#I have. Thoughts. about the animation quality in s3 BUT the boys are still a delight!!

[thefinalcinderella]

Tsurune Book 3 Afterword

Full list of translations here

Time for my unsolicited book review!

Tsurune Book 3 is one of the books of all time.

I'm not trying to be funny, that is my true opinion about this book.

I've said before that it feels like the author was forced to write this book in a hurry, and after finishing it, I can only say that those feelings have only grown stronger. I think the author was going for an abstract and spiritual feeling but it didn't really work out. It only made the story hard to follow, and the tendency for the novel to jump from topic to topic seemingly at random didn't help. It's probably super obvious in the author's head, but that doesn't matter if the reader can't follow their thinking. I really do question what the editors are doing because I'm not sure if they're giving the author proper feedback.

The novel also suffers from trying to do a lot but not doing any of it satisfactorily. It introduced a lot of new characters and plot points but never really did anything with them?? The new first-years faded out of the story after the beginning and idek what's going on with Kuon. As for the new school Haneina...the author just gave them one """quirky""" trait each and called it a day. It kinda happened with Tsujimine too but it was more subtle with them, and I think the central relationship of Nikaidou and Fuwa was compelling and well-written. Asahina and Eddie, on the other hand, are just really weird?? I honestly don't understand what their narrative role is supposed to be??

This might be a controversial opinion but I feel like the anime tells a more coherent, polished version of the story. I was rewatching it the other day and I was kind of blown away by how the visual quality improved between the seasons. S1 was definitely not bad looking but S2 is just *chef's kiss*. Idk if there's going be an S3 but it will be interesting to see how (or if) they adapt book 3

Anyways i don't want to say that book 3 is kinda pointless since it did give us some reveals (perhaps unnecessarily) but on the other hand...i feel like book 2 had a nice ending for the series as a whole as well? idk. if there is going to be a book 4, i hope it will be all about Kazemai hunting down Masa-san's bio dad

Thanks for following along with me! I know I've been really slow with this so im glad people are still interested haha

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This happened when I was reading a certain foreign novel’s translated version. As I was reading through the point of view of a character whose first-person pronoun was “私” (watashi), I came across a surprising description. To my surprise, the character I thought was a woman suddenly started to shave their beard. Later, I learned that there was an unspoken rule that men used “watashi” written in kanji, and women used “watashi” written in katakana.

Minato’s personal pronoun is “ore” in hiragana. It encompasses the meaning of “undifferentiated,” someone of unknown gender who is neither male or female, although his physical body is that of a boy. Nanao’s pronoun is “ore” written in katakana, a person of unknown nationality who can’t be classified as either Japanese or foreign, a person who wavers between the two, a hybrid existence that crosses that line. Takigawa Masaki is also someone who hovers between “human” and “not human,” so his name is written as “Masa-san” (マサさん) in the text. Shuu is also a character who is in between.

I’m attracted to such “fluctuating” and “swaying” things. Things that can’t fixed or distinguished in form or state, as changeable as “water.” Kaleidoscopic freedom and loneliness are two sides of the same coin. People who fluctuate cannot stay in one place, and instability follows. Because they can’t be classified, they do not belong anywhere, nor can they be emphasized with. I wanted to somehow hold back those who can’t stop walking. I wrote this story because I wanted them by my side.

Changing the topic, I was on my way home from a domestic trip. After spending a relaxing time listening to the chirping of birds on an isolated island, I heard a large explosion sound when I got off at a certain station in Tokyo. The warning signal of a train entering the station continued to sound, and announcements reverberated from all over. I forgot to bring my earphones, so I was unable to plug my ears and ran all the way to the edge of the platform. Glowing neon lights reflected diffusely, and the words on billboards and other signs crowded in my field of vision like a herd of horses. I almost thought that I had time travelled back to wartime. We had become so accustomed to the flood of sound, light, and text that we don’t realize we’re on the verge of drowning.

Tsurune is the story of masters and disciples and bow friends with the theme of rebirth, and it began as the story of seven archers. The theme of Volume 3 is “Meigen, that is the sound of the dawn,” and I wrote about shari kenshou (seeing true nature through the shot).

I would like to express my sincere gratitude to everyone involved in the making of this book: Koyama Kyugu-sama, who I’ve interviewed, T-sama of the KA Esuma Bunko Editorial Department, Kyoto Animation-sama who was in charge of illustrations, the proofreaders, the novel’s official website, the printing company, and the distributors. The letters I’ve received are my treasures, and I have displayed them in my tokonoma alcove. I would like to thank my beloved kyudo teachers and bow friends, my precious friends, and my supportive family.

Last but not least, I would like to express my deepest gratitude to all the readers who have read this far.

I hope for the day when the beautiful tsurune of the archers will resound.

Ayano Kotoko

Spring 2022

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[feministsouthpark]

South Park Filler Guide - Season 15

Link for Seasons  1  2  3  4  5  6  7  8  9  10  11  12  13 14

You know the drill by now, I’ll judge whether an episode has all the qualities of a canon one, or is it just shameless filler. S15E1 HUMANCENTiPAD is FILLER

You see Liane's progression as a parent in this one, but there will be much clearer arcs for her in later episodes that will leave this one unneeded. S15E2 Funnybot is FILLER

Our annual Jimmy episode got the short end of the stick again, this is the one gear that you can leave and the machine will still be working. S15E3 Royal Pudding is CANON

You need the context of Canadians having royalty to understand later reappearances of the Prince of Canada. Otherwise Mr. Mackey's father is deceased now. S15E4 T.M.I. is FILLER

Unless knowing which male characters have small dicks, that is. S15E5 Crack Baby Athletic Association is FILLER

It's a character study on how likely Kyle is to be involved with Eric's schemes. S15E6 City Sushi is CANON

This one is pretty big. You finally learn about Dr. Janus and his disorder that recontextualises the character you thought you knew until now. S15E7 You're Getting Old is CANON

Perhaps the most continuity based episode of the season, or at least the only one that leaves us in a cliffhanger. S15E8 Ass Burgers is CANON

Yes, in the end neither the previous episode or this one changed that much, but they are very important episodes. Stan's alcoholism will be a major part of Post-Covid, and Randy and Sharon having separated once explains a lot in later seasons why they are still together. The janitor and the farmer are a great duo who will return later. And this duo of episodes show where Trey and Matt's head is at going forward. S15E9 The Last of the Meheecans is FILLER

The boys play border patrol on a large scale. Did you notice they reused the same fake-out twist as in Funnybot? S15E10 Bass to Mouth is FILLER

A sequel to Death Camp of Tolerance, but neither Lemmiwinks' return adds anything to the overarching themes of the show, nor does Eric's pact with the school teachers. S15E11 Broadway Bro Down is FILLER

I love this and I wish it mattered more, but ultimately it doesn't. S15E12 1% is CANON

Eric has a war with his stuffed animals after the boys tell him to grow up. S15E13 A History Channel Thanksgiving is FILLER

It's the classic four boys go on an adventure formula. S15E14 The Poor Kid is CANON

Mysterion and Karen story. If you care about canon, you care about this one, easy as that.

SPOILER-FREE RUNDOWN

S15E1 HUMANCENTiPAD is FILLER S15E2 Funnybot is FILLER S15E3 Royal Pudding is CANON S15E4 T.M.I. is FILLER S15E5 Crack Baby Athletic Association is FILLER S15E6 City Sushi is CANON S15E7 You're Getting Old is CANON S15E8 Ass Burgers is CANON S15E9 The Last of the Meheecans is FILLER S15E10 Bass to Mouth is FILLER S15E11 Broadway Bro Down is FILLER S15E12 1% is CANON S15E13 A History Channel Thanksgiving is FILLER S15E14 The Poor Kid is CANON

CANON counter:

S1: 9 out of 13  S2: 3 out of 18  S3: 6 out of 18  S4: 10 out of 17  S5: 8 out of 14  S6: 11 out of 17 S7: 6 out of 15 S8: 4 out of 14 S9: 8 out of 14 S10: 4 out of 14 S11: 4 out of 14 S12: 8 out of 14 S13: 3 out of 14 S14: 7 out of 14 S15: 6 out of 14

Overall: 97 out of 224

[landofanimes]

My 2023 Anime Watchlist

Anime (and related media) I've watched this year

Tokyo Mew Mew New Season 2 (2023)

Second (and final?) season of the Tokyo Mew Mew reboot! Always here for some good magical girls! I never finished watching the original series, so it was nice to see how the story goes. I wouldn't call it amazing, but it's a cool series. I wish they would make a third season for the A La Mode arc which came out later, but it seems they might be ending it here, Idk (I've never read the manga either)...

Subs since there's no dub.

Saint Seiya: The Beginning a.k.a. Knights of the Zodiac (2023)

Live-action movie adaption. Would I watch more if they do it? Yeah. Was it good? Not really... I'm not saying it's horrible, but eh, it was weak. The absence of 3 out of 5 boys is definetely felt. I mean, I didn't expect much of it, so it's not like I was dissappointed! ^^' I'm a SS fan, so I was in to see what they cooked.

I watched it dubbed at the cinema (there wasn't a subbed session but it's fine!).

One Piece: The Series Season 1 (2023)

Live-action adaption of the first arc. My first contact with the franchise! Charismatic group, the power of friendship, adventure in a new world, fun pirate crews... I loved it. Still pondering if I should get into this giant beast of an anime. It's just...So long. Never-ending. I'm sure I would like it but dear lord, is it long. Anyway. For now I'll content myself with waiting for the second season.

I alternated between dubs and subs! I think I prefer subbed but I wanted to check out the dub and it was also very good.

Porco Rosso (1992)

A Ghibli/Hayao Miyazaki oldie! I was keeping an eye out for the Ghibli Fest going on in the US this year and I realized this was the only movie in the list I hadn't watched yet, so. It's definetely not among my favorites, but it was a good movie. A Pig-faced bounty hunter pilot in and adventure through Italy. Needed a little more Gina thought!

Subs cause there's no dub.

Saint Seiya: Knights of the Zodiac Season 2 (2022)

Second season of the 3DCG reboot of Saint Seiya, covering the first half of the 12 Temples arc. It's definetely still way below the classic series, but the battles had quite an upgrade from season 1! Also no time spent on original characters I don't care about :) And of course it's always a pleasure to see the Gold Saints... and the scenes the classic series didn't adapt! I'm glad season 3 is coming next year!

I watched it dubbed (sadly they changed the og cast in my country, but the new one did a good job too).

YashaHime: Princess Half-Demon Season 2 (2022-23)

Second (and final?) season of the Inu-Yasha spin-off sequel. Look, Yashahime has a lot of flaws, but it has its qualities too and personally I enjoyed it. Nice to travel around the feudal era in this world with familiar and new characters. I would watch more but I think that was it? Would definetely want them to make some changes... I heard the manga is different, so...food for thought!

I didn't have access to the dub when I watched s1 but this time I did! (I'm not very fond of parts of the dub, but overall it was good).

Spy x Family S1 (2022) and S2 (2023)

After seeing gifs since last year I finally sit down to watch it! It's cute, it's funny, and it's cool! Spies, assassins, school, AND family shenanigans! Loved it. Bring me more. Looking forward for the upcoming movie and for the s3 announcement.

I watched most of it dubbed but the dub is a few episodes behind the subbed version so I finished season 2 in Japanese.

Digimon Adventure 02: The Beginning (2023)

I didn't even watch Kizuna but I heard it wasn't necessary so might as well go, specially since they actually put this movie in theaters in my country and got most of the og dub cast... Sadly I wasn't impressed by the movie. I thought it was pretty meh. Could have given more for the group to do (it was mostly about the new character). Anyway... PS: The opening sequence was LOVELY though!!! ^^

Yu Yu Hakusho (1992-94)

I used to watch it back in the day, but never watched all of it until now! Good stuff. Not perfect, but it's a great series!!! Charismatic group, cool friendships, cool big bads, spirit detective shenaningans, youkai, and of course, battle tournaments!

Watched it dubbed, of course (except for the specials, since they weren't dubbed here). The series was in my watchlist for years but I guess knowing there would be "new" content is always a good push, which brings me to:

Yu Yu Hakusho Season 1 (2023)

Live-action adaption of the first 2(!!) arcs. A pleasant surprise! The biggest problem here is definetely that it's too short. There's other flaws too, sure, but still! I had my doubts but turns out I really liked it, overall positive impression. I really hope they make more in the future!

I've watched it twice, once dubbed and once subbed!

[crehador]

brother crab’s 2023 seasonals in review: fall

most of the fall shows i'm watching are still an ep or two away from being complete but i'm leaving on a trip tomorrow and wanted to get this finished first so here we go

pretty sure none of this will change at this point (though aots and runner-up did just flip like five days ago lol)

FIRST UP. IN A STARTLING LAST MINUTE UPSET. ANIME OF THE SEASON

MIGI TO DALI!!! although for the past month or so i was convinced overtake! would take it, migi to dali has been coming to such a stellar climax that it's shot into the lead

overtake! is still exceptional and i've talked a lot about it this season, it's just a beautiful thing in its simplicity, with characters that are so Weird yet Real

migi to dali is EVEN WEIRDER in an astonishingly good way, it was intriguing right from the start and continued to build and build to a payoff that really blew me away

i don't think uniqueness is everything, sometimes a show that feels like i've seen it a hundred times before can still be my favorite thing of a season, it would just feel like home. but migi to dali's uniqueness is definitely a huge part in what makes it so alluring to me, the way it balances psychological suspense and comedy is so excellent and fresh

and now the sequels! in addition to spyfam, arknights, and dmdp, bpro and hpmi got sequels and hanako-kun got a little tv short

no comment on hpmi it'll get its own post

best sequel probably should go to dead mount death play, the world building is just fantastic to me, and this season definitely feels even stronger than the first (which was already very strong!)

however. i'm giving sequel of the season to arknights just for the sasha and eno ep, they put me on the fucking floor with that one

bpro s3 was unfortunately not really my thing, i want tsubasa happier and more well-rested :( but spyfam is adorable as usual, and some more hanako-kun was great (though we need more!)

quickfire thoughts on everything else:

onmyouji was unspectacular but surprisingly fun! and gay. gay as hell. asnm u have not led me astray this time

dog signal is not exactly High Quality but it's... fine and sometimes fun? i'm forever amused by the fact that it's billed as an educational series, and it kind of is! there's actual information about dog training in here. but there's also "guy walks other guy on leash in public for 2 hours" in here. and that was just episode one

kawagoe boys sing is a hot mess and i love it to bits, it starts out so silly that i'm sure it's an insta-drop for many people, but the club dynamics really come together throughout the series in a way i'm enjoying very much

bullbuster... talked about this a lot already, it was fine as an office drama/tiny business vs giant corporation type thing, but fell short on the mecha side of things

bokuame's shit. more on this later

atarashii joushi wa dotennen FREAKING ADORABLE. MORE OF THIS FOREVER

yuzuki-san chi no yon kyoudai EVEN MORE ADORABLE. MORE OF THIS FOREVER AND EVER

good night world was pretty decent, i overall... liked it, i think? it was very bingeable, so it was nice of them to drop it all at once lol and i liked the general premise and plot and all. but i think the wrap-up just felt a bit, eh, maybe slapdash to me? not Bad, but fell just short of exceptional

hoshikuzu telepath ADORABLE AS WELL as far as cgdct goes i'd say this is one of the better ones, kind of same tier as diy for me, but it's no yuru camp (the gold standard)

s-rank musume had a premise i really liked, and an overarching plot that was less compelling to me. wish we'd seen more of a focus on the family bond rather than like... magic and politics type stuff

watashi no oshi wa akuyaku reijou was a cute fucking yuri, the romance was a delight but as with s-rank musume, the 'plottier' bits were not as compelling to me

kamonohashi ron no kindan suiri feels like a very solid adaptation! makes me even more keen to read katekyo (which has been on my planning list for... fucking forever)

ragna crimson is pretty fun but not that outstanding, but like. really fun actually

shangri-la frontier is also very fun! not terribly high stakes (not really any stakes at all) but hilarious, action-packed in a good way, and probably especially entertaining for anyone who's played mmos before (because some parts are so so so relatable)

undead unluck is SO GROSS but IN A GOOD WAY idk how to explain this so i won't try

and sousou no frieren is anime of the year. no contest. (personally i disqualify my aots shows from winning aoty as well so i can do this. i can do anything i want forever)

as for the music!

we had a queen bee op this season and i will almost always pick queen bee as op/ed of the season when we have one, this is no exception. undead unluck's 01 takes op, and ed of the season goes to kamonohashi ron's lip-sync! just really like the vocals of that one

blorbo of the season MADOKA-CHAN KOUYA ship of the season surprisingly it's a toss up between like. seimei/hiromasa (WHAT YEAR IS IT) and kinjou/aoyama from atarashii joushi. like. momose/shirosaki VERY GOOD but those side bitches... they are in my head

[theninjazebra]

As someone who has watched too much tv for a long time i thought i should share with the group.

TV recs for the upcoming drought:

Some of these are harder to find, the tone and quality vary wildly, they're in no specific order. I tried for not too obscure, but not too obvious. Some are still airing, some are 20 yrs old. I swear I have a life.

Slings and Arrows. Early 2000s Canadian dramedy about theatre and shakespear. Fun without being shallow, aged ok, lovely performances, great writing. nuclear grade comfort watching.

Halt and Catch Fire. 2014 - 2017, US drama. Follows four characters through the 80s tech industry. First time I got the hype around Lee Pace. S1 is ok, but nothing special, s2 is a lot more interesting but kinda goes round in a circle. S3 and 4 and some of the best tv I've ever seen.

Somebody Somewhere. This is actually a new show, but has 2 seasons out if u want a gentle but never shallow comedy. Fills my sad gay heart with joy. And if want more new tv with middle aged gays Deadloch is streaming on amazon atm.

The Expanse. Finished recently. The sci fi I've always wanted. Big and scary and wonderful and pew pew pew space battles and adventure. Balances the grim with a surprising amount of hope? Has repeated themes of redemption. Also a whole book series should u need more.

This Is England. UK drama. A film and 3 mini series set from 1983 through to 1990. Grim, sad af, also funnyand sweet? And characters that I love. The start of my undying love for Vicky McClure. Big ol CW for violence, sexual violence, and era specific racism (esp the first film). Very good, but very hard tv.

Kingdom. 2014. Can be a pain to find because so many shows are called Kingdom. About MMA fighters having drama. Also families, mental health, addiction, etc. Excellent performances. Both a very dumb and very sweet, painful show.

Animal Kingdom. Legit only watched it because I was searched Kingdom posts and AK was out around the same time. Awful family having drama and heists. Adaptation of an Aussie film into a southern California TV show. Kind of a mess? but very compelling mess.

Obligatory Succession (Kardashians for annoying people, aka me. I am the annoying person. this is my perfect tv show), The Bear, (hospo stress and family grief show) and Severance (people talk about workplace horror, but tbh it also gives big mega church horror vibes too)- new shows that live up to the hype, esp if you like sad people. I don't think they really need recs, but i really liked them.

The Thick of It. 2000s UK political comedy? Tragedy? Though these days it looking fuckin utopian compared to UK politics now. Feels a bit like a partial villain origin story for Succession. I like how sad and broken hearted it is.

Outrageous Fortune. 2000s nz dramedy that is the source of my love of family crime drama. Aged badly in places, but still very good character drama. Also, for The Boys fans, Antony Starr at his absolute best. It's a big nostalgia fest for me now. Cheryl West is a forever fav.

Justified. 2010 - 2016ish. i'm lazy i'm not looking stuff up. Yes a cop show, yes a dad show, but also rock solid tv writing and timothy olyphant in a hat. I've watched it so many times, and every time it rewards. and yes, am watching Justified City Primeval atm.

White Collar. A dumb, total fantasy art crimes and capers show. Shit, but if you need to not think and also have Matt Bomer do a shirtless painting montage for vague plot reasons then oh boy there is no other.

Being Human UK. A ghost, a vampire and a werewolf share a flat. it's sweet and agonising and 10+ years later I still love these characters so much.

Legion. 2017 - 2019. Why make tv comic adaptations that are trying for realistic and boring? When they could all be like this? Why make anything that isn't as visually interesting as this?

Doom Patrol - same for doom patrol - superhero tv that cut out the boring bits and just went for the weird and painful. I read a couple of random doom patrols years ago and was so surprised and delighted and loved them. the tv show has the same effect.

The Boys. new, and still going, as far as I know. but two kiwi leads means under nz law i have to be a fan? also it's awful, pulpy vicious popcorn viewing. appeals to the shithead 12 yr old in me. yes, it's vicious anti corporate thing is deeply ironic for an amazon show, but considering amazon saved the expanse with no sense of irony at all I figure take all their money and keep yelling.

Preacher. Another comics adaption. The Boy's weirder, less obscene, more disturbing cousin. Tulip is another forever fav tv character.

Banshee. Continuing the tradition of heth and i starting dumb Dude TV and then getting overly attached. kinda pulpy trash, but if you can stomach the violence it's surprisingly good.

All Star Treks. I love them so much. They're so weird, and uneven, and dumb, and they're all the best and I love them.

One season wonders -

Trust. about the John Paul Getty III kidnapping. also about italian countryside.

State of Play. UK. the tv show, not the film.

I dunno. I could do a whole separate post for sit coms and brit coms and the weirder, more obscure shows and movies, but ffs this is so long.

[pastabadguy]

Watched it twice so far, spoilers below cut:

- totally solid ending to the show, made me so insane I had to watch it twice in 1 day!! Only real complaint is the lack of Brock, but they were trying to fit a Lot of characters into that movie (and Brock's been out of focus since s5 lets be real)

- invisible yuri!!🎉🎉🎉 seriously though Debbie was such a great character and she fit right into the story, kind of like Red Death in how she was introduced late and post-compound but really left a great impression.

- I never expected the follow that bikini concept to be more than a throwaway reference, let alone major plot fuel (and it works??? How did they make that work). Bobbi's whole backstory was so cool and intriguing, I swear all the vbros backstory could be its own show.

- some delicious fucking reveals- rusty choosing and wanting to have kids is just...idk it gives me a lot of feelings. He's horrible to them, but he Wanted them, and he wanted Both of them (they're fraternal twins: he chose to have two boys rather than ending up with two by chance, which kind of means a lot considering how hank was treated like the lesser brother- he still wanted dean AND hank), and he was raised the exact same way...auaua7a

- speaking of reveals, I'd seen the "the monarch is a clone of rusty" theory and I never thought much about it, just kinda assumed it wasn't true. Holy fuck

- that fucking. Gravity field sequence. Scariest shit vbros has ever done. Legit creepy. Fully thought Hatred was gonna die for a second.

- Hank...baby boy my love. He's so Hank. I don't know how else to put it. I love Hank.

- Oddly happy about the Dermott inclusion. He was never my favorite, but he's Hank's true friend and he did what a good friend would. He's such a product of the core of the show if that makes sense? He's Hank's connection to the compound/that part of the show (pre-NY and the brothers truly growing out of their bubble), but also to the world outside of the compound. Idk I don't think much about Dermott but he's really important to Hank's character and to the show.

-So glad they brought Ben back. He's such an underused character for how much knowledge and mystery he has surrounding major plot elements that never get fully explained. I mean I guess that's why they barely used him.

- Order of the triad brilliant as always, I'm so happy they had plot relevance again (lack of Al, but still). The big fight scene was so neat, and I guess it was the only real fight scene in the movie? Unless I'm blanking, there are other intense or action-packed scenes but no real fights. It's a very vbros move to put the only true fight scene in the finale smack in the middle for no real reason.

- "tube of lube in an orgy of evidence" Brock was literally insane for this one

- that scene though. I just liked that scene.

- Great end for the Monarch and Dr. Mrs. whole conflict. I'm glad we got Dr. Mrs. standing up for her choices, especially since it wasn't just in the context of how it affected the Monarch or her relationship to the Monarch. Everything she did she did because she wanted to, even when it was hard or a mistake. And the Monarch is screwed over by it, but that's not Dr. Mrs. fault, he's part of the Guild so the same shit would be happening. Them having a sweet little heart to heart at the end and Dr. Mrs. being his partner in crime for a (very silly little) arch is a nice way to end things.

- The animation varied so much scene to scene, like some scenes looked almost s3 quality while others were gorgeous. Kinda par the course for vbros tho

- Dean <3 my beloved baby boy dean. I don't know what to say about him, he was great, his desperation was great, yknow

- Sad that Hunter never got to retransition (lot of people have said this) but I kinda get it since the full finale takes place like 3-4 days after s7

- For the amount of characters packed into that movie, there were a couple missing. Only character I'm kinda sad wasn't in it was Molotov. Idk where she would've fit, I'm just surprised they never did anything after establishing that she was working for the OSI. Ik they hated writing her though so I guess that makes sense.

- the creators mentioned in an interview that they had to cut a Sirena scene, and they wished they could've kept it because they didn't want people to hate Sirena. I'm fully with them on this, Sirena screwed up, but she's young and fucking up is just part of being young. I'm a Sirena stan idk

- Orpheus in the Zardoz outfit 👍 Hank's a funny little dude for that

- Movies that make me more afraid of smart speakers than I already was

- 100/10

Oh my god oh my god I'm. Going to watch it again. This is about the vbros movie.

[youichi-kuramochi]

So...... I finished s2 last night....

I just- i.. I just have no words

I WAS SOBBING MY EYES OFF. I JUST PUT MY PHONE DOWN AND JUST CRIED.

The way Miyuki played even while he was hurt. The third years watching them win 😭😭😭😭 I wish they could have been there with them . and I just love love love Kuramochi 🥺🥺🥺 The way be knew Miyuki was hurt and just 😭😭😭❤❤❤❤

AND OMG THAT SCENE WHERE THE COACH STARTS CRYING AND BOWS TO THE THIRD YEARS!!! THAT SCENE BROKE ME. I LITERALLY COULD NOT STOP CRYING.

I just I don't even know what to type cuz omgg THEY TOOK HIM TO NATIONALS 😭😭😭😭😭

And the third years graduating 😭😭😭 I knew it was going to happen eventually but 😭😭😭 I'm going to miss them so much.

Basically I was a sobbing mess 😭😭

But I felt so bad for Yakushi cuz they played so well. That match was so good but so nerve-wracking!!!! I had to keep telling myself to calm down cuz each second was making me so anxious. I hope they'll be able to go to nationals at least once just they really deserve it.

(Also the match between Yakushi and that grey team i forgot the name was also so freaking good!!!!! Though I did want Yakushi to win. OMG WAIT WAIT VIV OMG

THIS SCENE!!!! I WAS SCREAMING!!! HE LITERALLY HAD HIS GAY AWAKENING IN THE MIDDLE OF THE FIELD AHSJDDKDFLLL

I want to start s3 now itself but I also want to just treasure this moment for some time. I'm just so freaking happy I feel like crying again 🥺🥺😭😭😭❤❤❤❤

I didn't start s3 yet cuz I went and watched the ova which was stupid cuz I just started crying again.

Jun my poor baby Jun 😭😭😭 I feel so bad for him. Pls not thinking about it. I'm glad he finally decided to move on 🥺

And seeing all the third years from all the schools graduate 😭😭😭😭 guys its okay yall can just stay in school forever you know.

Now that I've gotten into the mood I think I might start s3 😌 I'll be back with more screaming :)

ALFDKGJALKDFJG YESSSSS the finals are SO GOOD!!! god just the rollercoaster of emotions.......... the krmy moments....... the THIRD YEARS 😭😭😭 I’m still SO fragile over them and the coach I’m tearing up just thinking abt it 😭😭😭

and omg yes!!! I ADORE yakushi they’re one of my favorite rival schools adflgalkdfg the chaotic stupid vibes those guys have..... we love to see it. YAKUSHI VS. ICHIDAI YES!!!!! that game was so good and oh my god bro. amahisa. BRO. I DIED watching that game like. good for him aldkjglakdfjg I love him a lot he’s just SO thinky when he’s on the mound it’s so fucking funny lmao he’ll be back in s3 you’re gonna love it. it’s fun :’)

THE OVAS 😭😭😭 did you watch all of them?? I think there are like. 4 or 5???? they’re all SO GOOD but yes omg the jun one was HEARTBREAKING he’s just such a sweetheart I really want only good things for him alkdfgjlakfgj I’m getting emotional all over again I might rewatch the ova’s lmao I miss these boys

I can’t wait for u to watch season 3!!!!!

[dialovers-translations]

DIABOLIK LOVERS MORE, BLOOD OFFICIAL VISUAL FANBOOK ー Interview Vol. 2 feat. Nao Nakamura

Source: DIABOLIK LOVERS MORE, BLOOD Official Visual Fanbook

Release date: 2013

Huge thank you to @keithvalentinex​ for providing the raw scans!

SECTION 1: Q&A

Q1. When was the series’ sequel decided on?

A: Around the time the first game ‘DIABOLIK LOVERS’ was released in stores. We were fortunate enough to have already received news of an anime adaption at the time, so at some point we played with the idea of creating a fan disc to go along with it. However, if possible we wanted to hype up the series even more in anticipation of the anime’s release, which is how the production of a  ‘DIABOLIK LOVERS MORE, BLOOD’ series came to realisation.

Q2. Did you plan on introducing a set of 4 new characters during the early phases of development?

A: The initial draft we received from Rejet-sama mentioned four characters. We figured that with that amount, we could pack it into one game and create an equal amount of content as we did for the Sakamaki’s, so we proceeded with said idea. At one of the first brainstorm sessions, we casually dropped the idea of creating a game with 6 Do-M characters... (lol) However, that would stray too far away from the core concept behind ‘DIABOLIK LOVERS’, so it obviously got rejected. (lol)

Q3. How did you go about writing the characters’ dialogue and actions?

A: I believe that the previous installment can be regarded rather groundbreaking within the genre of otome games. However, the boys coming across as too strong to the point where it would prevent someone from delving deeper into their character is something we reflected upon. We wanted to make up for that this time and created this game with the intend of exploring them even further.

Q4. What did you struggle the most with while writing the script?

A: This doesn’t apply solely to the script, but the fact there are so many romanceable characters in this game is what made it so difficult. However, we did not want there to be a difference in quality between the different characters’ routes. Despite our strong wish to please the playerbase, it made the distribution of time very difficult. The writers would first pen down the script, then Rejet-san would do the proofreading and make adjustments and then pass it on to us. However, reading a script while playing a game or simply reading it on paper is still different, so we were making minute changes down to the very last minute of development. We ran through the same process for the last game, but this time around, the total amount of content was just very large. We once again felt the struggle of putting in so many characters to choose from. However, we did this to create an even better game, so it was worth the struggle. 

Q5. Which character caused you the most problems while writing the script?

A: All of the Sakamaki’s. The four Mukami brothers who make their appearance in this installment may be Vampires, but they were once human just like the heroine, so in terms of emotions, they tend to sympathize with her more. As a result, it only makes the Sakamaki’s seem even more like they are the villains of the story. While this may seem obvious given their original setting of being both ‘Vampires’ and ‘extreme sadists’, it makes it very easy for the otome game element as well as the feelings they end up developing for the heroine to be lost, in which case they would no longer be the six brothers we wanted to deliver. Therefore, it was very difficult to convey to the player that the love they harbor for the heroine eventually makes them change, while still preserving the sadistic tendencies which stem from their nature as Vampires at the same time. The player base has spent quite a bit of time interacting with these brothers, and I am sure it was not always easy, but I hope said message was delivered to those who played our game.

Q6. Is there a character who underwent drastic changes compared to the last game?

A: All of them are still the same at the core, so my impression of them did not change depending on the scenario. I believe minor changes were done to the way some of the characters are drawn, but personally I perceive each character as a mix of both their previous and current representation. 

Q7. In this game, each section is divided into a ‘Situation Part’ and ‘Story Part’. Could you explain your intentions behind this?

A: When collecting feedback on the previous game, we received many complaints about the different chapters feeling inconsistent and all over the place. However, we always intended ‘DIABOLIK LOVERS’ to be a game in which the player gets to enjoy these different kind of ‘situations’, so without losing this part of the enjoyment, we figured we had to make the plot progression easier to grasp, which is how the current structure was implementend. To make it even more clear to the player, we divided it into two sections and gave each of them a title, changing the names as well. 

Q8. What are parts which have greatly improved or parts you want us to focus on in comparison to the first game?

A: To ensure the player gets to enjoy the development in the heroine and characters’ thoughts and feelings, we applied small adjustments till the very last second. We hope that the people playing the game will take notice of this as well. 

Q9. Why do you think the series has received such a great amount of support?

A: I believe the impact of the ‘Do-S Vampire’ concept, Satoi-san’s eye-catching illustrations and the charm of the cast who voices the characters all play a big part in this. Furthermore, I also believe that the simultaenous announcement of both drama CDs and a game which took place during the early stages of development had a large influence as well. We were able to make a smooth transition from the release of the CDs to the release of the games, which made it easier for the fans to follow along with the franchise. We truly are grateful for that!

Q10. Were there any ideas you wanted to incorporate in this game, but were unable to do in the end?

A: This game features the same selection segment as the previous one in which scenario’s 1 ~ 6 raise your love meter, while scenarios 7 ~ 10 raise the SM meter. However, we implemented the distinction between the ‘situation part’ and ‘story part’ this time, so it might have actually been even more enjoyable if the situation part raises the SM meter instead...I think. Those kind of features may vary depending on the vision of the director and staff members, so I would like to use this experience to think of various possible routes for future installments, as well as to settle on an end product which is fitting for the franchise. Furthermore, this may seem like a task without an end but I believe that the voicing plays a big factor in delivering the story. It is a vital element of conveying the message you want to tell, in a way that whether or not the player understands the plot is often highly dependent on the voice work. Every time I find myself wanting to perfect this, but it is difficult to supervise all of it just by myself...However, there’s always next time, so I’d love to squeeze in the time to thoroughly check this!

Q11. Do you have any more games planned for the series at present? Would you personally like to create more sequels?

A: We do not as of now, but if there is a strong demand for it, we might just be able to develop another game. Personally I would like to make a stereotypical ‘fandisc’ but the very first thing that comes to mind with those is a 'sweet, romantic story’ so I do struggle a little envisioning how that would play out with a cast made out of nothing but intense characters. 

Q12. Please leave a message for the fans.

A: Thanks to the support we have received from all of you, we were able to create so much content for this franchise. I put my heart and soul into this game, so I sincerely hope that many people will enjoy it. Your impressions and encouraging messages are a great motivator as well, so I am eagerly awaiting those! The series may deliver new installments in the future, and to ensure that you all can continue to enjoy ‘DIABOLIK LOVERS’, we will continue to try our hardest together with Rejet-san, so we’d be happy if you could send us your heartfelt support. 

SECTION 2: THEIR FAVORITE EPISODES

Sakamaki brothers: The final few chapters of Ayato’s route left a strong impression on me. I couldn’t help but wonder if somebody could truly be that stubborn and in denial about their own feelings, insistent on calling the girl they love ‘a prey’ till the very end. I felt so frustrated when the heroine’s feelings just wouldn’t get through to him, tears welled up in my eyes. 

Mukami brothers: The part which gave me the most goosebumps during the development stages has to be Ruki’s Manservant Ending. Takagi Sakurai-san did a magnificant job portraying his silent madness, it was truly wonderful. Second place would be Azusa’s brute ending, even though I knew how the story would go, I still ended up feeling a little depressed by it, so please be careful when you play this scenario...

SECTION 3: NAO NAKAMURA CHOOSES ー SITUATION-DEPENDENT CHARACTER SELECT

Who would you choose in these situations? What’s the developer’s opinion?

S1. To sleep together with?

Best: Subaru, I feel like he has a good sleeping posture.

Worst: Subaru, he might not move around much in his sleep, but it’d still be uncomfortable and narrow in that coffin, huh? 

S2. To go on a trip together with?

Best: Shuu, I’m sure he’d just loaf around the lodge all day, so I get to enjoy the trip in whichever way I want!

Worst: Laito, I’d rather keep my distance from him. 

S3. To eat together with?

Best: Kou because I’m sure he’d happily gobble it up.

Worst: Kanato, I feel like the food would be lacking in nutrients.

S4. To study with?

Best: Ruki, I think he’d do a good job explaining everything accurately.

Worst: ???, honestly all of them...

S5. To go on a date with?

Best: Yuma, I actually think he would make for a great boyfriend.

Worst: Shuu, because everything would be a chore to him...

S6. To play a video game with?

Best: Ayato, he just seems like the type of guy you can always have fun and make some ruckus with.

Worst: Reiji, he seems super fussy.

S7. To play sports with?

Best: Shuu, I don’t really like exercising so...I’ll go with the person who seems unlikely to exercise in the first place.

Worst: Ayato, I don’t like exercise after all...

S8. To go on a drive with?

Best: Ruki, I’m positive he would look handsome behind the wheel.

Worst: Azusa, it’d be bad if his bandages were to get stuck around the steering wheel or the gear stick...

[discotreque]

LwD 2.05: An Embarrassment of Dooplers

So I was a little nervous about this one! I hadn’t heard any spoiler-spoilers, but screeners have been out for weeks now, and I’d heard a bunch of individual, vague, non-spoilery hints about (1) big character moments, on the scale of a mid-season finale even though the show’s not taking a mid-season break; and (2) an ending that would make me cry.

I guess I imagined something relatively serious and dramatic, like “No Small Parts”? This show makes me cackle with laughter and giggle with nerdy glee and “d’awww!” at heartwarming friendships every week, but it’s only ever made me cry once—and then I was impressed that they were going to get there from the wacky hijinks we saw in the brief teaser.

The lack of a cold open made me apprehensive too—in my experience, that’s typically a sign that there’s so much plot in the rest of the episode that they need that extra scene—but after ~21.5 minutes of aforementioned hijinks, I was having so much fun that I’d completely forgotten about the alleged tear-jerker at the end…

…and they were not the tears I was expecting.

I didn’t think I’d be smiling and crying!!!! That was wholesome as SHIT!!!!!

I almost can’t believe they earned that—but they totally did.

After a Mariner–Tendi episode and a Boimler–Rutherford episode, we’re back to the “usual” Season 1 pairings… except the relationships between these characters have changed since Season 1. Mariner still feels thwacked in the abandonment issues by Boimler bailing for the Titan, and Rutherford’s having a tiny little existential crisis about losing an entire year of his life.

Both of which are extremely understandable and very heavy situations—and both of those situations get resolved because everyone in them is vulnerable with each other and honest about their feelings—AND that honesty and vulnerability brings both pairs of friends closer together. Are you kidding me?? I would watch SEVENTY seasons of that shit. Put it in my veins.

Onto the notes:

So basically Dooplers are Tribbles, but for cringe comedy instead of slapstick? Ohhhhh boy.

Look at Ransom the diplomat, tossing his own fork on the floor! I like that he’s actually a pretty competent Starfleet officer, despite also being a completely ridiculous person.

Wait a second, is that—OH HOLY SHIT, THE DOOPLERS ARE VOICED BY RICHARD KIND.

It makes sense that B. Boimler would find William annoying—who likes seeing their own flaws reflected back at them? And who could be a better reflection of one’s flaws than one’s literal duplicate?—but most interesting to me is that it implies on some level, Bradward knows the stick up his butt is a flaw. (Does William?)

Why does the Cerritos model have working phasers?!?!

I’m loving hot pink as the currently en-vogue colour for “dangerous sci-fi energy” in animation (cf. almost every previous episode of this show; Into the Spider-Verse; other stuff I can’t remember right now). As a former child of the 80’s, I’m living for it… but as a former teenager of the 90’s, I can’t help but wonder if it’s going to age as poorly as the harsh neon green of The Matrix, every Borg appearance on Voyager, and like 80% of the websites I made in high school…

SKANTS! SKANTS! SKANTS!

That fake-out joke with the fly-by over the Cerritos model was in the season trailer weeks ago, and I was so enthralled by that handsome lady that the sticker coming into frame still got me good 😂😂😂

BECKY Mariner????? omg yes

Some top-quality Boimler screams in this one. Poor Jack Quaid must drink gallons of throat-coat tea when he records.

One of the great things about Star Trek to me is that you never know what you’re going to get from any random episode. A murder mystery? A road trip? A spooky thriller? A cheesy romance? Broad comedy? Body horror? Didactic political screeds shrouded in tissue-thin science-fiction metaphors? Brain and brain, what is brain??? And after this many years of watching, you’d think I’d be hard to surprise. But if I ever told you I thought I’d see a Blues Brothers–style car chase through a frickin’ shopping mall on an episode of Star Trek, I would have been straight-up lying to you. I loved it, it worked for me, my jaw was on the floor and I was clapping with joy—but I’m definitely comfortable calling this one “unexpected.”

It’s CAPTAIN SHELBY!!! And an ancient babydyke crush rose from the depths of my childhood subconscious… (Also I think her Number One is based on the original makeup—eventually deemed too complicated—for Saru? Now that’s a deep cut.)

In 20th-century Trek, you almost never got to see what was going on inside a starship from the outside. Even after they switched from physical models (where it was next to impossible on a single episode’s budget) to CGI (which was still in its infancy, still not exactly cheap, and still broadcast in SD anyway), it was a rare thrill to see any meaningful interior details in an exterior shot. Disco’s modern VFX have given us some tasty, tasty treats in that department, but nothing quite as sublime as all the pink Doopler light glittering through the Cerritos’s windows.

Mariner says she’ll take her contact Malvus down with her, and threatens that they’ll end up “in the same cell.” Malvus is a Mizarian, a species introduced in TNG’s “Allegiance,” in which Captain Picard is held in a mysterious prison with one. I think I see what you did there, McMahan?

Bartender… so hot… lesbian circuits… overloading…

The Tendi and Rutherford C-story was, well, a C-story within a 22-minute episode, so there wasn’t much to it, but the one scene that mattered actually mattered a lot. I’m ambivalent on whether they should end up romantically involved—I’d prefer they don’t, but they’ll be one of the cutest couples in Trek history if they do—and as long as they keep that pure, sweet friendship between them at the heart of whatever else happens, I’m on board.

Carol Freeman was already one of my favourite captains before this season, and she’s been steadily moving up the list. The quiet throughline about her ambition to be on a better ship has been fascinating so far, and it’s starting to actually make me feel a little conflicted: I’m of course rooting for Captain Freeman to recognize her worth, make Starfleet recognize her worth, and become the ass-kicking captain of a hero ship that she’s clearly ready to be—but that almost surely means she’d be kicking ass off-screen, because LwD isn’t about those kind of adventures, and I’d be devastated not to have Dawnn Lewis on the show every week. So I’m kind of on the edge of my seat about this one!

I had so many favourite jokes this week I put them in a separate list:

“Even the replicated water on the Titan tasted better” is a low-key brilliant dunk on people who can’t shut the fuck up about the cooler places they used to live.

“Ooooh, they have a Quark’s now! That used to just be an empty lot where teens would make mistakes!” ← That’s literally me every time I go back to where I grew up. I felt so Seen™ I almost hid under a blanket.

“I would never go down the stairs!” (evil grin) (goes up the stairs)

The “well, shit” expressions from Mariner and Boimler as their crashed car sank right into the water… which started to bubble innocuously… and then the bottles of Data bubble-bath popped up, paying off a joke I thought had already been paid off—that was the one that woke up my poor cat this week. Just exquisite timing.

“YOUR PAGH IS WEAK, AND IT DISGUSTS ME!” “I don’t even know what that is, but I don’t like your tone!”

“Okona’s in there? He’s not even Starfleet! This is outrageous!” made me shout “NO!” at the screen like I was scolding my cat for scratching furniture. (She did not wake up that time.)

Best background joke: the neon sign at the dive bar advertising FREE SHOTS & BEERS. (Get it? Because they’re on a Federation starbase? Where nobody uses money?)

And of course Quark merchandised DS9.

This wasn’t just a standout episode of Lower Decks, this was a brilliant episode of Star Trek, period. The Dooplers, though extremely silly, are nevertheless also a clever sci-fi metaphor for real and relatable personal/interpersonal issues, and an effective plot catalyst for meaningful character growth from all four of our ensigns and the captain.

The jokes were hilarious, the action was kinetic, the A-, B-, and C-plots linked up thematically, the visuals were consistently and thoroughly gorgeous, the character beats—between Mariner and Boimler, Tendi and Rutherford, Mariner and Capt. Freeman—were all genuine, heartfelt and wholesome, and the references to other Trek canon were both deep and deeply affectionate.

Only 15 episodes in, and this series knows exactly what it is, exactly what it wants to do, and knows that it can knock our socks off doing it. Mike McMahan has said in recent interviews that the back half of S2 (and the apparently almost-fully-written S3) is a straight line uphill in quality from here—which surprised me at first, because McMahan seems like a pretty chill dude who doesn’t normally brag about his own work like that.

But then the Prophets sent me a vision of my space dad Ben Sisko, who reminded me of the words of 1930’s baseball player Dizzy Dean:

“If you can do it, it ain’t bragging.”

[Thanks to cygnus-x1.net for the screenshots this week—I was too lazy to do my own.]

[theexecutionerssong]

SKAM FRANCE BTS MASTERPOST

This is a master post of BTS anecdotes told in interviews, at cons, screenings and on social media. Don’t click the read more if you don’t want to lose some of the magic. I know sometimes knowing too much of how a show was shot can ruin it. Also, it’s very obvious that there was more promo starting around season 3 than for the first two seasons, don’t hold it against me. Feel free to message me if you think of something else as I must have forgotten a ton of things.

CASTING, REHEARSALS, BTS IN GENERAL

Skam France had the rights for the 4 seasons first but had to follow the original script almost to a T for the first 2 and if the audience was big enough then they would be allowed to distance themselves from OG

Skam France casted actors that were as close personality wise to their characters as possible, which made it easier for the cast to identify with their characters and made the friendships developping between the characters more believable since it was also developping off screen

They were not allowed to cast underaged actors who would have been closer to the real age of the characters due to the long hours of the shooting conditions

Most of the actors come from theatre and many had no or little previous experience with shooting for a camera before

The cast isn’t allowed to watch the clips before they air.

Most of the clothes they wear in the show are their own.

During rehearsals of the first seasons, Philippine went to the board with everyone’s names on it and wrote something funny next to Zoe’s name and wanted to send it to her but she messed up and published it on her ig stories, leaking the entire cast when it was still supposed to be a secret.

Lula’s first reaction when she got the script and “met” Daphné was “oh no I’m scared. I just want to slap her, she’s insufferable”

Assa almost didn’t audition for two reasons: the casting call didn’t specify they were looking for a woman of color and French casting calls almost always say whether they are specifically looking for a black woman. If it says nothing then they are usually looking for a white person. She thought she had no chance because of that. Second reason, after accepting the casting call, she did some research and found out OG Sana was from the Maghreb and she’s not. But her agent convinced her to go through with it, the only thing the skam france team wouldn’t negotiate was that they wanted a Muslim actress. There was no way they would have casted a non muslim actress/actor for Imane and Sofiane.

Skam France was the first TV show on French TV to have a black muslim  woman wearing a hijab as a main character

Paul, Robin and Axel knew each other before shooting, they’d met in Avignon.

Coline was still in her last year of high school when she shot the first two seasons.

Niels is the one who came up with a raccoon as Eliott’s spirit animal

They shoot about 15 minutes of usable content per day which is impressive (it’s usually 2-3 for movies released in theatres, 5-7 for TV programs)

When France TV told David the first two seasons were a success and they were renewing the show, he gave them a list of things he wanted to change so that he’d agree to come back to direct the next seasons, including a different camera, renewing the writers team (they included Niels), storylines, the ig content, etc. The new camera they got was a SONY Venice which allows them to play a lot with the focus/blur ratio and the cold and warm undertones, which made a major shift in the visual quality of seasons 3 and 4 compared to the previous 2.

David named Eliott after his son.

Having the teaser from Eliott’s POV was David’s idea. It’s the first remake to have a clip from the French Even’s POV

The bus stop from season 3 is fake, it doesn’t exist. It wasn’t even shot in Paris itself but in Saint Ouen.

Maxence didn’t watch OG - besides the towels in the bathroom clip - because he wanted to create his own Eliott without being too influenced, and he didn’t watch s1 and 2 of skam france either because he wanted Eliott to discover the characters without knowing their backgrounds.

Maxence wasn’t supposed to audition. He wanted to be done with his acting school before shooting anything but the head of the casting team came to watch a public class at his school and asked him to audition for Eliott at the end. David and Niels knew right away he was the one. Niels watched the audition tapes and was very impressed with another actor but within the first 3 seconds of watching Maxence, he knew it wouldn’t be anyone else. Maxence met Axel after the 3rd call back and they clicked right away. He’d broken his foot two days earlier so he was in crutches. They watched Even’s manic episode and had to improvise a similar scene but had to do with the crutches. They also went for a drink before shooting and they talked for hours, their connection was instantaneous. 

When he learned Maxence was cast, Axel went on his instagram and saw the model pictures and thought he was way too hot with the abs and everything and he himself would look like a potato during the nude scenes next to him. So he got a coach and for 3 months he trained and got on a very strict diet. He was disappointed that there were no shots where you could actually see his abs properly in Skam. He had also said months before that he had gotten a coach because before they started shooting seasons 3 and 4, he had met up with Marilyn to get advice on how to carry a season and she had told him to get a coach otherwise he wouldn’t be able to keep up with the pace. So what is the truth?

It leaked that Maxence was casted in July 2018 because someone on a Korean website recognized his shoes in an IG story from when he’d been spotted at the airport months earlier but it was kept mostly under wraps. Then his and Lais’s names leaked too a couple of months later but most people hadn’t seen his face before the trailer.

David asked Axel and Maxence to give up their phones and social media during the couple of months they were shooting to be really focused and not get distracted by the outside world and they mostly did. Axel bought an mp3 to still have music, he wrote “LUCAS ♥” on it with a white out pen. He created a playlist for Lucas, including songs like Run Boy Run and I love you by Woodkid, and To Build a Home by the Cinematic Orchestra.

Maxence’s process to get ready for a shot: he does yoga and dances a lot in the morning. he puts music on and paces a room while picturing himself standing on the edge of a cliff and if at some point he feels like falling and loses his balance, it means he’s got it. He asks that all the scripts he gets be printed on the right side of the page and on the left he takes notes about what the character is feeling through 7 different states: love, hate, fear, power, vulnerability, sex and i hate myself for not remembering the last one. To play a scene properly, you have to conjure up 4 states to create one emotion. He loves that David respects his method and is able to adapt to every member of the cast’s method. He also uses his body as a tool, for example if his character has to feel lonely or unsure, he will curl up into a ball for an hour without moving and then he’ll be in the right mindset because his body is telling him he’s isolated. That’s the method he used for Eliott, he created “lost scenes” that weren’t in the script, moments in between scenes with Lucas, to get more into Eliott’s mindset.

Maxence wrote a letter to Eliott, drew a picture of him, and spent hours adding notes to the script about his personality before even trying to get into his mind. 

There was a contest for the drawings in season 3. Maxence participated but didn’t get picked. Jeanne Lelièvre did!

All the social media content for seasons 3 and 4 were shot on the same day in December 2018 which is why you can see heavy winter clothing even when the content was published in May. For season 3, most ideas were Axel’s, and Maxence said no to 90%. 

While shooting for seasons 3 and 4, Axel was also on stage every night for theatre

To prepare for his role in s3, Axel watched CMBYN, Moonlight, and The Office 

They received more feedbacks from international fans than French ones at first. It was even a private joke between Niels and David, there were no comments in French on Youtube. Then the piano clip happened and David’s phone went crazy with notifications. He was in the editing room with Jérémy and the buzzing from his phone was non stop. They banned phones in the editing room after that.

Skam France owes part of its popularity to how accessible the cast and crew are, either on social media or IRL, with 6 entirely free events organized to get the fans and the cast and crew to meet, watch episodes together and have Q&As during seasons 3 and 4.

Skam France shooting locations have become extremely popular for the fans to hang out at and leave little mementos, to the point that the mayor of Paris has asked the team to pick completely untraceable locations, or make sure they are not in Paris itself for the next seasons

Skam France was the first remake to get renewed for 2 (possibly 4?) original seasons

Alexia and Daphné were supposed to have their own seasons they but couldn’t get the green light from Norway. He got the idea for Arthur’s story quite quickly after but they had to rework the scripts for seasons 5 and 6 a lot. Robin talked to David about his addiction to video games and how it could be a potential theme but in the end David chose deafness instead.

SEASONS 1 AND 2

It was Coline’s idea to make Alexia bi. There was a scene when Alexia mentions an ex boyfriend and she asked David “why wouldn’t it be a girl?” and his only reaction was “Ok. What’s her name?” and that’s how bi!Alexia was born.

It was also Coline’s idea to give Alexia’s colorful hair. She later regretted it because she had to bleach her hair twice to get the blue to stay and it fried her hair.

Assa’s worst memory of shooting s1 and 2 is when the girls have to carry Daphné, she kept dropping her and was afraid of hurting her.

Marilyn and Lula ruined the scene when the girls are having breakfast all together when they are on the countryside because they couldn’t stop laughing over carrots and the crunchy noise it was making. It was the last day of shooting and their nerves were all over the place.

SEASON 3

The first scene in the common room didn’t hit them that much, they didn’t realize the impact it would have because the whole shooting was just David yelling at them to look at each other then stop then do it again then stop etc

Nobody realized how big of an impact the “Moi c’est Eliott” line would have and then when they watched the clip, it was obvious.

The check de gang wasn’t scripted, it was Paul’s idea to make it a running gag. David wasn’t sure about it but after doing it just once, he was sold. Basile tripping over the bench was also Paul’s idea but he didn’t warn anyone he was doing it so Xavier started laughing and the camera was shaking so bad that they couldn’t keep it and had to reshoot the scene. They noticed during the editing process that Robin also tripped at the same time in the background during one take so they had to keep that one. 

Lucas playing the piano was Axel’s idea even though he didn’t know how to play properly. He sent a text to David at the end of June with different ideas for songs and David picked the most difficult one. He then practiced anytime he could until they shot the scene in october. It took him two months to learn it completely and then a little more to make it look easy.  (Niels later said it was his idea and that Axel was a cheeky little shit). Maxence had never heard Axel play the song before that moment so Eliott’s reaction is genuine. He didn’t think he’d manage to get in the right state of mind because the apartment was too small for the whole team and they were all very cranky, it was 3 am, but the moment he heard the first notes, he forgot all about it and was completely amazed.

The infiltration party: David asked that Basile pushes Daphné a bit, like shoves her out of the way when they have to run, but they hadn’t had the time to rehearse anything. After a couple of takes, Paul pushed Lula a bit too hard and she fell on her knees quite hard. He felt so bad because he never wanted to hurt her and they all had to take a half an hour break because her knees hurt. David after that was like OKAY NO MORE STUNTS EVER.

Axel got mad at the makeup department because the two lines on his face were not on the same place when they shot the outside scene and then once inside. He got so angry he could have cried that they wouldn’t believe him. So during the shooting he looked straight at the camera and wiped them away with the back of his hand to force them to draw the lines properly.

The first kiss scene: they had been shooting for 12 hours. It was raining intermittently all day so the team had to pack up the cameras often and wait it out when it was too much. They ran 4 hours late. They had a fake rain machine but no change of clothes so they could only shoot once. Below the bridge is not easily accessible, it’s a long path from the gate, so they used ropes to get things up and down from the bridge. They only had one shot. They had already shot kissing scenes but David was always telling them it had to be more passionate and kept yelling at them to use more tongue so for that shot they gave it their everything on the first (and only) take they did. 5 minutes later they were shooting the Remember scene.

They shot all the scenes in the colloc on the first week of shooting. Minute by minute was shot right before Samedi 9h17. They had to restart shooting samedi 9h17 four times because something wasn’t working between Axel and Maxence, they were clumsy and stressed. After taking 5 minutes to themselves with David to remind themselves of how pivotal the scene was, Axel and Maxence said they were ready and they shot the opening scene that made the cut.

The Phase de latence clip : Axel and Maxence felt like terrible actors because they had already shot all the big very emotional scenes and this was a bit tamer since Eliott doesn’t show much emotions. They felt that way about all the scenes shot in the school.

The Fête de trop clip: They shot the fight with the guys 8 times but it wasn’t enough for David until Robin slapped Axel on the 9th. After that they shot Chloé yelling at Lucas. Axel was still out of it due to the slap he’d gotten earlier that he hadn’t expected. At 3am, they finished with Lucas injuring his hands. Axel cracked the metacarpus in his hand and only told David two days later.

Leo has talked about the coming out bench scene and said Yann took it a bit too far and was too dramatic, he was like “i don’t know if i can say that… but c’mon… I mean. C’mon… that’s your best friend… who cares if he didn’t tell you right away, he had bigger problems on his mind, right?”He would have done it differently.

The “viens on n’en parle pas” scene was shot in 50 minutes in the middle of the night on the second day of shooting. Marilyn and Axel’s emotions were briming under the surface so it was one of the easiest scene to shoot.

The hardest scene to shoot for David in s3 was the intervention clip. It was the second day of shooting, the 4th clip of the day. Axel’s first take was not good enough and David was scared it would set the tone for the season. He had a stern talk with Axel. Thankfully, they shot a second time and it was the right one, everyone on set was crying and Axel was completely drained.  

The scene where they go get the couch from the creepy place is the one they shot last for season 3.

The paint scene: they only had one try. Axel and Maxence hadn’t shot together for a week, David had done it on purpose and they’d missed each other. It was shot on a Friday at the exact time it was supposed to happen IRL. The whole thing lasts 14 minutes long. David took their pants off because they were slipping too much. Xavier almost stopped filming he was like “is he serious? did he just take their pants off??”. They shot a part when one of them slips on the ground and the other follows but that didn’t make the cut. There were 25 people on set, everyone in a suit to protect from the paint, but Axel and Maxence forgot everyone and just got lost in their characters. When David yelled cut, Axel and Maxence didn’t hear him and kept making out. David had to separate them. Then they all were so happy that they yelled their joy but then saw all the people who were behind the camera, and everyone was crying, like they had witnessed something too intimate. They showered for an hour, emptied 2 bottles of soap and even then it wasn’t enough, Axel still had paint running down his neck at a party that evening. The music used on set was Dreamer, the Khlar remix. Maxence was upset it wasn’t the one they ended up using in the clip, it felt like a betrayal because it “wasn’t the song they had made love to”.

Maxence fought with the costume department over the briefs he was wearing in the paint scene, because they had shot the PONI scene first and he could remember which ones he was wearing for the PONI scene and he wanted to wear the same ones. He was sure people would notice.

The first scene Maxence ever shot was the PONI scene. 

The boat scene was quite special. It was a big moment for Maxence, he was extremely nervous, so David reduced the team on set as much as he could. Maxence got upset at Axel for being too present during the scene. Being used to a theatre stage, Axel is always a bit over the top, eating his ham with a flourish, stuff like that, but this was supposed to be Eliott’s big scene. Maxence asked for a break and told David that if Axel didn’t tone it down, he’d kill him. That also got resolved quickly. 

The Remember Me scene: the priest is Lula’s dad. Lula and Niels both make a cameo in the church. They forgot to warn Axel that a car was coming when he’s running so his reaction is genuine. He was running so fast, the minivan with the camera couldn’t keep up so they shot it twice. They shot Lucas finding Eliott under the bridge just after shooting the first kiss. Maxence only had 4 minutes to get into the right state of mind which was extremely challenging and during that time he had to change his clothes, dry his hair and redo his makeup. Axel wasn’t feeling very well, he was exhausted after having shot 4 clips that day, but David told him he could do it so he ran on the path to the bridge harder than ever (David thought he was going to hurt his sinews) and when he fell to his knees, he was close to passing out, you can actually hear when he says the first “t’es pas tout seul” that he’s about to throw up / can’t breathe properly. They only shot that part once and after it was done David told them they should hug each other because what they had just done with Lucas and Eliott was precious and a moment to remember.  

There was supposed to be a scene after the Remember scene but it was cut. Eliott is sleeping, Lucas brings him food and starts reading his book and then Eliott wakes up. They say hi, Eliott is confused about the time it is, it’s already late afternoon. He says he needs to leave, but Lucas tells him no. He keeps saying he has to go, he has to go to his parents. Lucas tells him it’s fine, they’ve been warned of where he is. But he says he’s got to leave anyway. Lucas asks him why he keeps insisting he needs to leave and Eliott tells him he just doesn’t want Lucas to see him like this. Lucas tells him he doesn’t mind. Then he starts teasing him, saying Eliott just wants to leave because he doesn’t want to own up to the fact that he lied to him. Eliott is confused. Lucas reminds him that he’d said there was no way he would ever be able to sleep next to a guy that hot (on the boat) and yet here they are actually taking naps. So Eliott must have lied to Lucas about finding him hot. Eliott says he’s an idiot and Lucas tells him that at least he’s not a liar at that what matters is that he is his idiot. “Congrats, you’re now the owner of an idiot… more or less hot” Eliott tells him he’s won and asks what they should do now. Lucas answers that they should start by saying hi properly and they kiss, and when they pull back they just look at each other whispering “salut”. Axel said he was upset at David for cutting the scene because it was so soft and intimate, he called him when he watched the episode to ask why he cut it, but it would have been too repetitive with the following Lundi 17h21 clip.

Lundi 17h21 is the second clip Maxence shot. Lucas’s “T’es beau quand tu rigoles” wasn’t scripted, Axel changed the script, he was supposed to say something about liking seeing Eliott smile.

The Je t’aime scene: the first shot they did was the most emotional one, it was one of the hardest scenes emotionally for Axel. He was crying so so much, he had tears and snot everywhere, and Maxence was just wiping it away so tenderly that David thought about keeping that shot but the snot was REALLY disgusting so they didn’t keep it. They shot it a few more times, except that then Maxence had to leave. So the shot of Lucas saying Moi aussi is actually to David. Axel said it didn’t feel weird because he does love David so it felt true.

SEASON 4

Assa sat down with the team before they wrote anything for the season and told them her whole life story. It lasted 4 hours and she cried when reading the script because they had included so many things she had told them, it felt like her and Imane were one.

Making Assa dance was Philippine’s idea. David asked her what she thought about when thinking of Assa, something that was really her and Philippine said “Dada, you should see her dance”

Moussa and Assa knew each other before since they had filmed together 5 years prior, a movie in which they already were siblings. They feel like siblings in real life.

The worst clip to shoot was on Lais’s first day of shooting, it was the bus clip. The shooting conditions were terrible, there was too much noise, and the crew was tired from having shot the 3 bus stop clips from season 3 earlier that day. David was convinced there would be nothing to save and they would have to rent another bus but the team worked their magic in post prod and it turned out amazing.

They shot the scene with Imane, Lucas and Eliott in class the day after Halloween. Maxence was at a party the night before and lost track of time. He had to take a taxi straight from the party to the set at 6am and showed up in full zombie costume and makeup.

Charles come back: it had been cloudy and raining all day but the moment the camera was on the girls’ faces, a ray of sunlight appeared and the wind blew in their hair, making it a real dramatic moment. Too good to pass on, it’s the shot they kept.

The fight between Lucas and Eliott that we vaguely hear in the background was just gibberish. Axel and Maxence hadn’t prepared anything and Axel just ended up shouting at Maxence things like YOU LIED TO ME BEFORE ABOUT LUCILLE YOU MIGHT BE DOING IT AGAIN ABOUT SOMETHING ELSE and Maxence NO I WOULD NEVER - BUT YOU DID - NO I WOULDN’T - YES YOU DID - NO and they kept going in circles so David was like “guys…. please, you might want to start screaming about something else or this is gonna sound very repetitive” but in the end we can barely hear anything so it didn’t matter much

When Alex comes to pick up Emma to go to the cinema, Assa had a break down and couldn’t stop laughing, hiding under a blanket and making all the girls laugh too with her. David had to scold them a bit to get them to stop.

Lais also ruined a clip by laughing for 15 minutes straight, it’s the clip at Imane’s house when they talk about the fair. It was the longest 15 minutes of the crew’s life. 

The oui oui song during Daphné’s birthday party wasn’t planned, the team just lost control of the cast. Axel started it and everyone followed. The cast are actually terrible extras. They are too dramatic and noticeable in the background so party scenes like Daphné’s birthday were a nightmare to shoot. 

Assa and Laïs rehearsed the Unknown dance clip every chance they got between every take, everyone kept tripping on them in the corridors.

The last sequences they filmed were actually the last clips at Imane’s house for the Eïd. Axel isn’t in the last shot because he had to leave for his play. He actually ruined the very last clip of season 4 by shouting his goodbyes to David from across the corner.

SEASON 5

The auditions for season 5 and 6 were held in June. Lucas was spotted through his youtube channel and asked to audition. 

Coline learned sign language by herself after an initiation class with the whole team. She started signing in July and has been practicing ever since. Robin took a one week class in September and then kept practicing by himself and with the D/deaf people on set. David and the rest of the team also took an initiation class.

Robin doesn’t like water and was anxious about the scenes in the pool. David got in the water with Xavier, Robin and Winona to reassure him and direct them better. They limited the number of extras around the pool because of that.

The place where Eliott works is where David used to work when he was younger.

Coline wrote a song for the season

They couldn’t leave the mural in the high school so they took it off the wall (it wasn’t actually painted on the wall itself) and cut it into pieces. There are a few pieces framed on the walls of Lucas and Eliott’s flat.

[asotin]

what're your thoughts on castlevania (the netflix show, not the game, ive never played the game) what do you like, what don't you like? make it as long as you want. i don't care if i have to scroll for 5 minutes. go feral (personally trevor is extremely hot and i would like to date sypha. i'm not really into alucard's whole sickly victorian child aesthetic, yknow?)

oh god this is way too long, but you did say to make it as long as i want, and i have a lot of thoughts that i need to inflict on the world

i played two castlevania games, both from the nintendo gameboy era, so please don’t get mad at me, gamers

details below the cut, but since i’ll be talking about season three, i need to preface this with content warnings for mentions of: graphic violence, rape and sexual violence, racism, and the holocaust

before i get into it, i usually don’t go for alucard-type characters either, but knowing that he was redesigned to be bishounen sexy specifically because the boring, middle aged man look he originally had in the games wasn’t appealing makes me enjoy him. and he’s fun with trevor and sypha

do like:

the voice acting

it’s all good. i can’t think of any characters whose voices were awkward or fit poorly. they don't make sypha’s va use the standard flat affect or false high voice women tend to be assigned, trevor sounds suitably worn out but not monotone, and alucard sounds exhausted but in a sexy way

and the spanish dub is killer, arguably superior

the animation & design

it isn’t full-on artsy, but it’s definitely got a distinctive style that’s easy to look at. the color use and effects are gorgeous. it’s a story set in the medieval era, and the mixture of desaturated and oversaturated elements works so well with that

dracula’s castle and the belmont bunker aren't revolutionary in design, but they didn't need to be. they're suitably creepy and empty, and i enjoyed them

the monsters were unique enough to have obvious different types, and the scene where a monster commits blasphemy in a church by accusing a priest of committing blasphemy was good writing

lisa

she shows up to a stranger’s spooky home and scolds him for being rude. she really looked an ancient vampire in the face, told him he had no manners, then had a kid with him. what a phenomenal woman. 11/10, no notes

“start with me, and i’ll start with you.” you know what? i’d fall in love, too

dracula

this ancient, unfriendly vampire let a human woman walk into his home and tell him he’s got no manners. and that made him fall in love with her. just like that. lisa walked in and handed him his ass, and dracula thought “oh i love her”. and when she was killed (more on this in the bad section), he raised literal hell to destroy the world for doing it

speaking of lisa being killed, it fucks me up that it happened because she convinced him to leave the castle and experience the world. he left her alone to see what she loved so much, only to come back and find that the people he’d come to like- the people lisa had loved so much it drove her to help in a way that got her killed- had burned her at the stake. i love a good tragedy, and that’s good tragedy

the way he weeps when he has to fight alucard?? during a showdown in their home?? the “i must already be dead” moment in alucard’s childhood bedroom??? when he speaks to lisa about killing their boy, her greatest gift to him??? poetic cinema.

the trio’s dynamic

three bisexuals with two total brain cells and only alucard bothers using them. incredible

i went so hard for this ot3. it's right there and so good

sypha

she initially seems to be assigned the role of the adult™️ ie she's the only woman and gets stuck being responsible, but surprise! she’s just as annoying and dumb as alucard and trevor. she dropped a castle she didn’t understand on the ground and didn’t think too hard about it. then she argued about breaking it. i love her

if we don’t get an ot3, then she needs to have a dumb gf

alucard

he's got a stupidly low neckline and lower pants. they really leaned into ayami kojima’s redesign, as they should have. his little curl annoys me, though. why the fuck does he have a random section of hair that’s like three inches long when the rest is shoulder length or longer? love that he really looks like lisa

if you say he's canonically bisexual and polyamorous, no he isn't. yes he is. no he isn't :)

trevor

disgusting. a nasty man whose appearance mirrors his state of mind. he's 50 mental illnesses in a dirty jacket and his coping mechanism is… alcohol? maybe? he’s a mess, and i dig it

him trying his trick of kneeing alucard in the balls during their fight? and finding out it doesn't work? (which…… why doesn't it……?) juvenile but suitable

hector

his love of animals makes him my favorite. normally, i won’t touch anything with this much animal death, but i’m willing to set that aside because hector loves them so much. he’s so sweet and kind, and he loves his monster pets

yes he sided with dracula and has some really fucked up ideas about what constitutes humane treatment of people, and yet i love him. 11/10, but i have a lot of notes

isaac

i support him, including his murdering and his decision to support dracula. dracula throwing him out of the castle to save him was so cruel in that it was an attempt at kindness from a man who hated the whole world, but it was against isaac’s wishes

his time with the captain was great

idk enough about islam to know if he's portrayed correctly and haven’t seen any complaints, but given the show’s track record……… i wouldn’t be surprised if it’s not great

the forging

very cool. fresh and interesting! hector creating pet friends is cute and heartbreaking. love isaac for his dedication to reducing, reusing, and recycling

season 2’s big battle with all those vampires

the new version of “bloody tears” is phenomenal

this goes back to the animation, but listen……. it's so good. i loved the smoke vampire, and alucard’s fluid wolf transformations. his flying sword looked really good, and incorporating them together? super good to watch. and trevor’s whip?

the type and level of violence are suitable for what it is. it would be weird for a gritty show like this to be bloodless, but i don't think it would work if it were bloody to the extent of a slasher. it's also more clean violence, if that makes sense. you don’t linger just to look at gore; you see it because stabbing someone spills blood. the games weren't about extended, gritty scenes of realistic murder, so the show sticking with quick, slice and dice type fights fit with what i remembered of them

please watch this fight if you don’t remember it or haven’t seen it (part 1, part 2)

trevor’s whips

trevor’s weapons don’t follow the physics of normal whips, and they shouldn't. they’re heavily stylized and clearly a fantasy weapon, but they still have rules that they (mostly) have to obey. his morning star-whip hybrid in particular is so good 

it’s easy to follow, too. a lot of times, speedy weapons disappear, which is an understandable effect but one i find boring because there’s nothing for me to do. i’m just sitting on my ass with nothing to do

trevor’s whips don’t disappear. they’re fast, but you can always see them. and they have weight! you can see them slow down and gain speed. i don’t need physics to be real; i want movement to be pleasing, and that’s exactly what i get with the whips

don’t like:

fridging lisa

she could have been kidnapped (possibly make dracula think she was dead bc people want to lure out her scary demon husband, idk), then s2 could have ended with her and dracula reuniting as he died. she and alucard go on a trip together to attempt to make amends for the pain dracula wrought in lisa’s name. orrrr she dies a tragic death with him and we’re left to hope that they find each other in the afterlife. do vampires get to go to the afterlife? can alucard reintegrate? can he be happy with his new friends? or will he go back to his crypt and sleep again? will he ever be rediscovered? if so, what will he do? deep questions. i would prefer to cogitate on these instead of experiencing the shitshow that is s3

season 3

they should have ended it with dracula’s death. the quality of storytelling goes down immediately. just plummets. i’m sure there were problems in the first two seasons, but this one is so bad, i genuinely can’t remember

but i may as well get specific, so here we go:

abandoning alucard

trevor and sypha leave their friend alone in his childhood home where he just killed his father. where they helped him kill his father who, as i’ve said too many times, raised literal hell to get revenge for people burning alucard’s mother to death

yt they don’t talk about alucard. they don’t make any plans to touch base ever again. trevor’s entire family got killed. sypha’s culture, from which she’s now estranged, is family-centric. if ever two people should give a shit about alucard and know why alucard shouldn’t be left on his own, it's them

so what the hell is going on?

trevor and sypha’s relationship

look. it could be good. it would be better with alucard but they could be together and it could work fine

but this……….

trevor hates what they're doing. he hates traveling around and fighting. he's clearly tired and deeply depressed

sypha not only doesn't care enough to address it (did they forget the first two seasons?? sypha is annoying partly because she doesn't stop poking people) she might not even notice? yes, she's having fun, but trevor is basically dead on his feet in front of her

racism

hector, sumi, and taka all got done dirty 

sumi and taka

i hate the way they died. i hate that i’m certain that the plot won’t bring japan back into the narrative (or if it does, i don’t trust it not to be shitty). i hate the fact that by killing them off, i’m not going to get any more of them. they were interesting!!

speaking of the japanese vampire: the biphobia, arguably, given what happens with alucard

the addition of sexual violence

i don’t need or want lenore. if all she’d done was manipulate hector, i could have lived with that. she’s a villain, so she does bad things. that’s the point. but what she did was a massive escalation. we hadn’t had any sexual violence, and then the last few episodes gave us 

tumblr feminists who love her for how she treated hector need to be quarantined until their brain worms have been cured

everything that happens to hector

what was this shit? why did i open my netflix app and tap castlevania and find them making this man walk around naked in the cold to torture him? and starving him? he got manipulated, degraded, chained up, collared like an animal, and raped. and why? to show us how bad lenore is? that the other vampires are bad because they let her do it? i didn’t sign up for this

the holocaust reference

the imagery at the end of s3 when it’s revealed that the judge has been killing people he’s decided are undeserving to live and collecting their shoes in that barn was chillingly close to images of shoes taken from victims of the holocaust. there's no reason to invoke the holocaust here. it’s unnecessary and in bad taste

[vedj-f-bekuesu]

At this point I’m just watching the seasons to keep the momentum going after two great (and one flawed but still okay) seasons. With Friday being a Bank Holiday, I might get the rest of the pre-11 stuff wrapped up by the weekend. But enough of the future, how about the season I watched, Sons of Garmadon?

It had a lot to live up to based on its reputation, and I’m happy to report that it delivers on what it sets out to do. Issues with the season are fairly minor tribbles, but that’s something I can cover in the notes.

-Hoo boy, let’s get this out of the way; the movie did fucking wonders for Lloyd Garmadon. Spending like five seasons stuck to his blander “chosen one must learn” characterisation, this season gives him a very long overdue overhaul into a more modern chosen one protagonist who is way more entertaining to watch. Bonus points for having a look I can take seriously now...yeah, sorry, but the Anakin hairpiece with the strange approach to voice commitment never did for me, even as it became the norm for what I was viewing.  -To be honest, his teammates get some good material here too. Some more than others (Zane especially has a really good little arc where he gets to show his more calculating side. Cole’s arc is okay but I don’t feel it quite nails the landing as well), but they all get chance to banter and have character moments, which is mainly what I come into shows for as opposed to straight up development constantly. Shout outs to Jay who has small moments, but important ones that do really good for his character (I could go into why Lloyd and Jay make the most sense as leads...probably after my season watching is done). I also like the callback to a character moment he had in season 3. Also this finally feels like the writers are sticking to characterisation, this season mostly keeping what Hands of Time did with them. Not so much design-wise, but I’ve made it clear many times that I prefer the new designs to old. Also, I get to throw in Pixal as a main character now since she’s clearly on the team full time. She’s good here too. -The dynamics get their own section just because I want to restate how I prefer the dynamic between Jay and Lloyd compared to Kai and Lloyd so far. Seriously, Jay seems to step up to bat for Lloyd more than Kai at this point. And yet no-one really seems to be interested in it within the fandom. -There wasn’t really much in the way of side characters this season (I am aware that next season will change that). Misako was good for what little material she had, Wu was fun and actually became a solid character in his own right once he became a toddler, Dareth is solid and really gets to show his alternative way of helping out, and the police commissioner...eh, better than season 6 but I’m still not big on him.  -I can sum up Harumi in one sentence; Skylor but done better on every count (and also evil). She’s engaging when she’s acting as the more humble Princess figure, and she’s nicely hammy when she’s unleashing her evil side. I can see why people would be into Lloyrumi with such a investing act (for the record, I’m not). This all being said, those who say that Harumi had a point are missing one important detail; as much destruction has been caused with the ninjas’ close call; what alternative is there? I don’t see anyone else stepping up to save Ninjago so it would have probably fully fallen a long time ago. And even with the Great Devourer, Lord Garmadon was channelling his good side to deliver a finishing blow, he still needed the ninja there.  -We have three other villains and two of them are enjoyable. Ultra-Violet is committed to her crazy shtick and amusing, and Killow is definitely different to how I thought he’d be, but it’s a lot more enjoyable (especially when Garry Chalk is channelling every bit of his Sonic Underground Robotnik voice he can. Kind of like how Clancee was Ian James Corlett channelling a lot of his scrub monkey third class). Mr E can go rust though.  -Unlike the other seasons which people cite as dark, this one feels like it does actually go there. It’s not completely a dark season, mostly the end of Jade Princess and scenes between Game of Masks and Big Trouble, Little Ninjago. It was still pretty fun and light-ish hearted outside of that. -Weirdly enough, most of my quibbles are on the technical side. People cite this season as having the best animation...but I don’t really see it. In terms of visuals it’s a step up, but the actual animation doesn’t feel that different to Hands of Time. They learned to use flashier graphics everywhere. Which is probably why the intro is the way it is, and I’m sorry but this is probably my least favourite intro. I can’t appreciate the spectacle when focusing on anything is difficult to achieve. On top of that, there were still some glaring graphical fuck-ups (like when Cole is shown with the other ninja in a scene where he was captured, or when Lloyd was shown with green eyes in a shot despite being drained of power at that point), which aren’t really any different to the ones Prime Empire has.  -The pacing of the season wasn’t entirely smooth, but unlike other seasons it’s not like one set issue. It’s more like a concertina effect; it was very quick at first, then slows down, then speeds up again, then slows down, then finally hits an even tempo about halfway through. This is why I didn’t mention the likes of Hutchins, the parents or the Mechanic before; because of the pace, you don’t really get enough time to really get attached to them (doesn’t help that the Mechanic has Alan Marriott doing the voice in his cameo, and man does it not fit compared to Skybound. I’m glad when the Mechanic got more substantial stuff they went back to his original VA, that voice is so fun).  -My other big thing is actually the complete continuity snarl that’s Harumi’s backstory makes. They’ve thrown in so many random events over the seasons but because of the sheer vagueness of the timescales it doesn’t really break suspension of disbelief. But Harumi’s turn to darkness is clearly during the ending of season 1, which we have a much more tangible sense of time for. Harumi seems like she’s about 8-10 then, the ninja seem like they were 14-15 then, Harumi seems like she’s 15-18 now but the showrunner still insist that the ninja are teenagers? How does that work, the most generous allowance for time is five years, and that would barely make them still teenagers in season 8. Certainly don’t believe they could be teenagers as of the most recent seasons. -On a completely different tangent, can we talk about the toilet humour? Yeah, it’s not like it’s never been there (there’s been poop jokes, fart jokes, halitosis jokes, and who can forget that one utterly cringe scene in S3?), but Hands of Time and Sons of Garmadon do it in a way that just comes off as really weird compared to earlier toilet humour. Like, there’s the implication by Jay in season 7 that Kai has issues with constipation, Cole’s truth tea dose forces him to say that he pees in the pool, and then there’s Kai, right to Harumi’s face, all but saying that Jay has issues with peeing himself. Her reaction to it is fucking hilarious, but it’s still weird, even though knowing Vincent Tong he would totally do that. 

Overall, this was a great season, and it’s clear to see how this became such a draw to the series (meaning in hindsight, LEGO’s method of dealing with the new style was pretty much a winner). The issues I have don’t stop the quality being across the board. Aside from Possession, I think this may be a favourite season from the pre-11 stuff. 

Next time, we effectively get the second part to this story. Yep, it ended in a cliffhanger so we’ve hardly wrapped it up here. Time to see how the OG ninja and newer recruits handle themselves alone in Hunted. 

[drink-n-watch]

Hello one and all, it’s once again time for my seasonal dose of adorable underdressed anime fun with Matt! My collaborations with him are my chance to see some shows on the more moe ecchi side of things that I wouldn’t necessarily get around to otherwise so it’s a good way to broaden my horizons. So naturally this season Matt suggested Psycho Pass! I had no objections….

Some more astute readers may know that I (much like a whole lot of anime fans) have a very soft spot for the series. I talk about it a lot and to this day this messy fever dream of a post remains one of my favourites!

But enough about me, Matt what are your thoughts/feelings about the franchise?

Hello Irina, everyone, it’s me. My thoughts on Psycho Pass’s first season? Absolutely excellent, one of my Top 20 anime of all time. Thoughts on the second season? A rushed mess that does a disservice to the events of the previous season.

So season 3… Whenever a beloved series gets a new entry, there’s always a sort of backlash from fans. A weird fear that somehow it can go back in time and change what the original was. It’s counterproductive. Which is probably why Matt warned us on Twitter not to immediately compare it to the original…But Boy did this first episode make that hard! 

There were parallels to the first season Everywhere you looked. The art style is instantly recognizable, and the environments remain almost untouched (aside from the CG but we’ll get back to it). The colour palette is very close, only slightly warmer and the framing and angles are perfectly consistent. The OP was purposefully similar which made the inclusion of that demon-like creature really stand out.

Beyond that though, we saw glimpses of the iconic Syble control room, the dominators in action, Shion back in force (oh hecks yeah) and even just a hint of Akane.  And one of the first scenes was of inspectors Arata and Kei arriving on their very first day at the job, at a rainy crime scene in an opener that directly mirrored season 1’s first episode.

I know you don’t want us to compare the two, Matt, but it certainly seems the show isn’t about to let us forget its roots.

There’s nothing wrong with calling back to things that happened in previous seasons, in-fact they were some of my favourite parts of the episode. The problem is when people dont give a show a fair chance to stand on its own because their too busy holding it up to its predecessors shadow.

There’s something of a deft balancing act done here by making this part sequel and part soft reboot (at least that’s my impression) and I think it pulls off both very well.

To me though, this was an homage, not a rip-off. Tonally, visually and atmospherically it was very reminiscent of Psycho Pass but the character dynamics, faster and grimier corruption storyline set up and quick-fire dialogue are fresh. Not to mention the completely new mind trace gimmick. So far, I like it, but it has the potential of just turning into plot destroying “sci-fi magic”, what do you think?

It’s funny you mention the mind trace “gimmick” because (aside from the visuals) that was my favourite thing about this episode. I don’t know if you’ve seen Bryan Fuller’s ‘Hannibal’ tv series from a few years back but our protagonist in that show has complete empathy which allows him to become other characters which is almost exactly what Arata has (down to the wording) of his trait. So not only was I immediately on board with this but I was excited to see where it would take his character. Oh I vaguely remember it. I was actually thinking of Sherlock myself.

Arata is a light-hearted happy go lucky protagonist. For someone like me, whose favourite character was Kagari, it’s a thrill, but what do you think Matt? And ho do you think audiences will react. It’s a pretty big departure from previous protagonists.

I think a lot of his light-hearted disposition is a coping measure for having to deal with having complete empathy. I enjoyed this kind of protagonist compared to brooding and dour but I still think it’s a bit of a front.

O.k., I’ve avoided it so far but let’s just mention the CG for a bit. I didn’t like it. It wasn’t horrible but the integration was hardly seamless and honestly, it took me out of the moment on several occasions.

Hmm, I have to disagree, I thought it looked wonderful and very dynamic and interesting. I’ve heard streaming things with a lot of small details can look ugly so maybe that was the problem for you? I ~acquired~ a 1080p copy of the episode so maybe that’s why I thought it looked so good? No for me the issue was more that the light and shadow physics where calculated at a very slightly different angle that made the CG pieces sort of stand out in one frame and not the next. Once I noticed I kept on noticing. Also, I disliked the textures but that personal taste. Actually, I got to give it to prime, the quality if their streams are really good!

Overall, here is what I got from the first episode of season 3 of Psycho Pass. The narrative seems to be more action-oriented with hints of humour, rather than dramatic noir. There is a lot more emphasis on tech which leads me to believe we’re going to stray into cyberpunk territory. Political machinations are afoot.

I think it was a necessary change, this felt more like a US crime procedural along the lines of ‘Person of Interest’ so arguably not world’s away from what it was but different enough to feel like it’s carving out its own identity and not resting on everything that it’s previous seasons set up.

There were some red flags. The addition of what seems to amount to incredible psychic powers in Arata is a very tricky narrative element and unless used carefully and sparingly could either render stakes inconsequential or completely undercut and tension in the story. Moreover, the little we saw of the villains did seem a tad too goofball to be taken seriously and, in my experience, this universe really benefits from a strong antagonist.

In the closing scenes, there is a line seemingly spoken by Akane: “We must protect justice even at the cost of a peaceful society”… This was meant as a sort of handoff to a new cast and although a bit heavy-handed still cute. Except that to me, it sort of goes against what Akane stands for and negates some of her most important and powerful character moments (by the way, I’ve seen season 1, the old movie,

Seeing Akane at all was kind of unexpected–the opening monologue and the sort of revelation that she’s still imprisoned (I think that’s what they were going for–its been a while since I watched season 2) hit me harder than I expected.

On the other hand, I pretty much fell head over heels for Mika. Every scene she was in made me smile and glued my eyes to the screen. I always wanted to know more about the tech of Psycho Pass and that seems to be the direction the season is heading in and although we don’t know much about Kei and Arata, I like them both so far.

I like all the characters (both new and returning ones) so far, I quite liked the banter between our two inspectors and their chief–she seems like a pretty understanding woman–hope she doesn’t end up working for the bad guys!

From what I can remember of my very first impressions of the franchise at all, this is pretty much on par. I mean I’m way more excited but I’m bringing that down because a lot is due to fuzzy nostalgia feelings. I didn’t really have any expectations for this episode, all I wanted was a strong narrative and characters set in the familiar future fictional Tokyo of the Psycho Pass universe that I’ve got a lot of fondness for and on that front it absolutely delivered. If I have one complaint it’s that it introduced a lot of characters that didn’t do much (specifically those three mysterious characters who are either politicians or something I’m not quite sure) but there’s still plenty of time to find out what their deal is. All in all, I thought this was an excellent continuation and new beginning for the series.

Psycho Pass s3 ep1 – A New Start Hello one and all, it’s once again time for my seasonal dose of adorable underdressed anime fun with…

[steve0discusses]

Yugioh S3 Ep 31: Joey’s Dead (Again)

Ah, it is 5 billion degrees and working has been pretty much impossible, so, lets turn on Netflix and...

Thanks, Netflix.

Anyways, time to go see Joey get destroyed by a bird. On screen. This traumatic as hell kid’s show.

Now, usually this kid’s show is very...kid’s show in quality. The animation has exactly what it needs for most children and teens to feel satisfied--and that’s absolutely fine. You don’t have to make everything look like My Hero Academia, youknow? They were not looking for an award.

But this episode, the one where Joey freakin dies, they decided to bring out their A team. This is the best looking episode of Yugioh that I’ve seen so far, and it was freakin shocking how much better the quality was. Like, I dunno what weird blood sacrifice they did to make this episode looks so freakin good, but kudos to them, everything is more fluid, the shots are composed in a really interesting way, and for once, they actually spend the time to let these characters...react to stuff.

The big twist in Yugioh, at least for me, is when it randomly decides to be quality. It doesn’t happen all (most of) the time, but occasionally, Yugioh will just take a quality swing at me and it’s like “the hell was THAT?” Not that this episode is the best animated episode of anything ever made, it still doesn’t hold a candle to shows that are made in order to be beautiful--but for Yugioh, who’s purpose was never to be pretty (point of fact, Bakura’s hair) and who’s main purpose is to sell freakin playing cards...this is a damn pretty episode. 

They just loved Joey that much I guess.

Anyway, onward for what is also the most melodramatic episode of Yugioh I’ve seen. This episode is kind of a gem. I cannot believe I just watched an episode on this show about cards where 3/4 of it was just so many boys full on ugly sobbing into their friend’s comatose body.

(read more under the cut)

Serenity, this small dot in the next cap here, has only made it to.....this part of the island. She has to now run up like 2 miles of tower. Just remember this fact for later.

Yo so...this is a stupid adult question but like who is paying for the healthcare on all these kids in this tourney? Is it just Kaiba? Is Kaiba footing the bill? I mean, it’s a kid’s show so we’ll pretend that hospitals are free (and in Japan it’s like Universal but kinda inbetween, so I’ve heard, so this would be less of a deal) but as an adult American every time they’re in a hospital scene I’m just imagining how crazy that GoFundMe campaign page would look like.

But, as Serenity starts climbing up this monalith, on the roof of said tower, Joey is at max anime. For the first time ever, his hair is drawn as like separate hairs and not as just some weird backwards anteater tail he wears on his head. And youknow what? Joey has a hellton of hair. Your hair has to be realllly long and full to do an anteater and I don’t give him enough credit.

And so after all that, Joey’s like...still up.

(I mean this is as far as I know, I don’t have Jump Force)

Remember how Yugi stood in front of one single fireball so that Joey wouldn’t take one for Mai? Now that we’ve seen how Joey was still standing after bird fire tornado--he...probably would’ve been fine with the fireball. Just conjecture, but I feel like Joey, despite not having any connection to a millennium item, is some sort of escaped X-men.

And then, like everyone on this show is wont to do, he just randomly hallucinates Yugi. What’s great about this episode is that Joey will hallucinate Yugi not once, but twice. (which will come later)

Also, this “Oh yeaaaaaahhhhh” was a super fluid animation that I might just lift because it was so freakin wild. Like it was kind of terrifying how fluid it was. In anime they tend to freelance out different clips to different animators, so they aren’t really all working in the same studio (which is why often anime will have reallllly nice animation in some parts, and then less in others, while in US studios where everyone works on everything, there’s less of that) But whoever got the Joey saying “Oh yeaaaaaaahhhh” scene must’ve been like “this is it, this is my big break” and spent like half a day making it as fluid as they could compared to everything else going on.

They also had enough time for Yugi to partially disrobe for some reason. I guess it looked cool.

Please contrast the twinkly lights and the shimmer sound effect with what follows it:

It’s at this point that Seto Kaiba actually starts to doubt this whole tourney, but not for the reason a normal person would doubt a tourney that has had several apocalypses and mass-murderers involved in it.

Kaiba was Extremely Upset about this revelation.

Anyway, Since Joey is still standing, he pulls a card, realizes it can kill Marik, slaps it on the duel disk, the monster shows up on the field, and--Kaiba either has the fastest elevator in the world, or Serenity runs a 3 minute mile because, guess who made it to the top of this tower of Babel?

That’s right, supportive Sister, here to walk Joey through the hard arduous task of basically pressing “enter” on your keyboard.

RIP again, Joey, RIP again. I mean it’s hard to get too wrapped up in it because I know he already died...this morning...like two hours ago. Like basically he got turned into stone for a bit, and then after coming back to life, took a nap on the blimpjet and then arrived at this island to die yet again. Joey Wheeler has just had such a very intense couple of days and desperately needs a nap.

But, game wise, Joey played a monster, it was on the field--what else would he have done with it???

But because he didn’t say a word loud enough for other people to hear, this didn’t count???

This game is so weird about what rules it decides are binding and which are loosey goosey. There’s absolutely no time limit, you can strap the other person to a weird wall device and throw fireballs at their face, you can sap their life energy with weird fiber optic cables, but if you don’t say the word “Attack” although the monster card is in Attack position--it doesn’t count? There’s nothing else on the field to hit but Marik himself. There’s literally nothing else Joey would have done with that card. He totally won this match but whatever, it’s Yugioh.

And lets give it up for the one and only adult in the room, everybody. Good Job, Roland. Good freakin job.

I get that he’s a butler/pilot/card referee/bodyguard, but who else is freakin there to parent any of these teens? Ishizu? Is that all we have left?

Sorry, I’ve thought more about Roland and his mysterious dodgy character than the people who made this show.

Anyway, it’s at this point that Mokuba decided to climb stuff.

Again, this episode has so many weird animation details that say a lot about the characters--and I’m just not used to this much love and care.

So another wild thing about this episode--I didn’t realize that Joey was even Shadow Realmed when I watched it through. This episode is super vague when it comes to Joey. Everyone is mourning as if he had died, and so for me, the first time watcher (as well as my Bro who saw it once when he was 13), I just assumed this is because they finally got a completely different but very good animation team on this episode. I just figured this was someone high up saying “maybe you should have the characters realistically react to at least a single death on this show where 183 people have died”

But, turns out this is actually a translation error. Because, in the Japanese version, Joey just freakin stopped breathing or something? In the English version that we’re watching, Joey is just in a coma, and it’s a rather pleasant coma (yet still my definition of a death). But, the reason everyone is reacting like...how they should have reacted the previous 182 times, is because Joey was actually legally dead.

Something they censored out to keep the show mystifyingly Y-7 although...I think I’ve said this a million times, but don’t give this show to your 7 year old. Going off of what my Nephews and Nieces like, Yugioh is a pretty far cry from PJ Masks and Monster High.

Anyway, the show goes totally all out, and everyone does a 150% more than what is ever necessary grief cry, and I think the best cry goes to Tristan although Yugi attempted really hard to steal the gold. Thing about Yugi’s grieving is that he was going more for quantity over quality, but they did a really brutal close zoom on Tristan going through the stages of Grief (mostly anger) and it was like...unexpected for a Yugioh episode y’all. I’ve never seen Tristan go that hard...ever. Tristan is usually kind of tertiary but he just came out of nowhere to scream directly at my face and I was not expecting it.

And this episode does something that I like, although it was kind of unusual for Pharaoh and Yugi--and it shows us how they react in a completely opposite way to the same traumatic event. They’ll both get around to crying but Pharaoh will take his time.

Also, we’ve seen indication of Pharaoh’s inward grief before - and it’s something they usually say but don’t show - but this is the first time they’ve actually showed that Pharaoh tends to bottle everything deep, deep down. He’s got maybe a lot of feelings about being a ghost who doesn’t have a body or a history or...anything, and him bottling up Yugi (since Yugi isn’t going to come out for the rest of this episode) is sort of a proof that he’s used to bottling everything.

Cuz outwardly, he’s just like this (and kudos to the art team for leaving a spot where Yugi’s spirit is currently crying over the corpse/coma victim)

And then meanwhile, Kaiba just has no idea what planet he’s even on. Remember that in the Japanese version, Joey freakin died in Seto’s own tournament. This would be a PR disaster, but does Kaiba...know?

(Yes, I keep a draft file that is just every single death so I can keep track of them, and this is the 4th time that Joey has died)

Then this doctor shows up, which is surprising, because I figured Marik knocked this guy out and stuffed him in a broom closet last season. But nah, it’s the same doctor, he’s back. This poor doctor who keeps having to tend Shadow Realm patients while every single person on this blimp is in the same little hospital room with him, just breathing down his neck.

Speaking of, if this doctor has been here this entire time, then why did Serenity just stay directly by Mai’s side?

They have a doctor.

Anyway, originally I thought I’d make this two parts but like...nah, we’ll just have a really long post.

Lets see how Joey’s Shadow Realm is (which, again, it is super unclear if he is or isn’t, and from when I polled you guys it looked like it was sort of like a “don’t think about it” situation of whether this is a dream of Joey’s, or the Shadow Verse)

I’ve made the joke before that you can tell it’s a dream when they’re at school but...we’re back at school. It’s the only time we see Joey in his school uniform.

Thirsty preteens rejoice, they finally removed Joey from his baggy pajama shirt that he’s been stuck in for 2 seasons. Like, do you think when Kaiba was looking at public schools, he saw that this school had not only crazy card people, but also freakin nuts shoulder pads and he just slammed that “enroll” button?

So...does Yugi KNOW that everyone else dreams about him on a regular basis? Like, does he KNOW? I figure Yugi just has sort of a weird tick related to the puzzle that makes it so people are seeing him, but Yugi has no idea that he’s got an inception method ability, right? 

And especially since this is kind of a magic-onset dream, and Yugi really wants to save Joey, it sort of almost looks like Yugi is doing this maybe latently through the puzzle? But...probably not. I don’t really know what’s happening here, other than Joey’s just gonna go peace out and play this confusing card game for eternity.

That would be my Shadow Realm.

Back at our homeslice, Blimpjet, Seto has sent his little brother to deliver all of the bad news for him, knowing that Mokuba is too cute for anyone to do anything about it.

And so Mokuba decides to radio a helicopter to save him because he’s a Kaiba and doesn’t realize that planes/boats exist. Good to see that Mokuba has finally decided to embrace his job as Battle City Commissioner and figure out a solution to transporting/hiding all these bodies.

Honestly, I’m just shook that this blimpjet is not a blimpjetboat.

Bro told me that in the Japanese version, Tristan just straight up punches Joey right near this scene, and like...that’s probably true. Bro has a lot of spicy headcanons but I can see this show doing that. (bro note: that might have been an earlier Joey coma).

Knowing that, it makes this kind of more funny because Yugi is so absorbed in The Crying that I guess he didn’t notice that whole thing go down with Tristan.

I guess they wanted a throwback to S1, but this episode is so extra that Yugi very nearly stops playing cards. Nearly. He’s still gonna play cards, but I guess as a symbol to show that he’s starting to give into just not playing this game anymore, Pharaoh actually takes this weird contraption off his arm.

To do so he has to like remove the battery or something. I didn't even realize what he was doing because it was so un-intuitive, but you have to pull out this 4 inch battery from the back in order to remove the disk.

Can you imagine!???? Can you imagine wearing this thing in real life and shoving a 4 inch 2 lb battery in and out of this hulking thing every time you had to use the toilet?

Which...I guess they haven’t been, right? Like I shouldn’t go down that avenue but like...they haven’t been, right? There are just so many germs on this disk.

And so Pharaoh decides it’s finally time to lose it, maybe because Yugi wants to give up cards, or maybe because there’s no one else around so it’s finally fine for him to shed a masculine tear or two, but it took him I want to say like 20 more minutes than Yugi to finally react to all this.

And then this happens?

Anyway, remember Ishizu’s Millennium Necklace (not to be confused with the Millennium Puzzle with is also a Necklace, which Yugi also has, but he only wears one, because he just doesn’t feel like wearing 2 chokers at once, I guess)

Apparently the reason that Yugi was given the necklace was to get this one vision of the future. Get ready for it, the entire fate of the world rested on Pharaoh getting this one vision.

Yes, the answer was indeed, cards.

On the other end of the blimpjet, Mokuba I guess got tired of Roland’s poor radio skills and has decided to use the radio himself while Roland kind of just stands there and waves his arms around.

Straight up, does Mokuba have a Ham license? Are the Kaiba’s Hams? So like, Bro and I made Ham radio parts as a part time out of college and while I don’t have a license, it just really intrigues me that these boys do and I really wonder if they ever check into the emergency net and do Ham contesting when they aren’t throwing cards around. Ham people are like...really into their rigs so if you had Kaiba money, your rig would reach the curvature of the Earth.

Also, I kinda just assumed that they’re still in Japan, since Japan has a lot of islands connected to it, and the Kaiba Island does look man-made, but...is it not? Why place this factory in the middle of nowhere if you aren’t actually building a merc-for-hire program like Metal Gear? Like I know we just talked about how Gozobura Kaiba was basically Big Boss, but like...was this island made by Master Miller? Why is it in the middle of the ocean???

Big Boss had a reason to build in the sea, because he didn’t actually align with a country, so he had to be in international waters, but Gozobura Kaiba’s company is Japanese, so why go through all the trouble of--whatever I shouldn’t think about it.

So yeah, they’re too far away to radio to Japan although...that doesn’t make sense to me since why would you build a manufacturing plant so far away from your biggest buyer? But plot. Plot reasons, it had to happen this way.

And then this scene happened and it was...SO MUCH.

THIS WAS SO MUCH.

THIS SCENE WAS JUST SO FREAKIN AWKWARD.

Like it may not come through with the caps but this scene was made up to be extremely serious. The music was swelling, Pharaoh was pausing by Joey’s bedside as if to give a speech. The writers were expecting tears to come out of my face when Pharaoh did..........this

Wʜᴏ ᴡʀᴏᴛᴇ ᴛʜɪs.

Y’all I was DYING.

I had to stop the episode and just like...recover. We had to rewind so I could watch this scene twice. I could not stop laughing at the idea that the writers were like “lets take this very serious and heavy content and then make it super emotional and meaningful by SLAPPING A DUEL DISK ON IT.” 

And what makes this scene even better is that like--barely anyone said ANYTHING after Pharaoh did this. He waltzed in there, did this insane thing, and then just waltzed out as if this was completely normal.

What the hell!?!?

And so while I am kind of reeling from Pharaoh just slapping a duel disk onto Joey like it’s a badge of honor and Joey was shot in the line of duty, suddenly--out of nowhere--Tea felt like reminding us that many episodes ago it was super hinted that these two might actually be approaching a relationship.

And so Tea decides to beg Yugi to stop and stay behind as if she’s a wife watching her husband like march off to the front lines or something. It was so melodramatic and just came out of NO WHERE.

Thankfully, as is this show’s custom, every time it looks like this ship might happen, every other available boy on the show must appear out of nowhere to cockblock the situation.

This episode is a lot of watching Pharaoh try his best to navigate a bunch of very delicate and intense social situations and he does so with the elegance and sensitivity of a bologna sandwich.

This shot of Kaiba on top of the tower ps was so freakin rediculous. This show just knows what it is and goes for it. Completely unashamed. I think that’s what I like most about anime--it has absolutely no shame to just be...waaaay too much.

...why THIS episode? Who was it that worked overtime for months and months just to make this one Yugioh episode look so shiny and nice?

And so the episode ends there, and probably all the character development we’ll have for the rest of the season. I cannot believe they gave me that much content in one episode. Damn.

I’m assuming next episode will be entirely cards and I’ll have like 5 caps of content.

Anyway if you just got here, this is a handy link to read these from the beginning.

[vrainsrewatch]

episode 8 thoughts

i was gonna watch later, since i’ve got other things to do, but i burnt the shit out of my hands making hot chocolate like an idiot so i watched an episode first LOL. 

this episode starts out with that really strong fairy tale scenery i absolutely adore, with yusaku and ai trying their hardest to get blue angel to wake up.

i seriously could talk about the imagery in this scene for days lmao. i love the sleeping beauty aesthetic, but i also really love the colors. LV goes through so many different color palettes through the series, but i love the purples and blues of this area here. i’m not sure if the intention was to make blue angel seem like she was meant to be there, while in contrast playmaker stands out due to his hair, but i seriously replayed this section twice because it looked so nice. 

i have a lot to say about this episode, and it will also be my most screenshot heavy post so far lol, so once again, buckle up! 

this episode starts to really build up yusaku as a character - his sense of justice, his core values, etc etc. on top of that, it takes its time to flesh out akira, and to show his worse qualities, which we’ll get into in a minute.

first, though, is one of my favorite awkward exchanges in the series lmao:

i’m surprised he even caught onto what akira was getting at, tbh with y’all. vrains started out ship teasing yusaku/aoi really hard these episodes, but drop it almost completely up until the minimal tease we get in s3, which i find really funny. i was always really invested in them becoming friends, though, so while i’m happy we had that happen in s3, i would’ve really liked to see it happen earlier. not this early, though - yusaku’s nowhere near ready for that.

I HAD TOTALLY FORGOTTEN VYRA WAS HERE. yugioh hair makes it known that she’s going to be an important character, but i had really completely forgotten she was working as one of aoi’s doctors during this part lmao. i love this so much, actually.

moving onto everyone talking shit about blue angel on forums and stuff. this kinda shit:

would be really awful to deal with. it’s very real, though - cancel culture, anyone? but seriously, this is so brutal. on top of that, does this imply that she’s never really lost before? she is the number 2 charisma duelist in LV, so i wouldn’t be terribly surprised if that meant that she hadn’t really lost since starting to make it big as an idol. once again showing off how good of a duelist aoi actually is, even if the show makes her lose a lot. tbf, her loss/win ratio isn’t that bad looking at the other main girls - 5 wins, 5 losses on screen, and considering the kind of opponents she faced (soulburner, bohman, ai), that’s seriously not bad.

next up we get the chess pieces again, and boy howdy, does this conversation make me seethe.

i understand it’s partially a cultural difference thing, but i can’t help but get angry about it LOL. 

i didn’t remember how often the chess pieces were actually utilized in these first few episodes, either. i guess i can understand why people were irritated they were just dropped, but i don’t really see them as a plot point, more like... just a kind of weird way to run a company? just show your faces and have normal meetings like everyone else, y’all don’t have to be so extra.

the akira/emma meeting is nice because it shows you more of emma’s character, but it also gives you more of akira’s stupider (and ruthless) side.

you don’t see him like this very often, but honestly, when you think about all the unsavory jobs he was doing to keep him and aoi afloat way back when, it kind of makes sense. even if he was originally a gentle person, you don’t last doing... any of the jobs he’s done, being that way. even a higher up in a company like SOL tech would have to be a bit harsher to get to that point imo. i don’t see a lot of people talk about this side of akira’s character tbh which makes me kind of sad.

also, seriously, he’s an idiot. how did he arrive at this conclusion? when he saw that it was aoi who was baiting him into the duel? no matter what direction i approach this from, i can’t understand how he ended up on that conclusion lol.

also, the worst father ever award goes to....

seriously! i hate that man so much lmao. to say that directly to your own child, on top of everything else...

it’s a nice look into revolver, too, though you wouldn’t know it at first glance. his reply says everything, though. he fully accepts his role in his father’s life and has an incredibly toxic attachment to him, and wants his approval more than anything. we never see him get physically abused by kogami or anything of the sort, but you can’t deny the mental anguish he must’ve been going through in order to keep on his father’s good side. 

i know a lot of people like to say that revolver is kind of not a great guy, seeing the tower of hanoi arc, and how he probably should’ve went to jail etc etc but really, he was manipulated hard core. and extremely suicidal. i could really talk a lot about this all day, but i’ll cut myself off and instead say how much i love how vrains sets up revolver as a character. this, combined with “i’ll fulfill your wishes, father” from episode 3 gives you his motivations nice and clearly, but this specific scene also gives a bit of a hint as to where his character arc goes and what he has to work through. just thinking about this makes me so excited to get to 116 again lmao.

anyways, though. another excellent exchange comes up. seriously, lmao, ai being like “waaaah that’s illegal !!!!” and kusanagi’s just very casual 

makes me laugh every time i see it. they are criminals, even if what they’re doing is for the greater good. they’re not exactly innocent here lmao.

then there’s the talk about the virus infecting her, and it’s a nice way to bring up how that works before the another arc comes up in.. a couple of episodes, right? tbh it’s the arc i remember the least about, so i’m looking forward to rewatching it.

actually though, the idea of viruses in LV being able to infect someone’s body is so, so interesting. i really, really wish they had done more with the whole LV/rl merge idea, but guess i’ll just have to write more fanfic instead lol.

i mentioned at the beginning of this post we get into yusaku as a character more here, and this is one of the lines that really made him interesting to me originally:

he has such a strong sense of justice, but what sets him apart from other ygo protags is that he is not defined by it. he’s not the classic, stereotypical do-gooder who gets caught up in something and has to make it right, his justice is more so that he is not okay with seeing other people hurt because of what happened to him. his justice is driven by his trauma, almost entirely.

revolver even brings it up this episode:

where he talks about how some rando wouldn’t have done them any good because it wouldn’t have been public enough. yusaku doesn’t really care about the little people, not in the same way, say, yugi would. it’s not that he wants them to be hurt or see them get hurt or anything, it’s just that unless it effects him directly, it’s not on his radar. but once he gets involved, he feels fully responsible.

while he didn’t plant the hanoi virus into her, he probably knows it was to intentionally draw him out thanks to ai (and the fact that he beats them up all the time). he feels fully responsible for what happened to her, and he’s prepared to do what is needed to make it right again.

i really like yusaku for this. i find those kinds of characters really interesting, and yusaku is no exception. 

we get the whole emma/blue angel/yusaku scene, which is pretty sick tbh looking at it again - just shoot a church straight up from the ground for dramatic effect! - and i’ll bring up more of akira’s ruthlessness here.

seriously, this is not a line from someone who is just angry about his sister. and it’s also him being fuckin DUMB. playmaker willingly lets himself get caught into your trap, and he tells akira straight up what he has to do to save his sister - no sugar coating it, no trying to make it cryptic or difficult despite being caught in that hand and in that trap. he’s incredibly honest, and akira still does this lmao.

then it’s probably the wildest turn of events in all of vrains:

where’s that post that’s like, “remember when playmaker gets caught in a gothic looking church while he’s getting tormented by a giant demon hand controlled by his classmate’s brother and then his rival who he hasn’t met yet shows up in a lightning bolt to save him”? bc really LMAO what the fuck. it was so hype watching it the first time, and it’s still awesome watching it back.

and why is this never really??? brought up again later???? and when he leaves in that datastorm to go prepare to fight playmaker LMAO i know it’s supposed to look cool but the animation is so dorky, i love it. 

more on yusaku, though. before playmaker goes to fight revolver, who he’s been gearing towards for awhile now, we get this exchange:

to which playmaker responds with “i don’t hate you. i only hate the knights of hanoi”. which is another really good moment for his early characterization and very, very consistent with his backstory that we find out in about 12 episodes.

everyone who wasn’t involved in the LI in any way just... exists to him. they’re completely neutral. if something happens to them because of him, he feels directly responsible, because he feels like he got them tangled up in a mess that nobody should be in. i mentioned that briefly earlier, but this really drives that point home.

he doesn’t even hate akira for torturing him mere minutes ago. because he’s been through worse. because akira was doing what he thought was right by his sister, no matter how stupid he was being.

and even more so than that, he’s not seeing this as fighting for akira. he feels responsible for blue angel, but also, here’s his chance to fight revolver. it’s a two birds one stone situation here for him. 

anyways, i’m gonna stop myself there lol this is really long OOPS. gotta take care of a few things, and then onto the first rev vs playmaker duel!

[kihocrystal]

Winter 2019 - Final Impressions

So, uh, yeah... these are definitely late. ^^;

These were my thoughts on anime that I watched while they were airing that finished at the end of the Winter 2019 season. I had these done months ago, but just never got around to posting them... but hey, better late than never! Like my other final impressions I’ve done, these are written very casually, so don’t take them too seriously :P

Anyways, these are in alphabetical order and under the cut!

Ace Attorney S2 - 7.5 / 10 (C+ / B- )

better than S1, I think! But still kind of the same quality overall

this game covers the 3rd game (T&T), so the pacing is less rushed overall

there are some anime original stories here too (including an original case)! So for people who’ve only played the games, there’s some added worthwhile content for ya

I didn’t watch the dub, but this might be a show where the dub would be better than the sub (if only for hearing the localized names being spoken instead of just being subtitled in)

since I already knew the story, this was a good anime for me to do work while watching / listening too ^^;

the game is still the better way to experience this story (duh), but at least this season of the anime was decent enough that I’d recommend it to people who’ve already played the game

BanG Dream! S2 - 8.0 - 8.5 / 10 (B / B+)

This season is good like season 1! But it’s very different, too

I’ve played the EN version of the game since the beginning! But I watched S1 for the first time during a rewatch on r/anime this past December

S2 is almost entirely in CGI, and it’s good CGI for the most part (it’s best during the performances)

for anime-only people, this season introduces many things previously only in the game (most notably the other 3 bands), and their introduction can be a bit jarring

at least each band gets their own focus episode outside of the main narrative

I liked PoPiPa’s dramatic arc this season (centering around Tae this time); the bait-and-switch at the end of the school festival was effective too

the song created at the end “Returns” was a very effective song as well!

Raise A Suilen is definitely an interesting band, but (at least with ChuChu) are very antagonistic

Their story is definitely not over though, if the ending of the finale is any indication (so keep in mind this season doesn’t have a conclusive ending in that regard)

The not-as-conclusive ending hurts my score for this a little bit, but S3 is already confirmed, so just consider this an 8.0 until S3 comes out (then it’ll be an 8.5, I guess? Depends on how good S3 is)

Mob Psycho 100 II - 8.5 / 9.0 / 10 (A-)

IT TOOK ME WAY TOO LONG TO WATCH THE LAST 3 EPISODES >_<

but yeah, S2 is really good. Definitely one of this season’s best

this is probably my AOTS runner-up behind Promised Neverland, but it didn’t lose by much!

animation is great of course. sasuga Studio Bones (those fights, hot damn!)

also this is probably one of the most pacifist shounen series ever made, lol

everyone fights, but Mob is just motivated by being there for others & trying to stop the fight :’)

also accurate to say this is a very emotionally sincere shounen too ^^

Reigen had a very good dedicated character arc during this season… helped flesh him out more!

It took forever for Teruki to become relevant again though (considering his relevance in S1) ^^;

also that arc involving the evil spirit of the dead medium Mogami was pretty intense!

definitely had the best sakuga outside of the final arc

This season plot-wise kinda felt like a bunch of un-related plots strung together, but I think that works ok here

By the end of this season, the Claw plot seems to be done.

There’s probably more subplots to be wrapped up in a potential S3 though!

since this show’s so popular, you’re probably watching it anyways, but go watch it if you haven’t!

also tfw MP100’s S2 is gonna be better than OPM’s S2 😂

Run with the Wind - 8.5 - 9.0 / 10 (A-)

Great feel-good anime about running. Production IG does it again!

All the boys in the team had fun personalities! (& their character development!)

Their improvement in running is kinda unrealistic, but hey, it’s anime :’D

also GET FUCKED, NOT-SHINJI 8)

not tournament-based like Haikyuu, so it’s a more introspective-type sports anime!

animation was good of course, even though there was bad CGI runners sometimes

conclusive ending(!!!), plus a time skip at the end made for a real good ending~

btw, if you liked this, go watch Fune wo Amu! (same source material author!!!)

kinda wrestling between an 8.5 or a 9.0 for this one, but either way, go watch this show!

The Promised Neverland - 8.5 - 9.0 / 10 (A-)

VERY VERY GOOD THRILLER SHOUNEN JUMP ANIME

the first episode is very effective in getting a lot of people hooked! I knew about the premise going in (so I was spoiled in that regard), but it was still a very good premiere

All the main trio are good! Emma is my fav (I love how her intelligence is not the traditional smarts kind), but Norman and Ray are very good sneaky boys

Those two boys are masters in the art of Keikaku at this point

Isabella / Mother is a very effective villain too! It’s so interesting how she genuinely cares for all of them even while breaking their limbs and their spirits :’)

though that one scene in episode 11(?) could suggest that she could have doubts? Maybe???

it’s been pointed out that Sister Krone’s portrayal in this (as a black woman) is problematic to many people. Heck, even one of my (white) mutuals dropped the manga bc her portrayal bothered her too much to continue.

I wasn’t bothered by it personally, but I definitely understand why people would think this.

If it helps at all, she’s not in the show for a long time, so at least she comes and goes within this season? YMMV

Animation’s really good (CloverWorks did good for once???), and the OP song is a banger

finale was really good and was as conclusive as it could’ve been at this point, really

plus we got more Isabella backstory! that humanized her a whole lot.

And also THAT REVEAL o_o

so uh yeah, I definitely recommend this show to most people! Can’t wait for S2 in 2020 :’)

Sword Art Online: Alicization [1st Half] - 8.5 - 9.0 / 10 (A-)

HOLY DIRECTION BATMAN… did the direction / animation / music score elevate this show or what! A-1 Pictures and the rest of the squad did a phenomenal job here

visuals looked great all the time (had this glow to it) & fights were really good for TV!

Of course the story was good too! Albeit kinda basic when you get down to the nitty gritty, but there were some notable interesting nuggets

Eugeo turning evil (i.e. Integrity Knight) actually got me to dive into the Wiki, so I consider that a good accomplishment (plus those episodes / scenes got the doki-doki’s going ^^; )

also just thinking about how all the humans in this world are real, yet also not… it make me think a little harder about the world building and stuff

though you can’t have SAO w/o at least one problematic rape-like scene, apparently! 🙃

at least the author’s come out and said he regrets writing those plot points… still sucks that they’re here in the anime, though :(

and man, did the sad parts of the finale hit me HARD in the kokoro

WHY DID EUGEO HAVE TO DIE…….. (I was spoiled on this due to previously mentioned wiki-diving though, so R.I.P. me :’) )

Those death scenes were super well done though, Damn!!!

plus it ends on a cliffhanger……… really intriguing, but obviously doesn’t leave a sense of conclusion at the end (plus it kinda is a big mood whiplash after watching Eugeo and kid!Alice die)

so yeah, this show has 9-10/10 direction with like a 8/10 story (& -20/10 certain plot point(s))… so this gets an 8.5 overall, I guess

I enjoyed the good parts enough to outweigh the bad, for what it’s worth

in any case, definitely looking forward to the second half of this arc!

P.S. - This will likely be my last Final Impressions post. I didn’t watch anything that finished in Spring 2019, and for this current season, I’m only watching a couple anime plus I’ve gotten kinda burnt out on writing these posts anyway. I kept this series going for over 6 years tho, so that’s gotta count for something! Feel free to check out my Final Impressions tag if you wanna see my thoughts on anime’s past, I guess. To everyone who’s read these posts: Thank You!