#I just love these characters so much and this game

[heyitsoak]

MOVIE SHADOW X READER HEADCANONS

Gender neutral reader

Just finished watching Sonic 3 and it was awesome!! Haven’t seen anyone written for movie Shadow yet sooo.. 👀

Warnings?: No spoilers for the movie in this! But maybe him being out of character, I haven’t wrote anything in years lol

- I feel like his love languages would be quality time and physical touch, he wouldn’t be used to touch at first but would gradually warm up to it. Definitely wouldn’t be the type to be over the top with public affection. Maybe handholding or a hand on your waist in public, but that’s probably it

- Might would be one to get jealous, needs reassurance that you’re not leaving and that you love him, truly. He’s been through a lot and needs to know that you’re not leaving him too

- Likes looking at the stars with you!! Reminds me of that one meme

“Do u like stars?”

“Ya, they’re cool”

- Likes to watch moves with you too! Just please don’t have him watch movies that have ‘aliens’ that are considered bad guys in it :( Just watch cat videos on YouTube with him, he’d be content with that

- Try and show him video games! He’d be really confused on how the controls work, a lot has changed in fifty years

- I feel like he’d like the game Stray, cause cats!! I feel like he absolutely loves cats. Would also probably like Stardew Valley, Harvest Moon and Animal Crossing. Anything that’s a calm game where you can just do whatever

- Speaking of cats.. he’d love going to a cat cafe with his s/o, would probably want to take them all home afterwards though

- Would end up having a black cat come up to him, rubbing against him and purring. He’d just pick up the cat and ask

“..can we take him home?”

- You can’t say no to Shadow, especially when he’s holding a cat in his hands.. so needless to say, you guys have a new pet now

- But besides cafe dates, just staying at home and cuddling would be perfectly fine with him as a date, anywhere with you, he’s happy

- I feel like he’d genuinely be a really good boyfriend, just takes him time to warm up a bit and get more comfortable with romantic stuff

- And motorcycle rides!! They’d be so fun, but if you get scared if he ever goes too fast, just ask for him to slow down or go a normal speed, he’d probably listen (cause it’s you)

- Gets all blushy and flustered when it comes to physical affection and kisses, he’s not used to it but he loves it

- He’d also like music, specifically older songs. Likes to put vinyls on a record player and dance with you to the song :’)) even if you don’t know how to dance, he’ll try and guide you

Not really sure what else to add here! Hopefully this was good, sorry if it was out of character :’)

I absolutely love Shadow so much, he’s such a cool character and looked so amazing in the movie

[agave]

GOTTA add some headcanons to this

laios spends loads of his playtime just creeping along after the big monsters, taking notes like he's studying a real wild animal. he has a dossier on each one and he's well known in the subreddit for being present at the scene every time someone has a question because the wiki is unclear about something

SOME of his dossier is carefully researched headcanon (speculative skeletal structure, mating habits, etc) but he keeps that in a separate notebook

he also has a third notebook that combines canon and headcanon so he can better imagine it being a real organism. everything is hand-copied

loves those youtube videos like "100 things you DIDN'T know about monster hunter" or "I went into the files to deconstruct how rathalos's AI works in excruciating detail, here's EVERY decision tree!" these don't impact his immersion at all

marcille had a phase where she got SO stressed out about having a PERFECTLY manicured, resetted for, time-traveled, villager-cycled town (this is especially a nightmare on the 3DS version because you have JUST enough power over your town layout to make it frustrating) that even playing became overwhelming and she had to stop. but then she also felt bad for not playing, which compounded the stress of going back to playing

eventually falin got the game so she could play with marcille and marcille bought an entire new switch so she could play without going back to her old town (and without deleting all that hard work!)

the old save file is still sitting there and on the new one marcille has vowed to herself that she won't use any manips or anything (it's still bugging her though. but she does genuinely enjoy playing)

marcille also plays fire emblem. both for the strategy and for the visual novel elements. she talks about it as a high level strategy game to anyone who asks. if a character dies she resets

chilchuck has loads of save files and they're ALL stealth archer. he does pretty much the same thing on each one but he has fun every time like it's a new experience

he LOVES survival mode. this guy will fish in skyrim for an hour. sometimes he sets up with a case of beer like he's fishing irl and has his character down an ale every so often as "bonding". if anyone teases him for this he'll kill them but he genuinely finds it relaxing. video game fishing is basically a gacha

don't get him wrong though, most of his time is spent carefully preparing materials, going into a dungeon, checking every corner, and then stealth assassinating the boss from across the room and rendering the whole thing totally pointless. he does not have any sense of clarity about this and just loves the thrill of the chase

he's tried modding but never really found any he liked enough to stick with. his favorite mod was the museum one but he thought it was too much fanfare to bother with. he'd rather it was just a plain house with a million racks and zero quests or dialogue. the real reason he's not into modding is he's just set in his ways (plus if he got used to a mod on PC how would he play switch edition? checkmate. no mods)

slightly interested in TES6 but "will it have the community skyrim has built over the years?" (he doesn't interact with the community that much)

other than cooking mama, senshi really likes wii sports and especially wii bowling and tennis. he's not that interested in the real sports but he'd try them to see how they compared to his game

has watched a million of those "we cooked every dish in cooking mama using exact instructions from the game!" videos and has a ranking of them in his head. his major criteria are how faithful it is to the actual dish, how faithful it is to the game, and how much it infuriates him to watch as a cook ("we can't add salt because mama didn't! :)")

he does EXCLUSIVELY play the wii because he finds the motion controls the most intuitive. he'll push the buttons but his brain just doesn't compute if it's ONLY buttons

has been shown that the switch also has motion controls, but he sees those kids mainly using it as a controller with buttons, you can't fool him, you know he doesn't get that kind of stuff!!

eventually someone sets him up with a capture card and a streaming setup and he's top 10 in the accidental asmr category within a year

Stinky group of gamerz

It came to me in my fever dreams

tag yoself, I’m Chilskyrim

[vibelladonna]

✑ 𝓉𝒽𝑒𝒾𝓇 𝓀𝒾𝓃𝓀𝓈 𝜗𝜚 𝓈𝑜𝓁 𝒶𝓃𝒹 𝒸𝓇𝑜𝓌𝑒

· ─────── ⋆⋅ 🝣 ⋅⋆ ─────── · 

Didn't expect me to write more about Sol, did you? Honestly, I needed to do more research into his character, after all, since I kinda ignored him in the game as soon as Crowe showed up. Like, no wonder he did what he thought he had to do.  

𝒸𝑜𝓃𝓉𝑒𝓃𝓉 𝓌𝒶𝓇𝓃𝒾𝓃𝑔: 18+ NO KIDS (Adults Only) This content contains mature themes unsuitable for children. Please respect the creator's intentions. 

I mixed a bit of canon and my headcanons for Crowe and Sol in this one—yep, once again! This time, I kept it focused on just four kinks to keep it short and sweet. I'm still learning about the BDSM community, and honestly, it's been really eye-opening.

A close friend (college roommate: adding on the fact she adores Sol—Sorry not sorry, love) of mine has been super helpful, sharing and explaining things about the BDSM scene to add more depth to my writing.

A lot of my inspiration comes from her, along with the Tumblr fanfic community and the original creator's work. I try to blend what feels true to the characters while throwing in my own twist. Hope you enjoy reading it as much as I enjoyed writing it!

Starting, I’ve noticed that TKATB fans have their unique preferences when it comes to Sol or Crowe.

For example, fans who gravitate toward Sol tend to enjoy the idea of him being dominant—whether it’s being in control of him or just envisioning him taking charge. It’s that mix of power and intensity that gets people excited. You know who you are, you freaks!

On the other hand, fans of Crowe are drawn to his reliability, his deep understanding, and his caring nature. He’s willing to guide you through anything, offering both emotional support and strength. It’s comforting, isn’t it? And yes, I’m a freak too—I get it.

✑ 𝒸𝓇𝑜𝓌𝑒

Naturally, I had to start with my man—Jericho, or Crowe, as he's known. He exudes a mysterious, almost savior-like presence, though the details are still unclear. I WANNA KNOW SO BAD.

His style is effortlessly sharp, and his quiet confidence makes him instantly trustworthy. Reliable, steady, and composed, Crowe is the perfect support when life feels overwhelming. His charm is subtle, blending good looks with an alluring personality—irresistible, without ever being flashy. 

Now, let’s address the question: Can you see Crowe as kinky?

At first glance, no. Not. To a stranger, he’s too put together, with not even the faintest hint of anything unconventional beneath the surface. But as you get to know him, that answer begins to shift. Slowly, subtly, he reveals a side of himself that hints at complexity—an edge just beneath his polished exterior. However, don’t expect anything extreme or overtly wild.

What he does reveal is never too much but always just enough to leave you captivated—and maybe, just maybe, a little curious.

✑ Vanilla (Soft Dom…) 

For Crowe preferences! 

He's the ultimate soft, warm partner. Like, you just know he's all about the quiet, comforting vibes. No crazy power dynamics or rough kinks—he's all about that steady, affectionate love. It's Vanilla, but in the best way possible, full of layers. He’s not rushing anything, just enjoying the little things, taking his time, and making sure you feel heard and cherished. 

When you're with him, it's all slow and gentle—he’s not here for intense extremes. His love is patient, thoughtful, and wrapped in warmth. Every touch, every word, is like a soft caress, just so deliberate and tender. 

And honestly? There's no need for anything crazy. Crowe's happy to explore your connection, build that trust, and just savor the passion that grows naturally between you two. It's the kind of love that builds and lingers long after. 

Now… Crowe might be a soft dom—nah he IS A SOFT DOM.

Crowe’s not the type to push you past your limits just for the thrill of it. He’s not into playing mind games or testing how far he can take things. No, Crowe’s power is the quiet kind, the kind that makes you feel safe without even having to try. He knows the real strength is in taking care of someone, not in forcing them into anything they’re not ready for.  

When you’re with him, it’s like he’s always tuned into you, always listening, always aware of exactly what you need. He’s the guy who doesn’t take, but gives—gives you everything he can, with a level of care that’s almost overwhelming. And even though he’s gentle, don’t get it twisted—he’s still a tease. He’s the kind of man who’ll leave marks on your skin, a subtle reminder that you're his. But it's all in the way he leads, in that steady hand that takes yours, guiding you through every little moment.  

There’s nothing loud about Crowe—other than his moans and whining. I SWEAR he has pretty moans.

He doesn’t demand anything and doesn’t rush you, but he has this way of making you feel like you’re the only person in the room. When he touches you, it’s with a confidence that leaves you breathless but also comforted. He’ll press his forehead against yours, his hand guiding yours down to your stomach, just so you can feel his bulge inside you,how much he wants you, how much he’s thinking about you at that moment. 

There’s no need for words—just that connection, that intense eye contact that says everything.  

But yeah, he’ll also let you think you have the upper hand for a minute. Let you believe you’ve got him cornered, like you're finally taking control… only for him to flip the switch, regaining control without you even realizing.  

With Crowe, it’s not about begging or pleading for pleasure—it’s about your happiness, your satisfaction. His version of dominance is the kind that wraps around you like a warm blanket, soft and cozy. He just wants to see you smile, hear you laugh—moan, and whine under him, and know that every moment spent with him is full of happiness.  

So, if you're into a soft dom who values deep emotional connection, tenderness, and affection, Crowe’s your man! He just wants you to trust him, to let go and let him care for you. Let him be there for you in every single way, in every moment. 

And in that, he gives you all the security you’ll ever need.

✑ Praise (giving + receiving)

Crowe is all about Praise, and affection through words. Imagine him pulling you close, whispering in your ear while his fingers gently trace patterns along your skin. 

“You’re such a good girl for me, look at how well you take me, love. That’s my girl, always so ready for me, aren’t you?” His words make you feel safe, wanted, and cherished.

He doesn’t wait for you to ask for reassurance—he gives it freely, letting you know how much he appreciates having you around, and how much he loves seeing you smile. And when it comes to your body? He knows every inch of it like he’s got a personal map of your every curve and spot. He might even joke, “No one will ever know you like I do. I’ve ruined you for everyone else, haven’t I?”

Crowe has this vibe about him, like he’s always hungry to make sure you're feeling amazing, but don’t forget to show him some love, too. He thrives on hearing you praise him, especially when you whisper how much you need him, and how much he’s doing for you. The sound of your voice, the words you say—they get to him, melt him down until his heart's pounding.

Now and then, he’ll pull back, checking in on you, “You okay? Am I pushing you too far?” It’s not just about the rush for him. He wants you to be comfortable, to be in sync with him as he takes you through everything, slow and steady, giving you all that love. “That’s it, you're doing so well,” he’ll say, his voice smooth like syrup, making sure you know you're adored.

But here’s the thing: if you keep praising him, or if you’re the one in control, just wait. Crowe’s mouth? It’ll get filthy. AND I MEAN FILTHY. He can’t help it, don't be mean now...

I mean, you can. You giving him head? Taking his cock deep inside your throat, feeling he's about to cum, then you pulled back, teasing him. He'll say, "Please, my love, you were doing so good on my cock—please, please, keep going, I need that tongue of yours."

One of his favorite things is when you’re so into it that he can just forget what you say and speak directly to you, but in a way that’ll make your body react before your mind even catches up. Like, he’ll whisper, “God, you taste so damn good. Missed me, huh? Just wanna be filled up, don't you?”

His words drip against you, his eyes dark with heat, like he's speaking to your body, not even acknowledging your moans. “Such a good fucking pussy. Always making me feel so damn good. Want me to stuff you full, hm?”

And when it’s all done? Crowe doesn’t just drop it and move on. He’s got aftercare down to an art. He’ll guide you through it, keep you close, making sure you’re okay, settled, and cared for, getting ready to do it all again whenever you’re ready!

✑ Experimentalist

Crowe is the kind of man who never wants to leave any stone unturned, especially when it comes to experiences.

There was something about him that screamed experimentalist—like he needed to try everything, no matter how wild or unconventional. When it came to relationships, he was always up for anything, which meant he'd probably had more relationship experiences than most people you knew. 

His mind is open, impossibly so, and he had an insatiable curiosity that could never be satisfied. He’d never form an opinion on something without diving in and getting his first-hand taste. If there was something new to try, something out-of-the-box—Crowe was there, ready to explore. 

And honestly? He didn’t even need you to ask twice. If you suggested something wild, he’d be all in—his enthusiasm infectious, his curiosity never-ending.

However, he's pretty vanilla when it comes to experimenting, so don't expect him to go TOO hardcore. If there's a kink suited to his taste and he masters it? Oh, Babe, you'll feel it—so much in fact.

Take ropes, for example. Blindfolds? Handcuffs? Oh, he is intrigued. But, again, don’t expect anything brutal. He isn't the type to be into floggers or paddles; no, pain isn't needed for his skills. It is his anticipation. The slow burn of him carefully tying you up, not in a rush, but with the kind of patience that made every moment last longer. 

When his hands hovered over your skin, it wasn’t just touch—it was electric. He’d make sure to linger, let his fingers graze over every inch, just enough to make you shiver, your breath hitching in the air between you. It wasn’t about hurting you, not at all. No, it was all about the build-up—the moment when the ropes or restraints were placed just so, tightening the tension between you both until it was practically unbearable. 

And then? When you finally let go, it was a release so sweet and steady that it left you breathless. No rushing, no quick fixes—just a slow, fulfilling pleasure.

Adding on, Crowe loved the idea of restraint. Whether for fun, for art, or for that extra little spark of excitement, there was something about having you completely at his mercy. 

And if you ever flipped the script? If he was the one getting tied up? Like I said, Crowe will be just as filthy when he lets his guard down. 

✑ Dacryphillia

Okay, hear me out. I know what you’re thinking—"Crowe? He would never hurt me. Why would he want to see me cry?" And I get it, really. This is one of those wild ideas but just stick with me for a second.

You know how he’s all about emotions and deep connections, right? Get it?

He gets this deep fascination with what you feel and show, especially when it’s raw. Here’s where it gets interesting: Dacryphilia. Yeah, I’m talking about that thing where someone gets... well, aroused by tears, by the sound of you sobbing, the whole mess of emotions. 

So, let’s imagine this: You’re begging him, pleading for more. Your face is a mess of emotions, eyes watery, tears rolling down your cheeks. And yeah, he’s gonna ask if you’re okay because that’s the kind of man he is—always checking, always making sure. But if you keep begging for more? Oh, that’s when it gets dangerous. 

Each desperate plea of yours, each tremor in your voice, just fuels this fire inside him, an all-consuming fire. His eyes? They’re practically glowing, deep blue, and locked on you like he's drowning in you, in every little thing you’re feeling.

You can feel him there, so close you can almost taste his breath on your skin. His lips brush against your ear, a soft, teasing whisper sending shivers down your spine. "So desperate for me already, huh? We haven’t even gotten to the fun part yet..." His voice is low, and dangerous, like he’s savoring every second of this.

You know he’s enjoying this. Every inch of him is hooked, and once he has you like this, there’s no going back.

Crowe’s could be teasing you for what feels like hours, driving you wild with a mix of pleasure and frustration. He’s pulled every bit of sensation from you, your body trembling with each orgasm, each touch—until you’re left aching for more. You’ve come undone on his fingers, his tongue, but now, you’re desperate in a way that makes your chest ache. You need him, inside of you, filling you up, but he’s holding back. Just barely, he brushes against you, grinning at the whine that slips from your lips.

His head teases your entrance, and you can’t stop yourself from begging, voice shaky, "Please... Please, please." You repeated. Tears burn at the corners of your eyes, blurring your vision as they fall helplessly. The emptiness without him feels unbearable.

Crowe tilted his head, the smirk on his face practically dripping with playful mockery. “Just please?” He dragged the word out slowly, eyes twinkling with mischief. “Tell me what you want. Can’t do anything unless you say it. What is it you’re begging for?” His hand slid up your stomach, hand pushing lightly as if testing the waters. 

He leaned in, his breath hot against your ear, the playful glint in his eyes shifting into something darker, more calculating. “You want me to fill you up, don’t you?”

His grin stretched wider as you stumbled over your words, desperate and disordered, pleading for more. He could tell you were unraveling, and it only pushed him further, each whimper was like a small victory. 

“You’re falling apart, love,” he murmured, his voice low and dangerous. “Don’t worry, I’ll give you what you need... just say the word.” You could barely focus as the desperation built into your chest. His control over you was unnerving, yet exhilarating. The tears on your cheeks were a mix of frustration and need, a silent scream for him. 

“I need you, Crowe. Please...” Your voice was broken, but he was the one who was in control, studying the way you reacted like a willing experiment.

Crowe’s hand lifts gently to your cheek, his thumb brushing away the tears streaming down your face. He gives you a soft grin, his voice low and teasing. “Already crying for me, huh?” he murmurs, almost amused. His thumb, slick with your tears, slips past your lips, letting you taste the salty remnants of your emotions. "We’ve just started," he adds, a soft chuckle escaping him. 

Before you can respond, his hips jerk forward, pushing into you with one swift, forceful motion. The shock of it makes your breath catch, and Crowe can’t help but smirk, his eyes glinting with that dangerous, experimental gleam.

Every move, calculated and deliberate, is part of his twisted exploration. And you? You’re the willing subject.

✑ 𝓈𝑜𝓁

Sol is described as a “stinky basement-dwelling yandere”—ngl, this alone made me laugh. He’s a quiet kid, the one who lingered at the edges of every room, observing, never quite fitting in.

Beneath his reserved exterior was a complexity most couldn’t fathom. He’s incredibly smart, with a sharpness that slipped through his words when he spoke, though he rarely bothered to. His talents leaned toward the arts, paintings, and writings.

And yet, at the end of the day, Sol isn’t exactly smooth. He was hopelessly inexperienced when it came to relationships. He gets no bitches, and honestly, he probably doesn’t even try. But in his inexperience is a certain rawness, and once you did get to know him, he’ll flirt or charm you. But before, he just watched and wanted.  

Now, let’s address the question: Can you see Sol as kinky?

Yes, let’s not sugarcoat it—he is kinky asf. Of course, he is. There was no way someone as quiet and repressed as Sol didn’t have a horny side, one he tried to keep buried but couldn’t fully hide due to his love for you. 

✑ Switch (A Pervert…)

Now, about Sol’s... preferences. 

From reading his relationship information card and playing the game. He is a paradox, a Switch in every sense of the word. He didn’t neatly fit into the mold of “always dominant” or “forever submissive.” Oh no, that would be far too mundane for someone like him. He's not a standard yandere people.

Sol is a man of extremes, a “pervert” in the most endearing, shameless sense of the word. He believed in living freely, without the shackles of societal expectations or traditional constraints. Ethics, morality, conventional roles—he’d toss them aside without hesitation if they stood in the way of his desires.   

When he takes the reins as Dominant, Sol is the type to lean into theatrics, pushing boundaries with a devilish grin and that mischievous gleam in his eyes. He had a talent for making the experience unforgettable, for making you feel as though the entire world had melted away, leaving only the two of you. But when the tables turned, when Sol found himself in the more submissive role, he’d throw himself into it with equal fervor. 

He’d challenge you to prove your worth, tease and push until you stepped up to the plate, and then—when you finally did—he’d surrender so completely that it'll feel like a victory worth savoring.  

To Sol, sex and relationships weren’t just about power dynamics or tradition. They were a playground for exploration, a place where the only rule was to follow what felt right. With his “anything goes” mentality, Sol turned every interaction into a kaleidoscope of passion and unpredictability. 

As mentioned, Sol, can’t help himself when it comes to you.

Let’s say he has this thing—Voyeuristic Disorder, to be precise, a fancy word for being a pervert. Dosn't care to see anyone else naked. Only you he wishes to see. He was obsessed with watching you, whether you knew it or not. In public or private, it didn’t matter.

He just liked being there, lurking in the shadows, soaking in every moment. Watching you do the most intimate things, completely unaware that he was there. 

There was something so exhilarating about seeing you—your bare skin, the way you moved, the little things you did when you thought no one was watching. He couldn’t resist. The way your body reacted, the sounds you made when you didn’t know he was there—it was all he needed. 

Deadass, I’m shocked that the creator of the game never added a specific scene where you were taking care of yourself in bed—you freak, oblivious to him sneaking a peek from the window, his hand on his cock, jacking himself off, doing exactly what he does best. Watching. 

He didn’t let societal norms dictate how he expressed himself or who he loved. He was unapologetically himself—messy, chaotic, and a little too intense for most people’s taste. But for those brave enough to step into his world, you, well, if you picked him, that is.

Sol will offer an experience unlike any other: one filled with unrelenting honesty, unbridled passion, and a love that refuses to be anything less than extraordinary.  

✑ Praise (Receiving)

Sol isn't the type of man you’d peg as desperate for validation—at least, not at first glance. His sharp, confident exterior gave the impression of someone who had the world at his feet, who didn’t flinch under pressure or crack beneath judgmental stares. 

But peel back the layers of this supposed nonchalant and cool type of man, and you’d find a truth that was much more human, much more raw. Sol craved praise. Why? Perhaps it was the lack of it throughout his life. His track record for romance was, let’s say, less than impressive. Not because he lacked charm or good looks—he had both in spades—but because his overbearing aura and unapologetic eccentricities tended to drive most people away. 

They didn’t understand him, couldn’t see past the way he challenged conventions. He wore his "loser" title like armor. After all, who cared if he didn’t have admirers lined up at his door? He didn’t need anyone... right? Yet, when someone, such as you, did manage to offer him an honest compliment, something sincere, it was like watching a dam break. 

His confident smirk would falter for a second, his eyes softening, betraying the vulnerability he worked so hard to conceal. Sol wasn’t accustomed to receiving love—real, genuine love—and when it came, it hit him like a truck

✑ Masochist

The first time you noticed Sol’s tendency to endure pain, you’d thought it was just his stubborn nature. He’s always been the type to wear his emotions on his sleeve when it came to you—raw, unfiltered, and unapologetically vulnerable. But as time went on, you began to see something deeper beneath that tough, rebellious exterior. 

Sol wasn’t just someone who endured pain; he seemed to embrace it…? almost thrive on it, especially when it comes to you.

Sol is, without a doubt, a masochist. Not in the twisted, sadistic sense, but in an almost heartbreaking way. He’d do anything to please you, to earn your attention—even if it meant enduring the unendurable. 

He could never be a sadist. No, he loved you too much to ever inflict pain on you, physically or emotionally. The very thought of hurting you would make his stomach churn. Instead, he channeled all his devotion into being by your side, no matter the cost.

There were moments when his tendencies became painfully obvious. Like he gets into fights back to back, defending himself or you—for example, the movie theater bathroom or the Campus library (With or without.)

You hadn’t/have even been there to witness it—Sol hadn’t wanted you to see him like that, bruised and bloody. But when you found out later, he brushed it off with that crooked grin of his, the one that hid just how far he’d go for you. “It’s nothing,” he’d said, wiping the blood from his lip. “They deserved it for talking about you like that.”

Or that time with Crowe. It had been an innocent moment, just you laughing at something Crowe said, but to Sol, it might as well have been a dagger to his chest. He clenched his fists so tightly that his knuckles turned white, nails digging into his palms until they drew blood. He didn’t want to feel that way—jealousy mixed with self-loathing—but he couldn’t help it. Watching you walk away with someone else, even for a moment, was unbearable. 

It wasn’t that he enjoyed the pain; it was just that he could handle it, even when it tore him apart inside.  

And in the quiet, intimate moments, Sol’s masochistic streak became something else entirely. If you picked him willingly, He’ll trust you, and loved you, enough to let down every last defense he had. He didn’t just endure pain; with you, he could find meaning in it. 

A sharp bite, nails dragging down his back—he shivered under your touch, his body responding in ways he didn’t fully understand but didn’t question. For him, it wasn’t just about the sensation; it was about the connection, the way it brought him closer to you.  

Masochism, for Sol, wasn’t about pain tolerance. It wasn’t about how much he could take. It was about the way he found a strange, twisted kind of comfort in it. The pain wasn’t the point; it was the context, the giver—you. Sol would never seek out pain for its own sake, but if it was for you, if it meant being close to you, he’d endure anything.  

Even in the game, he seemed to attract hardship like a magnet, always the one taking the hits—physically and emotionally. Whether it was the bullies who thought he was an easy target or the way he seemed to hurt himself just to prove his devotion to you, Sol carried it all with a quiet, unshakable resolve. Because, at the end of the day, it wasn’t about the pain. It was about you.  

And he’d never stop. For Sol, loving you wasn’t just a choice—it was a part of who he was. If being close to you meant enduring the worst the world could throw at him, he’d take it all with a smile. Because that’s who Sol is. A damn masochist.  

And he wouldn’t have it any other way.  

✑ Somnophillia 

It was inevitable, wasn’t it? Everyone could see this coming from a mile away—there was simply no other possibility. Sol, in all his twisted complexity, had long blurred the line between obsession and affection, his love taking on forms most would never dare to comprehend. 

Some might accuse him of holding darker urges, like necrophilia, drawn to the lifelessness of the dead. But no, that isn’t Sol. Despite his obsessions, there was a deep-rooted sentimentality within him—a refusal to let go, to lose. If anything, he had made it clear in his own hauntingly poetic way: he’d rather die with you than live without you. 

Yet, that didn’t mean his desires were any less unnerving. No, Sol’s particular brand of affection manifested in somnophilia, a fascination with the vulnerability of sleep, the beauty of your unconscious form. To him, those moments were sacred—your body relaxed, your mind adrift in dreams. It was when he felt closest to you, unguarded and free from the chaos of the waking world.  

Before your relationship, it started innocuously enough—or so it seemed. He’d find ways to end up at your apartment, invited by some pretense or perhaps even through sheer charisma. And then, ever so subtly, he’d lace your drink with something to make you drowsy, to keep you from suspecting as his fingers ghosted on you. 

You lay there, utterly still, utterly serene, your chest rising and falling with the kind of peaceful rhythm that seemed to still the chaos of the world around you.  

It was maddening, the way you looked so untouched by the noise that haunted him, your lips slightly parted, the barest whisper of breath escaping them. Every exhale was a siren call, soft and unassuming, but it gripped him like a vice.  

His gaze wandered, helplessly drawn down the curve of your cheek to your lips. They looked soft, and inviting in a way that felt almost cruel. He wanted to press his own to them, to taste whatever peace you’d found and see if he could borrow just a fraction of it for himself.  

But it wasn’t just your lips. His eyes traced lower, following the lines of your body, the way your clothes clung to you, hinting at the form beneath. He shouldn’t be thinking like this—he knew he shouldn’t. And yet the thought of you, warm and pliant beneath him, invaded his mind, unrelenting.  

He swallowed hard, trying to shake it off, but the more he fought, the more vivid the thoughts became. The sound of your soft sighs, the way you’d move under his touch, how you’d look at him—not like this, not sleepily and unaware, but awake, wanting.  

God, he was losing it.  

Sol leaned back, running a hand through his hair, forcing his gaze away from you for a moment. But it didn’t matter—your image was burned into his mind, and there was no escape. Watching you sleep was his guilty pleasure, though his guilt barely lasted long enough to stop him from pressing further. 

Once the two of you were together, the dynamics shifted, but only slightly. Sol’s obsession deepened, and the lines of consent became more of a gray haze in his mind. To him, love was devotion—complete and all-encompassing. And if you loved him, shouldn’t you accept him entirely? Shouldn’t you trust him to care for you, even when you weren’t awake to see it? 

He was careful, always so careful with you, so don’t worry! 

His lips found their way to the sensitive curve of your inner thigh, his movements slow and deliberate as if savoring every second of this quiet moment. You stirred faintly, a sleepy whimper escaping your lips as the warmth of his mouth brushed against you, teasing and tender.

Sol’s hands gripped your hips gently but firmly; his fingers splayed across your skin to hold you in place. You tried to shift, your body instinctively responding to the soft, wet pressure of his tongue on your needy cunt, but his strength was unyielding.

“Shh,” he murmured, his voice a low, gravelly whisper in the stillness. One hand slid up to brush a stray lock of hair from your face, his thumb lingering for a moment as he marveled at the serene expression you wore, so unaware of the devotion he poured into every touch. “You’re even more beautiful like this,” he breathed, his words an intimate confession meant only for the dark.

To Sol, this meant everything. 

This was the essence of love itself—intimacy beyond words, a bond that transcended anything others could hope to understand. He wasn't like anyone else; he knew that, and perhaps that’s what made this feel so special. So sacred. There was a quiet possessiveness in the way he worshiped you, a deep yearning to etch himself into every corner of your being, to ensure no one else could ever touch the part of you that belonged to him.

And as you stirred again, a soft moan escaping your lips, Sol smirked against your skin, the faintest edge of smug satisfaction curling at the corner of his mouth. You might not fully wake, but you’d feel him—his touch, his adoration, eventually his cock. You’d know, even in sleep, that you were his world.

To be with him, you’d have to accept all of him. Every tender smile, every soft whisper... and every shadowed obsession that came with it. 

· ─────── ⋆⋅ 🝣 ⋅⋆ ─────── · 

[devildomwriter]

Never Ending

I’d like to say that the games ending does not mean the fandom is or should be ending in any way. There is a near endless amount of materials and potentials for this game and the creative fandom to draw from and to create.

The game is now ours. We decide the future, so giving up on the fandom seems really silly and sad. I’ll still be here. You can count on this blog to always have quotes, answers, fun facts, screenshots, and stories now more than ever.

I will do my part in keeping this game and fandom alive. Please join my efforts and don’t delete your works or accounts just because the games are over.

I don’t know what will happen with Obey me in the future but I’ll be here for it and I hope you will be too.

I am still very angry with Solmare but to the games themselves I want to thank you for getting me through covid and severe depression. You somehow reignited my interest in my faith too. You connected me to my writing and my dreams of the future and helped me in the most confusing years of my newly adult life.

So thank you obey me for all the fun times that I’ve had and will continue to have. As thanks, know I’ll always be here writing the future of the characters you’ve brought to life that I love so much.

Here’s to the future of Obey Me Shall We Date and our fandom.

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[bunnwich]

HELLO! Do you have a summary of how you portray Leona's personality in your stories? I'm a big fan of your Leona and Yuu stories and I've read them multiple times www /gen I always feel like you just nail how he would act and say things and you inspire me to work on my own fics and get better at writing scenarios with him. Than you in advance ily🙏 🦉anon

How I Portray Leona in General and in Romance

HI ANON! So I've gotten this question a few times and someone in my discord asked me basically the same thing so I'll share with you what I wrote a few months ago about Leona and the general way I write him. (it's quite funny bc a lot of these things come up in Chapter 7 when we see his dream. I AM CURSED WITH APOLLOS'S GIFT OF PROPHECY WITH THIS MAN ISTG)

I hope this is helpful?? I would like to point out that the way I write Leona is fully based on my biases and life experiences. And that a big part of fandom is projecting what you wanna see in characters while still making them feel like the same character we know in canon, yk? Good luck with your fic writing! And thank you!! mwah mwah.💚 --

So Leona takes himself as a direct person, BUT he hides A LOT. He purposely misdirects people to get a reaction out of them. (Ex: pretending to be incompetent to anger someone) or he's playing with them. HE LOVES GAMES. Everyone is a chess piece, he has to feel in control bc that’s all he has ever had over everyone else; his wits. He’s a dickhead. He will say offensive shit to scare people off.

It’s a test to see who sticks around. He has no reservations when it comes to this. You take him as he is. And despite how some people write him he’s kinda silly? Like dad jokes. Why does he joke so much about eating people, who knows? (He says shit like Namby-pamby ffs) Why are you a 40y/o in a 20 y/o body?

I HC he purposely talks casually and gruff to distance himself from his upbringing. (I like to mix proper language and slang with him bc it feels right? Also lots of animal puns, and nicknames. HE'S CORNY AF)

In general, I don't think Leona is an entirely romantic person in canon, however in my timeline, I do HC that he, like Scar has this “want vs need problem” with connection to others. He thinks it's just praise he wants (or to be king) BUT he NEEDS TLC. What was Scar MOST jealous of at the end of the day?? Mufasa’s connections, a ✨queen✨, a family! BEING KING DID NOT MAKE SCAR HAPPY!! He needs to be needed and in Chapter 2 novella, he admits he HAS to numb himself to not care. I feel like this is something he constantly battles with. Yeah, he's lazy but it's partly bc he’s tired. He’s burnt out.

On the surface, he projects 100% nonchalance. He wants you to think everything he says is just "off the cuff", but it's not. He plans everything!!! He’s a mentor, big bro, caretaker. He is not the best at comforting words but he enjoys being a leader bc people appreciate him and look up to him. Something he never got at home.

Leona and ✨Romance✨

He fools himself into thinking he has the upper hand at first and keeps his distance keeping an eye on the object of his affection. Why would you catch his eye? Well, his greatest strength is picking up on OTHER STRENGTHS. Chessmaster. He is a mentorrrr and caretaker lowkey, he wants others to NEED him and rely on him. HE WANTS YOU TO NEED HIM.

At first, he would place himself in your path, trying to be helpful in a very tsundere type way. But he would still be causal and keep ruffling your feathers to gauge how you feel for him. He guards his heart pretty heavily. And more and more he is slowly collecting info about you he would find more ways for these meetings to happen until he realizes: "Oh shit, I’ve caught feelings." This one is the winner. He’s the king of nonchalance but also...he’s a very overly sensitive person. No doubt he’s freaking out a little, he doesn't wanna screw this up. But, he’d never show it.

I do think he wants to be challenged and given some pushback (insert manga panel about "something being harder to get and therefore is better"), He wants to WORK for it, to prove himself to you that you SHOULD choose him. He wants to impress you. It makes him feel alive. A person who keeps him on his toes.

And once this ”game” of cat and mouse starts to happen. He might start to let his guard down if you are shown you can be trusted with his VERY VERY delicate feelings, that you DO accept his flaws, treat him differently than all others, and see past his gruff demeanor. It is a test of sorts. He is testing that you can “handle” him. MORE GAMES.

He’d let you set the pace though. He won't be the first to give in. To kiss you or confess first. But he would fall first HARD. He’s not been given much one-on-one attention in his life so he would crave that time with you. Physical touch is a big one, but he would not be pushy. He'd tease your boundaries and become addicted to your time together.

But yeah, this push and pull goes on for a while, all the while he’s gauging how you react to this. Memorizing it all.

He’s def one of those texters who erases their sentence like 5 times when they are nervous bc he is cookin' up the RIGHT response to endear you. (Not in a sappy way of course more in a: “I know you miss me, mouse.” snarky sorta way.) Though he can be self-deprecating on bad days. He’ll act confident, though soften up behind closed doors.

I think once he realizes that you have picked up on his simpery and there's no going back...all bets are off. He doubles down, no longer ashamed of hiding it. (Assuming at this point the person has reciprocated these feelings too!) He wants to be yours and he’s not subtle. Someone to be by his side.

Then you get the REAL simp Leona, who lowkey mumbles the sappiest shit to you in his native language when he holds you, (bc he’s still embarrassed to be vulnerable, though this will fade over time) He’ll be your biggest supporter, and wants you around him as much as you can be.

This just keeps going until you're married. Congrats you now have a lion to take care of forever.🦁 Hope this helps!✨

[softness-and-shattering]

Id say its less like chips for dinner and more like fairy floss. Mostly air, disappears into your mouth immediately, doesnt sustain you at all. Its barely worth the sugar hit.

I think its also ok to want a story with low tension, because even low stakes high tension can be stressful. But in that case we have to absolutely love the character down their bones, which means, without big challenges to garner sympathy, they gotta be incredibly competent and charming and larger-than-life, in which case theyre not relatable - which I think would be fine could work really well - but writers and editors tend to want relatable characters I imagine especially for coziness. You want reader insert.

Cause story elements are quite flexible, but if you leave out too many you dont have a dish anymore, just some ingredients. You left out the seasoning so its all bland, or you forgot to put liquid in the soup so it burned.

Something like Legends and Lattes I think could also work if the setting was really deeply a character, but in my memory its just fantasy coffee shop au. There was a big magic cat of some kind is my main memory, but it wasnt super distinct.

Maybe this is a better metaphor, as I was becoming more disabled and less able to cook, I made a minestrone soup entirely out of cans and pre-made broth. It was all the same ingredients as when I made it from more-scratch but it came out terrible. If you have a generic coffee setting + generic fantasy setting (the + makes it more interesting but not much bc ....its just a coffee shop au its been done a gazillion times) + reader insert character + no stakes or tension to the plot....theres nothing left to be The Interesting Part.

Though for me the weirdest part of the book was not fully trusting the low stakes especially in the final third. I never felt like i could relax because she has a sword shes been an adventurer, shes having dealing with a local magic gang, maybe the tension is about if she'll pick up her sword again. So it was a weird tense experience for me in a way that didnt break or resolve because I didnt feel like I could be sure that these low stakes were going to stay low stakes, even with a blurb on the cover about how chill it is.

For a reccomendation though, theres a picture nook called The Tea Dragon Society with a very interesting world (and such pretty art), and interesting take on dragons, really cool characters, the protagonist is a kid who acts like a kid. Its a small story about four people intergenerationally bonding over care for dragons that grow tea. Nothing like, showstopping revolutionary, its not a michelin chefs newest dish, its more like that friend or relative whos food you love because its a really good version of the familiar. I think thats ny food metaphor for it.

-im also thinking about cozy games but I dont have specific analysis to add atm.

Cozy Fantasy and Why It Doesn't Work

I think I am among many who feel like they should love cozy fantasy and have found it an incredibly lacking genre.

This newly branded "cozy fantasy" genre that has taken readers by storm since 2020 and while it is new that books are now marketed as cozy, the genre itself isn't new. Howl's Moving Castle by Diana Wynne Jones is a great example of the genre before it was labeled and also how to make it work.

Cozy fantasy is defined by many as fantasy with low stakes. Fantasy aesthetic but less sword fights. On paper, it sounds great. But the execution has been less than stellar for readers like me. The lack of physical stakes has also impacted the emotional stakes of these books, creating forgettable characters with boring problems. As a romance reader, I find this frustrating. Romance is known for being a predictable and formulaic genre, the now defunct Romance Writers of America defined romances as needing happy endings, a term romances have continued to follow. Yet these romance texts manage to have low physical stakes (how to date your neighbor, how to confront your toxic friends, etc) while still maintaining high personal stakes that keep readers invested and begging for more. So I was initially confused why cozy fantasy authors struggle to write texts that connect to readers like me.

I think I have found the answer which is the genre is just here for vibes. It is all about aesthetic, not even worldbuilding that fantasy is known for as most cozy fantasy I read have so many problems as soon as you ask one question. It is hard to acknowledge that a genre that is pitched to work for readers like me doesn't work for many of us. Especially because occasionally there is one that works beautifully to my taste.

I often say my favorite cozy fantasies that are more contemporary are short and visual, which I plays into the idea of the genre being an aesthetic. The Bakery Dragon by Devin Elle Kurtz is a good example because it is a simple story that is given the perfect amount of pages and gorgeous visuals without dragging on when the message is very clear and easy to understand. Books like The Phoenix Keeper and Legends and Lattes have absolutely nothing for me, their very clear message hitting the reader over and over so the readers don't miss it and focusing on the aesthetic of worldbuilding rather than the reality of the fantastic elements within the world.

I guess my point is. . . I realize this genre isn't for me since I have realized it is more of an aesthetic than anything. .. .but I want it to be. Should I let it go and put my efforts elsewhere? Or should I keep exploring this new trend and find the hidden gems?

[linkcharacter]

hmm idk if this is something you'd agree with but i find it really annoying when, whenever someone draws Jimmy, everyone treats it as if it were some battle they fought. Jimmy is, undeniably, a bad person, but he is an amazingly well written character and the hate for jimmys actions seem to outweigh that. there are so many people discussing how Jimmy sucks and hes the worst character and oh look everything in mouthwashing is so much better without him!! look i fixed mouthwashing!!!!! now curly can be the hero!! but thats wrong. thats not how people should be looking at it. mouthwashing wouldnt have happened without Jimmy. i cant even see a universe where they are on the ship without jimmy due to how integral him and curly's relationship is to both of them. people view Jimmy as this ultimate evil that should be written out of history when that shouldn't be the take away. curly isnt a good boy hero. he cant exist without Jimmy because thats how intertwined the two characters are. curly still forgives jimmy after everything happens. even after the events of the game, curly still values and likes jimmy. that doesnt make curly a bad character but its something people ignore and it leads to false analysises and shallow aus. curly wasnt good either. idk.

this has nothing to do with your jimblasted au, i LOVE the idea of the roles being reversed, it was just something i needed to complain to someone about.

You've come to the right blog my dude don't worry

[dorabellingham]

Long distance

warning: none

characters: jude x reader

summary: when your long-distance relationship is going through a turbulent time, but you do everything to understand each other

request: yes!

may contain spelling and translation errors!

The months passed quickly, and despite the distance, you and Jude tried to stay connected. He was in Madrid, living the peak of his career, with intense training, games and constant travel, while you, in another country, focused on your college year. The distance was testing your limits, but so far, you seemed to be able to keep the flame alive. However, there were times, like this one, when you felt that something wasn't right.

It was a cold Thursday night, and you were at home, after another long week of studies and commitments. You looked at your phone, checking if you had any messages from Jude. You saw that he had sent you a good night message, as he always did when you weren't talking in person, but when you opened the screen, you saw that he was busy with something and couldn't answer at those times. It was something common, but that night, a feeling of emptiness hit you even harder. You tried to be understanding. You knew that Jude was at a decisive moment in his career and that football demanded a lot of his time. However, you couldn’t help but feel alone. The long-distance relationship was getting hard to sustain. You always tried your best to be patient, but you also had your own emotional needs, and as much as you loved your boyfriend, you couldn’t hide the fact that you were feeling neglected. That night, instead of just texting him that you were fine, you sat on your bed and decided to write something more sincere. You knew you had to be honest with him, no matter how hard it was.

"Jude, I know you’re super busy and I don’t want to be a burden, but… sometimes I feel like you’re so distant. Not physically, of course, but emotionally. I understand how much football takes out of you, but I also need you here, you know? And there are days when I really feel like I’m doing this all by myself. I don’t want to be demanding, but can you help me understand what’s going on? I just don’t want to feel invisible.”

You hesitated a little before hitting send, but you knew you had to say it. You didn’t want the frustration to build up to the point where it could harm their relationship. Instead, you preferred to get things sorted out while there was still time.

A few minutes later, your phone vibrated. It was a text from Jude.

“Sweetie, I’m sorry if I left you feeling this way. I really didn’t mean to. You know how grateful I am for everything you’ve done for us. I can’t deny that I’m completely focused on my work, but that will never be more important than you. I love you and I’m struggling to find balance. I want you to know that I need you here too, more than you know. Let’s talk about this when you can.”

You felt an immediate sense of relief. You knew he wasn’t trying to push you away, but the feeling of being neglected hurt you deeply. You took a deep breath and sent a reply.

“I love you, Jude. I know it’s hard for you too, and I don’t mean to be selfish. Just… please don’t make me feel like I’m an option when you already have so much going on. I just need to know that I’m still important to you, even with all this crazy schedule you have.”

Your phone vibrated again.

“You’ll always be my priority, Y/n. I’m just trying to organize myself so that we can be together as much as possible. I don’t want you to feel that way, no way. Let’s figure it out. Give me some time and we’ll plan something together, something just for us, so you can see how important you are to me. I promise I’ll try to make this easier for you. I’m not going to give up on us.”

You smiled, feeling a soft relief this time. You knew that, despite the distance and the challenges, the love between you were still strong. You were still learning to deal with the situation, and that was something natural, something that many long-distance relationships face.

A few hours later, you finally received a call from Jude. The sound of his voice calmed you down immediately, and you closed your eyes as you listened to him speak, knowing that, despite the pressure and the distance, you still belonged together.

—Babe, I just wanted to hear from you. I was thinking about how we can improve this. Maybe I should call you more often, or even text you more when I know you need me.

You interrupted him softly, with a light laugh.

—I’m not the type of person to complain, but sometimes I feel like I’m trying too hard to be strong on my own. And yes, a more frequent message would make me feel more present. I know you’re doing your best, Jude. It’s just that sometimes the best seems so far away, darling.

Jude sighed, as if he was relieved to finally hear your truth. He could feel the weight of your words, and it touched him deeply.

—I understand. And I’m going to do it. I’m going to be more present. Because you deserve it. You deserve to know that I’m completely yours, even if the distance tries to separate us. I’m going to make things work, because you’re the most important thing in my life.

You smiled at his words. The feeling of warmth was almost instantaneous. You had had a difficult conversation, but a necessary conversation, and that was the most important thing. You didn’t want to be neglected, but you didn’t want to be selfish either. You just wanted to be with him, by his side, even if that meant you had to adjust a little.

—I love you, Jude. I’m here for you too, always. And I know that in the end, everything will work out. We’ll get through this together.

He was silent for a moment before answering.

—I love you more, babe. And I’m going to show you that I can be better for both of us.

That night, even though you were miles apart, you and Jude felt closer than ever. Your conversation was a reminder that despite the hardships of distance and Jude’s career, what really mattered was your commitment to each other. You weren’t giving up. You were simply learning to be better in your relationship, day by day.

[cringefortress2]

Finished reading the comics

Gonna cry so hard tonight you can't even imagine

I love everything about how it's done, knowing how little resourses they had. Gonna leave some spoiler thoughts ahead

(old artwork just to make this post a bit more presentable)

Sad that demo literally got no screen time, but I'm happy that he'll be living his best life. Love that he's still living with his ma and eyelander. Love those little details with him and sniper hanging out together, seems like they got a bit closer wich is cool even in a friendly way. But i still feel kina robbed (not blaming this on the creators of the comics though. they really did a great job not only finishing the "big plot", but also managing to at least a bit show us the future of all the characters)

Love the way scout turned out. I always hated him as a person, but now he's kinda..grown? He now takes responsibilities and learns that world doesn't spin around him. And it breaks my heart to realise he only has like about 8 years left to spend with his family until the "scout's death date".

Love how spy, that always seemed the most emotionally "grown-up" still finds a lesson to learn and to change for the loved ones. I love how they showed us his face and not pyro's. Spy hiding his face is a portrayel of him not really trusting people around. So seing him without his mask shows that maybe slowly, but he manages to start opening to the people that he cares about. And hopefully one day he'll finally be able to say out loud that he's scout's father. But it can easily stay off screen

Love Merasmus. I always loved his goofy interactions with soldier and mercs. It always was obvious he'll be trolled for the rest of his life. But I really love that he had at least some time to gain self-esteen, other's respect. And love that at the end he can stay with at least somebody (talking about his roommate Tom Jones, but also soldier I guess). It's silly. And I just love that not everyone has to survive for a happy ending. That's the TF2 vibe in general

And of course I really love Zhanna and Soldier arc. Love them so much and so happy that they got the screen time they deserved. Don't know how to express it, just seeing their emotions, love they show to each other, their kids. Not a big fan of the "And then they married and had kids" trope, but here it feels so sincere. They stayed chaotic and stupid. Love it

Oh, and also Saxton and Maggie's final scene... I love it. Can't put it into words in English since it's already pretty hard for me to translate most of my ideas, so here i'll just leave it be

ALSO I love a lot of things and details about the main plot, but I'm afraid it'll take me a bit too much time to wright all my thoughts about it so to make things short:

I love how they managed to portrait the "eye for an eye" and pointless revenge in here. Through the covers of the chapter. through emotions, moments, the whole concept

Love the fact that mercs are literally the loosers of a big company that didn't even get payed enought without even knowing it. They veren't supposed to play an important role. Yet they did. Just like the game itself did in real life. I love it.

And also of course huge thanks for the artists. This comics was one of the most detailed ones. Huge, a lot of pages, great colors. Maybe it's hard to get used to the new style (especially since some of the characters are reeeaally different from the previous chapters), but i'm glad to see it and see how much time and effort was put in it.

[neverending-shenanigans]

Look, I don't disagree with you, per se, but here's the thing: this is all just in theory. The game fails to show this in a meaningful way or in a way that is satisfying from an RPG point of view.

Everybody matters for the success? Cool. How so? If I literally leave them behind in the lighthouse for the rest of the game, it makes no difference.

I love Emmerich, dearly, but what exactly does he do in the Veilguard? Is the game saying the few time he talks to corpses are so vital to our success that the world is doomed without him?

None of the former games (to my knowledge) implied that not recruiting someone screwed everything over completely.

And if the game wants me to see that this is different, because the stakes are higher? Well, game, show me directly what happens if I don't recruit people, make them as vital as you claim they are. And have a number of quests where I can feel their absence if i don't have them around as the experts for necessary tasks (and I mean more than these funky little dagger mechanics or that one final battle, alright). Let me experience how much worse off everyone is if I don't help them. Or if I give them bad advice, if I make them objectively into worse people.

Tie their personal narrative more strongly to the main issue. Balance them out a little. Have Zara's blood magic be a vital part of the ritual Elgar'nan is preparing. Have Isseya actually blight a griffon or two for Ghilly and let them do some hefty damage to the Anderfels or elsewhere. Let Rivain be under siege by the Dragon King and his mind-controlled beasts. Make everyone's issues matter equally with options for real Bad Outcomes.

RPGs used to be about the consequences of my actions, about having choices with actual impact within the game narrative itself, and those were more than just one bad ending option.

This would also be a way to make sure that "these are professionals" can come across. By showing me what happens if they aren't. If we aren't - if Rook isn't.

Don't just have the narrative put up a red tape that says "you cant, because you shouldnt".

Not to mention that I frankly think it does the characters a disservice by saying that "they are professionals" somehow means that they dont have issues, they have to like you, they have to grow as people.

Bioware had a fantastic system in DA2 in the rivalry system which allowed for much more interpersonal nuances. This would have solved a lot of issues here, even if we are in a set-up in which characters will stay with you no matter what. They stay with you for the cause, but they hate you personally. How many professionals feel like that about their Boss and co-workers?How many professionals are great at exactly one thing but still assholes anyway?

And I have seen it be thrown around that "Rook cannot be an asshole because Varric wouldn't have picked them". That feels like cop-out to me. And does not make sense for narrative consistency. He is not some sort of infallible Thedas Jesus. There is precedent for him being wrong about people.

Varric recruited Hawke for his brother's expedition and Hawke had much more potential/freedom to be an ass (to the point in which Varric might end up as a drunkard for it, because Bioware used to include consequences). Varric was as much part of the disaster/tragedy/failure of Kirkwall as the rest of that crew. Varric didn't see Anders' plan coming, either. He also did not spot Solas' plan from miles away.

Varric might have picked Rook up for their moment of bravado that the game always provides, because he was running our of time to stop Solas. Nowhere does it say he might not have ended up regretting that choice a little if you turn out to be a competent ass. Wouldn't that have been a neat thing?

If we and the characters got to experience... regret?

"I wish you could be mean to the companions" it's a story about professionals

"I wish you could have a choice to not recruit companions" it's a story about every single person being vital to success

"the companions are too nice to eachother" it's a story about professionals

"rook puts out people's squabbles too easy" it's a story about a boss who actually cares and doesn't buy pizza to get people to work unpaid overtime

"I wish you could recruit a therapist for the team" based and valid

[morbethgames]

The Recoding of The Bureau is Finished

I’m done recoding the game. All in all, it was honestly about what I expected to be slimmed off once I got a good look at some of the scenes. As I expected, 90% of that were from the first 3 chapters. I am a mix of emotions after arduously spending hours upon hours replacing gender variables one at a time by hand. Which unfortunately, I couldn’t think of another way for doing it, because all of the characters were using the same gender variables instead of independent ones for each character.

I’m relieved it’s done. Disappointed in myself that I had to do it at all. Irritated that some people decided to put the game on blast for it rather than give actionable suggestions on how to fix it. Excited to finally be able to continue writing both the extra scenes that need to be written and the main story. I honestly don’t know which one I’m going to continue with first.

Please leave feedback.

There are still no doubt one or two spots with maybe 1-2k words each that could be slimmed down, but that would require a lot of work for very little payoff. So yes, I’m comfortable saying, the game is almost 400k words long in total. 85k words per playthrough. That’s not including the extra scenes in the stats screen, because randomtest doesn’t go in the stats screen (to my knowledge at least, someone can correct me if I’m wrong). So you still have to play the game roughly 5 times and choose different choices to see everything it has to offer.

Is the game smaller? A bit, yeah. Is it 100-150k? It’s more than double that.

Now, that doesn’t say anything for the state of some of the writing. If I have to read someone nodding, or smiling, or ‘slightly’, ‘a bit’, or ‘a little’ something in my own work again, I’m gonna jump out a window. Obviously, back when I started writing this, I was very much influenced by Wayhaven. I’ve since grown out of that idea. Since the game has taken on an identity of its own, and while I will forever be grateful to that series and continue to support it, there’s gonna be some changes in the final version of this game. Less of what I said above, less ellipses, and the flirting (especially in the beginning) will seem much more down to earth and believable for the setting it’s in, with a bit of wiggle room since this is still very much a YA game.

Please leave feedback.

The rewrite will not be happening until the first draft of the game is fully finished. I refuse to get stuck in a rewrite phase, mostly because I would just find it way too boring.

My patreon will continue to have static fiction on it, as well as sneak peeks into upcoming stuff. In case you’ve been missing it, Love In Stasis is up to Chapter 6 at this point, with more to come. I’m also thinking about potentially starting a horror static fiction.

I’ll be relying on people to playtest this new version of the game to tell me about any continuity errors, and gender errors, any anything errors. So please, play the demo. Let me know if you notice anything. I think if I’ve proved anything at this point, it’s that I act and fix things based on feedback.

And pettiness.

But mostly feedback.

Please leave feedback.

Last thing I’ll say; I’m gonna stop saying I’m bad at coding. Someone who’s bad at coding wouldn’t have been able to implement the text boxes and fine tune them. Someone who’s bad at coding wouldn’t have been able to code Golden Eyes. Someone who’s bad at coding wouldn’t have been able to slim down the game that much from where it was. So it’s time I give myself the credit of someone who at least knows what they’re doing. I’m not adept at it, but I’m certainly not bad at it either.

I’m still expecting the game to end up over 500k words when all is said and done. It will not be one million words, but I’m actually kind of happy about that. This is proof I’m still working on this game, and the next time it updates, it will have new content. Thanks for those that are patient and stick around, your support does still genuinely mean a lot.

Please leave feedback.

Stay Brilliant,

-Vi

P.S. Please leave feedback.

🛡️Patreon | Forum Page | Demo Link🛡️

[ishtar7677]

This was a Christmas gift to me and my husband from our GM of our very first characters that we ever TTRPG'ed (Pathfinder) who commissioned this from @cutetanuki-chan. (The picture is from me taking a picture and cropping at a weird angle - the whole thing in its frame is stunning.) These two characters (Chrissy and Odhran) met when our game night people were like... hey let's try pathfinder. So I made a character and so did my husband and after meeting them, I was like... oh god... we are gonna get divorced. Lol. We were struggling at the time. And we made these characters and god, they hated each other so much..... but eventually found their way to being friends. But they were our first characters EVER. The next character my husband rolled up in this campaign (we needed to double up to round out a playable campaign), my rogue eventually formed a romantic attachment with. Then I made a bard for a totally separate campaign, and now we're both determined that he meet Chrissy at some point b/c within MINUTES of meeting my bard in a totally unrelated campaign, we were like, okay he's soulmates with Chrissy! But that's the magic right? Finding the parts of ourselves unexpectedly that can be completely accepting of other parts of our partner... even the parts of them that we thought we didn't like, want to be around, or understand to begin with. (CAUTION WARNING: let the reader understand, do NOT use this story to excuse abuse or bad behavior to try to fix a partner! This is an exercise that can ONLY be done with a feeling of absolute safety and trust between partners. We were not there when we started TTRPGS but got to a better place of trust due to his own personal work with therapy. But there were MASSIVE strides before I even trusted it. ) We joked tonight after our friend gave us this picture that Odhran (my rogue) saw this picture and was like oh GOD, what hell-fan of Chrissy (actress) did this? Why do I look like I'm worshipping her? GAHHH nOoOo. But....Odhran can also shut all the way up. :) What ultimately makes me as the player love this picture so much is probably the underpinnings of a romanticism depiction. These two characters, while they never and will never fall in love, in a meta sense, they were the gateway for us into several characters who did help us rediscover love again after years in a very difficult marriage, find a adhd hack into new relationship energy through RPing, and just provide us an outlet for a lot of intense emotional energy. And this artist, despite knowing NONE of this, captured its essence in a two completely non-romantic character portrait. @cutetanuki-chan you knew none of this and still managed to capture it perfectly. This picture will hang proudly in our house and I will enjoy explaining it to anyone who walks through our doors. Your depiction of HERO FORGE characters being so accurate is stupid impressive. Also shout out to our GM, Grace, who actively sought this out for us. What a perfect present. We couldn't ask for a better GM or a better friend. You're family and we love you so much.

[himluv]

I'm having a lot of thoughts and feelings about Lucanis's quest line. This all started when I was talking myself through what I consider critiques of the game - things I didn't like (which is a whole other post tbd). And I sort of stumbled into how I felt in the initial moment when I realized Illario really had betrayed Lucanis.

My immediate reaction was... Disappointment. And I thought I was disappointed because it felt too easy and out of character, but as I talked myself through it (verbal processing ftw) I think I stumbled onto the truth of the matter. Or at least, it feels true to me.

I read The Wigmaker Job and The Wake multiple times before VG released. Lucanis was my #1 hope for a companion before they were announced. I know and love these idiot Dellamortes.

So when the game took every opportunity to tell me Illario betrayed Lucanis, I didn't believe it. It was TOO obvious, too heavy-handed. And Illario loves his cousin, so surely there must be a twist.

I kept waiting, kept denying, until Bloodbath when it became pretty fucking clear that Illario was, if not directly responsible, definitely involved in Lucanis's imprisonment in the Ossuary. The betrayal was real. And I screamed at my TV and threw a pillow and had to take a break.

Now, here's why I think this is actually an example of brilliant writing:

The game told me over and over and over again that Illario betrayed Lucanis. And, because I did my homework and read the tie-in media, I liked Illario too much to believe it was him. Because I am trained by a lifetime of consuming narratives to believe that the obvious culprit is NEVER the actual culprit, I denied the reality the game kept presenting.

I said, "nope. No way. Not Illario."

Just.

Like.

Lucanis.

The game manipulated me into a similar (if not identical) viewpoint as Lucanis, until we were both forced to accept and face the truth. The terrible thing is not only possible, it's true. It happened. And no amount of lying to yourself will change that.

Which is also the entire theme about Spite. About acknowledging the trauma you've experienced and then finding a way to live with and through it. You can't keep hiding from it. It won't go away.

Lucanis's whole story is: the terrible thing happened. You can't undo it, can't unsee it. If you do nothing, then you will never be free of it. So, what do you do now?

And that's what Illario's betrayal is - an external version of the inner struggle Lucanis is battling.

Basically, once I realized how beautifully the writing maneuvered me through this narrative, I stopped thinking about any potential "bad" writing. This game is brilliant and I will not be taking questions at this time.

[stump-not-found]

i <3 creepy hallway

creepy hallway number one <3

alright time for more home life stuff . the bedroom scene came up as a way of trying to reintegrate the gold statue from earlier, since i just really love trying to find old elements and tie them in as plot relevant as time goes on . not usually planned, but it comes through during the editing stage, which is a fun game of deciding what scenes to keep, and which to get rid of . i wasn't so certain about this one, but i loved the idea of baby ford interacting with mabel, who's slightly older... i need to draw art of it, honestly . they're cute

it's really gratifying seeing people pick up on what i've been setting up as part of ford and the statue, the fact i was able to effectively communicate something going on means the world to me . the rest of the story is gonna dig into it more so i won't lay it all out here, but it really is so much fun . makes the whole writing process feel so communicative when people share thoughts and interpretations . especially when the scenes are meant to be read into !

we also get the closet yay . sure that's not gonna be important at all

writing the kids big blow up fight was a trip and a half . the original vision was a pretty shallow "we're stressed out and out grunkles should stop being mean to each other :(", just as a way to try and push forward the dynamics between ford and stan . that still exists, it's just a lot more focus being put onto the kids themselves . they're tertiary characters for sure, but i like thinking about their home life, and how that impacts them

one of the challenges is trying to have the fight feel fairly balanced between the two of them . shoutouts to my brother and wife for the full ass socratic seminar we had about threading that needle . how do you get a conversation where a young trans boy is trying to discuss his fears about his life and his body, and keeps getting shut down ? how do you balance that with a little girl who feels like it's her job to be the sweet, happy, emotionally intellegent adult in the room ? i'm happy with the end result but boy was it stressful

bill also wasn't gonna be here but i wanted more bill so . he got to come back . i really liked tying in nick with the spit to the little chats their having in the paradox dimension . love the lil hand pinch that was just a treat for meeeee, i get to be indulgent in my fics as much as i want . i also like the fact that ford is under some indescribable pain that entire time . they got a dynamic in this story that makes me laugh .

you know whats funny is i didn't even realize ship of theseus was a paradox writing a lot of the stuff about paradoxes . for some reason i just stumbled into that one . very funny . or, no wait -- i totally knew the entire time my brain is the size of three (3) whole apples

oh man and the entire lab scene i just loved writing . i love including bathroom breaks . i love dipper's poor hygiene . i love the fact the kids traded gold for soda, they're such perfect lil con men in training . and again the whole talk about star trek was so indulgent and fun

the brothers grew up queer in the 60's/70's and that's a major part of their arc . i hope to get across the ways they both hurt each other both as kids and adults . they still got so much to work on, and i just don't know if they've got the time

anyways creepy hallway bill time

favorite part:

“Clark.” Ford stiffens, stops. Looks up. “What?” “That, uh, captain guy. The one with the, he had the big, you know–” Stan gestures over his chest, puffing his pecs out a bit more. “Always had em out, shirt cut off or whatever. Got all hot and sweaty. Great hair.” “...Kirk?” Ford turns in his seat, slightly, to get a better look at his brother. Stan clicks his tongue, points his index finger in recollection. “ Kirk .” He repeats, and the image of the guy blooms in Stan’s head. Ford had a magazine with him on the cover, about as disheveled and beat up as a guy could look, shirt torn open. That particular mag went ‘missing’ into Stan’s stash, and he laughs at that old memory getting drudged up. “I, uh. Was a fan , back then.”

i just love how neither one of them can say what they're talking about out loud lol

Stan and Ford have a conversation, Mabel and Dipper get a bit absurd, and something gold is given meaning.

If you don't look, you won't see it fading.

[becausebuckley]

michelle's buddie fic recs: week 51!

almost the last fic rec list of the year, can you believe it? like last week, i haven't cross-referenced this list with previous ones, so apologies for any potential double recs!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! some might also contain spoilers for season 8.

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

before the night fades | MilenaDaniels/@milenadaniels| 8.6k | T

EddieAna and BuckTaylor double date and it ruins everyone's night. this fic is one of my favourite outsider povs ever! it does such a wonderful job of capturing our 911 characters as well as fleshing out a lovely cast of ocs <3

chicken alfredo | EiraLloyd/@unlifeira | 4.6k | T

when Helena laughs at the idea that her son is now able to cook well, Buck ropes Eddie into proving her otherwise. this captures the buddie dynamic so so well <3 also made me hungry lol

do you want me (or do you want me dead) | carpediaz/@sofa-king-lame | 2.3k | T

The one where Buck finds out Eddie wears reading glasses and loses his fucking mind over them, and Eddie knows exactly what he's doing. eddie in reading glasses is a VISION holy shit buck is so relatable in this. i love the silly fun!!

emails i can't send | heartbeatdiaz/@lonelychicago | 6k | T

buck should've known better than to let his email account open and then give his computer to a toddler to play with. i love love love the formatting of this one, with the emails and everything <3 so so good!! they're just french angelfish <3

i took a little journey to the unknown | 42hrb/@exhuastedpigeon | 4.3k | T

“I-it’s okay, you don’t have to talk,” Buck says and the comforting warmth is back on Eddie’s hand. The only thought that rings clearly through his head is that Buck’s hand is safe. Buck is going to keep him safe. “Just - can you squeeze my hand if you’re awake?” this is just such a lovely fic. i love the character study elements and the hand holding and just <3

in the dark (with the stars) | tawaifeddiediaz/@aashiqeddiediaz | 13k | M

Eddie’s relationship with food, anxiety and cooking, as told through the past and present. eddie's relationship with food in both canon and fanon is absolutely fascinating to me. i loved this take on it so much <3

last first kiss | songbvrd/@songbvrd | 3.4k | GA

Buck tries to say goodbye. Eddie isn't ready. frankly i think the best promo i can give this fic is exactly what i said in my comment here, which is "tim minear better be taking notes" because wow it's just that good <3

lucky boy | serenelystrange/@serenelystrange | 1.9k | T

In which Buck and Eddie are so bad at being in a secret relationship, but instead of show-typical angst, fluff! secret relationship buddie, the gift that keeps on giving <3 exactly the fic i needed on a cold early bus ride this week!!

platonic co-parents don't kiss like we do | thelikesofus/@thelikesofus | 7.1k | M

5 times other people see Buck and Eddie kiss + 1 time they really mean it. i love love love all these different types of kisses <3 the loveliest buddie fic from the perspective of the firefam!!

take what the water gave me | Daisies_and_Briars/@cal-daisies-and-briars | 20.7k | M

New transfer to the 118, Eddie Diaz, has a secret. And upon getting to know his coworker, Buck, who is also hiding something, he begins to suspect their secret is the same. He's wrong. i've been devouring every little snippet of this fic i've seen on tumblr and i was so so excited to see the full thing land in my inbox! and wow did it not disappoint. such great worldbuilding and such a fantastic characterisation of eddie <3

the bunkroom fic | exvichan | 11.5k | T

The Station 118 bunkroom has witnessed a lot over the years. Private conversations, spats, occasions of affection, joy, and anguish. It’s seen pranks, and games, and camaraderie. It’s even been privy to an unfolding love story or two. It holds the memory of each of these moments. the 118 bunkroom my beloved <3 i love these little moments so much, especially the conversations between the firefam!!

the wayward son | brewrosemilk/@gayhoediaz | 56.9k | E

Eddie misses his son, grows a mustache, pines after his best friend, and becomes a regular at a gay sex club. That last part is either an indulgence or an inevitable, somewhat self-destructive conclusion to several decades worth of compulsory heterosexuality and catholic guilt. Don’t ask him which. i can't even capture the vibe of this fic in just a few lines but holy shit is it brilliant. the most incredibly writing, great characterisation, and also just very hot stuff. an immediate bookmark and new favourite!