short animatics. Cus I have... So many songs... That I want to draw with the time buddies. Short ranging from a couple of seconds, to maybe a minute, so don't expect much. All I'll say is- guhhh y'all better enjoy flower face because all of these are with her songs lmfao..

> There are two songs atleast that I want to make almost full animatics, but that's probably not going to happen, so instead I'll take sections from them.

> Two lyrics from the same song I made last time buddies animatic. Cus I had a vision and I must fulfil it. If this continues, at this rate I'll animate the entire song every time I get struck with a vision, part by part lmfao.

> A possible gabbro centric animatic with the chorus of a song.

• And well, more school doodles/drawings ofc.. but those are kinda random. Please, if you have any suggestions drop them in my ask box!

• A certain fic might get an animatic. I won't elaborate on this. Patience.

• Lastly Mica and Slate piece, bc apparently I've never drawn them and that should be a crime. Some fluff to break up all this incoming angst.

These have a priority list ofc, but the way I work is pretty much spontaneous. So whatever I'm up for will take priority. It'll take time but I hope to have finished all of these within the next couple of months. We'll see how things go... I also have to balance other things and art in-between so blehhh. It's a mess.

Reminder if anyone wants to browse through my art easier without having to go through my entire account- the tag #noofposting is here for that reason. o7

Also also, since I now have these two animatics and more to come- to not get lost in my acc, I'll also tag them with #noofanimatics to be able to filter through my stuff easier.

[gummidon]

He lost his hairband

[melonsharks]

like a thing, make a character lineup to figure out how i would draw them. thats the way my brain works! you can find close-ups under the cut!

these were fun :] theres a lot of characters in this show that would be fun to draw, is there anyone you guys wanna see next? 🤔

[chiquilines]

In honour of mha ending, have some old (and i mean OLD) miryumi scribbles i never got around to posting. They were the main characters in my heart

[triple-starsss]

for context this is set after they leave Ivo!!