#I have a lot of posts I'm making/editing and trying to get to. I'm just a little gal trying my best :/

[amelias-zelda-calamity-quintet]

Wanted to chime in as someone who has actively posted long fics on Wattpad (which does chapter votes) as well as now on AO3, would strongly agree with the creators in the tags here saying that's what comments are for.

I only have the one fic really still on Wattpad so I don't mean to use the numbers here as a humble brag, but it helps illustrate the topic I mean (also dates are showing most recent edits, in case there are confusions in my descriptions here).

Screenshots from my work Goddess of Secrecy on Wattpad as an example. Already on the first chapter to the second, there is a massive fall off of readership. Now, reader drop off is normal! And to be expected! But it's a lot easier to process that when you don't have hard proof of exactly where that happened. And so the continued drop off being visible is the data that's less fun to look at.

It also reflects that most readers will still only use the votes system like kudos anyway, which compounds the issue with these numbers to the writer: it'll always reads as a reader drop off from this end. I have no reason to tell why someone stopped reading, particularly just on votes alone. So I'm just going to assume it wasn't good enough to keep following at some particular chapter. It also leads to a lot of second guessing is the votes aren't consistent! If a regular reader only leaves a kudos every ~5 chapters, what was wrong with the other 4 chapters between? Why did the pattern suddenly get more erratic? Rejection Sensitivity Dysphoria and Imposter Syndrome are already common enough in creators, adding more ways for someone to not interact with the work only adds more chances of making those symptoms worse. This gets highlighted more when we add in the very common occurrence in fic writing and that's hiatus.

These two screenshots are showing two major hiatus breaks I took on this fic, from 2015-2017, and then 2017-2024. While obviously with a hiatus you can't expect all readership to return, having hard numbers on exactly how many people came back is also really frustrating. And discouraging. Because now I'm left wondering why that many people didn't come back. And I can see exactly how much of a drop off it was.

You know what the difference was with finishing this fic in 2024 though? Actively commenting readers. Only three of them. But they were engaging with me actively in my comment sections and on my other social media. And that motivation got me through finishing the work and starting my next long fic. Because I knew someone was reading. They were telling me they were here reading. Kudos/votes don't reflect that, comments do.

This is also reflected in my current experience with posting on AO3 as well (I don't have visible metrics for this in the same way). But my biggest boosts of readership for my long fics are from reader recommendations. Every time someone leaves a public bookmark or recs the work somewhere, I see my biggest increases in kudos and new readers. A new active commenter is one of those boosts too. It shows other readers that someone is actively engaging through the length of the work enough that maybe they should give it a try too. And it means more. Storytelling is meant to be interactive, not passive. This isn't traditional publishing, you can engage directly with these creators. Take advantage of that opportunity!

I understand this sentiment. And there is always some serotonin in numbers go up. But. Anyone can hit a kudos button. It doesn't mean they're reading. In fact, adding more chapter kudos like this creates the opposite problem of encouraging people to post in short works right now and creates the issue in the other direction. One very long work with a writer with either a lot of time or a few good friends could make kudos bloat that's not reflective of actual readership. Comments can be done by bots, but not nearly as easily as votes/kudos can be.

So really, there is already a solution here. It's commenting. Even something simple. Fandom thrives on community engagement. There is no shortcut way around it like more ways to vote without compounding the problem. You want to support fandom creators, you have to be an active fandom participant.

i wish ao3 allowed people to give kudos per each chapter. These 100k word NOVELS need more love than 200 tiny digital hearts ☹️

[fixyourwritinghabits]

Editing Part 4: Worldbuilding Pass

Next up, worldbuilding! We're tackling this before structure, because you don't want to get too far into the weeds, realize a critical component of your story is wrong, and then throw your computer out the window in frustration.

Anyway, when it comes to worldbuilding, there's a lot of moving parts. There is no right or wrong way to worldbuild, but my preferred approach is to worldbuild as the story goes along. Any method works, and you can check out the worldbuilding tag for more. In editing your worldbuilding, you want to think about:

Trimming Front-loading/Info Dumps

When writing fantasy/sci-fi, getting down how the world works can take over the story. In first drafting, this is fine! But when you're trying to clean that draft up, it's better to weave this information in as you go.

Need to explain how the giant mechas guarding the city operate? Maybe your main character is trying to steal some precious alloy from one, giving you opportunity to explain how they work and how society feels about them. Have a magic system that relies on singing tunes? Show that off by having students practicing, or dueling rivals taking it too far.

You probably know by now that the thing you should avoid the most is "as you know" dialogue dumps - characters explaining concepts to each other that they both clearly understand. Another, weaker version of this is the "magic class" trap, where things are explained to the main character and the reader. A classroom environment is fine, but pair worldbuilding with action - demonstrations get out of hand, spells go wrong, etc. Make it fun!

Your World Needs Clear Rules (Sorry)

Listen, this is the part I hate. I have a WIP with the word "Rules" in the title and I'm still figuring out what those rules are. Argh. But the sooner you know the rules, the easier editing will be. The more clear those rules are to the reader, the more impactful breaking them will be.

If the rules of the world (you can't use warp speed too close to a planet's gravitational pull, the same type of magic cancels each other out) and the consequences of breaking them are clear, the pay-off will be satisfying for both you and the reader.

Use Your Environment to Your Full Advantage

You've no doubt heard 'make setting a character' and that's evergreen advice. Some of the best books out there are those where it feels like you could step through the page and into a real place, be it your childhood middle school or Narnia. Getting that feeling, however, is more than just describing a place really well.

Mood - How does the location make you feel? Does a dark, cramped room leave the characters with a feeling of dread? How would that feeling change if it was an overstuffed library with comfortable chairs?

Weather - Beyond the 'dark and stormy night' descriptions, weather impacts our daily lives and is often overlooked. A rain-drenched funeral scenes seems like it's the way to go, but how differently would that scene feel if it was a sunny day with birds singing?

City Versus Countryside - These books are a great reference for description, but also take a step back to compare how different situations would feel both in the setting and to your character. Quiet can mean very different things depending on where you are. A morning fog in the countryside might feel comforting to someone used to it, but to someone new to that environment, it might feel creepy. Think about both your environment and how your character reacts to it based on their backstory.

The Empty Room Problem

This is always a big challenge when moving from the first draft bare bones basics to fleshing things out. How much description is too much? (As a note, it's always okay to overcorrect - you'll have a chance to fix it later!) This post from @novlr has a lot of great questions - but you're still going to narrow it down to the most important details.

Escape the Movie Setting - You cannot describe the room like it's a movie set. Trying to do so is going to be overwhelming, and important details will be lost in the attempt. If you were to describe your room or your favorite coffee shop and could only highlight four or five details, what would you focus on? What gives the reader the essence of the place rather than a list of things that exist there?

Establish the Essentials - Is this your first character's first time in this room? Is it going to be key to several plot-important scenes? Some big, sweeping details when entering - how big it is, what's in it, where the windows are, how it feels, etc - are good to start with. Your character can briefly admire a full bookshelf in the first scene, and then study it in more detail in the second. If you have one scene in this place and spend too much time describing it, you're going to make your reader think it's more important than it is.

Engage the Senses - Does an old room smell musty? Does the coldness of the woods have a sharp taste? Does touching a shelf bring up a lot of dust? How does the lighting in the room make the main character feel?

Getting down the description of a room or setting is not something you'll nail in one shot, but if you approach each scene asking yourself "does this feel like a real place or a white room?" you can narrow down what's missing.

[causenessus]

hi! i'll keep this short

i came to the realization everytime i've disappeared from tumblr to "take a break" i never really have because of other things going on in my life (which, duh, this isn't my whole life) but! i also realized that if i never actually take the time to recover and rest and think about things i should be writing i'll never feel better. so! i'm (once again)(but now more formally) going on hiatus until maybe may! i might pop in for spring break or earlier if i feel like it, but until then, not really any writing from me! with that being said, i'll still be around, doting on my moots (i.e. like, dorothea <3 wyr <3 and bug <3) because i love them so much and i will probably also post chapters of present ever so often! the reason being (i'm going to try to make this make sense but it may only make sense to me but i'm aware of how contradicting i am to me five seconds ago when i said i need to take a break from writing) present is a very personal fic for me that i've worked on for years at this point. what i'm posting now are chapters i wrote months ago after I've read over and edited them (or in the case of the upcoming chapter, i did randomly add it in and had to write it from the ground up last week lmao) but if it isn't obvious, present is a work i'm very passionate about and am just posting in case anyone else enjoys it but it feels like it's a work that is very individualized just for me and it doesn't cause me any stress or anxiety. on the topic of individualization, although i am of course so so thankful for all of the support and people that follow me, i do sort of miss when my blog and world were a lot smaller. it's something i feel like i only get when i get to reply to people in comments, but other than that, all the numbers and people on my feed give me a lot of anxiety. the hq (smau fandom especially) fandom or at least how much i'm (was) involved in it has grown exponentially and of course i'm happy about that but it's a bit too much for me. i'll be taking a huge step back from the fandom and any hq works i've written at least in the meantime, but that's not to say they'll never be finished! but i either need to grow to handle the bigger audience that now reads my works or wait for things to grow a little smaller again :) i hope to still be able to read my moots works but forgive me if it takes me a bit or i never get to them! i think at the least i'll still like them to show my support <3 thank you if you read my long ramble! i love you all <3

oh also i'll probably post self ship moodboards and the beginning of my reading list (thank you again dorothea for the idea <3)! but again, I think you get the idea by now; I want to go back to doing this for me! so this is a tiny little goodbye now i'm leaving for you all with forehead kisses and flowers and love notes and mwah <3 i'll see you around!

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[lildrownedrat]

Not to start an argument, I completely understand and agree with your points in your posts! I just felt I could explain my point better. I don't/didn't want to take away from your point, just add my own two cents.

I have autism and ADHD, I just saw/felt that Taash related to my autism specific traits a lot more than my ADHD traits, personally. But I wouldn't argue if someone wanted to make the statement more general and say Taash is neurodivergent/ a good example of neurodivergent representation.

Yes, it's never explicitly stated that Taash is autistic but I saw a lot of my own story reflected in theirs that just isn't there in other characters. From the way they spoke and interacted with others, to things they mention in conversations with Rook and the other companions- like their trouble regulating their emotions, not remembering to do basic everyday tasks because their mind is occupied, feeling like they're just all together "wrong", having to sort through what's masking, what's you, and what everyone around you wants you to be. Often, good "representations" of neurodivergency aren't labeled as such. I think of examples like Katniss Everdeen and the Belcher Family. Many autistic people find that these characters just do a really great job at describing and portraying our perspective on things, unlike other characters. If a significant number of neurodivergent people are saying they see their story being told through Taash, I think there's some value in that.

I also see people criticize Taash using the same arguments they use against neurodivergent people in real life. "Taash is rude because they speak bluntly without a filter," but if you pay even a little bit of attention to them, you see they are actually really caring and sweet. "Taash is immature because they rely on their mother too much," but it's a lot of neurodivergent people's experience to need extra support from someone close to us. "Taash's dialogue is awkward," because they say things at the wrong time and don't always word it right. I just wanted to call this out because neurodivergent people are seeing how Taash is being discussed and for a character that shares a lot of our struggles, it's tiring.

Basically, what I'm saying is that I also didn't think Taash was an example of poor representation and I hate that that's a large majority of the opinions I see of them. I think they represented my story as an autistic, nonbinary, person of color very well. Their storyline wasn't about "fixing" how they talk to people, or telling them to get new interests- because these aren't character flaws, they're just traits and I LOVE that!

We just need to keep in mind the intersectionality of the stories being told through these characters. A neurotypical nonbinary person may not understand Taash's story, just like a white nonbinary person probably wouldn't relate to them as much. That doesn't mean they're a bad nonbinary representation.

I also think it's extremely important to point out that autistic people are resonating with them so that neurotypical people can learn more about what it means to be autistic.

(sorry for so many edits and revisions! Also sorry if there's any spelling of grammar mistakes. 😅 I'll try to fix them if I catch them)

I’ve kinda said this before and i’ll certainly say it again, taash is written incredibly well and accurately to the specific experience of being a 2nd-gen queer 22 yo. The way they talk, the awkwardness, the struggle to find words for queerness when you were never taught them in your first language and thus only know them in your second. They are the most accurate and well-written depiction i’ve ever seen of those experiences. However, most of you appear to a) not be queer, b) not be diasporic, and c) are not in your 20s, and thus have no concept of what those experiences are like and thus are criticizing writing around experiences you have no context for and no idea of how that should be written.

Like idk, i wouldn’t roll out the gate criticizing the writing of queer characters that grew up in fundamentalist christain households bc idk what that shit’s like. My parents are asian, they celebrate me getting an interview at los alamos, not getting a boyfriend. I’m fundamentally cannot tell you if that’s a well-written depiction bc i have little context for that.

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[seventh-district]

7am, eating cold leftover teriyaki stir-fry for breakfast and crying over blorbos

[angorwhosebabyisthis]

watching fandaniel go is wild because he is just [vestibular stims] [vestibular stims] [vestibular stims] [vestibular stims] and yeah man that's a mood

[raiiny-bay]

my favorite edits - 2023 edition 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9

[tls123]

Oh my god HOW DID YOU LIKE SVSSS!!!!!

i liked it more than i thought i would but overall less than i might have given the potential of the story, i think in general i really enjoyed the characters (mxtx never goes wrong with characters, she creates them in a way that makes me feel unhinged) and the world building but the pay off to the set up—which i really liked!—felt a bit........ i mean, just alright.

the dynamics too are pure mxtx, personally the bin/gqiu dynamic specifically really was the least interesting part of the whole story. to me!! but individually i loved both characters. my interest was just elsewhere because """elsewhere""" felt way more fascinating idk how to explain it

was very, very happy about the extra with airplane and the yue qingyuan / shen jiu one because that's exactly what i wanted more of in the story itself as well as just more shen yuan/qingqiu interacting with cang qiong mountain

maybe it's my orv brain but like i told jana a while back i think i would have enjoyed svsss way more if it was more about shen yuan (loner; hater; etc) suddenly finding himself among all of these people (disciples looking up to him; sect siblings relying on him one way or another; common folk admiring him; etc etc) and starting to.... live? again?

Shen Qingqiu hadn't noticed that, unconsciously, he no longer considered the disciples around him (...) to be mob characters the novel had described in a scant number of words.

^from volume one, he starts seeing them almost immediately because he's not actually that separate and he genuinely cares. all the time. about everything. even before that we get:

This was only a book, and all the people were constructs, imaginary characters. Logically, Shen Qingqiu was very clear on this fact...but when a character was actually being taunted and bullied right before his eyes, it was just flat-out unrealistic to expect him to be completely unmoved.

like why are you lying, shen yuan (<- svsss tagline if there ever was one)

just the idea of this really lonely detached guy finding a community, i know it's not the story mxtx was trying to tell but again, with the set up i really wanted to see it go in that direction.

there's one line from vol two where liu qingge goes "you fear becoming a burden to cang qiong mountain (...) but cang qiong mountain fears not your burden"

and basically what i'm saying is that i wish the story had been about THAT

(and also ning yingying's lines in that same chapter about shizun always taking on everything himself and why is it always you like that whole moment with the cang qiong mountain almost begging him to see that they care. idek what i'm saying but you know)

(also foaming at the mouth that we only got tiny tiny glimpses of shen yuan's life from before, those handful of times he mentioned his siblings i wanted to take a bite out of my kindle. tell me more!! dear fucking lord tell me more!! keep talking! elaborate!! he really felt very "kim dokja and his fourth wall" at times, sorry once more about the orv brain)

tldr: i guess i wanted a story about shen yuan/qingqiu but mxtx created svsss to be a story about bin/gqiu. and i just have to be okay with that.

[thatoneluckybee]

Bee,,,,,,,, I am ill. NyQuil. Dies

Anyway, your mailman never slacks off !!!

That.

That’s not mail. That’s.

Okay.

Oh wowie!! (Never let me say that ever again.) Gressil and Raven from Ms. Freaky’s Instagram page!!! (I am anti Instagram, it is mean to me)

Raven not being a boykisser is going to ruin my whole career… I am dying… even more than I already was………………………………

When I tell you I RAN OVER TO THE SELFIE WEBSITE I DONT REALLY USE

MORE CANON SEXUALITIES!!!!!

Also dearest mutual with no name.... you neglect the potential of a QPR.

I don't have the brain power to ID rn so if screen reader is being used or picture isn't loading: Ms. Freaky released two new artworks with the characters either holding a flag or with a flag on their cheek for their canon sexualities! GRESSIL is bisexual, Gladiolus/Raven is straight, Poppy is pansexual, Oak is bisexual, and Nightshade/Bella is a lesbian!

[mirrortouchedsea]

getting motivated to work on that kaokana fic finally and i have added like 1k this week.... so much progress for me i'm so happy

[koushirouizumi]

{Blog P.S.A} For New Followers

Where to Find Me: MY "ABOUT"+F.A.Q {READ FIRST}: Here (About) + Here (F.A.Q)! {People who don't even glance at these before leaving commnts inquiring about my Thoughts on Things get Ignored} [Trust Me I'll Know] AO3: Hikari AMVs Index (All Old & Newest AMVs): here! {Currently/Mainly creating for Digimon, Adventure-related franchise} [also appears at times: 02, tri.~Kizuna~The Beginning, Frontier; less often: Xros Wars {Pt 2 of original XW is my personal favorite}/Young Hunters; Ghost Game; Tamers; Wonderswan games-verse; everything post-02 mainly being original Japanese version based] Other {+Digi}-Sideblogs: izzyizumi (main Digimon blog) hikari-m (official Digimon {news+art} archiving+general Fandom commentary; Asks or follows may come from here, Depending) taichi-x-koushiro (Archiving for Yagami Taichi/Izumi Koushiro as Ship) IF YOU ARE A NEW FOLLOWER OR LURKER, I'd really appreciate if you can send me an Ask (you could also leave a quick introductory comment here, on my pinned post) and introduce yourself (you do not need to expect a response from me), even a short description like name (Pennames are definitely fine!), preferred pronouns (if any) and/or what brought you to my page and what you're staying for (Especially if you were here for resource{s} posts/reblogging, I've been curious if they've been helping anyone!) The reason I am asking this is because lately there's been a huge uptick of spam blogs following with particular "patterns" to their Likes, Follows, etc. and in order to prevent from being softblocked by accident if you are not actively blogging, it'd be great to know in advance if you're a real person. Aside from AO3 the only other 'active' archives of social media that I have are my much older Livejournal and Dreamwidth accounts, and even they're not quite in use these days. However, if you also have active LJs or DWs and actively blog, feel free to let me know too!

{And, for Clarification to anyone "Wondering"}:

[No, I will not discuss related current events further than this or in Tags. Anyone who attempts to push my boundaries on this will get Blocked]

FOR OFF-TUMBLR CONTACT, PLEASE DM: {Note: I will NOT respond to harrassing DMs and will only autodelete/block, so please don't waste your time}:

{Currently a infrequently active Koushiro RP Journal turned into personal archival blog. Please DO NOT spam it with non-Dreamwidth RP relevant comments. All comments are SCREENED first.}

It’d be very, very cool if people could also learn to read my FAQ page linked on the sidebar before sending Asks or interacting directly with either of my blogs or myself, because I’m seriously TIRED of people ignoring it and my rules for interaction.

I am a {diagnosed since childhood} Autistic, G.N.C {Gender Non-conforming} + THEY/THEM Jewish blogger. I reblog about those topics here for that reason. {Also my Ko-fi is here.}

* PLEASE DO NOT FOLLOW OR INTERACT WITH ANY OF MY POSTS IF YOU BLATANTLY HATE/DISMISS, OR EXPECT ME TO HATE/DISMISS THE ADVENTURE [+02] + TRI + KIZUNA + 2020 CHOSEN, KOUSHIRO (*ANY KOUSHIRO, INCLUDES FOR EXAMPLE: TRI!KOUSHIRO, OWG!KOUSHIRO, 2020!KOUSHIRO, KIZUNA!KOUSHIRO), TAICHI (*ANY TAICHI, INCLUDING 2020!TAICHI, TRI!TAICHI, KIZUNA!TAICHI), DAISUKE MOTOMIYA (or “DAVIS”), SORA TAKENOUCHI (*INCLUDING 02!SORA, TRI!SORA, 2020!SORA, KIZUNA!SORA), HIKARI YAGAMI (*INCLUDING 02!HIKARI, TRI!HIKARI, KIZUNA!HIKARI, 2020!HIKARI), MIMI TACHIKAWA (*INCLUDING 02!MIMI, TRI!MIMI, KIZUNA!MIMI, 2020!MIMI), MIYAKO INOUE (*INCLUDING KIZUNA!MIYAKO), ALL/ANY OTHER DIGIMON GIRLS SUCH AS IZUMI ORIMOTO {FRONTIER}, JURI KATOU {TAMERS}, JUN MOTOMIYA {02}, OR MEIKO MOCHIZUKI. THANK YOU (I WILL PERMABLOCK IF YOU FORCE-INTERACT OR BLOCK EVADE)

* PLEASE DO NOT FOLLOW OR INTERACT IF YOU CAN’T STAND MY SHIPS TO THE POINT YOU CAN’T EVEN BE RESPECTFUL WHEN INTERACTING WITH SOMEONE WHO SHIPS YOUR NOTP. (I WILL PERMABLOCK YOU IF I NOTICE)

** THESE RULES ALSO APPLY TO MY OTHER BLOG.

*** DO NOT INTERACT IF YOU SUPPORT HARASSMENT / BULLYING / ABUSE (I WILL INSTANTLY PERMA-BLOCK YOU) OR IF YOU SUPPORT / PLATFORM PEOPLE WHO DO.

NOTICE: I am much less active on a personal level on this blog nowadays (in the sense of making personal posts or fan-works/posting fic; I still reblog informative posts). I am slightly more active on my other socials, but most of them are private and friends-locked to older groups of mutuals. If you are curious or wanting to interact about Digimon (especially Adventures or about my favorite characters and ships for this fandom) specifically, please feel free to message me about them, but please understand I may not add or speak with anyone that I do not fully trust or know well. (It will help if most of your stances on social-justice issues align with and don’t blatantly conflict with my own. I tend to not add/follow people anywhere whose posts I cannot filter [i.e. there are many popular Western media fandoms / mega-fandoms I’m not in which I blacklist, types of fanworks I don’t personally care for that I blacklist, etc]. I do not do follow-backs so please do not follow or interact here expecting one). It will also help if you read my FAQ first and agree to it before asking.

PLEASE FAMILIARIZE YOURSELF WITH MY FANDOMS LIST (notably more the major fandoms but) BEFORE YOU INTERACT WITH ANY POST ON THIS BLOG. If I check/quick-vet your blog and find nothing but hate{watching} posts/“Critical” posts for my fandoms (ESPECIALLY THIS ONE), unless I’ve reblogged from you first, I MAY HARDBLOCK YOU.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[thistlecrimes]

Things I've learned from getting covid for the first time in 2023

I wear an N95 in public spaces and I've managed to dodge it for a long time, but I finally got covid for the first time (to my knowledge) in mid-late November 2023. It was a weird experience especially because I feel like it used to be something everyone was talking about and sharing info on, so getting it for the first time now (when people generally seem averse to talking about covid) I found I needed to seek out a lot of info because I wasn't sure what to do. I put so much effort into prevention, I knew less about what to do when you have it. I'm experiencing a rebound right now so I'm currently isolating. So, I'm making a post in the hopes that if you get covid (it's pretty goddamn hard to avoid right now) this info will be helpful for you. It's a couple things I already knew and several things I learned. One part of it is based on my experience in Minnesota but some other states may have similar programs.

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The World Health Organization states you should isolate for 10 days from first having symptoms plus 3 days after the end of symptoms.

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At the time of my writing this post, in Minnesota, we have a test to treat program where you can call, report the result of your rapid test (no photo necessary) and be prescribed paxlovid over the phone to pick up from your pharmacy or have delivered to you. It is free and you do not need to have insurance. I found it by googling "Minnesota Test to Treat Covid"

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Paxlovid decreases the risk of hospitalization and death, but it's also been shown to decrease the risk of Long Covid. Long Covid can occur even from mild or asymptomatic infections.

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Covid rebound commonly occurs 2-8 days after apparent recovery. While many people associate Paxlovid with covid rebound, researchers say there is no strong evidence that Paxlovid causes covid rebound, and rebounds occur in infections that were not treated with Paxlovid as well. I knew rebounds could happen but did not know it could take 8 days. I had mine on day 7 and was completely surprised by it.

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If you start experiencing new symptoms or test positive again, the CDC states that you should start your isolation period again at day zero. Covid rebound is still contagious. Personally I'd suggest wearing a high quality respirator around folks for an additional 8-9 days after you start to test negative in case of a rebound.

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Positive results on a rapid test can be very faint, but even a very faint line is positive result. Make sure to look at your rapid test result under strong lighting. Also, false negatives are not uncommon. If you have symptoms but test negative taking multiple tests and trying different brands if you have them are not bad ideas. My ihealth tests picked up my covid, my binax now tests did not.

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EDIT: I'd highly suggest spending time with friends online if you can, I previously had a link to the NAMI warmline directory in this post but I've since been informed that NAMI is very much funded by pharmaceutical companies and lobbies for policies that take autonomy away from disabled folks, so I've taken that off of here! Sorry, I had no idea, the People's CDC listed them as a resource so I just assumed they were legit! Feel free to reply/reblog this with other warmlines/support resources if you know of them! And please reblog this version!

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I know that there is so much we can't control as individuals right now, and that's frightening. All we can do is try our best to reduce harm and to care for each other. I hope this info will be able to help folks.

[celtrist]

Next thing you'll say is he doesn't have a tail

ref to this pic

EDIT: Just to keep things clear I didn't really think about bringing it up but not everyone's gonna click to see the first picture and might be confused. Alastor was stated to know only a little bit of broken French, the reasoning due to being from New Orleans. Speaking standard French is very much not a thing in New Orleans, so he would logically only know French-Creole. This is very different from the standard French language and a large misconception that people from New Orleans speak regular French. So yes, he does speak some French, just not as well as people make him nor would it, in theory, be the regular French that everyone makes him speak [but I wouldn't put it past the writers to not do that research but maybe I have too little faith in them]. I'm not from New Orleans, I visited it once so it's not like I'm an expert. But I HAVE looked into it and just bothering with one Google search will tell you it's not common and you'll even have a special term called "Louisiana French" pop up. With that all said, these were statements made on years past streams and could've been changed in the official series. However, as of right now, the official statement is that he speaks only a little broken French that should technically be French-Creole if they're going by and that he's from New Orleans to know that language. And again, I don't have a lot of faith in writers to do the research into it being Louisiana French rather than regular French, but now I'm rambling lol This is just a bit of context for this comic so people who were curious can understand it a bit more. And it's totally possible I got something wrong, so feel free to point it out when I do. I just like to dig into the nooks and crannies of information for things :3 2nd EDIT: Just for any future reblogs, I did get somethings incorrect in the above (not surprising), so here's some of the corrections I got:

@mangotangerine: "A tiny nitpick - it would likely be Louisiana Creole, which is one of the French-based Creole languages (Haitian Creole is prob the most well known as it has about 10-12 million speakers vs Louisiana Creole which has around 10,000 due to multiple factors but especially legislation in early 1920s outlawing it). Louisiana French is an umbrella term for the various French dialects/etc in the region (e.g., the dialect Cajun French)." (We actually had a whole conversation in the comments of this post and highly suggest looking down there in case you're interested in learning more!)

@alyssumflowers: "I am from New Orleans and a little bit of a language nerd. You're confusing some things here. Cajun French is a dialect of French. My great grandmother spoke it fluently, my grandfather in pieces.

Louisiana Creole is another language entirely. The word "creole" means mixed and a creole language is basically a mixture of two or more languages. Sort of, it's a linguistics thing. Anyways. Louisiana Creole has next to no speakers left and I've had a hard time trying to find somewhere or someone to learn it from because I really want to." (Always great to hear from someone who has more insider knowledge on the subject! So I wanted to give this it's share due as well, hope you can fine somewhere to learn it! /ᐠ > ˕ <マ ₊˚⊹♡ )

Thank you for the comments! My previous statement still stands about Al probably not speaking normal French, but I wanted these corrections still known and pointed out :3