#I have reasons for who I picked for which main role

[deancasforcutie]

#it's more than the immediate story beats it's the long game too #and the philosophical ideas and emotional exploration spn deployed (via @dotthings)

#*nods* #within Supernatural they compare their lives to a series of books and to a play and to a tv show and to a maze. Maybe also to a game. #and that's right. They're all players in it (even Chuck - who also has the role of developer - because he wrote himself in) #and they have free will but there's plenty of nudges and forks in the road etc done or planted there to make certain outcomes more likely #and from outside the show #they had a good mix of people who were there the whole time and those who came in later with their own POVs and takes #of what had happened before #so yeah there's some low points and mistakes or missed opportunities or whatever #but I keep saying #for a 15 season long show with 20+ episodes per season? #it's very consistent and coherent #(and also way less repetitive than you'd think for such a TINY cast of main characters) #and the writers as a whole put in a good effort of picking up on previous themes and leading the story somewhere #(making it really satisfying to re-watch because newer info often adds layers to previous plots) #which is one of the reasons why that last episode is a disgrace (via @ironworked)

Something I noticed back when Pac-Man Fever aired but worth bringing forward again, to show the long game spn creatives were playing.

So. This vampire fighting game.

This game, that Charlie hacked from I presume is a big gaming corporation and made it her own. She modified it to her own rules. She broke it and remade it.

That the djinn then hacked, using it inside Charlie's head to kill Charlie.

This game that in the djinn version, resets every time Charlie reaches the level with the patients, to protect her mom, and it starts all over again. On each reset, the vampires are stronger and faster. So Charlie is caught in an infinite loop trying to save her loved one and each time her adversaries get worse and worse until her insides burn up and she dies, while the djinn feeds off her fear.

*stares into camera*

It's not just Sam and Dean caught in this loop. It's Mary. It's John. It's Cas. There's other characters demonstrating they too are caught in it.

In Chuck's machine and in their own fears. Their feelings are real, their choices inside the maze are their own, but they are caught in a cycle.

spn was always self-aware. It knew what it was doing. I'm not saying it was perfect or never uneven and maybe some things worked better than others but this self-critical and self-aware narrative was always there. It wasn't something slapped on by the final seasons. It was always there.

And it used to throw me off too. I did get impatient with spn often as it took Sam and Dean through their repetitive loops while their insides burned up and they kept dying or hurting, over and over. Sometimes it seemed like there wasn't much growth happening but that isn't what was actually going on.

I've sometimes said spn plays better on streaming, when there aren't agonizing waits, midseason hiatus, months between seasons, and years before you can see how an arc truly plays out. Something is lost without the heat and suspense of the weekly airings, but other things are gained, and each era of spn built on what was there before and illuminated and grew the characters. Sometimes it's harder to see it. But it did.

[outoftheirdifferences]

And speaking of the Spaniel girls...

SLAMS THIS DOWN HERE

So I should preface by saying that yes, I know this is one massive anachronism stew going on here; but honestly it's one big mixed up crossover anyway so I figured to just let the details slide and go with what worked!

As always: Artwork is mine, outside of that I own nothing here. Characters belong to Disney or otherwise to their respective owners; Songs are by Lin-Manuel Miranda and performed by the Ham.ilton cast. I have no association with any of these, this was just made for fun.

[slutforfictionalwomen]

Neighbourhood mother

Kinktober day 14

Wanda Maximoff x Reader

Main kinks: Corruption kink, lactation kink, mommy kink

Word count: 1,7K

Summary: You're young and new to the neighbourhood, Wanda quickly claims you as her own.

Warnings: smut, corruption kink, lactation kink, mommy kink, pet names, breast milk, innocent reader, mention of trauma, fingering.

(Please tell me if I forgot anything.)

You're eightteen, and you have just moved to Westview. As soon as you got into a nice university, you decided to move and get out of your toxic mother's home.

The place is beautiful, but it's definitely way too big for you alone. It's a good reason to plan on getting animals. There's not a lot you want to change about the house. There is nothing outside you want to paint, but you're planning on painting a few walls on the inside.

You're carrying boxes inside when a woman comes walking over. She has red hair and a friendly smile on her face. Her style is a bit old-fashioned, which makes her even more gorgeous.

"Hey, sweetheart. I'm Wanda Maximoff, I live across the street from you." The woman extends a hand for you to shake. You put down the box you were holding and politely shake hands, her kindness makes you blush.

"Hi, my name is (y/n). I'm eightteen, I just moved here to go to a uni nearby," you introduce yourself to your new neighbour. You notice how your voice is coming out quite soft, normally you're not that shy.

Wanda looks around her at the many boxes in the bright sun. She frowns and looks back at you. "Oh, you are a young thing! Let me help you with these boxes, it's hot out and you must already be sweaty."

You don't know whether it's the kind gesture or her calling you a young thing that makes something inside tingle, but you very much know the feeling is there. "That's sweet, thank you. But don't go out of your way to help me, I'm fine on my own." You pick up the box again.

"Nonsense, a young girl like you needs someone in the neighbourhood to help her out sometimes. That's what I am for." You can't quite make out why her facial expression looks strange, so you shake it off.

~

You have been living in Westview for over a month. Autumn feels so much better here than in your old house, your old town. And you've got Wanda, who is coming over today to decorate your house for the fall together.

Ever since that first day, Wanda has been by your side. She is always there to help you, but she also often comes over for nothing at all. Sometimes, she even cooks for you, which can variate from inviting you over for dinner at her house to coming to yours with ingredients and just cooking dinner. She has been taking on an almost mothering role. For the first time in your life, you feel cared for.

A knock on the door rips you out of your thoughts. You run to the door to open it. "Mo- Wanda!" You hope she didn't hear that awful slip up when she walks in and hugs you.

"Hello sweetheart, how are you today?" When Wanda pulls away from the hug, she gently holds your face. Looking into her green eyes makes you a bit dizzy, but you love them.

"I'm okay." There is no better answer because you always feel okay when you're with her. It's as if you forget all your problems when she walks through the doorway.

"I'm glad, but you know you can come to me with anything, right?" Wanda walks into the living room and puts down a bag with crafty stuff.

You know you can tell her anything. She has often helped you do your homework, she has come over to help you sleep when you were scared all alone in the house, she will basically help you with anything. So you nod a yes.

~

"Can you put these webs up there?" Wanda hands you some of the fake cobwebs you made together. The past few hours have been fun. You first made decorations together, all autumn and Halloween themed. Now you are putting decorations up around the house.

You take the cobwebs from her and put a chair to reach the place she pointed at. "Sure!" You get on the chair and put the cobwebs in place, but then you place your foot weirdly, which takes the chair out of balance. You're too late to yelp out when you fall hard on the floor.

Wanda rushes over to you, so you quickly wipe away your tears. "Oh baby, are you okay? I'm so sorry, that must hurt so bad."

Tears come out again at her words, and you quickly wipe them away. You see a bruise forming on your knee and quickly hide it. Your instincts say she will get mad at you for being in pain, but something in you knows that she wouldn't. Deep down you know that is just trauma speaking. You speak in a broken voice, "I'm fine."

She gently takes your hands off your knee. "No, sweetheart, you're not. You are clearly in pain. Why are you hiding it?" She kisses your knee. It sents warm sparks through your body. "Come sit with me on the couch. We can finish this later."

~

"I can't imagine how you must've felt. But I promise you, I will always care for you in the way your parents didn't." Wanda is cuddled up with you on the couch. You are in tears, you've just told your whole story to her.

"Thank you, Wands." You put your head in her lap, looking up at her face framed by her curly hair. She is so beautiful. Her comfort only makes you cry more, for some reason.

"Baby, are you still in pain?" The older woman gives you a worried look. She genuinely thinks you're still crying because of the fall.

"Just emotional." You bury your face in her legs. This way, you can't see how Wanda smiles. You are finally her baby, her girl to take care of. She strokes your hair, gently combing it through with her fingers.

Wanda carefully pulls your chin up a bit so you can see her when she speaks. "I know something that'll make you feel better." She takes off her jumper, which makes your jaw drop.

"Wan-" you start but she cuts you off.

"Shhh, just do as I say. I will take care of you." She unclasps her bra, exposing her breasts. You close your eyes and look away out of manners, but she tuts you and grabs your chin.

"No baby, open your eyes." Wanda guides your mouth to her nipple by your chin. You wrap your lips around her nipple. "Good girl, so good for me," she says in a raspy voice. You look up at her and start sucking and softly nibbling.

Her fingers go down underneath your shirt. You then let out a shocked, whimpering noise. Not only because of her hands touching your sensitive waist, but also because a fluid has come into your mouth from her nipple, something you really didn't expect.

"It's okay, baby. You can drink it, but please switch to the other one in some time." The redhead's voice brings you back to ease. You drink the sweet milk like she told you to. Meanwhile, her hand slips into your loose joggers, softly rubbing you over your panties.

You whimper softly and switch nipples, looking up at her for reassurance. She hushes you, telling you it's okay and that she's just making you feel good. You kind of start to feel icky down there, so you're a bit confused, but you have faith in her.

When you tend to nibble on her nipple a bit too hard, Wanda quickly pinches your thigh to make you gasp. "Sweety, if you want to nibble, I would prefer if you did it on mommy's neck. That's less sensitive." She guides your milk leaking mouth to her neck so you can carelessly nibble there.

Your whimpers get louder when she slips her fingers in your undies, touching your private parts. It feels intense but good, even though it makes you feel all shy.

"Pretty little thing. You're doing amazing. Just let me do this." Wanda's finger slips in the hole where all the wetness comes from. It feels really weird but adds to the intensity.

She first slips her finger in and out, the sticky wetness your body created there makes that really easy. She then keeps her finger inside and curls it into the walls of your pussy, which makes you audibly gasp.

When after a bit of playing, she adds another finger, you completely let go of the nibbling and sucking. "Mommy, that hurts!" You cry out at the stretch, but as soon as the pain has come, it is gone, leaving a full and intense feeling.

At first, you were trying really hard to keep in all the noises she worked out of you, but then you started to let go. When Wanda didn't get mad for the noise, you knew it was okay and let it all out, including sobs. Wanda rewarded you heavily for this.

Wanda is so proud of you, continuing to work your body in the way she knows to. With all previous girls she has fucked, it would take her time to figure out how they liked it. That's how she knows you are meant for her, she knows exactly what to do.

She keeps switching between thrusting and curling up her fingers. She also adds in a bit of extra clit stimulation, knoding you are almost there. And indeed, a wave of pleasure crashes over you, reaching a high. "That's a good girl."

You sob from the intense feeling, she keeps rubbing your clit through it, until you quite literally shake her off. You cuddle back into her, Wanda's lips find yours. She softly kisses you in a caregiving way. A tired feeling suddenly hits you, making you yawn. "Go to sleep, sweetheart. I'll be here when you wake up." That's how you softly fall asleep in Wanda's arms.

~

A/N - I'm so sorry for fucking this up again, I hope you still enjoyed reading it even though it is again too short and written whilst I was half asleep. I'll be better next time.

[nonbinarypirat]

physical affection and how it relates to iruma: part 1, parental touch

iruma reads as someone who is touch starved and doesn't like/understand touch until he now has affectionate people in his life. His parents have probably never touched him besides the required amount when he was a baby and maybe a headpat or quick hug (which would more than likely just be a manipulation tactic to get him to do their crazy schemes). They left him alone for days on end, there's no way they even could have been affectionate with him. And it's not like he ever went to school, his "friends" at school couldn't even remember him because of how many days he missed.

Overall, Iruma reads as touch starved but doesn't know he's missing it since he never had it to begin with. Here comes the love trio, the misfit class, Balam and more. Suddenly he has a lot of people in his life who are comfortable with touching him, even want to as a sign of how close they are. And we can see iruma very much becomes happy with it in turn.

That's why Balam and iruma's relationship is important, a parental type person he trusts is actively choosing to be affectionate with him, not to manipulate him but just because he cares about iruma. He even told him the reason is just to bond and get to know iruma, not some sort of underhanded method. This is just Balam's way of connecting. And they are close to each other enough to be comfortable in each other's spaces. Whether Iruma reads balam as a parent or not, balam is very much like a momma bird, keeping him close and safe in his arms. And Iruma becomes more open to it as time goes on with them knowing more about the other.

This is also a great dynamic because balam gives him the affection that he doesn't recieve from kalego, someone he clearly holds in high regard. Almost every time iruma reflects on the people that matter the most to him, kalego is there. which i find fascinating because what is kalego to iruma? on a subconscious level, i think he views kalego as a parental figure to him as well, one of the first to give him clear and concise rules to follow. his parents were just a fucking mess, they barely parented. never really taught him life lessons besides "just say yes" and "run." Kalego clearly cares a lot while also helping iruma navigate the netherworld making it easy for him to project a father role onto kalego

But kalego isn't an affectionate man from what we have seen. And even if he was, he is his instructor first and foremost so he may not feel comfortable being so with iruma (and also imagine the fucking annoying comments about favoritism from the other misfits LOL). Any touching has been fairly limited to him picking up Iruma like during the teacher dorm visits and Kalego's final hours as a familiar. Which honestly make these few scenes even more precious. Because he is actively choosing to be like this with Iruma. Affection does not come easy to Kalego like it does Balam. More than likely because of his upbringing and family beliefs (always needing to remain vigilant, dignified) and him as a person. So while he doesn't touch Iruma often, his one on one moments with him are extremely personal and parental in nature. And when he does interact with Iruma physically, the rarity adds to the specialness.

And then there's Opera. Opera has been especially more affectionate in the latest volumes with hand holding and hugs and all sort of touching. Which is very wholesome to see because Opera wasn't a character that had much of a strong relationship with Iruma at the beginning besides guarding him. I always got the impression that Opera didn't know how to feel about him, not to say they wouldn't protect him with everything they have. But the feelings and affection started up after the battler/batra Party when Iruma grabbed both Sullivan and Opera (though the care for him had been growing steadily before that). I have seen two main headcannons for their relationship, some see it more as a big sibling relationship while others see it as a parental one as well. For the sake of this post, I will be using it as a parent and child one.

Opera has been right there with Sullivan watching Iruma grow more and more confident as time goes on. And through Iruma growing up, we see how proud of him Opera is. From a scared child to a more bold child, Opera has helped cultivate this in him. I also love that whenever Sullivan isn't around, Opera takes over for taking care of him, allowing the two to have solo family time. Obviously their relationship is more of a weird dynamic seeing as how Opera is a security devil, but that doesn't stop the story from developing their relationship. The physical affection for the two is started from both sides, Iruma hugging Opera or Opera holding out their hand to hold as they walk home. In this case, their relationship is the most parent like as the story progresses.

And finally, we have Sullivan who is the most affectionate of the four. Come on, you can't beat grandpa when it comes to love and devotion to Iruma. He is the first one to introduce Iruma to physical affection in the first place. Now granted, in a slightly overbearing way at first because Iruma is not used to this and Sullivan is too happy to have a grandson. But now, we can see the genuineness behind each of his interactions with Iruma. He very much acts like a doting grandfather, and he really does love him too. Touching clearly comes more naturally to him so it's his way of showing Iruma love which opened the doors for more people in Iruma's life to show this too. When Iruma first started touching Sullivan back at the battler/batra party, it highlighted that Iruma is now more comfortable with Sullivan to do so back. He has been taught by Sullivan this way of caring and cares about him in the same way too. There's a lot of mutual love.

They have come a long way as a family unit. Sure, grandpa has always been Iruma's number one supporter, but at the beginning of the story it felt way too over the top? As the audience we were right there besides Iruma in feeling overwhelmed by Sullivan. This far into the story though, the emotional trust they have in each other is beautiful. They are no longer just two individuals thrown together by fate, they are two people who care about the other and their weird little family. And its even more wonderous when we think about Sullivan's past, having lost someone deeply close to him and has no way of knowing if he'll ever return (aka Delkira). From what we know, it seemed that Sullivan truly loved him like a son/grandson/family member and loosing him is still something he's grappling over. And yet, he was still able to create this, push through his pain to make a family with Iruma. He's not a replacement for what he lost, but somone he allows himself to care about in a similar way in the past. By pushing through the trauma, he has been able to give Iruma what he never had in his past life.

I see both Balam, Kalego, and Opera as parents who provide him with different styles of parenting (with grandpa also providing that but also being a "ill give you anything you want" guardian hehe). Through this, he can learn varied viewpoints and, more importantly to this post, the affection he never had as a child. Does it make up for never having grown up with it? No, it never could. But it's not about making up for what it lost, rather its about making new connections and love with what you have now. And displaying that love in small and bigger ways with touch.

[grapejuice32]

Could you do Spencer + reader who is away fro work a lot and when she comes home with a few days off and important news to tell Spencer he has to leave before she wakes up because there was a case he had to go work

Make it work

Spencer Reid x reader

Notes: I had a lot of fun with this one! I hope you enjoy reading it as much as I did writing it!

When you woke that morning to the lack of Spencer's presence besides you in bed, you tried to push away the tears that stung your eyes. Obviously you knew that if he got the call from work, even on a day off, he would take it, it had always been that way and he was clear about that when the two of you first got together. It's not like today was an incredibly special occasion or anything, but it was one of the only days when you were not working and he had taken the day off of work to spend time with you. Your schedules were constantly clashing, with you being a rising star in the acting world, every opportunity to promote you new film was one you would take which at the moment meant you were currently travelling a lot for interviews, premiers, talk shows etc. You had only just come back to Washington the night before after a month of being away filming something new and you had taken the short 3 day filming break as an opportunity to deliver some important news to Spencer. He didn't know that you had anything to tell him, so you couldn't really fault him, after all, his role at work was vital and you wouldn't be able to forgive yourself if you held him back from work while other people lost their lives because he didn't go and help out. And yet, you couldn't help the tears that lined your eyes, you felt pathetic you knew you could tell him over the phone, but you wanted to tell him in person.

You told yourself that perhaps they would be able to wrap up the case quickly and that he'd be able to make it home before you had to go back to LA. You sniffled and made you way out of bed and to the kitchen, a small smile making an appearance on your lips as you noticed a note in Spencer's scrawly handwriting on the counter besides a now cold cup of coffee he must have left out for you before he went to work. You picked up the note and couldn't help but bite your lip as a wider mile spread on your face at the sweet words.

Hi angel,

I'm so sorry I left but the team needed me on a case and I couldn't say no after I got given the details. I’m so sorry to leave you when we were meant to spend the day together, I hope you're not too upset but I'd understand if you were. Hopefully we can wrap up the case before you have to go and we can spend a bit of time together. I left you a coffee on the side but knowing you, it will probably be cold when you wake up. I love you, I'll try and give you a call later.

~ S

A sigh escaped you're lips, you weren't upset, disheartened perhaps but not upset. How could you be? There had been many occasions when you had be away for work when he got to have his weekend days off, and while it wasn't the same, travelling was a vital part of both your jobs and you were just lucky that the both of you were able to understand it and manage to make your relationship work even with the constant long distance time.

The two of you had been together for a year and a half and the majority of that time was spent apart, his team weren't really aware of you yet and you were okay with that. With the little time that the two of you got to spend together, going home to each other and knowing that you were both just each other's secret was exciting and strangely comforting in a way. Especially for you with so much of your life now being public, to know that you had Spencer, who was only yours never failed to bring a giddy smile to your lips. But he had told you the team knew something was going on with him, and that didn't surprise you with his being in a team of profilers. He'd also mentioned that possibly the main reason they were suspicious was that before you, he had such a lack of days that he took off from work that he was made to take compulsory holidays and after meeting you, he would actually request the days off and would leave the office at a reasonable hour to go home to you, sometimes before the rest of the team would. Even though you loved your and Spencer's relationship being a secret from his work life and your work life, you were also aware of the fact that his team were his family, and you knew that with the news you had to tell him, it wouldn't be long before he told the team about you. The thought of meeting them excited you, you wanted to meet the people that were so important to Spencer and the ones who looked out for him when nobody else did.

You spent the day tidying the apartment, you hated tidying but it was something that needed to be done, the apartment having fallen into Spencer's organised chaos. Your phone wasn't on silent like it usually was as you didn't want to miss is Spencer called, every notification you received you hoped it was a text from him but you were left disappointed. By the time it hit 1am, you had come to terms with him probably being too busy with the case so you sent him goodnight message and let him know you were okay before going to sleep. In the morning, you checked your phone to find a message from him that read 'Sleep well, I love you honey' and that made you feel better. It was clear to you that the case had him very busy, as they always did so you didn't expect to hear from him today either but you left the ringer on your phone on just in case. Not having much motivation to do anything and wanting to use your time off of work properly, you spent the day binging Gossip Girl and ordered Chinese takeout. Eventually you grew tried so, exactly like you had the night before, you sent him a message and went to sleep.

When you woke up, the first thing you did, after checking your phone, was pack your things. It was the last day of your break in filming and you would be catching a flight back to LA later that night as the first shot you had was an early morning shot so you had to be on set at 4.30am for hair and make up. After packing your things, you heard the sound your phone ringing, you were ecstatic to see Spencer's name on the caller ID.

You: Hi, Spence S: Hi, angel. Sorry it took my so long to call. You: Don't worry, you've been busy. I understand, Spence. How's the case going? S: It's...it's really tough, I doubt I'll be back in time to see you before you go back to LA. 'M really sorry, sweetheart.

You: Oh...

S: I'm so sorry, I know we were supposed to spend some time together but the team needed me.

You: I... um, 's fine, I get it, it's your job, it's important.

S: You're important too. 'M sorry, I really am.

You: Don't need to keep apologising, you can't control when people commit crimes.

S: When's your next filming break? Do you know yet?

You: Probably not for another month at least...

S: Oh, well we'll be able to make it through, we've done it before and for longer periods of time.

You: I know, it's just I...I really needed to um, I needed to...

S: Yeah?

You: It doesn't matter.

S: Sounds to me like it matters.

You: No it's whatever, you've got more important things to deal with right now.

S: If it's important to you then it's important to me too.

You: I just needed to tell you something, is all. But I um...yeah.

S: Sweetheart, you know you can tell me anything right?

You: Yeah, I know.

S: Whatever it is, you can tell me, angel.

You: I'm um, it's...well-

S: Fuck, 'm really sorry but I have to go, think we've had a break in the case.

You: Oh, oh yeah, okay.

S: Call me when you land, yeah?

You: Yeah.

S: I love you.

You: ...I-

The line beeped as the call disconnected, meaning he hung up on you before you got to finish what you were saying. You were mumbling though, talking slowly, maybe he couldn't hear you. Yeah, that's what it must have been, you nodded, trying to convince yourself.

You spent the hours leading up to your flight doom scrolling in bed before you had to make your way to the airport. On the flight back, you got lucky and had nobody sat next to you, you spent the time going over you script for tomorrow, not even able to drink to make you feel better. When you landed you shot him a text letting him know you were back in LA, when you arrived at the place you were living at for filming, you shot him another text letting him know you were home safe.

You continued on as normal for the next week, spending your time either filming, learning lines or sleeping with minimal contact from Spencer. He hadn't called you again and the only contact from him would be a short response to the messages you sent before you went to sleep. It was a week and a half since you had come back to LA when you finally got the message from him saying that they'd wrapped up the case and that he was on his way home. You were glad, you responded by telling him to make sure he got some proper rest, knowing how exhausted he would be when he came home from cases, only to stay up doing paperwork.

The following morning, you were woken up by a knock on your door which confused you since you didn't have anywhere to be until your evening filming and you hadn't made any other plans. You begrudgingly got out of bed and flattened your hair down as you made you way to the door. When you opened it, you were shocked to be met with the sight of sender stood there with a bouquet of pink lilies in his hands. You rubbed your eyes tiredly, thinking you must have been imagining it, but you weren't. Before you hugged him, you ushered him inside and then jumped up, wrapping your arms around his neck. The sound of his chuckle as his arms wrapped around your waist instantly bringing you a comfort only he could give you.

"What are you doing here?" You asked in excitement as you let go of him, taking the flowers from his hands and putting them down on your coffee table.

He shrugged, "I wanted to see you." He spoke nonchalantly as he hung his jacket on the coat rack.

"You're crazy." You laughed, letting him follow you as you went to brush your teeth.

"Crazy for wanting to see my girlfriend? I don't think so." He shook his head, leaning against the doorframe of the bathroom with his arms crossed, his eyes locked on yours through the mirror.

After you brushed your teeth, the both of you went to lay in your bed, your head resting on his clothed chest while you spoke quietly to each other.

"Hey, what did you want to tell me?" He suddenly asked in the midst of a conversation.

"Oh, um," you nervously sat up, your legs crossed as you anxiously began to pick at your fingernails.

"Hey, none of that," he tutted as he too sat up, placing his hands on yours to stop you from picking and accidentally hurting yourself.

"I um, I have news..." you softly spoke.

"Okay, good or bad?" He asked, his voice gentle and calm.

"Well that depends, its..." you started, before stopping again afraid to tell him. You glanced up at him, his eyes as patient and understanding as ever. You let out a deep breath before deciding to just get it over with, "I'm um, I'm pregnant."

You were met with silence, you tried to gauge his reaction but the only immediate one you received was shock. After a minute of the silence killing you, you whispered, "Spence?"

To which he only hummed in response. You bit your lip before trying again, "Can you say something...?"

He blinked quickly, as if pulling himself from a trance, "That's great, angel. Really."

"You're not upset?" You frowned, not understanding the way he reacted.

"Of course I'm not, it's wonderful news!" He spoke with a smile now on his face, "Was just shocked is all, I thought we'd been careful. I was trying to get my head around it. ' M sorry if I scared you."

A long exhale of relief escaped you, feeling as though a weight had been lifted off your shoulders. He pulled you in for a hug and neither of you said anything, it felt more real now for you that you'd told him.

"I'm scared," you whispered in his hold, your face hidden in the crook of his neck.

"Me too, but we'll be okay. I'd be worried if we weren't a little scared," He joked, causing you to laugh tearily, he pulled back from you so that he could look dow at your face, "it's going to be okay, really. Means I'll have to finally introduce you to the team and face Derek's teasing but it's worth it and it's exciting."

You nodded, smiling softly up at him, "We're gonna have a baby."

He laughed in what sounded like disbelief, tears now lining his eyes, "Yeah. Yeah, we are."

You were glad you had him, you'd never been with somebody you had understood you as effortlessly as he did. You knew it would be tough, but you would make it work, you always did.

Part 2 here

Please lmk what you guys think, I'd love to hear from you! I'll also be happy to try and write any requests you may have <3

[anneapocalypse]

On the role of outsiders.

One thing I think makes the Scions' relationship with Wuk Lamat unique isn't that they're mentoring her--I don't really see it as a mentor relationship and for various reasons I think it's better for it not to be that--but that, as outsiders, she finds that she can show vulnerability with them that she's only rarely been able to show with anyone else.

When we meet Wuk Lamat in 6.55, it's pretty heavily telegraphed that she's posturing a lot to cover up some personal weaknesses or insecurities. This made me really curious about her, who she was and what that overconfident demeanor was covering for. And when I got into Dawntrail and started getting to know her, I wasn't disappointed.

(No Wuk Lamat hate on this post, please. Any responses clearly trying to pick a fight will be removed and blocked without reply.)

Wuk Lamat has a couple of foils in this story, but a big one is Sphene, and I love @unmovingtroika's description of Sphene as "unpersoned to an extreme degree." And as a distorted mirror of our main character, Sphene reminds us that any person in a position of authority or heroism is depersonalized to some degree, no matter how down-to-earth or benevolent.

Gulool Ja Ja is really presented to us as very much a people's ruler, the charismatic blessed siblings who united the peoples of Tural through curiosity and open-mindedness and understanding. And that may be largely true, but it's also made of him a myth, a legend inscribed in stone and memory. Meanwhile in the course of Dawntrail's story we also meet the real person Gulool Ja Ja... at least, the one who's left. The man who has spent three years grieving his brother, his ever-present companion, the Reason to his Resolve, a man who for the sake of political stability has had to hide his grief and loneliness from even his own children, as he does his best to carry out the work they had begun together, and complete the Rite of Succession in his brother's absence. And if there are places where Gulool Ja Ja failed to foresee the potential negative outcomes to the Rite, like Bakool Ja Ja's actions endangering his people, we might see there in hindsight the Head of Reason's absence in the final stages of the Rite's preparation. And we see, in some of Zoraal Ja's anger and resentment and insecurity, a glimpse of the ways in which the people's Dawnservant might have failed his own son.

One of Wuk Lamat's early growth moments is when the Scions convince her that she doesn't need to try and hide her obvious seasickness--an affliction she can't help, and which represents no failure of character on her part but which is, well, embarrassing. I love that she seems to particularly connect with Alisaie, who's had her own experiences of feeling inadequate next to her sibling, and feeling the need to prove herself on her own terms.

Could Wuk Lamat have been convinced to drop the act by her allies if they weren't outsiders? The problem is that everyone else in Tural, even her own siblings, are the people she'll have authority over if she wins. Erenville frequently rolls his eyes at his old friend's posturing, and fairly so, but Wuk Lamat doesn't behave that way just because she's insecure. In the same way that her father has had to conceal the death of his brother even from his own children, Wuk Lamat recognizes the danger of showing weakness before the people she will have to rule--especially when she's already aware of her reputation as being less qualified than her brothers. But these outsiders from Eorzea are different. They're allies who will never be her subjects. In private moments, she can be a person with them. She can be vulnerable. She can be Lamaty'í.

(Incidentally, I think this is also why I found Sphene calling her Lamaty'i so unsettling. Initially it seems like a simple misunderstanding, an outsider mistaking a very personal nickname for someone's "public" name. But in the hindsight of what we learn about Sphene, I think it feels a lot worse. Sphene is, consciously or unconsciously, pushing past the walls of formality and reticence that necessarily exist around a ruler when interacting with most people--nevermind a foreign head of state whose intentions are unknown. She's positioning herself as a friend when she is not.)

As the story progresses, we learn the Wuk Lamat and Koana have always been close. Now, in the Rite of Succession, they must treat one another as rivals and can no longer share confidences--at least, at first. Koana's love and protectiveness of his sister emerges with a vengeance when Wuk Lamat is in danger--and I'd venture a guess that he, too, feels safer showing this sudden vulnerability before his allies and those of his sister, because again, they will never be his subjects. While we get only briefer glimpses of Koana's journey with Thancred and Urianger, I'd guess that their friendship has affected him in similar ways.

One of the benefits of blessed siblings is that they are never alone. They bring two perspectives to any situation, but they also have one another to confide in, to understand, to commiserate over the burdens of leadership in a way they can't with anyone else, not even family. Wuk Lamat and Koana taking on the role of Dawnservant together brings the benefit of their very different strengths and perspectives to their people. But it also means that neither must take on those burdens alone. When their allies depart, they will still have one another. There will always be someone at their side with whom they can just be a person.

The tragedy of Zoraal Ja is that he's evidently never had that kind of relationship with anyone. The myth of his seemingly miraculous birth has depersonalized him from the very start. All his life, he has carried the burden of living up to the expectations of the Resilient Son, and has never enjoyed the close relationship his brother and sister have with one another. To the very last, he attempts to live up to the legend alone--and he fails.

One of the biggest themes throughout Final Fantasy XIV is standing together. There is strength in companionship and cooperation, but for that strength to flourish, there must also be trust and vulnerability. Wuk Lamat and Koana ultimately find that in one another, as siblings and co-rulers, but the Scions play the important role of offering them an outsider's friendship in their journeys when they are cut off from one another, and would otherwise be alone. As Ketenramm and Galuf Baldesion once were to Gulool Ja Ja, the Scions to Wuk Lamat and Koana are neither mentors nor subjects, but companions and friends.

[urspiritualnurse]

Pick a card. (Left to right)

What do I see when I orbit around your soul?

Pile 1.

Predominantly shapeless souls, sometimes harvest itself into a form that it's beholder deeply lacks, wants, yearns, desires or the opposite, fears.

I see that yours has mimicked a root.

Why has it shaped itself to that, what desires or what subconscious motive caused it is something you will naturally realize at your own pace and timing.

I see the repeated number 9s in the cards, and in this case I perceive that number as a blockage, a mid stop, a constantly frequenting incompletion, just when you believe you are about to reach the complete numeral 10, it restarts back to 1, and so begins the continuous sishyphean cycle.

If you picture a root digging in the soil and entangling itself to every fibre and grain of it, that imagery is usually delicate, gentle, soothingly heartwarming .

But in your cards, the picture I visualize is rather hostile , as if every string of that root has claws, shredding each grains, piercing through any and every vitality of the land to dig itself down, so fiercely and so passionately, as if it's life depends on it.

With no end goal, destination in mind, that it is aware of, it just absentmindedly keeps on digging.

I see you going from people to people, community to community, anywhere and everywhere, with your roots clawing on every connections you have had, with a pure intentions to find solace but your desperate and devoid roots knows no other way to plead firmness, and stability except digging furiously onto everyone and everything.

Do you find yourself to be an uncomfortable being to be and be around?

Has your soul crossed you out from being its land where it can simply ground itself?

Has it found other candidates instead to have them fulfill your role?

Do you have someone that you feel is the epitome of comfort?

Ask yourself, when I'm nearing their existence, my soul's form which I have no awareness about, how is it approaching and interacting with them?

Your soul is wandering sad and desperate to feel a sense of connection to a land that it can call its own, why are you uncomfortable to your ownself? That is for you to unpack and unravel.

What can you do to call your beloved vital essence back to yourself?

Start by asking, "why do you make your soul uncomfortable ?"

( your vital roots will inadvertently be claws to the lands, that isn't yours to dig.)

Pile 2.

Anger is an advocate of those too timid to speak.

But if anger is unsupervised, unguided, unguarded, it denotes to the onlookers, that it is only a mere tantrum with loud speakers on, consisting the blend of generous vulgarity and crude language.

I see, in this pile humiliation has been the main force behind reasonable outbursts of anger.

Was there a crowd who laughed when you would scrunch your expression in fury? Was there a community that mocked your anger's sensibility and intelligence?

From this reading, an image of a canine species comes to my mind, whose fangs represents your justified anger, yet I see those fangs growing so tall and untamably beyond the line of normalcy, that it pierces through the specie's snout, making it unable to voice out the core reasons in sensible, coherent language and speech.

Your anger, (and I keep wanting to reassure you) is justifiable, valid.

Yet it has reached to a point of such humiliation, and provokery from the flocks of lunatics around you who are too insensible and too uncompassionate themselves to ever see past your fury.

That your anger has surpassed its own ability to communicate.

It has lost the language it is meant to use for efficient self expression that causes no harm to you and others and also the reality around.

Have you heard the term "blacking out", your anger goes through that quite a lot.

Don't be too hard on yourself, or your burning anger, for that is the only warmth that is loud for you to notice , that is emanating from within you, not others.

A warmth that says, "I care."

Do what you must, after reading this pile.

But my utmost suggestion would be, communicating with your anger.

Ask it, who is it angry at? What did they do? What did they caused?

Nomatter who the culprit behind it is, whether your ownself or others.

Just notice how the anger responds to your question.

Does it howl incoherent language?

Does it throw things around and punishes inanimate objects, walls with your

knuckles?

Or does it speak.....

In a language that only those who are truly listening can understand.

(Insensibility towards a disheartened child, is what leads to a tantrum.)

Pile 3.

Do you know in this whole play of existence, we all expect certain things from the earth that we reside in.

And if we were to put all those collective desires in a single piece of paper, one would notice a common thing from each anonymous man's written desires.

Luminosity.

Every living being with a thrifty sense of individuality, somehow always seem to find anything luminous, desirable.

Or maybe, it's just that, what you want always seems to shine.

Whether it's love, promotion, prosperity, good health, vacation, etc.

I see in this pile, the luminosity you desire is of riches and the freedom that it comes with.

And when I speak of freedom, you must know how grand and multi dimensional it is.

The freedom riches gives, the freedom love gives, the freedom good health gives, etc, are all different yet they all are indeed a valid face of the multifaceted term, freedom.

I see you, having almost a professional outlook and interactions with the world, the earth.

I can almost hear you speak to it, " You are letting me live here, I will pay you back for your service by not throwing litters around, donating to charity that cleans your vast back, agreeing on plastic bans, etc"

In all of those chat you hold with the earth, in your subconscious mind room.

You represent formality and such alienating disconnection, that your inner sense of disbelief towards anything that promotes unity is reasonable.

What you want from this world is a luminosity build by luxury.

No shame, no bringing forth discussions about compassion here because the synonym of riches doesn't mean cruelty, for me to ever dictate you of how you should be and must pursue.

Do you ever feel like escaping your office and the very building you work on?

Somedays the formality eats you up and chews your mental agility and spiritual resilience, so much so you just wish to be at home, playing with your autistic and unspeaking cat.

You can do that.

You can call off the work.

You can reach out to the elevator and press the ground floor that takes you to the parking lot, there will be your car waiting for you, you can get in it and drive away from the office, the work air.

But what will you do when the crushing formality surrounds not just that place, but the entire earth?

Can your car drive you up to mars? To the moon? To the stars?

For you to escape even for a second, out of such professionalism burdens that you inhale every living seconds of your life.

In this reading, I see no visions that I must introduce you to.

You are already a visually active person, you think with visions not just numbers.

By no means this reading insinuates you of being unkind or lacking in any humane qualities.

Neither is it a complain from the mother earth to you.

Take it as a gesture unfolding infront of your awareness.

A gesture that suggests sensibility in your life.

Even the faintest mimickery of sensibility has acquired you a tip of what you yearned for.

Ponder, what the real thing could pull.

(Has the professional interiors followed you, even to your bed?)

Pile 4.

I must introduce you to an objective of mine that suggests what this outside world consists of, happens discreetly within our interior too.

Adversity, competition, push and pull, dog eat dog world pace, etc.

And how you may ask?

Every external worldly tension stems from various reasons, one that stands to this day, the most valid is, lack.

The uprising heat and debates, the battles of winners and losers are here, not just because of human sadism to win but to also get hands on a place, position, thing,etc before someone else does.

Which comes from an arguably devastating narration that we all collectively feed on, lack.

Your internal world seems to be a world copied and pasted from our very reality.

You seem to tell your internal conscious residing within you, that you lack space so severely that to be accepted for residence, one must go for the other to find the leash.

Competion arises the moment lack wanders around introducing itself.

Your masculinity and your feminity will compete for a position because you told them, only one must stay.

Your anger and the contradicting poise of a breeze will compete the moment you say to yourself, i need only one to navigate.

Your mind and heart will start to clash, get into heated arguments that spiral you into madness, depression, anxiety and mental , physical, emotional, spiritual agony.

Because you told yourself, only one is reasonable, the other is not.

That only one is reliable to execute life with, the other is not.

So, when your whole internal cells that makes up your entirety feels like a war zone,

a telenovela about a sibling rivalry, the marching tension between you and your competent colleague, or the ticking time bomb that ticks rules such as the one who gets there first gets to have it, etc.

You must know, it is because a narration is being given with or without your awareness.

That says,

I lack.

I lack so, what I consist entirely of, must decide with each other, who is to get deducted and who is to stay.

In this reading I don't think I need to guide you into answers because you already are aware.

But as a gentle nudge, here goes my everything.

" Lack only exists in places where prosperity unsettles us."

(Stop playing "the floor is lava" with the entirety of yourself.)

[ruins-of-babylon]

Legacy

Mattheo Riddle x reader angst & smut

♡︎♡︎♡︎♡︎♡︎♥︎

𝒮𝓊𝓂𝓂𝒶𝓇𝓎：after your traitorous brother runs away, abandoning his carefully placed destiny, you are forced to take his place, abandoning any and all plans you had for your future.

𝒲𝒶𝓇𝓃𝒾𝓃𝑔𝓈：blood, main character gets cut, kinda psychopath main character at the end, fem pronouns, some smut, arranged marriage, kinda mean!mattheo, mentions of drugs and alcohol, mentions of self harm, you have a brother, let me know if I missed anything!

𝒩ℴ𝓉ℯ：how I felt writing, “it hung over your head like a halo, but it was nowhere close to holy.” : 😈

⚠︎︎⚠︎︎this fic is pretty dark. MDNI❗️⚠︎︎⚠︎︎

Your fate had been decided when you were 5 years old. It hung over your head like a halo, but it was nowhere close to holy. It was placed by your father, who was among the many servants of Voldemort, which made your role very important. You were not here for yourself, you were brought into this world for one purpose only. When he sat you down and told you this, it was hard to comprehend, your 5 year old brain not quite wrapping around the concept, but it became more and more real as you grew older. It went as followed: You would grow up, and at 20 years old you would marry the dark lord’s son, Mattheo Riddle. It would add power and influence to your family name. Your older brother, Alexander, would carry the family business along with the new generation, that ‘business’ would be working as the right hand man to the dark lord, his own private assassin. It was all set in stone, an unwavering commitment.

————

The first time you met your future husband was on the first day of your first year. He was gentler then, a mischievous but likable boy, before he turned bitter. He recognized you, having also being told his decided fate since day one, and came up to you. While you expected a handshake, maybe a hug, he instead pushed you to the hard ground before running away. The concrete dug into your soft skin, tearing your skin mercilessly. Your knees, palms, and elbows took the most damage, but his apparent dislike of you almost hurt more. You avoided him as much as possible, knowing you and him had an inevitable lifetime to spend with each other when you graduated. That, however, was hard, since you were both in the same house and had many classes together.

As the time passed, your disdain for him only grew. As he got older, his physical bullying turned to mental and emotional, plus he had earned himself the reputation as a manwhore, his ego growing too large for your liking. He was cocky, arrogant, irrational, and just a fucking dick. His attractiveness only made everything worse. You were conflicted; he clearly wasn’t attracted to you, from what you could tell, and you realized he would be a terrible husband. But god, was he handsome.

One night, you were hanging out with your friend group, which just so happened to contain Mattheo, at this moment. No one could tell where he was or would be at any given time. You all had gathered in a circle, playing truth or dare. Theodore Nott, being the annoying prick he was, picked Mattheo. He chose truth.

Theo’s exact words, “Are you happy to marry (Y/n)?” You all held your breath, his question echoed around the room as all the side conversations went silent. Everyone wondered the same question, but no one was brave enough to ask. Anticipation hung in the air, and you had a bad feeling he was going to say no.

“Not at all. I’d rather be with anyone else, but I have to be stuck with her, of all fucking people.” He said, looking at Theo as he spoke your worst fear. He made eye contact with you before continuing, “You’re the reason I’m miserable, you’ve ruined my life.” You held eye contact with him, an evil smile on his face, trying to maintain a stoic expression on your own. Your heart tensed, feeling heavy in your chest. You broke eye contact with him and stood up, waking away as calmly as you could. No one tried to stop you, or call out your name to come back. They all watched you as your feet carried you back to your room faithfully. Your vision swirled as tears brimmed in your eyes, but you wouldn’t let them fall until you were out of sight. A shaky breath of relief exited your lungs as you shut the door behind you, locking it and holding yourself as you let your body slide down to the floor against the door. The tears finally fell, a seemingly endless stream of them flowing down your cheeks, past your chin, settling on your lips. After what felt like hours, you stood up and walked towards your desk. You opened the top drawer and sorted around the various distractions you kept for moments just like these. To stay numb, you kept a small selection of drugs, small blades, a lighter and pack of cigarettes, and a few small bottles of various alcohol. You decided on a bag of fine white powder and a cigarette.

Later that night there was a knock at your door, as there usually was. You didn’t feel like opening it, satisfied to stay sitting on the windowsill blowing smoke into the night sky. But, unfortunately for you, you forgot to lock the door. As the door swung open, you didn’t even turn to look at him, already knowing who he was.

You blew out the smoke from your lungs. “What do you want?” You could hear his footsteps getting closer to you, but you still couldn’t find the energy to turn your head and look at him. His cold hand gently placed itself on your shoulder, turning you around to face him. You stared into his eyes, which looked like deep pools of honey if the sun shines just right. Now, in the darkness, they almost looked black, a probable reflection of his soul.

He held your gaze, an almost sorry look in his eyes. “You know what I say isn’t true, right?” He asks in a whisper. You nod, taking another drag of the cigarette between your fingers, looking back outside the window. His sighed, not content with your response. He took the cigarette from your hand and put it out on the ashtray next to you on the window. “Let me make it up to you.” He proposed, waiting for you to say yes.

A small smile graced your lips, “You better.” He laughed softly before picking you up and walking you towards your bed. He gently laid you down, your back on the soft mattress, taking off your clothes and throwing them down on the floor. His kisses started on your neck, your soft whines fueling his desire to please you. He moved down your body inch by inch, slowly placing his lips over your body, your collarbones, chest, breasts, torso, hips, and thighs receiving equal attention from him. He laid between your legs, slowly dragging a finger through your folds.

“My pretty girl, so wet for me.” He said, gathering some of your wetness on his fingertip before bringing it to your clit, keeping it still. Your body jolted at the stimulation, moaning for him to just move, do something. He quietly laughed at your desperation, finally moving his finger in small circles around your little bundle of nerves. “I love this perfect pussy so much.” You jumped at his actions, a whiny groan slipping past your lips. Taking his finger away from your clit, he brought it down to your entrance, slowly pushing it in as your inner walls gladly sucked him in. You grumbled at the loss of attention on your puffy clit before he replaced his finger with his mouth. He started with soft licks with the tip of his tongue, letting you relax into him, before he harshly sucked on your pearl, wrapping his lips around it. You nearly screamed from how good it felt, your legs moving around, switching between squeezing his head and opening wider, the stimulation almost too much. He laughed against you, sending delicious vibrations to your core before taking his finger out of you and pushing your legs apart. You moaned his name along with curses over and over again, almost sounding like you were worshipping him. How could you not when he made you feel so good? He switched between harsh sucks, gentle licks, and grazing his teeth against your sensitive clit, every now and then teasing your hole by pushing his tongue into it. It took almost no time before you were cumming against his mouth, breathing heavily as he drank up every last drop of your release. As you came down from your high, he pulled his body up until he was hovering right above you. His lips met yours with so much passion, so much love, you could almost believe he felt even a fraction of what you felt for him. After a moment, he pulled away.

“You’re so fucking good at that.” You told him breathlessly, savoring his chuckle. Oh how you wished he would love you. A silence settled between you, whether it was comfortable to awkward, you couldn’t tell. You just stared at each other, and you would have given anything to know what he was thinking about.

That was 2 weeks before your life would change, for better or for worse, you would find out. It was also the last time you would let him hurt you with his words. This change would start with an unexpected letter from your father:

（𝒴／𝓃）， ℐ𝓃 𝒶𝓃 𝓊𝓃ℯ𝓍𝓅𝓁𝒶𝒾𝓃𝒶𝒷𝓁ℯ 𝓉𝓊𝓇𝓃 ℴ𝒻 ℯ𝓋ℯ𝓃𝓉𝓈，𝓎ℴ𝓊𝓇 ℴ𝓁𝒹ℯ𝓇 𝒷𝓇ℴ𝓉𝒽ℯ𝓇，𝒜𝓁ℯ𝓍𝒶𝓃𝒹ℯ𝓇，𝒽𝒶𝓈 𝓇𝒶𝓃 𝒶𝓌𝒶𝓎．ℐ 𝓈𝓊𝓁𝓁ℴ𝓈ℯ𝒹 𝒽ℯ 𝓌𝒶𝓈𝓃’𝓉 𝓇ℯ𝒶𝒹𝓎 𝓉ℴ 𝓈ℯ𝓇𝓋ℯ ℴ𝓊𝓇 ℒℴ𝓇𝒹，𝒶𝓈 𝒽𝒾𝓈 𝓈ℯ𝓇𝓋𝒿𝒸ℯ 𝓌ℴ𝓊𝓁𝒹 𝒽𝒶𝓋ℯ 𝓈𝓉𝒶𝓇𝓉ℯ𝒹 𝒶𝓁𝓂ℴ𝓈𝓉 ℯ𝓍𝒶𝒸𝓉𝓁𝓎 𝒶 𝓎ℯ𝒶𝓇 𝒻𝓇ℴ𝓂 𝓃ℴ𝓌．ℋℯ 𝓌𝒾𝓁𝓁 𝓈𝓊𝒻𝒻ℯ𝓇 𝒶 𝓂𝓊𝒸𝒽 𝓌ℴ𝓇𝓈ℯ 𝒻𝒶𝓉ℯ，ℐ 𝒻ℯ𝒶𝓇．ℱℴ𝓇𝓉𝓊𝓃𝒶𝓉ℯ𝓁𝓎 𝒻ℴ𝓇 𝓎ℴ𝓊，𝓎ℴ𝓊 𝑔ℯ𝓉 𝓉𝒽ℯ 𝓅𝓇𝒾𝓋𝓁ℯ𝒹𝑔ℯ ℴ𝒻 𝓉𝒶𝓀𝒾𝓃𝑔 𝒽𝒾𝓈 𝓅𝓁𝒶𝒸ℯ．𝒜𝓈 𝓈ℴℴ𝓃 𝒶𝓈 𝓎ℴ𝓊 𝑔𝓇𝒶𝒹𝓊𝒶𝓉ℯ 𝓁𝒶𝓉ℯ𝓇 𝓉𝒷𝒿𝓈 𝓎ℯ𝒶𝓇，𝓎ℴ𝓊 𝓌𝒾𝓁𝓁 𝑔ℴ 𝓉𝒽𝓇ℴ𝓊𝑔𝒽 𝓉𝒽ℯ 𝓉𝓇𝒶𝒾𝓃𝒾𝓃𝑔 ℴ𝓇𝒾𝑔𝒾𝓃𝒶𝓁𝓁𝓎 𝓂ℯ𝒶𝓃𝓉 𝒻ℴ𝓇 𝓎ℴ𝓊𝓇 𝒷𝓇ℴ𝓉𝒽ℯ𝓇，𝒶𝓃𝒹 𝓇ℯ𝓅𝓁𝒶𝒸ℯ 𝒽𝒾𝓂 𝒶𝓈 ��𝒽ℯ 𝓅ℯ𝓇𝓈ℴ𝓃𝒶𝓁 𝒶𝓈𝓈𝒶𝓈𝓈𝒾𝓃 𝒻ℴ𝓇 ℴ𝓊𝓇 𝒢ℴℴ𝒹 ℒℴ𝓇𝒹．𝒫𝓇ℯ𝓅𝒶𝓇ℯ．

－ℱ𝒶𝓉𝒽ℯ𝓇

At first, it didn’t feel real. This had to have been some kind of joke, right? Alexander was so excited to take on his role, or so it seemed. As reality settled in, you started to distance yourself from everyone. You blew off your friends, preferring to stay in your dorm and wallow in self pity. It wasn’t fair. Your brother had his fate, you had yours. It was set in stone. You had almost looked forward to it at times. But not anymore. You had to suppress your emotions, adapt to this new world. You would train to become an assassin for the Dark Lord, you would destroy what you loved, everything you touched would break. For this, you had to sacrifice your feelings, tears, and longing for a life you could no longer have. You counted down the days until graduation, the time in between was hell. You left all your friends, replacing them with drugs. The time seemed to tick by slower and slower, like staring at a clock’s hands tick tick tick as they seemed to hesitate to go where you wanted.

A soft knock sounded from you door, and you had a sneaking suspicion of who it was. You didn’t know why he even bothered knocking. You never opened the door for him, nor anyone as of late. As the door slowly opened and his frame emerged from it, looking around for you. His eyes landed on your desk, slowly walking towards you to investigate. You slowly blinked at him as he watched you, clearly intoxicated. The evidence sat right behind you, the little white pills contrasting with the dark wood of your desk.

“Oh, angel,” he whispered, placing his hand on the back of your head and stroking your hair as you stared up at him. “Why?”

He was surprised when you laughed. It was mocking, cold. You didn’t feel anything for him anymore. You couldn’t. “Why are you here?” You asked him, clumsily pulling his hand from your head. Everything felt fuzzy, and you couldn’t stop chasing the feeling.

“Just wanted to check on you. You haven’t been coming to meals and your friends said you dropped them.” He answered, a seemingly genuine look of concern in his eyes.

“Haven’t you heard?” You asked him, referring to your cancelled marriage and your new role to fill.

“Heard what?” He was confused, his brows furrowed together as he anticipated your answer. You laughed again, thinking he must be joking.

“Your daddy didn’t tell you? My brother ran away so I have to take his place. And our arranged marriage is cancelled.” You state. You laugh again, everything seems so funny. Now he looks even more confused. Shock, horror, and despair run through his features as he takes it all in. Then he laughs, a nervous-sounding forced laugh.

“You finally get what you want. Lucky you.” You add, bitterly. Now, he’s silent. As you stare at his face, a sudden rage floods your veins. You stand up, facing him, and push him, your hands pressing against his muscular chest. Again, again, and again, you push him until he’s standing before your door, letting you move him. As you move to push him one final time out of your dorm, he stops moving at your will.

“Wait,” he starts. “I-.”

You interrupt him. “GET OUT!” You scream at him, balling your hands into fists and beating his chest as hard as you can, but he doesn’t seem to feel it. A cold bucket of water seems to fall on your head, everything you’ve bottled for the past weeks suddenly bursting from its cage. Tears flow freely down your face, you finally stop hitting and screaming at him, placing your palms flat on his chest and resting your head between your hands, crying into him. He gently strokes your back, holding you against him. He rests his cheek on the top of your head, comforting you.

“I’m sorry, my love,” he says. “Let it all out.” He’s so gentle, holding you, speaking comforting words, trying to make you feel better. This might be the only time you’ve ever felt truly safe and loved, and that scares you. Just as you feel the warmth in your chest, you push him away one final time, so the cold can settle in again. You slam the door and lock it, sliding down it onto the floor as he bangs against it a few times.

”Please, baby, let me in.” He says, you can tell he’s right outside. You’re tempted to open it, let him in, let him hold you and make you feel loved for the last time. But as your hand hesitantly reaches up, you stop it. It will hurt more if you let him again. The tears still fall, an added weight on your shoulders. You slowly crawl from the door to your bed, exhaustedly tucking yourself in, curling into a ball as he continues to try to convince you to open the door from the outside.

❀❀❀❀

How did I get here? You wonder as you stood before the dark lord himself, his son standing a little farther behind him. Your father’s instructions had been rather clear: tell him what he wants to hear, don’t talk back, be respectful. You fidget with your fingers behind your back, subtly wiping your sweaty palms against your pants. Your heart was beating fast inside your chest, your head pounding.

“It was such a shame that your brother ran away. Now you must take his place, revise any plans you thought you had for a life you never imagined.” He said, walking in tight circles around you. You stared at the floor in front of you.

“He made his decision, however selfish it was. The show must go on.” You curtly replied, a tone in your voice that you didn’t intend. You brought your hands back to your sides, pressing your palms to the sides of your thighs, brushing the fabric of your pants. You could feel his presence behind you, radiating a cold sort of energy that contrasted with the hot room.

“Yes, you are correct. I must inform you that your first assignment will be to hunt him down and kill him. Will that be a problem?” He asked, now standing a foot away from you to your left. You had suspected something like this.

“Not at all. My duty will always come before emotion.” You answered, hoping that would satisfy him. You still looked down, following a crack on the concrete floor with your eyes. You could feel your palms sweating again.

“Good answer, my dear.” He said, now standing directly in front of you. You brought your eyes up to meet his. “There’s one last thing I will do, then you’re official.” He finished. Mattheo stayed completely still, not a single word from him as he stood watching you. So much hung between you, there were so many emotions, words, and tension you wanted to share, say, and break.

“Anything.” You calmly replied, ready to face whatever he had for you. From his robes he pulled a dagger with a jagged blade, spurring your curiosity. As he reached for your right hand, he pulled it towards himself, facing your palm upwards. He inspected the dark mark inked on your wrist before bringing his attention back to whatever he was doing. You held your breath, waiting for him to place the knife in your hand. Several seconds passed as the both of you just stood there, his cold hand grasping your wrist as you nearly shook from anticipation. He briskly pulled his hand up, and as you stared at your reflection, you felt a wave of some emotion you couldn’t name flood your bones. As you began to prepare to be pierced by his blade, he instead rested it in your hand. Just as you breathe your sigh of relief, he rotates the blade slightly and slices right through your palm, a deep and forceful cut. The blade must have been very sharp; It seemed to glide through your skin with little effort. The pain hits you all at once, a stinging sensation emitted from the wound. You gasp, sucking in a sharp breath, and bite your lip hard enough to pierce the delicate skin, now bleeding.

Blood poured from the wound like a fountain as you took it all in. All the pain, all the feeling, all the blood, flowing down your wrist and soaking the ground below you. You couldn’t close your eyes. That was the moment you knew this would suit you. The sight of your blood flowing from you satisfied an itch deep inside. You craved it, again and again, ready to devote your life to the craft assigned to you by cruel karma, god, the universe, or whatever you want to call it. Although, it was right. This is what you were born for. This is what you will die for. In fate’s eyes, you watch yourself. ‘This is me.’ Is all your reflection seems to say.

This is me.

𖧷𖧷𖧷𖧷

Hello lovelies! I hope you enjoyed. I’m thinking of doing a part two about Mattheo’s POV, so let me know if you’d like that! <3

[reinieseason]

the boys’ writers are so smart, they picked the perfect plot of a spin-off. gen v is the perfect spin-off for the boys.

i say this because the two shows directly parallel each other in perspective.

in the boys, we follow humans who have been wronged by supes, which place most supes in an antagonist role, some with redeeming qualities but i feel like overall the boys paints supes in a negative light, save for exceptions like starlight and kimiko.

so the perspective that we spend 3 seasons with is the the perspective of humans, humans who have been wronged by supes.

so most supes i would say are characterized in a very vain negative way.

however, with gen v, our main cast are supes, they are the protagonists of this story. gen v explores the discrimination and consequences these kids face as supes, what they’ve gone through and how their identity as supes shapes who they are. we experience supes as our protagonists and we place humans who have bad experiences with supes (like dean shetty) as our antagonists.

gen v and the boys offer two differing perspectives that make the issues and situations they bring up incredibly more complex than before.

think about how dean shetty is compared to butcher, how they operate with the same anger and the same rage because of similar situations with homelander that caused the lives of the people they loved. if dean shetty was on the boys, we would be on her side more so. she operates on the same side as the boys (i don’t think same team but i feel like if she was on the boys she would be an ally).

and yet in the boys, she is (well… was) our titular antagonist. we viewed the world from the perspectives from the supes like jordan and marie.

so like maybe on the boys’ perspective, this would be about making the supes human or making them know they are not gods. the reason some (maybe most) supes act so carelessly with the world is because they think they are better, they are entitled to more because they are gods, they’re better than humans.

i feel like if the virus storyline is played on the boys, we would be pushing for the (at the very least) existence of this type of virus, something capable of wiping powers from supes when they go out of line.

however, in gen v, we experience the storylines of characters who’s powers are not just their strength but integral parts to their identity ie. jordan, jordan needs their power to be able to express their identity, without it they’ll be lost.

and so we root for the absolute destruction of this type of virus.

i’m not sure if this made any sense but i just feel like the boys writers picked the perfect spin off because now the issues are so much more complex and we can experience these situations from differing perspectives.

[maxknightley]

Which Touhou Girls Can You Plausibly Read As Butch? A Comprehensive Overview

Earlier on Tumblr I saw a post complaining that someone called Hecatia Lapislazuli from Touhou Project butch. This is Hecatia Lapislazuli:

Obviously, like most Touhou characters, she is in fact quite feminine - she just shops at Hell Hot Topic. But it got me thinking: In a series like Touhou, with a cast overwhelmingly defined by feminine (if rowdy) ladies, how many characters could you say are 'butch' without sounding like a complete doofus or significantly redesigning them to fit your headcanon?

CRITERIA

I'll be using four main criteria to judge characters' butchness. In real life, of course, butchness is a multivalent and extremely personal thing, but I'm talking about funny cartoon women from a video game here, so I'm willing to be a little reductive.

These criteria, in order of descending importance, are:

FASHION. In a series where goddamn near everyone is in either a dress or a skirt, the mere act of Wearing A Dress Shirt can be enough to make a powerful statement. Hats may also play a role here, given how many Touhou characters have gay little hats.

HAIRSTYLE. Short hair is not the be-all and end-all of butchness. I, myself, am Decidedly Butch even though I've been growing out my hair since college. But the length and styling of the hair are still a valuable indicator of how someone thinks of themself and wants to be seen.

'TUDE. Could this character be accurately described as "kind of a frat boy?" How do they speak to others? Do they just kind of seem like a character who ought to be butch, regardless of their looks? Do they even lift?

COMEDY FACTOR. Self-explanatory. This will probably only come into play if I run into a weird edge case.

I'll also emphasize that we're grading on a curve here - butchness is being assessed relative to the characters who do not appear on this list. Nobody in this series has a buzzcut, you know what I mean?

THE TIER LIST

AS CLOSE TO CANON AS WE'LL GET

Fujiwara no Mokou. The girl wears a dress shirt, fucking suspenders, and trousers. Not shorts, actual full-length pants. She's also in a perpetual love-hate mutual-murder situationship with Princess Kaguya, who is femme as all fuck. Obviously you don't have to be butch to date a femme - I'm just saying it feels Fitting given their whole deal.

Yuugi Hoshiguma. Most of the time, her fashion sense is actually quite feminine - but her look in the most recent chapter of Cheating Detective Satori, with the one exposed shoulder and the sarashi and all that, significantly alters the balance. Her hair actually reads as more masc to me when she keeps it long and unruly - when she puts it up in a ponytail, she ends up looking very kempt, even elegant. The deciding factor here is 'Tude: Her sheer levels of butch swag are off the fucking charts. (Still, I wouldn't blame someone for arguing she should be knocked down a tier - especially since I'd argue the Comedy Factor works in reverse here. She's way funnier if she doesn't think of herself as butch in the slightest.)

Minamitsu Murasa. In his original appearance I'd argue that Murasa is in "Reasonable" tier - maybe even as low as "Kind of a Stretch." But her big gay Jotaro jacket in Sunken Fossil World, combined with the emphasis on the weightiness and solidity of his trademark anchor, put her over the top. One of the only Touhou girls I consider worthy of being He/Himmed.

Shinmyoumaru Sukuna. The other He/Him-worthy Touhou girl. Very short, slightly messy hair; wears a kimono, not a dress; inheritor of Issun-Boshi's legacy; wears fucking dinnerware as a hat. Why do you want to be Big so badly, huh? So you can pick up women more easily? So you can carry your awful wife through the upside-down threshold of your upside-down bedroom?

Raiko Horikawa. For the longest time I thought her skirt was a pair of shorts because I straight up could not parse it as anything else. Even now I'm like "that can't possibly be a skirt, ZUN just drew it weird. She has to be wearing a full two-piece suit." Skirt aside, her jacket/dress shirt/necktie are still undeniable, as is her short hair. Also, she is a taiko drum given life, and I feel like taiko and timpanis are naturally butch. Maybe if she was a tambourine or a set of bongos I'd rank her lower?

Momoyo Himemushi. Rough-talking miner. Wears a dress shirt, leaves the top button(?) undone. Tromps around a big weird cave with no shoes or socks on. Wears bows and bangles basically everywhere but in her messy, tangled hair. Also, maybe I'm stereotyping here, but I just can't picture a centipede as being femme.

REASONABLE

Wriggle Nightbug. The dress shirt, cape, and puffy shorts all paint a vivid picture, but I just feel like I don't have a strong enough opinion on Wriggle as a character to put her in the top tier. In other words, she's got plenty of points for Fashion and quite a few for Hairstyle, but I just don't think the 'Tude is sufficient for me.

Reisen Udongein Inaba. The skirts are a strike against her, but her whole "dress shirt + necktie + sometimes suit jacket" thing makes a big difference, especially given that we're grading on a curve. Her rumpled ears and (particularly in Inaba of the Moon, Inaba of the Earth) pathetic demeanor go a long way towards giving her a vibe somewhere between "overworked salaryman" and "Detective Columbo."

Aya Shameimaru. All you need to know about Aya is that her "human reporter" disguise looks like This:

Mononobe no Futo. Butch, but in a really weird, circuitous way, imo. Like. She's sort of wearing a dress, but it's sort of a robe - the contrast of the hemline with her big flowy sleeves makes it hard to pin down - and her outfit quite notably has tassels rather than any kind of frills. I don't know what the hell is up with her hat but it's definitely not femme by any stretch of the imagination. Then thou hast the wayes in which she speaketh all "faux-olde-timey," even though nobody else in the setting does that... she transferred her soul into a plate, but she also throws plates around as weapons... It's like she's constantly putting on a performance that only she truly understands. It's like she reverse-engineered "masculine womanhood" by hanging out with a bunch of queens and doing kind of the same thing but kind of the inverse. The more I think about Futo the more I think she's entirely on her own wavelength, but I think "Reasonable" tier is a... uh, reasonable... approximation for the sake of this post.

Sagume Kishin. She dresses like if Bill Nye were a woman, and I think that cuts to the heart of it - she reminds me of a professor who you're not ever sure is gay, but you kind of pick up on a vibe, and near the end of the semester she offhandedly refers to "her partner" and you're like HOLY SHIT I KNEW IT. I went back and forth between putting her in "Reasonable" and "Kind of a Stretch"; ultimately, the Comedy Factor decided it because I couldn't stop thinking about a scenario where she says she's a woman, accidentally upends her whole understanding of gender in the process, and ends up taking testosterone while still ID'ing as a lesbian. I don't actually know if her powers would work that way and I don't care.

KIND OF A STRETCH

Eiki Shiki. I don't have a lot to go on, here, because she hasn't had many official appearances and seems to spend most of her time lecturing people or tormenting sinners. Her uniform(?)/apothecary outfit(??) is pretty snazzy; combined with the hat, it gives her a vaguely "military officer" look to me. We'll call her "butch pending further investigation," which I think she would agree is the correct course of action.

Sekibanki. She's here partially because of the cape, and partially because being sandwiched between Wakasagihime and Kagerou makes her look way more masc by contrast. I know what I said.

Ringo. It's pretty much just the hat and the pants, though - as a butch woman who Loves Eating - I am also inclined to project my own experiences onto her.

Aunn Komano. She reads as more "tomboyish" than outright "butch" to me, what with her whole puppy-dog vibe, but at the same time... she's very much wearing shorts and the kind of goofy-looking button-up shirt that is central to my own wardrobe and the wardrobe of other butches in my life. I'm willing to count her.

Takane Yamashiro. A living testament to the power of small character design choices. I would never in a million years call Nitori butch, even with her gay little hat and all the pouches on her outfit - she just looks like a girl scout. Takane, though? Takane, with her little hair swoopy, and the fucking suitcase slung over her back, and her camo-print dress? I mean - ultimately it is still a dress, which is why I can't justify scoring her higher, but she's definitely chewing tobacco and riding around on an ATV on weekends.

Chiyari Tenkaijin. If she's butch, it's not really because she's trying to be butch, it's just because being femme seems too expensive and time-consuming. She's got better things to do (drink blood all day). Still, I think an argument could be made.

DEFINITELY A STRETCH, BUT I RESPECT IT

Renko Usami. ZUN is kind of inconsistent with how he draws her hat - sometimes it's more of a porkpie/fedora type thing, other times it's round-topped and looks a bit like Koishi's hat. To me, this is a crucial distinction. In a more general sense, I feel like Renko's outfit gets a little less plausibly-masc with each passing album, which says a lot about our society. Or her society, anyway, since she lives in the future. Still, the capelets and bowties...

Rinnosuke Morichika. I think it would be really funny if the only significant male character in Touhou wasn't actually even a dude. I'm not aware of any real textual support for this interpretation, though.

Shou Toramaru. Pretty much only on here because of the hair and because I think there's a certain je ne sais quoi to her whole deal of "she's not a real tiger, she's the idea of a tiger that pre-Meiji Japanese people came up with from secondhand accounts."

Seija Kijin. Not even remotely butch by any stretch of the imagination... But if she did consider herself butch, isn't that exactly what she'd want you to think?

POTENTIALLY NOTEWORTHY EXCLUSIONS

Cirno. "Tomboyish" is not the same thing as "butch," to me, especially if you exclusively wear dresses. Also, I'm not sure Cirno even knows what a lesbian is.

Saki Kurokoma. Not actually butch, just a horse girl. (And a horsegirl.)

Mike Goutokuji. Can't tell if she's wearing a skirt or shorts. She's got short hair, sure, but the whole "matching bell collar and wristbands that also have bells attached" thing makes her look more like a Very Online Trans Woman who just figured herself out and hasn't started hormones or bought any new clothes yet.

[delawaredetroit]

I hope you're not missing the metal meltdown of half the fandom right now. The new epilogo is indeed worse than the last one, not that much for the izuocha like there are like a foot page but how bakugou is treated, you can see a lot fans crying.

I've seen it. I wasn't going to comment until there was a translation out because there's no point in reacting to leaks.

And actually, I disagree. I have several bones to pick with this epilogue, but overall it's a better ending than 430 for a number of reasons.

I like the focus on Ochako's quirk counseling program. It shows that the focus became more holistic and tailored to the needs of the individual child. The problem with the prior quirk counseling was that it was all about suppression/fitting into a narrow role society assigns to each person, not the idea of counseling children on quirk usage itself. It looks like Uravity's program is more about meeting the needs of the individual children, which was what their society needed to prevent villains in the first place.

It also clears up that Izuku would have chosen to teach regardless, and that it wasn't a sad consolation prize as initially portrayed in 430. It's a positive development that Izuku was able to put his own needs first: both in being able to tell Bakugou no because Izuku has his own dreams and in reaching out to Ochako at the end of the chapter.

This chapter was a great endpoint for Bakugou's character development, and I don't understand why people are crying about it. Look at where he started. Could 14 or even 16 year old Bakugou accept rejection and acknowledge Izuku's value as a person with that kind of grace? Could he have attended the party of a classmate who ranked much higher than him without making everything about himself? He has genuinely become an adult.

Some of my main gripes with it are the ranking system continuing to exist, the lack of anything on the Shigaraki issue, the unresolved quirk singularity lurking in the background, and the strange portrayal of pursuing a romantic relationship as a "selfish" endeavor.

[yesihaveaobsession]

ᄃΛЯVΣD

Alastor x female reader

Summary: The reader (you) souled your soul to the one and only Radio Demon, you were also his pretty little pet that he has to claim. So, what does he do? He carves into you.

A/N- I'm back! I had writers block and have been super busy so sorry about that, but I FINALLY found something to write so I hope y'all enjoy :D

Also, sorry if this sucks!!

WARNINGS: BLOOD, CUTTING, AND LANGUAGE

You found yourself in quite a predicament. Tied and trapped on a makeshift bed by tentacles, you remembered how you sold your soul to Alastor when you first arrived in Hell. Let's just say it wasn't your best decision. Why? You were young and pretty, part of the reason Alastor picked you as his next target. He promised to protect you and help with your needs, but instead, it felt like the roles were reversed.

Pinned down to the makeshift bed, the lights were dim, with only the lit fireplace serving as the main source of illumination. The Radio Demon stood by the flames, holding a knife over them. His back was turned to you, one hand resting behind him.

"I regret selling my soul to you," you said. He paused, lifting the knife, and when he turned back to you, his smile was even more sinister in the flickering firelight.

Alastor looked at the knife, seeing his smiling reflection, then back at you. "Aw, but darling, my end of the bargain was far sweeter. I get to do with you as I please." The demon examined the knife, ensuring it was hot enough. You thought he was joking, as he often did about this type of torture, but in that moment, you realized he was serious.

"Please, don't do this," you pleaded, half-heartedly. He brought the glowing blade close to your face.

"Now, dear, there's no use begging me. I'm simply taking the payment I'm due. You agreed to pay the consequences, no matter how big. Isn’t that right, my dear?"

"But you never said anything like—" you began, but he cut you off by leaning in close and placing the hot blade on your sternum, making you feel the heat on your chest.

"And that’s the best part, isn’t it? You agreed to my bargain without knowing exactly what you were signing up for," Alastor smiled. You weren’t one to give up, so you tried struggling against the tentacles, but they only tightened, keeping you pinned on your stomach with your face toward him.

Alastor took the opportunity to move even closer, pinning your arms with his elbows. Your eyes avoided him, so the Radio Demon placed his hand under your jaw, forcing you to look into his mischievous red eyes.

"Dear, you do know I am letting wretched people know who you belong to, right?"

"Fuck you," you gritted, which only pleased him more. He let out a deep, sinister laugh that sent cold shivers down your spine, gripping your jaw tighter.

"Now, now, darling, that’s not very nice, is it?"

"I'll tell everyone, I'll tell Charlie how you're only using the hotel to—" Maybe threatening him would work, and suddenly, you felt some confidence return, but it soon vanished when his grip tightened, claws digging into your flesh. His smile grew wider, and his eyes darkened in the dim light.

"I suggest you choose your next words carefully. I am being as nice as I possibly can, and this is quite frankly my favorite time we’ve spent together so far. But there is nothing stopping me from using the knife. Now, what was that you were saying, sweetheart?"

"Nothing," you whispered, your eyes drifting away.

"That's what I thought, dear." He finally loosened his hold on your jaw and walked behind you, resuming his task.

"Please don't do this."

Alastor began tracing the still warm blade along your back, not even leaving a mark. You could feel the heat radiate against your skin. Although it barely grazed you, it was still hot as hell, making you wince. He continued tracing the blade slowly and lightly up your back, eventually reaching the base of your bra strap. He used the tip to fiddle with the strap while waiting for a response from you.

"Wait! Please."

The Deer Demon continued, clearly indifferent to your begging and pleading. The blade soon grazed your spine softly and slowly. He then leaned over to your ear, his smile never leaving his face.

"Yes, darling?"

"I-I don't want this," your voice breaking slightly. You were terrified, rightfully so. He wasn’t done toying with you, though. You felt the blade travel to a scar on your shoulder from when you were alive. He traced it with the tip of the knife.

"Please," you started to cry. You couldn't see him; you could only feel what he was doing and hear the faint jazz music filling the room, competing with his happy humming. Suddenly, everything stopped. His humming, the jazz, the knife on your scar—all ceased for a moment before resuming. The tip rested on your shoulder.

"You see this scar you have here, darling?" Your heart sank, and you started to squirm again. That's when he began to cut into your shoulder, blood seeping onto the knife.

"How did you get this one?" he asked curiously. You let out a high-pitched scream as sharp pain shot through your whole body, numbing you. It felt like falling through a rabbit hole into another world, but it was all too real. Alastor started carving the letter "A" into your shoulder. Your screams and cries didn't seem to bother him; in fact, he enjoyed it. Once satisfied with his work, he walked in front of you, getting in your face again. You were panting, your eyes now hooded. He brought the tip of the knife close to your face.

"You see this? This is who you belong to, my dear. This is why you are mine. Understand?"

You didn’t answer right away, and he didn’t like that. Slowly, he traced the knife along your cheek, moving it to your temple and resting it on the sensitive skin there, waiting for a response. When you still didn’t answer, he applied more pressure, making you wince.

"I—"

"I can't quite hear you." The knife began to dig into your temple, not hard but enough to hurt.

"I belong to you."

Satisfied once more, a sly smile crept across his face upon hearing your words. Alastor removed the blade from your temple, leaving a thin cut. You sucked in a breath and closed your eyes. Smiling, he placed the knife over your heart. You were exhausted, and he knew it. It might have been only a few minutes, but it felt like hours.

"And don't you forget it. Understand?"

You gulped and looked into his red eyes, managing to squeak out a response, "I understand."

Alastor removed the bloody knife and kissed your head. "Good girl." He smiled, wiped the knife off, and the tentacles undid themselves, disappearing back into him. He left you on the floor.

[shaylogic]

Wishlist for DBDA Season 2:

A proper noir episode that plays off Edwin's fondness for traditional detective stories

Significantly more focus on Niko's character now that the traditional comic trio had season 1 to establish. Exploring her father's afterlife situation, meeting up with her Mom, discovering her own strength and skills (especially if she has supernatural powers after the polar bear figurine)

More of Charles' living backstory and family mystery possibly reflecting the comics

Edwin's living backstory and family, whom we know next to nothing about even in comics

Crystal picking up more tech/hacking skills

Cryland Crystal x Charles relationship dynamics: conflict around her bully side, trauma-bonding and conflict around the different kinds of shitty parents they have (which so far has been something Crystal's been better about with Charles than Edwin has been)

Monty, Jenny, and Cat King all move to London with the squad. Idc how or why. I'll accept any reasoning.

Happy lesbians or other wlws!!! Didn't quite get that in season 1.

More Kashi! What is going on with him? He seems important

An episode where one of the main characters is stuck floating upside down like in the Topsy-Turvey comic, and the others take turns holding their hand like they're a balloon

Squooshing and the Ghost Roads

More worldbuilding of realms (Neitherlands?) and ghost rules/abilities

Crystal resolving buried David of course

Desire of the Endless interaction with the rest of our queer characters (which is basically all of them)

Flashback montage of the silly early cases Edwin & Charles did together in the past that they referenced in season 1

Flashback on how the boys began their Detective Agency: their very first case.

Expand their first meeting in the attic scene to include if they actually spoke to Death, what happened to their bodies, and showing them realizing the school is covering them both up

Return to St. Hilarion's. Put bodies to rest. Burn it to the ground.

Edwin new outfit. Once done with the school visit and flashbacks, he should pick something mature and individual to separate the new him from the death trauma time

Jenny's new role in the agency group now that she's aware and sees ghosts. Bonus points for goth knowledge

Charles crop top for the fans

Charles figuring out his 🤞 bisexuality 🤞 this season much like Edwin worked through his internalized homophobia in season 1. We desperately need meaningfully in depth, genuine, quality bi rep in media and I trust this show with it. (Shout out to Nick Heartstopper though)

Payneland dynamics: still slow-burn figuring out their relationship as friends or more now that the confession is known. By the end of season 2 and Charles bi journey?, relationships start to shift a bit from Cryland to Payneland perhaps... [I love them both honestly]. Just when Edwin is making up his mind to put his crush on Charles aside and start looking for his "adventure of the heart" elsewhere, that's right when Charles starts to get more interested. And we may expect him to get all flirty but he actually gets more nervous and genuine with Edwin.

Monty becomes humanoid again and is learning who he is out on his own. Maybe he gets a job and apartment. Trying to figure out his purpose as an individual instead of familiar.

Cat King has a name, an animated backstory, and a new love interest that sees through his bullshit and keeps him humble

Feel free to add your own wishlist in the reblogs/comments! <3

[chukys-mouthguard]

Passenger Princess

featuring: arber xhekaj x female reader - numerous canandiens players included

summary: arber and the habs are preparing for the biggest heist they’ve taken on. But in the midst of their preparations, arber encounters his achilles heel that brings everything into perspective

genre: organized crime family au!

note: the name of arber’s gang is “the habs”….Let me know your thoughts on this little intro to the story! Apologies if this sucks or isn’t much, i fully intend on it picking up, just felt like setting context was necessary!

Part 1

The Habs are the last group of people you’d ever want to involve yourself with. Yet here you are.

Montreal’s most notorious organized crime family that run the city's underground import market. Guns, cars, drugs- they do it all. Led by Arber Xhekaj, a man whom no one would dare to cross.

A little over a year ago you found yourself caught up in a heist that went sideways. You were never supposed to be around when Arber and his guys narrowed in on a group of men who had done him dirty. Luckily you weren’t seriously hurt, though Arber insisted you go with him so he could be sure. And from that day on, you’d become the only thing that could turn him soft. Like you were his kryptonite, his one and only weakness.

Arber had followed in his father’s footsteps the day he’d begun toying with the idea of a future in the Montreal underground import trade. But he’d surpassed his father and then some once he’d become the leader of The Habs. His ability to control the illegal import trade in every category had The Habs labeled as enemy number one for all rival crime groups, which only made his life that much more exciting.

Aside from Arber, there were five other men who helped make up The Habs. Each of them having their own role within the group.

Florian was Arber’s younger brother and made up one half of the “collectors” of The Habs. If anyone owed Arber any debts, Florian would be assigned to collect. He was fairly soft spoken, definitely kept to himself amongst the group. But would go to the ends of the earth for Arber, and vice versa. Florian was the only other person, aside from you, that Arber had a soft spot for.

Kirby was the other half of the “collectors”, and probably one of the biggest pests on the planet. If talking shit was a job, he’d be employee of the month year round. His favorite part of his role, interrogating and getting under the skin of clients. Arber oftentimes has to reel Kirby in, his mouth being one of his best attributes, but also a major caveat that got him trouble religiously.

Cole was honestly the one key to The Habs you still don’t quite understand, but it works. He’s one of the smartest dumb people you’d ever met. He was responsible for all the undercover work that helped gather information for safer heists and collections. He was never someone that would be suspected, and that’s what made him perfect for his role. Able to gain intel that would seem nearly impossible to gather otherwise, but Cole had his ways.

Juraj was the foreign piece to the puzzle, having connections overseas that helped with getting anything needed from outside of Canada. He played a crucial role in finding partners overseas that could help guarantee continuous flow of imports for all of Arber’s clients. The Habs would be nothing without Juraj’s connections, as they have kept The Habs ahead of anyone else when it comes to what they are able to push. Though he is young, his knowledge exceeds his years when it comes to bringing in guns, cars, and drugs.

Last but not least, Nick. The sole reason The Habs can do anything successfully. Nick is the brains behind so many drops and heists. His bedroom at Arber’s mansion was filled with more tech equipment than a Best Buy. Always coming up with new security measures for the group, or mapping out the safest escape routes if deals go south. Nick was the main reason you ever felt safe being along for the ride on any of Arber’s drops. He was always two steps ahead, ready for any situation a client or other gang might try to throw at The Habs.

Your role within The Habs was simple: don’t get caught in the middle of anything. Arber had made it clear once the two of you had started dating that he couldn’t handle anything ever happening to you. The day you’d come into his life had been a lot for him to begin with. And he swore that he’d never let anything bad ever happen to you again. But his line of work almost made that promise seem impossible for him to keep.

Most of the time you went along for the ride when Arber was doing smaller deals, or when it was routine business that posed no threats. Rarely would Arber include you if there was the possibility of weapons being necessary. And the others had come to learn that as much as the drugs and guns were important to protect; you were Arber’s most prized possession.

[vigilskeep]

i have never thought of the bg3 paths as railroaded before but oh my god... i see your vision. i think that, for all that can be picked apart in the writing of dragon age, the worldbuilding in that series is so so interested in complicating all factions that you can envision a character who /makes sense/ while bouncing through various ideologies. and the sort of fantasy writing in (most of) the forgotten realms doesn't really allow for that.

dao is particularly the light of my life because the origins mechanic is specifically intended to let you create a character who has a distinctive perspective on the world that’s grounded in the worldbuilding. one of my favourite aspects of this is several origins having completely different codex entries on their own culture as opposed to those an outsider would get. it’s really good! it’s also a reasonably grounded world (while obviously silly) because, like, the basic fundamental premise of thedas, from which they ikea flatpack built almost every feature, is “how would people react to magical and fantastical diversity? the same way they react to human diversity.” you’re meant to feel like, aside from i guess the darkspawn, people are normal and have real motivations. sure it has to fulfil certain roles in a story, and dragon age was manufactured too quickly and purposefully for everything to land feeling authentic, but evil in dragon age should feel recognisable. and in most of the origins they give you a chance to do something that is bad, but also totally makes sense, because of the context of your character belonging to this world where these things happen

in dnd/the forgotten realms it’s a bit different because capital e Evil exists, so there are people and deities and devils (and, to open another can of worms, races) whose entire goal is to Do Evil. it’s also harder to produce grounded evil because in a world where i’m being given basically no context and just told to make whatever i want, i don’t have an inch of the kind of social information i get from for example a dao origin: what my character has been taught to believe they should do to survive, who they are willing to sacrifice, whatever. bg3 also happens to have a main plot goal that is, at least for the first part of the game, broadly selfish (“i am sick, and i need a cure”) which works really well for getting a bunch of people with vastly differing moral standards to band together for the same goal, and not so good for any kind of “greater good” type blurred morality, so that’s out too

however much the worldbuilding factors into this, bg3 specifically went for quite a clear distinction between the good path and the capital e Evil Path, and i find it pretty hard to vary up the good path. when i say railroaded i mean you either do the specific thing that gets you a quest down the line or not. i was really disappointed actually in my playthrough where i totally fucked up in the druids’ grove and caused a fight to break out, because it immediately instakilled tons of characters i knew i would need down the line. the few it spared needed some of the dead ones to stay alive in later quests, so it’s like... oh. that’s just... over. for both factions. bg3 arguably lets you do basically anything you want but they are able to do that because if you fuck around it just breaks the entire quest line from coming up again, which means playing a character who fucks up is not even really going to get me consequences it’s just going to cut content from the game. does that make sense? and then the Evil Path is just straight up evil, like... there’s no way for me to complicate and empathise, here, especially playing a blank canvas character whose motivations i would have to make up from nothing, and who faces basically no consequences for not doing this. the only neutral/cowardly/self-interested option in act 1 is to do neither path, which gets me the least content because i literally don’t get to play the fucking game

i don’t know, i’m not saying it’s necessarily bad just that it’s hard for me, personally, and how i like to create characters. especially when you have my constant restart disease and you have to do this all over again a dozen times just for a handful of different dialogue. does any of that make sense

[miraculouslbcnreactions]

“Also because I want [Nino] to be more narratively important but that is a rant for another day.” And will that day be someday soon? Wink wink nudge nudge :3c

I am happy to give Nino some love, but before we do, we need to talk about how badly canon has failed him. The reason we need to have that talk is that the love I'm going to give is far more headcanon-y than I usually go in these analysis posts. For most characters, I can give a strong canon-based argument for a core characterization. For Nino? Well, I am pulling this stuff from canon, but I wouldn't exactly label it a "strong" argument. There are even elements of my take on Nino that you could label "grasping at straws".

And I'm happy to own that! I delight in giving Nino all the love he deserves even if it doesn't perfectly match canon, but that means that my Nino is less me leaning into the best parts of canon and more me shifting through canon, grabbing a few shinny bits, and weaving them into something that you may not agree with because my vision for Nino is to elevate him to match Alya in terms of narrative importance because I want the team show season two promised me even if I have to make it myself!

And if you don't want that? Then that's fine! I'm not arguing that everyone should adopt this take. My version of Nino is about as close to an OC as I get when writing fanfic. So let's get into it and talk about why I had to do that. (Also note that I have nothing against OCs. It's just that, when it comes to my own writing, I try to reserve them for original fiction or for very minor roles that no canon character could fill. Totally a matter of personal preference and not some sort of judgement.)

The Many Ways that Canon has Done Nino Dirty

If we look at what is arguably the main group of friends - Alya, Marinette, Adrien, and Nino - then we can see a clear base concept for the first three. Alya is the plucky reporter. Marinette is the headstrong leader. Adrien is the sweet goofball. Nino is... Alya's boyfriend? Adrien's best friend? Chris' older brother?

This is the problem that I was referring to above. Alya, Adrien, and Marinette have clear roles that you could pick out by just watching Origins. Nino doesn't. He doesn't even speak in part one and part two gives him all of six lines. These lines establish him as a nice guy since they're all about him being kind to Adrien, but that's about it. Here's one of them as an example:

Miss Bustier: Agreste, Adrien? Nino: (quietly to Adrien) You say "present". Adrien: (jumps up with his hand raised) Uh, present!

This is a cute moment for sure, but when I look at it, I can't tell you who Nino is supposed to be other than a nice guy, which isn't much to go on. Nice guys can fit a lot of roles.

This isn't necessarily a flaw. Some characters have roles that are immediately obvious and some characters don't. This second class of character usually just has a more complex role that will be discovered and defined based on their actions as the story goes on. However, because Miraculous' writing is all over the place, Nino gets screwed. Instead of his actions defining his nebulous role, his actions make his role impossible to pin down! Here are a few examples:

Nino the Protector:

Season two was big on the idea that miraculous had to be suited to their holders. That's why Chloe kept getting the bee as we saw in Malediktator:

Marinette: I must choose someone who's not impressed by people in power. Who can help me trap Malediktator. Huh?! Of course! That's it. (reaches for the Miraculous of the Bee)

And why did Nino get the turtle in Anansi?

Marinette: I need a protective Miraculous. (gasps, and points at the Turtle Miraculous Master Fu is wearing) That's the one I need, Master! (Master Fu gasps) Uh, if it's okay with you. Master Fu: (smiles at Wayzz, who nods to him) Do you have someone in mind, Marinette?  Marinette: Actually, I think I found just the right person.

Okay, cool, we finally have a strong defining trait for Nino! He's a protector! Or, at least, he was here. Other episodes go directly against this role such as this nonsense from Illusion:

Nino: What's up is Ladybug and Cat Noir don't have us to help them anymore. Alya: (nervously) Um, um— uh— what do you mean, "us"? Nino: Well, us, you Rena Rouge, me Carapace! (Alya kicks his leg underneath the table) Ouch! What's the big deal? We can tell Marinette and Adrien we used to be superheroes.

This first issue with this episode is that we see Nino out his and Alya's secret identities without her permission even though the resistance did NOT require an identity reveal to be a thing. In other words, our supposed protector is taking a big risk for no reason. Then he goes and does this:

Nino: Hence my plan. We're gonna film an akumatization. Alya: And how are you, Comrade Ketchup, gonna be in the know when and where this akumatization takes place? Nino: Easy, Comrade Beurre Maître d'Hôtel. I'm gonna make it happen.

Which leads to the four friends antagonizing Gabriel even though Nino knows how complex Adrien and Gabriel's relationship is. A move that makes no sense for a supposed protector because Gabriel was far from their only option. Nino could have picked anyone, but he went with the riskiest candidate possible, exposing his best friend to a potentially massive backlash.

Nino also doesn't even try to contact Ladybug and Chat Noir prior to this insane plan, thereby putting the whole city at unnecessary risk! What kind of protector purposely causes an akuma without also coming up with mitigation strategies to minimize the resulting damage?

Everything Nino does in this episode should disqualify him from ever holding the turtle again or, at the very least, he should have to redeem himself before holding the turtle again. This is especially true since he never apologizes for anything he did in Illusion and this is just one example of the issue. It's actually kind of hard to find moments where Nino acts as a protector even though he holds the miraculous of Protection. So is he supposed to be a protector? Who knows!

Nino, The Empath:

That first example was long, so we'll pick two quicker ones to flesh this out. The first one is how Nino and Adrien's relationship is defined. In Origins and the New York Special Nino is written as a kind and sensitive guy who is acting as Adrien's guide to dating and other elements of the real world:

Nino: Yup. I love Adrien, but he's like a baby chick that's just started cracking out of his egg. He has a hard time understanding the signals people send him. Alya: What signals? Marinette isn't exactly sending them clearly. I mean, look! What is she doing with her arms? Telling him what to do in case of an emergency landing or something? Nino:(sighs) If only this trip could help Adrien finally come out of his shell.

But then you have episodes like Animan where Adrien is Nino's guide to dating:

Nino: Shhh! You know I'm no good with the ladies, especially this one all of a sudden. I mean, dude, do I go up to her and crack her a joke? Shoot her a compliment? Invite her to the zoo? Play it serious? Adrien: Nino, you're way over-thinking this. "Invite her to the zoo", you serious? Nino: Well, they have this really cool new exhibit there. Adrien: Listen, just be yourself, man.

And episodes like Illusion (discussed above) and Psycomedian (see below) where Adrien is deeply uncomfortable and Nino doesn't notice:

Nino: See, dude? I told you! Hilarious, right? Adrien: Uh... (laughs nervously) Right! Really funny, Nino. Nino: I gotta show you his other sketches. It's insane that you don't know Harry Clown! (laughs)

Which might work if these episodes were about Nino learning a lesson, but they're not. Nino learns nothing, so is he generally in tune with others or is he kind of oblivious to other peoples' feelings? And why did Nino ever think that Adrien was a good source of romantic advice if he also thinks that Adrien is "a baby chick"? Pick a lane people!

Nino's Hobbies

Our final source of confusion is trying to define what Nino even enjoys doing. Horrificator and Queen Banana have him playing around as an amature film maker, but we also see him acting as an amature DJ with the wiki even claiming that he's the head of the school's radio station. So which of these things is his passion? Movies or music?

To be clear, I think it's fine to have multiple passions, but this is a story. You want to keep your characters' non-story-relevant hobbies kind of simple, especially when the character in question is a relatively minor side character who rarely gets much screen time. It's why Alix is only really into roller skating and why Nathaniel is only really into art. You don't want them to be more complex than that.

Even the main characters get this "keep it simple" treatment with Marinette only really being into fashion and Alya only really being into her blog. The girls don't need two demanding passions that would eat up all of their free time, but that's what Nino gets! Film and music are both incredibly demanding passions and it's hard to balance a character who is into both who is also an active superhero. That's a lot for one dude to do well!

I've actually seen fics that cast Nino as wanting to be a director and fics that make him want to be a professional DJ because canon really isn't clear about this pretty basic aspect of his character, but you do need to pick a lane when writing anything that gives Nino a career and so people seem to pick a passion at random.

My Version of Nino

By now, we're hopefully in agreement that canon has made a mess of Nino's character to the point where it's near impossible to say "this is who Nino is supposed to be." However, if you want to write Nino, then you do kind of have to pick a characterization to go with, so here's what I've come up with. Feel free to embrace it or reject it, but know that you will pry my version of Nino out of my cold dead hands because I utterly adore him.

Since Nino is Carapace, I base everything about him around the concept of "protect and defend" because he needs to feel like he deserves his heroic alter ego. I do not want to make canon's mistake of giving him a miraculous that massively contradicts his writing. Especially when that writing makes him feel interchangeable with other characters. At this point, no one from canon screams "turtle miraculous" unless you want to give it to Adrien since he's Ladybug's defender.

I also designed Nino around Alya and Adrien as those will arguably be his most important relationships. He should feel like a perfect fit for boyfriend and best friend respectively. I also took Marinette into consideration because he's going to be part of her team/friend group, so he should work with her, too.

What all that means is that I basically said "okay, this is where Nino is supposed to fit in the story and this is the dumpster fire that canon gave us, how do I pull pieces from the fire and paste them together to make a character that fits who Nino should have been?"

To really get into my version of Nino, I'd almost have to give you a fic to read, but that's way too much for a Tumblr post, so let's keep this high-level and just look at some of my notes on Nino from my lore Bible:

Nino is a major audiophile. He loves listening to music and watching movies/TV shows to study how they play with sound. He wants to be an audio engineer when he's older, but he also has a general passion for all things music and film. He’ll listen to any genre and watch almost any movie or show. He loves to take charge of the music at events so that the music really fits the crowd (and so it sounds good). It isn’t unheard of for him to go see an unknown band or an odd indie film on his own. This will become a major bonding point for Nino and Adrien because of the influence of Adrien's mother. Nino has seen all of Emilie's films and loves them. It will also bond him and Alya as his knowledge of film making will allow him to help her learn the art of filming now that she's doing complex things like actions shots and editing together multiple recordings.

Nino is generally pretty laid back and likes to hear people out. His reaction to confrontation is to try to calm everyone down so that they can get to the heart of the issue. He wants everyone to get along, but he's also not going to let someone take the blame when they shouldn't. Nino protects the innocent.

Nino is incredibly protective of the people he loves. If someone he cares about is in danger, his peaceful nature goes straight out the window. He’s the kind of person who would happily take a bullet for his friends and family. This will lead to him following Alya around once the hero stuff starts because he wants to keep her safe. Never let Alya go out alone if Nino is around or even just aware that a fight is happening. Alya thinks "scoop" and Nino thinks "my Alya sense is tingling." He's NOT there to stop her from doing what she loves, he's just there to be her spotter who lets her focus on filming while he watches for danger, though that will initially be a struggle for him. Treat this as his audition/training for Carapace where he learns to balance protective instincts with getting the job done so that he's ready to perfectly take on his miraculous.

When Nino’s folks split up, his mother insisted that the kids should go to therapy to help process things. They had individual and family counseling. Nino was actually pretty cool with the divorce as he’d seen it coming, but his brother was really affected by it, so Nino spent his time working on ways to help Chris (and being told that he was a brother, not a parent, but he still wanted to help). He learned a lot from going through it and it’s why he’s so good at dealing with emotional issues. He’s also good at not taking those burdens on himself. He wants to help, but knows that it's your battle. Marinette often looks to Nino for guidance on emotional issues because she knows that she's terrible at navigating them. She has given him full permission to stop her when she's too focused on solutions over support. All of the friends will help Adrien figure out social situations, but Nino will be the main guide as he's the one with the strongest skills in that area. Plus Adrien makes Nino's protective big brother instincts go crazy.

Nino’s a bit of a loner by choice. He has "weird" hobbies that easily lend themselves to being done alone and he doesn't have any interest in "forcing" his hobbies on someone who doesn't actually enjoy them, so he spends a lot of time by himself and rarely invites others to share in his interests. He only does that when he thinks that they'll actually enjoy what he's sharing. He doesn’t mind this, but he’s also a very welcoming individual who doesn’t like to see people left out, so he’ll come out of his shell when he sees someone who needs a friend. This usually leads to him making friends who soon become closer with others, but still view him as a casual friend. He’s cool with that. He's just happy that they found their people. Adrien will be the first friend who really stays Nino’s due to an understanding of Nino’s “weird” hobbies. After all, Adrien’s the son of an actress. He’s used to weird indie films and discussions of cinematography. I'd even say that he revels in it and realizes that he has missed it desperately since his mom got too sick to do that kind of thing. Basically, Nino will fill a spot in Adrien's heart that Adrien didn't even know was empty. Adrien can listen to Nino talk about cinematography for hours and never get bored. Before Adrien, no one knew that Nino was this talkative!

If anyone wants more insights into this topic, feel free to send an ask, but I think we'll call this post done now because it's SUPER long.