#I have all these little problems. That on their own aren't that bad. But they just. keep piling up and become one big problem for me

[deas-junk-bin]

Something interesting I've noticed.

All the characters in the Veilguard assume that Spite is a senselessly destructive problem gremlin, and that Lucanis is reining him in and preventing him from causing harm. Lucanis himself is very insistent that this is the case, and many fans are already accepting this idea as fact. But if you pay attention to Spite's behavior, the reverse is actually true!

Since Dragon Age's handling of mages, demons, and spirits has always invited players to use critical thinking and notice where the characters' cultural biases and prejudices don't line up with what's actually happening, I do think it's weird how few people are talking about this. I suppose it might be possible to miss, if you haven't seen the end of Lucanis' storyline yet and aren't paying close attention to Spite. But even before the scene where Spite's intentions are revealed, there are plenty of clues that he isn't as much of a danger as Lucanis fears.

Once you do reach that scene, it's pretty clearly revealed that Spite has been trying to keep Lucanis' self-destructive behavior in check all along. His efforts were dismissed as troublemaking by the team, but he's actually trying to look after Lucanis, in his weird demon-y way. However, even before his true goal is revealed, Spite's behavior is always consistent with that goal, not with the generic malevolence that Lucanis and some of the other companions ascribe to him. He typically isn't hostile towards anyone Lucanis isn't, with only one major exception. Spite is a bit more emotionally reactive and vindictive than Lucanis, for sure. Lucanis comparing him to a child throwing a tantrum certainly seems to ring true. But he doesn't do pointlessly evil things for no reason.

(That one exception was obviously unusual, too. That dude did something very blatantly rude, which provoked Spite. It was genuine douchebag behavior, and he had bad vibes and needed to get his ass kicked anyway. Spite's violent response was likely an overreaction, based on the information he had at the time, but he was still reacting to someone else's actions, not just randomly turning hostile.)

Of course, you could argue that Spite is acting out of self-interest, since everything that happens to Lucanis also happens to him. However, practically speaking, I don't think that matters very much. Their priorities align a lot, way more than Lucanis realizes they do. Lucanis and Spite share a common interest in survival, something Lucanis himself will point out shortly after you recruit him, and they grow to become a true team with shared goals by the end of their storyline. Under such circumstances, it seems a little pointless to try to distinguish whether Spite is being selfish or genuinely cares for Lucanis. Both amount to the same thing in the end.

In all three previous Dragon Age games, we hear Thedosians assume demons always want indiscriminate violence and can't be reasoned with or appeased, and in all three previous Dragon Age games, we repeatedly see this assumption proven wrong. It's at best a flawed guideline based on edge cases, or at worst, a hateful stereotype. Lucanis claims Spite can't be negotiated with, that "talk doesn't work on Spite" because of his fundamental nature. But by the end of the storyline, talking to Spite and reaching a verbal agreement is actually the only thing that successfully resolves Lucanis' conflict with him!

I don't think it's a stretch to suggest that Lucanis is simply wrong about how demons work. He's ashamed, scared, and traumatized by his experience in the Ossuary, which makes him prone to to intrusive ruminations about potential worst-case scenarios. And since he's not a mage, he is, through no fault of his own, practically guaranteed to be ignorant on this topic. Even many mages don't understand demons very well. It takes a specialist in spirit magic to explain certain things, as we saw in Inquisition with Cole and Solas. Lucanis is perfectly poised to have basically zero factual information about demons, but a ton of cultural and personal reasons to vilify his new possessed self. Considering this context, it really seems odd that fans are interpreting Lucanis' statements about Spite as unbiased narrative fact.

Then again, this is the same fandom where a lot of people apparently still think Fenris' mansion formerly belonged to Danarius. Fenris mistakenly thought it did in Act I, but he later explicitly corrects his mistake aloud! (As Fenris explains, Danarius was only staying there as a guest. The house actually belonged to a merchant who was an acquaintance of his.) So maybe I'm just overly optimistic about how much detail is going to stick for people. These games have a lot going on in them, after all, so I guess it's inevitable for people to miss some things.

[mimisempai]

Just a little longer

Summary

For once, it's Aziraphale who wants to stay in bed longer. The problem is that they're expecting visitors, and Crowley has to use a lot of persuasion to get the angel to get up.

Notes

I love a needy angel (and Crowley too)

On Ao3

Rating G -  524 words

"Angel... we really need to get up..."

Crowley tried unsuccessfully to free himself from the grip of Aziraphale's arms around his waist and chuckled before saying, "I can't believe I'm the one telling you this."

Aziraphale grunted and buried his face further into Crowley's neck.

The demon chuckled again.

"If I wasn't sure I was in my own body, I'd think we'd swapped bodies again."

He felt the angel's lips quiver against his skin as the angel smiled.

Crowley almost felt bad for being the voice of reason when Aziraphale, for once, indulged in a lie-in and enjoyed the moment.

Still, he tried to pull away from the angel's embrace, but Aziraphale held on even tighter.

"Angel, you're going to break my ribs!"

The angel grumbled against him, "I don't want you to get up."

"But we both have to get up, since half of Whickber Street is coming to visit."

"Maggie, Nina and Muriel aren't half the street."

"Considering the number of words they speak per minute, they might as well be."

Aziraphale finally loosened his embrace and, pulling back a little, replied sulkily, "I'll only agree to get up if you give me a kiss to cheer me on."

A needy angel was, of course, something Crowley could not resist, so he replied softly, "How could I refuse such a prayer?"

He took the angel's face between his hands and pressed his lips to his own, letting the kiss linger a bit before withdrawing gently. That didn't stop Aziraphale from whimpering as Crowley moved away.

Crowley coaxed him gently, "Come on, Angel, knowing you, you'll want everything to be perfect for their arrival, so it's best to have time to get everything ready.

He gently released Aziraphale's hands from around his waist, but then the angel wrapped them around his neck before pulling him closer and stealing a kiss faster than the demon could react.

Aziraphale took his time, and only when they were both out of breath did he agree to let Crowley pull away. Between gasps, he said, licking his lips, "Now we can get up."

Crowley shook his head in amusement, leaned forward and planted a light kiss on Aziraphale's forehead, then, letting his hand linger on the angel's cheek, said softly, "Stay a little while as I prepare breakfast."

He planted one last light kiss on Aziraphale's lips and rose before the angel could protest.

The last vision Crowley had before closing the door was of Aziraphale gently touching the lips he had just kissed, cheeks slightly flushed and eyes shining.

As for Aziraphale, he watched Crowley leave and sighed as the bedroom door closed behind him.

The sun was already high in the sky.

He knew Crowley was right and he needed to get up, but he let himself fall back onto his pillow before coming around and pulling the demon's pillow towards him, burying his face in it with pleasure. 

After all, Crowley had told him he still had some time.

Inhaling the familiar, comforting scent of the demon in the pillow, the angel giggled slightly.

At worst, there was nothing a little miracle couldn't fix.

_________

Still not beta'd

Still not my native language

Still hoping you'll enjoy this story  🥰

Still thanking you for bearing with me 😝

South Downs cottage series : here

Ineffable fan fictions Masterpost : here

[fleshwerks]

Thank you for your rant posts on DAV. They’ve been cathartic to read as they echo so many of my own issues with the game and how it treats its own lore and insults its fanbase. I feel stupid for caring about the oppression of mages and elves given how they sanitized and wrote out these cornerstones of the Thedas setting and it sucks! Im glad I’m not alone.

I had very little hope for this game given its mess of a dev cycle and how the company has bled talent, I thought it would be a very messy narrative as a result. And it is! But it’s worse, because it’s not just messy, it commits the greatest cardinal sin of writing: it’s boring.

I think you nailed it. I'm at the same point as you, especially as someone who's huge into DA lore and the intrauniverse sociopolitics, as well as the expected (foolishly) aspect of your deeds mattering, either positively or negatively.

I have a whole ass Inquisitor who can now stop feeling bad in his steppe-sky burial about his indecisiveness during his tenure as an Inquisitor: BECAUSE NONE OF IT MATTERED ANYWAY. 'Oh, you delayed some suffering for like, what, 7 years? 7 years is nothing when you're doomed anyway. I can already hear the argument "but what you do even in short term matters, too."

Yes, in real life. But I don't do RPGs for real life. I play RPGs to be able to fantasise about doing a bit more than I can do in real life.

On top of it just about everybody being so blasé about what's going on. This is the worst blight ever, two actual gods are loose, but here we are at the dinner table, arguing about Taash' mom being a strict, traditional jerkass and Bellara joining the list of people who hate themselves for having ADHD, and holding her hand through it. Boring.

Veilguard commits another sin: everybody blames themselves for everything, but it either gets fixed for them, or they're feeling sorry and do the thing they feel so sorry about anyway.

My kingdom for a character who can go 'it is what it is, I'm not perfect, but I'm not sorry for existing and having an impact on this world, especially if the impact is caused by something I couldn't really control; all that matters is what we do next.' Which would open up the world at wide: tackling things that make your personal issues microbial in comparison. These people don't have the luxury of crying into their chicken soup. Not to say these things can't be addressed, but in Dragon Age, characters are supposed to support the overarching plot and the worldbuilding. Instead, the world puts itself on hold until you've solved Lucanis' granny issues or whatever.

If you've ever watched campaign 3 of Critical Role, that series has the same issue. The cast is made up of people who by and large have no real connection to the world or the overarching plot, and a large part of the viewerbase has come down onto the same idea: if the characters don't really care and only keep reacting, and reacting with quippiness and laughs and occasional 'oh no, that's bad, right? Anyway,'... why should we care?

Why should I care? Because everything I cared about as a player has been deleted, and the cast of Veilguard is mostly just dicking around until the plot reminds them that hey: we have the worst apocalypse going on since Solas deleted Elvhenan. Can we like... react more to it? We can do the therapy sessions later when people have stopped dying.

Disclaimer: I fully acknowledge that I'm going off on a tangent and I'm most likely projecting and reading into it too much/not reading into it enough. But that's the problem. Most players will play it once. You can't rely on subsequent playthroughs to make someone care.

Worst part is, companions aren't even boring. They're just miscast for this particular plot, exacerbated by what BW did to all the established lore. The tonality of the game itself and its place in DA canon is just wack.

I'm likely being incredibly unfair, but there's something to investigate here, because if you've failed to bring players into the lore and invest themselves in such numbers, it isn't just Mari here talking shit, it's a wider problem. Lest we forget, your fiction, your work stops being 'only yours' the moment you publish it and allow people play with your toys. The author is king, but the author is only the king of their own version of their story. The moment it's read and played by many, it's not just your story anymore, it's everybody's, who's engaging with it.

God dammit my English literature and language degree is catching up with me, I've turned into That Guy. Uck.

[liquidorcard]

HEY Y'ALL IT'S MIKAILER WITH AN "ER" WHY IS THAT SO HARD TO GRASP!?

---

Did I get your attention, Mikaila? I hope so, let's see.

Mikaila, I don't like you. You've done shit that's soured my opinion of you. I'm acknowledging that now to get that out of the way. I'm not here to be two-faced about this or blow smoke up your ass.

But as one idiot who stayed in a toxic relationship to another-- I'm not making fun of you because I think I'm better. I know. Being in a relationship like that brings out some ugly shit. You resent and fear people will never forgive you. You don't know if you will forgive yourself. I'm not making fun of you because I think I'm better than you.

And it feels kinda good, being treated badly? In a weird way? When you're used to it? When you feel you kind of deserve it? It did for me too. My abuser did some fucked up shit to me. I don't know how to describe to you the strange feelings I'm left with now. Sometimes I think I finally hate her, sometimes, as pathetic as it makes me feel, I still miss her. It's a rot in you that never really goes away, but you learn to live with it. I understand that agony. I understand that anger of how fucking unfair it is.

You know my opinion of Lily. You're not going to trust me that I'm not saying all this just to get you two to break up to hurt her. Fair. Very fair, not going to pretend like it's not. But if Lily loves you, nothing I'm about to say should be an issue. She should want what's best for you, right?

Here's the rub Mikaila, it's been a few years now. I know you want out of your situation at home, but it doesn't seem like Lily's going to be able to help you with that at this point. I'm sure Lily's given you plenty of reasons as to why, and it's time to listen to her.

If you're heart's set on coming to Canada, your best bet is getting a job here. Or even, going to school. Art degrees (Here in Canada) aren't as expensive, provided you go to the right school. Even taking out a student loan for just one year to figure your shit out. I know you're in quite a bit of debt right now and don't want to get into more, but. You gotta do what you gotta do.

Here's the college I went to. Yes, your work is sufficient to potentially get admitted. Believe it or not, art school's get that illustration is a learned skill. Artists start from all different levels:

Look through the admissions requirements to see if you have the academic records to be admitted. If not, you could also consider upgrading through online classes aswell.

Again though, your best bet is to try to find employment. The cost of living isn't great here right now, but it isn't great anywhere. I doubt you'll be able to find cheaper rent in America.

Once you're here or wherever you end up, away from the chaos of your home, you might find it a lot easier to get your head around, establishing some better independence and becoming a citizen by yourself. It's a shitty process, but not as bad as the one you guys have in the States. We stan an immigrant here.

You need to look out for you, Mikaila. It's not selfish. It's not a matter of whether you "really deserve it or not." Nobody's going to save you. You're emotionally spent because of your parents, You're emotionally spent because of Lily. And it feels kind of nice how much Lily needs you. But you can't help her until you help yourself - and again, if we're all wrong and Lily really loves you, she shouldn't have a problem with you finding your way.

My own mother once told me I was "born sad." I've never not hated myself. I ate up any little bit of love and validation no matter how many bitter, razor pills that came with it too. That's just how it is for some of us.

But you know what Mikaila? Fuck em. Fuck all of them. Fuck everything. Fuck me, Mikaila. You've got one life. One body. One you. Whatever you think of her, someone's gotta fight for that poor bitch. Why not you fight for you?

Everyone's a stinky meat bag stripped down, Mikaila. Everyone's made a fool in the wake of the shit people like you and I have been through. Not everyone's going to be able to forgive everything, but everyone's not wholly past forgiveness.

I'm no better than you Mikaila. Nobody is. Some of us just get to know the worst sides of ourselves better than others.

I don't like some of the things you've done, girl. But I see you. I get it. Tell us all to eat shit. Fix your life. Don't rely on Lily to make you feel whole or to save you. To make you feel worthy. No person can do that. She could be the reincarnation of Mary Mother of God herself, and you couldn't expect that from her. Be your own advocate. If your relationship isn't toxic, it can survive you becoming a more whole you.

This asshole is rooting for you. Give me an excuse to undoomer "Mikailer." My girl needs a win.

[triglycercule]

horror being very specific with table manners and he berates people (dust and killer) for eating like fucking pigs

i think it'd be morbidly funny that because there was no food in horrortale but the cutlery and stuff was all there that maybe he would pretend to eat with no food on the plate. it was in a satirical way that he would joke maybe around horror paps or alone where he would pretend to eat and have really good table manners but then the satire joke became REAL and now horror is incredibly specific about how to eat food

you MUST hold the fork in the left and knife in right says horror. no killer you can't duel wield the fucking knives this is a table not a slaughterhouse. dust pick up your elbows off the table. actually how about you get your entire upper body off the table tf why are you SLEEPING ON THE FOOD??? killer's sitting fetal position in the chair because of course he wouldn't sit normally like the idiot he is. dust is forced to put his hood down and reveal his face no more mysterious shadow style because it puts horror at ease. they cannot have a single peaceful meal because once they get past the table manners phase it then becomes a completion to see who can eat the least (because they suck at everything including eating)

[0xeyedaisy]

Was gonna make a vent post talking abt how everything sucks but then something good happened so I'm okay now, I'm cured

[ljesaw]

i like writing young fire lord zuko because he's still grappling with his identity and he's still in the trenches of his trauma and unlearning the harm done to him and the harm he's done. and something i think is so important for someone who is going through that is that it's not just BAM he's redeemed and he's changing everything for the better and it's perfect. i think it's just as important to highlight zuko's conflict with trying not to Be Like Ozai as it is for people to be wary of zuko because He Is Zuko. like i think he's struggling both with taking up his father's horrible mantle but also with the name he's created for himself. because not only is it "zuko is a victim and he's trying to heal" but it's also "zuko was horrible and he has to reconcile that side of himself with who he wants to be going forward" and that's not easy

[cardentist]

hey, so people need to be aware that youtube is now (randomly) holding basic features for ransom (such as being able to pin comments under your own videos) in exchange for Your State ID/Drivers License, or a 30 Second Video Of Your Face.

not to pull a "think of the children," but No Actually. I've been making videos as a hobby since 2015 (and I've had my channel since middle school), I was a minor when I started and I'm not sure I would have understood the kind of damage something a seemingly simple as a video of your face can do.

this is a Massive breach of privacy and over-reach on google's part No Matter What, but if they're going to randomly demand a state ID or license then they absolutely should not allow minors to be creators.

google having a stockpile of identifying information on teenagers is bad enough, but the Alternative of recording your face and handing it over to be filed away is Alarming considering it opens the gates for minors who Aren't old enough to have a license.

and yes, there is a third option, but it's intentionally obtuse. a long wait period (2 months), with no guarantee of access (unlike, say, the convenience of using your phone's cameras for either of the other two), with absolutely No elaboration on what the criteria is or how it's being measured.

it's the same psychological effect that mobile games rely on. offer a slow, unreliable solution with no payment to make the Paid instant gratification look more appealing (the "payment" in this case being You. you are the product being offered).

and it's Particularly a system that (I think intentionally) disadvantages people who don't treat their channels like a job. hobbyists or niche creators who don't create regularly enough or aren't popular enough to meet whatever Vague criteria needs to be met to pass.

markiplier would have no problem passing, your little brother might not be able to. and while Mark's name is already out there there's no reason why your little brother's should be too.

something like pinned comments may seem simple, you don't technically Need it. but it's a feature that's been available for years. most people don't look at descriptions anymore. so when there's relevant information that needs to be delivered then the pinned comment is usually the go to.

for my little channel that information is about the niche series I create for. guides on how to get into the series, sources on where to find the content At All (and reliably so). for other creators it can be used for things Much More Important.

Moreover, if we let them get away with cutting away "small" features and selling it back to you for the price of your privacy, then they Will creep further. they Will take more.

Note: I have an update to this post here: [Link]

[caparrucia]

Full offense and pun fully intended, but I genuinely think the very existence of "dead dove, do not eat" was a fucking canary in the mines, and no one really paid attention.

Because the tag itself was created as a response to a fandom-wide tendency to disregard warnings and assume tagging was exaggerated. And then the same fucking idiots reading those tags describing things they found upsetting or disturbing or just not to their taste would STILL click into the stories and give the writer's grief about it.

And as a response writers began using the tag to signal "no, really, I MEAN the tags!"

But like.

If you really think about it, that's a solution to a different problem. The solution to "I know you tagged your story appropriately but I chose to disregard the tags and warnings by reading it anyway, even though I knew it would upset me, so now I'm upset and making it your problem" is frankly a block, a ban and wide-spread blacklisting. But fandom as a whole is fucking awful at handling bad faith, insidious arguments that appeal to community inclusion and weaponize the fact most people participating in fandom want to share the space with others, as opposed to hurting people.

So instead of upfront ridiculing this kind of maladaptive attempt to foster one's own emotional self-regulation onto random strangers on the internet, fandom compromised and came up with a redundant tag in a good faith attempt to address an imaginary nuance.

There is no nuance to this.

A writer's job is to tag their work correctly. It's not to tag it exhaustively. It's not even to tag it extensively. A writer's sole obligation, as far as AO3 and arguably fandom spaces are concerned, is to make damn sure that the tags they put on their story actually match whatever is going on in that story.

That's it.

That's all.

"But what if I don't want to read X?" Well, you don't read fic that's tagged X.

"But what if I read something that wasn't tagged X?" Well, that's very unfortunate for you, but if it is genuinely that upsetting, you have a responsibility to yourself to only browse things explicitly tagged to not include X.

"But that's not a lot of fic!" Hi, you must be new here, yes, welcome to fandom. Most of our spaces are built explicitly as a reaction to There's Not Enough Of The Thing I Want, both in canon and fandom.

"But there are things on the internet that I don't like!" Yeah, and they are also out there, offline. And, here's the thing, things existing even though we personally dislike or even hate or even flat out find offensive/gross/immoral/unspeakable existing is the price we pay to secure our right to exist as individuals and creators, regardless of who finds US personally unpleasant, hateful or flat out offensive/gross/immoral/unspeakable.

"But what about [illegal thing]?!" So the thing itself is illegal, because the thing itself has been deemed harmful. But your goddamn cop-poisoned authoritarian little heart needs to learn that sometimes things are illegal that aren't harmful, and defaulting to "but illegal!" is a surefire way to end up on the wrong side of the fascism pop quiz. You're not a figure of authority and the more you demand to control and exercise authority by command, rather than leadership, the less impressive you seem. You know how you make actual, genuine change in a community? You center harm and argue in good faith to find accommodations and spread awareness of real, actual problems.

But let's play your game. Let's pretend we're all brainwashed cop-abiding little cogs that do not own a single working brain cell to exercise critical thinking with. 99% of the time, when you cry about any given thing "being illegal!!!" you're correct only so far as the THING itself being illegal. The act or object is illegal. Depiction of it is not. You know why, dipshit? Because if depiction of the thing were illegal, you wouldn't be able to talk about it. You wouldn't be able to educate about it. You wouldn't be able to reexamine and discuss and understand the thing, how and why and where it happens and how to prevent it. And yeah, depiction being legal opens the door for people to make depictions that are in bad taste or probably not appropriate. Sure. But that's the price we pay, creating tools to demystify some of the most horrific things in the world and support the people who've survived them. The net good of those tools existing outweighs the harm of people misusing them.

"You're defending the indefensible!" No, you're clumsily stumbling into a conversation that's been going on for centuries, with your elementary school understanding of morality and your bone-deep police state rot filtering your perception of reality, and insisting you figured it out and everyone else at the table is an idiot for not agreeing with you. Shut the fuck up, sit the fuck down and read a goddamn book.

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[pomefioredove]

may I please request Headcanon of the overblot gang + Adeuce when a reader that’s normally very sweet and shy goes absolutely apeshit and TEARS INTO some bully, absolutely roasting the hell out of them please? Thank you :3

of course anon!!

*ੈ✩‧₊˚ going apeshit!!!!

type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

being the magicless newcomer makes you a favorite target for some of Night Raven College's less kindly students.

your loved ones know this, too, so when a group of brutish first years approach, they're ready to defend you. except...

*ੈ✩‧₊˚

Riddle had seen them coming towards you and already had his hand on his magical pen

how stupid of them to pick on you in his presence

a week or two without their heads would serve them well

but before he can even step between you and the ruffians (very gallantly, I might add; he had it all planned out in his head),

you just...

...oh

even he blushes at the profanity you spew

he didn't even get to scold them

...then you turn back to him with that same sweet smile as if nothing had happened

*ੈ✩‧₊˚

Ace had actually been the first student to get an earful from you

once at the beginning of the year, and never again

now, he takes great pleasure in watching you verbally eviscerate the other students

it's a... guilty pleasure, we'll say

and Deuce knows not to intervene

he tried... once

after all, he's been in your place before

nothing's better than the feeling of putting some snob in his place

BUT OF COURSE, that's the old Deuce

...he just lets you go on because he knows he can't stop you

...not because he's enjoying it. obviously

*ੈ✩‧₊˚

and here Leona was, thinking you were some helpless little herbivore...

but can you blame him?

you're always so... cute

skipping around Savanaclaw, all happy to be helping out Ruggie and Jack after practice...

you were bound to run into trouble, looking like an easy meal

he almost feels... bad for you...

but before he can step in and tell the freshies to buzz off, you...

damn, you've got a mouth on you

you switch up real quick on them, and they scamper off to go lick their wounds

color him impressed...

*ੈ✩‧₊˚

Azul was on his way back to the dorm when he heard you shout

you sounded... upset

and as much as he would like to, he can't just walk by and let you get bullied

damn sympathy...

so, he follows the sound of your voice, ready to intervene... on...

...nothing

a group of embarrassed freshman run past him, scattering in the opposite direction

he steps around the corner

and there you are, perfectly fine, if not a little winded

...of course

and he didn't even get to be your hero... tch

"Always full of surprises, aren't you? Just don't give Floyd any of those new words to use,"

*ੈ✩‧₊˚

it's none of his business... it's none of his business...

until it is his business

Jamil wouldn't have come running to your rescue like some prince

but he is in the middle of a civil conversation with you!

how insulting! honestly!

those freshmen must take him for some kind of witless fool

just this once, he'll teach them not to disrespect him...

of course, he doesn't even get a word in

he's never seen anyone so...

so...

...brutal

your insults are poignant, your tone sharp and dangerous, your usage of puns perfect...

you're like a work of art

*ੈ✩‧₊˚

Vil has no problem with putting others in their place

and he has a particular dislike of the brutish, arrogant students at NRC

he can actually sense their unwashed presence in the hall before he sees them

one little snide comment and...

...oh...

oh, my

you verbally tear them to shreds, insulting everything from their shoes to their posture, their cowardice, even their own insults

...goodness

he's going to have to have a talk with you about your language later

but, for now...

...he's enjoying this little performance of yours

*ੈ✩‧₊˚

Idia starts the most heated discourse over his faves and biases online, but this is different

this is real life

and the second he can feel a shift in the atmosphere, he's hiding behind you

you can handle it yourself, right? you've done it before!

honestly, he has no clue how you deal with the normies at this school

delusion, probably

he'd die if anyone talked to him the way they talk to...

...NEVER MIND!

you're using words he hasn't even heard in real life

even he is freaked out

you can get real scary when you want to, huh?

...maybe he'll just stick with you for now...

*ੈ✩‧₊˚

poor Malleus

he actually kinda sorta wanted to defend your honor...

he could be your fairytale prince!!! he could!!

it's the gentlemanly thing to do, anyway

and, better yet, he wouldn't even have to say anything! just one glare from him and the perpetrators would run screaming

...the one benefit to his reputation

but, of course,

you are not as innocent and weak as you seem

and he can't help but feel... impressed? with your ability to defend yourself

after this is all over, he'll have to joke that you should join his guard

[abbyfmc]

[The Mute Concubine]

Yandere Emperor x Female Reader: Warning: There are mentions of kidnapping, stalking, obsessive and yandere behaviors which are NOT recommended to practice in real life. Postscript: The text dividers are NOT mine, so I give credits to their respective creators.

Many years ago, Emperor Ivan ruled Zealia with a heavy hand. He had a young appearance that can be attractive to anyone who didn't know him (and even a little to those who do). He lived in his luxurious palace with his multiple wives; a group of beautiful women who had had some children for him.

Anyone would think that he had everything and couldn't want anything more, and that's what Ivan thought a long time ago despite the monotony of his life. He had a lot of money; total and absolute control over the laws of each kingdom and tribe at his disposal; beautiful women and children; good food, clothing and medicine as well as medical care.

But no, it wasn't like that. Ivan was infatuated with something again; Something was pulling him out of his dream, or rather…someone. That someone was a beautiful young woman whom he had seen during his most recent trip.

She was quite a beautiful and delicate girl, even more so than a common courtesan or prostitute. She had a face that was difficult to forget, and a smile that easily dazzled or moved anyone. She was hired to make Ivan happy during those nights of his stay, but the next morning she disappeared. He not only slept with her, but they also played board games, showing that she was quite good at these since she beat him in the vast majority of the games, which were very silent but interesting. This made him feel more interested in researching her; However, he could not find her anywhere after her return to his palace.

The emperor did not stop thinking about her, reaching the point of dreaming about her day and night. He wanted to go out to find her, but he feared for her own reputation as her ruler. While thinking, he came up with the idea of ​​calling all the girls in his town who had the same physical characteristics as the mysterious girl who now lived in his heart.

All the girls from the town summoned to the palace, introducing themselves one by one only to be instantly rejected by Ivan. He was already starting to get bored after the long day, but he didn't want to give up. From one moment to the next, his trusted butler approaches him and says:

-Your majesty, we have found the girl you were looking for, but there is a problem…- The emperor was interested. His beloved…was she seriously here?, he couldn't believe it; he had to see it himself.

-Let her in, I want to see her.- The emperor firmly ordered. The butler made a gesture and the guards showed the girl in, and the emperor could not believe… that she was the courtesan from that time!, only dressed in a more formal or refined way. The courtesan knelt and bowed, but without saying a single word, which seemed strange to Ivan.

-So… aren't you going to tell me your name?- She was about to take out what appears to be a piece of paper from her sleeve, and just then the emperor's butler interrupts.

-Your majesty, I have tried to ask her name before, but the owner of the courtesan house told me that she is (Y/n) (Y/ln), and that she is… mute.- Ivan was surprised. He now understood why she never talked to him; She was not with bad intentions, because of bad education or because she didn't want to, but because of something that she didn't ask for at birth.

-So that was it. I like it, that awakens an aura of mystery in you that I love so much.- Ivan took her hands and carefully lifted her up. He looked at how embarrassed she was a moment ago, changing that expression to one of surprise.

From that moment on, Ivan made the mute courtesan start living in the palace with him, which made everyone look contemptuously at (Y/n), because she was a courtesan or prostitute and besides, she couldn't even speak; apart from the fact that they envied her a lot for her beauty.

This caused (Y/n) to be forced to use the emperor's hands to defend herself, in exchange for giving herself to him, a man she pretends to love in order to survive in her new environment. She cannot speak and that is true, but she has to communicate with the help of signs, servants, letters, facial expressions and even paintings. Iván loved this girl, because he was not only captivated by her mystery and high genius for board games, but also by her ability to draw and paint.

Ivan, on the other hand, was still obsessed with (Y/n). He loved spending time with her, whether sleeping with her, playing super difficult but entertaining board games, feeling like he had never felt with any of the women in her harem. For him, she is different.

She was… his mute concubine.

-The End.

[solelifauna]

So this NOT to imply the writing is bad

But so far the Batfam fic as me genuinely shaking in anger , the fact that dick is convinced that y/n as to prove herself to be "worthy" genuinely got to me to the point I need a pallete cleanser

Could we please get a small drabble of reader growing close with one of the "outside" batfam members?

Like maybe Kate(batwoman) and Luke (batwing) because they are under used

Or hell, maybe to really grind the family gears, reader gets close to azrael

(you know Bruce would've able to do shit if reader got close with Kate, she would fucking eat him alive)

Hey, You're all good bro! I also just want to put out that my fic is based on an au! The portrayals of any characters in my fic are based off of their canon and fanon counterparts, just with my own twist. Since this is a darker universe/au, the Bats along with other heroes are going to be a lot more brutal and jaded.

Also love your idea bro. But, I'll do you one better. Constantine. Bruce absolutely can't stand him and the reader being friends with/getting along with him? Oh, that's bound to grind Bruce's gears. It would also be easier to meet Constantine too.

Let's just say one day the reader gets caught up in some Justice League Dark stuff that Constantine is trying to solve. She gets kidnapped by a cult that wants to use her as a sacrifice. I mean, she is a pretty huge target, being the daughter of a Billionaire after all. Anyways, shes kidnapped, nobody is coming to get her, not from her family at least. Long story short, Constantine arrives too late to stop the ritual, but things don't go according to plan for the cultists anyway. Turns out that the person sacrificed wouldn't be killed, but would instead become a vessel.

Great, now you have some old, eldrich being living rent-free in your mind. The being is old, donning the title "Keeper of Hell", but you'll just call it (they? him? her?), Adam. Yeah, Adam wasn't too happy with the name. When Constantine arrives, however, hes pleasantly surprised to find you alive. When he realizes that you, a 15-year-old, now carry the presence and power of an eldritch being older than Gotham itself, he groans while lighting up a cigarette. Looks like he'd have to deal with you now.

He checks over you making sure you have no internal and external injuries before explaining your situation. He feels a little sorry for you, but he is in no condition to train you. He asks around to other JL dark members, hoping to see if anyone is willing to help you control your new powers. He sighs again when nobody steps up to the plate, too busy with their own sidekicks and quests.

Reluctantly, he tells you he'd help you figure stuff out. And there begins the blossoming of the amazing "Grumpy old man and kid they didn't ask for" troupe. When you tell Constantine your name, he blanks, because of course he gets stuck with one of the bat's kids. However, based on your tone of voice when discussing your family (and the way you begged him not to let Bruce/Batman know of your predicament), he's guessing things aren't all too great between you all. Well, thats not his problem, his only job was to train you and make sure you don't end up accidentally killing someone.

Yeah...like that thought process is going to last. Training sessions start out bleak and professional, he's only doing a job. Then as time continues, he finds himself enjoying your company, your enthusiasm to learn and your rambunctious/sarcastic comebacks always have him fighting off a smile. It's been a while since he's had company like this. Soon, you're both going out on missions, and then ice cream breaks afterward. He lets you fall asleep on his shoulder, drooling all over his trench coat after particularly difficult missions and he can't bring himself to mind.

He's fond of you, although he never admits it out loud. It's okay though, because even though he's never said it out loud, his actions speak louder than words. You could feel his love and pride for you. Although he wasn't exactly your dad per se, he was still something to you, maybe the wine uncle? You don't know, and you don't particularly care to put a label on what Constantine was to you, you're just glad that he's there.

Shit hits the fan, however, when one day you decide to go on a solo mission. It's nothing crazy, just getting rid of some poltergeists and low-level demons and shades. Now, were you given permission to go on this mission alone? No, but in a normal teenage manner, you decide to go anyway. Everything was fine, you got rid of all the poltergeists in the area and even some of the shades too! It's all going well until you realize that the demon mentioned before was not as weak as you were told. You gulped when its blood red eyes turned to you.

"Well shit." Constantine was going to kill you.

It immediately lunges at you, you barely rolling out of its sharp claws. You hit it with a couple of spells, causing the demon to roar out in pain, burn marks now littering its side. Its tail whips at you, colliding with your stomach as you fly into a wall with a loud thud. You groan as you pick yourself up, clutching your ribs, each breath a jagged pain that ripples through your chest. Your arm is slick with blood, the gashes from the demon's claws burning as if its very essence were trying to sear your flesh. You grit your teeth and weave another spell, calling on Adam’s power to knock the demon back. This time, a burst of raw energy slams into it, shattering its leg with a sickening crack.

For a brief moment, you think it's over, ready to strike the final blow. But the demon’s leg snaps back into place, bone and flesh knitting together as if the injury had never happened.

“Of course,” you mutter under your breath. “Why would this be easy?”

The demon lunges again, and you’re just a split second too slow. Burning pain flares through your right arm as its claws tear into you, ripping through your flesh like paper. You scream, the sound involuntary, but you push through the pain, refusing to go down without a fight.

Drawing back, you unleash another spell, a sharp projectile of energy aimed at its neck. The demon flinches, letting out a low growl. That reaction—panic—gives you the first glimmer of hope. Its neck. That's its weak spot.

With renewed determination, you gather every ounce of strength you have left. The cuts across your body throb, and your arm feels like it’s on fire, but you push it all aside. You can do this. You have to do this.

You unleash a volley of cutting spells, each one aimed at the demon’s throat. It fights back viciously, throwing you around the room with a strength that makes your vision blur. Every hit you take feels like your bones are splintering, but you keep going. You keep attacking.

Finally, one of your spells strikes true.

The demon lets out a gurgling screech as your spell cuts deep into its neck. Blood—thick and dark—pours from the wound, and it claws at its own throat, choking. Its body spasms violently, and then, as if collapsing in on itself, it begins to disintegrate. In a few seconds, all that’s left is dust.

You stand there, panting, barely able to process the fact that you did it. You won. A grin spreads across your face, and despite the pain radiating from every part of your body, you let out a weak cheer.

But the celebration is short-lived.

Pain cuts through you like a knife, sharp and sudden, reminding you of just how battered you are. Blood is still oozing from the various gashes across your body, and your arm feels like it’s hanging by a thread. You stumble, nearly falling, but catch yourself at the last second.

“Crap… I’m bleeding out,” you mumble, wincing. “Whoops.”

With what little energy you have left, you remember the spell Constantine taught you, the one that would tether you to him no matter where you were. He warned you not to use it unless it was an emergency—and bleeding out from demon-inflicted wounds definitely qualifies.

You lift your shaking hand and cast the spell, a sluggish flick of your wrist sending out a ripple of energy. A portal forms, shimmering and unstable, but functional enough. Without much grace, you stumble through it, disappearing from the demon’s lair.

What you didn’t know, however, was that Constantine was currently in a Justice League meeting.

The first thing you feel is a sudden drop, like the ground beneath you has vanished. You barely register the sensation of falling before you crash, hard, onto something solid. Groaning, you blink through the haze of pain and find yourself sprawled across a massive table.

You can hear voices—muffled, alarmed—but the world is spinning too much for you to focus. All you know is that you're lying on something cold and hard, and you’re absolutely drenched in blood.

Forcing your eyes open, you see several figures standing around you, staring in shock. Your vision is blurry, but you can make out Superman’s cape and Wonder Woman’s armor. You try to process what's happening, but the pain in your arm and ribs keeps pulling you under.

"Ow, ow, ow, ow. Fuckkkk." You cry out.

Suddenly, the scent of smoke fills the air. You don't even have to look to know who it is. Constantine’s familiar trench coat brushes against your arm as he crouches beside you, cigarette dangling loosely from his lips. His eyes flicker with a dangerous mix of exasperation and barely concealed anger.

“What in the bloody fuck, kid?” he snaps, his tone harsher than usual, but the concern underlies his words.

You wince, the situation hitting you all at once. Crap. Now I've got to deal with this.

You muster a weak, sheepish grin, wincing as you turn your head to face him. “Heyyy Constantine, how are ya?”

His brow furrows deeper, and he’s clearly not amused. “What did you do?”

You swallow hard, trying to think of how to explain yourself without getting ripped to shreds—verbally or otherwise. “I—well, promise you won’t get mad?”

“Too late for that, kid. I’m already halfway there,” he growls, his eyes narrowing as he looks over your wounds. “Now get to it.”

You bite your lip, trying to find the least disastrous way to explain. “So… I sorta… mighta… gone on a solo demon-hunting mission,” you blurt out quickly, hoping he’d just move past it.

The way Constantine’s eyes widen, and the immediate twitch in his jaw tell you that he’s definitely not going to move past it.

“You did what?!” His voice rises as he stands up, rubbing a hand over his face. “Oh bloody— I thought I specifically told you not to go by yourself! And this is what happens!”

“Hey, well, I’m alive, aren’t I?” you say, grinning nervously, trying to play it off.

“That’s besides the point!” He throws his arms up, pacing as he takes a long drag from his cigarette. “Bloody hell, I should’ve known better with you kids. I swear, this is why I never—”

Just then, a dark, grim voice cuts through the chaos, and your heart nearly stops.

“Constantine,” Batman’s tone is low, authoritative. “Why is my daughter bleeding on our table?”

Oh no. No, no, no. Not now.

You freeze, your mind going blank as you feel the weight of Batman’s presence at the end of the table. You slowly, painfully turn your head to see him standing there, cape draped over his shoulders, his gaze icy and locked onto you. His usual stoic expression somehow looks even more intense.

“Ah… shit,” you mutter under your breath, groaning inwardly as you realize you’ve just landed yourself in the absolute worst situation imaginable. “I completely forgot he was still here.” Wait, did you say that out loud?

Constantine gives you a sidelong glance, raising an eyebrow. “Yes, kid, you did. And now we’ve got more than just your wounds to worry about, don’t we?” He sighs deeply, rubbing his temples, already anticipating the fallout.

Batman’s eyes narrow, arms crossed as he takes a step closer to you, his voice low and dangerous. “Care to explain yourself?”

You’re still bleeding, your head is pounding, and you’re pretty sure at least a few bones are broken, but none of that compares to the fear creeping up your spine as you look up at your father. Your mind races for an answer, but every excuse you can think of feels flimsy at best.

Constantine clears his throat, sensing the rising tension in the room. “Right. Let’s get her fixed up before this turns into an interrogation, yeah? Kid’s bleeding all over the place, and she’s already taken a beating. We’ll save the lecture for later.” He waves his hand, muttering something under his breath as he kneels beside you again.

The tension between Constantine and Batman lingers in the air, thick and heavy, but Batman finally relents. His eyes soften—slightly—as he watches Constantine work to stabilize your injuries with magic.

You can feel yourself growing weaker, the adrenaline finally wearing off as the pain becomes unbearable. Constantine mutters a healing spell, one that slows the bleeding and knits some of the less serious cuts together. It's not perfect, but it’s enough for now.

“I think it’s time to get you all fixed up, huh?” Constantine says softly, his earlier anger tempered by concern as he helps you sit up, his hand firm on your back to support you.

You nod weakly, not daring to meet Batman’s eyes again. You’re in deep trouble, but for now, at least, you’re still breathing. As Constantine gets ready to teleport you to a safer place to heal, you hear Batman’s voice, calm but steely.

“We’re not done here.”

And with that ominous promise hanging in the air, Constantine picks you up, and the world around you shifts once again.

Constantine gently carries you through the halls toward the Justice League’s med bay, muttering curses under his breath with every step. You could feel his frustration radiating off him, and now, in the quiet aftermath of the fight, guilt begins to settle in your chest. The adrenaline from the battle has worn off, and now you're left with the consequences of your reckless actions.

“Hey, Constantine… I—I’m sorry for not listening to you. I really am,” you say, your voice soft and heavy with regret.

He sighs, not looking at you, but his tone is stern. “I’m not going to lie and say I’m not mad at you, kid. You didn’t just ignore my warnings—you put yourself in danger. There are rules for a reason. What if you got seriously hurt and couldn’t cast a spell back to me? Even worse, what if you died or got possessed?”

His words hit you hard, and you wither under the weight of them. You know he’s right. All those rules and restrictions aren’t just him being overprotective or controlling, they’re because he cares. He’s seen the kind of darkness that can swallow people whole, and the thought of that happening to you terrifies him, even if he’ll never say it out loud.

By the time you reach the med bay, the guilt feels like it’s pressing down on you as much as the pain in your ribs. Constantine lowers you onto a cot, tucking you in with a gruff gentleness that only he could pull off. He sits down on the side of the bed, pulling out a cigarette and lighting it with a quick flick of his fingers, his eyes never leaving yours.

“What I’m trying to say, kid,” he starts, exhaling a cloud of smoke, “is that I care. I care about you, I care about what happens to you. I don’t want—” He pauses, his voice softening. “I don’t want to ever have to find your body one day. So please, from now on, let me know before you do something stupid like this.”

His words hang in the air, raw and unfiltered. You nod, trying to process it all, and then something clicks in your mind. Wait… did he just say let him know?

“Let you know? Does this mean—” Your eyes widen as realization hits you. “Does this mean I can go on solo missions?”

Constantine lets out a resigned sigh. “Yes, yes, you can start going on solo missions—”

“Hell yeah!” you exclaim, sitting up a little too quickly. Pain shoots through your ribs, but you can’t help the excitement bubbling inside you.

“—but, only the ones I sanction and authorize,” Constantine finishes, cutting through your excitement with a stern look. You deflate a little at his words, but it’s still a victory in your book.

Without thinking, you throw your arms around him, ignoring the sharp pain it causes in your ribs. “Oh, thank you, thank you, thank you! I promise I won’t let you down!”

He chuckles, patting your back awkwardly before pulling away. “Yeah, yeah, I know you won’t. Now, lay back down and get some rest. You still have dark and brooding to deal with.” He gestures toward the direction of the meeting room, clearly dreading the inevitable confrontation with Batman. “And by extension, I do too,” he adds with a heavy sigh.

You groan, sinking back into the cot, the exhaustion finally catching up with you. “I don’t know why he even cares. If he did, he would’ve figured this out ages ago.”

Constantine glances at you, his expression softening for a moment. He takes a long drag of his cigarette before speaking. “He cares, kid. He just… doesn’t always show it the way you want him to. Doesn’t mean he doesn’t feel it.”

You scoff, though part of you knows he’s right. “Yeah, well, doesn’t feel like it.”

Constantine stands, taking one last drag of his cigarette before flicking it into a nearby ashtray. “Doesn’t matter how it feels right now. The Bat’s going to want answers, and if I know him, he’s going to want to have a very long talk with you. You’re not out of the woods yet.”

You wince at the thought of the upcoming conversation, knowing that Batman’s interrogation will be thorough and far less forgiving than Constantine’s.

“Great,” you mutter, closing your eyes and sinking deeper into the cot. “Just what I need.”

Constantine gives you a small, almost affectionate smile before turning to leave. “Get some rest, kid. You’ve earned it. I’ll deal with the big bad Bat for now.”

And with that, he walks out, leaving you alone in the med bay. As much as you’re dreading what’s to come, you can’t help but feel a sense of relief. Despite the pain and the mistakes you made, you know that Constantine’s got your back. And, maybe, just maybe, Batman does too, even if it’s buried under a mountain of brooding and silence.

For now, though, you let the exhaustion pull you under, trusting that everything else can wait until tomorrow.

-

As you rest, your body finally succumbing to the exhaustion, your breathing evens out and your mind drifts into sleep. The med bay is quiet, sterile, but the tension in the air lingers, waiting for the inevitable. Eventually, a dark, caped figure glides into the room silently, his form casting long shadows across the walls.

Batman—no, Bruce—stands over you, his sharp eyes tracing every bruise, every cut that mars your face. His jaw clenches as a million thoughts swirl in his head, none of them offering any comfort.

What the hell happened to you? Why are you and Constantine so close? How did you even know Constantine? How much had he missed—how little attention had he been paying—to not notice any of this?

Bruce sighs, a deep and frustrated sound. He removes his cowl, setting it on the side table with a weary hand. Without it, he seems less intimidating, less imposing. He stares down at you, seeing the cuts and bruises marking your skin, but what hits him harder is the way your face, in sleep, is still so achingly young. You're his daughter, and yet it feels like you're a stranger to him now.

How did you get so far away?

He knows the answer. The fault lies with him, with the choices he made, the excuses he repeated to himself—telling himself he was too busy, telling himself he would check in later. Later never came, though, and the space between you widened, until it wasn't just him you were drifting away from, but your brothers too.

Bruce noticed the way your brothers treated you, the harsh words, the cold shoulders. He saw the distance, but he justified it, telling himself it was sibling rivalry or something that would pass. He didn't step in. And now, as he looks at you lying there, bruised and battered from a fight he wasn’t even aware of, the reality sinks in: he has no excuse.

With a heavy sigh, Bruce reaches out, his rough but careful hand carding gently through your hair. The gesture is tender, hesitant, as if he's not sure whether he has the right to touch you like this anymore. But as his fingers comb through your hair, you stir in your sleep, a quiet murmur escaping your lips as you unconsciously lean into his touch. It's such a sweet, innocent moment, and for a brief second, Bruce allows himself to feel the warmth of it.

But the moment is fleeting.

He feels the presence before he sees it, the unmistakable smell of cigarette smoke filling the room. His jaw tightens as his hand stills. He doesn’t turn right away, but his voice cuts through the silence.

“Constantine,” Bruce says, his tone gruff even without the cowl to disguise it.

Constantine steps into the room more fully, leaning against the wall, a half-smoked cigarette between his lips. He regards Bruce with that same nonchalance he carries everywhere, though there's a flicker of something else in his eyes—something more cautious.

"Thought you’d still be brooding over in the corner," Constantine says, taking a drag of his cigarette. His eyes drift to you, lying peacefully on the cot. “Didn’t expect to see this version of you.”

Bruce doesn’t respond right away. He pulls his hand back from your hair, his gaze hardening. "What happened?" The question is direct, but underneath it, Constantine can hear the concern, the frustration Bruce doesn't voice aloud.

"She went off on her own," Constantine mutters, taking another drag before blowing out a cloud of smoke. "Went after a demon. Got roughed up pretty bad, but she handled it in the end. Strong kid. Stubborn too. Wonder where she gets that from, eh?"

Bruce's eyes narrow. "And you let her?"

"Let her?" Constantine laughs, a short, sharp sound. "Mate, I didn’t let her. She went behind my back, just like she’s gone behind yours for who knows how long. Difference is, I’m the one she actually came back to.”

That lands like a punch to Bruce's gut. He doesn’t react visibly, but Constantine can see the tension in his posture.

"I didn't know she was…" Bruce starts, then stops, shaking his head. The words feel inadequate. "I didn't know she was involved with this stuff, i didn't even know she was a meta. Or that she knew you."

"Yeah, well, she found her way to me," Constantine says with a shrug, stubbing out his cigarette on the wall. “And she's not a meta by the way, she's a vessel for some eldritch being"

A vague expression of surprise appears on Bruce's face.

"I don't blame you, mate. I was surprised to find her alive afterwards. Not just anyone survives that kind of transformation, she's strong.”

Bruce crosses his arms, his gaze flickering between you and Constantine. “I know she’s strong.”

“Do you?” Constantine raises an eyebrow, the challenge clear in his tone. “Because she’s been running herself ragged trying to prove it. To you. To herself. And, hell, maybe to me too, but at least I see it.”

There’s silence for a moment. Bruce clenches his jaw, turning to look at you again, sleeping soundly despite the tension in the room. He knew Constantine was right. You'd been pushing yourself, fighting to show that you didn’t need them—that you were strong enough on your own. And he had let you. He'd let you because he didn't even care to notice.

Constantine sighs, sensing the weight of the silence. “Look, I didn’t come here to throw stones. But you’ve got to get your shit together with her. She’s tough, but she’s still a kid, and she’s your kid. She needs you.”

Bruce doesn’t answer, but his silence speaks volumes. He watches you, the soft rise and fall of your chest, and feels the regret gnawing at him.

“I’ll handle it,” Bruce finally says, though the words feel hollow.

Constantine gives him a long look, then nods. “You better. Because if you don’t, she’ll be right back with me..”

With that, Constantine pushes off the wall, flicking away the last of his cigarette. “I’ll check in on her later. Try not to fuck this up, mate.” And with one last glance at you, Constantine leaves, the tension in the room ebbing with him.

Bruce remains, standing over you, his mind a whirlwind of regret, guilt, and the desire to fix what’s been broken for far too long. He leans down, pressing a gentle kiss to your forehead—something he hasn’t done in what feels like years—before stepping back, pulling the chair beside your bed to sit vigil over you.

He’s still not sure how to bridge the gap, but for now, he stays. It’s a start.

Well, thats all folks! I really enjoyed writing this au, so thanks for the idea! Maybe ill even make a pt. 2 to this? Who knows? Anyways, I hope you enjoyed it.

[onichophora]

Oh god. My Tūī has learned some new sounds.

This Tūī that occupies the territory that includes my garden, I'm guessing he? I'm guessing young?, this is based on the over-the-top, huffy, aggro, drama he projects. He'll whip through the area like an angry, loud, and musical, little whirlwind, as ostentatiously as he can.

The "If nobody has my presence in the vicinity firmly in the front of their mind, if they aren't absolutely thinking about me, am I really holding my territory?" kinda attitude.

If I am in my garden doing my stuff, which sometimes includes putting a little bit of fruit out (for everybody actually), or refreshing the bath (again this is common property, everyone gets to have this), or pulling weeds, or any of the other dumb human things, and this guy comes along, he'll sit up in the peach tree, or on the dead pittosporum, or on the guttering, someplace high anyway ('cos he is scared of me), and he'll huff and puff, and clap his wings, or musically spit at me so that I will leave and he can have my his garden. But I often don't, at least fast enough for him and he'll roll his eyes and then fly off as loudly and dramatically as possible and make himself somebody-else's' problem.

My second guess that this guy is young is because, while he's got the general musically liquid burbling and whiffling of tūī down, he still adding stuff to his own song, you know, unique little touches that will impress the chicks and strike fear into his enemies.

So far this year he has really developed his scream.

The tūī has an alarm call, it's a kinda short shriek that they do a couple of times. It sounds a bit like a territorial call of a kingfisher. And there is a couple of resident kingfishers, so when I was always hearing screaming I thought it was them, but it was kinda off too, like too musical, and it was all the time. Like all the time. Ok, more like several times a day. I figured out it was this tūī as I saw him casually doing it, but it was driving me nuts cos I'd hear him and them it would sit in the back of my head, is that a tūī or a kingfisher? and because I'm a nerd like that it would annoy me.

But the screaming also annoyed me, it's an annoying sound. Its a sound made to get attention and it works on people too. Tūī also use it on raptors and stuff too, to harass them or express their displeasure of the raptor's or whatever's existence, and I guess also the communicate to other tūī that there is bad news around. Thing is he never straight out screams at me, or other people, he just screams in general.

Typing this out has made me think about how small my world is at the moment as I have beef with a bird. It just feels a bit targeted sometimes, as he knows I sometimes put the fruit and the water out, he's being a bit of a dick about it. The other birds don't give me this kinda shit. But sometimes I am that guy who posts to the local facebook community page complaining about the speakerboys every night.

Anyway, he's been working hard on a new project recently.

He has added argumentative seagulls to his repertoire.

And he has nailed it, pretty convincing.

Some sounds to help re-create my aural landscape...

Tūī scream

Normal Tūī stuff

Seagull sounds

[barcaatthemoon]

priorities || barcelona x teen!reader ||

you being late brings up a lot more problems.

"shit," you swore to yourself. you couldn't be late again, alexia had really been on your ass. there were talks of benching you until you could show the team that you wanted to be there. it wasn't your fault that your parents left you to fend for yourself. their reasoning was that if you wanted to act like an adult, then they'd treat you like one. it didn't matter that you weren't old enough to drive yourself anywhere like to practice.

you were a sweating mess by the time that you had gotten to the stadium. the last four blocks from the bus stop to work had been sprinted. you hated having to make that trek normally, but it was even worse whenever the weather was as hot as it was. all you could do was get ready and hope that jona didn't want to talk to you privately.

"nena, where have you been?" all of the team was staring at you as you made your way onto the field. you searched for alexia's eyes and immediately wished that you hadn't. she was looking at you with a look of pure disappointment, like you had completely disregarded her last lecture to you.

"(y/n), come with me," alexia told you. her tone was stern, nearly as much as her expression. you were practically shaking in your boots as you followed her away from everybody else. if she would have just pulled you to the sidelines, it wouldn't have been so bad, but alexia walked you fully away from the field over to the tunnels.

"alexia, before you start, i'm sorry," you apologized. alexia didn't even acknowledge what you said, which you knew meant that she was angry with you. you shrunk back before she even started yelling at you, glancing over towards where the other players were barely visible on the field.

"that does not mean anything to me when you continue to arrive at practice late. how many times do we have to talk about this? before when you played it was for fun, but this is your job. you aren't just here to practice and play in games, there are more responsibilities that come with being a member of the senior team. i am done with babying you, so until you can prove that you're willing to do what is needed like arriving on time, you are on your own." alexia didn't once raise her voice. she walked away from you and back to the field. you stood there with your lip trembling as tears began to fall down your cheeks.

you just barely managed to compose yourself before you joined the team on the field. jona made you run laps while they did their scrimmage games. during lunch, you sat by yourself. alexia was usually your lunch partner, but you assumed that she wanted nothing to do with you.

"hola, nena," irene greeted you. none of the girls liked seeing you sit and eat alone, but irene was the only one alexia wouldn't get onto for sitting with you during your punishment. if anything, alexia trusted her to lecture you as well.

"hola irene," you mumbled. you didn't look up from your plate of food, which you had been pushing around for the past 20 minutes. there were only ten or so minutes left before you had to move on to watch film and go to the gym, but you couldn't bring yourself to take a single bite.

"you should eat. you ran a lot in practice and we're going to the gym later. it would make me and some of the other girls feel a lot better if you would try to take a few bites," irene said. you glanced up at her, which was a mistake. almost immediately, tears returned to your eyes. you practically sprinted out of there to avoid letting them see you cry.

none of the girls came after you. alexia did a good job of keeping everybody away from you while you all watched film. you had your little notepad to take notes, mostly on your opponents since you already didn't get much playing time. a few of the younger girls kept staring at you, and several times you found yourself meeting vicky or jana's gaze.

the gym wasn't much better. you kept your head down and only used machines so that you didn't need a spotter. you kept to areas where nobody else was, and any time that you thought someone was approaching you, you'd leave. once you finished your required reps in the gym, you went out to the field, knowing that you had to run laps after everything.

there wasn't anybody watching you on the field when you first got out there, but slowly, more and more of the girls filed out to the seats to watch you. you didn't pay any attention to any of them. you wanted them to leave so that you could get home, but they didn't budge. and so, you kept running and running. at least an hour had to have passed, possibly more before your body started to forcibly slow down.

"nena!" mapi called out as she watched you drop down to your knees. you had been mid-run, and while it didn't look like a blowout, mapi was paranoid. she took off in a sprint towards you, as did most of the backline that you had been playing with. "are you okay? where does it hurt?"

"mapi, back up, give her some space," alexia said. at that, mapi shot up and lunged at her captain. it took everybody except for lucy getting between them to keep them away from each other. alexia was pulled away from you completely while lucy dropped down to check on you.

"hey kiddo, just breathe for me, okay? can you breathe with me?" lucy asked. she motioned for you to inhale and exhale with her slowly. everybody had been so caught up with the thought of you being injured that they hadn't really checked on you until lucy. she got you sitting up, which was when you clung to her in a hug.

"i was so scared. i just stopped breathing," you told her. there was no holding back your tears. you sobbed openly into lucy's shirt. the medics were waved off, but they left a bottle of water and some options for a snack with the girls on the pitch. "i don't know what happened."

"you overexerted yourself. it's been a busy day for you, and patri mentioned that you looked a little tired when you got here. did you sleep okay last night?" lucy asked you.

"i slept fine," you promised her. lucy ran through a little checklist of questions before marta interrupted her.

"how did you get here nena?" marta asked. at that, you glanced down at your hands and mumbled out the truth. you hoped that none of them would hear you and drop it, but that wasn't the case.

"speak up." this time, it was irene's stern voice that forced it out of you. there was a gentleness to it that alexia's lacked, which was why you repeated yourself for them in the first place.

"i took the bus, then walked," you answered. you weren't proud of admitting it, knowing how dumb that was. irene and marta's faces dropped at your words. they knew how far your home was from the first bus station, and then the other four blocks was not exactly light travel.

"if you ever need a ride anywhere, you tell one of us, got it?" marta leaned in and cradled your face in her hands. "i don't care if it is for something stupid, you call someone."

"yes ma'am," you said quietly. there was still a bit of wheezing when you breathed, but you had pretty much stopped crying. "i'm not in trouble am i?"

"not for this nena, not for this," irene said. she left you to go talk to jona and alexia. patri and pina offered to take you back with them, promising that the three of you could have a fun sleepover with vicky and jana if you were up to it. you were in the locker room changing when alexia came up to you again.

"(y/n), there are some things that i would like to say to you," alexia said. she seemed nervous, which threw you for a loop. you were so used to alexia being confident and sure of herself.

"go ahead," you muttered quietly.

"i am sorry for being so harsh on you earlier. that isn't fair to you, and i will work to be better in the future. irene informed me of how you've been getting to practice, and i figured that your house is not too far from my apartment complex. if you are okay with it, i would like to pick you up for practice. we may need to come in a bit early some days, but i have full confidence that one day you will have captain duties." alexia cracked a small smile at you, one that helped relax you a little. "you don't have to, but it would mean a lot to me if you accepted my apology."

"i do," you said quietly. a part of you was just doing it because she was your captain and you didn't want alexia to be mad at you. still, you appreciated that alexia sought you out to apologize for being so strict with you earlier.

"nena, are you ready?" pina asked as she poked her head into the locker room. her eyes fell to alexia, and pina stepped fully into the locker room ready to square up with her captain. "is she bothering you, nena?"

"it's fine, pina. ale was just apologizing. let's go, i want to take a nap before vicky's parents drop her off," you said. pina helped you carry your bag out to patri's car. both women kept a close eye on you, seeing you as their responsibility to look after. you were like their child, not that any of you would say it to one another.

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.