#I have seen three white men in horror media called Henry

[roxanneslosteyes]

If I had a nickel everytime a male character in a horror game is named Henry, I would have three nickels which isn't alot but it's weird how it happened three times

There is probably more horror game or other forms of horror media male characters named Henry but these are the henrys I know in horror games

[very-grownup]

THE YEAR IS 2020 AND I WATCHED NEON GENESIS EVANGELION FOR THE FIRST TIME, PART 9

Episode 21.

Suddenly it's a found footage shakey cam horror movie. I think it's meant to be footage of ... NERV before it was NERV labs in 2000 with some bad shit happening. I'm unclear of so much in this episode, guys.

There is one of those blue screens with the white text that warns you that if you make copies of this you will go to jail for a million years, though, which feels nice and nostalgic before we get into the opening credits. (Opening? Still a bop. Thank you, '90s.)

Episode 21 continues behind the cut.

Someone has been kidnapped from NERV, possibly by or because of Kaji (fuckin' Kaji), and because all these NERV people are interchangeable except for Misato, Ritsuko, and Shinji's horrible father, I have no idea who it is until we see the old dude who is usually behind Ikari. He's tied to a chair in a black void, surrounded by an increasing number of numbered obelisks who I think are the old man Simon council but instead of projecting as old men they're ... obelisks. Look, their government is run by supercomputers named after the Magi. This is as fine as anything.

The obelisks don't like Commander Ikari (same) or what he's doing (same) and want Number 2 to explain what's going on (same) due to the Dead Sea Scrolls and their desire not to create god (... same?). Which means it's time for BACKSTORY or as close as this show gets to backstory.

Number 2 used to be a scientist/academic at ... a school ... lab ... university ... somewhere ... where he met a promising young student of ... science stuff ... named Ikari. There's some sentence vagaries to make the audience think the student is a young Commander Ikari but PSYCH, it's /Yui/, Shinji's mysteriously dead mother. This is not a big surprise, because no one would be anticipating meeting Gendo Ikari. What is a surprise is that Yui Ikari is currently single, although if you've consumed enough Japanese media you've probably encountered cases where a husband takes the wife's surname and is adopted into her family when there's no sons in the family (Summer of the Ubume). ANYWAY Yui is currently single and Number 2 talks to her about her post-graduation career plans, failing to consider that maybe she wants to get married and start a family. Find your own path and all that but also: this is a woman who is going to make terrible life choices.

I don't know why, but as a favour to Yui, Number 2 goes to spring an absolute piece of shit ... fellow student? from the drunk tank after he got arrested for brawling and it is, of course, Gendo Originalsurnamewhocareshesucks. We see him without his glasses for the first time. Even though this is ~15 years ago, Gendo without his glasses is the worst thing ever, rivaling yes the EVA with the giant white human teeth ripping an Angel apart and screaming. I hate looking at him, his cheeks sunken and his eyes huge, very like a skull. The real thesis material in Evangelion is: why has anyone ever slept with this awful gaunt uncharming skull man? He has the visage and personality of someone whose genetic line should die with him.

On a nature walk (because this is before seasons are destroyed by the second impact [and this is a really pretty scene, too, all fall leaves and oranges and red, more vibrant yet gentle than the series often is]) Yui reveals to Number 2 that she and Gendo are in a relationship. Why? Look, that's some Dead Sea Scrolls bullshit, learn ancient Hebrew and get into archeology, unearth some tablets, figure it out for yourselves.

The Second Impact happens and destroys Antarctica and Misato's father and she becomes mute for a while after this and also is kept in a featureless hospital cell for observation with a few age appropriate toys for company and for some reason this doesn't help her mental trauma. No wonder her roommate's a penguin.

The Misato flashback may seem like it comes out of nowhere and if so /hey welcome to my experience of this episode/ where I mostly had my hands on my forehead like I needed to reinforce my brain to process everything.

Number 2 and Shitty Gendo are in Antarctica after the Second Impact with the neon pink ocean and the none ice and oh Gendo and Yui got married. Surprise! Gendo and Yui or Gendo through Yui are involved in something called Seele which is the thing that becomes NERV I think. What's going on /shut up I don't know/ there's some kind of secret science government military organization and it involves the Ikari and then Number 2 and also Ritsuko's mother and underground caverns that may be cities and is this Atlantis? Ancient aliens? Akashic records? I DON'T KNOW Number 2 has concerns and Yui both seems to agree with Number 2's concerns but also is down with whatever Gendo's doing and they have Shinji and he seems like a pretty happy and cute baby and Yui seems to love him even though she brings him to work. And by work I mean the underground lab where they're dissecting or recreating flesh tube skeletons from Adam or building Adam or using Adam to build what will be the Evas, specifically on the day Yui is doing The Experiment. I don't think bringing little Shinji to work is a great idea or a sign of great parenting, especially when The Experiment goes awry and Yui is killed in front of Shinji's toddler eyes.

Ritsuko's mother, Dr. ... Doctor, doesn't approve of kids in the secret mad scientist bunker but MAN does she approve of Yui being killed. Because, somehow, she also wants to fuck Gendo Ikari, a skeleton of emotional abuse and neglect wearing sausage casing as skin.

There's also some stuff here about young Ritsuko (she's not a natural blonde! but honestly the fleeting glimpses of Ritsuko at different ages in this episode show greater awareness of how women can change without just relying on bigger breasts more hair than I'd expect). She and her mother exchange letters where they seem to be more honest with each other than they are in person and I wish there was more time spent dwelling in that, because Evangelion has an imperfect but still insightful view of the complexity of mother-daughter relationships. She goes away to school and meets Misato and they bond and become friends and they each seem to be the other's first friend due to their various issues and weirdness and Ritsuko's clearly at least a little in love with Misato. Unfortunately, Misato is dating Kaji (fuckin' Kaji) and Dr. Doctor thinks Kaji is a pretty great catch, but like ... Dr. Doctor wants to fuck or possibly is fucking Gendo Ikari, so if you can think of a great condemnation of Kaji than this, I'd love to hear it (fuckin' Kaji).

Misato and Ritsuko both join Seele or NERV or whatever the fuck these secret awful organizations are currently calling themselves, with Misato going to Germany and Ritsuko starting to work with her mother and also seeing her mother just jamming her tongue down Gendo's throat. Truly, Ritsuko could never understand her mother as a woman and neither can we, because /why would you desire Gendo Ikari/ and his judgmental touch, icy even through fucking Mickey Mouse gloves.

SO ONE DAY Gendo comes to work with a young Rei and I guess since Yui died no one has seen Shinji since people are looking at Rei and going 'oh is this your son?' and 'I thought you had a son, not a daughter'. But no, Rei is the daughter of a friend Gendo is looking after. Imagine thinking 'Gendo Ikari has even a single friend' is a believable lie.

Since Yui's death, no one has bothered to institute any kind of secret underground lab rules about kids on the premises, because while Dr. Doctor is doing some shit with her O. Henry super computers, little Rei wanders in and proceeds to neg the shit out of this grown woman. They're obviously not the words of a child and it's been clear since the beginning that there's something Not Right about Rei, but when she tells Dr. Doctor that she's a sexually undesirable hag and a nagging shrew and has outlived her purpose they're the words of a man. An adult man, specifically Gendo Ikari, as Rei just straight up tells Dr. Doctor upon being scolded for rudeness. Dr. Doctor's poor judgment of character means she is semi-shocked and hurt by this and sent into a weird fugue state where she chokes Rei until a small arm goes limp. Dr. Doctor thinks about how both she and Rei are both equally replaceable to Gendo, who is still hung up on Yui as much as he seems able to have an emotional attachment to anyone, and so finds all other women to be interchangeable tools.How replaceable Rei is could be a reference to whatever Rei's unnatural origins are, but we've also seen that Gendo considers children to be a renewable and easily disposable resource.

Then Dr. Doctor kills herself (or is murdered, who can say) and gets ... replaced by her daughter in the project.

SO I GUESS THIS IS ALL PART OF NUMBER 2'S TESTIMONY TO THE OBELISKS or maybe not but his thing is done or on break and fuckin' Kaji is there to ... break him out? Even though he's the reason Number 2 was getting interrogated? I don't know, I don't know.

They only use one set of handcuffs for Number 2, but they had three on Shinji in the previous episode.

Misato also had some thing with security intelligence interrogation going on in this episode maybe but they're done and give her back her gun.

Then Kaji's hanging out in a Silent Hill otherworld before a giant fan in weird sickly light and the screen goes black with a gunshot and I don't believe he's dead because I've been fooled about fuckin' Kaji before.

... but then Misato comes home, looking utterly exhausted and devastated, and she sees the message light blinking on her answering machine and she presses play as tears fill her eyes and she collapses to her knees listening to a message from Kaji. He apologizes for causing her trouble yet again, asks her to apologize to Ritsuko as well, asks her to get Shinji to show her where his garden is so she can water the flowers for him, and promises to tell her what he was too scared to tell her years ago. Misato's crying becomes heartwrenching raw sobs (Kotono Mitsuishi does a great job here, breaking my heart) and Shinji, curled up in his room, takes out his headphones and peeks into the kitchen to take in this vision of distraught, helpless adult grief. Then he goes back to his room without alerting Misato to his presence and pulls his pillow over his head, trying to drown out Misato's sobs, because he's just a kid and he knows there's nothing he can do and so he doesn't know what he /should/ do.

Although I've been wanting it for episodes, Kaji's death becomes a bitter pill that I can feel no mean satisfaction from. I'm not sure what's going on, but I know Misato's distraught. This concludes my report on Episode 21 of Neon Genesis Evangelion.

[walkwithheroes84]

The New Mutants Film: Thoughts

I haven’t seen this film, and I do not plan to pay to see it. I’ll stream it when it appears online. I have a long history with this film, and I feel the need to discuss it - even if it is just me pouring my thoughts into a soon to be forgotten Tumblr post. 

I spent my childhood being in love with Marvel comics. They were one of the ways I learned how to read. The 90s X-Men cartoon? It will always be a favorite. The New Mutants hold a special place in my heart, as my dad had a couple of their comics. I remember thinking they were really cool characters. When I got into reading comics on my own (around 2000), I ended up reading The New Mutants, volume 2 and searching for the original run. 

Now,here are my thoughts on the film (and what went wrong). Broken up into parts.

 A History of a Troubled Production:

When The New Mutants film was announced - I think in 2016 - I was excited. I remember reading about the casting and being disappointed that Blu Hunt (who is a descendant of the Lakota tribe) and Henry Zaga (who is a  Brazilian actor) were not to the liking of hardcore fans. Many fans believed the characters were whitewashed as Hunt and Zaga were deemed too light skinned for the roles. (Zaga’s character is meant to be of Afro-Brazilian descent and some considered Hunt to be “white passing” when Dani is darker in the comics.)  But, I was encouraged by the casting of Anya Taylor-Joy, Maisie Williams, and even Charlie Heaton - as I thought they could fit their roles. (Though I understand the whole cast caused backlash in one way or another) 

I also remembering reading about the filming. The original idea seemed to be focused on a “horror” feel.  Josh Boone, the director, wanted an “80s horror vibe meets coming of age story”. However, he was restricted by FOX, who were looking for a more a Breakfast Club meets Cuckoo's Nest vibe - "a haunted-house movie with a bunch of hormonal teenagers. We haven't seen a superhero movie whose genre is more like The Shining than 'we're teenagers let's save the world.'"

I remember reading about the first test screenings, which took place in late 2017/early 2018. And they were positive. People liked the film. The studio liked the film. It was compared to Deadpool. It was described as a “dark YA horror film” and reshoots were scheduled. Then the film's release date got pushed back from May of 2018 to February 22, 2019,to avoid Deadpool 2. This also allowed time for things to be reshot (again) and visuals to be added. They were adding post-credit scenes - first with Jon Hamm as Mister Sinister. And later with a  post-credits scene introducing Antonio Banderas as Sunspot's father Emmanuel da Costa. The studio and Boone wanted a trilogy, with each film having its own horror feel and each being based on a classic New Mutants comic arc. 

Then Disney bought them. Disney was unimpressed with the film, believing it had “limited” potential and that it would fall into a weird section of comic film lovers/horror film lovers/YA lovers. They weren’t sure how to market it. Did they market it to adult comic fans? Horror fans? Teenagers? They just didn’t know what to do - they just knew they didn’t like it and they were worried that the film could confuse fans of the MCU, who might think The New Mutants was apart of the universe. 

So, the original cut of the film had to be edited down and fixed. In March of 2020, Boone was brought back again to finish/rework the film. He stated that no reshoots ever took place and that even standard pickups had never been done. Only 75% of the film was edited and most of the visuals were not complete.  Boone also stated he couldn’t do reshoots, as the cast were now all too old (having last filmed nearly four years ago) and people were spread out around the world during a pandemic. He had to work with what he had and edit out what wasn’t going to work - especially now that mentions of X-Men films had to be taken out/edited down, and any hints of a second film had to be removed.

Critics and Cast Thoughts:

When the film was screened in New York, the cast stated they loved it and they were all excited. They have been promoting it on their social medias and Josh Boone has stated he is happy with the film. But, Bob McLeod (co-creator of the original comic) has voiced his distaste for the film. He feels his characters have been ruined and he does not care for the casting and story. The movie currently has low reviews on most review sites. It’s being called “cliched” “shallow” and “generic”. It has been praised for having its three female leads take on the more “male” roles within the group and for being “pretty coherent”, despite a lot of meddling and reworking. 

Viewer Thoughts:

I haven’t seen this movie. I wanted to see it back in 2017/2018. I was excited. Now...I’ll stream it. I still honestly think that Anya Taylor-Joy and Maisie Williams were solid casting choices based on small clips and gifs. But, I can’t give any solid opinions. I can just list what people who have viewed the final cut, which clocks  in at 98 minutes, have to say:

- There is a love story between Dani and  Rahne. It’s not a “blink and miss it” or “queer baiting”. They are WLW. However, some fans are angry because Rahne is the comics is a canonically straight and homophobic woman. Some have stated that would have liked to have seen Rahne deal with her own homophobic feelings as she deals with her newfound feelings for Dani.

- People are still disappointed in the white-washing of Dani, Roberto, and  Cecilia Reyes. Many are refusing to watch the film based on the casting. 

- People are disappointed/angry with some lines that throw around casual racism. Notable seems to be Illyana Rasputin calling Dani Moonstar names regarding Dani’s heritage. 

- People are reporting that the visual effects are, at times, fairly poor or cheesy.

- People have also said they do like the connections that some of the characters make throughout the film.

Overall Thoughts: 

- It sounds like people are really upset with the white-washing and racism. Which is all understandable.

- I have to say that I feel bad for the cast. When this was filmed, Blu Hunt and Henry Zaga were newcomers - they were probably hoping this would be a big break for them. (Henry Zaga will be in the upcoming The Stand mini series and Blu Hunt is a main cast member on Netflix’s Another Life.) Anya Taylor-Joy was also fairly new when this was first filmed, but she’s gone on to a lot of good roles. She’s fine. Maisie Williams may have been hoping this would release her from her Game of Thrones fame and allow her to branch out. Charlie Heaton probably felt the same, only regarding his Stranger Things fame. They are both talented young people, they’ll break away from the shows that made them famous. Honestly, the whole “younger” cast will be fine, even if this bombs (which it is likely to). They all seem to get on, so I do hope they stay friendly.

- From what I’ve been able to figure out, Disney has NO plans to use these (or really any mutant characters) in any future MCU film or television series. But, they should consider it. The New Mutants - with some major reworks - could make a really good and dark-ish teen-horror series on Disney+. They’d have to rework a lot and recast a few roles, but I think it would work much better as a series. Even Boone’s original pitches read more like a Netflix series than a film. 

- In the end, The New Mutants was a great idea to bring to screen, but due to A LOT of meddling, bad script writing, edits, etc - it just didn’t work out. It’s honestly really sad, especially for long time fans of the team/characters. 

[mythicallore]

Creature Feature: The Enfield Horror

the “Enfield Horror” (Illinois, USA) is one of the absolute strangest creatures ever to be chronicled in cryptozoological lore.

The bizarre string of events that would eventually stir the small Illinois town of Enfield into a frenzy of fear, began on the chilly night of April 25, 1973, when a young boy named Greg Garrett claimed to have been attacked by a truly bizarre beast while playing in his backyard.

The child described the being as having no less than three legs, grayish, slimy skin, short claws and reddish eyes. The creature apparently “stamped” on the boys feet with its own three — apparently clawed — foot-like appendages, tearing his tennis shoes to shreds. Greg, crying hysterically, wasted no time scurrying away from the fiend and back into the relative safety of his parent’s house.

Although young Greg’s encounter was technically the first on record, the one that brought this creature to notoriety came just a half hour later when the Garret’s neighbor, one Henry McDaniel and his family, had their own face-to-face encounter with this unbelievable entity.

At about 9:30 in the evening, the McDaniels returned home to find two of their children, Henry Jr. and Lil, in a terrified stupor. The children claimed that a “thing” had tried to break into the house through the door and a window mounted air conditioner, while their parents were gone. It was then that they all heard a “scratching” sound at the front door.

Assuming that it was some sort of stray animal, a skeptical Henry McDaniel cavalierly approached the door and yanked it open. What he saw before him would have shook even the most courageous man to the core.

There, standing on his stoop, was the same red-eyed monstrosity that had terrified his own children and assailed the Garret child less than an hour before. McDaniel backed away from the entity in horror, slammed the door, stumbled to nearby closet and retrieved a flashlight and his .22 pistol.

While his horrified family waited, Henry returned to the door and — with the conviction of a man dead set on defending his family and home — threw it back open, revealing that his first vision of this unbelievable beast had not been an hallucination. Later, McDaniel described the creature to the police:

“It had three legs on it, a short body, two little short arms coming out of its breast area and two pink eyes as big as flashlights. It stood four and a half feet tall and was grayish-colored… it was trying to get into the house!”

McDaniel’s opened fire of the creature, hitting it immediately, but instead of falling to the ground wounded or dead, the horrible thing merely “hissed like a wildcat” at the frightened homeowner. Henry, who had fired four shots at the thing, assured anyone who asked that he had not missed his quarry:

“When I fired that first shot, I know I hit it.”

Then, as unbelievable as it may seem, McDaniel claimed that the zoological oddity then tore off into the night, covering an area of approximately 50-feet in a series of just three astonishing leaps, before disappearing into the brush along the L&N railroad embankment in front of his house.

McDaniel’s promptly called the local authorities, but when Illinois state troopers who responded to the call arrived at the scene, the only evidence of the encounter that remained were a series of scratches in the siding of the McDaniel’s home and dog-like prints in the yard. What made the prints so unusual was the fact that they had six toe pads and, even more intriguingly, that they represented a three footed “animal,” with one track being slightly smaller than the others.

If McDaniel believed that his encounters with the unknown were a thing of the past, he would soon realize that he was sadly mistaken, when, on the eve of May 6, he was startled awake in the dead of the night by the howling of some neighborhood dogs. McDaniel’s pulled himself out of bed, once again claimed his firearm, and — with what must have been great trepidation — opened his front door.

This time his encounter with this creature would not be so intimate. He claims he watched the thing at some distance, languidly negotiating the trestles of the railroad tracks near his home:

“I saw something moving out on the railroad track and there it stood. I didn’t shoot at it or anything. It started on down the railroad track. It wasn’t in a hurry or anything.”

As is always the case with astounding events such as this, it wasn’t long before the press got wind of the weirdness and came out in full force, but it wasn’t until McDaniel’s second report that the media frenzy truly kicked into overdrive.

White County Sheriff, Roy Poshard Jr., was so perturbed by this sudden influx of press and curiosity seekers (not to mention the alarm that was settling in on the locals) he threatened to incarcerate McDaniel if he didn’t stop inciting panic by spreading his wildly terrifying tale.

To make matters worse, well armed posses of amateur “monster” hunters began patrolling the area near the L&N railroad track sightings. It was on one such expedition that five young men allegedly had a run in with a creature identical to the one that Garret and McDaniel encountered — with the notable addition being that they described the thing as being “hairy.”

Enfield Railroad

The men discovered the beast hiding in the underbrush and proceeded to open fire on it, but (much like in the McDaniel case) their bullets were unable to cause mortal injury and the monster bolted off at a speed that the eyewitnesses surmised was greatly in excess of any that a human being could achieve.

The final eyewitness to this improbable creature was Rick Rainbow, the news director of radio station WWKI in Kokomo, Indiana. He and three other unnamed individuals claimed to have seen a gray, stooping, 5-foot tall entity lurking outside an abandoned house not far from the Garret and McDaniel’s homes.

Although they did not have nearly as close (or for that matter as harrowing) an encounter as the previous sets of witnesses, Rainbow and his crew did manage to do one thing the others had not — tape record the monster’s disturbing scream.

It was then that noted cryptozoologist, Loren Coleman, arrived on the scene to investigate the eyewitnesses claims as well as the sound recording. Coleman also heard the haunting cry of the creature while searching an area where eyewitnesses claimed to have seen the thing:

“I traveled to Enfield, interviewed the witnesses, looked at the siding of the house the Enfield Monster had damaged, heard some strange screeching banshee-like sounds, and walked away bewildered.”

In the July, 1974 edition of Fate Magazine, Loren Coleman and Jerome Clark featured the Enfield Horror in an article entitled: “Swamp Slobs Invade Illinois.” Coleman even chronicled discussing this intriguing case with famed paranormal investigator as well as bestselling “The Mothman Prophecies” author John A. Keel, in his book: “Mothman and Other Curious Encounters”

“This reminds me of my exchange with Keel… in 1973, when we were discussing the new reports out of Illinois, from Enfield. On April 25, 1973, Mr. and Mrs. Henry McDaniel returned to their home and Henry had an encounter with a thing that looked like it had three legs, two pink eyes as big as flashlights, and short arms on a four-and-a-half-feet tall and grayish-colored body, along the L&N rail-road tracks, in front of his house.”

Years later, Coleman would contrast his Enfield investigation with another he conducted regarding a legendary creature that many assume was also from alien origin – a melon headed monster known as the dover demon:

“(The Enfield Horror) was my case investigation. It was much different than the Dover Demon, however, and was more like a combo phantom kangaroo, Devil Monkey, and Swamp Ape situation.”

Other investigators have suggested that the monster was associated with a spate of UFO sightings that allegedly plagued the region during the same period, and those with a more supernatural bent have asserted that this beast — with its tendencies to be aggressive toward humans and try to break into their homes — has all of the earmarks of a classic “demon” attack.

This would not be the first time that it has been suggested that there is an apparent E.T./occult connection. While the phenomenon are not directly related, the primary witness in the North Port Devil case, Michael Rowley, also claims that the creatures that have been skulking around the house he shares with his son in the west Florida community of North Port, are of both extra-terrestrial and demonic origin — making them, in effect, aliens from hell.

Enfield Poltergeist

It should also be noted that between the years of 1941 and 1942, in the sleepy village of Mt. Vernon (less than 40 miles away from Enfield) there was a similar spate of encounters involving an anomalous “leaping” beast that terrorized the local populace and was reputedly responsible for numerous animal deaths in the region. Eyewitnesses claimed that theMt. Vernon Monster was vaguely baboon-like (hence the Devil Monkey analogy) and able to leap 20 to 40-feet in a single bound.

Is it possible that the Enfield Horror, whatever it may be, is working on 30 year cycle? While there are no reputable accounts of the creature coming from the 21st century, one cannot entirely count out the possibility that the thing is a long slumbering anatomical oddity that rears its head every so often to feed on animals and terrify locals. Or, stranger yet, an E.T. that only stops by for a bite every so often when it’s in this neck of the galaxy!

Whatever this creature is or is not, it has not been reported in almost 40 years. That, however, does not mean that it’s not still lurking in the shadows of some old train yard, waiting to return to scratch on another door in the wee hours of the night.

[hyperventilatinghermit]

2019 TBR List

This list has been a little while coming, and it still isn’t finished because my school has decided that they won’t return until mid-January, so I can’t finish it yet. Which is frustrating, but we’ll continue on!  So this year I’ve decided to pick 24 books to read. The only rule to choosing the books is that I want to read them, unlike the past years where I tried to force myself to read certain books. So, if I don’t fall into my monthly reading slump, I should be good!

Orbiting Jupiter, Gary D. Schmidt When Jack meets his new foster brother, he already knows three things about him:    Joseph almost killed a teacher. He was incarcerated at a place called Stone Mountain. He has a daughter. Her name is Jupiter. And he has never seen her. What Jack doesn’t know, at first, is how desperate Joseph is to find his baby girl.    Or how urgently he, Jack, will want to help. But the past can’t be shaken off. Even as new bonds form, old wounds reopen. The search for Jupiter demands more from Jack than he can imagine.

The Gentlemen’s Guide to Vice and Virtue, Mackenzi Lee Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.    But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.    Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

Nevernight, Jay Kristoff    Destined to destroy empires, Mia Covere is only ten years old when she is given her first lesson in death.    Six years later, the child raised in shadows takes her first steps towards keeping the promise she made on the day that she lost everything.    But the chance to strike against such powerful enemies will be fleeting, so if she is to have her revenge, Mia must become a weapon without equal. She must prove herself against the deadliest of friends and enemies, and survive the tutelage of murderers, liars and demons at the heart of a murder cult.    The Red Church is no Hogwarts, but Mia is no ordinary student.    The shadows love her. And they drink her fear.

Long Way Down, Jason Reynolds AND THEN THERE WERE SHOTS Everybody ran, ducked, hid, tucked themselves tight. Pressed our lips to the pavement and prayed the boom, followed by the buzz of a bullet, didn't meet us.    After Will's brother is shot in a gang crime, he knows the next steps. Don't cry. Don't snitch. Get revenge. So he gets in the lift with Shawn's gun, determined to follow The Rules. Only when the lift door opens, Buck walks in, Will's friend who died years ago. And Dani, who was shot years before that. As more people from his past arrive, Will has to ask himself if he really knows what he's doing.

An Absolutely Remarkable Thing, Hank Green  The Carls just appeared. Coming home from work at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship--like a ten-foot-tall Transformer wearing a suit of samurai armor--April and her friend Andy make a video with it, which Andy uploads to YouTube. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world--everywhere from Beijing to Buenos Aires--and April, as their first documentarian, finds herself at the center of an intense international media spotlight.    Now April has to deal with the pressure on her relationships, her identity, and her safety that this new position brings, all while being on the front lines of the quest to find out not just what the Carls are, but what they want from us.

Wundersmith: The Calling of Morrigan Crow, Jessica Townsend    Morrigan Crow may have defeated her deadly curse, passed the dangerous trials and joined the mystical Wundrous Society, but her journey into Nevermoor and all its secrets has only just begun. And she is fast learning that not all magic is used for good.    Morrigan Crow has been invited to join the prestigious Wundrous Society, a place that promised her friendship, protection and belonging for life. She's hoping for an education full of wunder, imagination and discovery - but all the Society want to teach her is how evil Wundersmiths are. And someone is blackmailing Morrigan's unit, turning her last few loyal friends against her. Has Morrigan escaped from being the cursed child of Wintersea only to become the most hated figure in Nevermoor?    Worst of all, people have started to go missing. The fantastical city of Nevermoor, once a place of magic and safety, is now riddled with fear and suspicion...

For Every One, Jason Reynolds (There isn’t really a blurb for this one, it’s more just telling giving you inspiration to read it... I think? Moving on.)

The Knife of Never Letting Go, Patrick Ness Prentisstown isn't like other towns. Everyone can hear everyone else's thoughts in an overwhelming, never-ending stream of Noise. Just a month away from the birthday that will make him a man, Todd and his dog, Manchee -- whose thoughts Todd can hear too, whether he wants to or not -- stumble upon an area of complete silence. They find that in a town where privacy is impossible, something terrible has been hidden -- a secret so awful that Todd and Manchee must run for their lives.   But how do you escape when your pursuers can hear your every thought?

A Darker Shade of Magic, V.E. Schwab    Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black.    Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see.    Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.    After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.    Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.

The List, Patricia Forde In the city of Ark, speech is constrained to five hundred sanctioned words. Speak outside the approved lexicon and face banishment. The exceptions are the Wordsmith and his apprentice Letta, the keepers and archivists of all language in their post-apocalyptic, neo-medieval world.    On the death of her master, Letta is suddenly promoted to Wordsmith, charged with collecting and saving words. But when she uncovers a sinister plan to suppress language and rob Ark’s citizens of their power of speech, she realizes that it’s up to her to save not only words, but culture itself.

Girl in the Blue Coat, Monica Hesse Amsterdam, 1943. Hanneke spends her days procuring and delivering sought-after black market goods to paying customers, her nights hiding the true nature of her work from her concerned parents, and every waking moment mourning her boyfriend, who was killed on the Dutch front lines when the Germans invaded. She likes to think of her illegal work as a small act of rebellion.    On a routine delivery, a client asks Hanneke for help. Expecting to hear that Mrs. Janssen wants meat or kerosene, Hanneke is shocked by the older woman's frantic plea to find a person - a Jewish teenager Mrs. Janssen had been hiding, who has vanished without a trace from a secret room. Hanneke initially wants nothing to do with such dangerous work, but is ultimately drawn into a web of mysteries and stunning revelations that lead her into the heart of the resistance, open her eyes to the horrors of the Nazi war machine, and compel her to take desperate action.

Jane Eyre, Charlotte Brontë Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard.    But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

My Lady Jane, Cynthia Hand/Brodi Ashton/Jodi Meadows Edward (long live the king) is the King of England. He’s also dying, which is inconvenient, as he’s only sixteen and he’d much rather be planning for his first kiss than considering who will inherit his crown…    Jane (reads too many books) is Edward’s cousin, and far more interested in books than romance. Unfortunately for Jane, Edward has arranged to marry her off to secure the line of succession. And there’s something a little odd about her intended…    Gifford (call him G) is a horse. That is, he’s an Eðian (eth-y-un, for the uninitiated). Every day at dawn he becomes a noble chestnut steed—but then he wakes at dusk with a mouthful of hay. It’s all very undignified.    The plot thickens as Edward, Jane, and G are drawn into a dangerous conspiracy. With the fate of the kingdom at stake, our heroes will have to engage in some conspiring of their own. But can they pull off their plan before it’s off with their heads?

The Nightingale, Kristin Hannah    France, 1939    In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France...but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When France is overrun, Vianne is forced to take an enemy into her house, and suddenly her every move is watched; her life and her child’s life is at constant risk. Without food or money or hope, as danger escalates around her, she must make one terrible choice after another.    Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets the compelling and mysterious Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can...completely. When he betrays her, Isabelle races headlong into danger and joins the Resistance, never looking back or giving a thought to the real--and deadly--consequences.

Little Women, Louisa May Alcott “I am not afraid of storms, for I am learning how to sail my ship.” 

Onyx and Ivory, Mindee Arnett (I’m not going to put this blurb because it’s its own little novel in of itself. Basically its a story about kings and assassins, it sounds pretty cool.)

The Hazel Wood, Melissa Albert Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: her mother is stolen away―by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: “Stay away from the Hazel Wood.”    Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began―and where she might find out how her own story went so wrong.

Caraval, Stephanie Garber    Scarlett Dragna has never left the tiny island where she and her sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval—the faraway, once-a-year performance where the audience participates in the show—are over.    But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.    Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic. And whether Caraval is real or not, Scarlett must find Tella before the five nights of the game are over or a dangerous domino effect of consequences will be set off, and her beloved sister will disappear forever.

Throne of Glass, Sarah J. Maas After serving out a year of hard labor in the salt mines of Endovier for her crimes, 18-year-old assassin Celaena Sardothien is dragged before the Crown Prince. Prince Dorian offers her her freedom on one condition: she must act as his champion in a competition to find a new royal assassin.    Her opponents are men-thieves and assassins and warriors from across the empire, each sponsored by a member of the king's council. If she beats her opponents in a series of eliminations, she'll serve the kingdom for four years and then be granted her freedom. Celaena finds her training sessions with the captain of the guard, Westfall, challenging and exhilarating. But she's bored stiff by court life. Things get a little more interesting when the prince starts to show interest in her ... but it's the gruff Captain Westfall who seems to understand her best.    Then one of the other contestants turns up dead ... quickly followed by another. Can Celaena figure out who the killer is before she becomes a victim? As the young assassin investigates, her search leads her to discover a greater destiny than she could possibly have imagined. 

Strange the Dreamer, Laini Taylor    The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.    What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving?    The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?

So this is it! My current TBR for 2019! My goal is to read as many of these as I possibly can, and not to beat myself up for it if I don’t get around to it. Do you have any of these books on your TBR?

[hermanwatts]

Sensor Sweep: Battle Tech, Manly Wade Wellman, Savage Heroes, Space Force

Science Fiction (Tor.com): Anyone who has played Traveller (or even just played with online character generation sites like this one) might have noticed that a surprising number of the characters one can generate are skilled with blades. This may see as an odd choice for a game like Traveller that is set in the 57th century CE, or indeed for any game in which swords and starships co-exist. Why do game authors make these choices?  Just as games mix swords and starships, so do SFF novels. The trope goes way back, to the planetary romance novels of the Golden Age. Here are five examples.

Fiction Review (Legends of Men): Savage Heroes is a sword & sorcery anthology that’s pretty rare in the U.S. That’s because it’s a U.K. publication. The first S&S anthology I reviewed was Swords Against Darkness. It’s a great anthology that came highly recommended by an expert scholar in the field. Savage Heroes is better though. It captures very well the combination of historical adventure, lost world fiction, and cosmic horror that makes Sword and Sorcery unique.

Fiction (Wasteland & Sky): Hard-boiled noir is an interesting subgenre. It’s mostly remembered in the mainstream, if at all, for cheesy parodies that family sitcoms and cartoon used to do back in the 1990s. What it is remembered for is as a genre about hapless detectives in black and white 1930s settings having to find a killer among a cast of twelve or so shifty character archetypes. Plenty of fun is poked, but they hardly take the genre seriously.

Science Fiction (Scifi Scribe): We’ve all seen the memes, right? The minute the world started talking about the mere idea of a United States Space Force, we were all instantly greeted by “LOL, Space National Guard/Space Force Reserves!” All joking aside, the irreverent interservice banter and, shall we say, “robust,” back-and-forth on social media reflects the very real, and very important, national-level discussions about creating a new military service branch.

Cinema (Jon Mollison): The birth of Dungeons and Dragons is a strange and fascinating story of how creatives can draw forth order from the froth of chaos. I went into this film expecting a lot of defensive snark about how Gary Gygax was a Johnny-come-lately who yoinked the idea of RPGs out from under Dave Arneson’s nose.  A fraudulent Edison to Arneson’s Tesla, if you will.  And there are hints of that within this film, but only hints.

Art (Mutual Art): Theron Kabrich quietly gazes at Roger Dean’s watercolor, The Gates of Delirium. He has been Dean’s friend and representative at the San Francisco Art Exchange for thirty years, selling his paintings, drawings, and prints to an international audience of collectors. Millions of copies of the image have been made. If Tolkien’s timeless classic inspired Dean’s enduring fascination with pathways at the beginning of his career, it is Robert McFarlane’s writing about wandering journeys along the ancient tracks twisting through the British landscape that have his attention in the present.

Art (DMR Books): Stephen  Fabian, as I’ve pointed out before, is a living legend in the fantasy art community. His output from the 1970s to the 2000s—both in quality and quantity—can only be called astounding. I covered some of that in my three-part series on his Robert E. Howard-related art. However, a friend of mine recently brought Fabian’s artwork for In Lovecraft’s Shadow to my attention. That book, in some respects, may be Stephen’s greatest sustained work. In Lovecraft’s Shadow was a collection of August Derleth’s Lovecraftian fiction published in 1998 through a joint venture by The Battered Silicon Dispatch Box and Mycroft & Moran.

Review (Tea at Trianon): I remember as a twenty-two-year-old being excited when I saw a new book called the The Mists of Avalon by an author called Marion Zimmer Bradley. Mists was presented as the retelling of the Arthurian legend from the point of view of the women of Camelot, which I thought was a thrilling idea. However, I found the book heavy on paganism and morbid, explicit sex scenes, but light on romance, heroism, chivalry, mystery, faith and all the qualities I had come to love in the Camelot stories. This brings us to Moira Greyland’s recent book, The Last Closet: The Dark Side of Avalon.

Fiction (Adventures Fantastic): I’m going to look at three of his stories that feature the same  character, Sergeant Jaeger. First is “Fearful Rock”.  Originally published in the February 1939 issue of Weird Tales, the central character of this novella is Lt. Lanark. He and Jaeger are leading a cavalry patrol in Missouri during the Civil War, looking for Quantrill. What they find is a young woman being sacrificed by her step-father to the Nameless One in an abandoned house under the shadow of a formation known as Fearful Rock.

Fiction (DMR Books): Tanith Lee was a force to be reckoned with in the ’70s, ’80s and on into the ’90s. She exploded onto the SFF scene with her debut novel for DAW Books, The Birthgrave. That book was labeled at the time as being “sword-and-sorcery”. I would probably call it heroic fantasy, but it remains a minor classic regardless of specific sub-category. During her forty-plus-year career, Tanith published ninety novels and a myriad of short stories. Her prolificity was on display right away. She quickly followed up The Birthgrave with more notable books like The Storm Lord and Volkhavaar, along with short stories like “Odds Against the Gods” published in Swords Against Darkness II.

Science Fiction (Men of the West): The book. Not the movie. If you can even call Verhoeven’s bastardization “Starship Troopers” at all. Robert A. Heinlein is an increasingly controversial figure in recent years, moreso than he was in his lifetime. This, of course, is due to his dubious content in his later career. But he was nothing if not influential on the genre, and his early works, such as his juvenile novels (of which this was the last), remain worth a read. We may go into Heinlein’s other works later, but the focus is not so much on the man as on the book.

D&D (Jeffro’s Space Gaming Blog): I think Gygax is pretty clear about how initiative works in the DMG. (His surprise rules do make a bit of static, though.) Here’s my take on it: 1) DM decides what the monsters will do. Check reaction and/or morale if need be. 2) Players declare their actions. If they want to win at rpgs, they will advise a high t caller who will then speak for group.

Cthulhu Mythos (Marzaat): “Bells of Horror”, Henry Kuttner, 1939. This is a fairly good bit of Lovecraftian fiction from Kuttner. He uses a typical Lovecraft structure. Our narrator opens by mentioning a weird event then gives the back story of what led up to it and concludes with a not all surprising event. (Sometimes Lovecraft managed to surprise with his last lines, sometimes not.)

Authors (Goodman Games): While all of Wellman’s oeuvre is worth reading, it is his Silver John stories that most impacted the world of fantasy role-playing. Wellman is one of the names on Gygax’s Appendix N roster of influential authors. Although no specific title is listed alongside his name, it’s been suggested that the character of Silver John influenced the bard class in D&D—a wandering troubadour who uses song, magic, and knowledge to defeat supernatural menaces. Stripped of the pseudo-medieval trappings of D&D, the bard and Silver John become almost indistinguishable from one another.

Pulp Art (Dark Worlds Quarterly): It shouldn’t be any surprise that the artists that illustrated Short Stories would appear in Weird Tales and vice versa, though to a lesser degree. Fred Humiston is a good example. For many years, he illustrated half of each issue of Short Stories along with Edgar Wittmack.

Cinema (Film School Rejects): Most movie fans associate Martin Campbell with the Bond franchise and other blockbusters. However, before he became one of Hollywood’s A-list directors, he helmed Cast a Deadly Spell, a genre-bending TV movie that originally aired on HBO back in 1991. It isn’t the most known movie in his oeuvre, but it’s easily one of his most entertaining and rewatchable efforts.

Tolkien (Monsters and Manuals): I have no idea what Tolkien had in mind for the geography of Rhun and the peoples within it. But it seems to me that, while one shouldn’t think of Middle Earth as being too closely paralleled with the real world, there is a case to be made that its character is roughly akin to the Eurasian steppe this side of the Urals – more specifically the Pontic Steppe north of the Black Sea (with the Sea of Rhun here being a bit like the Black Sea).

Gaming ( Walker’s Retreat): The other day I posted a new BattleTech lore video. I mentioned that the channel posting that video did more to promote BattleTech than anything that the current owners of the property–Catalyst Game Labs–have done. All of the other lore channels and battle report channels contribute to this effort, and it helps that Harebrained’s adaptation is very close (but not identical, which it should have been) to the tabletop game, but there’s sweet fuck-all for marketing from the company itself.

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