#I just needed to get this out XD

[faeriexqueen]

University/City AU (DGM)

Going off of this post, I’m now thinking of what some DGM characters would study in general in a university/city AU setting (maybe taking place somewhere like NYC?). These ideas are mostly just for fun and I’m not actively thinking of writing anything with it, but I figured I’d share what’s on my mind. :3

Alma Karma — Starting with him because I’m biased and he is a favorite, but he’s majoring in fashion and textile design! Alma loves playing with different colors and fabrics to create vibrant outfits. He definitely doesn’t ascribe to certain gender norms, either, and likes to have a lot of freedom with his designs. (He also loves making clothes for his friends, and always wants to recruit them for modeling. XD) He’s also pursuing a minor in photography.

Lenalee Lee — She’s majoring in fashion design like Alma, but specifically, she’s focusing on shoes! She’s probably in a lot of classes with Alma, and they tend to partner up for projects and photo collaborations. Lenalee is probably also focused on accessories like handbags, and is working toward an internship with Anita (who is a well-known fashion designer in this AU >.>). Lenalee also likely minors in business, since she’s the type to want to know how to manage things. 

Allen Walker — Originally, Allen likely planned to pursue a degree in criminal justice. His altruistic nature makes him want to do good and make things better for others, but I can see him getting disenchanted with that field. So, he likely switches to political science to given him a broader scope of things to work with. (He lands on wanting to do youth outreach, which I think suits him. :3) He hasn’t decided to pursue a minor, but tends to get busy helping his friends with their own projects. (He loves to taste test whatever Link bakes. XD)

Lavi Bookman — Double major in library sciences and history! Lavi comes from a background of library and museum archivists, so he’s one to follow that path. He’s super fascinated with book collections and history (especially with the broad scope it covers), and is working toward an internship at a large, well-known library in the city everyone lives in. (Since he’s double majoring, he’s not planning to get a minor at the moment — but he probably has some English literature classes he opts into. He’s a fast reader with an eidetic memory.)

Kanda Yuu — He’s majoring in botany and minoring in photography! Kanda isn’t exactly a science-oriented person, but he likes working with plants and gardens in his free time. He doesn’t like to admit it, but he does have an artistic eye for floral arrangements (he’s very particular about organizing things), and likes to take photos of them. Because of this, he works part-time as a florist when he’s not overloaded with classes. (Since he’s minoring in photography, he also shares some classes with Alma.)

Howard Link — His family likely expected him to go into law (and he considered it), but Link ended up doing a culinary arts program! Specifically for baking and pastry making. While it has always been a hobby of his, he’s ended up taking it very seriously and wants to eventually open his own bakery shop one day. With that in mind, he’s double majoring in the culinary program and business (and probably shares some classes with Lenalee).

Johnny Gill —Biochemistry! Johnny has always been interested in the sciences, and decides to pursue biochemistry. He’s likely contemplating pursuing biotechnology (specifically industrial as opposed to medicinal) in the long run, and is really interested in innovation and improving things in day-to-day life for people. A lot of his classes cross over with Kanda’s, actually, so they interact a lot. (For whatever reason, in this AU I imagine he’s Kanda’s roommate. XD)

That’s all I have for now! I might add more if others are interested about this AU, but wanted to get this out of my system while it’s fresh on my mind. ^^

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[krysmcscience]

Saw this post and couldn't resist because,

1.) @tesscourtes' human!Bill is a lil cutie-patootie menace that I very badly wanted to draw, and,

2.) I have a - M I G H T Y - N E E D - for any version of human!Bill to find any way he possibly can to annoy Ford a whole lot :D

Also, 3.) I like to headcanon that Bill's knowledge in The Sciences is mostly limited to 'Ways I Can Make A Really Cool Doomsday Portal', and everything else he knows is just a slapdash mix of the stuff he remembers from whatever schooling he went through on Euclydia, a whole awful lot of lucky guesses (which he WILL gaslight you about if you tell him he's wrong), and - naturally - conning all the rest of the answers he needs out of any more educated saps who are unfortunate enough to be around him at the time (answers which he will then proceed to take credit for), so as far as I'm concerned, this "outfit" is perfect for him.

Ignore the shitty backgrounds, I am sick to death of doing backgrounds, I just want to draw goofy shenanigans, okay???

[miramelindamusings]

BG3 has taken over my personal life haha so here's a sketch dump of my Tav! She's a half-elf Rogue with a Sage background. I wanted to go for an archeologist/explorer background - like a mix of Evelyn and Rick from The Mummy :)! I stole lots of paintings and it always made me laugh the animation of Tav stuffing a huge painting into her inventory so I had to do a comic of her actually trying to sneak one out haha

[sygneth]

Things are starting to get awkward hehe

Part 5 of of Holmes' collage adventures

Chapter 1: part 1 - part 2 - part 3 - part 4 - part 5 - part 6 Masterpost (Index) AO3

[phoenixcatch7]

Cap should be allowed to teleport to the rock with his transformation lightning. I mean that's where it's coming from, after all.

He would use it to get out of so many situations XD.

Batman: captain, do you have a minute to stay after this meeting?

Billy, going to be late for school if he doesn't hup to: um haha sorry the wizard wants me back at the rock I'm already pushing it hahaSHAXAM

The wizard, looking up from his orb: *raises an eyebrow*

Cap, transforming back with more lightning and rushing for his bag: I'm sorry I'm sorry Mrs Ermine is going to KILL me if I'm late again this week!

The wizard, to his rapidly retreating back: this is the seventh time this month you've used me as an excuse.

Billy, halfway down the hall of sins, voice echoing: I said I'm sorrrryyyyyyy!!

Batman, left all the way on the watchtower: :|

[danwhobrowses]

So there was a Callowmoore question on 4SD which has got people talking and since nobody will ask me about it I'm gonna get it out of my brain anyway.

For someone on 4SD as frequently as Taliesin, Callowmoore questions are rare and I think that partly comes from us fans not wanting to try and steer him but also because his answers tend to be complicated. He's quite plain with other stuff, but a lot also gets offered into interpretation when it comes to Ashton and Fearne.

And granted, we Callowmoores would love for him to pull a Liam and just up and say Ashton has feelings for her, but I think we all know that's not Tal's way; aside from the nuggets of wisdom, killer one-liners and unique homebrews, we tend to love Tal's characters for their actions and expressions, some of which subtle and rewarding to those paying attention. For this reason I have had to mull over this one minute answer for most of my day and figure out what I think he means by it, like blue curtains in a book.

To note though, 'I think' is the operative term, but I also don't believe that Tal has left Callowmoore better or worse by his response.

One of the interesting things I want to point out is that my interpretations are observing the divide between Taliesin's words and his roleplaying; it is not to say that Tal is being dishonest in his answers, but I also see it as the answers are what Ashton thinks and his roleplay is how they feel.

So no, Ashton isn't 'precious' about Fearne wandering off when sleeping beside each other, if she said no or came back safely it wouldn't have bothered them, and it's fair for Ashton to have preferred Fearne to have woke them up. And yet that doesn't deny the reaction Ashton had waking up to find her gone and fearing that she's in danger, and not there to help her; the panic, the anger, the impatience are all clear and instinctive reactions Ashton is having that imply that her being with them is important. They're not precious about Fearne waking up and leaving the bed before they wake, and yet they'll still smile upon waking and finding that she's still there.

The 'Adventurers with Benefits' is one of two comments I can see being used maliciously against shippers, but it's worth reminding that on the last Callowmoore question Tal was asked, he mentioned that Ashton doesn't believe that someone would love them. Ashton feels unlovable, and yet they still ask for intimacy with Fearne, leaning further into their connection but also not pressuring her into commitment. It's also worth pointing out that this is still a slow burn, even Jester questioned whether her feelings for Fjord were legitimate or a romanticized fantasy at one point, and Ashton is not privy to Fearne's feelings for them. Ashton frames it as Adventurers with Benefits because they don't allow themselves to entertain the idea of Fearne reciprocating feelings for them, and yet their impulse to kiss her before absorbing the shard, to frequently engage in physical contact at a growing rate, to playfully steal and share each other's clothing, the desire to defend her from harm or anyone that might have ulterior motives, and to willingly do anything and everything just for her to smile in their direction again, that paints more of a picture than just benefits.

Which finally gets us to Ashton's theory of love. Tal mentions that Ashton believes that love is 'wanting to trust somebody, but not trusting them'. Immediately: No, haters, I don't think this means Ashton doesn't trust Fearne, nor do I think it means that Ashton trusts Fearne so they don't love her. Ashton trusts all the Hells (well, maybe not Braius since they just met), but Fearne is special to them in a different way, they've already platonically said that they loved her when they first were using their titan forms. In addition, this could be an elaboration of the last time Tal brought up Ashton's opinion of Love on the post-shard Callowmoore question: 'love is ignorance and adorableness'. This is another thing that can develop, elaborate and/or change over time, but at the current moment Ashton's interpretation of love can come from environment; Imogen wants to trust Laudna but can't wholly trust her given Delilah, but even Ashton can see that they love each other. Tal also mentioned that Ashton is not very experienced in relationships - which kinda plays into my belief that Ashton and Fearne, while have had relationships, haven't had deep romantic feelings or proper intimacy before, which makes them discovering it with each other more special - so their understanding of love can only exist on what they assume it's like.

And yet what if you reworded the phrase in the same spirit? 'Love is trusting someone wholeheartedly even with nothing to reassure it', there have been many a time something looked to go south and faith was put in another anyway; the shard may be a bad example because it did go wrong but even though the red flags were there Ashton upon completing the process said 'thank you for trusting me', when Fearne took the shard Ashton was a bag full of panic their experience meant they couldn't trust that the shard wouldn't be just as bad for Fearne, and yet they still wanted to trust that Fearne would succeed. Ashton couldn't trust that whenever Fearne was wild shaped, cornered by Otohan, or taken away by Ira on Ruidus that she'd come back safe, and yet still wanted to trust that she would, Ashton couldn't confirm that Fearne wasn't a Doppelganger in Nanna Mori's trust trial - even when FCG and Imogen suspected it was her - and yet they still wanted to trust that it was her. Ashton's view on love may not be entirely right but it's not entirely wrong either, what is blind faith if not ignorant and adorable? Even with their interpretation, Ashton has put plenty of faith in Fearne even when the risk was high.

In conclusion, Ashton's behaviour towards Fearne do often imply a complexity rather than a discrepancy to Tal's 4SD statements, that maybe Ashton's emotions and subconscious are not in sync with their self-doubt driven thoughts, perhaps it is the way Ashton tempers their feelings to try and not get hurt by them or cause Fearne to get hurt by them again. Ashton's apology to her post-shard made a point of noting how she means a lot to them, and how hurting her was one of the worst things they have done, and as they work towards self-improvement and self-discovery, there will likely be a point where self-realisation comes into play too, and they can understand why what they're thinking differs to how they're feeling.

Again, this is all interpretation, speculation and observation, one that like the core statements doesn't add or subtract but fills in some gaps either way. Ashton's feelings are a complicated matter, which is likely why Tal entices and creates such speculation with a complicated answer. Right now Ashton clearly does care for Fearne and share a special relationship that's regrowing after suffering tension, loss and fear, blooming back into trust, joy and comfort, but save 5 Disney Greek Muses backing him up in a Gospel song they're not just gonna out and say they're in love

And Yet...

[babymillennial]

At the risk of setting off a bomb in the Aaravos and Leola fandoms, I do wonder if we ever talk about how--if Aaravos's description of his daughter is accurate--she would probably hate what he's become in her absence.

[benevolenterrancy]

Dunno what happened with that request for a sickfic someone posted a few months ago, but I for one would enjoy seeing Jin Guangyao taking care of someone else: Xue Yang, Nie Mingjue, Lan Xichen, Nie Huaisang... whoever floats your boat. If it's ok with you, of course.

Currently, Meng Yao’s office was intolerably full, which was to say there was more than just himself in it. One of those occupants happened to be Nie Huaisang, and it could be safely said that it was impossible to mistake a room that held Nie Huaisang for one that didn't. The other occupant was Nie Mingjue which might not normally be a problem except that, right now, his sect leader was inarguably ill. Well, not inarguably, he supposed, because Nie Mingjue was certainly arguing it. Loudly. With Nie Huaisang. While Meng Yao was trying to work. Fortunately Meng Yao was used to resolving problems on his own.

*cracks knuckles* there we go anon, something quick and light-hearted!

[screamingwiththewolves]

HYDE IS GONNA USE THE TEMPORARY DEATH POTION SO HE CAN TALK TO JEKYLL IN THE MINDSPACE!

[merlinfromberlin]

Imagine. TFP but there was an ancient spirit/deity living in the Star Sabre.

Bee, after the fight at the Omega Lock, can't remember anything that happened after picking up the Star Sabre for the first time. His memories only set back in once he pulls Optimus back up onto the platform.

None of the Autobots discuss it either. The only thing they told him is that he killed Megatron. But they refuse to elaborate beyond "you grabbed the star sabre, jumped down, stabbed Megatron & saved Optimus".

Bee himself is not even aware of the hole in his memories at first. But then Raf starts asking questions about the fight and Bee always answers with the same sentence. "You know... it was a real doozie, but I got... lucky, I guess."

The first time Ratchet hears Bee say that, he flinches violently and then pretends like that is absolutely normal behaviour. No, you did not just see him crunch his incredibly fragile medical equipment. It's always looked like this.

Optimus also starts acting odd towards Bee. He can't quite look him in the eye but keeps observing him from a distance. They've also stopped their philosophical discussions (yes; I'm going to insert my headcanon that Optimus and Bee watch ATLA together and then use it as a jumping off point to discuss Cybertronian philosophy and culture into everything).

None of the bots would admit it, but all of them are doing their best to keep Bee confined to the base. He is barely out on patrol anymore. It gets even worse once they are back on Cybertron because now he doesn't even get out to pick up Raf anymore. He's always kept busy indoors. Not even Smokescreen wants to sneak out with him.

Still, no one wants to answer his questions about what happened at the OmegaLock. He tries to corner Smokescreen and Bulkhead about it because they are the weakest link when it comes to resisting Bee, his shenanigans and questions, but neither of them budge.

And then Bee starts noticing other signs of change. Sometimes, his optics will suddenly just burn brighter. Bright enough to illuminate dark rooms or reflect on metal surfaces around him. Sometimes he is no longer sure that they're really blue.

Then, one night, he has a dream. He is lying somewhere, prone on his belly, unable to move and incredibly tired. It's hard to comprehend anything that's going on. His surroundings are bathed in blue (?) light and he can't see him, but he can feel Optimus being there, incredibly tense as he stands in between Bee and something that's so old it should have dissolved into dust eons ago. Optimus and the thing are talking but he can only gauge snippets of their conversations before something soothes him back into deep recharge. Last thing he hears is Optimus' yelling his name.

Then he wakes up at the entrance of their base, Optimus and Ratchet waiting for him as he returns from a drive. He has no clue where he went. Or why they look at him as if he was a ghost. Until he checks his internal chronometer and realises that the equivalent of a week has passed.

And when he asks what's going on, Optimus just pulls him into a hug and holds him for a long time, not saying anything.

[pineapplefulfillseveryneed]

Sparks - When Do I Get To Sing My Way

[demigodofhoolemere]

Does Disney know that one of the best friendships ever depicted on any of their television shows was that of a nerdy teenage boy and his step-uncle the redeemed former villain?

[cmdonovann]

yaaaaay its another skyrim character page! this is another of my husband @chemicalcain's characters, Sindri, who used to be a fisherman before his boat crashed in Solitude and now he's having The Worst Time Ever. he's basically our "put that guy in a situation" guy. squeezing him like a stress toy. you know.

[raplinenthusiasts]

guilty.

[yourlocalcorviddad]

Saw a post about Danny calling Dani his little Comet, this one, and then I had an idea to and mix it with a favourite Hozier song, Work Song. Feel free to add or whatever if it strikes you!

-

"Ah, shh, shh little Comet, it's ok, I've got you."

The attempt at keeping his voice steady didn't really work, but he was sure he was keeping a good hold on his emotions at least, since Ellie was calming down in his hold. It didn't mean he wasn't panicking inside at the situation but he was managing. He only had to make it a few more weeks before the others could come, then everything would be safe.

He got her settled in his bed, sleeping and calm now. He had a crib for her, and Jordan too eventually, but he couldn't really stand the thought of them to far. So bed it was.

Both clone and future self had been deaged due to the damage taken, done at Frostbite's direction to heal and better stabilise both. Jordan's injuries had come in defence of both him and Ellie, and, like a weird mirror, Ellie's from defending him and the injured Jordan when he was to weakened from injuries to fight. Ellie had just been deaged from it Dan, who he decided was going to be called Jordan too give himself some separateness, was reverted to his core. In an effort to protect and give him time to heal, he has him inside himself, next to his own core. He'd been warned it meant that Dan would likely take on more of being like his child than his future self, but he just wanted him alive, not like he didn't have the risk of it anyway, at least this time it was under his control.

There was no hope of returning to his dimension, it had been clear at that point, but they had been trying to free all the ghosts they could and get all liminal people and their family rounded up to safety before the GIW got to them. Danny, as the heir prince-until he was of age for the throne at 100-was sent ahead to bridge trust with another dimension, this one in fact, to see it they could bring their people, his people, there.

Clockwork and the Ancients and Observants worked with his parents and the others from town, and other liminality touched people, to get everyone into the ghost zone, which he had leaned also got called the Infinite Realms, safely and cut off that dimension from it.

Apparently that's what most magical creatures had done to that one anyway, long ago. He'd even met the descendents of the witches that had been hunted by, and thus placed the curse on, his family back when Amity was a village.

They'd lifted the, severely weakened by then but still present, curse after apologies were made and explanations done. It was a relief, even though it is likely what had even held him tethered to life enough to become a halfa at all, but he felt more at ease now without it.

All in all, it led him to where he was now though. A new world, a new set of rules, similar but still so different, and two kids that were essentially his.

The sudden crash outside his window on the alley side had him rushing over, ready to defend as best he could, still healing from the injuries in the last fight with the GIW, in case it was a villain attacking.

Only to pause at the sight of the, now likely unconscious, blue and black clad vigilante in the dumpster below.

"Fuck... Well can't leave him, who knows who'd find him there."

It took a bit of work, and mild use of his weak but still present powers, but he got him up stairs and into his apartment onto the, comfortable if he said so himself, couch.

Once there, he checked him over for injuries, careful not to take the domino off and keeping him as clothed as possible, but tending to his wounds as best possible. Doing so, he realised the other was probably only about 20-21, close to his age at least. It made him wonder how long the other had been a hero, and made a thought to ask later.

For now he settled in to make some food -that hopefully wouldn't accidentally come alive again-and keep an eye on his daughter and the hero.