#I intend to get this cult off the planet if it KILLS THEM
Explore tagged Tumblr posts
pushing500 · 8 months ago
Text
Tumblr media Tumblr media
We left Loyalty's Meander at the same time our last guests did. Apparently, the horrible murder-cult vibes weren't enough to deter them, so now we have allies! That's nice, I guess.
Tumblr media Tumblr media
Blackthorn learned to walk while we were road-tripping and I couldn't get this scene from Ice Age out of my head while I was trying to draw it so you just get the scene instead.
Tumblr media Tumblr media
Thanks to the vehicle mod, it only took us eight days to get here, so here we are! I can't wait to see the ship!
Tumblr media
hmmmmmmmm
there is... no ship
That is problematic. We'll try to mine into those mountains and see if there's a ship hidden in there somewhere, but I fear this may call for some Dev Mode intervention from Ecthuctu themselves...
Tumblr media Tumblr media
Duchess now is not a good time
Tumblr media Tumblr media
Curly, that is RUDE. Ecthuctu will not be impressed by this slight, mark my words... Terrible things are coming for you.
First | Next | Previous
30 notes · View notes
trucywright · 6 months ago
Text
i finished listening to the third river song audio which features kovarian. some interesting details/info
river has at least 2 sets of siblings who were made from her embryonic dna. they share bio-energy signatures and are slightly telepathic with each other
the first set escaped after demon’s run. one became a religious cult leader and convinced the others that they should die and regenerate constantly.
the leader is lake, who regenerates into lily. river meets lily then finds lake who kills lily. river kills lake who then regenerates. the sheer despair river has about this is immense.
river had told lily that she was safe and river wouldn’t let anything hurt her ever again.
she also was the one to name lily.
river was looking for them because she was tired of being alone. she describes the doctor as a ghost who comes in and out of her life when he pleases.
she calls up the 5th doctor to travel with him and he doesn’t question it at all?? he legit just agrees and let’s her on board.
river is the reason the doctor says “timey wimey.”
the second set of river siblings includes brooke, who’s sent to be the 5th doctor’s companion and then kills him in a restaurant outside time and space.
she tried killing him before this too due to a potion that kills based on if someone hates you. this failed because river loved the doctor back to life.
one of river’s other sisters gets really into the idea of rewards point cards. at the end, river asks the 5th doctor to drop her sister off at a rewards card planet.
river can’t kill kovarian. kovarian programmed river and her siblings so if they try to harm her, they’ll always miss or mess up in some other way.
the implication is that kovarian raised river then put her in the spacesuit and sent her to the orphanage. she was never in the orphanage and outside the suit simultaneously before the doctor arrives.
river lists experiences that her parents missed from her childhood. kovarian says “i deserved them” and calls herself river’s mum.
river’s bedroom was called the nightmare room by kovarian. it’s filled with toys that are also weapons.
river says she knew how to use throwing stars before she could walk, and kovarian says her first words were “kill the doctor.”
kovarian casually uses electric shock to torture river’s sisters. the nightmare room is also now a punishment room if the sisters disobey her.
the sisters join up at the end and defeat kovarian. brooke is intending to indirectly torture kovarian with an electric room for the rest of her life, since none of them can directly attack her. kovarian pathetically begs river to save her but river walks away.
37 notes · View notes
aspiringwarriorlibrarian · 6 months ago
Text
What I think the Sith's plan in the Acolyte is
With the most recent episode's mention of "deals" with the Master, and with me being bored out of my skull at work, I think I've finally put together the Grand Unified Theory of who is pulling the strings, how, and why. With half the series to go I expect most if not all of this to be disproven by the end, but who knows? Maybe one of the darts will land.
Step 1: Hijack the Chosen One Prophecy by creating your own With the Chosen One being the Sith's designated boogeyman for the last 900 years, various plans have likely been tried before Palpatine stumbled across Anakin and went for "corrupt". Ergo, the Sith (who may or may not be the Master) went to the Brendok coven and bargained with them to create a child from midichlorians, in the hopes of creating their own Chosen to be corrupted or killed.
Wrinkle 1: They got a Chosen Two This might also explain why the coven are so insistent that Mae and Osha are totally the same person, they're still trying to fulfill the Chosen One prophecy by loophole.
Might be a step or a wrinkle: The Ascension Depending on whether or not Aniseya was intending to protect them from the Sith by Ascending them or whether this was part of the deal. The latter is plausible, but I'm inclined to believe the former, because Step 3 is...
Step 3: Bring the Jedi to Brendok under false pretenses How utterly convenient that they show up just before the kids are to be Ascended. Eight years on an obscure planet, and just now the Jedi get a tip that "they were training children".
Which leads us into the more important part: the false pretenses part. The way the Jedi act in this episode seems unusually hostile, but something about it clicked in my former tutor brain and I realized it: this is how you act when you think a child is being abused. They're being very legal and technical to avoid setting the witches off (because that could rebound onto the children). They get the kids alone for the test. Sol asks Osha "did someone tell you to lie?" and urges her to be brave and tell the truth about what she wants. Sol's visibly disturbed when he sees Mae has a mark on her that wasn't there yesterday, and when he sees Mother Koril reprimanding them in the forest.
Take it all together and we form my theory of Step 3: the Sith brought the Jedi to Brendok with the belief that they were rescuing abused children from a cult. Why? Well, step 4!
Step 4: Ignite conflict between the Jedi and the witches, ensure all the witches die and the Jedi look solely responsible, get two new apprentices. The Jedi and the witches are already on edge around each other, both convinced that they need to protect Osha and Mae from the other and with preexisting biases against each other's beliefs. Easy to nudge into open conflict, particularly if one or more refuses to give up Osha and Mae. But even if they wanted to (which they don't), the Jedi couldn't have killed all the witches, they were outnumbered against magic they hadn't trained for. In a straight fight, the witches would win. But that would get in the way of Mae and Osha's fall, so the Sith makes sure it isn't a straight fight. Maybe they kill the witches themself, maybe they sabotage things. Either way, all the witches are dead with the Jedi seemingly to blame, and the Sith gets both candidates for the Chosen One, freshly traumatized and full of hate.
Wrinkle 2: The Jedi survive and one grabs Osha I highly doubt all four Jedi were meant to survive the encounter. They were put in a rigged fight, and even if all four had died the Sith could have still used their dying actions to ignite a hatred of the Jedi Order. Maybe one or two for a later revenge spree, but all four? Something went wrong, and that cost them Osha when a Jedi was able to save her. He manages to grab Mae and train her, but that's only one half of the people he needs. On to Step 5.
Step 5: Use Mae to lure Osha out He's trained her for ten years, but Mae simply isn't up to snuff. She's not powerful enough or focused enough or devoted enough to Sith ideology. So naturally, the Sith decides to try the other one, see if that one is the Chosen One. So, he sends out Mae against impossible targets, knowing she'll be lucky to survive, let alone kill anyone. Odds are, she was meant to be easily defeated by Indara so that the Jedi would dismiss her as a lost girl just seeking revenge rather than part of a larger plot. But that's secondary, because Osha will reemerge, and then he can grab them both.
Wrinkle 2: Mae actually succeeds She actually kills Indara. The Order is spooked and investigating. Osha is brought in and is now neck deep in Jedi. And thanks to that investigation, Mae learns that the Sith lied to her for years. This is getting way too much heat.
Step 6: (hastily constructed) Fuck it, might as well just grab em both myself.
After all, no one can report seeing a red lightsaber if they're dead. So, what's the plan for once he finally gets his hands on the Chosen Two without any pesky witches or Jedi getting in the way? I don't know. Maybe he's gonna fuse them into one person.
26 notes · View notes
echodoctor · 2 years ago
Text
I suddenly have a theory about the Fifth House.
So for a little while I’ve been kind of squinting at them like “what... do you guys do here?” Like, we know that their job in the Nine Houses rhyme is Five for tradition and debts to the dead, but what does that mean, exactly?
Abigail is a historian and the Fifth House in general seems to have a tradition of spirit magicians, ghost-callers. Okay, sure, that makes sense so far with the concept of “tradition”. But is history their job? That seems to be something the Sixth does, we definitely see historians and historical research going on with them- sure, there’s absolutely no reason we can’t have two scholarly houses, but it kept nagging at me. 
(We certainly have two “religious institution” houses, but the Ninth was, uh. Not strictly intentional, re: the whole Tomb cult thing. As far as we can tell, they only planned to have one.)
We know that they’re culturally influential, but they don’t seem to be performers or artists, per se. The vibe I get is that the Seventh seems to be the stereotypical “artist house”, although the Sixth probably gets most of the English majors.  
The Fifth is also portrayed as a very political house, with people suggesting that they’re slowly annexing the Fourth and that the Ninth needs to avoid coming too much under their influence to avoid the same fate. 
How much of this is actual Fifth House political policy versus Magnus and Abigail’s genuine desire to look out for kids like Isaac and Jeannemary being filtered through Harrow’s paranoia is unclear- but Augustine being “a relic of the Fifth” is considered sufficient to make him a match for Ianthe in all her Ianthean glory, and the Third is undeniably a house of politics.
And then a thought occurred to me: what profession is inextricably tied with the government while not strictly being intended as politicians (even if they sometimes become political movers and shakers anyway), is very bound to precedent, and also has a very specific duty often involving those who have been killed?
Lawyers.
I think the Fifth House was originally meant to be the house of law- not police, probably, because John Gaius strikes me as the kind of guy to be well and truly done with cops in his life, but lawkeepers and legal scholars. Lawyers, judges, detectives. 
It would fit with the generally accepted idea of their planet being Jupiter- in addition to the whole “god of lightning” aspect, Jupiter’s status as king of the gods meant that he was also a god of law, handing down judgements as a king would. 
Their main seat on the Fifth is even called the Koniortos Court.
I could be totally off here, but I think it would make a lot of sense. 
23 notes · View notes
cosmicmordecai · 3 months ago
Text
The way you made this whole point up to portray the Jedi in one way is amazing because it literally makes no sense.
Not entirely correct. The Jedi gain children from these different planets. If either a war breaks out or the Trade Federation controls the planet (eventually the separatist) then that means their cult may lose out on force sensitive kids (either bc casualty of war or this new leadership won't allow it).
That is not, at any point, a concerned noted by any Jedi character in leadership or even a Knight and Master within Phantom Menace. This is the SAME movie they said NO on having Anakin. Now YMMV on whatever interpretation people like yourself who create the worst bad faith outlooks on them will put out but they werent quick to scoop up Anakin despite, which conflicts with your whole assertion about their interest in swelling the ranks.
Funny enough, the recent Living Force book address this point a little, when it is revealed Sifo-Dyas often ignored protocol and had this very similar attitude because he swell the Jedi ranks to be able to fight off Order 66, which he had vague visions of. Mace, Depa, and the Council revealed to the villain (who was a criminal in part because of the negligence Dyas had years ago) that because he breached it, he was told he was no longer allowed to even recruit Jedi CANDIDATES.
That is placed just a year before TPM and the Council in that same movie were not concerned about recruitment of kids at any point. Hell, Naboo is a significant presence in that movie and they used teenagers as monarch figures AND body guard.
So of course they're on the side that... A) Keeps the current power in place. B) Keeps their pipeline of children safe. C) Didn't try to kill them within 5 minutes of getting to a waiting room
So did we not remember in the movie how this very act was very bold on The Trade Federation, a company that manages to have it's own private army and a seat on the Senate like it is a planet before going through an illegal occupation and then attempting to obfuscate their activities and wanting to own Naboo?
The Trade Federation was not good at any point in the movie.
It just so happens that the good choice lines up with the pragmatic choice because don't expect too much from the writing of the movies.
You don't even comprehend the movies enough for your argument so I don't know why you balk at the writing, which made no mention of any kind of personal incentive they had whether it be in the movie or retroactively stated in other media that debuted after it.
Neither Yoda, Mace, or Ki-Adi-Mundi ever mentioned "but the kids tho".
The Jedi are all about keeping the status quo for the sake of it and are never shown in the movies as neutral. This is something the prequels try to touch on but it doesn't really get delved into as much as it should.
The Jedi support the Republic in part because it is considered a DEMOCRACY and a REPUBLIC, meaning elected officials do the governing and they follow a CONSTITUTION, which sets the rules and principles in which they govern. Maintaining the "status quo" is not the "gotcha" moment you think it is and is not always inherently leaning towards negativity..
The Council and Mace Windu also made it clear in AotC to Palpatine they intially they did not intend to fight in any violent conflict with the Seperatist, as they are not military soldiers ("We are keepers of the peace, not soldiers"). The Council had to change their position when it became clear Dooku was spearheading the Seperatist for something other than striking out of the Republic (not to mention a literal act of aggression against them by kidnapping a Jedi Master) and Obi-Wan reported his chat with Dooku, which also made Windu (then-head of the Council) suspicious and remark they should keep a close eye on the Senate.
They're pretty neutral far as things are concerned but literal circumstances force their hand to side with the Republic.
Jedi neutrality in TPM comes not at all from not taking sides. They get there and pick a side in under five minutes. They are 100% team Naboo. No, their neutrality, and their cultural moral authority, comes from not having a stake in this fight. They're not mixed up in the trade federation. They don't have personal ties with the Naboo. They don't stand to benefit or to lose from the success of either party. They can just show up and say, hey, just decided you guys suck. And no one can accuse them of being secretly married to the Naboo queen or having offshore investments in the Lake country, or whatever completely hypothetical thing a person might have going on that would hypothetically compromise that neutrality
2K notes · View notes
floating-mid-air · 4 years ago
Text
The Princess Of All Saiyans
-
Masterlist
-
Hey guys! Chapter nine is here. And this one is a fun one. As always, I hope you enjoy. And if you have any comments or questions regarding this fic, feel free to let me know.
Also if you've been following this story for a while, then you'd know how inconsistent I am when I post chapters of this story. Sometimes it takes me two weeks to write another chapter, and other times it takes me an entire month. So if you're interested in being notified whenever I post a new chapter, you can join my tag list here.
-
Chapter 9
-
Vegeta and Raditz land simultaneously, both Saiyans carefully observing their surroundings. All of the Dragon Balls have remained in place, but that provides very little relief. There isn't a trace of your presence, not a footprint, not even a stray hair. "Y/N!" Raditz shouts at the top of his lungs. This was a severe mistake on his part. For his own sake, Raditz better hope the Ginyu force hasn't heard all of his commotion.
Vegeta paces back and forth, his hands knotted through his hair. "Relax, Vegeta. She couldn't have gotten far." Despite Raditz's calm words, his tone gives him away completely. It wouldn't take a genius to figure out that he's just as anxious as Vegeta. 
Raditz's advice doesn't seem to calm down the prince even a little. In fact, he only seems to grow more distraught. "Raditz, you don't understand. I never disclosed the location of the Dragon Balls to her."
Raditz furrows his brows at the smaller Saiyan. "What the hell, Vegeta!" Never in his wildest dreams did Raditz ever imagine himself shouting at the prince. He didn't even notice that Gohan and Krillin had joined them. Hopefully, they've picked up bits and pieces of the conversation because neither Saiyan has the patience to deal with their idiocy at the moment. "Just--- What the fuck were you thinking?" Raditz doesn't understand. How can Vegeta go from ordering someone to stay glued to your side at all times to leaving you to fend for yourself on a foreign planet? It's only been a few weeks. How can he have gone through such a drastic change in such a short amount of time?
"If I knew the Ginyu Force was coming, do you think I would've left her alone!" Their bickering is doing nothing to help. In fact, it's probably making the situation worse.
"Alright. How about you both calm down." Krillin decides to jump in and play peacemaker. "Y/N seems more than capable of taking care of herself. We need to focus on the threat. We need to get this over with and summon the dragon before something bad happens."
Both Saiyans turn to the smaller earthling, glaring daggers at him. "Who gives a damn about immortality right now! You don't know the first thing about my sister! So don't stand there all high and mighty and act like you do." Krillin hit a nerve, but it wasn't just in Vegeta. 
The earthling wants to revive his friends, but there is something he doesn't understand about Raditz. You've been the faint speck of light in his otherwise shitty world, the only friend the Saiyan has ever had. Even though he stood with his brother, you're still a priority over the resurrection of a handful of puny earthlings. 
"Interesting to see where your priorities lie, Geta!" Your legs have been sticking out of your handcrafted shelter the entire time. It's funny to see what details people miss while they're in a state of panic. You lean forward, revealing yourself to the abnormal group. Now your entire body hangs off the mountain.
Four sets of eyes look up at you, all with varying responses present on their features. "Oh, thank god," Vegeta whispers, at an octave low enough only for him to hear. Raditz places a hand on his chest, sighing in relief as Vegeta's features contort in displeasure. "What did I tell you about pulling shit like this? Get your ass down here!"
You jump down, landing in front of the Dragon Balls. This ensures that you maintain a safe distance away from your brother just in case he decides to kill you. "Don't get your panties in a twist."
Vegeta's nostrils flare, complemented with his entire body shaking with rage. "You scared me half to death." You expected a lecture, but he's not even raising his voice. You may have freaked him out more than you originally intended.
Your lips curve upwards. "That sounds like a you problem, big brother." Something is particularly satisfying about throwing his own words in his face.
"I suppose I deserved that." His features soften. "I'm just relieved that you're alright."
Raditz walks over to you, slinging an arm around your shoulders. "Well, what did I do to deserve that scare?" 
"Collateral damage Raditz. Call it a happy accident."
"Enough of the chit-chat. Now let's---" Vegeta cuts himself off as you all lookup. You can sense the Ginyu Force, and they're heading straight for you. You grab Raditz, pulling him into the homemade cave. The others were facing the Dragon Balls. There would've been no time for them to get up here as well. Your higher altitude could be used to your advantage since you'll have the element of surprise. 
It's a bit cramped, but when you created the cave. You never expected to share the space with a Saiyan of Raditz's size. He takes up more space than you and Vegeta combined. You both watch the Ginyu Force land in front of a trembling Gohan, a frozen Krillin, and an aloof Vegeta. You really hope the Genius Force doesn't do those god-awful poses. You've already been traumatized enough for the week.
You decide to keep a close eye on Captain Ginyu, who is currently exchanging pleasantries with your brother. Well, as pleasant as it can get for two beings who are about to murder each other in cold blood. Followed by murmurings from various members of the Ginyu Force and Recoome's delayed laughter. "Just hand over the Dragon Balls, Vegeta. No need to make this any harder than it has to be." Vegeta's posture remains stiff. It's clear your brother isn't going to budge. Their little group is going to have to pry that orb from his dead body. "Come on, Vegeta, be a sport. We already have five." He gestures to the spheres behind him. That means Frieza will have five. Can you really trust those neanderthals to hold onto their Dragon Balls? No, you were raised to trust no one's capabilities but your own, not even Vegeta's. 
Jeice looks around, his green eyes scanning around the area. "Where's that gorgeous sister of yours, Vegeta?"
Vegeta glares at the red man. "Even if my sister was here. I doubt she'd be interested, Jeice. I mean, she never has been." Oh, your brother knows all about your history with the mutant Brench-seijin. He's overly flirty, and you reject him. It was a vicious never-ending cycle. If Vegeta had no self-control, he would've murdered him years ago for even looking in your direction. In his eyes, Jeice is unworthy of a woman of your status.
"Well, with Raditz out of the picture, there's no chance for Saiyan offspring. So I figured I'd shoot my shot." You cringe. You're not sure which idea is more repulsive, a relationship with Jeice or procreating with Raditz.
"Even if you were the last man in the universe. My sister wouldn't so much as glance in your direction." Vegeta and Jeice continue going back and forth as an idea pops in your head. This may be your only opportunity to get your hands on a Dragon Ball. You're only chance to put a fork in Frieza's plans for immortality. 
You silently climb out of the cave, dropping to the ground. The others can unmistakably see you, but they make no expressions alerting the Ginyu Force of your presence. You grab the closest orb before promptly flying back to the cave. Call this your insurance policy for when Krillin and Vegeta ultimately screw up. You escaped that entirely undetected. Is the term elite just thrown around loosely in the Frieza Force? Because that's what you're starting to think.
You hand the Dragon Ball to Raditz, directing your gaze back outside. "Those scouters of yours can't detect Dragon Balls, can they?" It was a rhetorical question. Vegeta knows they don't have that type of technology yet. You know how your brother thinks, and this is a faulty plan on his part. "Then you lose!" Vegeta pivots, launching the ball at an alarming speed. It would be a fatal blow to the head if it hit someone. 
Burter takes off, chasing after the orb. He flips in the air, catching the ball with ease. You swear, Vegeta can be such a dumbass sometimes. He knows Burter rivals you in speed. He may even be a bit faster than you.  
You shake your head, turning to Raditz, lowering your voice to a whisper. "Here's the plan. When I formulate a distraction, you're going to take the Dragon Ball and get the hell out of here. And Raditz, go hide the damn thing, somewhere no one will find it." He grins from ear to ear, causing you to glare at him. You know how this moron thinks by now. "And do not hide it with that Earth woman. That will just get her killed."
"What if that's my intention?"
"I don't think little brother Kakarot would be very pleased with you, but it's your call." You stand in silence for a moment, your piercing gaze lingering on the Saiyan. "Though, I can assure you. If Frieza gets his hands on that Dragon Ball. I'll kill you. In the most graphic and painful way, I can imagine." He gulps nervously, rapidly shaking his head in understanding. To Raditz, you're the only life form that can still sound menacing while whispering. 
You revert your vision back to the little gathering outside. And as you assumed, Krillin lost his Dragon Ball as well. Ginyu decides to take Vegeta for himself, which doesn't go over well with his team. They're acting like a bunch of children. It's almost comical. "Fine." The Captain sighs. "I'll take the Dragon Balls back to Lord Frieza. You all can sort this out amongst yourselves." They chant Ginyu's name a few times. They kinda remind you of a cult.
The four lower members of the Ginyu force move to stand in a circle. "So the winner gets Vegeta. And for second place---" Guldo is cut off by Recoome.
"The rest. Make the two runts a set. Together they'll be more equal to Vegeta." Oh, that can't be going over well with your brother. The fact that Recoome would declare that those two are his equals must be sending his blood pressure through the roof. 
They begin playing rock paper scissors. This must be how they decide their battles. It's like a game to them. Every single match ends in a draw. At this rate, you could be stuck up here forever. 
You doze off until you hear Recoome cheering. The endless match must have finally ceased. "Ya! I get Vegeta!" Fate can be an amusing thing sometimes. Vegeta must be ecstatic, getting to show the moron just how much stronger he is than those pathetic runts. 
"Of course, I'm stuck with the runts." Guldo wines. He's the last creature who should be referring to anyone as a runt. You could squash that little freak like a bug.
Ginyu approaches the Dragon Balls, picking them up with his telekinesis. He counts them before snapping his head toward the dumbest member of the Ginyu Force. "Recoome! There's only four here!"
Recoome scratches the back of his neck, that classic confused look on his face. "I'm sorry, Captain Ginyu. I thought I counted five."
Jeice turns to his superior. "I told you we shouldn't have trusted him with counting the Dragon Balls."
The Captain takes a deep breath, attempting to keep his composure. "It doesn't matter. I'll search for the missing Dragon Ball. It's probably with Y/N anyway." He takes off, heading in the direction of Frieza's ship. Well, that takes out your major concern. The others are child's play compared to Ginyu.
You pay minimum attention to Guldo's battle with Krillin and Gohan. You're more focused on finding an opening for a distraction. You begin to notice significant holes in their fight. Guldo will be in one area and then magically appear in another, and he's not teleporting. If he was, you would've been able to track his movements. Could the rumors about that green freak be true? Can he really pause time? They must be. That's the only feasible explanation. So under the assumption that Guldo can stop time, the earthlings don't even stand a chance. No matter what they do, that four-eyed freak will always remain one step ahead of them. 
You do, however, pick up on something. Guldo appears to hold his breath before every skip in time. That must be a limitation in his abilities to pause time. So if those two can somehow prevent him from holding his breath, they should be able to best him. You know what, scratch that. Those two probably haven't picked up on his abnormal behaviors.
Though, the earthlings do appear to have the advantage at the moment. And the rest of the Ginyu Force won't let Guldo forget it. They're heckling him so loud that you can hear them clearly from all the way up here. Guldo's kinda like the Raditz of the group, just a lot less respected. 
Guldo tosses the pair up into the air as a strange yellow light surrounds them. He's claiming it's a paralysis attack. That doesn't sound good for the earthlings. 
Krillin and Gohan struggle almost as if they were trapped in invisible bindings. As far as you can tell, they're immobile. If Guldo felt the need to resort to such dire tactics, he must think that he can't take out the pair any other way. So when the earthling and the half-breed combine their strength, they're mightier than Guldo. That's quite impressive considering how weak they were back on Earth.
"Now I'm gonna show you what happens when you embarrass me in front of the boys." You clench your fists, your nails digging into your palms, as you watch Guldo intently. As much as you hate to admit it, you're going to need those two runts. So if Guldo were to kill them, it would be very unfavorable. He uses another mind trick to pull a tree from the ground, using the bottom end as a makeshift spear. He points the weapon at the pair, taunting them. He's gonna impale them with a fucking stick. What a pathetic way to go.
You do wonder why Vegeta hasn't intervened yet. He's never played by their rules before. So what's stopping him now? Your brother may simply believe that Gohan and Krillin deserve to die. For not adhering to his warning regarding the weakest link of the Ginyu Force. It's not below Vegeta to be that petty. You can't blame him though, those two fools have no sense of self-control.
The slimy green creature's obnoxious cackling invades your ears. Honestly, Guldo's just pissing you off more than he was before.
Amidst the chaos, you jump out of the cave, flying a bit to distance yourself from suspicion. You shoot a purple beam at Guldo, efficiently decapitating him. Raditz seems to have gotten the message since he checked out with the Dragon Ball sometime during the commotion. He better hide that thing somewhere safe because his life depends on it.
"Did you really think I'd let a creature as pathetic as Guldo kill anything with a drop of Saiyan blood!" Your voice booms causing all eyes to land on you. You place a hand on your chest, fixating your gaze on the Ginyu Force. "I'm hurt that you didn't include me in your little game."
"Oh, our apologies Y/N." Jeice's thick accent invades your ears. "We should have assumed. Wherever Vegeta is, you're always somewhere nearby."
You swear you can hear faint grumbling. You just can't quite locate the source. Your eyes scan over the ground until you discover the origin of the sound. Long story short, it was Guldo's severed head. So his species can survive decapitation, good to know. "Defeated by a damn Saiyan. And the weaker one at that." You could run circles around that little freak. If you went head to head, he wouldn't even be considered a challenge. Guldo's giving himself far too much credit.
Vegeta chuckles darkly. "Well, don't worry." He strides over to the talking head. "You won't have to deal with that shame for long." Vegeta finishes the job, eliminating that embarrassment of the group of supposed elite warriors. 
The three remaining members complain about Guldo's demise, but it's not for the reason you may think. They're more upset about the impact his absence will have on their ridiculous pose. You wish you could say you were surprised, but you've known those idiots far too long to believe anything else.
The half-breed and earthling walk over to you, identical expressions of gratitude apparent on their faces. "We owe you one, Y/N." You roll your eyes at Krillin. It was a simple business decision. And it was nothing more than that. 
Gohan nods in agreement. "Ya, thanks." You cringe at his gratitude. Why are they thanking you? You killed Guldo for your own selfish reasons.
"Your lives had nothing to do with it." Well, at least Krillin's. If Guldo did kill the half-breed, it would've been an embarrassment to your entire race in hell. "I needed a distraction. I saw an opportunity."
"She's right, so pull yourselves together. Your lives are incredibly insignificant to us." Vegeta's lying. Your brother knows you need them. He's just far too prideful to admit it.
Burter turns to Jeice, morphing his hands to prepare for another excruciating match of rock paper scissors. "Alright, Jeice. Winner gets the Princess, and the loser gets stuck with the two runts."
Jeice shakes his head. "No, Y/N's all yours." He turns to you, his green eyes meeting your own. "I could never lay a hand on a lady as fine as the Princess." You suppress a gag, deciding to keep your mouth shut. If you were to respond, there's a good chance you could end up fighting both of them.
Burter furrows his brows at his comrade. "Are you sure?"
"Ya, go crazy, Burter." It's actually a reasonable match-up. You and Burter both have incredible speed. I guess you'll finally find out who's faster.
Now with Guldo out of the picture, it's Recoome's turn to fight Vegeta. He reminds you a bit of Nappa. Since he lacks any form of self-control. His punches at your brother are erratic. He even almost hits you, Krillin, and Gohan several times. If Recoome were to hit Krillin with that kind of force, there's no doubt in your mind that it would be a fatal blow.
"Don't go killin them all yourself!" Jeice is second in command to Ginyu, so his authority over Recoome makes sense. "I get the two runts, and Burter get's the Princess of the monkeys." One minute Jeice is flirting with you. The next, he's demeaning you. Talk about mixed signals.
You watch Recoome and Vegeta trade punches, and it's starting to lack any value of entertainment. Vegeta's covered in blood while Recoome's armor is chipped, and he's now missing tufts of hair.
You begin to grow impatient. This will be the first time you've been challenged in a while. "Yo, Burter! Let's just get this over with now. We'll make this battle a double feature." 
"Fine with me." The two of you distance yourselves from Recoome and Vegeta, commencing your battle as well.
Their gazes flicker back and forth between both battles. They were so enthralled in the action that neither Gohan nor Krillin noticed that Raditz had joined them. 
Gohan and Krillin stick to the sidelines. They're in no hurry to fight Jeice. Even though he's significantly smaller than Recoome and Burter, Krillin doesn't think Jeice's smaller size will give them any sort of advantage. 
"Raditz?" Jeice looks far from pleased. He's always been jealous of the Saiyan. Not for his strength, rather the envy stems from Raditz's luscious mane of hair. It took Jeice several years to grow his hair to an adequate length, while that fool was born with that full head of hair. Raditz meets his gaze, an arrogant smirk overtaking his features. As he waves at the green-eyed man mockingly. "But--- Y/N said you ran off!"
Mid-battle, you turn to Jeice. Without even looking, you still manage to keep up with Burter. "I'm a compulsive liar, Jeice! It's a nasty habit."
Jeice huffs, crossing his arms at the largest Saiyan. "Raditz is mine. I'm throwing him in with the two runts." A chuckle escapes your lips. He's underestimating what the three of them could accomplish together. Jeice is letting his own petty feelings cloud his judgment. How arrogant.
Krillin's brows furrow as his eyes linger on you. There's something that isn't quite adding up. He turns to Raditz and Gohan, lowering his voice to a whisper. "Hey, guys. I've been thinking about something. Remember back on Earth how Vegeta said that Saiyans get stronger after battle. Well, Vegeta's gotten stronger after several fights, but do you see Y/N? She's still able to effortlessly keep up. Even though she's barely lifted a finger. How is that possible?" The earthling's eyes widen as the gears begin to shift in his head. "Unless. Is she stronger---"
Raditz's hand covers Krillin's mouth, lowering his voice to a deadly whisper. "Silence, you earthling. Keep that big mouth of yours shut."
Krillin's teeth sink into his captor's hand, successfully freeing himself from the Saiyan's clutches. Several muffled phrases of obscenity escape Raditz's lips as he rapidly shakes his hand in an attempt to soothe the pain. "She is. Isn't she?" The look on Raditz's face told Krillin all he needed to know. "But you knew that already, and I bet you know why too. I wonder how Vegeta would feel about this?" His last sentence was clearly a passive-aggressive threat toward both you and Raditz. The earthling wouldn't be dumb enough to follow through with that threat, would he?
Raditz scowls at Krillin. How dare this pathetic little weasel attempt to threaten him. "Not a word to Vegeta. If you value your life. I'd stop talking now. Vegeta doesn't know, and it would be very unfavorable if he found out, for all of us." His tone shifts, his eyes flashing with vulnerability. "Something bad happened to us as children, and Vegeta still doesn't know about it." He returns to his menacing demeanor, your shared childhood trauma getting pushed to the back of his mind becoming yet again a distant memory. "So you will stop your absurd thoughts now. Or I can assure you. The second you resurrect your feeble friends, I will single-handedly slaughter them, and then you will follow." Krillin gulps, nodding in fear. He better pray Vegeta heard none of their conversations because he has a feeling Raditz will stick to his word.
Raditz thinks he knows all your secrets, but he's only aware of the tip of the iceberg. Below the surface lies pain and suffering the older Saiyan could never imagine from you. You keep these secrets to protect him, to protect Vegeta, and most importantly, to protect yourself. But if either of them were to find out the truth, your life as you know it would come crashing down. If they were to find out your greatest shame, your pride would be in shambles, and they would know the truth. You're just a weak Saiyan who's an embarrassment to her family name.
You're not exactly sure how much time has passed. You've completely blocked out the entirety of your surroundings, remaining focused on your battle with Burter. You can't joke around as you did back on Earth. There's no room for error today.
The two of you take turns beating the absolute hell out of each other. If you keep this up, there will be no end to this anytime soon. You shriek, spiking up your energy substantially. Burter's eyes bug out as his scouter explodes. Those pieces of junk are really no match to this energy-sensing technique. 
Even though you've blocked out your surroundings, you know the two of you have moved a significant distance away from the others. You could even be on the other side of the planet by now. In the back of your mind, you can't help but worry about your brother especially, now that you're so far away. Recoome may be an idiot, but he's a strong one. You have to remain focused. You can't help Vegeta if you don't help yourself first.
You begin to get the edge over Burter. Now he's attempting to block your attacks, but due to his large size, he's failing horribly. A couple more blows, and you'll finally be able to knock him down. You've taken down guys much larger than Burter, creatures who were triple his size. 
Over the years, you've learned to use your smaller size to your advantage. Making your opponent's sheer size more of a nuisance than a strength. Burter begins to struggle further. He's now barely able to keep up with you. "I'm the fastest being in the universe! How can one of you monkeys be faster than me?" You scowl at him, finding no humor in his statement as rage boils inside of you. 
Unknown to you, you and Burter aren't alone. Goku has been watching your battle in awe for quite some time now. He knows he should've left to find the others, but he just couldn't help it. He can't take his eyes off of you. This is the first time he's seen you fight, and you're much stronger than the Earthbound Saiyan believed.
Your fists clench as your entire body convulses in rage. It's not often you'll lose your temper like this. Goku swears that he saw your irises flash a shade of red. He rubs his eyes, glancing back at you. Your eyes have returned to normal. Maybe Goku is just seeing things. If you knew someone was watching, you would've kept your temper in check. 
Burter sends a blast of your energy your way. Which you dodge by teleporting behind him. You use all of your body weight to knock him down to the ground. You won't mock him like you typically do after defeating a foe. You won't take the chance of giving him an opening to strike back. In the palm of your hand, you create an orb of energy, disintegrating his head. Successfully, taking out your second member of the great Ginyu Force.
You fall to your knees, desperately gasping for air, before grabbing your side, wincing in excruciating pain. Damn, Burter must have nicked you good. You look to your side, noticing just how much blood has leaked through your armor. This is gonna be an issue, though you've fought through worse. You stand back up to check your body for any further damage. There seems to be no other physical damage to your form. Your armor is a bit ripped, though. 
"Wow! You're really strong." You gasp, moving your fist, aiming it at whoever is in front of you. They swiftly catch your fist, preventing you from attacking. Their grip is secure enough to stop you from escaping, yet at the same time pleasantly gentle.
You move your gaze upwards, finally gathering the courage to look them in the eye. Your brows furrow as Goku's dumb face enters your field of vision. "God, Kakarot! When the hell did you get here?" You shake yourself out of his grasp, taking a few steps back, putting some distance between you two.
"A while ago." He rubs the back of his neck sheepishly. "I got distracted by your fight." So he was observing you the whole time. Why does that make you feel incredibly self-conscious?
"Of course you did." You sigh, moving several strands of hair out of your face. Goku steps closer to you, bringing his hand to meet your forehead. It's so big that it takes up the entirety of your forehead and even the top of your head. "Kakarot. What the hell are you doing?"
"Just be quiet for a second." It's official. Goku has lost what was left of his mind. "So it is true. You guys are working together. And that Frieza guy is a much bigger deal than I thought." How does he know about all of that? And why is he still touching you?
You slap his arm, convincing him to remove his hand. "And why's that?"
"Because you're afraid of him."
Your face flushes. "I'm not scared of Frieza. I'm not afraid of anything." Your cross your arm, averting his gaze.
"Yes, you are." He pouts. "I saw it." Kakarot saw it? How the hell--- Did Kakarot acquire the ability to read thoughts? Is that even possible?
You decide to divert his mind from his accusations. Knowing Kakaort, that shouldn't be hard at all. "Since when can you read minds?"
He rubs his chin, lost deep in thought. "I don't know--- I just had a feeling."
"Well, let's go. And new rule." You bring your hand up, pointing your index finger at the buffoon. "Stay out of my thoughts!"
He holds up his hands in surrender, nodding. "Are we gonna go find that Captain Ginyu guy?"
"No. We have to go make sure that Recoome and Jeice haven't killed the others first. Don't bite off more than you can chew." Goku has this aura around him. You can tell he's gotten stronger. He just needs to learn how to get his priorities in order.
Okay. All you have to do is pin down someone's energy. There are at least four sources to choose from, so this should be fairly simple. You shut your eyes. This should help you concentrate adequately. 
"Ohh, what's that?"
Your head snaps toward Goku. "What?" You swear the man has an attention span equivalent of an insect.
He bends down, observing the ground intently. "It's like a green string."
"A green--- Kakarot! Don't!" But you were too late. He's already yanked the tripwire.
The ground concaves beneath you, causing you to lose your footing as the two of you fall down into the pit. You fall on top of Goku. Unintentionally straddling the Saiyan. And if you thought this situation couldn't get any more awkward, you'd be wrong. Goku's arms are wrapped securely around your waist, holding you in place. Your heart feels like it's beating out of your chest. And your face feels like it's been set aflame. As your eyes lock, your face only turns a deeper shade of crimson. "D-Don't touch me!" You're stuttering. What the hell is happening to you?
His brows furrow. "You're the one who fell on top of me!"
"It's not my fault." His classic pout spreads across his lips. "How was I supposed to know that the ground would collapse?" 
"W-Well, you're the reason we're in this mess!" You stand up, wanting to get as far away from Goku as possible. You don't like the way you feel around him. The only time your pulse should be racing like this is during combat.
"Well, it wouldn't be called a trap if you could see it!"
"I don't get why you're so mad. Can't we just fly out?"
You snicker as your lips curve upward. "Give it a shot, Kakarot." You know it won't work, but at least his failures will provide you with some quality entertainment. It would be a pretty pathetic trap if you could simply fly out. Goku flies up, slamming his head on the invisible barrier. You break out into a fit of laughter as he falls back down. Goku jumps back up, rubbing the back of his head. "Ouch. Did you know that would happen?" Your giggling dies down as Goku begins looking around the hole. "How did this place even get here? Is this Frieza's work?"
"No. It's definitely the work of the Namekians. Frieza wouldn't be able to formulate something so elaborate in the amount of time he's had. Besides that dictator never does any of his own dirty work."
"Well, let's just sit back and relax. I'm sure we'll be fine. Someone will have to find us eventually." He has such a laid-back attitude. Maybe another alien baby crash-landed on Earth. Because with every second that passes, you're finding it harder to believe that Goku has Saiyan ancestry. 
"Oh, ya, let's just relax." You mock him. "While the others are probably getting chopped up into little pieces by the remnants of the Ginyu Force as we speak!"
"Why are you always so negative?" Is he serious? Do you have to spell out why this is potentially a very dire situation? You'd think he would show more concern for his son.
Your hands meet the sides of your head. You're practically yanking your hair out at this point. To say you're frustrated would be an understatement. "God, why am I constantly getting trapped in enclosed spaces with your idiotic bloodline! First, it was your spawn, then it was your moronic brother, and now I'm stuck with you. And you're somehow the worst of them all!" Goku just stands in front of you like a statue with that goofy smile plastered on his face. "And stop smiling when I yell at you!" 
Being stuck down here with Kakarot will be the ultimate test of your willpower----
-
Will the others make it to Y/N and Goku in time? Or will Y/N kill Goku before they even get the chance? Find out in the next chapter of The Princess of All Saiyans!
112 notes · View notes
bitch-for-a-rainbow · 3 years ago
Note
So there's a blanddcheadcanons post that says that "Kara is the mortal avatar of Rao" and I really don't like it, especially in the context of SG 3x04 (The Faithful). At best, as was pointed out to me by a friend with whom I discussed this post, the House of El is likely blessed and somewhat sponsored by Rao, which probably doesn't do much but produce Krypton's greatest heroes, given what the word "El" **means** in Kryptonian. I'm interested in your thoughts on this (pls post your answer).
    I reject the headcannon solely because if it were true it would mean Coville was right and I fucking hate that bitch.
     In all seriousness, though, this is an idea I've seen a lot and I'm not a huge fan of. I don't know much about Raoism beyond what appears in the show and that which can be inferred off of the show. One thing I would point out though is that El in Kryptonian (while obviously being intended to mean God by the original comic writers) can mean Sun or Stars, and since the Kryptonians in the show are, as far as I can tell, monotheistic, and worshipped only one particular star, the El family is not necessarily named God. It would, however, signify their enormous prestige on Krypton and contribute to the famous El pride (or rather, arrogance). I’m not sure it would necessarily have to mean anything more than that-- that the Els are a respected house who have produced a variety of successful politicians, civil servants, and scientists. And (this time reaching a little bit) that they are perhaps so old and respected that their house name was once a title. 
      There is a certain allure to the theory, for sure. Kara is a paragon character. She always, always does what she thinks is right, regardless of the cost, personal or global, and regardless of what other people might think of it. She has a very direct moral compass, and there are only a handful of times when she doesn’t follow it, all of which involve saving Lena. Ship who you want, but it is notable that Kara routinely prioritzes Lena’s life over that of others given the rarity of that happening otherwise. She never even considered breaking Rick Thompson’s father out of prison when he kidnapped Alex, and all he’d committed was bank robbery. Kara has lines she does not cross (though murder is clearly not one of them). She is a character that has seen some of the worst that sentient life is capable of, has seen more death and suffering than most people could imagine, and she came out of it with an all-encompassing desire to protect others. She lives to give people hope. Plus, the humor of having Kara-- the one person most offended by the idea of being an Avatar of Rao-- turn out to be an Avatar of Rao is great.
       But, I would also say that having Kara want to do good because she is the avatar of a benevolent god is reductive and not particularly true to her character. It is true that helping and protecting people is a large part of the core of who Kara is. But there is a difference between altruism and the self-destructive, bordering of suicidal desperation to save absolutely everyone that Kara practices. And to anyone who doubts the suicidal bit, I direct you to the season 1 finale where Kara literally goes on a goodbye tour because she thinks if she goes out to fight Non she’ll die. She still goes because she has hope, but that hope is that she can at least save Earth with her life. She doesn’t fight because she is certain in the ultimate victory of good and justice. She does it because she more afraid to lose another family than she is to die. Kara doesn’t become Supergirl and risk her own life because she believes in good, she does it because she can’t stand to listen to people suffer-- because she has suffered. To use Alex’s words in 1x13 “You fight everyday to keep people from struggling like you have.” Notably also in 1x13, Kara wakes up from the Black Mercy and her first words are “Who did this to me?” and then she goes after Non in what could arguably be described as a homicidal rage-- a rage that is fueled entirely for personal reasons, not the greater good of Earth (though that comes as an added benefit), which is.... not very befitting the avatar of a benevolent god. 
     A major part of season 1 is Kara dealing with grief and rage. She nearly breaks a guy's arm in episode 6 because he screamed at her for damaging his car, to hell with the children he'd almost hit with it. In season 3's Midvale flashbacks we see her first put both hands through a lunch table, then attack Jake when she suspects him for Kenny's death. She gets better at controlling it as the seasons progress, but during Crisis she very nearly melts Lex. Also not particularly godly of her. 
     Then there is the fact that so much of who Kara is is shaped by fear: fear of the government, fear of humanity, fear of abandonment, and fear of herself. In her civilian life, Kara is, for the most part, unnoticeable. She's polite, soft-spoken, doesn't wear a lot of bold colors or styles, and is often a pushover. As shown by her encounter with Red Kryptonite, Kara would not dress or speak the same way to people without the pressure of hiding her identity (though much of her dialogue is purely the loss of her "don't be an asshole" filter, some of it is stuff she had every right to say before and just didn't). I have always found that episode to be very interesting purely for the fact that Kara doesn't actually seem to be seeking harm on others so much as seeking their attention. Her argument with Alex is almost entirely about how much she hates having to hide and pretend to be less than she is. Kara drops Cat off the balcony and then catches her. She attacks the police when they point weapons at her but doesn't kill or even hurt them that badly, instead of destroying the car they're using as shelter. Red-K removed her inhibitions, made her angrier, yes, but if her goal was to actually hurt people, she could have done so-- would have done so, and with great ease. She goes to a public bar and uses super strength to smash bottles by flicking peanuts. Why do that at a crowded bar? Why not just flick potato chips at the windows in her own apartment?
      This is Kara at her absolute worst-- but does she seek out the DEO agents who shot her out of the sky? Does she go after Maxwell Lord or Non? No. She tries to make people pay attention to her. Her most shameful and hideous desire is for people to give her respect. (Admittedly, respect gained through fear, but still.). Kara's a nice person-- much, much nicer than average-- but a lot of that "nice" is just her avoiding conflict to avoid attention.
      Kara is a good person. Kara inspires people. But that is because Kara gets up every day and chooses to be good and to inspire. It's one of the reasons I enjoy Non as a villain so much-- he and Astra are Kara's narrative foils. They also remember Krypton and grieve its loss. They also were trapped in the Phantom Zone. But where Kara had the Danvers to convince her that some good people existed and would risk themselves just to help others, Non and Astra had Alura sentencing them to eternal suffering rather than helping them save their planet (through the means they thought necessary) and then landed on Earth and found it headed on the same path as the planet they'd just lost. Kara had people to help her grieve. Non and Astra were surrounded by misery. They lost hope. Kara discovered it.
     Kara is the Paragon of Hope because she has been hopeless. Because she has suffered so much, seen so much, and because she chooses to believe in a better future. She didn't have hope her first time in the Phantom Zone. She didn't even have hope for a while on earth. From what we can gather, Kara's choice to start actually believing in the future was a gradual shift that occurred sometime after Kenny's death and has lasted her ever since. For Kara, hope is learned. She chose to hope and she won't let it go, and to assign that incredible victory off to her being a God is an insult to her growth and to her character. 
   Now I personally thought “The Faithful” handled this concept very well. 3x04 is one of my favorite episodes of television in general, let alone in Supergirl. Season 3 is my second favorite season, and that says a lot for its good episodes when the bad of season 3 is so, so very bad (To say nothing of the episode to episode production value, we have the waste of Argo, Mon El’s return as obviously he’s grown he has a beard Mon El, and whatever the hell was going on with Kryptonian genetic engineering eclipse causing witches). To this day I don’t know why Kara had magic dreams. The show did nothing to explain it and I can’t imagine up a reason. 
     But “The Faithful” works because it highlights the whole paragon part of who Kara is. When you realize that every person in the room of Coville’s cult is a person she has personally saved-- that hits hard. Especially since only a fraction of the people she’s saved would ever set foot inside that building with the totally not-creepy, entirely wholesome way they deliver the invitations. (“Your daughter is special. She has been chosen. As have you.”) It works because it focuses on how the average human must view Kara, the ones who don’t see her argue with her sister over potstickers and crush her phone when she gets mad. It works because of how desperately hard Kara tries to be a human. It works because the writers know that we, the audience, do not see Kara as anything but a regular person with irregular abilities: a kind and remarkably devoted person, but not a god. 
20 notes · View notes
ckret2 · 4 years ago
Text
GVK spoilers below, about conspiracy theories
I’m gonna get around to posting all my GVK reactions but this one got long so I’m putting it in its own post.
The Monsterverse series, in both KOTM and GVK, has some pretty interesting things to say about conspiracy theories and ecofascism; but, unfortunately, it doesn’t REALIZE that it’s saying any of them, so it keeps dropping the ball and missing opportunities to explore them.
Starting with KOTM, “there’s too many humans so we’ve just gotta let some die and that’ll fix pollution 🤷” is like false ecofascist claim #1 but at no point in the movie was it challenged as unfactual, it was just presented as a sad truth that people have to do morally ambiguous things about. Except that it’s just literally mathematically not true!
Emma could be such a GREAT, believable character—especially in this world with, like, frigging QAnon nonsense getting such widespread traction—showing a compelling, realistic tragedy of how this normal, intelligent, well-educated white mom who otherwise is likely left-leaning (pro-environmentalism, pro-nature conservation, got a doctorate and generally more academia correlates with more liberal ideals) got sucked into a far right ecofascist doomsday militia that combines hokey pseudo-environmentalist propaganda with “in balance with nature” semi-religious mysticism, because she was exploited at a time when she was emotionally vulnerable (when her kid had just died) and was lacking healthy emotional support (when her husband turned to alcohol and then ran off).
... Except the movie never says that her “overpopulation” beliefs are WRONG. It says that they’re RIGHT, and she was just forced to choose between two losing scenarios—deliberately kill most of humanity to hopefully save a few, or watch humanity kill itself.
Nobody bothers to mention that the size of the population isn’t the problem, it’s the disproportionate pollution coming out of first world countries. Nobody bothers to mention that when Emma talks about “overpopulation” and shows a screenshot of an overcrowded neighborhood, it ain’t affluent downtown skyscraper condos in Europe or America that she’s highlighting, but large masses of poor people whose neighborhoods look “dirty” to the white woman’s eyes, despite the fact that they’re contributing the least to humanity’s carbon footprint.
Emma’s beliefs are empirically wrong, and if KOTM had ever demonstrated that, it would’ve been brilliant. Instead, it tries to say “she was right, she just went too far,” and in doing so loses an opportunity to make Emma a deeply believable, timely, realistic, well-meaning but wrong villain.
And now we’ve got GVK, which has swerved away from the ecofascism but doubled down on the conspiracy theories. Here, Emma’s daughter, who was raised for five years with what amounts to a survivalist doomsday cult’s beliefs, when faced with the grief of her mother’s death and the struggle of trying to reconnect to her estranged father, turns—again—to conspiracies to make sense of the world around her. Because that’s what Madison’s been raised with, and even though she got disillusioned with the particular “we know something special that the normal people can’t handle” beliefs that she was raised with, that kind of thinking is still what she knows. She’s still doing what her mother raised her to do! She’s still pulling the “hypercompetent highly-trained lone wolf ‘survivor’ saves the world” shtick that Jonah’s gang taught her to do—but it’s never brought up that it was screwed up to raise a child like that and it’s screwed up for her to still be interacting with the world like that.
At least THIS conspiracy theorist isn’t literally advocating for global genocide. Bernie’s focus largely seems to be on “this corporation is trying to screw people over and screw up the environment—” (because in Monsterverse, as in Toho monster movies as a whole, kaiju/titans and the environment are symbolically conflated, so if a corporation is messing with Godzilla then they’re messing with nature as well) “—so I’m gonna find out what they’re up to and be a whistleblower.” Which is great! Solid start! We’ve got a guy taking aim at big business and who says “when the weather Godzilla acts erratic, it’s not random chance, it’s because a big business is doing something it shouldn’t,” so it looks like we’ve got a leftist conspiracy theorist, that’s different, could be interesting to explore.
Except then he starts talking about governments serving a “global elite” and facilities built by “lizard people” and then we’ve swung right back around to the far right by casually dropping in a couple of antisemitic conspiracy theories.
Add that in with the whole “hollow earth” thing and damn, we’re namedropping a lot of antisemitic conspiracy theories, aren’t we? Granted, most conspiracy theories ARE antisemitic—but like, they could have dug around for some that aren’t. Have him talk some more about Roswell. Have him bring up things that we’ve actually got documentation happened and theorize that MKUltra research was used in Apex’s development of their pilot’s psychic mind link to Mechagodzilla. Have him bring up tailor-made-for-the-Monsterverse conspiracy theories that don’t exist here, “Monster Zero is actually the secret weapon of a nearby ‘Planet X’ that’s gonna invade,” whatever. Instead, nah, we went with the antisemitic ones.
Now, do I think the writers behind KOTM and GVK intended antisemitism? Do I think they’re closet alt-right trying to dogwhistle the fascists in the audience? No, I think they think they’re making fun of—or playing around with—what they see as harmless, unbelievable, way-out-there conspiracy theories. I think they know just enough about “hollow earth” and “global elites” and “lizard people” to make references to them, but not in a way that promotes the common antisemitic understanding of those theories as true. (Monsterverse’s hollow earth, a weird underground jungle where King Kong lives, sure doesn’t resemble the usual conspiracy theory.) To me, the way they were used suggests the writers didn’t deeply understand (or at least, didn’t deeply think about) what the theories really mean—nor what they imply about the beliefs of the characters who espouse them. Which is the crux of my issue with how the movies deal with conspiracy theories and ecofascists and so forth (beyond the fact that, hey, I just don’t like seeing likable characters casually referencing antisemitic beliefs): the writers didn’t think about the implications.
Because these things do imply a lot! For example, if, say, Josh, total newb to conspiracy theories, had asked about lizard people, I would have grimaced to hear it but I would have believed that he’s a teen boy that picked up the term at school and doesn’t know anything about what’s behind it. But on the other hand, I can’t believe a guy so deep in the conspiracy theory world that he bathes in bleach doesn’t know exactly what those conspiracies mean—or, even if he does somehow staunchly refuse to believe that “lizard people” is a code for “Jewish people,” that whatever circle of conspiracy theorists he runs with doesn’t use it as a code. Bernie didn’t pick up those beliefs in a void. I really doubt that’s what the writers wanted to imply about the goofy likable underdog with a podcast.
And sure, the “global elite” and “lizard people” references are presented like a “haha look how far out his beliefs are” joke—the same as the fluoride reference, which is basically Hollywood code for “bogus nonsense only complete lunatics believe” thanks to Dr. Strangelove—but at the same time, they’re never really disproven. Nothing he believes is challenged. Nor are any of Madison’s beliefs that she’s picked up from him. Everything they both believe is either a “wow that’s wild” throwaway joke, or else they’re presented as totally right, e.g. about Apex being up to dubious crap that’s irritating Godzilla.
Just like Emma, who was presented as in the wrong not because she was incorrect but because she WAS correct but took the wrong actions. And just like Rick in KOTM, who kept bring up the hollow earth theory like a running joke but then the joke was that he was right.
And that’s at the root of the issues with both movies’ portrayals of conspiracy theories. Aside from the jokes that are never explored (and therefore, never disproven), the movies say that, every time it matters, the conspiracy theorists on the fringe are correct, the heroes that need to be believed. Even though all (excluding Rick) are characters who have suffered deep loss, who have been hurt, who you can imagine as passionate but grieving people who turned to dangerously wrong extremism in their search for meaning... the movies don’t portray them as people who have been led astray by their pain, but enlightened by their pain. Which is what they themselves think they are, sure, but that doesn’t line up with reality.
The movies never forces them to grapple with how far they’ve gone astray from reality—and I think they should. I’d like to see them processing the revelation that their beliefs are wrong. Whether it’s as big as somebody trying to convince Emma that killing half the population doesn’t fix the pollution caused by corporations rich enough to weather a global hurricane, or as small as Bernie looking at Apex’s financial records and realizing the company’s money is going to the CEO’s vacation home rather than a reptile government and deciding to rethink those beliefs after they’ve checked out Hong Kong.
“Conspiracy theorist is right about everything” is already a common enough trope that Monsterverse isn’t breaking any new ground with it. And in a franchise like Godzilla, whose movies are rife with messages both allegorical and literal about environmentalism, corporate exploitation, the futility of military action, international politics, war crimes... letting the conspiracy theorists be wrong and showing that they’re wrong and what that wrongness can lead to would mesh far better with the themes of Godzilla.
Think about Jonah and Emma unleashing Ghidorah (who emerged from a destroyed ice cap and immediately caused devastating hurricanes—a perfect metaphor for climate change), and what that could say about how ecofascists who purportedly joined the movement because they support environmentalism are actually far more in bed with the destructive industries really at the root of environmental damage... if the movie acknowledged them as ecofascists.
Think about how Jonah collected Ghidorah’s head at the end of KOTM and by the time of GVK it was in Apex’s hands, and how this exchange demonstrates that “I want to unleash titans to destroy humanity to save the environment” Jonah the ecoterrorist and “I want to beat the titans to protect humanity” Simmons the billionaire CEO actually have far more similar ideals beneath the surface of their opposed goals—ideals that have less to do with the environment or with humanity and more to do with securing personal power and control... if the movie had explained how this exchange took place.
Think about how Madison’s mother died trying to mitigate just a little of the damage she did under the thrall of a doomsday cult’s skewed beliefs, how even though Madison broke free she found herself embroiled in similarly skewed beliefs just three years later, and how powerful it would have been if she recognized that she herself had walked right back into the kind of fringe beliefs her mother had led her into as a child, and if she had then resolved to learn how this kept happening to her and break this pattern... if the movie had ever let her realize that she was making the same mistakes, or even acknowledged them as mistakes.
There’s so much potential there, so many things you can see happening right beneath the surface... but the movies never touch on them. And so it looks like, in Monsterverse, all fringe beliefs are either right or harmless. And we never get the “disillusioned conspiracy theorist” story that could be so brilliant and that, right now, would be so relevant.
53 notes · View notes
baebeyza · 4 years ago
Note
Unpopular Opinion: Optimus Prime isn't a very good person and that he's too glorified. (expect TFA Optimus)
strongly agree | agree | neutral | disagree | strongly disagree
What can I say except that there are many, many Optimus'/Convoy's out there and making a general opinion on them just doesn't work.
But I couldn't think of any Optimus I experienced who wasn't deep down a good person - lets make a roll call shall we? (includes all shows except RB and RBA + Bayverse)
G1 Optimus Prime - Good person, good leader, good father figure. Is forgiving towards wrong-doers without being a pushover. Couldn't think of anything he does that is sketchy
Beast Wars Optimus Primal - He has a harsh personality, hits Rattrap on the back of his head when the Rat talks bullshit and can get feral against his own teammates when they are being assholes like Depth Charge - but all in all, he is still a good leader and a good person. He simply has a more down-to-earth personality and a no-bullshit attitude.
He only ever reacts angrily because his team do stupid and jerkass stuff, but he is never unreasonable.
When he gets angry, you know why and you get why.
Also, he gave Dinobot a chance as a Maximal two times, so he too has a forgiving nature. And his dynamic with Depth Charge shows that he isn't petty either. ("I don't like him much either, but he's still a Maximal.")
He also had a nice moment with Blackarachnia in which he assures her they won't do anything about her coding against her will and that she is safe with them.
Beast Wars II Lio Convoy - The only thing you could call him out for is for refusing the father role when he found out he has a son. It took him half the show to actually call Lio Junior his son, but it made for a nice story! Also, he was willing to make peace with Galvatron in the show, showing his forgiving nature.
Beast Wars Neo Big Convoy - The shy and awkward one! He's a treat who learns to become a good teacher and leader with the help of his students, and he had this moment in which he tried to save Magmatron's life from Unicron. He is a hero with a strong sense of justice who needed to learn about proper teamwork and friendship and it's a really simple and sweet story.
Beast Machines Optimus Primal - This dude is such a trainwreck and I cannot in good conscious say he was always on the right side of things, I admit that.
The way the show treated the Vehicons was a little sketchy, because the Maximals technically became hypocrits, especially when it was about Silverbolt.
Forcing the "techno-organic is the real way to be" unto the non-organic characters feels a little weird, because the show never properly showed us why being without an organic side is supposed to be so bad. (And this matters because the good vs evil conflict isn't properly connected to the techno vs organic plot).
So this Oppy you can make the point that he isn't all that good as he pretends to be in his preachy cult leader role.
RiD01 Optimus Prime/Fire Convoy - Listen, this is the most naive and cute Optimus out there. This dude was willing to let Decepticons into their base just because they were like "We are good now :)" without even checking first.
His dynamic with his jerkass twin Magnus supports that - he doesn't want to fight his brother! The dude fucking pushes him off a cliff and he still tries to reason with him and doesn't fight back at all!
Don't you ever dare call this Prime a bad person, he's precious! xD
Armada Optimus Prime/Convoy - This is the dude who goes fucking feral at the end and shows just how much hatred and anger a Prime can store - but really just towards the end! The rest of the show he's your typical leader who doesn't do anything bad.
And when he made mistakes, he corrected them.
The fact that he always had this hatred and rage that he pushed aside all the time is the most interesting thing about this Prime, but even that doesn't make him a secretely bad person, because he still doesn't do anything bad. He's just an angry boi.
Energon Optimus Prime/Grand Convoy - This is technically the same Prime as Armada, and for once that shows - that anger Prime showed at the end of Armada is still present here and shows up a few times, especially when it's about Unicron.
But just like in Armada, he doesn't do anything bad.
He even tries to save Shockblast, the jerkiest jerk of the entire show, from Unicron's influence! And did just that with Galvatron at the end as well with the full intend to sacrifise himself to save everyone, including the Cons.
Cybertron Optimus Prime/Galaxy Convoy - My favourite Prime of them all - this Prime is just a damn Papa Bear! He will be considerate and loving towards his men, but if you bully his kids, you'll catch his hands bro.
He's bit a stoic dude, but shows compassion and kindness when he needs to.
He doesn't do anything sketchy either, and lets the few remaining Cons be part of the Transformers society in the end, despite their misdeeds before.
TFA Optimus Prime - The one you say is the only good Prime? Guess so, he's a good person as well! He makes mistakes (like insulting his team) but learns and grows from them.
But mate - he isn't a better person than any of the other Prime's I just listed. The only difference between TFA Prime and the other Primes so far is that TFA Prime is a narrative underdog who you are supposed to feel pity for.
All the other Prime's are leaders in a leader role, so just from a narrative standpoint, you don't feel the same sympathy for them as you do for TFA Prime.
But being an underdog doesn't translate to being a better person. The Joker in the Joker movie is also an underdog, but no one says he's a good person and that everything he does in this movie is justified.
TFA Prime just goes through more harsh shit that isn't Megatron and that's it. He isn't being a better hero or person for that.
TFP Optimus Prime - Yeah, I saw the opinion that him being too forgiving towards Megatron in the past is a flaw and that he cares more about this one silver shark more than about the safety of the universe - to which I say: WHEN???
This is a thing Ratchet accuses him off! But I couldn't remember a single scene in this show in which Optimus does, in fact, let Megatron go when he had the chance to kill him!
They always fought to the death when they did and Megatron surviving wasn't because Optimus was too nice. He's not Son Goku peeps.
And I have my issues with TFP Prime and how his characters is written, but being a secretely bad person aint it. He isn't a bad person.
If this is also about Starscream - he has every right to not trust Starscream. No one should trust Starscream! Starscream doesn't exist to be trusted by anyone.
You cannot call Prime a bad person because he elects to not trust the notorious backstabber, who, as Prime himself as pointed out, only does things for his own gain.
Also, he did try to make peace with Starscream after Megatron's "Death", and Starscream refused.
Is it about him destroying the Omega Lock? Nothing wrong with that! He chose to save Earth and all its Humanity over restoring a dead planet! Dead planet stays dead, alive planet stays alive. No one died by his decision to destroy the Omega Lock - but a whole ass planet would have died if he hadn't.
Like bro - I am not a big sucker for TFP Prime, but all these points I see floating around to prove that he is actually a bad person are kinda weird and biased.
Why should he have given Starscream a chance? To get backstabbed and used??? Which we know would have happened because this is fucking Starscream we are talking about??? A dude who doesn't care about Earth in the slightest and was happy about it being destroyed? Who only cares about power and winning this war, which is why he goes back to Megatron???
Should have sacrifised Earth? Would that have made him a true hero???
RiD15 Optimus Prime - This TFP Prime, just sterner, weaker and ready to start beef. But ultimately still a good guy.
Bayverse Optimus Prime - Here you got a Prime who kills his enemies! For anyone saying that TFP Prime is bad for not killing Megatron when he could, do you at least like Bayverse Prime for doing just that? Three times???
Even though he kills all his enemies, I never saw that as him being evil. He just doesn't give second chances. And it was refreshing to see a hero who actually does get rid of his enemies before they can do more shit.
He aint the nicest bot in town, but in the end he still did the heroic thing.
Movie 4 even gave him an arc about losing his faith in humanity and not wanting to help them anymore, but in the end he still does because his Barn Husband Cade convinces him to.
Good man I say, good man!
Prime Wars Optimus Prime - He tried to stop Windblade from making a mistake that would end in war with an emphasis on Windblade herself - saying that war is horrible and he doesn't want her to go through the same thing.
He then decides to help her anyway when he learns what the stakes are, is giving Megatron a second chance, keeps being on friendly footing with the dude and dies in an attempt to destroy the bad guy.
All in all, a good boy!
Cyberverse Optimus Prime - He forbids his soldiers from taking Energon from a foreign planet because the local fauna need it to survive - he constantly tries to do peace talks and doesn't give up on them - He dances in front of his crew to cheer them up - he shows remorse about what happened to Wild Wheel and tries to make things right again - he holds the dead Megatron in his arms and calls him his old friend-
Nothing bad about this home boy!
War for Cybertron Optimus Prime - he fucks up the whole damn time, but he has good intentions! He's a flawed individual who realises what his mistakes are!
Making mistakes, even as grand as his, doesn't make him a bad person!
So, no - I don't agree that Optimus is bad person and I also don't agree that TFA Prime is a better person than any other Prime.
Almost all these Prime's do good things, protect life, try to choose peace over conflict at least once and have a forgiving nature (even Bayverse Optimus, as he forgives humanity) - that all good guy qualities for me!
What more do you want from him to be a good person? Be nice to Starscream off all people???
Also, what do you even consider to be "too glorified"??? The newest media like WFC doesn't even depict him as a good leader because he fucks up so bad.
44 notes · View notes
slytherinbarnes · 4 years ago
Text
Sub Rosa [97]
xiii. blood giant 
Pairing: Bellamy Blake x reader
Word Count: 8.0k
Warnings: blood, fighting, violence, death, angst, language.
Summary: your return to sanctum coincides with a red sun eclipse, making an already stressful situation worse.
a/n: do words about this chapter even need to be said? the taglist for this series is open! I hope you enjoy, please let me know what you think!!!
previous chapter // season masterlist // series masterlist
Tumblr media
The tension in the room is so thick that it’s practically suffocating.
Gabriel, Doucette, Cadogan, Bellamy and Raven remove their helmets, all of them looking around the room as they do, their eyes landing on Russell, who is standing next to the throne of bones. Gabriel steps forward a little, smiling a little at his former friend and current adversary. “Russell. What the hell is this?”
Russell stares at him with an angry glare, countering, “Who the hell are you?”
And though you have no idea what’s going on, you know that the man in the front of the room, standing next to a horrifying throne, his body adorned in Grounder clothes, is not Russell. You step forward a little, drawing Gabriel’s eyes back to you, and earning a warning stare from Cadogan. “That's not Russell.”
Confirming your point, the man between Russell and Indra announces, “This is Malachi kom Sangedakru, and you will kneel before him.”
You hear Raven whisper, “Well, I guess we found Sheidheda's code.”
Sheidheda. Not a threat that you expected to arise in your time away from Sanctum. Civil War between Wonkru, Eligius, and the Sanctumites? Sure, very likely. The Children of Gabriel changing their minds and deciding to kill everyone who left them out to die? It’s possible. But the code of a Dark Commander killed over a hundred years ago now taking over the body of your mother’s killer? Not something you were expecting. 
Sheidheda seems to be handling his power well, because he looks over all of you with no fear or worry. “Since my Ascension, the protocol has become rather simple really. Kneel...or die.”
You pull a face and Cadogan bristles, stepping away from you and the others to draw closer to the opposing leader. “Ordinarily, I would relish the opportunity to recruit your forces to the cause. But unfortunately, I have neither the time nor patience to suffer your primitive tribalism.”
He holds out his hands and bows his head, giving a silent signal to the hidden disciples in the room to begin shooting. They take out every person in the room that is holding a gun, killing them all without hesitation, before revealing themselves one by one, deactivating their ghost mode. You are hyper aware of at least one missing disciple, still hidden from view, but your mind is distracted from the information when Raven calls out, “Murphy!”
She and Clarke rush towards him, along with Indra, and you try to step closer to them, only to be stopped in place by Doucette. You turn towards him and glare, wondering if you can use your restraints to choke him out before anyone would notice, but you see Bellamy looking at you from the corner of your eye. When you shift your gaze to him, he’s giving you a look, one that says he knows exactly what’s going through your mind and that you better stop considering it. You roll your eyes and turn away from him, catching bits and pieces of the whispered conversation being held by your friends and twin. 
“...ray guns I can accept, but that…”
“...Madi's safe with…”
“...Gaia was with you.”
“...safe for now.”
Their conversation is interrupted by Cadogan, who was also eavesdropping, and who is now turning to give commands to the disciples in the room. “Restrain the soldier with him.”
The disciples move towards Indra and Sheidheda, but Clarke steps in front of Indra, trying to protect her. “No, she's with us.”
They take Indra away anyways, ignoring Clarke, and Cadogan watches them take the warrior over to a pole in the room, preparing to tie her up. “She was standing unrestrained by the throne. The only reason she’s not dead is because she was unarmed.”
Sheidheda lets out a yell and starts to run towards Cadogan, intending to attack the cult leader, but the last unseen disciple stops him in his place, shoving a knife into his side. He lets out a grunt of pain as the disciple turns off ghost mode and then drops him, Sheidheda falling to his knees as he clutches his side. Black blood seeps between his fingers as Cadogan points at the microphone nearby and bends down to Sheidheda’s level. “That wound is deep. I have no interest in removing you from your throne, so here's my proposal. You give me undisturbed passage to get what I came for. That means I see not a single soul on our path, and I leave Dr. Santiago here to treat you. When we're gone, you're free to continue the debasement of our species until you're saved like the rest of humanity by the completion of my quest. Refuse this, and you die.”
Sheidheda just lets out a grunt and Bill nods. “Right then. Make the announcement, I don't want to see anyone in our way.”
Sheidheda nods once and reaches for the microphone, and Cadogan rises to his feet and turns in the direction of the exit. “Onward to the Key.”
He walks past all of you, and Bellamy and Doucette move to pass. When you don't follow, one of the disciples shoves you ahead, behind the group of men. Gabriel stays behind to save the Dark Commander and the two of you exchange a look before you are pushed out the door. Murphy, Raven, and Clarke all move behind you, following you through the palace, and Clarke gets close to you and whispers, “I’m gonna get you out of those cuffs.”
You whisper back, “I’m more concerned with getting rid of Cadogan.”
“I’m working on it.”
“Well, work faster.”
A disciple reaches out to shove you again, moving you apart from Clarke and the others as the group steps out into the cool night air, goosebumps immediately lifting across your skin. Cadogan and the others look out on Sanctum, watching as people scurry into their homes and out of sight, following the instructions of Sheidheda, who is repeating a message on the loudspeakers overhead. The Shepherd turns and glances at the castle, a disgusted look passing over his face as he mutters, “A fire burned castle surrounded by a city of garbage dumpsters.”
You turn and look at the castle, realizing for the first time that half of it is burned away. You turn to look at Clarke, your eyes asking a question, but she just shakes her head in that ‘tell you later’ sort of way. Ahead of you, Cadogan continues his musings. “Everywhere human beings go is worse off for it, but thanks to us, we will transcend. Thanks to us, we will reach the promised land.”
Clarke, tired of the man and his ramblings, scoffs, “Oh, for God's sake.”
She pushes past him and walks ahead, moving down the stairs, and Raven scrambles to follow. Cadogan and Doucette begin walking again, and Bellamy waits until you're at his side to continue moving down the stairs behind the others. Murphy catches up with the two of you, reaching out to grab Bellamy’s arm. “Hey, so what's our play here?”
Bellamy speaks for the first time since arriving on the planet, turning to look at Murphy in confusion. “Our play?” 
“Don't get me wrong, you look good. Not as good as me, but I know a thing or two about pretending to be something you're not.”
You glance over at Murphy and let out a short laugh before moving your gaze over to your brainwashed fiance. “Unfortunately, he’s not pretending.”
Murphy looks at you in confusion, “What?”
Bellamy adds, “This isn't an act, Murphy, I'm trying to save us all. I don't expect you to understand, just know that I am your friend, and I'm looking out for you.”
Murphy looks at you with wide eyes, waiting for one of you to say ‘just kidding’, but you just give him a look that says ‘I wish it was bullshit too’. Murphy nods once, quickly understanding your meaning, barely glancing at Bellamy as he answers, “That's very reassuring. I'm just gonna…”
He trails off, motioning towards Clarke and Raven before he scurries after them, leaving you and Bellamy behind. You watch him go, so eager to get away from disciple Bellamy, and something about it makes you let out a quiet snort of laughter. Bellamy glances at you, brows drawn together as he takes in your amused expression. “What?”
“Murphy is speechless. You actually stunned Murphy into silence. No comeback, no biting remark, just a hasty retreat.” You give him a look of appreciation before your eyes lock on the back of Clarke’s head. “It’s impressive, really.”
Bellamy says nothing, but you spare another quick glance at him, and you swear you can see the ghost of a smile on his face. It gives you hope, because maybe he isn't lost to you yet, maybe you can bring him back to the side of reason, just like you did when he followed Pike. And as all of you start to stride through Sanctum, you open your mouth to ask a question, snapping it shut again when something wet lands on your cheek. You look up, watching as big white flakes of snow fall on Sanctum, and you smile at it, the first sign of snow you’ve seen in years. Skyring has a pretty mild climate year round, and you missed the beauty of the snow in winter. 
You turn to look at Bellamy, but his eyes are locked on the sky, his expression haunted. You reach out and touch his arm, getting his attention, and he shakes his head a little before looking at you and whispering, “It snowed on Etherea. I never thought it’d stop snowing. I thought we were going to die in that cave.”
You shake your head, the few sentences containing so much information for you to process. “Etherea? You were on Etherea? What cave? Wait, and who is ‘we’?”
“Doucette and I. We were on Etherea together.”
You look at the man meant to replace Anders, suddenly understanding all of the looks he seems to throw Bellamy’s way. You turn back to Bellamy, who is watching you closely. “What cave?”
“The Anomaly Stone was at the top of a mountain. There’s a cave on the way, the Cave of Ascent, and-”
He’s cut off by Cadogan's voice firmly calling out, “Hold.”
Clarke stops and turns to look at the man in frustration. “Look, I'm in a hurry. You have my twin and our friends. I would like them back, then to see my daughter. If you want to see yours, the Flame is this way.”
She turns towards the stairs behind her, already walking away, but Cadogan calls out to her retreating figure, “New plan. You go, we'll stay here.”
Clarke turns around, an annoyed look on her face, and Bellamy moves forward a little, trying to step in before Clarke loses her cool. “Sir, you heard her. As long as our friends are out there, she won't risk their lives.”
Cadogan nods, motioning towards you, Raven, and Murphy. “That's why these three are staying with us. Hurry along, Clarke. I don't want to be on this infernal moon a moment longer than I have to.”
She gives you a long look, clearly not wanting to leave you behind, but you smile a little and nod, letting her know you’ll be okay. She hesitates for a second longer, her hand absentmindedly reaching out to touch the star charms that hang around her wrist, before she finally nods, turning to leave and quickly head down the stairs. As soon as she’s out of sight, Murphy throws up his hands and tries to walk away from the group. “Well, what do you say we wait in the tavern instead?”
He makes it less than three steps before a handful of invisible disciples appear in front of him, deactivating their ghost modes, and Murphy clutches his chest in fear as he yells out, “Oh, what the hell!”
You and Raven let out a laugh, his reaction easing the tension for half a minute as you call out, “You get used to it!”
He turns to look at you, completely unconvinced. “Yeah?”
You nod, still smiling, before Cadogan interrupts, motioning towards the others, “Come.”
Doucette and Bellamy start to walk away, following the man, but you hang back, fully intending to sit with Raven and Murphy instead. Unfortunately for you, Cadogan senses that you’re no longer behind him, and without turning around, he calls out, “You too, Miss Griffin! I still don't trust you!”
You give an annoyed look to Raven and Murphy, watching as they step away and move towards a small fire pit, leaving you to go and trudge behind the men in white. Cadogan walks them to the top of the stairs that lead down to the crops and the edge of the shield, looking around with a satisfied smile. “I like this spot. High ground.”
You sigh and step past them, moving down one step before plopping down, leaning against the stairs, looking out at the fields below. You can hear Murphy and Raven already talking quietly, leaving you with the stiff, boring Shepherd and his disciples, all of them standing quietly just behind you. They stand in complete silence, and you sit repeating the mantra you created after speaking with Anders, trying to translate it into Trigedasleng. Ai laik wor, reij belen ona ai… you’re hung up on the word for skin, racking your brain, trying to find something close, when Cadogan interrupts your thoughts, sounding annoyed. “What's taking her so long?”
“She'll be here.”
Cadogan turns to look at Bellamy, noting his confidence in Clarke is mixed with uncertainty in his expression. “I know how hard this is on you, son, believing in something with all your heart that the people you love don't understand. You remind me of myself when I was young.”
The thought makes you want to gag, not liking the idea that your fiance is anything like the crazed man that stands behind you. You turn to glance back at the men as Cadogan glances at Doucette. “Would you excuse us, please?”
“Of course, my Shepherd.”
Cadogan watches him go before he turns back to Bellamy again, speaking as if you aren't sitting right beneath their feet. “Doucette's a good man. He'll make a fine replacement for Anders, but he's not like us.”
You roll your eyes, turning away from Bellamy and Cadogan to look out at the field, sending silent messages to Clarke in the hopes that she can hear you. But you have a hard time concentrating on anything other than Cadogan’s preachy speech, delivered to Bellamy with earnest. “The disciples are taught our ways from birth, they know nothing else. Makes faith easy. We, on the other hand, know the pull of love between individuals, what it makes us do, the highs and lows of it, how it leads to hatred of the other, tribalism.”
You can feel his eyes on the back of your neck, staring at you, his words about you, and Bellamy’s love for you. You ignore him as he continues preaching, “I've spent generations dedicating my life to something greater.”
“Transcendence.”
“Now you know the weight of that too. The path of the prophet is always hard. Your friends will understand eventually.”
No we won't. You love Bellamy, you believe in him, you trust him, but you feel none of that for Cadogan. You see right through his bullshit, the same way you saw through Jaha’s bullshit and Pike’s bullshit. He is nothing more than an egotistical cult leader, obsessed with the idea of being worshipped and saving the human race. You start to wonder if it’s worth the risk to kill him now, even if it means the disciples will kill you immediately after. You wish you had your Grounder knife, lost to you since your confrontation on Bardo, your hand practically itching to push the blade into Cadogan’s chest.
Bellamy’s soft, conflicted voice cuts through your thoughts as he appeals to Cadogan for advice. “You had a family, how did you manage it? I feel like I'm failing both you and them.”
“You're not failing me, Bellamy. Far from it.”
“You are failing me.” You know the words are mean, and one glance at Bellamy’s face confirms that they hurt him, but you can’t help it. You're frustrated that he’s buying into Cadogan’s lies, and you just want him to wake up and stop playing disciple. 
Cadogan cuts his eyes at you, but you ignore it as he attempts to reassure Bellamy. “You're special. You were given a glimpse of what comes next, just as I was.”
“They all think I'm crazy.”
“And so we ignore their judgments and we save them anyway.”
Bellamy whispers, “For all mankind.”
Cadogan takes a breath and smiles, repeating the words back to him. You roll your eyes and mutter under your breath, “Joken koken hedswisha seda.”
Fucking crazy cult leader. 
“I’m not a cult leader.”
Your eyes go wide and you stand, spinning around to face Cadogan, who seems to understand the Trigedasleng words you just used to insult him. “What did you just say?”
“I’m not a cult leader. Crazy, maybe, but aren't we all?”
You glance over at Bellamy, wondering if he somehow had the time to teach his Shepherd Trig, but he seems just as surprised as you are. You look back over at Cadogan and the smug look on his face. “How do you know Trig?”
He looks like he’s actually going to answer, until he is interrupted by the loudspeakers of Sanctum powering up and beginning an announcement. “Attention, Sanctum. Red sun toxin has been detected. Make your way to your assigned location for evacuation.”
You look at Bellamy in alarm, remembering what happened the last time all of you were exposed to the toxin. Raven and Murphy walk up to you, Doucette behind them, as Murphy jokes, “Time to play another round of ‘Who Wants to Murder Your Friends?’”
“Sir, we should get you back to Bardo.”
Cadogan shakes his head, ignoring Bellamy’s advice. “I'm not going anywhere without the Flame, and for all we know, this is another one of Clarke's tricks.”
“If it is, then it's a good one.” Behind you, you can hear a soft buzzing sound, and curious, you turn to see what it is. The shield over Sanctum that is usually invisible, is now visible to the naked eye, thanks to the thousands of bugs colliding with it, trying to reach all of you down below. You turn to look at the others; you, Murphy, and Bellamy sharing a knowing look based on your first experience with the eclipse. “Bugs.”
All around you, the people of Sanctum have started to scurry from their homes and into their evacuation locations, the P.A. system repeating the warning on a loop.  Murphy glances at them as they run past, before turning back to Bellamy. “We should be going with them to Ryker's Keep, or maybe you'd like to drown me again in the pond.”
And as all of you are standing there, waiting for Cadogan to decide on what to do, Sanctum goes dark, punctuated by a chorus of screams. All of the lights, the quiet machine hum, the shield, they all power down, plunging you into darkness before a series of torches are lit by people around you. As you’re able to see the faces of those around you one by one, Raven’s face pulls into one of realization. “Power's out. That means the shield's down.”
You turn to look at the shield, your eyes locking on a strange movement in the sky, seconds before your brain remembers the bugs. The swarm is lowering themselves to the ground, moving towards Sanctum in a wave, and you watch them in fear for a second before calling out, “Guys. We should run.”
Bellamy backs you up, remembering the swarm of bugs from your first night on Sanctum. “She's right, we should go right now.”
“Not without the Key.”
Doucette moves closer to Cadogan, preparing to protect his Shepherd. “I agree with Bellamy. We should execute the hostages and get you home.”
You all look at Doucette in alarm, Bellamy's message lacking anything about an execution, which Murphy comments on. “Well, Bellamy never said that.”
Worried about your possible death, your mind starts to process through your thoughts quickly, trying to think of anything to save your life, before you remember Clarke’s earlier words about wanting to see her daughter. “Clarke heard the alarm too. She'll go for Madi.”
“Yes, right, good. The reactor.”
You look at Murphy in shock. “The reactor? As in the nuclear reactor?”
Murphy grimaces, unable to explain why your niece is in the reactor before Raven adds, “I'll get the power back on and kill the bugs.”
“Before they kill us. Everyone grab a torch!” Bellamy starts to step away, grabbing a torch as he moves, calling out towards your group, “Sir, stay with me. You too, la lune!”
You give him a look at the nickname, not wanting to hear it from disciple Bellamy. Though some of your earlier anger towards him has started to dissipate, you meant it when you said that it was a nickname meant for family, and that as long as he worships Cadogan, he is not your family. But none of that matters, not right now when thousands of toxin crazed bugs are swarming behind all of you, trying to kill you. 
Murphy leads all of you to the machine shop built around the reactor, and when you run into the building, you find that bugs are already inside and have already claimed three victims right outside the door of the reactor. Those with the torches use them to push the bugs out of the room and away from all of you, and Bellamy yells, “Scatter them! Get that door closed and seal the windows! The swarm's still outside.”
As they start to lower the door to the garage, a voice calls from just outside, “Wait, hold the door.”
A wave of relief crashes over you as you watch Clarke run inside, a bag slung across her shoulder and a torch in her hand. She immediately locks eyes with you, looking you over and making sure you’re okay as you smile at her. “Clarke!”
Cadogan looks at her with suspicion. “What's in the bag?”
“Antitoxin from the farmhouse.” She pulls the bag off and passes it to Bellamy, who happens to be standing closest to her.
Cadogan deadpans, “For your daughter and twin.”
“Enough for all of us, but, yes, I was thinking of Madi and la lune before you.”
You smile at her, grateful, not too keen to see the ghosts of your past in this moment, but Cadogan ruins the moment by remarking, “Another lesson in the destructiveness of familial love.”
You turn towards him, tired of his preachy attitude. “Destructiveness? That antitoxin is going to keep you from seeing all your regrets playing out in front of you. Maybe you should just go without.”
“La lune…” Bellamy’s voice is a warning, and you turn towards him with an angry look. “I told you not to call me that. And why are you still defending him? ‘The destructiveness of familial love’? How many times has familial saved your life? Octavia’s life? My life? The lives of our people? You can't honestly tell me that you think love is weakness.”
His eyes frantically dart between you and Cadogan, but his expression is unreadable, making you worried that maybe he is lost to you after all. But you never get to find out, because Cadogan steps up beside you and snaps, “Enough, don't make me gag you too.”
You have to physically bite your tongue to hold back your response, your entire body wanting to fight back and put him in his place. But you can see the warning in Clarke’s eyes, telling you not now, not here, so you step back, accepting the antitoxin that Bellamy throws to you as Cadogan turns to your twin. “Do you have the Flame or not?”
You take your dose of the antitoxin as she responds, “If you open this door, I'll give it to you without a fight.”
“All right. Disciple Kelly, the door.”
The disciple steps up and moves towards the door of the reactor, firing a single shot into it, damaging it. Murphy steps towards it first, muttering to all of you, “Let me go in first, I’m the least likely to get attacked.”
You all nod and watch him step inside, you and Clarke waiting just outside of the door until you can hear the soft sounds of happiness from Murphy’s reunion with Emori. You and Clarke exchange a look before she steps inside, in search of Madi, and you stand just outside the door, wanting to follow her, but unsure if you can. You look towards Cadogan, who is standing resolute, before tuning your pleading eyes to Bellamy, hoping they still have some effect on him.
Luckily for you, they do, and he turns to his leader, his voice soft and insistent. “Sir.”
“Fine, go.”
You smile at Bellamy in thanks before turning and stepping through the door, walking around the corner, your eyes already moving past Murphy and Emori. There, a few steps behind them, is your niece, your bright little sun, and her face lights up as she gets a glimpse of you over Clarke’s shoulder. “Ani!”
Your face breaks into a grin as she pulls away from Clarke and runs towards you, wrapping her arms around you in a tight hug. You slip your restrained hands over her shoulders, hugging her back the best you can, relief flooding through you as you look down at Madi. She pulls back and you lift your hand to her cheeks, her eyes landing on the restraints holding your wrists together, and you see a flash of worry cross her features. “Why are you tied up?”
“It’s not important. Are you okay?”
She nods her head, blowing past your concern to focus on her own. “I’m fine, but you aren't.” She reaches up to touch the bruise around your left eye and cheekbone. “What happened?”
The room falls eerily silent around you and you turn to the door to see why, everyone watching in shock as Cadogan steps inside the room. You push Madi backwards, the two of you moving back towards Clarke as you mutter, “He happened.”
And though Cadogan himself did not give you the injuries, his fanatics did, beating you up in defense of their leader. Which means that though it is technically an exaggeration, it isn't a complete falsity. Cadogan crosses the room, over to Clarke, who stands near you and Madi both. You push Madi behind you, putting yourself in front of her, and Clarke puts herself in front of you both. The Shepherd says nothing as he holds his hand out towards Clarke, waiting for his Key. 
She reaches into her jacket and hesitantly pulls out the Flame, sliding back the lid on the container just enough so he can see that it’s inside. He takes it with a look of excitement, holding the damaged AI up in his hand as a grin splits his face. “For all mankind.”
Clarke just looks at him until he puts the Flame back in its container and closes it, stepping across the room to stand near the door, Bellamy and Doucette on either side of him. You, Madi, and Clarke back up towards a set of stairs, the two of them lowering themselves down as you stand beside them. The room is tense, everyone unsure of what’s going on or how to act in Cadogan’s presence. Madi gives you and Clarke the quickest summary that she can manage on how all of them ended up hiding in the reactor, and you feel a flash of regret that you weren't here to protect her or keep her safe. Your mind shifts to your curse, the one that plagued you when you first landed on the ground, long forgotten in the chaos since then. But now, standing near the people you love the most, your brainwashed fiance standing across from you, you're suddenly reminded of it again. The curse that takes the people you love away from you, now working in its own creative way: dangling Bellamy just out of your reach. 
Madi watches Cadogan across the room, who is back to admiring the damaged Flame, and her voice is low and serious when she whispers, “I don't think you should have given him that.”
You and Clarke exchange a look before you look at her in confusion. “Why?”
“I remember things.”
Clarke looks at her in alarm. “Your sketchbook?”
You know you must have missed something, because you don't understand the importance of Madi’s sketchbook in this conversation, but based on the expression on both Madi’s and Clarke’s faces, you know whatever is in that sketchbook must be a big deal. Clarke confirms as much when she mutters, “Madi, don't tell anyone that, okay? Ever.”
Madi nods and you watch her for a second before you turn to look across the room, over to Bellamy and Cadogan. Cadogan’s eyes are still locked on the Flame, but Bellamy’s are locked on you, watching you closely. You watch him back, searching for any signs of affection in his face, but just like when he followed Pike, his expression is unreadable to you. You sigh and lean your head back against the wall, your hands hanging in front of you, the bar that holds them apart pressing against your body, and you look down at the restraints, tired of being the only one still tied up. The lights in the room come on, reminding you of your genius mechanic friend, who is more than capable of getting you free. You glance over at Clarke and whisper, “I’m gonna go talk to Raven.”
She nods and you slip away, using Cadogan’s focus on his prize to get away unnoticed. You walk into the next room, looking for Raven, but finding no one. Instead, someone steps out of the secondary containment, a blonde haired woman with braids on one side of her head, an Eligius uniform on her body. She barely glances your way as you walk past, and something about the situation raises alarm bells in your head. Worried, you call out, “Raven?”
A soft sob answers your call, and you feel a wave of panic as you rush towards the secondary containment, anxious about what you're going to find. But instead of finding Raven in a pool of blood, bleeding out from some unknown wound, she is kneeling at the base of a machine, knees pulled up to her chest, crying. The sobs that wrack her body are hard, and you look at her with pity as you cross the room, dropping beside her to whisper, “Hey, it’s okay, you’re okay.”
You have no idea why she’s crying, but it doesn't matter, because she clearly just needs someone by her side. She reaches out for you, wrapping her arms around you, and you hug her back as you settle beside her, beginning to softly hum Clair de lune. She cries in your arms, not stopping when Emori, Murphy, and Clarke run into the room, clearly worried about her. Clarke drops down beside you, Emori moves to Raven’s other side, and Murphy kneels in front of her, all of them reaching out and holding her arm or her hand, offering her their comfort. 
You don't know how long the five of you sit together before Bellamy comes into the room and lets you know it’s time to go, but it doesn't feel long enough. You don't want to go back out there and join Cadogan, or watch Bellamy follow him around like a lost puppy, but you know you have no other choice. The others know it too, because you all stand, and Raven quickly wipes away her tears as you walk back into the main part of the reactor. 
Clarke grabs Madi, and all of you follow Bill back to the castle, prisoners to the cult leader as you await the return of your friends. When you step inside of the throne room behind Cadogan and two disciples, you find Indra pointing a gun at all of you, surrounded by dead disciples. Sheidheda is leaning against a nearby pole, looking weak and drowsy, Jackson is standing in the corner of the room, surveying the scene, and Gabriel is setting up some machine nearby. 
As soon as Indra sees Cadogan, she lifts the gun towards him and snaps, “Where is my daughter?”
“Who the hell is your daughter?”
Bellamy moves from his place behind you, stepping into Indra’s line of sight, holding his hands up in surrender. “Indra, hold on. We didn't know she was missing until today. Nobody did. We're gonna get everyone back, but you have to put down the gun.”
You step forward, nodding at Indra, corroborating Bellamy’s story. “It's okay, Indra. He's gonna help us.”
She lowers the gun, and as soon as it’s clear, Gabriel steps forward. “Does that mean you have the Flame?”
Cadogan nods, “I do.”
“I believe I can restore the damaged code with this.” Gabriel turns and motions towards the nearby machine, and you look at him in disbelief. What is with these men and following Cadogan? “It's used to repair memory drives, stitching together broken strings of code. Code, like the Flame itself, that was created by-”
Cadogan cuts him off, saying her name first, “Becca Franko.” Gabriel nods in confirmation and the cult leader mutters, “Show me.”
He passes the Flame to Gabriel, and all of you watch as he loads the tech into the machine. “If Becca's memories are still in here, this will find them.”
The screen comes to life, showing a loading page, letting all of you know that soon Cadogan will have exactly what he wants. Doucette looks at it with a smile and muses, “Now we can start the Last War.”
“It's working.”
But as everyone watches the percentage bar get closer and closer to the end, your eyes shift to Gabriel, confused as to why he’s helping Cadogan, only to find that his entire demeanor has changed. He now looks conflicted, his eyes locked on an empty spot at Cadogan’s side, and he suddenly whispers, “We are. I’m sorry.”
Everyone looks towards him in confusion, not understanding who he’s talking to given the silence in the room, when he suddenly pulls out a gun from his waistband and aims it at the Flame, pulling the trigger and blowing it to pieces before you can even make sense of his movements. You all look towards him in shock as he turns the gun on Cadogan, aiming it at the shocked man before he yells to the disciples around the room, “Helmets off and weapons down, all of you, right now!”
They comply, worried about the risk of losing their Shepherd, and as they disarm and remove their helmets, Gabriel reaches a hand out towards Jackson. “Antitoxin.”
The pieces slide into place as you realize he must have been seeing Josephine, talking to her, until he remembered that she had never been a good voice of reason. As Gabriel takes the antitoxin, Bellamy steps closer to him, trying to plead with him. “Gabriel, we need him to get our friends back, your friends... Echo and Hope too. Now put down the gun.”
Gabriel doesn't waver, his gun still trained on Cadogan, but out of the corner of your eye, you see Doucette growing antsy, eyes darting between Gabriel and his leader. The man makes a split second decision and yells, “Take him!” as he runs at Gabriel. But he makes it less than three steps before a gunshot rings out and Doucette lets out a cry of pain, blood blooming across his white robes. You turn to look in the direction the shot came from, unsurprised to find your twin holding a gun, clearly the one that took Doucette down. 
Gabriel nods at her in thanks as Bellamy lets out a loud cry, running towards Doucette and putting his hand over the man’s chest wound. “No! No!”
You feel a rush of pity for him as he loses his friend, but you feel nothing for Doucette himself, unconcerned with his death. Clarke calls your name, and you turn towards her, catching the gun she tosses your way. You immediately turn it on Cadogan, ready to take him out if you need to. Clarke grabs a second gun for herself before turning to Raven. “Raven, fire up the stone. We need to get to our friends.”
Raven pulls a helmet on her head and pulls up the map, calling out to Cadogan, “Which planet? Where are they?”
He looks at her with a smug smile, “It's offline. Only I know the code.” 
“He's telling the truth.” Raven pulls the helmet off her head and turns to look at Clarke. “There's one planet we can't get to.”
Pissed, Clarke lifts her gun and turns it on Cadogan, three guns now trained on him. “Enter the code, and you get to live.”
He only hesitates for a second before he moves over to the stone and begins entering the code. When he’s done, a bright green glow erupts in the room, shining over all of you, and Cadogan motions towards it. “There’s your bridge. Go.”
Clarke shakes her head, “You're coming with us, now move.”
Bellamy stands, moving towards Cadogan and Clarke, clearly prepared to go with all of you, but Clarke turns to glare at Bellamy, her voice angry as she snaps, “Not you! You've made your choice.”
You turn to look at her, already prepared to protest. “Clarke-”
“No, la lune. He chose them. He chose Cadogan.”
You hesitate, turning to look at your fiance, and Murphy calls out, “I really hope this new thing you believe in is worth it.”
Bellamy gives him a resolute nod when he answers, “It is.”
The words hit you like a shot to the chest, because even now, at the threat of being left behind by all of you, he still chooses Cadogan. You turn to Clarke, heartbreak evident on your face, silently asking to say your goodbyes. She nods, keeping her weapon trained on Cadogan, allowing you to lower your own. All around you, your friends walk past you, stepping into the green glow at your back. The green glow that you desperately tried to reach to save the man in front of you. The man that now stands in front of you, still on the other side. And everything feels like it’s crashing down around you as you realize that the man in front of you is no longer the man you love. No longer the man that loves you. He’s nothing more than a stranger, your enemy, and his conflicted feelings won't change that. 
He gives you a soft look as you close the space between the two of you, your hand already reaching for the ring on your left hand. As you slide it off your finger, you hold it up to him. “When you gave me this ring, you told me that I meant everything to you. You told me that you want to protect me and love me until your last breath. But the man that said those words to me while we were tied up in that cave is gone. The man that’s in front of me now has been willing to torture his best friend, watch his fiance walk around restrained, and his sister be sent to an unknown planet, all without a word of disagreement.”
You reach out and grab his hand, pressing the ring into his palm. “I wish I knew what you went through on Etherea, and I wish I understood why you seem so determined to follow Cadogan. But Bellamy, even if he’s right, even if Transcendence is real, Cadogan should not be the one to deliver us to it. That man is a monster, and we’ve known it since we were on Earth. None of what he’s done is okay, and by following him, you’re condoning his actions. By following him, you’ve become someone I don’t even recognize.”
It feels like your heart is ripping in half as you say the words to him, and it must hurt Bellamy just as much, because you see tears spring to his eyes. You ignore them, pushing past his hurt and reminding yourself of your own hurt, your own anger, not allowing yourself to be swayed by his tears. “I guess Bellamy Blake really did die the day that grenade went off in the Stone Room, because the man that came through the Anomaly from Etherea is not him, is it, Disciple Blake?”
You practically spit the last two words, ignoring the tears that are now spilling down his face and your own. “So much for this lifetime and the next. So much for forever.”
His expression morphs into one of complete heartbreak, and you abruptly turn away from him, unable to stomach the look on his face. Your eyes fall on Clarke, and she nods, encouraging you, letting you know this is the right thing to do. As you move closer to your twin, she reaches out for you, grabbing your free hand, interlacing her fingers with yours. Indra grabs Cadogan and pushes him towards the Anomaly, you and Clarke right behind them. And when you are mere inches away from stepping inside of the green glow, you turn to get one last look at Bellamy, which stops you in your tracks. 
Because he now stands near the bone throne, something held in his hands, flipped open to a random page.
Madi’s sketchbook. 
And though you don't quite understand the importance of what’s in the sketchbook, you follow Clarke as she pulls you away from the Anomaly and back into the room, calling out to your former fiance, “Belomi... Kof em op gon ai.”
Bellamy, give it to me. Bellamy looks over at her, as the disciples in the room turn towards you, starting to close in. You and Clarke drop each other’s hands and lift your guns, leaving you to turn slightly to your left, away from Bellamy. When Bellamy doesn't close the sketchbook or pass it over, Clarke’s voice gets harder and she snaps, “Kom nau, o ai na rip emo klin. Yu get klin ha e'na bilaik.”
Now, I'll kill them all. You know I will. Bellamy finally turns away from the book, moving his teary eyed gaze towards the two of you. “Madi isn't in danger, I'll make sure of that. I’ll keep her safe.”
“Du na frag em op na gada in chit bilaik emo gaf in, en yu foshou get em klin. Ai nou na teik em na gon daun.” 
They will kill her to get what they want, and you know it. I won't let that happen. Bellamy looks at her, tears welling up in his eyes as he shakes his head, his voice cracking with emotion. “I am trying to save us all, Clarke!”
“I'll kill Cadogan. Is that what you want?” He shakes his head, and she raises her voice, “Kof em op gon ai!”
Give it to me! As soon as the words leave her mouth, one of the disciples near you starts to run your way, clearly intending to take one or both of you out. You pull the trigger before he makes it halfway, his body hitting the floor as you turn to look at Bellamy with anxiety. “Give her the damn book, Bellamy!”
He looks at you, his expression pleading, “This is bigger than any of us!”
You turn towards him slightly, locking eyes with him. “We already made Madi a pawn once when we made her the Commander, and I won’t do that to her again! Not after everything she went through with Sheidheda.”
“I’ll keep her safe, but this is important!”
You cut your eyes at Bellamy, shaking your restraints. “What, like you kept me safe?”
You see a look of hurt pass over his face, but you look away when one of the men to your left starts to shift, inching closer, and you step towards him, aiming your gun right at his chest, daring him to make a move. As you do, you can hear Clarke beside you, teary eyed and pleading, “Don't make me do this.”
“You're not gonna shoot me, Clarke.”
You turn to look at her as he says that, noticing that she has now moved her gun from the disciples around her to the man that you still love. Your voice is a soft warning when you whisper, “Clarke, don’t.”
Bellamy nods to the Anomaly behind you, “The bridge will close, you should go.”
“Not without that book.”
Bellamy starts to cry as he looks between you and Clarke, trying to reason with her. “Look at yourself, what you feel right now, the need to protect someone you love so badly you're willing to kill your closest friend, someone you trust, who's telling you that the fate of the entire human race is at stake. All that suffering can end. Madi's suffering too. I have no choice but to share this.”
You and Clarke are both crying now, though you suspect it’s for different reasons. Your anxiety is sky high, squeezing your body and making it feel like your heart is going to burst from your chest. Clarke stares at Bellamy, her voice shaking when she mutters, “I can't let them hurt her.”
“This is how we do better.” He tries to appeal to her using Monty’s words, but they only make her angrier, if anything. He shifts, reaching out to hand the sketchbook to the disciple closest to him. “This is the only way, I'm sorry.”
“Me too.” And as soon as she says it, you’re diving towards Clarke, the words triggering your fight response. You watch her finger pull the trigger as your hands shove against her arms, trying to stop her, and when the gunshot rings out, you swear you feel it rip through your own heart. You can hear it hit Bellamy’s body, and you turn towards him, the gun dropping from your hand as you watch red blood spread across the chest of his white robes at an alarming pace, his body falling towards the floor. You hear a scream, ungodly loud, broken and wailing, your brain unaware that it’s coming from you. 
Three more shots ring out but your brain doesn't process it, too busy trying to tell your feet to move. You move closer to him, ignoring Clarke’s voice that is screaming your name, ignoring the disciple that is running towards you, your only focus on Bellamy, and the blood all over his clothes, his body, on the floor. You feel arms wrap around your waist, and Clarke yells in your ear, pulling you backwards, towards the disappearing Anomaly and away from Bellamy. You fight her hard, kicking and screaming and scratching at her the best you can, but she is resolute, determined to get you off of Sanctum, dragging you back into the Anomaly with every ounce of strength she can muster. 
You scream again, repeating Bellamy's name like a mantra, watching as he disappears from view, the Anomaly closing around you. You don't stop fighting the entire time you’re in the green glow, trying to process why Clarke would do that, why Clarke would shoot Bellamy. He may be your enemy, he may be on the wrong side of things, but you love him. You may have given him the ring back, but you didn't mean it, oh god you didn't mean it. You just wanted it to be a wake up call to him, a way for him to see the error of his ways. But now Bellamy is dying, bleeding out on the floor, alone, thinking that you don't love him.
Bellamy Blake is dying alone, thinking that no one loves him.
The thought tears your chest open, cracks your heart into pieces as you cry harder, thinking of the blood, all that blood around him. All over his robes and dripping out of his mouth, filling up his lungs and killing him. No one at his side to put pressure on his wounds, or say the Traveler's Blessing, or to just be there for him. 
He thinks his sister on another planet hates him, and his best friend who shot him hates him, and his former fiance who gave him back the ring hates him. All his friends and the people that he calls family, angry and hating him. Leaving him to die alone with no one at his side. You thought it was bad enough to see him die in security footage on Bardo. But to see him shot in front of you, by your own twin, your other half, it’s enough to destroy you.
And as Clarke holds you in her arms, sobbing apologies in your ear, you can only think of her one way. Now, she’s just Wanheda. 
The Commander of Death, killing everyone in her way, even the man you love.
-
next chapter
77 notes · View notes
aion-rsa · 4 years ago
Text
What Sweet Tooth Changes From the Comic
https://ift.tt/3g1fJx0
This article contains spoilers for Sweet Tooth, both the TV series and the comic.
Sweet Tooth, the live-action adaptation of Jeff Lemire’s post-apocalyptic comic, has now arrived on Netflix and it’s a hit! Or at least that’s what producer Robert Downey Jr. ‘s overwhelmingly prevalent promoted tweet claims. I can recite “#SweetTooth is now certified fresh with a perfect 100% critics score. So incredibly proud of the whole @sweettooth team and can’t wait for you to see ‘the show of the summer.’ All episodes are now streaming on Netflix!” more readily than my own name at this point.
Still, it’s easy to see why Sweet Tooth found an audience on Netflix. The story of a gentle deer-boy hybrid named Gus and his quest to find his mother in a virus-ravaged world puts a refreshingly optimistic face on a well-worn post-apocalypse genre. Actor Christian Convery is a real find as Gus a.k.a. Sweet Tooth and the series eight episodes feel like an ‘80s Amblin Entertainment homage done right. 
Sweet Tooth is so inherently sweet that audiences might not realize just how much it deviates from its comic inspiration. Lemire’s comic miniseries, published from 2009 through 2013 by DC’s Vertigo imprint, has many fans, including some big pop culture names. Actor Michael Sheen wrote the foreword for the series first collected trade paperback. TV writer Damon Lindelof (Watchmen, Lost) conducted an interview with Lemire for the end of the final book. The comic is also decidedly less sweet than the TV show it inspired.
Arriving in an era before apocalypse fatigue fully set in for pop culture, Sweet Tooth really leans into the Mad Max side of its “Bambi Meets Mad Max” elevator pitch. The book is quite dark and unflinching. That Netflix and series creator Jim Mickle decided to go in a brighter direction for the show is an interesting commentary on entertainment’s priorities at the moment. But what if Sweet Tooth the TV series decided to hew closer to its source material? Read on to see how the comic and the show differ.
Tone
It cannot be overstated just how much darker the Sweet Tooth comic is than the TV series. The show acknowledges that the post-apocalyptic world after “The Sick” would feature some inherent violence. In fact, the whole plot of the show involves hunters trying to kidnap a child and deliver him to the military to be ground up into medicine essentially. That’s obviously dark. But the show still does its best to avoid as much onscreen violence as possible.
When the Big Man or another character rescues Gus from hunters, he does so in a largely bloodless fashion. Even when Big Man takes a bear trap to a poacher’s head, audiences are spared the grisly sights and sounds of it. Readers of the Sweet Tooth comic, however, are spared nothing. The pages of Lemire’s work are positively drenched in blood. Midway through the story, Gus is even forced to beat a fellow hybrid’s brains in with a brick. He says he feels bad about it, but not that bad.
The comic also delves into the realm of sexual violence as many post-apocalyptic stories have felt compelled to do before. Early on in the proceedings Big Man and Gus come across a town where a family captures women and forces them into prostitution. When Big Man rescues two women, they become permanent fixtures of their party. These characters, Lucy and Becky, do not appear in the TV show (though one character does borrow her name from one). 
If all the violence didn’t already make it apparent, the Sweet Tooth comic is particularly misanthropic. Nearly all of the human characters in the comic are monsters. Even Gus’s beloved Big Man Jepperd is useful because he’s a monster. Jepperd never loses sight of what makes him useful in this world, which is killing. He only becomes a hero when he applies that skill to those who deserve it. Throughout the series run, the comic continually intimates that perhaps planet Earth would be better off without all these humans anyway. 
Characters
Befitting the comic’s darker tone, the characters of Sweet Tooth are also quite a bit darker. While Convery’s depiction of Gus in the show is absolutely pitch perfect for a young Spielbergian hero, the Gus of the comic isn’t quite as self-assured or sophisticated. The education that Gus received from his “pubba” wasn’t necessarily top notch stuff so his vernacular is filled with more slang and abbreviations. He comes across as a true Nebraskan country boy. 
Meanwhile, Tommy Jepperds a.k.a Big Man (Nonso Anozie) gets an even bigger makeover for the show. Lemire describes the Jepperds of the comic as being inspired by the concept of an aging Frank Castle. There is absolutely no warmth in the comic’s Big Man. Instead of being an ex-football player, he’s an ex hockey player…and a pretty terrible one at that, only useful as his team’s “enforcer”. Anozie’s Jepperds is quite a bit more personable and open. Though he intends to sell Gus to the Last Men, he never goes through with it. In the comic, Jepperds does exactly that before changing his mind and rescuing the boy. 
The pig-girl hybrid Wendy (Naledi Murray) exists in the comic but her mother Aimee (Dania Ramirez) does not. Instead Gus meets Wendy at the Last Men facility after Jepperds sells him off. He meets Wendy’s little buddy Bobby there too. 
Gus’s “pubba” is a janitor at a medical facility in both the comic and the show, but as played by Will Forte in the show, he’s a lot more tender and smooth. The show Pubba is the perfect father to young Gus, open, communicative, and knowledgeable. In the comic, however, the character has lost some of his mental faculties in isolation. He is a God-fearing man who entertains and writes down his apocalyptic visions. Gus loves him and he loves Gus but he’s also not operating at full capacity. Also not operating at full capacity is Dr. Adityah Singh (Adeel Akhtar), who becomes inspired by Pubba’s writings and believes that Gus is a new god.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
The Animal Army is quite different in the comic. Instead of being a ragtag gang of Neverland-style kids, it’s a disturbing cult of adults in animal masks, led by a deranged man who has five dog-hybrid children. Becky a.k.a Bear (Stefania LaVie Owen) is an invention for the show but she does take her name from a comic character.
General Abbott though? He’s pretty much that villainous in both iterations of the story. Screw that guy.
Story
Though Sweet Tooth’s first season begins and ends in a similar spot to the first “Book” (12 issues) of the comic, the path it takes to get there is wildly different. 
Read more
TV
Why Sweet Tooth’s Ending is Ultimately Hopeful
By Nicole Hill
Scenes at Aimee’s Preserve and at Dr. Singh’s Stepford-ian community are invented entirely for the show. The Preserve is mentioned in the comic, but it’s never confirmed to exist (and likely does not, given the comic’s relentlessly dark tone). The first time Gus and readers meet Wendy and Dr. Singh is at the Last Men facility where Gus finds himself in the final episode of the season. Also new to the TV series are Gus and Big Man’s side quest through an outdoor sporting goods store, and the entire Animal Army’s arc. 
In the comic, Gus, Big Man, and company’s journey stretches from Nebraska to Alaska (hey, that rhymes!). The show elects to shorten that a bit by having Gus venture from Wyoming to Colorado. In addition to introducing new stories, the show also abandons some comic stories entirely, likely in pursuit of its cheerier tone. 
Netflix has not announced Sweet Tooth season 2 yet. Based on the show’s apparent success, however, future seasons seem likely. When they arrive, they will undoubtedly have many more changes to make from the source material to ensure an appropriately sweet viewing experience.
Sweet Tooth is available to stream on Netflix now.
The post What Sweet Tooth Changes From the Comic appeared first on Den of Geek.
from Den of Geek https://ift.tt/34XlXru
20 notes · View notes
captain-ross-poldark · 4 years ago
Text
Tumblr media
Another interesting article from the Irish DM.
THE WOMAN WHO FINALLY TAMED POLDARK
By Maeve Quigley
Heartthrob Aidan Turner has a track record of dating co-stars and it seems like he’s finally found his leading lady as it’s revealed he and Caitlin Fitzgerald have tied the knot
THEY were the pictures that broke the hearts of thousands of fans — the dark-haired actor affectionately smooching his new wife on the romantic streets of Rome, as their wedding rings flashed in the warm Italian dusk. After three years of dating, Aidan Turner tied the knot with fellow thespian Caitlin Fitzgerald in a secret ceremony in the Italian capital last summer, although news of the nuptials has just broken.
The pair met on the set of adventure film The Man Who Killed Hitler And Then The Bigfoot and it seems — despite Turner’s previous protestations that he would never date another actress — they couldn’t help falling for each other.
Pictures taken on August 8 show the newlyweds days after tying the knot as they flashed their gold bands while enjoying a romantic al fresco dinner date at Pierluigi’s restaurant in Rome.
In the newly-released images, the loved-up pair seem unable to keep their hands off each other as they sip their drinks, holding on to one another as they gaze into each other’s eyes.
It is believed Fitzgerald also came to Ireland before the pandemic to meet Turner’s extended family — possibly ahead of their big day. Of course, she’s not the first woman with beauty and talent to be seen on the arm of the dashing Dubliner.
But at 37, the man whose shirtless scything in BBC drama Poldark had women everywhere a-quiver is now officially off the market.
Turner was born in Clondalkin, the son of Eileen, an accountant, and Pat, an electrician. He is the youngest of two boys; his brother works for the Revenue.
The family later moved to Walkinstown where growing up he was quite shy so his mum sent him to ballroom dancing classes as she felt it would help him no matter what career he chose. He became quite the champion and could possibly have been headed for an international career before he got bitten by the acting bug when he attended the Gaiety School of Acting, where he dated classmate India Whisker for a short time.
Even then, Turner’s dashing good looks were getting him noticed off stage.
To supplement his acting career, he got a job as a barman in famous Dublin nightclub Lillie’s Bordello, where he proved to be a big hit with the VIP guests
‘Women would come in just to stare at him,’ said former hostess now wellness guru and television presenter Andrea Hayes, who gave the acting student his position behind the bar. ‘I’m not joking.’
His first big acting break came when he landed the part of receptionist Ruairi MacGowan in RTE’s long-running medical drama The Clinic, taking the seat left vacant by another major success story, Chris O’Dowd, who also played a medical administrator on the show.
Around this time he was dating Charlene McKenna. The thenaspiring acting stars were together from 2007 to 2009 and shared a flat together in London before their relationship ended just weeks after McKenna had said in an interview how happy she was.
McKenna has recently got married in secret herself, to actor Adam Rothenburg, with whom she starred in Ripper Street, although she has said she still has a friendship with Turner.
‘He’s flying and I’m so proud of him,’ she said of Turner in a 2016 interview. ‘We still keep in touch and I knew he would do this well for himself. I always told him he would be a movie star.’
While they lived together, Turner landed his breakthrough role as tortured vampire Mitchell in the BBC Three hit Being Human.
Mitchell was torn between his blood lust and doing the right thing and was keen on leather trousers and coats, allowing Turner to smoulder on screen for the first but certainly not the last time.
He managed to gain a cult following from the role — as well as a new girlfriend in the form of his co-star Lenora Critchlow who played a ghost to Turner’s vampire.
When their relationship ended, Turner also chose to quit his role on the show.
But it was Being Human that got him his role in The Hobbit after director Peter Jackson saw him in the show and was struck by his elfin features. He never made it to the elves though, instead playing a dwarf.
And as his star ascended, he began dating another actress, this time Cork-born Sarah Greene. They had been friends for a few years after meeting on the set of Titus Andronicus, directed by Selina Cartmell at Dublin’s Project Arts Centre; but love didn’t blossom until much later.
‘I played Demetrius, her character wasn’t a named character but we met on that,’ Turner said in a magazine interview. ‘It was all very platonic and we never hooked up or anything, but that’s how we got to know each other. Then years later we just met again and it just sort of took off.’
Turner and Greene became the golden couple of the Irish drama scene, both with careers on the rise. They were together when he landed the role of Ross Poldark in the BBC revival of the Cornish drama that became a huge international success.
The fame that came with the role was difficult for both to handle as Turner is not a fan of being seen as a celebrity while Greene hated people taking photographs of her boyfriend while they went about their daily business.
Though then happy in his relationship with Greene, Turner admitted that he had been heartbroken in the past and it was something he was able to channel into his role as the brooding Ross Poldark, a man torn between two women.
‘I don’t know anyone on this planet who hasn’t had their heart broken,’ he told the Radio Times. ‘It’s happened to me. Love is love it’s the purest and rawest thing we have in life.’
As their careers progressed, the couple spent more time apart as Turner was in New Zealand with The Hobbit while Greene was working on projects like Vikings closer to home. But he insisted the distance wasn’t a problem.
‘You meet someone, you fall in love, then you can only see them over Skype or phone calls or texts and emails. And you have this whole other side to your relationship and it’s... it was fun,’ he said in a 2015 interview. He added: ‘We knew we really wanted to be together. And knew if we could do that, we could tackle a lot more. It was never: God, this is hard, bloody hell, we need to review this. This sucks. We never questioned it; it was great. So we had that from the beginning...’
But as the Poldark mania went into overdrive, so did the rumour mill and there were false reports of an engagement and even a secret wedding between himself and Greene. In actual fact the opposite was the case, with the relationship ending in 2015, five years after it started.
Turner then seemed to swear off dating those in the same business, despite his track record. In a press conference for the fourth series of Poldark, he said dating in acting circles meant you could never get away from work, admitting: ‘If you’re in my business and you find somebody who does exactly what you do and you’re living with them, then you’re in the business all the time.
‘You go home, talk about casting directors, you talk about the press, you talk about the next job you’re doing — it can become quite dull and taxing,’ he added.
So instead he was linked to a mystery law graduate, an advertising executive and then the artist Nettie Wakefield, who he dated for around a year before their hectic schedules drove them apart in what was described as an amicable split.
But obviously when he met the stunning blonde Irish-American, Caitlin Fitzgerald, 38, on a film set three years ago, Turner’s new rules went out the window, so bowled over was he by the beauty and talent of his co-star. By the time the film was premiered, the pair already looked smitten, posing on the red carpet together.
Fitzgerald appeared at a concert with Michael Sheen, with whom she starred in Masters of Sex but was seeing Turner at that time and like him, is an intensely private person.
Despite his fame and the stir his bare-chested scything caused, Turner has never been one to chase the celebrity lifestyle — perhaps because of those nights he spent observing celebrities while working behind the bar in Lillie’s.
‘If I allowed myself to let it change my life, it could,’ he has said in the past of his fame. ‘Where there’s celebrity, it’s easy to slip into that — being followed in nightclubs, or dating famous people or getting adverts. I’m just not interested in that stuff.
‘I want to do good work with good actors and filmmakers, read interesting scripts. I didn’t get into this business for celebrity. I did it for my love of film and stories and theatre.’
So although it has now been widely reported that he and Fitzgerald tied the knot in front of his parents Eileen and Pat, neither of them are likely to confirm their nuptials at any stage in the near future.
In fact, the only kissing Turner is likely to talk about is for his role in the film Leonardo, which explores the life and sexuality of Leonardo Da Vinci. In the film we will see Turner as the renaissance artist in a passionate clinch with another man as it explores Da Vinci’s sexuality and his rumoured affair with his apprentice Gian Giacomo Caprotti, better known by his nickname Salai. It is for his art that Turner intends to keep us all guessing as he’d rather we were interested in his roles than his romances.
‘It’s important to me that people don’t know too much about me because I’m trying to play characters,’ he has said in the past
‘Sometimes you see actors who are really good, but you have trouble separating that actor from the celebrity profile.
‘I don’t want to be one of those guys. It helps that people don’t know a lot about me, I guess.’
30 notes · View notes
seventhstar · 4 years ago
Text
anyways "The Heiress" is my least favorite episode of The Mandalorian for the following reasons:
1. the episode has Din meeting other Mandalorians which I really hoped was going to be a positive thing for him! Like last season his entire covert bar one DIED so I was like, "Oh, good, these new ones will give him that sense of community he's been lacking!" They rescue the baby, they fly in from above (in what I thought was a parallel to 1x03), they call him "brother"...I really thought this episode was going to be, like, 'yeah these other mandalorians are different but they agree about what's important and can still relate to each other' but Alas
2. Instead this is another episode of "Din getting fucked while he tries to get a Crumb of information to find his baby a forever home". It is episode 3 of season 2. So far, Din's quest has led him to: a guy who admits to hunting down Mandalorians and killing them for their armor; a guy with Mandalorian armor who only agreed to give it to Din after Din helped him do something incredibly dangerous; a frog lady whose mission got Din's ship nearly destroyed, nearly got him arrested, and nearly consigned them all to a spidery, icy death; and another guy who tried to kill Din for his armor (and also almost killed his baby!).
Din's covert were incredibly loyal to him and since Din literally tells Bo-Katan and Co. "I hoped you would help me by Creed" this is clearly the way he thinks (or hopes) all Mandalorians are. He's specifically wandering the galaxy looking for other Mandalorians because he assumes they won't fuck him over and will in fact actually help him.
3. Instead Bo-Katan refuses to give him the info without him helping her with her mission and then adds insult to injury by changing the terms of the deal midway. And she tells him he's in a cult, which is a pretty bold assumption to make about someone you've literally just met.
I definitely wish we had gotten more Din backstory in this ep because it would have made sense but also, it tracks that Din doesn't try to engage with Bo-Katan after she tells him he's in a cult, because refusing to engage is how Din handles every instance of people being shitty to him about his beliefs.
4. If Bo-Katan actually intends to rule Mandalore and she actually believes that "Mandalorians are stronger together" why doesn't she, I don't know, try to get Din on her side? Why doesn't she engage with him at all about his past or his beliefs or anything? The show kind of frames it like helmet-wearing is the main point of dispute between them but it's not. Bo-Katan also breaks her word to Din--a thing Din repeatedly does not do. Her argument is that she's a Mandalorian by birth and her mission is to retake her rightful place on the throne, neither of which are going to be compelling to someone like Din, who is a foundling and who is understandably uninvested in who might rule what he sees as a dead planet. And Bo-Katan doesn't tell Din her mission is to personally rule Mandalore until it's too late for him to back out--she first says "we'll seat a new Mandalore on the throne". Bo-Katan could appeal to him by going back to the Creed they both ostensibly share, but she doesn't.
5. If Bo-Katan had talked to Din more, he could have given her what he knows about Moff Gideon. Moff Gideon is hunting the baby! Bo-Katan could have used this information to find him!
6. Bo-Katan telling Din "his bravery will not be forgotten" like it was for her benefit is so frustrating like...it wasn't! It was just another day for Din because enduring dangerous nonsense for his baby is his entire life.
7. And you know that if the situation had been reversed Din wouldn't have done that to her! If Din had been just hanging out and three Mandalorians who took off their helmets rolled in and were like "We hoped you'd help us by Creed" Din would have have probably felt obliged to help them, no strings attached. (If Din was just out bounty hunting and three Mandalorians without helmets rolled up with a baby he would have done anything for them.)
20 notes · View notes
ratnco · 4 years ago
Text
How to Kill a Great Film in 2021
Good Films die every day in Hollywood. Contracts are written and thrown away, writers can be hired and fired as fast as old drafts can be thrown away and rewrites can be made days before production. And when that doesn’t stop a project from being a success, Producers can cut funding at the second to final lap around the track, locations can change, or in more recent cases, the entire world can change. 
But let’s pretend this pandemic isn’t currently still in effect and fast forward to 2023, when cinemas are open again (sadly not for the Cinerama Dome) and a new movie is released once a week and regardless of how much we enjoy it, we get to talk about it. In this fantasy land, let’s talk about the 5 ways you can kill a good movie before, while, or after Production…
Relationship between Director and Producer
Whenever the release of a certain cut of a film that isn’t what the Director intended on releasing makes its way to Theatres, the thing that comes to most people’s minds is ‘Studio Interference’. If you’re an aspiring filmmaker, writer or just a fan of Cinema in general, you’ve heard all of your favourite Filmmakers talk about how much they hate their Producers, you hear horror stories about the un creative old rich man trying to be creative, forcing their bad ideas onto a project and thinking they have creative control because they’re funding it. And a lot of those stories are true, but is that really all? Are Studios really that mean? Even so, there was still a moment where the Producer sat down with the Director and said ‘I like your project, let’s make it.’ So they can’t be that terrible. 
The truth to this problem lies at that meeting. Whatever the problem is that the studio, Director or Crew will find themselves knee deep in down the road, its source will be born on the desk where that meeting takes place. The Producer may have bad, unoriginal ideas and is just out to make bank on your project, and you may be an unknown indie-filmmaker just trying to find an outlet for your talented voice, but as different as these two forces are, they need each other to survive. A Producer needs a film to be successful in every theatre in the country in order to keep their business alive, and the Filmmaker needs to successfully capture their vision onto screen so they can share it with audiences around the globe, and that won’t happen without Studio Funding, and the Film won’t be made without a Filmmaker. 
So what happens if you don’t get along, if the Producer changes their mind on the casting for the main character, or the third act of the script? Do you just say ‘Yes’ or ‘Fuck off!’? It’s up to the Filmmaker, but either answer won’t produce a good Film. 
Another thing you’ll probably find in common with any Director whose movies have suffered a great deal of box office failure to what they claim is Studio interference, is that they hate producers, they say mean things about them during interviews and they establish bad relationships with Hollywood, and more often than not, their line up of upcoming projects grows thinner and thinner as the years go by. 
A Filmmaker shouldn’t be surprised when they have a hard time getting their films made when this is how they treat the people funding them. As attached as you are to the movie you’re making, getting your film properly released involves your key role in a game that must be played, and played extremely well. If you have a disagreement with somebody, is the most wise next step to scream in their face? No. If you’d like somebody to see your point of view, it’s done only by a genuine back and forth dialogue, allowing both parties to level with one another, acknowledging each other’s perspectives and reaching a common goal they can both agree on. 
A Filmmaker can still receive these requests and still say no and still have a great relationship with their Producers, it all comes down to the trust you establish with your collaborators, and yes, they are collaborators. 
Not Getting Final Cut
Reason number two is exclusively caused by reason number 1; Getting the Final Cut for your film means that you alone have creative control over what the version of the movie you’ll one day be showing to audiences will look like. If you’re passionate about how you're going to eventually show your story to an audience, this is pretty important, as failure to do so will result in a version of your film reaching audiences that you did not play much of a role in. 
Nobody wants somebody to take something they’ve made and turn it into something else entirely. If you’d like to see a prime example of this, watch Natural Born Killers. One of the most talked about Tarantino films isn’t even really a Tarantino film. ‘You don’t fuck with my material’, Quentin Tarantino told Oliver Stone when handing over his original script, to which Oliver and his team responded by taking his characters and plot and flipping it on its head, creating a new film that doesn’t even come close to resembling what Tarantino originally wrote, to which Tarantino responded by requesting his name be taken off of the writer’s credits.
How the Director Controls a Set. 
When a Film is made, hundreds of people are involved other than the Filmmakers, Producers and their cast, there’s also a massive crew who must be considered. If you’re a Director, all of these people are working for you, which means you’re also responsible for feeding them, managing how fast or how slow they work, and their overall mindsets while making a movie and if you at any point assume that these decisions play a key role in the result of the final product, just walk into any retail store and see what happens when a Staff is treated poorly by its managers. 
I’m glad I brought up Quentin Tarantino, because the Writer/Director has a very interesting rule on all of his sets: No Cellphones. At the door of a Tarantino set, a ‘Checkpoint Charlie’ will retrieve your device and give it back to you at the end of the day or in case of emergency. On Top of that, there are speakers planted on set, blasting music, chosen by Tarantino for the cast and crew to listen to while working. What results is a very chatty cast and crew, forced to engage each other in between takes or set ups, rehearsing lines and enjoying and embracing the atmosphere rather than trying to escape it. QT also has another very interesting rule: No Sleeping. But breaking this rule won’t result in death, only something worse… Floating around the internet is a photo of Brad Pitt and other Cast members of past Tarantino Films with a giant purple Dildo held against their sleeping faces on set. Morale is key. 
Marketing
When shooting's wrapped, editing is almost complete, and everyone involved is very excited and thrilled that the release of their movie has met and maybe even exceeded expectations, now it’s time to release it. But to make sure that goes smoothly, you’ll need to advertise it so that people will know about it. 
Which means it’s time to make your trailer. Making a trailer involves just as much writing as the birth of the Final Draft of your Screenplay.. The Filmmaker has a chance here to control how the future audience of their movie will perceive their story, how they absorb it and how they will use that information to make a decision on whether or not they’ll leave their house to go see it. 
Here’s another place where studio interference may come into play. Say you’ve got a 3 hour long Western Drama that you’re trying to advertise, but the studio says that since this is a slightly more niche genre of cinema, and given the runtime it would be more wise to make the trailer feel rather fast paced and action packed, containing loud and fast music and sounds of gunshots and screaming! That way when people at home view it, they’ll feel excited, their hearts are racing because you've tapped into a very common human emotion that everybody on the planet could respond to: excitement. 
Sure, this approach may sell a lot of seats on opening night, but what will the rest of opening weekend look like? Chances are, pretty blique. Because your Western Drama may indeed be a beautifully executed masterpiece filled with tension and tear jerkers, but the problem you’ll now face is that all of the people who went to see your movie left their houses because they’re big fans of high octane action films and that’s exactly what they were expecting when they came to see your movie. But that’s not what they got, so now they’re upset. 
One thing that a lot of Producers today won’t admit is that a Film may not be for everybody, and that’s okay. Because rather than marketing to a broad selection of people who may or may not like your movie, your Audience will do a better job at championing your Film if you chose to only Market to the people who will want to go see it. Even if these numbers are fewer, if those people really enjoy your movie, they’ll do the rest of the marketing for you, which will get you an even bigger fanbase, which can maybe even turn into a cult following. The long term success of what you release will have a major effect on your ability to control future releases. The battles you fight now will win you the war of your career as a filmmaker. 
As frustrating, controlling and sometimes crazy Hollywood can be to its Talent, at the end of the day, it's only an outlet for voices looking to speak out, it’s a malleable mechanism used by all of us, and without us it wouldn’t survive and vise versa, so we coexist. Any Film can be a great Film, but aspiring talent may not like to hear that talent will only put words on a page or a subject in frame, the true impact of what you create comes down to something as simple as knowing how to talk to people who aren’t like you, a method also referred to as ‘empathy.’ 
By Ezra Crittenden
2 notes · View notes
toku-explained · 4 years ago
Text
The Invincible Swordsman
Phoenix Swordmsman and Book of Ruin: I've seen nothing about the timeline placement of this, but I've seen known sign of the Knight Forms, but Kento is here and so are the Wonder Combos, so safest bet seems to be right before Jaou Dragon happened. Bacht, wielder of Mumeiken Kyomu and the Eternal Phoenix Wonder Ride Book was sealed in a book in ages last, but is unsealed and creates portals to destroy the world. Seems to have Megiddo working with him but none of the regular villain's are involved. Bacht, Kamen Rider Falchion, apparently aims to reduce the world to nothing, Sword of Logos opposes him. The Brave Dragon joins with two others, the Love Dragon (White) and the Pride Dragon (Black) to for the Emotional Dragon Wonder Ride Book, and Saber uses Emotional Dragon to defeat Falchion. End scene is a brief teaser of our hooded man.
REALxTIME: So we have S, our lead villain, announcing he will end the world with bomb in 60 minutes and remake the world in his image, he has a large cult of followers, apparently he created the bomb using the Thousand Jacker. Among the followers are the 4 generals Bell, Moore, Lugo and Buga. Each of them, as well as the other followers, using either a Slash Abaddoriser or a Shot Abaddoriser, along with a Crowding Hopper Key become Kamen Rider Abaddon, the 4 generals having some small variation from the other followers. Aruto attempts to fight S, Kamen Rider Eden, using Zero-Two but is defeated and winds up in another world, S uses the Zero-Two Progress Key in the Thousand Jacker to create the Hell Rising Hopper Progrise Key, Izu later retrieves the Zero-Two Key and Zero-Two Driver. The Abaddon's are spreading a red gas that sends people to the other world, we get that scene of Jin, Horobi, Amatsu, Yua and Fuwa all fighting together. Aruto learns the woman he's met, Akane, knows S, and returns, attempting to fight Eden again using Metal Cluster Hooper. Apparently most of the enemies are AI controlled nanomachine constructs controlled by a few individuals using ZAIA Spec, these were meant to medical nanomachines but changed after some stuff with Ark towards the end of the series, Nanomachines make up the red mist. Horobi finds and confronts As, who has supplied Eden with the Hiden and others tech he needed, she otherwise isn't present. Is tries to find Aruto using Zea and manages to awaken to original Is somehow and they merge. Eden intends to use the Hell Rising Hopper Key to end the world, Aruto manages to take it off him, can't shut it down and is forced to use it to transform into Hell Rising Hopper. He is in a rage state and defeats S and tries to kill him but Zero-Two stops him, revealing themself as Is, Aruto calms down. Akane was S' wife, she died but her consciousness survived in the nanomachine AI, S wanted to make a world where he could be with her forever, placing his mind in a Humagear. Bell, after learning the real goal, takes the Eden Driver and Eden Key by force and becomes Kamen Rider Lucifer. Then we get Aruto as Zero-One and Is as Zero-Two facing Lucifer together, S shuts down this nanomachine system returning everyone to normal while Lucifer is defeated.
And that's Zero-One, at least until 01hers MetsubouJinrai.net comes out. But with what else was announced this week I wouldn't have counted on it being the end even if that hadn't been announced.
Z: It's important to remember with this first scene that Yuki Mai isn't actually a villain. There have definitely been examples of defence force members who count as villain's, the guy from Ginga S, or the ones from Ultraseven 1999 come to mind, but she is purely acting on the information she has, information that has been given to her by the actual villain, who we know was a trusted figure if authority. Hebikura finally reveals to the rest of STORAGE his identity as Juggler, but a younger Juggler would have just killed her and the 1st SAAG soldiers. As Destrudos rampages in LA, STORAGE prepares their mission, Haruki will pilot King Joe STORAGE Custom, while Hebikura uses Windom. He warns everyone to escape if they have to, GAFJ will almost certainly attack them. Wait Juggler what do you mean you can't grow big on your own anymore? You did last time we saw you before this, what's changed? King Joe and Windom give it their all, but they're outclassed by Destrudos, and when it looks like it's over Bako comes in with Sevengar to assist, the two manage to hold Destrudos long enough for King Joe to blow it open and attempt to pull Yoko out. So like this arm wrestling obviously is happening, but it isn't real or something, it pulls Yoko out of Celebro's control, and Celebro vanishes, leaving the Belial Medal in Yoko's hands. As she's ejected Haruki saves her by being able once more to use Delta Rise Claw, accepting he may die because of the strain, as Z warned. Beliarok returns to fight this new opponent. Destrudos regenerates the D4 cannon and fires, Beliarok absorbing the whole attack and thanks Haruki for the amusement, before destroying D4 and shattering, the feedback reverting Z to his Original State. With the encouragement of STORAGE he stands up, and with a tough battle defeats Destrudos with a Zestium Ray against the D4 Ray. Seems Haruki made it, but Z collapsed leaving. Hebikura catches up to Celebro and is going to kill it when Yuka and Kaburagi turn up and capture it, he leaves them to it. Haruki decides to go with Z to help people out in the universe. Beliarok, having reformed in space, decides to join them.
The Absolute Conspiracy: Moving to right around 1974, almost immediately after the end of Ultraman Taro, while continuing the Second Chapter we now focus on Ultraman Tregear in his Early Style (Existing VA), and some of this content was already relayed to us in the shirt story about Tregear that came out around when the Taiga movie was meant to. Tregear is working as a scientist at the Science Research Bureau under the Institute Director, Hikari (Still Origina VA), where he is working to develop a familiar item to borrow power from various life forms. Tregear looks down on himself for failing to make it into the Inter Galactic Defence Force, but Hikari encourages him to take pride in what he can do. He is reunited with Taro (New VA for his younger self), fresh from his time on earth. The showing here is abridged, but Taro is able to assist with finishing the device, and it is named the Taiga Spark. Some time later Hikari goes missing, and, in a new detail, Tregear goes to planet Arb to find him, where he is depressed after his failure to save Arb from Bogarl, and swears vengeance, for the first time becoming Hunter Knight Tsurugi, he attacks Tregear to stop him from getting in the way if pursuing revenge, leaving Tregear shocked even Hikari could not resist the darkness, and he hears Tartarus' voice. He discusses this with Taro, feeling resigned, and while Taro promises to protect him Tregear for the first time seems resentful of Taro, not just in awe. The pair go to Planet Deastar, where Taro seeks Tregear's help to investigate a strange energy. Suddenly Night Fang appears, brought by Tartarus, while it fights Taro it makes Tregear experience an illusion, where Hikari/Tsurugi draws him to the darkness, which he fears, but when Taro's illusion promises protection he rejects that too, then Tartarus offers him the chance to live as he desires, to fear nothing, and shows him his future, both his absorption of Grimdo and the conclusion of the fight with Taro in the beginning of Taiga, where despite everything Taro begged him to return. Taro uses Ultra Dynamite to destroy Night Fang, saying they'll always stand for the Light, but as Tregear leaves he rejects the idea of Light and Dark, Taro desperately calls after him.
Saber: Saber sees scenes that look like the past rush past him as he follows Caliber, while back at the battle the Megiddo claim only the one who obtains the truth will survive. Caliber tells Saber, and the Megiddo tell the others, that at the end of the gate is the Contents page of the original book, the only page that still remains, with it they would be able to find the other pages and remake the original book and reshape the world in their image. The Swordsmen intend to destroy the remaining pillars, which would prevent Saber returning. As Saber fight Caliber brings up the possibility of the world having already been changed from its original shape, before causing Saber to lose both swords and Touma vanishes into Kurayami's darkness. Mei encourages Rintaro to act, certain Touma will come back, while Touma, briefly despairing, is encouraged by Kento's spirit and manages to return to the swords and face Kamijo once more. Blades starts destroying pillars, while Kamijo explains 15 years ago. Hayato had been his best friend, until the day he betrayed them, when Kamijo confronted him he revealed Luna was a way to connect both worlds. Saber and Caliber fought, Caliber claiming this was to save the world. Luna was lost as Touma saw, and we see the last thing Touma remembered, with Brave Dragon flying into Touma's hand seemingly if it's own accord. When Hayato, enraged, yelled that this was the only way to save the world, Kamijo was forced to cut him down, but concluded the ones responsible for Hayato's corruptions were Sword of Logos, and so he decided to bear their sins even if he had to ally with the Megiddo. He believes obtaining the universal truth will allow him to identify the true enemy within Sword of Logos. Touma won't accept this, given all the people Caliber has sacrificed. As Blades continues destroying pillars, Saber uses Dragon Arthur, Crimson Dragon and Dragonic Knight. There's a Dragonback duel, ending in a Rider Kick struggle, which Saber wins, then uses a finish with both swords to defeat Kamijo, Kurayami, Jaaku Dragon and Jaou Dragon all fall. Kamijo accepts his loss, but beseeches Touma to find who betrayed Sword of Logos, saying he might be able to find Luna. Before he can say more he is stabbed through be Desast, who takes his own book back. Kamijo's last words are to beseech Touma to take Kurayami to help his quest, but suddenly both it and the books vanish. He returns just as the gate closes, greeted by everyone. And here's a reminder of Shindai Reika, going to tell us why you kidnapped Sophia any time soon?
Kenshin Retsuden: And finally for this series we have an episode of Blades, listed as Chapter 15.5. In the aftermath of everything Rintaro is depressed over Kento's death. Mei tries to cheer him up with eclairs and tries at the lottery, but even those won't excite him. We learn from flashback his lottery win was how he got the camera, and how he explained about how Sword of Logos as his family was instilled in him by his master. Rintaro feels weak, a failure, remembering his first fight with Zooous and how he felt, with Mei trying to calm him down after the fight, in the present she reminds him he saved her from Zooous, and protected Kento from Caliber, because he refused to give up. She tells him how Kento had said he wished he was as strong as Rintaro, and shows him Kento had used the camera to make sure there was a photo of himself for Rintaro. Rintaro has tears over the picture of his family, and finds his resolve.
Kiramager: Naturally the Crystalian holiday of Crystals is just a pastiche of Christmas, but the behaviour induced by Crunchula's rap causes the team to seriously hurt the Mashin, but the Mashin are also affected by the curse. Fire does make a point that they might still genuinely feel that way. The whole rap battle is just hilarious, I do like Yodonna's outfit choice. An all mecha roll call is a rare treat, last on I remember was Go-Onger, which also had an all Robo roll call. All the mecha getting a bit of spotlight like this is pretty common around this time of year, I remember Shinkenger doing it. Something is up with Yodonna.
7 notes · View notes
canyouhearthelight · 5 years ago
Text
The Miys, Ch. 88
Sophia, the day after her conversation with Tyche.
Thank you to @satan-parisienne and @baelpenrose for keeping me going and on an even keel! Sorry the Author’s Note is so short... I didn’t realize until I had about 10 mins before I had to be back at work that I forgot to queue this for today *facepalm*
The next day was an entire education on new places I could be sore. A hot shower and analgesics only took the barest edge off, and I ended up needing a transport to get to my office instead of my routine walk. I did my best to ignore the grin on Conor’s face every time I moved too fast and winced.  After the third time I scowled at him, I brought up my datapad and did some research, careful not to tap my legs as I gestured, which had become something of a habit.
 “That snot,” I gasped. Conor glanced at me, so I clarified. “Tyche had me doing fencing footwork yesterday…. Intermediate footwork, it turns out. No wonder I’m so sore.”
 “Least it wasn’t sparring,” he pointed out cheerfully, gently lifting my chin to get a look at my lip.  “You should have let Noah heal that, love.”
 I brushed my cheek against his hand. “I want the reminder. May even let her do it again once it heals.”
 This time, it was his turn to scowl. “Not funny.  That face has been bruised enough for one lifetime.” He gently rubbed my cheek as the transport stopped. “Okay, time to go be the boss.  No fighting with the other kids.”  Despite the joking tone, his eyes were serious as he leaned in to kiss me before he headed to his shift.
 I realized that Alistair not only beat me to work, but could apparently hear me groaning as I tried to walk, because the door opened before I was even within three feet of it.  True to form, he gave me an appraising look before his expression settled on my face. “Door get a bit mouthy today? Or did your feet decide you needed to stay home?”
 “Tyche punched me, actually.” My tone was light as I inched my way to my desk. “For defending myself. And then she decided I need more ways to defend myself, so now I can hardly move.”
 “Solid logic,” he deadpanned as he handed me a cup of coffee. “I feel obliged to point out that the coffee is hot, seeing as you display a disturbing propensity to get hurt.”
 “Very funny.”
 “You have been warned, et cetera, so on, so forth.” He waved a hand nonchalantly as he turned, bringing up my agenda for the day. “Your first meeting is the one to discuss medical testing ethics, criteria for volunteers, and determination of the necessity of the procedures. Then you have time set aside to review the status of the Galactic Core Curriculum, along with proposals for expanded learning topics and their existing analogues in the education systems of other planets - “ He paused and tilted his head. “I will never cease to be caught off guard when sentences like that exist.”
 I restrained the urge to nod - or more accurately, my back twinged with a warning not to even consider it. “Believe me, I understand. Noah and I were talking about other species a few weeks ago. Did you know there is a species of avians out there who essentially live on a planet with no surface atmosphere?”
 “The Preeyar, yes,” he sighed wistfully. “Knowing that Fermi was simply impatient has been quite eye-opening, so to speak.”
“Well, he wasn’t wrong,” I conceded. “We were too young for extraterrestrial civilizations, we weren’t listening properly, they apparently weren’t trying to contact us until recently…  But they do exist.” A smile crept on my face at the idea that we really hadn’t been alone in the universe.
My office door opened without warning, and a familiar voice chimed in as Alistair turned with clenched fists. “I do argue that we are entirely too dangerous to have been contacted.” Arthur Farro stood leaning against the frame, and Alistair relaxed marginally. “At least we were until relatively recently…. Throwing nuclear ordinance at each other the moment killing each other in the thousands - rather than the millions - stopped scratching that vicious itch. Who does that?  We’re like demented eight-year-olds who got bored of burning ants and started setting each other’s hair on fire instead.”
“You really should keep that door secured,” my assistant sniffed as he closed out my agenda, right around the time he caught Arthur squinting at it.
“He has the code,” I admitted.
“Or maybe that was accidental,” our resident history teacher continued, ignoring us. “I’m a big fan of assuming stupidity instead of malice where possible.  And, dear lord, does our track record make it plausible.”  Finally entering the room, he flicked a finger at my face. “That was not, however.”
Before I could stop him, Alistair took one glance between me and my friend, and strode to the door. “No.”
“Alistair…”
“I’ll clear your calendar. No. Have a good day.”
“What the fuck were you thinking?” Arthur asked as the door closed behind my soon-to-be-ex assistant.
“That he’s a coward,” I muttered.
“You know damned well that’s not what I mean.”
“Tyche already decked me.” I gestured at my split lip and the bruise that bloomed on my chin overnight. “So, yeah, I know - “
“No, you really don’t seem to.”
“Arthur, stop.”
“I will not.” He stepped forward and placed both his hands, palms down, on my desk.  He knew I hated that gesture. “Bjornson’s entire narrative hinges on you being more dangerous than anyone realizes, and you putting up a display of false helplessness to make everyone trust you.  By decking one of his followers, not only did you show that you do, in fact, have violence in you - meaning that it’s now entirely plausible you’re as Machiavellian as they claim - but you’ve also gone and indicated for whatever reason that Jokull is enough of a threat to drop that premise.” Straightening, he crossed his arms in clear disappointment. “If you wanted to give him more credibility, good job. You succeeded.”
I swallowed every bit of hurt I felt at his words, reminding myself they were nowhere near as barbed as the ones Tyche had given me the day before. Instead, I tilted my head and arched an eyebrow at him. “Are you done? Did you say everything you needed to say?” I paused, giving him a chance to respond. When he didn’t, I poked harder. “Feel better?”
“Not particularly, but big picture? I’m not a terribly gleeful person, as I’m sure you’ve noticed. But yes, it is your turn now.”
“Gracious of you,” I cooed sarcastically.  “Tyche made the same points yesterday, after punching me in the face, with the added gravitas of a guilt trip served with that special seasoning of having watched me almost die and thinking I abandoned her as a child. Also three hours with a rapier, whipping my ass. So. Far more impressive, I assure you.”
“Foiled again by the smaller Reid,” he sighed dramatically before catching himself.  “Rapier, you say? I was going to say no pun intended, but I’ve decided I did that on purpose. Yep. Totally intentional.”
I rolled my eyes before pulling up my tunic to show the bruises on my midriff. “I’m not very good at it, for the record.”
He waved a hand dismissively. “Don’t worry, saber’s a better style anyway.  And I’m not just saying that because it’s my favorite.”
“Uh huh,” I nodded, not entirely convinced. “As far as Bjornson… seriously. She gave me the scoop.  I seriously fubared the entire situation yesterday.  Apparently, our suspected cult leader only believes in physical attacks on those who would defend themselves. No honor in beating a beaten foe, et cetera.”
“Mmm hmmm,” he nodded, like I was a student he was letting reach her own conclusion.
“Which means I just made it open season on Sophias,” I groaned.
“Really, saber is much better for brawling tactics,” he hedged.
I laughed bitterly. “Doesn’t matter.  My walking privileges are revoked until further notice. Must be accompanied by one of six people, or two out of another ten, and on a transport.” The last word came out like a profanity.  It was a known fact I hated using them.
Hence why I was now being forced to, unfortunately.
“If you think there is any possibility that I’m going to argue against Tyche on that decision, I need to talk to her about that head scan,” he told me pointedly. “Then again, you and I have different definitions of the word ‘think’, but I’ll be clear - it’s not happening.  Moving target, faster than a walking pace, with a protective attachment? Which roster am I on, again?”
“Very funny. You already know.”
His expression softened slightly when he realized I was actually upset. “There is some good news in all of this.”
I threw up my hands and spun in my chair. “Oh, do tell, great military historian and warlord. What is the shining silver lining to the fact that I just gave a man who thinks I am the only thing standing between him and his New Start a golden ticket to sic his followers on me?”
“Okay, first off, sassy shit, my main career is a school teacher. I only moonlighted as a warlord to pay those apocalypse bills. Not my fault I was good at it.” Suddenly, he got serious. “The good new is, if he was too stupid to realize that your talent for inspiring loyalty meant you were a massive problem for any takeover plan, and a problem he’d have to deal with sooner or later….. Well, he’s probably too stupid to keep his little cult together much longer.  Leaders who don’t recognize more than one kind of strength never manage to build a lasting legacy.”
“My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair…” I said, half to myself.
“Yeah, our guy is no Ramses II,” Arthur replied.  “Besides, those who seek power are rarely good at keeping it.”
“I would have given him my seat on the Council if he’d just asked,” I admitted.
“Besides the fact that you literally just proved my point, if he was suited to the Council, he’d be on it.  It’s not like you were the only candidate.”
I shrugged. “No idea. I didn’t even know I was on the Council for the first week. I think it was a week.”
When I turned to look at him, I was met with a flat stare. “I know it was explained to you at some point.  How does that search function work?” He reached forward like he was going to tap my head before I swatted his hand away. “You were appointed to the Council to replace Simon, you represent a specific population on board the Ark, when we arrive at Von, you will serve an additional two planetary standard years before elections are held, of which you cannot be a candidate….”
Ugh. “I was put forward as a recommendation by Simon. The other Councillors put forward their candidates. The population I represent voted based on my personnel file, since no one even knew any of the candidates at that point. We’d only been on the Ark about six months. Some of us, anyway.” Glaring, I narrowed my eyes at him. “I don’t know how you figured that out, but I have a feeling I’m going to kill someone.”
He waved a hand at me in a very familiar gesture. “I see other people do it all the time. Jog your memory, and some phrase or word triggers it.  Cool to watch, though.” With a shrug, he continued. “Point is, Bjornson wasn’t even a candidate, same as me.”
“How do you know that?” I asked incredulously.
“Fuck, Sophia. You really need to keep track of your constituents.”
“Hey, I didn’t even want to be a - Wait. You are one of my so-called ‘constituents’!?”
“Even voted for you,” he grinned.  “Didn’t know it was you-you, but… Communications background, peaceful but intelligent attributes to balance out our resident warhawk, fair enough to offset Huynh, and you seemed like the type to actually listen to Grey, Pranav, and Eino.” He shrugged. “To be fair, I was right.”
<< Prev  Masterlist  Next >>
64 notes · View notes