#I have. some of the story figured out..... if that's interesting at all (it's fun I promise)

[eff-plays]

Long Taash storyline rant, by an enby

Listen. At first I was honestly not that offended/upset with the Taash enby stuff. And having an enby Rook who was able to help them out was honestly pretty fun. It was definitely the first time any video game engaged directly with nonbinary identity like this, and while it's not really 1-1 with my own experiences, I thought that it was. Fine? Ya know? I thought it was a very novel experience to finally have a fellow enby NPC that you could talk to about being nonbinary. It's never happened in any other game I've played.

But then it just ... kept going. And on one hand I get it, because you don't just decide your nonbinary and that's it -- it's a process. But the way it's handled is absolutely insane to me. First of all, how old is Taash supposed to be? They give off whiny teen vibes, and it's very off-putting. This is the character that's meant to represent me? Why are they written like a child?

Second, why are we using modern terms? The word "nonbinary" IRL exists because it is a rejection of the Western gender binary. It's a specific term that isn't universal, and since no previous game bothers to engage with the gender roles of Thedas to begin with, it's absolutely insane to hear these hyperspecific terms used in this made-up fantasy world. Especially since the Qun already has words and concepts for their gender roles -- why didn't BioWare just base this story on those? Why not try to contextualize this in-universe? There are other nonbinary characters in the game, but they just popped up in this previously unequal and often sexist world and are just vibing. With no explanation. Who's out there doing thedosian gender studies? How are they spreading these revolutionary concepts so far and so quickly that the terminology becomes universal?

Side note on that, why does Taash have a little counselling session with the other two trans people that sounds like something they'd do in sex ed class (in Sweden, anyway)? Why is this happening during a magical apocalypse? Hello? Look at this fucking codex entry and try not to cringe

Like. Who is this for? This doesn't make me feel good as a nonbinary person. This makes me feel like a freak, out-of-place, and like I'm a fucking baby that needs my existence validated by some fucking bitchass video game codex entry preaching at me about how totally valid I am. This doesn't feel like respect, or inclusion -- it feels patronizing. It feels corporate, like we're ticking off boxes. "Look everyone, we're using the appropriate terminology! We're so inclusive!" And you know what? The fucking anti-woke chuds are gonna look at this and think THIS is me. That all I care about is having my terminology and identity carelessly stuffed into places just so I can feel good about who I am.

And before tumblrinas get upset, I'm not saying I don't want rep, or that I'm one of the "good ones" who wants video games to be free of "ideology." I am one of the bad ones. Taash should be nonbinary and I should be able to play a nonbinary Rook and I want both of those things to be explicit and accepted in-game! But I want those in a way that respects me and my intelligence, and the world BioWare has created that I've come to love. Who is preventing BioWare from actually, ya know, unwrapping the sexism and misogyny that they started in Origins? Who's stopping them from actually tackling the gender politics of Thedas? Why don't we ACTUALLY sit down and figure out how a society like the Qun might approach somebody not willing or able to conform to their particular rules? Especially the Qun. Like, they had so much potential for something actually interesting here, and instead it's "mom it's not a phase, respect meeeeee!"

Third, and this is my favorite fucking part, they tie Taash's gender to their background, where the Qun represents conformity and Rivain represents freedom. (Which is an entire can of worms in itself that I won't go into here.) I don't actually mind this? I have some extra special boy insight on this part of the quest, because I am also an immigrant who was born in one country and grew up in another. Being nonbinary and being an immigrant, while separate, have both had a similar effect in my life. It's left me feeling like I don't belong anywhere at times, like I'm something different and strange, and at times like I'm a kaleidoscope of expression and freedom, with unique experiences not everyone has. There is an absolutely valid intersection there that could have been explored and would've been very impactful if done right.

But instead we get this

Hello? Oh my god HELLO?

Why is there a BINARY CHOICE in a story where a character embraces being NONBINARY? Why are we now equating Taash's background and cultural belonging to the demands of their mother? You can reject what your parent is forcing you into without completely rejecting your culture! Am I fucking taking crazy pills right now?

The idea that Taash, upon discovering they're nonbinary, has to now say goodbye to being a Qunari? When they weren't even ever shown to care about the Qun in the first place? WHY IS THIS A CHOICE THAT HAS TO BE MADE? WHY ARE THEY ASKING ME WHETHER THEY SHOULD CONTINUE FOLLOWING THIS CREED THEY DO NOT CARE ABOUT? (Side note: why did their mother escape from the Qun only to enforce it herself?)

Like? You can't spend a whole fucking subplot deciding you're neither a man nor a woman, but then equate being nonbinary to being Rivaini, and thinking you need to pick that or being Qunari. I'm sorry? I'm sorry? I'm sorry?

Why is there no third choice? Why is there no "Hey you can be both" or "Hey just pick whatever from either culture you want to keep and throw away what you don't?"

I am going insane. The game sits you down and condescends at you for ages about basic contemporary gender theory, but then tries to inexplicably tie that to Taash's cultural background, but then doesn't bother examining how those cultures treat gender at all, and then finally forces us into a binary choice ... for a character whose entire fucking personality is "nonbinary."

The Qun is a misogynistic society. Rivain is a matriarchal society. (This was true for the previous games, at least.) The way these cultures approach gender is vastly different. But instead of examining how such a person would struggle with their background and how that would tie into their gender identity, it's just "Rivain good" and "Qun bad." Pick one or the other. Conform or rebel. Pick one or the other.

And that's the storyline of the nonbinary character.

The reactionary chuds will hate this and blame nonbinary people for how much this fucking sucks. While I can't claim or enjoy it because it's corporate nonsense and fucking sucks. All this does is show people that when games include enby rep, it's hack shit like this, so why include it if it's gonna suck ass, right? This bad writing will just make your game worse, so don't bother!

So yeah. Cool.

Thanks, BioWare. I hope whatever you were trying to prove was worth it.

[my-introverted-self]

I have some conflicting feelings about Oliver Stark right now. Not regarding his portrayal of the character (he’s doing a great job) but 1) his views of said character, his journey, growth and potential, 2) the ways he chooses to express and word those views.

Disclaimer: I admit these feelings of mine may be a bit misguided/overexaggerated at the moment for obvious reasons. Just ranting about what irks me. No hatred or accusations towards Oliver.

What rubs me the wrong way about all his interviews after 8x06 is his pure excitement, joy and strong desire for Buck to explore his bisexuality in fun ways with total disregard of how it came to be and what he already experienced (yeah I’m talking about his first queer relationship). He seems to be absolutely thrilled to immediately move onto the next fun (that’s the reoccurring theme) adventures. No genuine interest, engagement, reflection, empathy or gratitude regarding bucktommy arc during or after.

Since s7 there was a lot of talk about Buck figuring himself out after discovering he’s bi and it was said repeatedly loud and clear that it’s about Buck only. I get that Buck is the main and it’s no doubt his very personal journey that doesn’t need to be diminished to or overshadowed by someone else. But why was it so important for OS to completely isolate the story from Tommy (first queer LI) in his narrative, while other characters’ significance to the story (mostly their support) was mentioned regularly? Why his speculations and wishes for exploration couldn’t be interwoven into bucktommy arc? Why Tommy was never considered as means to/guidance/support/contradiction for the desired exploration (be it self-exploration, romantic/sexual/relationship dynamics, being part of the community, experiencing struggles etc)? I’m not talking about OS influencing the script, promoting the ship, going out of his way to defend it or speak out on any issues. I’m talking about opening up to opportunities of current canon relationship in terms of its impact on character development and not disregarding the whole thing as if it didn’t exist or mattered.

I guess I’m just confused what bi exploration and development exactly OS wants for Buck? Why could it only be done with single Buck? Why didn’t we see anything like that to this point and now it’s the logical next step as if Tommy was a nuisance the whole time (wasn’t important in bi realization and didn’t allow for fun adventures to take place during the arc). Why now OS rhetoric changes from distant and indifferent to anticipating and excited? He was so “honoured and humbled” with bi arc and talked about importance and intention of handling it with care, but now it’s just a fumbled relationship with no importance to it, quick recovery time and free way for bi Buck to sex it up both ways. That’s the development? I’m upset and baffled…

! Not blaming him for the actual plot (hoping he didn’t have anything to do with how it turned out), only thrown off by his perspective (at least the way it was perceived by me).

[leelreallylikespersona]

Yaldabaoth... but as a Divine Beast (❁´◡`❁)

Scary pink version o(*°▽°*)o

I have ideas for lore and such.. Yeah I'm gonna develop this AU more

[deadbeandrop]

actually y'know what i guess i'll talk about it while i'm here

i think about this scene a lot regarding him and (obviously) this episode in general, but especially when slinkman is like... actually a character that gets development and changes over the course of the show, it really does say a lot to me

and with the placement of scenes here, it's right in between lazlo, raj and clam getting slinkman to muster up the courage to show off his past aspirations, to give it another go, only to be reminded of how all that turned out, panic, and flee back to what's comfortable... aaand in between him finding out everything is actually lumpus' fault, and very purposefully sabotaging a budding dream, at that

and i think he's sort of gone through life in this way for a long time, this humble and passive acceptance of the roles and duty he's been placed in, of the world around him deciding who he's supposed to be. especially to lumpus. a best friend, sure, but nowadays an assistant, an emotional support crux to keep him (and the camp) from falling apart. i've always ran along with the idea that running camp together was lumpus' idea from the start, and look how it's turned out

i love how he says "pull yourself together", too, the tone he has as if he's scolding himself for daring to think or try to be anything like that again, that he should know better by now, when the moment's far passed

although, i don't think fame and danger/excitement are what he really wants out of life, even deep down — not anymore, at least. in the end, it's a lot more about healthy self development and sort of taking back "control" of his own path in life, right? and at the same time, a little of all that now and then wouldn't hurt...

see i've been typing this out for an hour but forget everything i just said and let's get slinkman a motorcycle

[autisticrosewilson]

First of all, you have given me so much to work with, thank you so much. Second of all, I’m really glad you could see where I was going with Grant’s real test not actually being about killing Slade. Third of all, I absolutely love what you’ve suggested with the powers and I am currently designing met gala esque outfits for the trio and Tara’s specifically is really fun to play around with. I’ve been thinking to show they’re becoming more divine I’ll change their hair and eye colours but not their faces for the most part. I was drawing robin Jason with Natalia and decided he should have brown eyes and a crooked nose from breaking it as a kid but once he returns his eyes get weird (eg go blue and occasionally other colours), a patch of his hair went white and he lost all of his scars. Also, I think the closer they get to divinity I’m gonna draw cracks on their body that glow with their specific colours just to hammer home how they’re shedding their mortal forms.

With Tara being able to see the strings of fate, I though it’d be fun to give her a harp and then with Jason having the see no evil trait I thought it’d be fun to give him weighing scales since lady justice wears a blindfold. Idk what to give Grant though. I mean probably a weapon of some sort or maybe a Shepard’s crook that he can turn into a scythe to play into the sheep, wolf, Hunter thing.

With Jason and Tara’s splintering, I love the idea of them making fun of Grant for being the baby god. He hasn’t even had a cult yet, gosh he’s so young. Also them being besties just holds a special place in my heart.

And I just came up with this, of course they have parallels to the trinity but in universe rumours of their existence have been around much longer than Bruce, Clark and Diana. They’re the big three of the justice league but these guys are justice gods. So they start calling themselves the justice trinity but then people get confused about which trinity is which because the justice leagues’ trinity sounds awfully close to the justice gods’ trinity. The new all caste is certainly more distinctive branding but the point isn’t to be distinctive, it’s to be petty.

I'm so glad my unmedicated rambling helped!!! And I'm so excited for the outfits!!! I love when characters start becoming less and less human, when they're stuck in that uncanny valley spot of not quite human but not entirely Other, when they lose control and the cracks start to show...um I should probably give a warning for slight body horror elements. Not in the gore sense, in the "this body is not made of flesh and there is something divine clawing it's way out". Uh also there are teeth. Just. Teeth. I dipped into a little bit of cosmic horror at the end there because I wanted to cover my bases with mixed mythologies

Jason, with his defined splinters, is usually depicted with three faces in ancient texts. The Child, gaunt and dark colored, is said to appear before the downtrodden and impoverished. The few stories remaining tell of kindly people who give him an offering, and in exchange he reveals his true form, with his crown of golden ivy and beautiful strong wings to gift them bounties of food and water and riches. Other stories tell of not so kind encounters, where The Child witnesses an injustice - typically against women or children - and again reveals his true form, one with clawed hands and a mouth dripping with blood. Scholars argue what the wings looked like, but whichever All-Caste member annotated it before has compared their likeness to either a Robin or a Shrike.

There's also The Ghost, He appears young at first glance, but his hair is wirey and gray, his eyes milky and unseeing, in bloodied armor he greets the souls of the damned as they're delivered to him, and with scarred hands he wipes the tears of children taken too soon. Accounts of this face are few and far between, but all of them are entrenched in sorrow.

Finally there is The Soldier, scarred and still smoking from the ruins of battle he emerges, giving voice to the weak and resources to the needy. He champions revolutionaries and philosophers first, a strategist who delights in the liberation of the people from corrupt systems. Accounts of him usually come from times of famine and war, and he was particularly popular with poor villages, who would mark the graves of their dead with the symbol of his sword as offerings. For some reason or other, he got particularly popular with the youth, girls and boys both seemed to pray for him and leave him offerings.

The way these manifest on Jason is subtle at first. I could go the body horror route, but I won't. Yet. Instead I think his splinters show up as reflections, shadows, imprints. The faint echo of bell-like laughter when Jason does a move he learned as Robin, the image of a younger him with longer hair and unblinking eyes staring at him in the mirror. It gets worse when he gets the blades, the white streaks his hair, the swirling mark covers more of his skin every time he uses them, he trails the scent of smoke and blood behind him like a signature. His scars...they should disappear. They have for everyone else who used the pit, but instead his skin starts cracking. Any place he's ever been scarred glowing cracks break up his skin. He can't feel them, but he's always aware of them, the meaning behind them, the divinity literally leaking through his body. His eyes aren't brown anymore. They aren't even green. He looks in the mirror and they are copper, molten and burning. He tries his best to keep his mask on.

What do you think of when you imagine the word divinity? Probably something like Tara. Something with skin carved from stone, with moss and fungus crawling up her legs and snow laden shoulders. They say her hair is made of swirling clouds and the sun and moon are her eyes.

Some say she's a nymph although no one knows what kind. You're just as likely to see her name among the naiads as the dryads. Whether flowers bloom where she dances or waves crash when she sings, she's known to be more vicious towards suitors than her sisters.

Others have said she's a faerie, who takes the faces of lost daughters and lovers, slipping into their places seamlessly, forcing unruly men to pay their dues. Others say she's a shifter of a different sort, with a shawl of feathers and a crown of twine and gems. Stories range from men trying to steal her coat (and paying dearly) to lost children returned safely home on the back of a swan.

Tara doesn't think about it at first, the way gravity tends to cede to her, she doesn't notice how sunflowers turn their faces towards her instead of the sun. She doesn't notice the way her face...shifts. it's imperceptible really, and it's not like she looks in the mirror all that often. But everyone around her notices it, on some level, the way her expressions are off. A little too exaggerated. The way her limbs bend just a little too oddly. The way she never looks quite the same as she did the day before, the way she picks up features from the people around her the way she picks up rocks from ground to add to her collection. Clay molded subtly into the image of those she loves, a museum of everyone she's ever met. She does notice when her hair starts going white at the ends, the strange way her hair starts to curl unnaturally, almost floating. She's not so upset about her eyes, the deep blue of her father that has glared down at her day after day, she has changed her hair, her face, her language but she could not change her eyes. It seems she didn't have to, when she wakes up with one a little too silver to be gray and one a little too gold to be brown. And then her skin starts splitting, a cavern made from a broken rib and ravines made by the slashing of knives. She doesn't even bleed anymore, they never scab over. They crystallize, amber like ambrosia, like ichor. Her body a geode waiting to be cracked open to let the thing within finally break free.

They know the least about Grant, whatever he used to be. Half written scrolls, torn or burnt or simply stopped abruptly, illegible journal entries with symbols never recorded in any known language, half finished sketches where the details are never quite clear. A few things are usually consistent though, signs that he's been there, usually from hunters down on their luck or the particularly old and sickly. First, the howling. Like a wolf or a storm, although later accounts would add that it occasionally sounds like a mechanical whirring. Then the rabbits, dead and gutted, but not a trace of blood. Piles of them left in heaps on doorsteps or windowsills. Some have reported knocking at strange hours or finding teeth in their homes, a mix of human and animal. There is one photo on record, the most recent thing in the archive most likely, of claw marks on the side of a barn, too big and oddly serrated, certainly not from anything native to the area. Elderly that report these phenomena typically pass from heart problems within the week, according to some of the old medical files.

Grant came back wrong. Physically, at least. He knows that he's still himself for the most part, dying didn't make him a selfish asshole he did that all on his own, but...but something is wrong with him. It's the way lightbulbs flicker when he's mad and how cameras, no matter the quality, never quite get a clear shot of him. The way Joey can't ever grasp his features, not fully, the details slipping from his mind like water. The way eyes on his face slide right past, unable to look directly at him. It's in the gray spreading from his roots and his eyes too wide and dark to belong to something human. It's the way death clings to him like a second skin, sickly and pallid turning the tips of his fingers gray. His teeth are starting to feel too sharp for his mouth, and he hears things no one else does, whispers of voices that Are Not and Can't Be. The worst part is the orange, liquid candlelight under his skin, lighting up all of his veins and scars, webbing together like the world's worst game of connect the dots. No, there is no mistaking him for something human, so there is no reason to try. If this is his fate then he will take it, because he is not a sheep and he will not be a wolf, he is a hunter, and he is hungry.

[b4kuch1n]

Your swsh art always makes me want to replay the game because i love it and its my favorite pokemon game and every time i play another pokemon game i think of it how i miss certain elements from swsh. Then i boot up the game and im once again caught in the 1 hour 40 minutes hand held intro and im like ah- now i remember why i have been playing other pokemon games instead of this one. Happy (late?) birthday!

you don't want to listen to hop? you don't want to hear him teach you about type matchups? you don't wanna let him cheer u on...? 🥺 waa....?

[raiiny-bay]

my favorite edits - 2023 edition 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9

[silvery-stars]

would it be sacrilege of me to say that i am kinda hashtag Underwhelmed by the percy jackson show

[seaofreverie]

So I wanted to apply to the second level of studies at the university where I did my bachelors degree after a year long break and it was lowkey my only plan for the forseeable future (2 more years of studying until I have to start thinking again about what in the actual fuck I want to be doing with my life). And today I learn that despite me passing the final exam one year ago with 100% points and them saying on their website that results from last year will be taken into account during this year's recruitation for the second level... it turns out that no, you have to pass the exam THIS year, and those start in about two weeks from now. I emailed them about this because they were giving me some contradicting information to put it mildly and they tell me that ooops, sorry about that, that thing on our website was outdated. So, you're saying that you have chosen war.

[cathalbravecog]

i love wanting to detail everything but also knowing nothign abotu what businesses and ppl working there Actually do like ah yes heres my cog oc they work here uhm they do uhm

They Do Some Kind Of Paperwork...!!!!

[the-girl-who-cried-wolf]

I think if you were the moon I'd be the sun. That's probably why we're too far away.

I haven't listened to this song but it showed up on pinterest and I thought of you!

Also how was your day 🤍🤍🤍

mais!! hello!! these lyrics are so lovely, thank u for sharing 🥺 the sun and moon dynamic really is one of those things that i can never get tired of <33

[tropical-lazor-beams]

[image description: black and white sketch. dangeresque, further in the background, points his nunchuck-gun forward in a wide stance. dangeresque too, in the foreground, leans back on his feet & points his own gun in the air. they both look seriously to the right at an unseen target. at the left are some crates in the background. the caption is red, blocky & curvy text, reading "you take the big guy". end image description]

i honest to god put more stock into the relationship between these double-fictional characters than sb & hs themselves sometimes

[ambersky0319]

Jumped into writing Not of This World and am I possibly making too short of sections/adding too many chances for decisions on the reader's part to be made?

Poasibly.

But is that also the point that I want to convey with this story?

Yes.

[keeps-ache]

ooo that's minty babyyy

[arolesbianism]

Oh also I made some new salmonid ocs recently 👍 I was thinking abt how I wanna fit fish sticks into my hcs and then realized my ideas actually have a basis in canon so I'm running with it, time to make the world's most codependent toxic polycule along with the shitty deadbeat gaslighter that bosses them around

[wolfcat-hybrid]

For more detail on realistic biomes, maybe check out Artifexian! These videos were helpful for me :]

If you're at all interested in more in-depth worldbuilding, I've included a link below the cut; keep in mind however that "being more detailed" doesn't automatically mean "good". If you don't want to get into the nitty gritty, more power to ya!

Artifexian is, in general, a great resource if you want to get more in-depth on worldbuilding! His Worldbuilder's Log series goes into INTENSE detail on creating a scientifically plausible planet, complete with a star, orbit, moon(s), and other planets! He's designed the series to be accessible to people with no prior experience, so you should be able to follow along, even if you nearly failed high school physics like I did.

Since the series is so in-depth he's still on the 'planetbuilding' stage, and hasn't gotten into details like language, culture, etc. In the meantime, he has older videos that cover stuff like conlanging, though they may be less detailed than the Worldbuilder's Log series. There's also a ton of conlanging guides on youtube; I personally have used Biblaridion's "How to Make a Language" series myself :]

Again, this level of detail isn't needed for, I'd say, MOST works (unless you can organically bring up stuff like the mass of the sun in your project). I like getting into the little details because, well, I just find it fascinating! If you don't, then you shouldn't beat yourself up about it. Play to your interests :]

I'm not kidding when I say worldbuilding is extremely easy and fun, you can make easily all sorts of new fantasy worlds on like half an hour, follow this guide:

take a rectangle, draw a line through the middle, that's your equator, draw another two lines south and north, those are your tropics, draw another two lines further north (you can see a real world map to guide yourself), those are your arctic/antarctic circles

Draw continents, any shape you want, it's better to combine large soft blobs (like Africa or South America) with coastlines full of peninsulas and islands (like Europe or South Asia). Draw some island chains in between where you feel it's appropiate. Some inland seas like the Mediterranean are good too.

Decide where you will place mountain ranges. In real life, they are where oceanic-continental plates (Andes) or continental-continental plates (Himalayas, Alps), collide. These are very important.

Place rivers, just the most important ones. The places where you place big river systems are gonna be big plains.

Now, the fun part. With your first step, you've already decided where arctic, temperate, and tropical climates are there. You can mark it as letters in your map. Mountain ranges, of course, are colder.

Here's the tricky part: vegetation: vegetation mostly follows precipitation, and precipitation is mostly decided by altitude and distance from the ocean. The interior of your continents should be dry with plains and deserts; the coasts should be rainy with forests and plains. But remember, if you have a mountain range, that's a rain shadow! Picture the wind coming from the ocean with rain, and it should get less rainy when it "clashes" with a mountain range, with the other side a desert.

Deserts are tricky to place, but as a quick cheat, you can place them in your tropic lines. They can even border oceans: see Australia and the Kalahari.

WHEN IN DOUBT, LOOK AT SIMILAR AREAS ON A REAL WORLD VEGETATION/CLIMATE MAP. THIS IS WHY DRAWING THE EQUATOR AND THE TROPICS IS SO IMPORTANT AND SHOULD BE YOUR FIRST STEP ALWAYS.

Now you already have a quick and dirty vegetation map, you're halfway there! Don't worry if there are some doubtful areas, real world geography can be weird.

Now for the REAL fun stuff (if you aren't having fun already, I sure am): making civilizations!

You have to decide center of origins for your domesticated crops and animals. Basically, every early civilization had its own "package" of staple crops and animals that are still used today.

With this, you can decide:

the primary civilizations of your world

roughly how different animals and vegetation are distributed, if you want an Earth-like world (for an quicker method, you can apply the biogeographical realms to your own continents as you wish)

A quick cheat sheet of centers of origin, what they have, and where you can place them:

(this is just a quick thing, do read the article it's so much better)

Middle Eastern: wheat, barley, cows, sheep, goats. Place them in a dry area with lots of rivers (the Fertile Crescent!)

East Asia: rice, soybean, oranges, pigs, horses. Place it in a rainy temperate area bordering the tropics.

Mesoamerica: Corn, beans, pumpkin, chilli, tomato. Place it in a dry area near the tropics.

Andes: Potato, quinoa, llamas. Place it in a mountain range.

Tropical South America: manioc, peanuts, pineapple. In the tropics.

Tropical Asia: Rice, banana, sugar cane, beans. In the tropics, again.

or, just straight up use this fucking map, it's so much better:

You can mix and match the crops, animals, and such as you wish, and you should definitively read the wiki page on center of origins and see some other less known crops.

If you have non-human civilizations, of course they'll have different packages. Carnivore or subterranean civilizations might be very different. But at this point, your imagination should be flying already and I don't have to hold your hand here.

Now, you have a rough map of your world at the dawn of agriculture! Congratulations! Depending on the historical period you're setting your world, you can start to draw countries and civilizations. This is where it gets complicated again. I might have to make a part two... But just with this, you already have a new world to use as you wish.

I'll make a worked example later to show you how easy it is if you don't believe me.