#I have a lot of feelings so I wrote a thing | Explore Tumblr posts and blogs

felassan · 3 days ago

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David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

#dragon age #bioware #long post #longpost #video games #lgbtq #homophobia cw #queerphobia cw

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sceletaflores · 22 hours ago

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come on into my bed with me (i know you want to)

pair: old man!logan howlett x fem!reader

wc: 4.1k

contains: 18+ SMUT MDNI, swearing, some sad vibes because i can't function without them, large age gap (but isn't that obvious by now? mid 20s/old as fuck), established relationship but only kind of, falls in the logan 2017 timeline but very loosely, LONGINGGGG, gratuitous nickname use (kid, baby, honey, ect), nasty dirty talk cause he's old and gross, not so dry humping, JUST THE TIP RAHHHH, porn w/o plot, no use of y/n.

nat’s note: this was heavily inspired by imogen heap's 'i am in love with you' because that song fucks so hard and it really gave me lots of old man logan vibes. i was just so overcome with nasty thoughts that the beat possessed me and i blacked out and listened to it on a constant repeat while i wrote this instead of doing my a&p work. kisses!

dividers by angel @saradika-graphics!

you can't sleep, logan left his door open...

Rain pelts at the smudged glass of your window, drops trailing down the span of the panes that you follow with your eyes.

It's been raining nearly all week, a rare thing in Mexico, especially somewhere as dry as Sonora.

You used to love the rain. You felt a special kind of comfort anytime night would come and there'd be a certain chill swirling through the air, that familiar scent of damp soil and wet stone rising as the first drops hit the ground.

In Sonora, rain is supposed to be a gift—a reprieve from the unrelenting heat, a chance for the dry earth to drink.

It should feel cleansing, like a reset of sorts, and maybe it would have a few months ago.

Now it just feels heavy, oppressive. Each raindrop splattering against the glass feels like a reminder of everything that's stuck, unmoving.

The soft noise of it was almost enough to lull you to sleep, but it was still no match for your wandering mind.

You’ve been finding yourself here a lot recently, shrouded in the scratchy sheets of your bed in the quiet dark encompassing your room, mind racing.

It was raining the first night he touched you.

You've been with Logan and Charles for nine months.

A runaway hitchhiker turned caretaker after you fled from the meaningless scraps of your life back in Texas.

Logan found you on the side of the highway coming back from a shift in El Paso. One stop with the hazards on and a hasty conversation through a rolled down window later, you were throwing your bags in the back of his limo and climbing into the front seat.

You didn't realize until much later that he never truly asked you to stay, or to care for Charles alongside him.

It was only supposed to be a temporary arrangement, a roof over your head in exchange for your help. Watch over his ailing father for a few days while he went out to get him more medicine, that's what you settled on.

Yet somehow, here you are, nine months later.

You cook meals in a dusty kitchen that always smells faintly of motor oil, listen to Charles’ stories about a world you’ll never fully grasp, and watch Logan patch himself up in grim silence after he’s returned from whatever trouble found him this time.

It's strange how the days seemed to stretch endlessly, but the weeks have slipped past like a blink. You carved out a routine in this crumbling house in Sonora, built something that resembles a life even if it feels borrowed, like a second-hand coat that never quite fits right.

At first, you weren’t sure what kept you here. Maybe Charles.

You warmed to him almost immediately, drawn in by his gentle demeanor and the way he seemed to see right through you without a hint of judgment.

Even when his mind faltered, slipping into tangled memories or distant fragments of a life long past, he treated you with a kindness you hadn’t felt in years.

You’d come to think of him as a king, regal and noble. A king stripped of his castle, yet still wearing a crown, if ever so skewed—a king nonetheless.

You still aren’t sure, but you can’t shake the sense that leaving now would be like tearing off a scab—painful and unnecessary.

And then, one night, the rain came.

You remember it vividly, a torrent so sudden and unrelenting. The downpour soaking the dry dirt surrounding the plant.

You couldn’t help yourself from wandering out, stood barefoot on the porch as the cool air nipped at the skin of your arms and legs.

“You’re gonna catch a cold standin’ out here.” Logan said from somewhere behind you, his voice rough and low after the silence of a long shift.

You hadn’t moved, hadn’t even glanced his way. “I like the rain.”

There was a beat of silence before he stepped closer, the warmth of his body radiating against your back. His hand had been hesitant at first, a brush of calloused fingers against your arm.

You didn’t pull away.

The heat of his palm felt scalding, causing goosebumps to pebble along your damp skin. His thumb swiped across the circular scar just above your elbow, a cigarette burn, one of many.

He didn’t say anything as he turned and walked back into the house. You learned quickly that Logan’s not the type to fill silences with empty words, but you both knew something shifted.

He came into your room later that night. The squeaky mattress of your bed dipping under his weight as he slid his hand down your stomach, pausing just above the waistband of your shorts, a silent question.

He didn’t kiss you, but the rain pattering against the tin roof was enough to swallow your soft moans and gasps.

You settled into something undefined—a constant push and pull of need and silence. Logan touched you when he needed to, and you let him because you wanted to.

It wasn’t love, not then. It wasn’t even comfort. But it was connection. A tenuous thread in the quiet storm of your lives.

You figured that was enough.

The rain hasn't slowed. If anything, the howl of the wind is stronger than before.

The soothing rhythm of droplets hitting your window turned aggressively sharp, like darts thrown against a worn cork board.

The boom of thunder is nearly in sync with the pulse of your core, aching and insistent in its need.

It’s been weeks since Logan touched you last, his endless cycle of guilt stronger than it's been before. He’s never outright said it, but you know it’s there.

The silence between you both has stretched longer than you'd like to admit, a quiet that isn't comfortable anymore.

You know he’s got it in his head that he’s somehow taken advantage of you. A perverted old man falling weak to the pretty, young thing taking up space in the bed two doors over from him.

The thought stirs something deep within you, a mix of frustration and confusion. He’s not wrong, not exactly—but he’s not right either. You aren’t a child, and you aren’t helpless. You knew what you wanted, what you needed.

And that hasn’t dared to change.

You shift in bed, the sheets tangling around your legs as your body hums with a restlessness you can’t shake. The air in your room feels thick, charged, and suffocating, a mirror of the space between you and Logan.

He doesn’t understand that you want him too, that you weren’t some helpless thing to be protected or shielded from his darkness. It eats at you until your skin is practically buzzing with it, buzzing with the need to show him.

There’s only so much silence you can take before it becomes too loud to ignore.

You swing your legs over the edge of the bed, the hardwood cool against your bare feet. You know it’s late, but you don’t care.

You walk through the dimly lit hallway, the creak of the floorboards quiet under you as you make your way to Logan’s door. It’s cracked open, a yellow glow spilling through to guide you like a lighthouse guides its ships to shore.

When you reach the beat up wood you don’t hesitate, you push it open the slightest bit, peering through the widened gap.

He’s there, sitting on the edge of the bed, his back to you. He doesn’t turn, doesn’t acknowledge you, but you know he knows you’re there.

You cross the threshold, your heartbeat loud in your ears as you pull the door shut behind you, leaning your back against it.

“Logan,” you say softly, your voice rougher than you intended.

He doesn’t respond right away. Instead, he runs his hand through his hair, pushing it away from his face. The lamplight catches the sharp planes of his face, a familiar weariness etched into his features.

His fingers flex at his sides, and for a moment, you think he’s going to tell you to leave—to go back to your room where it’s safe, where you won’t make things more complicated than they already are. You almost brace for it.

But then he speaks.

“What’s wrong, kid.” His voice is nothing but a deep rumble, like gravel crunching underfoot.

You shrug noncommittally, hands messing with a stray thread hanging from the edge of your shorts. “Can’t sleep.”

Logan sighs long and slow through his nose, hands pressing into his thighs. “Thought you liked the rain.”

You smile faintly at the irony, chest swelling with something dangerous.

You take a step further into the room, pushing yourself off the closed door. The familiar scent of him invades your senses. It’s a mixture of leather, earth, and something raw—something undeniably him.

You stand there for a moment, letting the silence stretch thin and taut before you finally speak.

“Can I stay?” The words come out barely above a whisper, but they land like a crack of lightning.

You feel your heart thud painfully in your chest, not from fear, but from the sudden vulnerability that makes your skin burn.

The room feels smaller now, the walls pressing in as you step forward, each movement slow and deliberate. You stop at the edge of his bed, the sheets pressing against the bare skin of your thighs.

Logan’s gaze flickers over his shoulder, meeting yours briefly before he looks away again, like he’s trying to convince himself that the ache in his chest isn’t real.

“You should go back to bed,” he says, voice gruff. “It’s late.”

“I don’t want to go back.” You shake your head even though he isn’t turned around to see it.

Without thinking, you crawl onto the bed, the comforter making soft shushing sounds under your hands and knees. You reach out, fingers brushing the back of his neck, the muscles there tight with strain.

Logan flinches slightly, but he doesn’t pull away, and that’s all the permission you need.

You shift closer, pressing your chest against his back, and letting your hands settle on his shoulders. The heat between you is electric, charged with something unsaid, something raw and undeniable.

“Please,” you whisper, your lips brushing against the back of his ear, your voice a mixture of defiance and desire.

Logan stiffens, but this time, you feel the shudder that runs through him, the way his body responds despite the walls he’s built around himself.

You know he’s torn, that he wants to fight this. You feel it in the tension that radiates from him, in the way his body seems to be fighting against the instinct to turn toward you.

But you don’t care anymore. You’re done with silence.

Your fingers slide down his back, feeling the rough fabric of his shirt against your skin as you press yourself closer. Your breath is hot against his neck now, and you can feel the rapid pulse in his veins beneath your lips as you hover just above his skin, waiting.

“Logan…” Your voice is softer now, almost pleading. You don’t know what you’re asking for, but you don’t have to.

His hand comes up, brushing against your wrist as if testing, as if he’s afraid you’ll pull away. But you don’t.

Instead, you lean into him further, your lips brushing the curve of his neck, whispering into the tension that still hangs heavy between you. “Please.”

The last shreds of Logan’s resistance snap under the cloying weight of your touch.

He’s moving before you can even register what’s happening, rearing up with heavy hands that land on your shoulders to push you backwards.

You fall back onto the bed with a soft gasp, bouncing on the mattress once, twice, before Logan follows. His body settles over yours like a warm blanket, thick forearms braced on either side of your head to support his weight.

"Why couldn't you sleep, honey?" he asks, dark eyes boring into yours intense enough to get your stomach churning. The green of them is deeper than normal, like fresh moss growing over stone.

“I was thinking,” you whisper, breathless. Your pulse races beneath your skin, you wonder distantly if he can hear it too.

“Thinkin’ about what?” he presses, breath fanning over your lips temptingly.

Your brows furrow, a soft noise escaping you. You can't help but tell the truth. “About you.”

Logan hums, eyes trailing along your face slowly. He slots a knee between your thighs, groaning softly at the wet heat that seeps through to his jeans.

You gasp, hips bucking down instinctively. Your pussy aches desperately, leaking arousal into the cotton gusset of your panties.

His jaw clenches at the sound, muscle ticking just beneath the grey of his beard. “Is that right? You been layin' in that bed, thinkin' about me, gettin’ all worked up?"

Your face burns under his scrutiny, but you don’t shy away. You arch your back, pressing yourself as close to him as possible, letting the heat of your body speak for you.

“Yeah,” you breathe, the confession trembling on your lips. “I need you, it hurts.”

Logan exhales sharply, like the words knocked the air out of him. His hands slide from your shoulders, rough palms gliding down the skin of your arms before settling right under the swell of your breasts.

“Where’s it achin’, baby?” he asks softly, words almost getting lost in the dark of the room. “Show me.”

You let out a soft breath, reaching down to take his hand in yours.

Without breaking eye contact, you guide his hand down your trembling body until his palm rests over the apex of your thighs, where the damp fabric of your shorts clings to your swollen folds.

“Here,” you whisper, voice barely audible above the rain pounding against his window.

A low growl rumbles from deep in his chest, and his fingers press more firmly against you, feeling the slick heat that’s soaked through the thin cotton. His eyes darken further, the green almost swallowed by the black of his pupils.

Logan’s thumb drags over your clit, slow and deliberate, coaxing a needy whimper from your lips.

“Jesus,” he mutters, his voice thick. “You’re drippin’ for me, aren’t you? Didn’t even need to touch you, and you’re already so fuckin’ wet.”

You whimper softly, bucking your hips against his hand, desperate for more.

"I've been like this all night," you admit, your voice going high and needy. "Thinking about how good you make me feel. How much I want you."

Logan’s eyes lock onto yours, and there’s something new swirling through them, something you’ve never seen before.

A beat passes—too long—almost agonizing. His free hand lifts from your hip, gently cupping your cheek, fingers brushing against your skin, like he isn’t sure if he has the right to touch you like this.

His thumb brushes your lip, his gaze flicking to your mouth before returning to your eyes, asking for permission, even though neither of you had ever really needed it before.

"Logan," you say, the sound a little breathless, unsure of how to navigate this sudden shift, but he doesn’t keep you waiting.

He closes the distance in a heartbeat, lips crashing into yours with a ferocity you didn’t expect.

It’s like the world around you falls away, leaving only the warmth of his lips, the taste of him, and the pressure of his body against yours. The raging storm outside dulling until it’s nothing but fuzzy background noise.

His kiss is rough, deep, urgent, but there’s something more in it, a slow unraveling. Like he’s trying to carve himself into you, a permanent mark, a reminder that he was here, even if he never says it out loud.

Logan tastes like rich smoke and whiskey, the sharp edge of him mixing with the sweet burn of need. It sends your head reeling, arms coming up to circle around his neck.

You can’t find the words to describe it, not with the way his fingers slide through the wetness gathering at your entrance, sending jolts of pleasure straight to your core.

Your hips thrust upward, begging for more, your body hungry for the release he’s just out of reach of giving.

“Want you inside me, Logan,” you moan desperately, slick lips brushing his with every word. “Please.”

Logan's body stiffens against yours at the sound of your pleading, his grip tightening on your cheek like he's trying to anchor himself in the reality of what you're asking.

“Shit,” he growls under his breath, his forehead pressing to yours as he closes his eyes. His chest heaves, the tension in his body palpable. "I—" he pauses, struggling to form the words, but you can see it in his eyes. He's conflicted, desperate, yet still hesitant.

You move against him, your body restless, your need undeniable, feeling the rigid outline of his hard cock pressed firmly against your thigh. A thick plane of heat that has your pussy clenching around the tips of his fingers.

You don’t want to push him, not anymore. But you’re past the point of waiting for permission.

Your lips meet his again, softer this time, coaxing, until he finally gives in, groaning against your mouth as he kisses you back with an intensity that steals your breath.

“I want to feel you,” you whisper, your hands trailing down to the hem of his shirt, pushing it over the swell of his pecs.

His skin is hot under your fingertips, rough and familiar. Your fingers trail lightly across his chest, nails scratching through the salt and pepper hair dusted across his skin as you urge him closer.

“Just the tip,” Logan mutters under his breath, barely above a whisper. His voice hoarse, like he’s bargaining with himself. “Just to make you feel good, but that’s it, understand?”

You bite your lip, the edge of frustration gnawing at you. It’s not everything you need, not everything you want, but it's something. And right now, it’s enough.

You nod your head, hands already moving to the front of his jeans. You undo the button with shaking fingers, tugging the zipper down and pushing the worn denim away.

His cock springs free, already hard, leaking with the same desperation you feel. You run your fingers along his length, feeling the heat of him, the steady throb of his pulse.

Logan peels down the thin layer of your shorts, cursing under his breath when he finds you completely bare underneath, your slick pussy shining under the dim light.

You watch him, chest heaving, as he stares down at you—his eyes dark and full of something primal, something raw.

“Fuck,” he breathes, his fingers tracing the outline of your wetness. He groans low in his throat, his thumb circling your clit once before moving down, dipping inside you just barely. “You’re perfect, baby.”

“Logan,” you whine, thighs spreading in a clear invitation. You patience is running exceedingly thin, your whole body alight with the feeling of a raging forest fire

“I know,” he mutters, placating. He takes the throbbing length of his cock in his hand, swiftly settling between your legs. “I know.”

The thick head drags through your folds, smearing pre-come along your skin and adding even more to the mess between your legs.

A quiet moan passes through your swollen lips, your muscles tightening as he slides himself along your clit. A slow back and forth movement that sends sparks shooting up your spine.

Logan grits his teeth, his breath shallow, as he finally aligns himself with your clenching hole.

The air around you feels charged, a taut thread stretched between anticipation and restraint. You shift your hips slightly, just enough to encourage him, your eyes locked on his as you beg him silently with your gaze.

Then, with a low growl that vibrates through you, he pushes forward, just enough to make you gasp in relief, the head of his cock sliding home in your entrance.

And though it’s only the tip, the sensation of him inside you is enough to set your world alight.

You can feel it, deep in your bones—the simmering, searing heat that makes everything else fade into the background.

Logan presses his lips to your forehead, his breath hot against your skin as he keeps his movements slow, deliberate, his hands holding your hips steady. "This is what you wanted, huh? Got you begging for it, honey," he growls softly. "Even if I’m only givin’ you a taste."

His hips roll languidly, staying true to his word and never sinking deeper than the thick head of his cock. His hand grips the base tightly, his fist fucking slow strokes over the length of himself to where he’s spreading your pussy open.

His scarred knuckles bump against your clit with every stroke, fanning the fire building in your lower stomach.

“Feel so fuckin’ good, honey,” he groans into the skin of your neck, the pace of his hips speeding up ever so slightly. “Feels like heaven.”

You claw at the skin of his back, touch wild and desperate. It takes everything in you not to shift your hips down, to sheath the rest of his cock deep inside your and lock your ankles around his back so he can never leave again.

Logan’s lips find your neck, teeth grazing your skin as he shifts against you. “Tell me you want this,” he says, his voice low, almost a command, yet laced with something tender. “Tell me you want me.”

You meet his gaze without hesitation, your voice steady despite the tremble in your chest. “I want you. I’ve always wanted you.”

The words come out without thought, raw and honest, and you see something in his eyes shift—a flicker of relief, of something deeper than lust.

Logan groans like he got shot, his body shuddering above you as a low growl tears its way from his chest. He fucks into you faster, short, quick thrusts that steal all the breath from your lungs.

Sparks go off behind your closed eyes, bright white and glittering. You can feel yourself getting closer, your body trembling as you grind up against him, meeting him halfway, needing more, needing release.

“Logan,” you gasp, your hands gripping his shoulders harder, nails digging in. “I’m so close. Please—”

“Let go,” he growls, his pace increasing, his body pressing harder against yours. “Come for me, sweetheart.”

With his command, you unravel, the world spinning around you as the pleasure crashes over you, leaving you breathless, gasping for air, your body quivering beneath him as he holds you through it.

Logan follows, tearing himself from the tight grip of your pussy with a sharp jerk of his hips, your name falling from his lips like a prayer as he shoots thick ropes of come over your slick folds.

Your body shakes at the feeling, a breathless whimper pulled from your slack lips at the sticky warmth of his release.

He collapses onto the mattress next to you, his body shuddering enough to match your own. The room falls into a deep silence, the only sounds your mingling breaths and the distant sound of thunder.

A sick sort of dread bursts through the sweet afterglow of your hazy mind, settling in your stomach like a lead weight. You think that this is the moment where Logan will realize what you’ve done, that he’ll retreat back into himself and send you away.

Send you back to your own room and leave you to lay in the cold aftermath of your own recklessness.

You brace for it, the instinct to pull away, to protect yourself from his withdrawal, but it never comes.

Instead, you feel his strong arm slide over your waist, pulling you closer, his body heat a stark contrast to the chill creeping in from the window.

His breath is warm against your neck as he shifts, his fingers tracing absent circles on your skin in a move that’s so endearingly human it has your chest aching.

"Stay here tonight?" he asks, his voice rough, almost a whisper.

Your heart clenches, tears burning at your waterline at the vulnerability of his tone. It breaks the dam inside you, relief and something dangerously close to love flooding your body in a bursting rush of water.

“Of course,” you murmur, your voice shaky.

Logan’s hand tightens around you, his thumb brushing over your ribs. He presses a soft kiss to the bare skin of your shoulder, settling onto the mattress with a slow breath.

You drift to sleep more relaxed than you’ve felt in years, even with the knowledge of the slow journey that lies ahead of you. It won’t be easy, it never is with Logan. You can’t find it in yourself to care.

Because even though the rain falls, the desert doesn’t bloom overnight.

And neither do you.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

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postracehair · 2 days ago

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altitude

max verstappen x reader | 1.5k

you hate flying. but it's a necessity if you want to see max during the f1 season. when you finally fly home together during a break, will you let him help calm you down?

cw: r hates flying, anxiety, kissing, like, lots of kissing, worried max, allusions to more than kissing, fluff, george/carmen cameo

a/n: she's so me! i hate flying! but a girl's gotta do what a girl's gotta do! wrote this way back after brazil, but have it now as a race week gift.

Everything changes very quickly after you meet Max Verstappen.

You are pulled into a world of action and luxury all because he wants you there. And you go willingly because you want to be with him, too. How could you not? The world famous champion is a kind, funny, and sweet man who loves his cats, his friends, and, as is becoming clear, you.

Much of the start of your relationship is scheduling. A day here and there between races, dinners and walks and movies at his place or yours. You spend a lot of time in airports when you can, working on the go and white knuckling your way through flight after flight. It's worth it to see him on the other side.

Somehow, you've never actually travelled together.

Until now.

The race weekend ends the best way possible -- the top step of the podium. A night of celebrations fades into an early morning flight on a private jet and this time, you're coming with. Because Max has three weeks off. He'll have to work, of course, spending time in Milton Keynes before the final stretch of the season, but for the most part you're going to have him all to yourself.

It does not occur to you until you're in the car on the way to the tarmac that Max has no idea how much you hate flying. You're in one of those big Sprinter vans, head on Max's shoulder as he scrolls through his phone. George and Carmen sit on the other side, the former's head tipped back as he dozes. Everyone is quiet and you're working a bit hard to keep yourself calm.

"What is it?" Max whispers. He puts his phone down and you look over at him. His hair is a mess, you can see that much even in the low light of the van. You reach out and run a hand through it.

"What?" you whisper back.

He shakes his head a little and wraps his fingers around your wrist. "You were all loose and then you got tense."

The frequent distance between you and the busy nature of your schedules demands that communication be top of mind. You do not lie to each other about your feelings, and you do not hide things. Even things like this.

"I don't really like flying," you say, softly. "I've never told you because we've never flown together. It just makes me kind of anxious. I've never been able to shake it."

His brows furrow. "Really?"

"I'll be fine," you assure him. "Just, maybe hold my hand during takeoff and landing. And if there is any turbulence."

"But -- I don't understand. Are you afraid?"

You know that there is really no way to make him understand but also that he won't stop trying to. Max gets afraid, he gets nervous. He's only human. But he combats it with sheer willpower, focus, and skill.

"I fly this way all the time," he says, urgent this time. "It's totally safe."

"That's not -- Max, I just get nervous. It's not really to do with safety. I just don't really enjoy it."

"Oi," George says, rousing. "What are you two yapping about?"

"Go back to snoring, George," Max says, not taking his eyes off you.

"Do I really snore?" you hear him ask in a hushed tone. Carmen shushes him.

"Pulling up to the plane now, folks," the driver calls back.

"Seriously," Max says, sounding a little desperate. "It'll be alright."

"I know. I fly all the time, Max." His frown deepens.

"To come see me," he reminds you. "If I knew you didn't like it, I would have --"

"What?" you interrupt. "Invented teleportation? It's okay, Max. Knowing it's to see you makes the whole thing easier, honestly."

This does not satisfy him. You can tell. It's a problem he can't solve -- his least favorite kind. There is no simulation to run for this, no meeting he can talk through, no track he can circle a thousand times.

The van door opens and you're all beckoned out onto the tarmac. You follow George and Carmen with your bag and Max is at your heels, his duffle slung over one shoulder and his other hand on the small of your back. Normally, he's not this touchy, but he seems reluctant to let your conversation in the van go.

"Max--"

"I'm thinking, liefje."

You roll your eyes. "About how to invent teleportation?"

"Something like that," he grumbles.

The jet is narrow, an aisle on one side and four rows of seats on the other. Four sets of two, a table between them. Carmen and George settle into one nook and you toss your bags into another. You slide into the window seat and Max sits heavily in the one next to you, still frowning. You let him, instead looking around to absorb the new experience.

It's much nicer than a regular plane, that's for sure. There is a cooler stocked with drinks and a cabinet full of what seems to be snacks. You can stretch your legs to rest your feet on the seat across from you. It's so early you figure all of you will just sleep, though Max's mood seems at odds with that plan.

The pilot introduces herself and gives a quick rundown of the route and airtime. You all nod and smile and then the doors close and the lights dim.

Max's hand finds yours immediately. You sit up a little and look over at him. He looks even more frazzled than he did at the hotel, when you both rolled out of bed and into comfy clothes. Soft pants and a hoodie that make him look boyish, younger than he is. But here, his cheeks are a little flushed and his jaw is set like he's about to get in his race car.

"What do you do normally?" he asks, softly. You can hear George's soft snores already. "When I'm not there."

"Max," you sigh.

"Tell me, please?"

The seat shifts under you as it heads for the runway. You close your eyes and take a deep breath.

"Well, I don't hold some random guy's hand," you tease. He squeezes your palm and huffs.

"He could be so lucky."

The plane comes to a stop and you know what happens next. Your mind remains preoccupied with Max -- a good thing, right now -- but your body tenses and you squeeze your eyes shut tighter as the engines kick up and you pick up speed.

Max says your name but you don't budge. "Liefje," he whispers, much closer than before. You can feel his breath on your cheek as he gently holds your chin with two fingers and turns your face towards him.

And then he's kissing you. A closed mouth press of his lips to yours, firm but still. At least until you sigh into it, releasing your death grip on the arm rest to reach for him blindly, your tangled fingers between you. The kiss deepens, his nose sliding against yours as you part your lips and the chaste press becomes more. Max's tongue licks into your mouth leisurely, like he has all the time in the world to explore you.

You kiss and kiss and kiss, so long that a voice in your head wonders if maybe you can do this for the whole flight, please? Max tugs your legs across his until you're practically in his lap, spread across the two seats like they're one.

"We're reached cruising altitude," the speakers crackle. "Feel free to move about, but please be mindful."

Max pulls away, a strand of spit glistening between you until he wipes it away with a smirk. His hair is even messier than before and his cheeks are pink. Lips swollen, eyes glassy -- you must look the same. Your heart is racing and you laugh, breathless.

"Well," Max says, then swallows. His voice is raspy, hoarse with desire. "Guess you have to fly with me from now on."

"Max." You pitch forward and settle where his neck and shoulder meet and inhale. His arms wrap around you and he holds you close. You can hear his heart racing just as fast as yours.

"Yeah, yeah," he grumbles. "I know."

"I can do it," you remind him. "I do it all the time. I just don't like it, that's all."

You feel the press of his lips on your hair.

"I just don't like that I can't fix it," he says. "I can't get inside your head and make you know it's alright."

"No, you can't," you sigh. The plane jerks just a little -- a swoop of your stomach that has you gasping. Max's hold on you tightens and he says your name.

"How do you do this alone?" he rasps, mouth next to your ear as he rubs your back.

"I close my eyes," you say, taking deep breaths. "And I imagine you with me."

He curses softly. "We should get a jet by ourselves next time," he mutters. "Then I can really distract you."

That gets you to laugh, though you can't say you hate the idea. It makes you feel warm, makes you press your thighs together.

"Next time," you echo. "But for now..."

Max cups your jaw and ghosts his nose over yours. "For now..."

He brings your lips together.

#max verstappen x reader #max verstappen fanfic #max verstappen #mv33 x reader #mv33 #f1 fanfic #my writing #fic: altitude

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fromchaostocosmos · 15 hours ago

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Hey OP everything I'm about to say I'm saying out both kindness and frustration.

I'm guessing that you are not Jewish because what you wrote really does not reflect the reality of life for Jews in the USA at that time.

Jews would not be socialites or rubbing elbows with wealthy and elite. And no matter how much any Jews would have stripped away any their Jewish identity they still would have been viewed as classless and lesser by the upper echelon.

Jews were immigrants who primarily did not speak English and mostly were on the east coast.

Fun fact about Jews during this time: Jews who kept Shabbat would have to look for a new job ever week because they would be fired for refusing to work on Shabbat.

As for San Fransisco Jews only came there due the California Gold Rush which happened the mid point of the 1800's.

Jews were heavily involved in Unions and were a major backbone of the Labor movement.

The Triangle Shirtwaist Factory fire of 1911 is something that is major keystone is labor rights and movement history. You can not learn about unions and labor laws or anything to do with that without hearing about this. But you know what always gets glossed over, ignored, and often outright erased? The fact that the majority of the workers were Jewish girls and women.

In fact if you look at pictures of many labor marches you will notice that the signs are in Yiddish.

The Jewish identity of the Jewish contributors the unions, labors laws, child labor laws, and labor rights get erased and they become immigrants of X country when their Jewishness played a important role in why they fought for what they did, but also why they faced the discrimination and unfair labor practices they faced.

Also Oscar Wilde would not have had anything to do with anything related to Jews because he was a massive antisemite.

There is this thing that people often do, such as what you have, where they write Jews as having wealth, privilege, and access thinking that they are being inclusive when really what is happening is the furthering of antisemitic tropes and stereotypes as well as a revision of history when this happens in historical settings.

You want to make the Jewish character the prince of the story no problem. Have them be an organizer for a Union and the ball can some kind event or even march or something related to unions.

That can be a connection point between the two of them. The prince title can be a nickname or another connection point where her name, either first or last, is mispronounced by non-Yiddish speakers.

You could even have it be that she is going out and doing out reach to different jobs to get them to unionize/help unionize.

as for views towards their child being gay honestly it would vary with how religious the family was, but also the fact that she was a girl and not a boy it would not as much as a deal due to religious understandings.

While a lot of parts of Yiddish culture has been lost due to the loss of many Yiddish speakers their has existed within this culture a whole queer culture/world though they had their own words to describe it.

This idea has merit and could work it just need to fix the historical inaccuracies and cultural insensitivities in regards to the Jewish parts.

I'm not Chinese so I can't speak to those parts and I don't OP if you are Chinese so again I don't feel it is my place to speak on any of those parts.

Because I do not want Sephardim to left out or forgotten I want to point out that Ashkenazi Jews are not and have not been the only Jews in the USA.

1934 saw San Francisco's first Sephardi Synagogue.

So while yes there was in the 1800's a large influx of Jewish immigration of Ashkenazi Jews to the USA that doesn't mean that there were no Sephardim in the USA already or Sephardim who at the time who were moving around the USA or immigrating to the USA.

I don't want Sephardi history to be ignored or erased.

There is nothing wrong with having the Jewish character be Ashkenazi, I just want to make sure that if I'm accounting for proper historical record in regards to Jews then I'm doing that and leaving out Sephardim.

cinderella remake set in 1880s san francisco where cinderella is a chinese immigrant with bound feet and also she’s a butch lesbian and the prince is a butch lesbian too but she’s a paris-educated german-american socialite and a darling of the transatlantic arts and literary world so the connotations of her gender nonconformity are completely different. oscar wilde is there

#jumblr #jewish characters #jewish history

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yunniverse · 2 days ago

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You’re My Dream

౨ৎ PAIRING— rockstar!jeong yunho x reader

౨ৎ GENRE— fluff, ended relationship, fem!reader

౨ৎ WARNINGS— angst, fluff

౨ৎ WORD COUNT— 1.4k

౨ৎ SUMMARY— you broke up because he was too focused on his music dream, but maybe you and love were the real dream all along.

౨ৎ A/N— i saw a lot of people saying they wanted a oneshot with the concept photos from the 2025 seasons greetings, so i made one! i hope you like it, even though it isn’t quite as angsty as you probably wanted :( still, feedback is appreciated and thanks for reading, lovelies! <3 (i’ll tag a few people who said they were interested if someone wrote one: @beabatiny, @goldendynastys, @kibs-and-bits)

Staring at the fire crackling, you try to hold back the tears that threaten to escape. When had it all gone so wrong?

Just last year, you had been enjoying your boyfriend’s Christmas show with his rock band, and now you’re sitting alone, the night before Christmas.

The crackling of the fire adds to your melancholy, the harsh cold winds blowing outside creating a gloomy atmosphere. You know you should forget like he has, but you can’t throw away two years of your life that easily.

The memories of last Christmas come flooding back to you, even as you try to suppress them. Memories of sitting beside the fire with Yunho, cuddling as you watched a cheesy Christmas movie. Or baking Christmas cookies together at his apartment, laughing as you threw flour at each other.

Turning to the remote controller, you press the power button, not expecting to see him on the screen. His band is playing, and you immediately feel a pang in your chest at the sight of him, his fingers dashing across the keyboard.

Even though he’s the keyboard player and not the lead singer, he has an air about him that draws you in, making it unable to look away, even as you know you should. Why is he still having this effect on you?

The song is one you recognize. “Merry Christmas, Please Don’t Call,” by Bleachers.

It’s a song he’d introduced to you last Christmas, and, even though it’s sad, it had been a source of joy for you in a way last year, because you remember dancing to the song with him, smiling and laughing.

Now, it really is sad.

When he gets up at the end of the song, leaning into the microphone, you furrow your eyebrows, listening.

“That song goes out to someone I lost a year ago today.” He looks right at the camera, his brown eyes sparkling with unshed tears. “I’m sorry, baby. I wish it had been different, but know that I never really stopped loving you.”

You gasp, only momentarily questioning if he’s really talking to you, before you jump up, now determined to make things right for some reason. You know it’ll probably end in more heartache, but you have to try.

Grabbing your keys and coat, you hurry out the door into the winter storm, unlocking your car before hopping in.

Even though the roads are horrible tonight, you know the way to his apartment like the back of your hand, only slowing because of the snow.

About twenty minutes later, you arrive at his apartment complex, hurrying out of the car, through the blinding snow, and into the lobby of the building.

You try to calm yourself down, stepping into the elevator and pressing the button to the fourth floor.

When you get to the floor, you walk down the hall, slowing to a stop in front of his door. Taking a deep breath, you knock.

It takes about two minutes, but the door opens, revealing a messy-haired Yunho, a few locks of his dark blue hair having fallen in front of his brown eyes, which widen at the sight of you.

“Y/N?” he whispers, his hand clutching the doorknob so tight you think he might break it. “What are you doing here?”

“I saw the program.”

“Oh.”

With a sigh, you rub your arm, biting your lip, really starting to wonder what you’re really doing here yourself. “H-How have you been?”

“Is that really what you’re going to ask?” Yunho asks, giving you a half-smile.

“What else would I say?” you question softly, suddenly feeling stupid for coming to see him. “I can’t just say Merry Christmas or something stupid like I’ve missed you—”

“Can’t you?” he asks, his dark eyes searching yours. “Because I’ve missed you.”

Sighing, you frown slightly, “This can’t be happening. I don’t know what I was thinking. Let me just—“

He grabs your wrist as you turn to leave, making your gaze snap back to his. “Every day without you has been torture. You came to see me for a reason. Do you feel the same?”

“Yunho, it doesn’t matter how we feel. It can’t work now anymore than it did then. We have different goals.”

“We don’t have to!” he exclaims, almost desperately. “I can give up the band if that’s what you want. You were upset it took up so much of my time? I’ll quit.”

Your eyes widen as you shake your head, “Yunho, the reason you couldn’t give it up for me before is because it’s what you love to do. I can’t take that away from you. I can’t make you live without it.”

“Well, I can’t live without you.”

His words hang heavy in the air, making you suck in a sharp breath, “Yunho…”

“Don’t say anything,” Yunho tells you, taking a single step closer. “Just tell me…”

“Tell you what?” you ask, your eyebrows furrowing.

“What do you feel?” he asks, just before he leans in, his face inches from yours. Your heartbeat quickens as his warm breath fans across your lips. “If you feel nothing, I’ll leave you alone.”

You’re torn between wanting to close the distance and knowing you shouldn’t.

You don’t have to wait for long.

It feels like the world stops when his soft lips brush against yours for the first time in months. It isn’t like an electric shock, with fireworks exploding, rather it’s like coming home after a long time away. Like warmth and softness and… love.

It only takes a few seconds for you to melt into him, the kiss deepening as he lifts his hands to cup your face, your hands finding his chest, his heartbeat quickens beneath yours fingertips.

After a few moments, he pulls away, his forehead resting against yours as he pants softly, waiting for you to respond.

“I wish I could say I felt nothing,” you whisper, feeling a little helpless against your emotions. “But I can’t. I’ve never been able to.”

“Then give us another chance,” Yunho pleads, his thumbs brushing across your cheekbones. “I meant what I said during the program. I’ve never stopped loving you.”

“But what about the band? What about all the reasons we broke up months ago?”

“You and I both know we were being petty then. And I can quit the band, like I said,” Yunho replies, his tone serious.

“I don’t want you to,” you respond quietly, making him furrow his eyebrows.

“What?” he asks slowly, confusion etched into his features.

“I don’t want you to quit what you love,” you clarify. “That’s what ended things between us before. We quit on our love, and I won’t let you quit on the band now. I was stupid to think you loved me any less because of your passion for music. Please don’t stop playing, Yun.”

“Are you sure?” he asks slowly. “It’ll still take up as much time as it did before, maybe more, since we’ve grown a little more popular now.”

“I don’t care,” you smile softly. “All I care about is being with you again. And I won’t let my jealousy over your time get in the way again… as long as you let me come to your shows.”

“Every single one.”

With a small laugh, you lean forward, pressing another soft kiss to his lips before burying your face in his neck, inhaling his calming scent you’ve missed so much.

“Maybe we should get out of the hallway?” Yunho chuckles, tugging your hand, guiding you into his apartment. “We have a lot of catching up to do.”

You smile shyly, nodding, as you let him close the door behind you both.

Three months later, you’re cheering for Yunho and his band as he performs, smiling widely when he finally comes backstage, his arms open as you laugh, throwing yourself into his arms for a hug. “You did so well, Yunnie,” you whisper in his ear.

He grins, nuzzling his nose into your hair, “Thank you, baby. You’re always the best cheerleader.”

“Can’t say I don’t like the fake tattoos on your hands either,” you tell him wryly, tracing the markings with your finger.

“Oh?” he asks, chuckling softly, his eyes sparking with mischief. “Maybe I’ll leave them on for a little while. And I’ll be sure to tell the stylist you like them.”

“Good,” you grin. “I’m good with anything now as long as you never tell me ‘please don’t call’ like you did last winter ever again.”

“Wouldn’t dream of it.”

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fuctacles · 23 hours ago

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a boy worth fighting getting trampled for

"trampled" for @corrodedcoffinfest BF event | T | 856 | Corroded King (implied and open for interpretation) | no cw | Black Friday, banter, open relationship, polycule-ish, appreciating Steve Harrington moment, canon-ish universe | Ao3

"Was it worth it?"

"Yes!" Gareth and Jeff nod in unison.

"No," whines Eddie, thumbing at the rip in his beloved t-shirt.

"Eh..." Doug makes a so-so motion with his palm.

Steve sighs. When they asked him for extra muscle on Black Friday, he should have expected an outcome like this. The whole band is brandishing various injuries from being trampled by other shoppers, the worst of which was Gareth's allegedly sprained ankle. He wasn't fussing about it only because a. his mother was a nurse and would look at it as soon as she was back, and b. he kind of deserved it.

"Well, show me the loot, then," Steve says with a raised eyebrow, crossing his arms. The only thing he's seen so far was a shiny new amp he had the misfortune of carrying from the store to his car.

Eddie digs through his pockets to brandish about half a dozen tapes, none with a cover Steve would recognize. He seems proud of his haul but sours under the unimpressed stare he gets.

"I got a few vinyls for my folks," Doug shows off his findings, and Eddie scoffs loudly when he gets an approving smile from Steve.

"That's nice," he says.

Gareth redeems himself by showing a gift for his sister, while Jeff bought probably two dozen string packs for his guitar.

"Okay, these aren't actually as stupid as I thought," Steve admits reluctantly, sitting on a stack of tires. "Except for you," he points at Eddie. "You have a shitload of tapes already."

Eddie huffs, now him being the one to cross his arms.

"Sorry, we're not showing what we got for you."

The rest of the guys start shushing him immediately, Jeff even going as far as throwing a string pack at his head. Eddie maturely flips them the bird.

"You got me stuff?" Steve asks in surprise.

"Duh," Gareth scoffs, and Jeff flicks him in the ear for it. "Ow! What was that for?!"

"Be nice, idiot," Jeff chastises him.

With a roll of his eyes, Gareth turns to Steve.

"You're basically a part of the band, we figured it would be nice," he shrugs.

"But I'm not—"

Doug interrupts him before he can go further with his usual protests.

"You do a lot of the heavy lifting, you co-wrote two songs, and consistently charm venue managers into giving us gigs," he lists off on his fingers. "You're basically like Corroded Coffin's manager, so shut up."

"Yeah, you also give the best blowjobs," Eddie grins, because he loves to ruin a moment, and immediately shields his head from any missiles Jeff might throw his way. But the guy only hums in agreement.

"That's true," he nods, making Steve flush pink.

"Well, uh... thanks, I guess," he smiles, a little taken aback. "Waiting til Christmas might kill me, though," he admits with a chuckle. He's always been that kid who looked through all the nooks and crannies of the house to find the gifts early, too curious to sit around and wait.

The band exchanges thoughtful looks among themselves; they nod and they shrug.

"I guess you can pick one," Jeff decides for all of them.

Steve's eyes widen.

"You all got me something?!"

"We couldn't agree on one thing," Doug sighs like it's a topic of a tiring debate. Which, knowing them, might have been.

Steve hums thoughtfully, looking over each of the boys as if his mind wasn't already made. He points his finger, feeling childishly powerful.

"Eddie. You gotta redeem yourself, man."

Eddie rolls his eyes but doesn't protest. He bends over the back of the couch to reach for his backpack, and Doug immediately grabs onto his back pocket with a sigh, so he doesn't topple over and add to his injuries. Once Eddie falls back on the cushions with a huff and fixes his hair, he pulls out a familiar packaging.

Steve looks unimpressed.

"If this is your way of redeeming yourself—"

But after brandishing a can of Farrah Fawcett hair spray, Eddie keeps pulling out more hair products, shampoos, and conditioners that are always sold out whenever Steve tries looking for them.

"Okay, fine. Consider yourself redeemed," he says reluctantly, and Eddie beams at him. He stands up to walk up to him and kisses him softly on the lips before squeezing in to sit between him and Doug.

"See? Every time!" Gareth throws a hand towards them "He weasels himself out of anything!"

"It's the dimples, I'm telling you." Jeff shakes his head in disappointment.

Steve, his arm already slung over Eddie, motions for Gareth.

"Well, come over and I'll kiss you too. What? You sprained your ankle and can't walk? Aw, what a shame."

Gareth hisses at him and shows him the finger, which Steve mirrors while making kissy faces. Eddie just preens under his embrace, content like the cat that got the cream.

"Next year just please plan it better. Wear protective gear and stock the fucking first aid kit."

"You wear a fucking—"

Gareth is interrupted by Jeff's arm putting him into a headlock.

"We will," he agrees for him.

regulars: @blasvemous @wheneverfeasible @phantomcat94

#corroded king #corroded coffin #corroded coffin fest #mine #jeff stranger things #eddie munson #steve harrington #stranger things #steddie #gareth stranger things #gareth emerson #freak stranger things #cj x corrodedcoffinfest

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vatelixx · 2 days ago

Text

In the crooks of your body (I find religion),

mid-seasons Spencer Reid x afab!reader

SMUT!! (and fluff, lots of fluff. no angst this time, mostly for damage control) ─── soft love & early mornings. idk it’s just domestic bliss for a change.

Warnings: light d/s dynamic (sub spencer, im predictable), low-key praise for both parties, pre-established relationship, they’re soooo in love, they’re also domesticated, morning sex (but there’s no penetration, just oral), they’re both nerds, their pillow talk is science, autistic spencer always (it’s canon to me) greek mythology references, probably the nicest thing i’ll ever write.

w.c: 3k

a/n: post-prison (as requested by many) is still being worked on. it makes me sick. i wrote this to improve my mental health. i’d apologise for being inactive recently but it was necessary, ohmygodihavesomuchcoursework.

──────────────

Saturdays are for this. Waking up to no obligations, work tossed aside, Spencer’s state of impending doom reduces to something distant, untouchable. Barely dawn, there’s a level of domesticity to the art of sleeping together.

Sure, he could go on tangents, disbelieving that he’s allowed to attain this. But it’s futile, he’s long grown tired of exhausting the how to your dynamic, the statistic improbabilities, he always thought you would be reserved to his fantasies. Pandora’s box, a hypothetical kept under lock and key.

But no— he’s willing to accept that, on this one off occasion, he’s made an error in his calculations. An illogical anomaly.

Draped in the mantle of sleep, he feels the soft push of cotton sheets first, then the warm-blooded body curved around him. There isn’t traces of a case lingering at the forefront of his mind when he shifts, drawing himself closer, almost subconsciously, by guided instinct.

Touch. Touch, a natural, biological need. Something Spencer has always shied away from, finding nothing but hurt at the double-edged sword of intimacy. It’s not like he has much experience to base this on. And yet, right now, he’s not thinking factually, from a logical standpoint. Because, okay, there’s comfort in knowing the person that touches you is in fact supposed to touch you.

His hands find your body, his movements still slow and weary, thumb brushing the edge of your vertebrae, the divot just below your shoulder blade.

Spencer is many things. He’s obsessive, incessant, obstinate on occasion. Difficult, to put it bluntly. But despite all that, despite his complications, he’s here, touching, trusting, because for the first time in his life, it feels good.

“Moonless earth theory,” he says, moving to accommodate when you decide to lie on your side. Face to face, in hazy, dimmed light. He stares. “Okay, Abian, Alexander Abian, claimed that blowing up the moon would solve every problem in existence.”

Selfishly, unabashed, he slips his hand beneath your top to trace halos across your skin. “It’s so dumb. If that happened, tides would decrease. And, and, the moon's presence has a partial correcting effect on any instabilaties that arise in a non-homogenous, non-symmetrical—“ he sighs, presses his lips together for a moment, “Basically, the earth would wobble. Which… uh, isn’t very good?”

You’re still half-asleep, dreary to his random information. It takes a moment for your brain to settle, to comprehend what he’s saying, and then another, longer moment, to respond.

“Mhm. Days would be shorter,” you respond before laughing. “This is what you think about when you’ve just woken up? I’m basically a walking lobotomy until at least 10AM. And that’s providing I have a shower, feed my caffeine dependency, et cetera et cetera.”

You look at him, observe the sight: tousled hair, swollen lips half-parted, dilated, heavy-lidded eyes that stare back back back.

“I think about a lot of things in the morning,” he mutters, “A lot of things in general.”

When he leans in to kiss you, it’s languid, slow, he’s still in stasis, a state of suspended animation. Tenderly, as if the contact could break, he parts your lips with his own, his breath warm against your mouth, slow, like he wants your touch burnt into him.

Inevitably, your tongue slides against his, and he moans. Hot. It’s so slow, slow enough that time feels warped, nonexistent, like the universe has just stopped without warning.

He feels you shifting, the movement subtle, legs intertwining, hips flush. Good. So good. His lips break away, only to find their way across a cheek, along the column of your throat, further, over the curve of your collarbone.

He’s pressing kisses anywhere his body allows, touch lingering against your skin, tracing invisible imprints. “Sometimes, well.. um, most of the time, I think about you.”

He laughs, shifting to press his forehead against yours. “It’s a huge interference on my routine. And yeah, there’s also the facts, and the statistics. But then my mind will betray me, and i’ll just think about how you might respond, if I told you them.”

This information isn’t exactly new; you’ve woken up to random, impromptu messages regarding space, earth, philosophy, facts that you can never quite place at such an early hour. Then, there’s the phone calls, the dumb, domestic phone calls, ringing you just to over-explain some new hypothesis he’s studying.

Starry-eyed ambition. Sometimes it hurts to think that the job, the BAU, the nature of the cases, will inevitably warp his softness.

You cup his face, palm pressed against cheek, watching as he melts, molten gold, into the contact. “Yknow, I’d really like to study you in a lab.”

“Mm,” he hums, a sound that translates to please don’t put me in a lab.

His hand wraps around your wrist, preserving the contact, holding onto it like there’s a possibility, an actual chance, fact and figure, that he could lose it.

“I’d just be your lab rat? And they say romance is dead,” he scoffs, “You would commit so much medical malpractice.”

“Pft, medical malpractice. That’s made up,” you silence his protests before they can leave his lips. “I think it would be fun to preform experiments on you. Though, i’m not sure I should be trusted with a scalpel. A law probably needs to be put in place. Yknow, for the safety of the people.”

“Ah, ha.” he’s quick to respond, “It’s the scalpel you’re worried about? You’re forgetting the needle, the drugs, the restraints? You cannot be trusted, you’re a danger to society,”

Spencer pouts, features creased. “And your idea of a fun Saturday morning is committing violent acts against your oh so innocent boyfriend. I see, I see where your priorities lie.”

You grin, press a light kiss to his cheek. It’s soft, tentative contact, and yet he still shivers. No dignity. “Sorry, sorry. What was that last part of your sentence? I zoned out after you said restraints.”

“Right. That’s uh, well. That wasn’t the point I was… trying… to make?”

“Yeah, yeah. Medical malpractice. Evil girlfriend. I get it. You’ve made your point. I am very very ashamed of my hypothetical actions.” you say, hooking your leg around his waist, drawing him onto his back. Spine meeting mattress, your body on top now, straddling him.

You hike up his sweater, running your hand across his torso. There’s something obscene to the way he blushes, draping an arm over his face, as if your movements physically pain him.

“Stop acting coy. I’ve seen you in this position before. Worse ones, if we’re going to be honest here—“

“Hey, hey, hey— I’m not acting coy!" he protests, unconvincingly. He’s breathless, attempting to hide the way his body reacts. As if the slight friction warranted from the movement doesn’t grant him fleeting bliss.

The contact is intense, fervent, your body flush with his. “We really really don’t need to talk about the other occasions.” his eyes shut, head falling back against sheets, lips parted, hands gripping the skin of your hips.

“You’re uh, you’re really unfair,” he mumbles, “And beautiful. I should tell you that more often.”

“You tell me every day.”

Moving off his lap, he’s accommodating as you help to untangle clothes from his body, raising his hips when needed, lifting his arms when necessary. Your touch has him compliant, obedient, eager to fall pliant, beneath you. The sight, god: slender, pale skin, faint blemishes staining his thighs from previous nights, matching with the few that adorn his neck.

“I don’t say it enough, then.”

You laugh, “Oh, you’re such a sap.”

It’s a process: getting Spencer to sit up. Because he doesn’t seem to comprehend your intentions, to realise what you’re trying to imply here. Still, when he’s finally perched on the edge of the bed, you rise, shifting to stand between his legs, to look down at the picture of him, bare, undone, so pretty just for you.

He stares up, eyes wide like marbles. “Hi.”

You card your hand through his hair, strands falling between crevices in your fingers. It’s soft, the movement, the gesture, you’re not sinking down to the root yet. “Hi.”

Your name falls from his lips. And yeah, there’s something reverent to the way he says it, the pained whisper. Something that dissolves into a messy, unrefined whimper when you sink to your knees.

“Oh, god. I—,” he swallows, his voice rough. “I, I love you so much.”

There’s this repeated question on your mind, the same one that loops into existence every time you’re in a compromising position: how loud is Spencer going to be today? Because, objectively, he’s loud. It demeans, ruins the chances of abrupt, clandestine touches in semi-public places. In sneaking around. Even when you’ve got your palm against his mouth, he somehow manages to combat, to prevail the suffocation.

Your lips press soft kisses along his thigh, touching those marks now, the ones you must’ve left last night. No? Maybe yesterday afternoon? It’s hard to keep track. “I love you.”

He melts.

“Such a pretty cock. All for me, hm?” jesus christ. You’ve always been so blunt, outward, inherently shameless. Spencer thinks he might die, divine madness. Theia mania.

When you drag your tongue along the length of his cock, there’s a current, sharp, sending his hips bucking. They arch forward, into you, into the contact. Sight shuttered by swollen eyes, he thinks about regulating his breathing, inhale, exhale, the concept falls on deaf ears.

“All yours,” he whimpers, “Yes. Only,.. only you. Always.”

It feels like devotion. The way he confirms vocally, the way you sink down, take him deep into your mouth. His head spills backwards, baring his neck, indiscernible noises bleeding through the open air, sunlight touching his skin, highlighting his intemperate demeanour in diluted canary.

He’ll apologise to the neighbours later.

Shaky, fumbling hands reach out to brush loose strands of hair from your face, to grip, the pads of his fingers meeting your scalp. He would never push, he just needs something firm, solid, tangible to hold onto.

And when you hum around him, just to mess with him, just to hear those sounds, to draw those pleasure-soaked, beautiful noises out of his mouth—

“Oh, oh oh— that’s, yeah. Mhm, yeah. Just… ruin me.” he’d probably thankyou after. Because he’s polite.

You draw back from the contact to catch your breath. Lips stained, now bruising, emitting soft little gasps. There’s tears gathering in the corner of your eyes, reducing your vision to a distorted haze. Blurry traces of reality that all seem so inconsequential now, now that you’re here.

“I love the way you sound for me, Spence. So pretty.”

“Well,” he huffs out a breath, “I’m uh, being taken care of… very well.”

You lean forward to press a kiss against his tip, as if that’s the most innocent, innocuous gesture imaginable. “You deserve it.” your nails run across his thigh, leaving faint white lines in their path. “Exploding that genius brain of yours yet?”

“That shattered the moment you got down on your knees. Maybe, um… okay, possibly earlier.”

“Earlier?”

“Way earlier..”

He whimpers when you drag your tongue across his tip. There’s a plethora of please please please he shamelessly emits, only somewhat satiated when your lips are wrapped around his cock, when you’re demolishing his sanity, and everything else in the process.

He doesn’t even realise how lewd he is, most of the time. It’s not like he’s making a deliberate effort, he’s not sure he’ll ever be able to attain that skill anyway. It’s just… him, raw and unbridled, so delirious from pleasure.

His eyes, dilated, gone, are half-lidded, watching you through thick curls of messy hair, damp with sweat and morning light.

“I’m trying, I’m trying so hard,” he moans, and then words are destroyed, obliterated, as you gag, taking him down to the hilt. “Oh,” he says, “Oh.”

It never lasts long. Not where he’s concerned. Features creased, pleading, you have to restrain him from bucking, nails burning crescent marks into his skin. “Please— please, ‘m gonna…”

He looks done. You hum, oh, silent confirmation, the vibrations stimulate his cock, and then he’s shapeshifting, morphing, transcending into something blissfully gone, releasing deep into your throat.

The orgasm has him ruined, undone. Barely conscious, just floating like something inviolable.

Afterward, he’s urging you to drink water, soft kisses pressed down the curve of your neck as you both readjust. When his phone, his outdated, underused phone lights up, artificial haze, he curses Prometheus for giving humans fire, for hiding it in a stalk of funnel and allowing them to inevitably create technology.

The phone gets locked away in his drawer. He’s half-scared of it anyway.

Spencer has never quite understood the appeal of mornings, but he’s starting to see the merit in them, with you. He’ll tell you that sometime, maybe. One day. Soon.

Right now, however, he descends down your body, lips dragging a path from collarbone to the space between your thighs, where he actively groans.

“Best Saturday morning ever,” you remark, helping him to remove your shorts, then the offending panties that prevent his mouth from working you to ruin.

It’s almost domestic, the way you mirror his actions, feeding your hands through his hair, supporting him as he slips a pillow beneath your hips. Sprawled out across tangled sheets, flushed and restless, you let out an appreciative sigh at the reciprocation.

“Definitely,” he agrees, blowing cold air against your core, just to watch the way you curve, contort. “Though, uh… every morning with you is the best morning ever.” It’s dumb, and god he’s blushing between your thighs.

But, Spencer likes to thank you. Because all in all, he considers himself a well-mannered person. So this, he parts your thighs further, applies slight pressure to your clit, is completely necessary. Mandatory, he’d argue. Something that needs to be embedded into daily routine.

Usually, it’s a slow, methodical process. He can be a perfectionist, a completionist, but he doesn’t mind. He trails his tongue across the inner sections of your thighs, to catch the wetness that stains your skin there.

“You are so perfect,” he regards, pressing a kiss to your clit, mirroring your actions. “So pretty. The prettiest— i’m going to, yeah..”

His tongue moves in languid circles, in soft, calculated motions, before finally delving inside of you, tasting you, drawing a moan, a plea, a muffled prayer from your lips. Okay, alright, maybe his lips too.

“I could do this all day, I want to, I—“ And he doesn’t really have to finish the sentence, because you know him too well, and it’s implied. Implied that he’d spend ceaseless hours here without complaint, oh far from complaint.

He likes to have something to focus on. A task to preform. It distracts his mind, and this one? Yeah, it reduces his thoughts to only you.

If he had it his way, his current mental state would be permanent.

“On your back, pretty boy..” you watch with soft eyes as he mindlessly obeys. Legs bent, pressed against the mattress, you sink down onto his face, getting off from a new angle. Your back instinctively curves, arches, a series of warped moans ripped straight from your throat.

“Just like that— mhm..” you mutter, gripping his hair tighter now, mostly for stability. It’s hard to look down, to see the obscene sight he’s been demeaned to.

His thoughts are always haywire, spitballing off one another. It’s a constant cycle of overthinking, over-analyzing, brain fried beyond reason. But you? You make him feel grounded, tethered, to the very world itself. You’re the one constant that he can predict, and yet, oxymoronically, still so unpredictable in the same breath.

So human..

When you begin to rock against his face, to take the initiative, using him, he simply reaches down, hands trailing across his overstimulated body to stroke himself because of course he’s hard again. How could he not be? He’s at the altar of your body, and god he knows how to serve.

Spencer’s pretty certain he’s forgotten how to breathe, and it’s a hard, harsh gasp when he has the chance to drag air into his lungs — before diving back down to you, because yeah he needs it, he needs you.

It’s messy, muffled whimpers, and desperate sounds emitted from both of your mouths. A constant onslaught of him, his tongue working halos against your clit. When he comes, he’s got his face buried into your heat, obstructing all of his senses. Delirious. Pussy-drunk.

There. There. There. He makes sure to prolong the pleasure, to work you through the bleeding mess of stars, and cosmos, and heavenly bliss, until you’re squirming away from overstimulation.

There’s a set routine when it comes to aftercare. One that both of you fail to adhere to, every. single. time. You’re both firm, assertive, in the belief that you should be the one to look after the other, so it ends up being a lazy, mutual act. Showering, the way he buries his face into your shoulder, naked body pressed against naked body. Hydration, soft touches, muttered words that help you return from the astral plane.

“I can’t believe we’re getting back into bed,” you say after you’ve changed the sheets, traded your ruined clothes for fresh pyjamas. You’re wearing Spencer’s shirt, fumbling buttons, half sealed, exposing your collarbone, draping over your shoulder when you preform any sort of physical movement that requires arms.

“No complaints though.” by nature, your body finds his beneath blankets. “I’d happily rot here. They could make a shitty reality show, it would be good entertainment.”

“I think I’d get fired from the BAU,” he protests, “You know, the first reality TV show aired in 1948. Candid Camera, on ABC, the premise was uh… hidden-cameras? So, yeah, the usual invasion of privacy, sounds entertaining.”

“Mhm. Sounds like something you’d hate.”

You’re lying face to face, arms draped over each other. The Lovers of Valadro position, he calls it. You’re not sure if that’s romantic, or slightly morbid.

“Here’s the plan,” you press your forehead to his, staring at those doe-wide eyes, “We’re going back to sleep. Then, I guess you can be a rule-abiding FBI agent, or whatever, and finish up your reports. As long as you’re done by 4. Because I want to see a movie,” he laughs, in that knowing way. “Yes, yes, i’m aware it’s your turn. Which means we’re gonna end up watching some documentary. Just uh? Make it space themed, yeah? Or, dinosaurs. I can settle for dinosaurs.”

His lips meet yours, abruptly, and he’s grinning into the contact. “I love you so much. I, we, still need to watch MoonWalk One. The Mars Underground, um.. The Valley of the T-Rex? There’s another that I read about yesterday. The Universe at the Edge of Knowledge. Oh, or Dark Universe. You’ll really like Dark Universe, and Edge of Knowledge has this, this cool segment on —“

“Okay, nerd.” you laugh, “Whatever one you want, we’ll watch. I’m still halfway through Paleoworld right now, 30 episodes in.” he knows that, because you’ll message him through the duration, make use out of that untouched (borderline) dusty phone he neglects.

He intertwines your fingers, presses a soft kiss to the back of your hand. “Yup. Yup. Whatever. Can we nap now?”

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screamofdespair · 2 days ago

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池田理代子 Riyoko Ikeda Interview About Oniisama E... (2016)

池田理代子 Riyoko Ikeda

Mangaka and Vocal artist, she began drawing mangas during her university studies, and her work The Rose of Versailles, serialized in 1972, became a huge success, even turning into a social phenomenon. She became highly appreciated internationally. She received the Excellence Award from the Japanese Cartoonists Association for Orpheus no Mado in 1980. The French government decorated her with the Légion d’Honneur for her contributions to spreading French history and culture in Japan.

What led to the creation of Oniisama E... ?

When the serialization of The Rose of Versailles ended, I had already decided that my next work would be a historical epic : Orpheus no Mado. But since it would take time to prepare for the historical research and start drawing it, I thought I could write something in the meantime (laughs). I feel a bit apologetic calling it just a filler, though, but actually, "Oniisama E..." was born from my own personal experiences. It’s a very important and cherished memory for me, and it just came rushing out all at once.

So, was your correspondence with the "Oniisama" also based on your own experience ?

When I was in my third year of middle school, just like Nanako, there was a preparatory course offered by university students from the University of Tokyo. I asked the graduate student who was in charge of social studies (the model for Takehiko Henmi) the same thing Nanako did: "Could you be my 'Oniisama'?" (laughs). I was deeply fascinated by the concept of an 'Oniisama" It's different from the idea of love, though. Through our letters, I learned a lot about history, religion, and various things. When I mentioned my interest in Christianity, he wrote me, "Christianity as it is called, not only « participated » in the WW2 but was also one of its central protagonists : This is a historical truth.." I learned so much from those letters and grew a lot. I even went to the University of Tokyo’s May Festival. Actually, the "Oniisama" always had someone with him, like the omiki sake bottle. That person was the model for Takashi Ichinomiya. He was a person with a thin and delicate appearance, giving the impression of a young master from a wealthy family.

What were you like back then (during your school years) ?

I was really bad at sports, but for some reason, I was quite popular with the girls during my middle and high school years. In middle school, which was co-ed, I had good grades, had a very tanned skin, was tall, and completely lacked femininity, maybe that’s why (laughs). Even in high school, younger students would write me letters. After graduating, I found out that knowing someone like 'Ikeda-san' was really a source of pride for them.

Did you have the storyline planned out from the beginning of the serialization to the ending ?

It was more like ideas came to me as I was drawing. I don’t clearly remember if I had planned everything out until the end, but let’s say I had set certain elements in advance. For example, the idea that Kaoru and Henmi would be a couple came to me along the way (laughs). Even for The Rose of Versailles, I hadn’t decided from the start that Oscar and André would end up together. Of course, there are aspects I plan carefully, but in the end, the characters started acting on their own. And when that happens, I feel like the story is "successful."

Nanako is a very emotional girl, but also extremely determined. As for Mariko, she seems to embody the 'tsundere' archetype to some extent.

Nanako is very similar to Rosalie, isn’t she? Devoted, but in the end, she’s the strongest (laughs). For Mariko, there was a real-life model: a friend whose father wrote erotic novels. I gradually incorporated various elements from the people around me. I think many aspects are direct projections. Even the way Kaoru speaks, that’s really how we used to talk back then. We would say things like “Omae-san” (laughs). Oniisama E... reflects a lot of memories and episodes from my student life.

Oniisama E... is a short story, so its general recognition is low, but it has quite a passionate fanbase.

There are many men who tell me, "I'm a fan!". Recently, it's no longer embarrassing for men to enjoy shoujo manga. During autograph sessions, quite a few people enthusiastically tell me, "I love this work!" Some even say, "Oniisama E... is really my favorite!" When I hear that, I can't help but think, "Well, here's a true connoisseur!" (laughs). Of course, there are also many women among the fans. In that regard, I think Oniisama E... has nothing to envy from The Rose of Versailles.

And then, in 1991, it was adapted into an anime.

Actually, I was very busy at the time, so I wasn’t able to watch it properly… What left a strong impression on me, though, was how they carefully portrayed Fukiko’s feelings for Takehiko, which I hadn’t depicted in the original. I thought, "Oh, that’s so wonderful." It really fit perfectly, and there was no sense of discomfort at all.

It's a remarkable aspect of the anime adaptation. I wish I could have read it in your manga as well.

If I had a little more time, I would have liked to draw it myself. Originally, due to the planning period for Orpheus no Mado, I was rushed. Even though I still had many ideas in mind, it felt like I was forced to wrap it up (laughs).

Given what you’ve just mentioned, have you ever thought about remaking or creating a sequel to your own works?

Right now, I’m drawing a chapter for The Rose of Versailles, but... the art from that time was really bad, and I even hate re-reading it. I realize there were things I could only draw back then. When the serialization of The Rose of Versailles ended, I realized that in order to depict Europe, I would have needed much more knowledge of Christianity. That’s why, before starting Orpheus no Mado, I spent a lot of time studying Christianity. I don’t think I could have drawn the story without that knowledge. A work is the product of its time, of its era, the sensitivities, and the knowledge of the author, so remaking something seems difficult to me.

In 2017, you'll be celebrating your 50th anniversary as a writer.

I can't believe it's already been so long, and at the same time, I realize that some parts of my body are starting to hurt, which reminds me of my age (laughs). I've also been very active in music, but lately, progress has been slower. However, I truly want to cherish each passing year. For me, true happiness is living in a way that I would never regret anything, even if I were to die tomorrow. There's no reason to look back on the past. After all, it’s impossible to rewrite it. I don’t reread my works much either (laughs). I’ve lived my way, sometimes causing trouble to others, but doing what I wanted (laughs).

For this Blu-ray release, new illustrations were specially drawn.

I wasn’t satisfied with the drawings of The Rose of Versailles because I think they were awkwardly executed. Personally, I think Oniisama E... is the work where I drew the best. At that time, I was able to draw very precisely, even the lines were very clean. Over time, some works become hard to rediscover, but Oniisama E... is the one I drew almost effortlessly, simply letting the ideas flow. That’s why, even today, I can dive back into it without effort (laughs).

To those who have brought this product.

Oniisama E... is a work that originates from my own experiences, and it’s the work that I’ve let mature the longest, so I have a strong emotional connection to it. The idea for The Rose of Versailles came to me when I was in my second year of high school, which is quite early, but Oniisama E... came even before that. I would like as many people as possible to see and read it.

About Osamu Tezuka :

He wasn’t my lover, nor a relative, and calling him a friend would be too presumptuous. When I heard the news of his death, I really hit the desk and cried uncontrollably. That feeling was something I’d never experienced before, and it was the first time I felt that way about Tezuka-sensei. I truly respected him. Recently, it’s been the same with Muhammad Ali. Tezuka-sensei's Wellspring of the Crane was the first work that deeply moved me when I read it. It really squeezed my heart. I read it at a friend's house, and after returning home, I couldn’t eat, and my mother wondered if I had picked up some food off the ground. Ah, no one could understand! I remember thinking, as a child, that my sensitivity was different from others! (laughs).

Source: Oniisama E... Blu-Ray BOX SET Booklet.

Note : The translation might not be the most accurate word-for-word, but i did my best to make it coherent.

#おにいさまへ…#dear brother #oniisama e #nanako misonoo #riyoko ikeda #kaoru no kimi #kaoru orihara #mariko shinobu #fukiko ichinomiya #rose of versailles #versailles no bara #osamu tezuka #orpheus no mado

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blueberri-blu · 2 days ago

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Hi! Can we get Rise Donnie being a flustered mess for he s/o? For the simplest things. Like, reader will just hold his hand, and all of a sudden, his face is flushed, and he's avoiding eye contact. And you know he'll definitely deny it.

Of course anon! As much as I love reading confident Donnie, flustered mess Donnie has a special place in my heart!

Not Flustered 〃〃

〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃〃

Much to Donnie's dismay, you made him feel things

And the one he felt most often, was flustered. He didn't want to admit it

so you started to do things just to get him blushing

You'd come up and hold his hand whenever he was explaining his plans

You'd kiss him and complement him on his inventions

And even worse...

You'd come into the lab, and press your face as close as possible to his

While caressing his and looking up at him saying

"Come on My Love, let's go eat"

For all instances, he is blushing, eyes wide, and trying to look anywhere else

One time you tried to get him out of the lab by sitting on his lap (you two recently discussed your new/updated boundaries)

And the intelligent ninja Donnie stuttered

He looked absolutely adorable, struggling to find words

Ever since, he has taken to trying his best to compose himself

However, he always fails

And if you ever do any of these in public?

Oh boy

His brain is the Blue Screen, 404 error

Even his neck was red

You thought that it was first and new relationship nerves

But no

Even after a year of being together, and he still blushes when you complement, he still looks away bashfully when you hold his hand

However, beware

Because Donnie will try to tease you back

Emphasis on try

Because although you're blushing, he's blushing harder

One time he tried to straddle your lap and kiss you,

But he ended up kissing you only to hide his face in your shoulder

Overall, flustered Donnie is the best

He'll occasionally get Confidence bursts

But Donnie will quickly change right back to his blushy, flustered self

I didn't have a lot of inspiration when I wrote this, so I might come back and rewrite it!

#bluberri writes #teenage mutant ninja turtles donnie #donnie tmnt #donatello hamato #rottmnt donnie #rise donnie x reader #tmnt donatello #rottmnt donnie x reader #rottmnt x reader #tmnt x reader #tmnt #tmnt donnie #rottmnt #tmnt donnie x reader #donnie x reader #donnie hamato #rise of the tmnt

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gamblersdoll · 1 day ago

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stuffing and tasting you full for a day. a special) smut ahead! brace yourselves. edit: i do not know how to spell that mans name and i have never wrote him

doesn’t necessarily celebrate the holiday, would rather keep you home for the days and have your knees pressed to your ears. actually hogtied you for the occasion. “taste so damn good all tied up,” touching your folds with their tongue and looking up at you, “maybe the rope is pushing your juice down some more..”

vi, kaminari, yuuji, kirara

only hops from place to place, occasionally tasting some food and asking “who made this?” doesn’t necessarily get a whole lot of food, but once you get home— all over you, barely making it past the door. “taste better than everything else today,” they mumble, licking up your ear and rubbing fingers along your clit. “you wanna tell me who made this pretty pussy all creamy? havent heard something this thick.” and suddenly, a tongue is touching your folds.

katsuki, izuku, reiner, kirishima, hakari, geto.

only eats the food, takes a nap, and then takes you back upstairs to eat you out after a hard day of interacting with people. driving his cock inside of you and your throbbing folds— spitting a fat glob onto your clit watching it jump. “turkey not the only thing getting stuffed full, huh?” he asks, biting the hem of his shirt to reveal his godly body, watching your eyes sulk into the back of your skull. “pretty little slut bag, huh?”

sukuna, vander, toji, guts

was helping you cook for millions of people to the event, sneaks you away and excuses the both of you temporarily— just to get on their knees and looking up at you through your folds. “poor thing.. i know you hate today,” they mumble, kissing and suckling on your thigh to ease your nerves (but only abuses them) “focus on me, lil’ mama.” you nod, feeling a hand grope your breasts and a softly growl with a bump of their nose. “guess its truly dessert before dinner.”

sevika, higurama, hawks.

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padawan-crevette · 2 days ago

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YES.

What Jayce says is that Viktor needs healing, not fixing, and I've been having a whole lot of thoughts and feelings about it since the episode came out.

I can't count or even recall the number of times I've felt like a burden or a failure because of my disability, and here we are, with THIS, with something that they wrote so WELL and with so much love. I can't speak for any group, only for myself, but I feel SEEN and LOVED.

Viktor is literally the reason I even did research about the kind of brace he wears, and ended up getting two last year. He is why I haven't needed to use my wheelchair in over a year, and why I'm slowly feeling better about many things related to my health. And the way his internalized ableism shows hits really, really close to home.

And I see people calling Jayce's speech ableist?? Are you joking I am not going to rant more on this post but LISTEN

okay. let’s talk about jayce’s monologue, since people are calling him ableist.

for context, not that it matters: I have a significant mobility disability and a progressive chronic illness which, even when managed, can kill me. I’m not in exactly the same boat as viktor since my disease isn’t terminal, but I’ve had very similar experiences to him. this shapes my perception of him and of this storyline.

this is the monologue:

You’ve always wanted to cure what you thought were weaknesses. Your leg. Your disease. But you were never broken, Viktor. There’s beauty in imperfections. They made you what you are. An inseparable piece of everything I admired about you.

first, it should be noted that “what you thought were weaknesses” is not the same thing as “things that are good.” jayce is not saying that viktor’s disease is or was a good thing. what he is saying is that he admired (loved) everything that viktor was, which included the things viktor thought made him a burden or a problem. remember also that jayce almost doomed the world because he couldn’t let viktor die; he would never imply that viktor dying was a good thing.

the next question, then, is whether viktor sees himself as a burden or not. I think it’s implied that he does — it’s certainly not unrealistic to think that viktor might have come to view himself, or at least his disease, as a burden and a flaw. disabled people often view ourselves that way either because of internalized ableism or because society constantly tells us that we’re burdens and that our bodies are abnormal and wrong. viktor displays behaviors that indicate internalized ableism, including hiding the fact that he’s coughing up blood from jayce the first few times it happens and generally refusing to be in the public eye in a way that is self-effacing and not just him being private. yes, he says in act 1 of season 1 that he believes in himself, but he does also call himself a cripple in a dismissive way in that same scene; also, he doesn’t have the disease at that point. arguably the entire scene where he runs despite clearly being in pain is an example of his internalized ableism, but that’s another post.

more evidence for viktor’s perception of himself being negative is that he clearly has a sense that he doesn’t deserve to be loved (specifically by jayce, but maybe also in general). we see this when he asks jayce why he’s still persisting in saving him. we see this with his generally self-effacing behavior. we see this with the fact that in all of season 1, the only person he allows to touch him is jayce, and that the only person he actively touches in the entire show is jayce. viktor is reserved and not good with his emotions, which is a huge part of his arc this season. all of these behaviors point to him having a negative self-perception.

I think it’s important to really consider how jayce perceives viktor and how viktor perceives himself. I don’t think this season handled everything perfectly, but I think they handled this very well. viktor has been written with a fullness and complexity that most disabled characters don’t ever get. him being morally grey doesn’t mean he’s “problematic” or “bad representation.” obviously I’m only one disabled person, but I really love jayce and viktor and I think their story is beautifully written.

#arcane #arcane spoilers #disability #jayvik

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felassan · 1 day ago

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David Gaider on Cassandra (the last of these retrospective character threads), under a cut for length:

"This is the last of the (major) characters I wrote during my time on Dragon Age. I could go into others, and considered moving onto Stray Gods... but I feel like fewer would be interested, and I honestly can't keep up the pace. So let's make this the last, for now. So, yeah. Cassandra. We knew early on that Cassandra would come into DAI as a companion, along with Varric, that this was part of what DA2 set up for the sequel. Now, I'd written Cassandra's short scenes in DA2, yes, but I wasn't her writer for DAI. Initially, she was Jennifer Hepler's character. By mid-project, in fact, Cassandra was more or less fully written. Jennifer did a great job - solid character, solid quest. The sticking point, it turned out, was her romance. Now, to be fair, Jennifer told me straight up when we began that writing romance wasn't her forte, but she'd give it a go. The problem with the romance as she wrote it wasn't in its execution but more a clash between the character as Jennifer envisioned her and the requirements of her being a romance. See, I mentioned previously that a romance arc inherently limits the kinds of stories you can tell with a companion. Many responses I got can be summed up as "lol skill issue", but consider this: a companion romance isn't a fic you can just throw up on AO3. It's an investment of a lot of resources. If a companion has one, most of their resources need to be devoted to it - it's not "now let's ALSO add a romance"."

"That means it needs to take priority in who they are as a character and their arc. What's more, they need to be *appealing* to a big chunk of the player base - or at least someone we can imagine being broadly appealing, anyway. Thankfully, there are still many many stories this can accommodate. 😊 This, however, wasn't one of those. Was Cassandra a fascinating character? Absolutely. Her romance, though... Well, Jennifer DID warn me. She'd written Cassandra as a serious, self-righteous, pious woman who put the Inquisitor on a messianic pedestal. Romancing her meant changing her view of you. You did this by being... pushy. Jennifer didn't mean it to, I'm sure, but sometimes it came off as, at best, negging. At worst, a bit harassy. And Jennifer would have fixed it. This was a 1st draft, and the issues - while serious - were something a skilled writer like her could handle. No problem. Thing is, Jennifer left. You may not remember, but this was around the time a bunch of GamerGate dudes decided Jennifer was somehow responsible for ALL of BioWare's faults. Oh, the power she wielded! She, a writer, could even command the combat Bio made! The result was a LOT of ugly harassment. 😞 Is this why she left? You'd have to ask her, but it undoubtedly didn't help. The important thing is, she left - and there was nobody as senior nor as superhumanly fast as her to take over any unfinished work. This is where Patrick Weekes comes in: a solid, senior writer who could fill her shoes."

"It was great timing - not only did Cassandra need a writer, I'd slowly fallen more and more behind. It was clear by that point that I'd never be able to write Dorian AND Cole AND Solas as planned. They needed to pick up two. And I let them choose the ones who interested them, like all my writers. Patrick taking Solas was no surprise, and while I had Big Plans for Solas in the future I knew at least he'd be in good hands. I was reeeeaaaally hoping Patrick would then pick Cassandra... but they wanted Cole. My baby. Who I created in Asunder. I grumped, but Patrick clearly loved the character. They had ideas for Cole which... yeah yeah, sounded cool. Fiiine. 😅 Now I had to figure out what *I* was going to do with Cassandra. We couldn't move the romance to someone else, all the other female characters were well underway, and I didn't know the character well enough to fix her with tweaks. That meant a re-write. I didn't WANT to erase all that good work, but I needed to start from scratch. Yet how? A pious, self-righteous character was already a risk in terms of romantic appeal. There are only a small number of traits sorta considered universally unappealing but they're on that list. In this instance, Cassandra already being a known character helped. I came across a webcomic (by aimo, I think? AHH I wish I could find it now) that made a joke about Cassandra reading Varric's books. Off-hand, no basis for it, but funny. 😆 And I thought: YES. THAT'S IT. THAT'S WHAT I'M MISSING."

"I sat down and wrote the "fangirl" scene, just to test it out. Everyone loved it, and it served to change my image of who Cassandra was - a view of the inside, at the idealistic and awkward passion she felt, for so many things... AND the Maker. "Yes," I thought. "I could fall in love with this." Who knew Cassandra could be funny? Not anyone, coming out of DA2, yet here we were. It worked so well and her voice came so easily. Miranda Raison was game ofc, and amazing. Though Caroline did gripe that, if we ever met more Nevarrans THAT accent meant we'd have the Tali Problem all over again. 😅 Cassandra's romance is burned into my brain as the time when we THE most awkward conversation with the animators ever. See, that moment during the sex scene on the picnic blanket when she leans back and... there were suddenly these strategically-placed candles, juuuust covering the Sordid Bits. Thing is, they were so obviously placed just to do that. Plus, we'd already decided to do full nudity in DAI, hadn't we? WHY WERE THEY EVEN THERE? Turns out, the nudity thing was still pretty new to the team. They'd forgotten and put the candles there almost as a reflex. So prudish. So Canadian. 😂 I do find it kind of funny that, these days, what I mostly hear about Cassandra is from female fans upset at me because she wasn't a lesbian option. I mean, right? Who wouldn't want that? Technically not my decision, but I guess I WAS behind the companions having set preferences so... fair enough?"

"Some of them do take it to an entitled place, though, like Cassandra *should* have been a lesbian. Why? Because she looks like one, apparently, and that that's a bit of stereotyping which feels... odd? But it's not as if lesbian players are spoiled for choice left and right, so again: fair enough. It did lead to the best end credits VO perhaps ever, and overall I'm pretty happy with how Cassandra panned out. Things never end up like you expect, right? But such is game dev lyfe. 🥸🖖 Did you know Cassandra was THE most-romanced DAI character, by a good margin? Least, by a good margin? Dorian."

[source thread]

User: "Did you have any hand in her writing for Dawn of the Seeker?" David Gaider: "No, none. Nobody at BioWare had any hand in Dawn of the Seeker, outside of maybe Mike approving the script or direction? Only he could say for sure." [source]

User: "Was Miranda a specific casting choice by anyone on the team (similar to your picks for Merrill/Fenris/Solas), or was she simply a lucky find? I loved Miranda on the BBC series "Spooks", so I was very pleasantly surprised to learn she voiced one of my favourite DA characters" David Gaider: "I don’t remember how Miranda was cast. Auditioned, I expect, and she had a good “steely warrior voice” which is surprisingly uncommon among actresses. The accent she made up was all her, as well." [source]

User: "What's the Tali Problem?" David Gaider: "When Tali was the only Quarian, the actress doing a made-up accent was fine. Once there were others… do we get them all to mimic her? That’s a tall order!" [source]

User: "I'd say Solas is the most popular nowaday, but you need to be such a specific race/gender combo + most straight guys wouldn't go for him, i get hes not on top of the list, but I'd have expected Josephine over Cass." David Gaider: "You can’t go by how fans online talk about playing the game. There is almost zero correlation between the playstyles of the vocal hardcore and the masses." [source]

User: "I was a Dorianmancer. The cut content in Trespasser DLC was sad to read, it definitely felt short/abrupt for Dorianmancers. Anyway to share what was cut at all?" David Gaider: "I don’t know what was cut out of the conversation, as I never played it. I just heard about it after the fact." [source]

User: "Those end credits are truly incredible. Do you remember who wrote them? I'm guessing a combination of Mary Kirby & you?" David Gaider: "I wrote them, but I recall the entire team kind of took part in brainstorming the pieces of it." [source]

User: "I’m very curious- Do you know what direction you would have taken Cole and his story if you’d kept him?" David Gaider: "It's hypothetical at this point, but I suspect I would have been less willing to lose the serial killer aspect... or, at least, would have made that transition occur as part of his arc in DAI. Yet that's easy to say from this side of the divide. Who knows, really?" [source]

User: "With Cassandra you created one of the best characters in DA history." David Gaider: "Personally, my favorite response of hers is where she gets mocked for loving romance and she comes back with a retort about how it's a strength - how loving something and striving for the ideal takes courage. To me, that's central to her core." [source]

User: "inquiry: did you not write any of the Awakening characters?" David Gaider: "I wrote Anders, Justice, and Nathaniel in Awakening - but it was such a hurried project, my memories of it are pretty much a blur. "Yes, I worked on that" is almost all I can say about it, I'm afraid." [source]

#dragon age #bioware #cassandra pentaghast #my lady paladin #video games #long post #longpost #solas #cole #spirit boy #harassment cw #mass effect #fenris #the fenaissance

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fickleminder · 14 hours ago

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with you

I wrote this based on vibes alone. Viva la OM fandom.

“Keep running!”

It felt like you were dreaming. Everything was rushing past you in a blur as Mammon pulled you along by an iron grip on your hand. He’d always been the fastest of his brothers, but you had no clue what the cause of his panic was this time.

“They’re coming for us.” Lucifer answered your unspoken question, frustration laced in his curt words. “But we’ll make sure they don’t get you too.”

“What are you talking about?” You asked dazedly, still trying to understand what was happening. One moment you were minding your own business, the next the brothers were practically corralling you out of the house and towards who-knows-where. There was no warning, no fanfare, just a lot of urgency and confusion. “Who’s coming?”

“It’s the final boss! The one who’s been pulling all the strings from the start!” Levi wasn’t making any sense either. “So many plot holes, so many loose threads, and now they’re just gonna wipe the slate clean!”

“We’re getting you back to the human world. You have friends there, you’ll be okay.” Satan explained, oddly calm given the situation.

“But what about you guys?” The sinking feeling in your chest had reached your stomach. You felt as though you could puke from sheer stress alone, the way it seemed like they were saying goodbye. “And— and Diavolo, Barbatos, the angels—”

“They’ll meet us at the portal, so don’t stop working those legs honey!” Asmo tried to encourage you, his perfect smile straining against the exhaustion from keeping up with his brothers.

(“But Mephisto, Thirteen and Raphael—”

“Hush, Beel. MC doesn’t have to know they’re not coming. Not anymore.”

“…Okay.”)

The portal was wide open when you arrived. Diavolo and Barbatos greeted you with forced smiles which only made you freak out even more.

“Thank you for coming at such short notice,” Diavolo said, looking at you apologetically. “I’m sorry for not consulting you about our decision first, but desperate times call for desperate measures.”

“Whatever this is, we can face it together!” You reasoned, not above begging at this point. “I can help—”

“You can help by staying safe,” Barbatos interrupted you with a rare frown, and that was the moment you realized things were going to shit. Whatever your expression was, it made the butler’s soften gently. “I’m afraid you’ll have to take care of yourself from now on.”

Two arms wrapped around your waist like a vice, and you looked down to see Luke squeezing you like his life depended on it. “Don’t forget, you have my blessing, so everything’s gonna be okay, you’ll see!”

“No more tears, lamb.” Simeon reached out to wipe away the wet tracks on your cheeks. You didn’t realize the waterworks had started. It was the slow, quiet kind that came with deep sorrow etched into your very bones. “We’ll see each other again. Please try to stay strong until then.”

Solomon held out his hand and you took it without hesitation, your trust in your mentor unwavering. “We’ll be with you, always. Your pacts, your memories, they can’t take those away from you.”

“You’re not coming with me?” Your voice wobbled despite your best effort.

He only gripped your hand tighter, and that was answer enough.

“It is time,” Lucifer murmured. Everyone gathered behind you as you stepped towards the swirling mass of magic. No matter how hard you willed them, your legs simply refused to obey your heart, trudging robotically into the light and away from your family and home.

This was wrong, this was all wrong, how were you supposed to keep going without them—

“Our love for you is Eternal,” was the last thing you heard before Solomon let go and everything went white.

#writing #obey me #obey me fanfic #obey me nightbringer #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me diavolo #obey me barbatos #obey me luke #obey me simeon #obey me solomon

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ghouljams · 2 days ago

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how does one become free of insecurity? i’m already doing therapy but i feel i’ve only moved away from hating myself so much i want to d*e into just thinking everyone’s better than me

It's a long journey, but well worth it.

I don't think anyone is ever truly free of insecurity, but I think there's also a lot that is unpacked simply through the language we use to describe ourselves and the jokes we allow other people to make at our expense.

Therapy is great at helping you deal with the big feelings, but sometimes little things get caught in your head and it's hard to shake them. Here are some things that I do to keep myself feeling good, and also some things that I'm working on:

No suicide jokes. I make it a point never to joke about "oh I'll just kill myself" or anything like that because ultimately it just makes me feel worse and nobody finds it funny. It's also a good way to change your thinking and direct your solution brain away from "I'll just end things when shit gets hard." This one is a constant battle.

I compliment myself whenever I have the chance. I take every compliment someone gives me. I pretend to be vapid and self-absorbed. I make kissy faces at myself in the mirror. I tell other people how pretty I am, and I don't fucking care if they think I'm a stupid bimbo because I'm trying to love myself and that's more important.

Being kinder to my younger self. This one feels weird but I found myself being mean to little Ghoul when I was really sad. It feels easy to take out your anger on a kid that didn't know any better, and it doesn't guilt you because that's you that you're hating. But look. You were just a kid. You weren't stupid or ugly or unlovable or evil, you were a kid. I just caught myself calling my teenage self ugly the other day on my way to visit my mom and I had to stop and go "why am I saying this? I was just a kid." And it made me cry a li'l bit ngl, but if felt... idk it felt good in a way.

Don't let fucking anyone tell you, you're not worth it. Does your friend make jokes about how dumb you are? Or how you're so cringey? Or so embarrassing or bad at something or forgetful or WHATEVER? Yeah, fuck that noise. Tell them to stop doing that. Tell them it hurts your feelings and if they still don't stop they aren't your friend, they're your bully. I fucking hate bullies. Don't let anyone talk down to you, I don't care if it was a joke at first, it's not funny anymore. Fuck them.

This is something I'm working on, but when you start fixing one insecurity another will probably pop up. I've been working for a long time on liking how I look, and it's gone really well. But now I'm insecure about my intelligence. So I have to stop myself from calling myself stupid or not answering questions. I just fucking rocked my work trivia party, and Mr. Ghoul thinks I'm smart, so I just gotta keep track of my wins. Sometimes you realize that making yourself secure in one thing makes you insecure about another, but that's ok! There's a learning curve to all of this.

Everyone thinks everyone else is better than them. You don't have to be the best at everything, you don't even have to be the best at one thing! What's important is that you're doing your best. People notice when you're working hard, even if you're not churning out the best product because it means you care about it. Which brings me to

Done is better than perfect. Sure it would be great if you were God's most specialist soldier, but think about how much work that would be! Ok so you're not the world's best knitter, but the scarf you made your friend is their favorite scarf anyway because you made it. So you're not a world class writer, but you had a story in your head and you wrote it down. That's better than it never being written at all. Also just because you think it's bad doesn't mean other people won't think it's a masterpiece. Hell, half of the fics I wrote when I first started this blog I could write better now but that doesn't make them bad, it just means I've gotten better.

We as humans are constantly improving and evolving. Don't let who you are no stop you from striving towards who you'll be in the future. Taking one step down the path towards loving yourself is better than giving up and hating yourself forever. It's slow going, but man I've been doing this shit for a decade and I'm so much happier than I was at 18.

You might think that the more you improve the harder and faller you'll fall back to the bottom, but the lows don't get that low again. You're doing great. I'm proud of you.

#ghoul speaks

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imjustaf444keriguess · 3 days ago

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responding to the last bit first because… sometimes carrds ARE the most trustworthy sources, assuming the information is about a term that the carrd-owner made (that is to say, assuming the carrds tat are linked are created by you or people who identify with the term and who can try their best to correctly explain what it feels like and what the term means).

"active" still implies some sort of "i am in the front seat and the 'others' are in the backseat". i think using the term "mindset" instead of just "mind" might make this better, as in "my active mindset is the mindset of a 'daughter', i am in a 'daughter' mindset right now".

i don't think mindsets or "minds" can get "stuck" in the same way alters and headmates can do, unless they are at least somewhat sentient or have some form of self-autonomy, so having "active-stuck" is a bit silly. perhaps just "stuck", as in "stuck in a mind(set)" might work better for a singlet-experience, but i am part of a system, not a singlet.

i don't think personality modes / "mindsets" can tear/merge/splinter off, although they can develop and change and adapt. like how getting a new job might get you a "work mindset" or gaining a child through adoption or birth might give you a "parent mindset". it's not really merging or tearing, it's developing and growing. you don't lose parts of yourself, you can only gain them (unless you have a condition that causes you amnesia or identity issues, which might influence any identities like polymindedness or plurality/systemhood/multiplicity)

having "minds" that are based off of something else can get very messy, especially with fictive/fictional introject identities and fictionkin identities. is it like a "kinnie" thing? where you just have a strong connection to a character? what would you describe the experience of "fictling" to be like? (or, if you don't experience it, what have you heard from your fellow polyminds to be the experience? do they connect it to any fictionkin kintype or "kinnie" related identity?

i didn't mention "blanket" but i think a term like that would be good, although i'd describe it more like "the collective identity / "self" which all minds are connected by" or something of the sort. i don't quite get the difference between blanket and central, though?

i think the most strange comparison between plural identities and polymindedness is the "shattermethods". that implies there was an event or series of events of some kind that "shattered" you into subpersonalities, which is how many DID systems describe their experience of being a system.

the term traumashatter and surviveshatter even use the words "long term trauma" in the carrd, which is the same language that a lot of traumagenic systems often use to explain their experiences of becoming a system (long term trauma as a child). if a polymind is truly just subpersonalities, we wouldn't be seeing a "breaking apart" or "shattering" of the self, because you are still one whole person, you are not a system, you just percieve your subpersonalities as separate.

i think describing it similar to "the event that caused the polyminded person to view their minds as more separated than the average" while still making it clear you are one "whole" self and not separate "selves" might help make it sound less like a synonym to -genic labels.

this is all going off the idea that you or someone you're closely connected to wrote and edited the carrd, and i do think that this kind of closer to median-singlet experience is important to have words for that aren't inherently "we're distinct 'selves' treat us that way" kind of thing, but it really depends on what the actual experience you are trying to describe is.

sorry if any of this is written weird, tumblr was lagging on my computer and i had to type this in a notepad so things might be less organized or whatever. i need to sleep though. syscourse boygirl out-

Polymind is a bit fascinating because it ends up unintentionally showing why system terminology ends up not being exclusive to any one specific group.

Like when you try to describe plural experiences in a way that tries not to use an existing plural definitions, it shows a lot more blatantly that at its core we do all have the same experience of being more than one. Any term you make has a high chance of applying to the other group.

Then when you get into the terminology needed to actually describe those experiences, you find you kind of need most of the shared terminology otherwise you need to recreate the whole damn lexicon.

Like the reason terms get shared is more like "We have DID need a fast and easy way to describe fictional alters. Oh, soulbonders have a lot of terminology for this already that fits what we need, we'll start using fictive and source."

Or "We're a non-disordered system and need a way to describe one headmate taking over. Oh, medically there's switching and front, that's a fast and simple way to describe it."

And like a lot of subcultures online are like that and when you try to fight it you end up with complicated and not very practical terms. Especially when there's terms that have been used for over 30 goddamn years that are simpler and easier to use.

Hell even trying not to use any existing plural terminology, Polymind ended taking a lot of them unintentionally (i.e. part, ageling, little, protector).

It also highlights an issue where unless you do deeper introspection, which is not always practical for... obvious reasons, you probably won't know exactly what you fall under. Expecting people to look in depth trauma history to figure out what terminology they're allowed to use is despicable.

Also that the problem is at its core that people don't think we should exist at all and that the terminology stink ends up being more of a way to make harassment and fakeclaiming seem "justified" and also a method of erasing history and separating systems from resources/making them harder to find but eh

#wow this was longer than i realized. anyway think on this #it is fine if its synonyms to plural experiences btw. u can be “plural” without using the terms plural or system.#its ok to be “more than one” but not want to use the existing terms. i do not wnat to seem like i am pressuring you to change them #im just saying that some of the way the carrd is written and how you explain polymindedness sounds a lot like plurality.#mostly median systems or whatever they're called #also depends on how separate the actual “minds” are. cause if ur minds have their own genders and personality traits and ages and names #and even cope with different traumas or stressors or protect you from negative things #it's not INHERENTLY plural or systemish to be like that but also thats kinda the whole. point of systems and plurality and so on #also alters and headmates dont have to front they can passively influence you.#i love passive influence (<- lying. sorta.)#isnt that like. osdd 1a or whatever. or smth. i dont know.#whatever my eyes hurt bye

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