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wavesoutbeingtossed · 3 months ago

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The TTPD Deep Dive (Part ?)

It’s no secret that I have a lot of Thoughts about The Tortured Poets Department and it has lived rent-free in my head since it came out earlier this year. I’m absolutely blown away by how underneath the chaos, it’s actually an exceptionally cohesive story and is probably the closest to a concept album Taylor has ever done.

There are so many themes that have stood out to me over the last five months, and there��s one in particular that I think not only drives the entire album, but ties into previous albums to help deepen understanding of it.

This is it, my fangirl magnum opus, my months of posts consolidated into one place. This is also my disclaimer that this is just my interpretation of the album, and my summary of the story it tells, and I don’t pretend to have any special insight or authority. I’m not saying I’m correct at all, do not take any of this as fact, it’s just what it sounds like to me, and these are my silly not-so-little thoughts about it.

(Under a cut because it’s way too long and involves discussion many may not care for or be sick of.)

Come one, come all, it's happening again (I'm thinking too hard about Taylor music)

The overarching theme in TTPD to me is: Grief. If you’re looking at TTPD as a story being told (instead of just as someone’s real life), the inciting incident of TTPD is loss, and the grief from that loss is what drives the narrator’s actions and the fallout, as well as unpacks those complicated feelings and how they apply to the her life in general. By the end of the standard album, it’s also about recovering from that pain, moving on from it and learning from it.

The loss specifically is the loss of the dream of having a family (with one’s partner). One thing that is abundantly clear both on the top line and under the surface in TTPD is how Taylor (as a person and as narrator) longed not only to for marriage but specifically parenthood, and the fear and then realization of losing that chance absolutely wrecked her— which is why the next lover’s (the conman's) wooing worked so well, because it preyed on that yearning. Yet that loss also dovetails into the grief of many things: of youth, of idealism, of relationships, of ideas, even of self, which causes almost a deconstruction of a belief system to piece one’s life back together by the end.

THE CONTEXT

TTPD weaves in the topics of marriage and motherhood both explicitly and in the subtext, in various forms and scenarios. The cheating husband in “Fortnight.” The wedding ring line in “TTPD” the song. “He saw forever so he smashed it up” in “My Boy Only Breaks His Favorite Toys.” All of “So Long, London.” Running away with her wild boy in “But Daddy I Love Him,” fantasizing about weddings and joking about babies. The imaginary rings in “Fresh Out The Slammer.” The cheating husband (again) and the friends who smell like weed or “little babies” in “Florida!!!” “You and I go from one kiss to getting married,” “Talking rings and talking cradles,” and “our field of dreams engulfed in fire” in “loml.” (And arguably: “I wish I could un-recall how we almost had it all.”) “He said he’d love me all his life, but that life was too short,” in “I Can Do It With A Broken Heart.” They may not sound like much on their own, but they paint a picture about how the topics pervaded her thoughts and her writing, and in many cases express her desires, and her pain.

It’s something that goes back several albums when you pick up on context clues. You get the first hints on Reputation with “New Year’s Day,” and “you and me forevermore.” Then Lover is very forward with it: “Lover” is basically wedding vows, “Paper Rings” is very engagement-coded, “I Think He Knows” is cheeky but low-key “you better put a ring on it,” “It’s Nice To Have A Friend” has wedding/marriage imagery in the last verse. As a self-professed diaristic writer, it’s the type of stuff one presumably doesn’t put out there unless those conversations have already happened, and she was very excited about it at the time it was released.

Then the pandemic happens and folklore comes out, and while there is still happy love there (“invisible string”), there are also the first indications that something has happened to put a halt to whatever future she once dreamed of (“hoax,” “the lakes”) and that she’s trying to reassure herself and him that it can still happen even if she’s scared it might not (“peace”). Notably, as far as I can remember it’s the first time Taylor explicitly brings up the idea of family (with her partner) with “you know that I’d give you my wild, give you a child,” which stood out at the time because it’s so incredibly vulnerable, but it’s even more poignant when you really take in that the whole song is like a confession of her deepest worries, and this is her vowing to give him these things that she holds most sacred if he’ll let her. These are what she cherishes most dearly and wants to return in kind: her youth and commitment (my wild), the family she craves (a child), unconditional support (swing for the fences/sit in the trenches) and understanding/compassion (silence that only comes when two people know each other).

Evermore follows an even darker path, and suddenly the album explores relationships that end and grappling with loss. There are toxic relationships (“tolerate it”), dangerous marriages (“no body, no crime,” “ivy”), failing/broken relationships (“Coney Island,” “champagne problems,” “happiness,” “‘tis the damn season”), as well as grief (“Marjorie,” “evermore”). Even some of the happy songs have uncertainty in them: in “willow” she’s begging for him to take her lead, like she’s still trying to decipher him and ask him to commit; in “cowboy like me,” still a beautiful love song, she’s thinking, “this wasn’t supposed to work and we were supposed to bail on each other but we fell in love instead”; “evermore” is about the depths of severe depression (and more) with the love story being the one saving grace in her darkest hour. And it’s also notable that after all the “fiction” writing, shortly after this album she writes “Renegade” where she’s telling the subject: I’m ready to start the next phase of our life now, why aren’t you? Is it me you don’t want after all? It’s like there’s something telling her that this stall might not just be a stall.

Midnights is a jumble (in a good, but in hindsight, also sad way) with the “sleepless nights” concept, but it seems pretty clear now that the themes and events and relationships she was revisiting tied into a lot of what she was feeling in her present life. I wrote the cliff notes version awhile back, but she’s questioning so much of her life that’s reflected in past events and relationships. Am I actually always the problem? How did we lose sight of each other and what we had? We only seem to work when we block out everyone and everything else. Can we ever go back to when things were good? Why are you neglecting me? I once thought I was going to lose everything but you saved me in the nick of time, can that happen again? I chased my career, but did I give up my chance at having a family in the process? Nobody knows what I really suffer from behind closed doors and I’m all alone.

And so on, which in retrospect now that we have TTPD, is very much what she was grappling with in private while writing and releasing the album. The inspiration behind the songs may have been different events and muses, but regardless of their origins they all end up feeling too familiar, like she's seen this film before (ahem). We’re seeing her view of commitment change too, or rather how she writes about it: she’s not making the outright declarations of it like on Lover, or even the implied ones on folklore, nor is she talking of the dark side of it like evermore. For the most part it’s a return to the early days of some relationships, before things got hard, or the end of them when there was nothing left, and also pushing away the discussion of it altogether by the outside world. “Sweet Nothing” is a sweet slice of life, but even at that, it’s the peace of the home in conflict with the pressure of the outside world. Now that we have “You’re Losing Me,” which was written at the same time as the rest of the album, we can probably deduce that she was going back to the start because something happened that made her doubt the future.

THE SETUP

So much of Midnights directly ties into TTPD, and I said in the post I linked that it’s like Midnights is asking the questions that TTPD answers. But there’s one song in particular on Midnights that sticks out to me as being key in the broadest sense to understanding the state of mind that led to the events of TTPD, and that’s “Bigger Than The Whole Sky,” because the way it expresses grief is reflected in the theme of mourning a life built and the dreams along with it that are never realized in TTPD. There are several instances in TTPD that are basically variations of: “every single thing to come has turned into ashes,” and that’s what makes her snap, and leaves her vulnerable to someone who promises her those things when she’s bereaved at losing them in the first place. (In other words: “the deflation of our dreaming leaving me bereft and reeling.”) The song tells a story about how that loss of hope colours one’s entire mindset, and in some ways is a bridge to TTPD to understand what such a low point feels like.

I think that that grief, and most importantly losing hope for an imagined future in its wake, is fundamental to understanding TTPD on so many levels: both the decline with one partner that kept her hanging on then led her such a dark path, and why she fell for the conman's apparent bullshitting because it offered an express pass to what she was losing with her partner. And I also feel like it plays a part into the ruminating she’s doing all over Midnights, trying to make sense of where she finds herself when she’s writing the album, which directly leads to “You’re Losing Me.” Loss permeates so many of the stories on Midnights: of lovers, of innocence, of youth, of faith, of control, of life’s work, etc. “BTTWS” is just one of the ways in which it is expressed so fully, capturing that deep depression and subsequent extinction of faith in something that once felt assured and very much wanted. (Which is also mentioned in her writing process in the “Depression” playlist on Apple Music.)

If you understand why that feeling of loss in general across so many parts of life is so important to Midnights, then it illuminates so much about the “narrative” in TTPD too. If on Midnights she’s wrestling with the seeds of grief and loss (on multiple fronts), TTPD is her reckoning with it in its full form. “So Long, London” is the song that is the most explicit about it: How much sad did you think I had in me? How much tragedy? Just how low did you think I’d go before I’d have to go be free? You swore that you loved me, but where were the clues? I died on the altar waiting for the proof. It’s the sequel to “You’re Losing Me.” It’s, the air is thick with loss and indecision, I know my pain is such an imposition, I’m getting tired even for a phoenix, all I did was bleed as I tried to be the bravest soldier, I’ve got nothing left to believe unless you’re choosing me, my heart won’t start anymore, but from the other side of the break.

This is highly speculative, but if you follow the thread about the topic and the relationship as told from Rep through TTPD, in broad strokes it goes: young love with a serious connection (Rep) -> growing up and making life plans (Lover) -> something happens that delays those plans or makes them grind to a halt (folklore) -> serious doubts arise and cause a loss of faith in their future (evermore) -> struggling with the loss of that future and trying to make sense of the problems in a last ditch attempt to save the relationship (Midnights) -> fallout from that grief after the blowup of the relationship (TTPD). Understanding that progression of events (through the music) explains not only the storytelling side of TTPD (e.g. the jump from the partner to the conman) but also how the experiences/muses blend in the music, and how the music that on the surface is about the short-term relationship is really driven by the destruction of the long-term one.

Following the music, it’s IMO implied that Taylor (the narrator) was holding out for marriage and family with her partner, for years, and it seems like it was at one point a shared dream until something happened to pump the brakes, and seemingly on her partner’s end. And extrapolating further, given how the sorrow expressed in former albums bleeds into TTPD, it sounds like a plan that had been concrete in some form before it had fallen apart, and losing something that once felt so tangible is what drives her in her grief to find any kind of respite from the pain. Which is why the situation with the conman becomes so appealing as the one with the partner splinters further and further.

(If everything you’ve once touched is sick with sadness and you don’t want to be sad anymore, what are you left to do?)

THE STORY

So (one part of) the story kind of sounds like this from the standard album: the relationship with her partner as well as his mental health slowly deteriorate and he withdraws emotionally (“London,” “Fresh Out The Slammer”) and physically (again, “London,” and “Guilty As Sin?”) and takes his resentment out on her (“London” and arguably “My Boy Only Breaks His Favorite Toys” even though I don't want to get into muse speculation here). As she sinks deeper into her own depression as a result, the weight of the failing relationship starts feeling like a cage— or a noose (“London,” “Guilty”), but coming to terms with the loss of their life together and the future they’d dreamed of was killing her (again, “London,” but also “I Can Do It With A Broken Heart”).

Enter the conman who she reconnects with at the very point where this is coming to a head (knowing that IRL she reconnected with him around the time Midnights was being worked on) , and if you read between the lines, she confides some deeply personal things to him (“Down Bad” and “hostile takes overs”/“encounters closer and closer,” “Smallest Man” and the entire sleeper cell spy imagery which is one of my favourite things and I could write a whole essay about the meaning of it, “loml” and “A con man sells a fool a get-love-quick scheme”). Then after she’s confided these secrets to him, he insinuates himself back into her life (“Guilty,” “Down Bad,” “Smallest Man”) and sells her a dream that HE can give her all these things she hopes for (again, “Down Bad,” “Smallest Man,” “loml,” song “TTPD,” “Broken Heart”).

But the thing is, he only knows these are the things she wants because she’s revealed it to him, and presumably, told him that was what she was losing by staying with her partner. And instead of the normal response of, “that is really sad that your partner is not supporting you and you deserve to be treated better,” to a friend in growing distress, it seems like it was, “well I can give you all those things!!!! Right now!!!! Trust me!!!!” And worked on her until she believed it, and jumped at the chance at a precarious time in her life. And one thing I want to underscore is: Taylor has agency in the situation always, it’s not like she’s been kidnapped and brainwashed. (In fact, she implores on songs like “But Daddy” that SHE is in charge of her own choices, good or bad.) She chose to rekindle the friendship and then relationship, and she chose to eventually leave her long term relationship for another man, and she reiterates on the album that she owns this all. But it’s also: nothing exists in a vacuum, and she makes choices based on emotions and information she has at the time, which is why it gives so much whiplash.

THE ALBUM

When you look at it as, the situation with the conman only happens because of what happened with the partner first and that the appeal of the conman and the fantasy he sells her is a direct reaction to that, it makes the “swirliness” of the music make so much more sense. And for much of it, even many of the “conman” songs on the surface are really “partner” songs underneath.

Fortnight

A suburban gothic allegory about a broken marriage with a distant husband with a wandering eye, which makes the rekindled romance with the neighbor so appealing. She’s miserable caged in her stifling house because she’s been abandoned by her spouse, so the reappearance of this past love reignites the passion that’s dead at home.

TTPD

“So tell me, who else is gonna know me?” “I chose this cyclone with you.” I’m gonna kill myself if you ever leave. Everyone knows we’re crazy. She’s laying it out there that she’s already in a dangerous state of mind, and she’s actively putting herself in more danger by pursuing the conman. “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding,” spells this whole thing out so clearly: whether it’s an actual event (likely) or a metaphor for the promise he makes to her, the reason why it makes her heart explode is because it’s the thing she’s been waiting for forever with no movement, and here this person comes in and slips it on her finger in an instant like it’s nothing. (And eventually, as we’ll come to know, it is absolutely nothing to him.) You mean it could have been this easy this whole time?! (Well, no. Not until a certain other suitor makes his appearance later.) It feels like she’s finally getting everything she wanted in the blink of an eye! How lucky! How convenient! What was that about the get-love-quick scheme you say? (Unsaid: the reason why this feels so urgent is because there’s a sense that time is running out in so many aspects of her life and not just the obvious. Which reappears later on.)

Down Bad

“Did you really beam me up in a cloud of sparkling dust just to do experiments on?” sets the scene for this euphoric experience in the moment that starts to feel violating once the dust settles (which is then followed up in “Smallest Man” and the spy mission on her). The bridge spells out how he weaselled his way into her life, preyed upon (intentionally or not) her emotional state, sold her a dream and then vanished, without the benefit of hindsight yet we see later in the album.

The alien abduction metaphor is pretty brilliant, because it shows both how she was desperate to escape the place she found herself in, and how much it screwed her brain to then be left stranded when the affair was over. “[I loved your] hostile takeovers, encounters closer and closer,” is so evocative because it details how the situation came to be: his overtures under the guise of friendship blurred lines until he made her an offer that she eventually couldn’t refuse (hostile takeovers) as he infiltrated her life more and more intimately. The sad thing is that the song has parallels to how her relationship with the partner started too in earlier albums, in that they ran away to live in their own bubble (or planet) only for him to metaphorically abandon her as the years went on. (Oven, meet microwave.)

My Boy Only Breaks His Favorite Toys

Being continually emotionally broken down by a person who knows he’s hurting you but still acts the way he does. (The original voice memo version makes this even clearer and it’s rather heartbreaking.) “He saw forever so he smashed it up,” speaks to the loss of a future the person became scared of, and the original lyrics (“he saw forever so he blew it up”) somehow cut even deeper to me because it feels so much more intentional.

Also in the original version, “he was my best friend and that was the worst part,” also speaks not only to the loss of an entire partnership in the wake of this hurt, but also to the feelings of betrayal that the person you trust so deeply has the ability to hurt you in this way too, and how it’s a one-two punch of not only losing the relationship but also your closest confidant. (It’s like the sequel to “Renegade” and the missiles firing to me.) Again, there are shades of both/many situations in the song, pointing to an unfortunate pattern in some ways. The situation in “My Boy” is part of why she was so low, and why the “get love quick scheme” was so appealing later on. And it dovetails nicely into…

So Long, London

The most explicitly “partner” song that puts a coda on “You’re Losing Me,” and is Track 5 because it’s the emotional underpinning of how she got to where she was, and drives the events of the rest of the album. It spells everything out: He withdrew, she tried to fix it for both of them, eventually even that stopped working, he was oblivious to or minimized how badly she was suffering and his (in)actions couldn’t reassure her, he wouldn’t move forward on their future plans and stewed in his own struggles, she was spiralling out of control trying to hang on and ultimately felt like she was going to die if she didn’t leave.

But Daddy I Love Him

Like a direct reaction to “So Long, London” in that she breaks free from the death of one relationship and throws herself with reckless abandon to the next, fuck the haters. How dare you judge me, when the relationship you think I should have stayed in was killing me? (Dutiful daughter all the plans were laid. All you want is gray for me.) Fuck all of you, I’m going to choose whoever I want! (So what if I have a baby with HIM, huh?! I tried doing it the proper way and look where that got me so now we're back to square one) It’s again her imagining how wonderful and freeing this “wild boy” is going to be for her, and how wrong she’ll prove everyone. THIS TIME she definitely got it right. So what if she has to run away! So what if she scandalizes the whole town! They don’t know what she really wants or needs anyway! She’s the only one of her (hee-hee-hee) and she’s the only who gets to decides how this goes. (Because: she longs for control in a situation she’ll eventually realize she has little of it in, which we’ll find out is a recurring theme in her life.)

Fresh Out The Slammer

Also spells out what happened with the partner in the first verse and the pre-choruses, which is what makes the conman so appealing as the imagined jailbreak. The bitter loneliness vs. the sultry passion she builds up in her head as she awaits her release from prison is key to understanding the two sides of the story in the album. There’s this whole outlaw imagery (which is also carried through in “I Can Fix Him”), but it’s contrasted in the end with her and her reunited lover sitting on park swings like children with “imaginary rings” — because “Ain't no way I'm gonna screw up now that I know what's at stake.” What’s at stake is lasting love and the promises that come with it (marriage/family) that are precious and time-sensitive. The imaginary rings are both a nod to the youthful dreams of her and her new/old lover, but also has a double meaning to me because those promises aren’t built on anything together; they're made up, intangible. (They’re no more concrete than the plans that went up in smoke with the partner.) Like with most of the conman situation, it’s all a fantasy in her head that has yet to happen, and as we find out later in the album, reality ends up leaving much to be desired.

Florida!!!

Broadly speaking, it’s running away from your problems and wanting to disappear from your life. (But again: the life she’s disappearing from is the cheating husband she may or may not be feeding to the swamp-- another miserable marriage.) What kind of flies under the radar though is the “I don’t want to exist,” line, which points to her dire state of mind that led her to fleeing to that metaphorical timeshare down in Destin. In many ways about cheating death.

Guilty As Sin

Yes it’s the “masturbation song,” but again the nuance is that she’s left to pleasure herself because her partner has abandoned her emotionally and even physically, i.e. “my boredom’s bone deep.” To be blunt: they aren’t even intimate anymore, so she starts fantasizing about the guy she used to have chemistry with who’s reentered her life and is making moves on her. And realizing that she’s now finding release in another man (albeit imaginary) breaks her even as it reinvigorates her because she finally understands that the relationship she’s in is effectively dead. (“Am I allowed to cry?”)

Who’s Afraid of Little Old Me

This isn’t about relationships, but about society and its reaction to them in a general sense. But again, she’s left to stew in all this anger and hurt as she’s been abandoned at home, then abandoned by public opinion, and the public attack on her is part of the origin as well as the end of that story. The trauma inflicted upon her detailed in the song is the reason why she felt trapped in the first place, which led to the decisions she’s made and habits she’s leaned on ever since.

I Can Fix Him (No Really I Can)

This is one of the few songs that is the most completely conman-coded, and shows when the delusion finally breaks at the end of the song. She spends the whole song being like, “no really, I alone can make him better! You’ll see! I know he’s gross, but he’s mine! It’ll be fine I swear! You don’t know anything! Uuuuuum hmm wait actually what the fuck—“

Loml

Oof. THE song. Again the surface reading is about the “conman” who comes in and sells her the lie, but the pain is because all the dreams she writes about are HER dreams and implied that they were the dreams she built with her partner that the conman sold back to her. I could do a deeper dive on this but most of the song is applicable to both relationships, which not only shows the “swirliness” of her writing, but also how they both ultimately did the same thing to her in different shades.

The bridge and the last chorus are kind of fundamental to understanding it all, and her ending it with “you’re the loss of my life” is about, among other things, how falling for this trap blew up the life she built and dreamed of for good. (I could talk about this one forever.) “You shit-talked me under the table, talking rings and talking cradles” to “Our field of dreams engulfed in fire” is a hell of a line and progression, and again, indicative of what the real driving force behind the whole album is. The shit-talking is because he took her dreams (of marriage and children) and hyped it back up to her tenfold whether in a moment of his own delusion or for more nefarious reasons — much like how the man prior kept promising these things but never followed through, which left her vulnerable to someone who appeared to offer them enthusiastically. The field of dreams isn’t just the one with the conman, it’s the one with the longterm relationship she’d built the dream with in the first place, because the conman’s actions are part of the reason the LTR went up in smoke. (Not the reason for the rift, but the consequence of the final break.) And THAT is why it’s the loss of her life, so completely.

When she says “I wish I could un-recall how we almost had it all,” IMO it’s not just the fake future that the conman lures her into, but also (and perhaps mainly) the once-real one she had with her partner and the loss of which that made her susceptible to falling for the con in the first place. There’s honestly so much between the lines in this song that covers every theme and speaks to the grief of seeing the life she imagined slip away, slowly by the first man then annihilated by the second.

I Can Do It With a Broken Heart

The juxtaposition of “He said he’d love me all his life, but that life was too short” and “He said he’d love me for all time, but that time was quite short” sums it up to me (and parallels “loml”), because they are two different situations, but they cut her just the same. In the first, “that life” IMO was the life they’d built with the dreams that went along with it and it was too short because he never followed through, and in the second, the “time” was quite short because it was the frenzy of the whirlwind romance that fizzled as quickly as it began. The life that was too short led to the time that was quite short.

The Smallest Man Who Ever Lived

This is definitely THE conman song. The rage, the shame, the violation, it’s all in there. But the key to it is the bridge and the espionage imagery woven through it. A honeypot scheme is when spies target a mark and seduce them to gain their trust and their privileged information for their homeland. So her likening him to a sleeper cell spy who set her up just to mine her deepest secrets and use them against her is a heavy, loaded statement. And implied: that valuable information she unknowingly held were her longings of marriage and family (the aforementioned shit-talking about rings and cradles she never got to have), and more importantly, those dreams preceded him reentering her life and then beginning his mission on her.

The insinuation then is: she confesses these are her deepest wishes which are now seemingly unattainable in her current situation (e.g. with her partner) -> he convinces her HE will give them to her and make the dreams she pines for come true -> she falls for him and blows up her life to make it happen -> he gets what he wants (thrill of the chase/sex/the idea of her/whatever his intent was) -> he abandons her when he gets what he wants, or rather it isn’t what he wants or can handle -> she’s left a) all alone b) with dreams unfulfilled c) with no answers d) feeling used at having her most sacred wishes used against her.

Again, the song is unquestionably about the way the conman absolutely destroyed her, but he was able to do that because there was this thing she wanted more than anything, that was dying in her previous relationship, that he was able to prey upon to seduce her, then discarded her and her dreams as soon as it was inconvenient for him while absolutely hollowing her inside out. (And again: the devastating thing is that this also applies to other relationships she’s written about, in different ways.)

The Alchemy

Not about either the partner or the conman directly, but it (loosely) touches on her finding herself after the whole oven-to-microwave experience and opening herself up to life and love again. #GoodForHer

Clara Bow

This isn’t about the romantic relationships on the surface, but it is about how damaging the entertainment industry and public life are on women, and how women are only valued for their beauty as commodities until they can be discarded and destroyed in the process. Which I think plays into the circumstances that led her to make the decisions that she did years ago, and why she makes the ones she does now. (But also, being valued for physical traits and appeal for the male gaze brings us to…)

The Manuscript

The “original sin” that kicks off all of this. Again, at first light this isn’t about the partner or the conman, but the person it is about is the reason why she has made all the decisions she has ever since in relationships (and that’s Mr. Plaid Shirt Days from “All Too Well”). The realization that her first serious adult relationship is what cemented these patterns, and this view of herself and her worthiness in relationships, is profoundly sad. An older man who valued her for being so mature for her age and implying that the mature activities ahem associated with that were the performance benchmarks in her ability to carry a relationship, only to leave her, was earth shattering. She placed her faith in this person, but then the way he treated her changed her view of love and of herself.

She took his innuendo about “pushing strollers” as a sign of potential commitment, whereas he ultimately meant it as foreplay, and she was too young and naive to know the difference. So not only did she learn from that that this man (and men) didn’t view commitment and family the way she did and that it was something to be toyed with, but she also learned that her value to them among other things was sex. Imagine being an idealistic 20 year old and your boyfriend ten years your senior tells you, “if the sex is anywhere near as good as our dates have been, we’re going to be making babies before you know it,” (e.g. this is relationship is serious) and then he dumps you: does that imply that the sex was not in fact that good? (E.g. that you’re not worthy after all?)

No, obviously from this side of life, it’s because he was a commitment-phobic playboy, even if he did love her, but she couldn’t have known that at 20 and instead internalized that shame. But, it did send her on a path of how she approached sex and love and relationships for over a decade afterwards. And her coming to the realization that that first act of (perhaps unintentional) manipulation is what informed her actions thereafter helped her break the pattern. Her worth to men is not just sex, she has value and her hopes and dreams have value, she doesn’t have to change into a different person to please anyone, because if that is what they want, they won’t ever want her anyway.

It’s been described here on Tumblr by people more eloquent and astute than I as a song that encapsulates the album as this: one did it slow (partner), one did it fast (conman), and one did it first (first love)— and that is haunting. After years of men minimizing her dreams and desires, if not outright using them against her, she’s finally at the point where she can let it all go and move on for good. (There’s a whole other tangent about consent and shame and manipulation, but that’s an entirely different kind of discussion. But it is so devastatingly contrasted with “you said if we had been closer in age maybe it would have been fine, and that made me want to die.”)

THE SUMMATION

This is just my interpretation of it, but in going through the standard album, it feels pretty clear how cohesive the album is about a story of love and loss and grief, then reckoning with what caused it all in the first place that set a person on this path. It’s a formative experience at a young age that was traumatic and led to certain coping mechanisms and a shaping of one’s self-perception, as well as the reaction to external pressures that try to dictate behaviours and influence how one feels one deserves out of love which makes it harder to know when one absolutely deserves more and better. And leaves one struggling to cope with loss when there isn’t anything else to hold onto. Then in light of one’s life blowing up, learning to find oneself in the aftermath all over again.

On another tangent that is somewhat related to the theme of loss, the way she writes about the two main muses on the standard album also ties into how the situations converged to create absolute carnage on her emotional and mental well-being. With one situation, she’s talking about a concrete life that crumbles under the weight of their struggles; with the other, the entire thing is a fantasy that she builds up in her head, and when it comes to fruition it falls far, far short.

If you look at the “microwave” (conman) relationship, you realize that almost everything she writes about it happens before it actually becomes reality, and it’s mostly her imagining how great it’ll be, but with few exceptions, when she writes about what actually occurred, it doesn’t even come close to living up to her expectations. “Fortnight” is an imagined future where she escapes to Florida and his touch finally starts her stalled engine (ahem). “TTPD” is perhaps the most positive retelling of their time together, but even that implies he was better off stoned and when he sobered up he succumbed to his demons all over again, and more importantly she conveys how she also is in extreme distress, barely concealed by the veneer of being infatuated with him. (E.g. saying to that she’ll kill herself if he ever leaves her — the implication is that she is absolutely serious about it when she “felt seen.”) And that the warning bells are going off in her head, but she feels like this person is the only one she can be with (because they’re equally fucked up and the chaos he brings into her life makes her feel alive when she felt so close to death).

“Down Bad” is the most explicit about being in love, but she’s also left completely confused and disoriented by him disappearing, wondering if any of it was real and the seeds of violation creep into her consciousness (“did you really beam me up in a cloud of sparkling dust just to do experiments on?” “Waking up in blood.”). “But Daddy” is her imagining she can tell everyone to fuck off for telling her what to do with her life. “Fresh Out The Slammer” is her fantasizing about this man while feeling trapped in her relationship — but never in the song is she actually reunited with him; she’s using him as the projection of all the things she’ll make right after being wronged by her partner. “Guilty As Sin?” Is very obviously about her fantasizing about sleeping with him, but again it’s such a minefield for her because it hasn’t happened yet; they’ve only just reconnected. “I Can Fix Him” is the only song other than “TTPD” that shows them actually together, and it’s the one where she keeps saying, essentially, “I know he’s gross but I can rehabilitate him into an upstanding person, trust me,” until the mic drop at the end of the song where it finally hits her that no, she can’t, because this is who he is, not the person she’s built him up to be.

“Loml” is when it all comes crashing down, and the song emphasizes everything he did and told her, e.g. that she’s the love of his life, but she doesn’t return the sentiment in the song about their time together. Because now that it’s past tense, she knows it wasn’t actually love. (And says as much in the album epilogue poem.) “Broken Heart” is her reeling in the aftermath, but again, it’s “he said,” not “I loved.” And then there’s “The Smallest Man,” where she eviscerates him: he also pursued an idea of her but didn’t care much for the real her in front of him (who else is gonna know me?), he love bombed her only to hurt her (crushing her dreams), he was constantly stoned (and not just in the funny munchies kind of way), and he wasn’t even a good lover (despite the fantasy she’d created before). That last point is especially striking because she spent albums singing about the importance of and pleasure in (sexual) intimacy in the relationship with her partner (sometimes to both their own detriment) and how it was at times the only way they could connect, but in this case, the idea she hyped up and acted on in her head about this lover never panned out in practice. She spells it out in the epilogue: it wasn’t a love affair, it was a mutual manic phase.

In contrast, there’s a lot more tangible action in the “oven” (partner) parts of the album, showing how hard she tried to make the relationship work in real life instead of just in her head. All of “So Long, London” is her detailing how she tried to break through to him and support him, even when he rejected it and pushed her away, thinking she could carry them both until they ultimately sank, but she did it because she “loved this place for so long.” (The place? Not just the city, but the home and perhaps most importantly, him.) In “Slammer” she stayed with him even as things disintegrated for “one hour of sunshine.” (E.g. holding onto the rarer good times even as they were fewer and further between, hoping things would eventually turn around.) And like in “London,” she held on despite people in her life pleading with her that it was hurting her. (Which is also echoed in “Slammer.”) In “Guilty” her boredom is “bone deep” because the passion that once drove their relationship (and papered over their problems) has finally gone out too, so there’s nothing left to hold onto, leading to her fantasizing about the new suitor, which makes her realize her relationship has passed the point of no return. “Loml” is about the conman on the surface, but the undercurrent of all the things she says about him is that he was co-opting the dreams that she was clinging onto for dear life in the previous relationship, which is why the con is so painful; the field of dreams he sets ablaze isn’t just the fake painting he sold to her, but the original artifact (her life with her partner) too.

All the physical and emotional labour she puts into the relationship with her partner ends up reflected in the fantasizing she does in the one with the conman, which is why it is so confusing in the moment and so lethal when he leaves her without any answers. She wants to get married and start a family with her partner which keeps getting stalled; the conman mock-proposes which makes her think he’s immediately serious (“TTPD,” “loml”). She feels caged by having to hide with her partner and shrink herself; the conman promises he’ll stand by her side publicly and let her shine (“Smallest Man”). She sinks into a deep depression in her loneliness as the relationship with her partner careens off a cliff; the conman convinces her they’re meant for each other in a them-against-the-world way (“Down Bad”). The intimacy (in all senses of the word) in her relationship with her partner fizzles; the conman stokes the fire by sending her secret messages and reigniting passion (“Guilty”). She spent years trying to help her partner to no avail; the conman makes her think she has the power to reform him (“loml”). She feels misunderstood by her partner; the conman acts like he’s the (only) one who truly gets her (“TTPD,” “loml”).

In short: there’s nothing that the conman does or says that isn’t a direct response to what her partner did first, and it’s even worse because the conman knew how much her partner’s actions hurt her and he used that privileged information to paint a picture of what he could give her, but in doing so in some ways aimed at her heart with even deadlier accuracy. (I’ve likened it to him borrowing someone else’s life for his own joyride, until he crashes the rental car and flees the scene.) It’s why in the aftermath, the difference in emotions are so different: she feels nothing but rage and violation towards the conman for getting in her head and using her, whereas her feelings towards her partner are more complicated. There’s anger (at her lost youth and being taken for granted), but there’s also sorrow (at their lost life and future), disappointment (that he never could step up the way he’d promised or she’d needed), even compassion (towards his struggles) and a tiny measure of appreciation (for the good times they did share).

When you look at the bigger picture, the story the album paints is just so painfully normal. You have two people (Taylor and her partner) who once loved each other deeply, and despite warning signs early on telling them they have fundamentally different needs and ways of living their lives they fight like hell to make it work (the epilogue) until those warning signs become grenades that destroy their home (“My Boy,” “London,” “Slammer,” arguably “loml”). Having already been through at least one rough patch/break/breakup that she felt almost destroyed her (harkening back to Midnights on “You’re Losing Me,” “The Great War” and “Hits Different”), the final and fatal downward spiral of the relationship (“YLM,” “London”) and the grief over losing that future sends her into a tailspin, just at the time where a flame from the past (the conman) reenters her life and tells her all the things she’s been longing to hear and feel (“TTPD,” “Down Bad,” “Guilty,” “loml”) and, crucially, missing from the relationship that was once her entire life.

So in her panic, she falls prey to the (empty) promises of the past lover (“loml,” “Smallest Man”) and decides he’s actually what will save her from the free fall, because the alternative (that she will end up in a situation she doesn’t think she can survive) is too painful to bear. When she finally acts on these circumstances (leaves her partner/runs to the conman), she snaps, acting on pure emotion and adrenaline (“But Daddy”), but before she knows it, the new lover abandons her, and she’s left to reckon with the fallout of the episode and process everything that has happened (“Down Bad,” “loml”) — with the conman, with her partner, with the choices made in her adult life personally and professionally which leads her back to the moment she feels set her down that road at the start.

The TL;DR of this unintentionally long essay is that the reason the conman affair was so serious was precisely because it was meant to fulfill the promise of what was her life with her partner. To me, a large part of the story is that she projected that life onto the conman (or he projected her life back to her for his own purposes) because she wasn’t ready to deal with that massive grief and the life raft he offered felt like the only alternative to an even darker end. Whether the conman actually believed what he told her, or he went along with it or encouraged it because it served his purpose, we’ll never know, just like we’ll never know the finer details of what went on (nor should we). But no matter what, the album is just an extreme deep dive into all the ways grief can consume us, and whether it’s a long, drawn-out death or a sudden, inexplicable one, it can turn a person’s life into such a trainwreck that they act in ways unfathomable to even them, let alone the people around them. It can also unleash repressed trauma and mental illness that can crater your sense of self. And when those situations are compounded? It makes for a nearly impossible type of breakdown to unpack. (Which is why you might need a 31 song album to process it.)

#What if i told you I’m back lol #Time for me to finally just post the thing after it’s been sitting in my drafts for so long so I can rid myself of it lol #Writing letters addressed to the fire #the tortured poets department #Consider this a treat before Eras comes back for its swan song leg idk #Would you believe that as long as this is #i deleted quite a few chunks of it from the original draft i sent to a friend(s) in the interest of ~propriety~#Because they were a little too rambly and um— ~speculative~/personal/etc and we are flying too close to the sun #And i tried to be as tactful and more or less stick to things we can point to in the music and such #So hope people catch my drift lmao but also iykyk i guess #I have so many other themes I want to talk about but I never have any time #I have so much more i want to say and yet #wavesoutbeingtossed: The Anthology #Also if things get weird i will turn off reblogs/delete the post tbd #This is not an invitation to get into muse ranting or debate in my inbox and I ask that you please respect my boundaries :)#Midnights #lover #folklore #evermore

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laz-kay · 11 days ago

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My brain is fizzing with a human experiment au rn and I must share these brain thoughts:

• Stitch, Slushy, Yaarp, Sample, Swapper, PJ and Elastico are in a band called “The Lab Project”.

• Slugger is captain of the baseball team and is a literal short arse. Definition “little guy”.

• Sparky is insanely intelligent and gives severe “guy in the chair” energy.

• Cannonball, Sinker, Finder, Yin, Yang, and Ploot are always found at the beach. They all work at the rental hut and surf after every shift.

• Angel and Gigi used to be best friends but had a huge fight.

• All some flavour of gay and/or neurodivergent.

• Splodyhead and Slushy are dating. Classic enemies to lovers trope.

• A majority of the technological and scientific (2nd series) experiments are tech wizards and are in the AV Club: Sample, Sparky, Glitch, Shush and Pix for example.

• Reuben is Italian American and lives in halls with Lax and Drowsy. They have movie nights and Reuben makes killer snacks.

• Slushy and Dupe work at an ice cream parlour and always try to get their friends free scoops.

• Yaarp and Belle are twins, and Yaarp is transmasc.

• Swapper is non-binary and uses they/them pronouns.

• Cannonball, Sinker, Richter, Swapper, Ploot and Holio are all native Hawaiian.

• Sparky hangs out at the beach a lot, but he can’t swim.

• Stitch has crippling ADHD and is terrified of water.

• Spike is the college’s therapist who everyone adores and wants to spend time with.

• A lot of the psychological (3rd series) experiments study psychology: Spooky, Swirly, Amnesio, Drowsy, Phantasmo etc.

• Stitch and Reuben are maternal cousins.

• Jumba and Pleakley are faculty. Jumba is a Dr of science and Sparky is like his prodigy. Pleakley is a professor of humanities (Earth studies) and teaches a lot of the Elemental Manipulation (5th series) experiments i.e Yin, Yang, Slushy, Thresher etc.

• Jumba and Pleakley are highkey dating and every student knows.

• Nosy is the college’s custodian and is always in everyone’s business. Resident tea spiller.

• Sparky spends his evenings trying to fix up the old lighthouse and is best friends with Sample.

• Stitch and Slushy have been best friends since kindergarten and gave each other their respective nicknames.

• Yaarp, PJ and Elastico were band kids in middle school.

#I have SO many more but wanted to post a few of my drafts before new years #I need to get back into this I have SO many thoughts and Pinterest boards #everyone’s gay and/or some kind of neurodivergent #lilo and stitch #experiments #lilo and stitch experiments #stitch #jumba jookiba #wendy pleakley #headcanons

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3amsnek · 1 year ago

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new icon time bc the moment we hit double digits on the halloween countdown my brain genuinely straight up forgot it was still summer

#*changes my icon and immediately forgets so I get jumpscared every time I use hold to rb on mobile*#oh yeah and here’s this funky guy. haven’t posted him before #he exists bc my hand shook in the wrong direction when messing around with a completely different Weird Cat concept and I went o shit that’s #better actually #my art?#my oc art #character art #original character #oc art #furry #character design #ignore that this draft is almost three weeks old just don’t even worry abt it #life is. hahahaahaha. so much rn my summer has been Dog and Constant Stress and art is just. not able to be a priority rn #so ofc I have many ideas :’) someday im gonna be able to do things just bc i feel like it for more than five minutes again. someday #i do have like 4? i think? finished pcs of Bear Art from the past few months that i might post for fbw let me know if you want that perhaps #but that’s not for another month or two I think? i should know that im sorry brooks falls bearcam i have failed :(#there’s some stuff in the drafts i forgot I didn’t post too actually #maybe I’ll get around to that with my. very minimal free time the next couple of days (<- probably won’t)#on that note #if you commissioned something from me and I haven’t posted it pls don’t be sad i am simply attempting to survive the summer #my brain is not good in hot weather under the best of circumstances and this has not been those #I Do plan to post them they just take more brain than like. this quick silly doodle for myself to draft out #i know ppl probably are not worried i am simply. afraid.#anyways. look a creature

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strangerays · 1 year ago

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THIS JUNE

[wip introduction]

(originally known as the project Nothing in Particular and Everything)

start date: february 2021

stage: 4th draft

pov: first person, past tense

tags: #nip: inspo, #nothing in particular and everything, #this june, #this june inspo

Ask to be +/- from the tag list if that is something you would like!

Story

Ray's friends are finally back home from college. But in the seaside town where they grew up, everything has changed. Madison is always distracted by work and her controlling parents. She's dating Oliver. Oliver doesn't know what he wants to do with his life anymore, but he knows he can't stay in Point Blink. Lonan has made a new home for himself in the city with his boyfriend, so nobody is quite sure what he plans to do next.

June in Point Blink isn't turning out as perfect as Ray planned.

Judith just moved to Point Blink.

A somewhat disastrous pair, Ray and Judith fall victim to an act of arson on a mysterious landmark in the woods. Whilst the girls uncover the identity of the arsonist on a dusty old camera, they develop a strong bond with one another and a connection to their mental health neither of them had before. However, as Ray gets closer to saving herself, she digs up damaging truths about her closest friends that threaten to tear the five of them - and Point Blink - apart.

Characters

Ray – 20, a somewhat optimistic college student who misses her friends but will do anything to keep them together. spends most of her time in alone her bedroom or in the woods with a camera.

Judith – 19, the energetic new girl in town with an enigmatic background and a savior complex. used to live with her brother but decidedly does not anymore.

Lonan – 20, Ray’s best friend who loves his friends dearly but struggles to put himself and his art first. struggling to live with past decisions while navigating a new relationship.

Madison – 20, hates the idea of college and is very set in her ways, which can be detrimental to her friendships. works at a local coffeehouse.

Oliver – 19, the last person to join the friend group; the first person to leave. known for his boastful grades and sour humor.

#this june #so yayay!! here is my new book!!!!#i love my book i hope you do too :)#as you can probably tell the story is pretty much the same except the characters have aged up a few years and are in college #im exploring the exact same themes in a more mature setting #also !! i am a second year college student now as well!!!!!#the struggle is real and i need a place to put everything if we're being honest haha #so i think this book is gonna do that for me <3 #technically i didnt finish draft three but i did get close before getting SICK of writing it #sorry if there are typos in here i just really wanted to post this today ;-;#i dont have many exceprts yet but i am about 8k words into this draft so i suppose i shall have something soon!!#my writing #creative writing #original story #writeblr

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seventh-district · 1 year ago

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oh my god i can’t decide what to do with my time today

#Seven.txt #writing stuff #video stuff #it’s Sunday so i need to log into Genshin and do my weeklies and i also need to grind for primos to yoink Yelan’s C1 before Tuesday #but i also need to record that so it’ll have to be done later once the house is quiet but i also need to record Lyney’s story quest but #then i also want to record Kaeya’s hangout but i also need to see what events are ending soon but i also need to do other non game stuff #like i need to finish going thru my backlog of likes on here and i need to answer asks and i need to work on drafted posts #and i have GOT to start working on ES Ch.4 to get that up by my self-imposed deadline soon but i’m recording that so i can only work on it #early in the mornings or late in the evenings but i also wanna finish this one-shot i’m working on for Dew and get it up on here soon #and that’s easier cause i’m not recording it but if i work on it today that’s not the best use of my time when it’s SUNDAY so it’s GENSHIN #DAY but i don’t FEEL like playing genshin rn i wanna WRITE ugh #but i’ve also got Ao3 comments awaiting a reply and i need to get a few things updated over there and i wanna work on This Is Unconditional #but i don’t have the TIME for that right now and i’ve got a bunch of messages that need replying to and a many hours of videos to edit #and i slept bad bc Nightmares so i just wanna eat and take a nap but that’s such a waste of time and uuuuugh idk man #So Many Creative Endeavors So Little Time #*collapses onto the floor in a frustrated heap*#okay. deep breath. i think. i’m gonna go work on banging out the rest of Hold On to Something bc that’s nearly fully written anyways #and i am Dying to get it out of my system bc Ghost Band fixation u know #i at least wanna get the draft done. i’ll edit/post it another day #then i’ll probably hop on genshin for a bit and do the bare minimum (i only need like 15 more pulls worth so even if i don’t grind and have #to swipe its nbd) and then i’ll hopefully be able to record the first writing session for ES ch.4 later this evening!!!#‘cause good god i wanna get that fic back into production. i miss working on it it’s just so hard to get started again #okay enough rambling. gonna go make Bullet’s lunch and get myself some lemonade. then i shall work

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archaeren · 7 months ago

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How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

#creative writing #writers block #writblr #writers on tumblr #writing #writers and poets #writerscommunity #fanfic writing #writeblr #writing advice

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saintrosalyn · 1 month ago

Text

JAILBIRD

Ghost becomes pen pals with an inmate before deciding that he wants to adopt his little jailbird.

Word count: 4.1k

Tw: inmate reader, reader is kept as vauge as possible but is implied to be younger than Ghost, violence, stalking, ghost is a perv, p in v, oral (f! Receiving), creampie, spanking (once), orgasm denial if you squint, unprotected sex, NOT edited we die like men.

Edited to Add: Part Two is posted :)

Notes: Baby’s first fanfic, please be gentle. Let me know if I missed any trigger warnings or if you want to see more! I have an idea for a second part but I don’t know if anyone wants it, right now it’s tucked away safely in my drafts. Enjoy! :)

P.S. I’m thinking about making an ao3 account and publishing an edited version of this on there. I’ll link it if I do! I’ve already spent too much time procrastinating finals but christmas break is around the corner so who knows.

The letter came with the top serrated, already opened, as all your letters came. You mostly ignored them. There were a couple of programs that allowed people to become pen pals with prisoners but you’d been there long enough to know what they often contained.

Many of the women milked poor losers on the outside. Money given and sent. Promises of butterfly kisses and blowjobs whispered over the phone. Exchanges. Some were even able to sweet talk their honeys into giving bribes. Money passed into hands of guards, currency that was then exchanged for cigarettes, which were much more valuable on the inside than the bills used on the outside.

You don’t know why you read this letter. It certainly wasn’t the penmanship, a scrawled handwriting that lay between cursive and print. Maybe it was the blue pen, you’d recognize a Bic anywhere, or maybe it was the fact that it smelled a bit like top-shelf liquor.

It was rather blunt. But not in an obscene way. Simple and straight to the point as if constrained by an unknown word count. It wasn’t memorable, but what else was there to do? Pace your cell back and forth and wait for zoochosis to settle further in your bones. Close your eyes and remember what freedom tasted like before it dissolved in your mouth.

The pen they gave you was cheap, the paper even cheaper, but you were used to making things work. Your reply was shorter than his, than Simon’s, but it got the job done. If he wanted to write back he would. If he didn’t, well, the new prison guard was starting to get rather handsy with you. The time will pass no matter what.

___

His replies came in strange patterns. Some weeks you’d get eight in a week, other times you wouldn’t hear from him for a few months. It took a year for the first phone call of which lasted less than a minute and consisted mostly of him grunting on the other end and a schlick sound you pretended not to notice. It was his fourth phone call that he finally said a few words in a voice so low it made the phone buzz against your ear, tickling like a lover's breath. Eventually, you had some semblance of conversations, even if they were interrupted by a recorded voice warning you of the time you had left.

He told you he was a soldier and at first, you planned on cutting the whole penpal idea off. Even before you got arrested you hated bootlickers more than anything. But Simon grew on you, and your friends all suggested you get in his good graces to see if he could pull some strings. You would’ve felt guilty if he was anything other than glorified government property. Both of you were.

The first thing he gave you was a book, The Yellow Wallpaper, which was thicker than you remembered from the time you read it in school. It was only when you cracked open the spine did you find a pack of cigarettes inside, the pages carved out so your real present could be placed inside. You couldn’t help the smile that split your lips as you pressed one between your lips, not noticing the tiny S carved into it.

You thank him for the gift by whispering his name into the phone. A mantra, a prayer, it didn’t matter as long as you kept your voice breathy. He promises to get you more and you learn not to refuse him. At one point, you notice that little robotic voice doesn’t time you anymore. The guard who couldn’t keep his hands to himself was replaced with a woman, hair pulled back into a military-style bun. And you got an extra cookie with your meals.

It took a year for him to visit. You knew it was coming eventually, men are only fine with their imagination for so long before they crave something tangible. Hell, even you were curious about the man who wanted to sink his teeth into you. It almost felt like getting ready for a date. Butterflies dropped like lead in your stomach as you tried to tidy your appearance as much as you could. You smelled, but there wasn’t much you could do about that. The whole damn prison smelled like a county fair bathroom. The lack of air conditioning in the heat of summer just added a sweet BO tinge.

The first thing you noticed about Simon was his size. You had never met a man as big as he was. The next was the thick scar tissue that marred his face. Though, even without the scars you would be hesitant to ever call him handsome.

Intimidating.

That was what came to mind staring at the thick cords of muscle that covered his arms and the broadness of his shoulders wasn’t just genetics. And he just stared at you. You glanced at the phone that connected to his on the other side of the glass and back at him but decided against it.

You offered him a small smile and an awkward wave. It unnerved you. The focus and attention pinned you in place. Normally you kinned yourself to a tiger you saw at a zoo when you were a child. One that paced back and forth. Back and forth. Back and forth. A habit you understood all too well. But sitting in front of your pen pal you realized you were rather off.

Simon was the tiger and you were the bird that caught his attention.

It took far too long for the guard to come and collect you. For once you were grateful to retreat back to your cell, so much so that in your retreat you failed to notice the nod your warden gave Simon.

___

After that Simon met with you in person as often as was allowed. He never said anything and neither did you. Eventually, the novelty of him wore off. Humans were rather adaptable creatures, and you could only be scared of the man for so long before your body adjusted to him. Despite your silence, Simon didn’t appear displeased with you. In fact, it was almost the opposite of it. More gifts arrived.

A pillow, high-end shampoo, a toothbrush (that you had a strange suspicion was used before being given to you), nail polish, and more cigarettes. Some of the women were jealous of the attention given to you, others tried to get with you to share your bounty. Somehow you dodged most of the conflict. But you can only run so long while trapped with so many women.

When you showed up to your meeting sporting a bruised cheek and split lip the air quickly changed. Before you thought Simon looked like a predator.

You were wrong.

Fear coursed through your veins and you recognized the look in his eyes. Every woman in the damn place knows what a hunger for violence looked like. Slowly he reached out an arm, the sleeve of his hoodie riding up slightly showing off tattoos, before grabbing the phone and pressing it to his ear. With a shaking hand, you did the same.

“Bird.” His voice was somehow deeper in real life than over the phone.

“You should see the other guy.”

His lips twitched.

There was something uncanny about his eyes. They weren’t brown, they were black. Obsidian. You realized that before, the first time you met him, he wasn’t trying to scare you. Though, you were pretty sure it wasn’t directed at you.

“Just a little spat is all Simon. Everything sorted itself out.”

All over a bottle of nail polish. Tempers run short in prison. You spend most of your days in a cell, and what little free time you get surrounded by the same insufferable bitches, it’s a mystery there isn’t more violence. For the most part, things were settled with words. The more physical an inmate gets the more time spent in your cell. There were some weeks where you spent twenty-three hours a day in that little room.

Simon let out a sigh as if dealing with you was the most insufferable part of his day.

“Did ye’ get medical attention a’ least?”

You nodded your head.

He gave a grunt.

That seemed to be his preferred method of communication with you. Caveman grunts and growls, the occasional moan over the phone he couldn’t hold back. You figured it had something to do with his job. He was quite tight-lipped about it, but you gathered he has co-workers (his squad? Platoon? What was the proper lingo?). Despite this, you were under the impression he spent the majority of his time alone. He always seemed more primal after those month-long stints of silence.

You always wondered how you would feel if he never contacted you again. Went out and didn’t come back. Would you assume he was dead? That he moved on to prettier things that aren’t locked away? Would it make a difference to you?

No. It wouldn’t.

Even now you got letters upon letters from other men. Though none were as giving as Simon was.

It was back to silence and staring contests that you were used to. The both of you slipping into a familiarity. He never put the phone back. Even when your warden came and escorted you back. You didn’t glance back at him.

Tucked away in your cell you didn’t get to watch Simon slowly rise out of his seat, chair creaking from the shifting of his weight. You didn’t see Simon lurk in the back as the inmates met with their loved ones on the out. Didn’t see him take notice of a particular girls with nails painted the same shade as his gift to you. The same shade as the tip of his cock.

___

The girl was transferred. For a singular moment, you thought Simon had something to do with it. Then laughed at the idea. Simon may be in the military, but you highly doubted he had anything to do with the bitch who got transferred. At least you got your nail polish back. It was a strange shade, and the idea of a man as big as Simon standing in an isle trying to pick out a shade made you chuckle, it was the thought that counted.

Time marched on. Penpals came and went but Simon stayed the consistent part in your life.

Eventually, the possibility of parole was on the horizon.

Freedom.

So close you could practically taste it.

Unfortunately, that meant a laundry list of to-do items. Court hearings, lawyers bankrolled by Simon, arranging for transportation and housing. Simon handled most of it. By now, the lingering guilt of using your soldier fiance had long left you. He seemed like the kind of man who needed to learn lessons the hard way, and entering a relationship with a felon was a lesson most didn’t need to learn. Still, he had been putting in quite a hard amount of work. He deserved a treat.

And after years of forced celibacy, you needed it bad.

The two of you would enjoy each other for a week or two. Simon would realize he made a mistake moving you in. He would kick you out. You’d pawn the ring he’d give you and use the money as a cushion as you landed, getting back on your feet. The two of you would go your separate ways and never see each other again.

Being in prison taught you a lot of things. Despite everything, patience wasn’t one of those lessons. The day you were gaining your freedom passed was the slowest part of your life. The checking, double checking, retrieving your stuff, checking again, until finally,

Finally,

You were outside. You were outside in something other than a uniform that stunk of sweat, there were no handcuffs. Anxiety crept everywhere. You wanted to get as far away from the prison as you could, if you breathed wrong a warden would drag you back. A pair of arms snatched you.

You looked up and couldn’t help but laugh, pressing your lips against his scarred ones.

“Fucking Christ your tall.”

He chuckled against your lips before taking them again, hands digging near painfully into your ass. The two of you somehow managed to walk back to his car peeling off one another before Simon peeled away, hand clutching the fat of your thighs as he drove.

“Never pictured you as a reckless driver.” You giggled.

The adrenaline and giddiness of being free hadn’t worn off yet. If anything it seemed to slowly be morphing into a different beast entirely. You pressed your lips against his bicep causing him to groan. You glanced up at him, watching as his jaw clenched weaving in and out of traffic in a way that was certainly not legal. You would’ve been worried about being pulled over if he wasn’t driving a military vehicle. They answered to a different police, or so he told you.

Eventually, he pulled into the yard of a house with an honest-to-God white picket fence. You smiled as you got out, curiosity creeping in about what his house was like. Simon opened the door for you, which would probably should’ve made you swoon at his gentleman-like behavior, but truthfully it was how he hauled you out of the card and dragged you inside that got your heart racing.

Impatient.

The door barely closed before his body was pressed against yours and his lips were pressed against your jugular. One of his rough hands slipped up your shirt, grunting when he found a clear path to your tits instead of meeting the edge of a bra. The other dipped into the waistband of your pants, running over your clothed cunt, no doubt feeling the wet spot against your underwear. Your hands slid over his arms, squeezing at the muscle, before slowly sliding them up and up, going to the back of his neck, a hand threading through his short hair the other cupping his face to kiss yours.

A large thumb found your clit, only the thin cotton stopped him from rubbing directly against it. He pressed down hard on it, causing your breath to catch in your throat, his thumb moving down your slit. The seam of your mouth parted in a moan and he used that to stick his tongue down your throat.

The kiss was obscenely wet, beastly as his spit passed from his mouth into yours. Before prison, you would’ve pulled away with a grimace. Too much tongue, too much teeth, too much. But your whole body was on fire, years of pent-up orgasms made you desperate for it all. For someone to press against you, to be inside you.

Simon was oh-so-convenient.

You tried to pull away, lungs burning enough to convince you that air was in fact a need, but the door stopped you. Pressed between it and Simon you had no escape. You whimpered against his mouth, again and again until he finally got the hint and pulled away, a string of spit connecting your mouths as if it too was reluctant to pull away from you.

“Bedroom?” You panted, though if he took you here against the door you would die happy.

Simon threw you over his shoulder and took his stairs two at a time before tossing you on his bed making you laugh. The caveman and his prize. Simon took the moment of being away from you to pull at the collar of his shirt. You watched in appreciation as it lifted higher and higher until it was discarded on his carpet.

His body was marred in scar tissue, muscle, and a layer of fat that made for a solid fine specimen of the male species. His pants were discarded next, and either he pulled his underwear down with them or he just wasn’t wearing any to begin with. You didn’t have much time to ponder that thought distracted by his hard cock.

Jesus Christ.

Big was an understatement, monster was the word that popped into your mind. It crossed the territory between delicious into scary. Large and thicker than you thought possible. You swallowed and for a second hoped he would forget about the blowjob you promised him after he gave you a pillow.

“Yer’ wearin’ too many clothes Birdie.”

Quickly, though not as quickly as Simon was, you wiggled out of your pants, shrugged off your shirt throwing it in the same pile as his clothes. He stepped closer to you, one large hand grabbing your ankle before retching you towards him.

He leaned down, mouthing at your bare tits, slobbering over them. The soft press of his tongue flicked over your nipple before he moved to the other and grazed his teeth over it. His hands were everywhere. He was everywhere. Impossibly big and pressed against you everywhere. Until all your senses were filled with him. As if Simon was the only thing that mattered in the world.

The artificial sun in your glass cage.

His mouth moved lower, nipping at your skin before he moved between your legs. He settled his body in between them, the calloused palm of his hands pressing your legs further and further apart until the stretch burned in the muscles where your legs met your pelvis. Quickly the pain faded into the background as he pressed a kiss against your bare clit, before taking it in his mouth and sucking. You felt the rough pad of his fingertips press against your hole rubbing against it but never quite dipping inside. Again and again, he moved it against you but never in you.

It was maddening.

You tilted your pelvis against his mouth, trying to coax his fingers into your welcoming body. He growled against your clit, removing his mouth causing you to whine. A sharp sting met your ass cheek and you yelped.

He spanked you.

“Behave.”

You never took the man to be hungry for anything other than missionary, but it seemed he had learned a few tricks over the years. He did have a few on you, you were sure of it. Your thoughts leaked out of your ears as he moved back up, slotting his hips in between your legs. Liquid lust ran through your veins at the sight of him rubbing his dick against your mound, a mess of your slick and his pre dragging along your pussy and up to your belly button. Your poor hole clenching around nothing at the image of how deep he was about to be in you.

You took a deep breath, mesmerized as he pressed the tip against your entrance, catching it before pressing himself inside. He went slowly, and you couldn’t help the moan that left you as he finally began to sink home. Throwing your head back you closed your eyes as he stretched your body out.

You weren’t a virgin before you were locked away, but years of celibacy made you feel born again. Hell, with the size Simon was even if you had fucked him before he would’ve made you feel virginal with the way he was splitting you open.

When you opened them again you caught his gaze, he stared at you watching your expression pinch as he gave small thrusts, working the last of him inside you. When his balls pressed against your ass you let out a shaky breath. You had passed your limit two inches ago but somehow Simon had managed to coax your sweet pussy to take the last of him inside. The pain of him had taken you away from the edge of an orgasm he was working you towards, but when his hand found your clit again you knew you weren’t going to last long.

If his shaky breaths were anything to go by Simon wasn’t going to last long either.

He kissed you again, this time it was softer. Sweeter. Made your stomach turn in a moment of guilt. It was replaced when he drew out of you, slowly letting you feel inch after inch leave your body, before slamming back in.

He moved again against you. And again. Building up a punishing rhythm. You couldn’t help the small ah ah ah’s that left your lips as he rutted in you. Your hips pushed against his, working with him as you both chased your highs.

His hand never left your clit, as if glued to it working in tight fast circles. His other hand traveled along your body as if he couldn’t get enough of you. Squeezing at your tits so hard you thought it might bruise, running up your bare skin, constantly moving and feeling. As if he couldn’t believe that you were real. That you were out of your cage and underneath him panting his name in his ear instead of against the end of a phone.

Your own hands wandered. Moving over his arms, God’s gift to you, his chest. But mostly they moved down his back, feeling his muscles move and contract under your hands. Before you left you would convince him to put a mirror over his bed, so you could watch his shoulders shift and move as he thrust inside you.

It was too much. The feel of Simon, the stimulation on your clit, the thick cock pistoning like a machine inside you, pressure built and built inside you. Your nails dug into his back, dragging down as he pushed you off that ledge.

Simon’s thrusts stuttered as he felt your walls fluttering around him, suckling at his cock, coaxing him. He came with a groan soon after you, painting your walls with thick globs of his cum.

You panted as he rested against you, letting his cock soften inside you as you ran your nails over the nape of his neck and caressed his short hair. It was oddly soft, comforting to run your hands over.

Simon began to untangle himself from you, slowly as if reluctant to part from your embrace. He moved to what you now realize was the on-suite connected to his bedroom. You could feel his cum start to drip out of your cunt and down your asshole, shifting at the uncomfortable feeling. You couldn’t find the energy yet to move, not even sure if your legs could support you right now. Simon came back to you, wash-cloth in hand, and began wiping up the mess he made.

“We’ll have to get a Plan B tomorrow.” You murmured as he crawled back into bed next to you.

Simon didn’t say anything, but he had always been a quiet man. He maneuvered the both of you until you rested under the covers, your hand running along his bare chest. Tracing his happy trail before moving back up, not ready to go again.

The adrenaline from before had worn off, leaving you suddenly exhausted. Sated and free you dozed off against him.

When you woke up again it was darker outside. Not yet the full black of night but rather the soft blue that came after the sun had only just dipped out of sight. Simon wasn’t in bed next to you. You rolled over with a sigh, sitting up and smoothing your hair. Thirsty you threw the covers off your body and padded across out of his room entering into a small hallway. There was a door directly across his room and with a shrug, you went into it.

It wasn’t snooping if you lived here now too. Even if you were only going to stay for a little bit.

The handle turned easily but the room was darker than you expected, no windows to let in any natural light. Your hands patted at the wall until you found the edge of a light switch, with a click the room was bathed in a soft glow.

Your breath hitched.

The room was bare except for a small desk and chair, the walls were covered in photos. Photos of you. Old photos, from before your prison stint. Mugshots. But what made your skin crawl were photos of you in your cell. You sprawled out on your uncomfortable cot. You sitting cross-legged across from your cellmate. Images of you in the cafeteria. Images of you in the yard.

You took a step back, then another, and another.

You flicked the light back off and slowly closed the door. You took a shuddering breath and yelped when you felt a chest pressed against yours.

Simon’s hands dug into your hips, pulling you tight against him.

“You look like you’ve seen a Ghost, Birdie.”

Poor little bird, trading one cage for another.

___

Part Two

#simon riley x reader #ghost x reader #simon x reader #ghost x you #ghost #simon ghost riley #reader is delulu in this

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twisted-broth · 2 months ago

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Any of the boys you want do a challenge where (they aren't dating yet) but they are at a fair and they win a bear or a prize and s/o gives them a kiss on the cheek for how many they win and s/o says if they win 10 or more they will give them a kiss on the lips and spend a week together with just them (maybe show like if some did get the kiss and how they would react?) I thought this was cute lol

This has been sitting in my drafts for like a year so I just figured I would post the parts of it that were done.

Leave it to Crowley and Grim to get you into this situation. “Every dorm has to have a booth at the fair, prefect! Maybe you’ll even earn enough money to make some renovations to that shoddy old place!”

Crowley failed to take into consideration how making a carnival attraction costs money to be any good. Any cafe service would need more money and supplies than you could afford, a show would need more than two people, and a game would need prizes.

Grim is not one for bright ideas, but it would seem there was no other solution that wouldn’t cost all your food money for the month. So this is what it came to.

“Knock down all the pins and win a kiss on the cheek from Ramshackle’s prefect! Hit all three targets and he’ll give you a kiss on the lips!!!!”

It was probably in your top five most embarrassing moments of your life as your cat basically prostituted you at the top of his lungs. Surely no one would actually be enticed by a prize like that, right?

Trey

"You always manage to find a way to keep things interesting, don't you? For once I'm glad to be at a school mandated event."

Feels bad. Plays anyway.

No hard feelings, right?

He tells you that you have nothing to worry about, he's really a lousy shot anyway (as if he's not the best spelldrive player on Heartslabyul)

He easily knocks down the first two stacks, but misses the third

Maybe he missed, maybe he found it in his heart to show you mercy

He not-so-subtly implies that he's sure he could find a different way to win the "grand prize"

Despite his big talk, he still has a noticeable blush when you give him a kiss on the cheek

He would also keep an eye on your booth for the rest of the day to make sure not too many people are winning

For your sake, of course

Jade

“It would seem you’ve found yourself in quite the situation there, prefect. Please find it in your heart to forgive me if I take advantage.”

This is the funniest shit Jade has ever seen

How stupid do you honestly have to be to get yourself into this predicament?

Of course he’s playing the game. The scowl on your face when he trades in his tickets to Grim for three baseballs fills him with unbridled delight

His aim is a little wonky and you sigh in relief when his first three balls miss the target

He feigns disappointment before handing over another few tickets to the cat and grabbing the balls again

Of course he was hustling you. He let you think that even for a second you would be safe from this menace. For shame

Each ball is thrown with such force that pins from the first stack fly into the other stacks, easily ensuring that Jade clears the game with ease

He calls it beginners luck. Asshole.

Has the biggest shit eating grin on his face as he leans down to your face to claim his prize

Rook

"Mon amour, what a dastardly situation you've been resigned to! Not to worry sweet dame, I shall save you from the beasts at your heels!"

You knew you were in trouble the minute Rook’s gaze happened to fall on your stall

His eyes narrow and he smirks as he makes his way over to the stall

He's visibly holding back his excitement as he trades his tickets in to Grim

His idea of "saving you" is to hog the game- and the prize- for himself

He hits every stack with effortless accuracy, game after game

The second all three stacks have been knocked down, he prances over to you and leans down for his kiss. You can practically see the flower emojis radiating off his satisfied smile

This will continue until Grim gets fed up with him scaring away customers, or Vil comes to drag him away

You got so used to kissing him that you almost do it again the next time he leans down to talk to you

#x reader #twisted wonderland #twst #twisted wonderland headcannons #twisted wonderland x reader #trey clover x yuu #trey clover x reader #trey clover #trey x reader #jade leech x reader #jade leech #jade x reader #Jade leech x yuu #rook hunt x reader #rook hunt #rook x reader #rook hunt x yuu

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unadulteratedsoulsweets · 4 months ago

Text

A DC X DP IDEA # 35

Who will he be tonight? that’s the question.

Imagine dis…

It's been a while since I last posted here and even though I am late on the trend the song would not leave my head ( due to my gremlin of siblings) and you are now here to suffer with me.

MWAHAHAHAHA

…

Bruce was stressed, not because of his nightly duties nor his exhausting job as the CEO of Wayne enterprise. He got his license to foster children by the skin of his teeth through legal channels, he was so close as to use his privileges as the richest man in Gotham to get his license also to be able to foster Richard “Dick” Grayson.

Apparently despite his playboy persona aka “Brucie Wayne” just entering its social debut almost made him almost impossible to foster Dick as the social worker that had been assigned to him is also one of the few social workers in Gotham that takes their job seriously.

Bruce knew that his budding playboy persona, the carefree “BRUCIE Wayne” should be buried, he could replace this mask of his with his philanthropist self but he couldn’t just immediately change it would and will raise whispers on why, but what could be the reason?

Just as he continued scheming a knock broke his train of thoughts and entered Danny Nightgale, the calm and efficient secretary who had worked before with Lucius Fox ever since he had been hired. Danny, from Bruce’s file on him, son of two leading ecto-biologists in the world, a quiet kid who grew up in a city from nowhere, had a bad accident that left him with a slow heartbeat, discovered that one of the last two purple back gorilla is female and thus avoiding total extinction. Doesn’t have much media presence due to their hometown being the home of the former ghost hero Phantom who had vanished the moment that the anti-ecto acts had been re-appealed…

…

Bruce approached Danny with a pitch and handed him a nicely drafted contract. The agreement was straightforward: pretend to be Bruce's adoring partner in public. It was the only way to change the public's opinion, to show the world a stable, dependable, responsible Bruce Wayne who was ready to be a foster and maybe a father.

…

As years went by this arrangement had been beneficial to both parties.

Danny now saves more money, and despite having one of the highest salaries being paid all went to his rent to the nicer parts of Gotham. It had so many insurances as well security measures to ensure the tenants are safe, but the downside having most of his paycheck going to the rent itself. Now he has a permanent house that is large and free food that is made by the greatest cook that ever existed.

Bruce is less embarrassed about putting on a show for the public, he seems to take on the air-head mask whenever his supposed “lover” is around and near him, turning him into a bumbling mess whenever the “love of his life” is around him. He also secretly took great pleasure whenever those annoying journalists asked nonsense questions which he answered in his most obnoxious voice spiel away how world peace is attainable if all just gave their own Danny’s.

…

Each generation of Batkids saw how Bruce had a crush on Danny yet kept fumbling himself and reminding himself that all of this was just part of the contract. Sure each kid knew of said contract that was made for Dick’s sake but said the reason for said contract wanted to rip that thing ages ago and into pieces the moment he wanted to call Danny Dad.

Though each child that resides in that manor noticed some inconsistency within Danny’s schedules, not only that they have just recently discovered that while Danny loves to chat there are still personal things that he hadn't delved into aside from the information that was already in his files. Of course, there is also his weird avoidance of the vigilante group of Gotham, especially Batman, despite being proven to the public both in and out of Gotham that Batman is trustworthy, Danny still held wariness to said vigilante.

You’d think that after years of exposure around the Wayne’s Danny would have already discovered the cave all on his own. But it seems that every time are inches away discovering their secret an emergency or urgent priority was flaring from the Wayne enterprise that only he was needed to solve the said problem.

After weeks of Tim’s continuous intake of a very worrying amount of pure caffeine, espresso shots, and 10 different brands of energy drinks they have finally connected the dots.

Danny is a secret FBI agent planted in Gotham to catch Batman and his group in the act of breaking the law and to disband the whole spiel about being a hero and vigilante. Sure the JL and the sudden rise of heroes and vigilantes that popped up around the world that are not government affiliated made those who sat at those red velvet chairs nervous as they don’t have any active say or word as to what crimes to focus on and so on. There are reasons why Amanda Waller is still in power and still allowed to roam free with funds after funds to continue her work despite being continuously caught by the JL.

Now it is up to them to change Danny’s mind and abandon his mission so that they can finally stop seeing Bruce act like that “Brucie” persona, that they thanked the gods had been immediately vetoed, towards Danny.

…

Alfred sits down in one of the manor’s libraries with a cup of tea in one hand a book in another with another small pile on the side with a teapot ready to refill himself another cup.

He sighs at the drama that seems to unfold to his eyes only.

Ever since Master Danny had been integrated into this household he had found more free time than he could ever imagine. The young man would always find ways to outpace Alfred when it comes to housework to the point it had become their little game to this day. As much as he supports his ward/son, Master Bruce needs to gather all emotional intelligence he has left and confess to Master Danny.

But that wasn’t the live soap opera that it seemed to unravel.

His grandkids are set and believe that Master Danny is a secret agent who is here due to a mission related to the vigilante group stationed in Gotham.

Alfred adores all of them, he did but sometimes he wonders if the title World’s Greatest Detective is to be added to his arsenal of titles.

Alfred knew that Master Danny wasn’t just an ordinary secretary but he was also the Ghost King of the Infinite Realms, how did he know of this?

He simply walked in on Danny changing from his human self to that otherworldly creature that looked too regal to be a normal being, and so clues that were the littlest of things that he had always chalked up to the angle of the light seemed to begin clicking in place.

Alfred was a bit miffed when he learned that Master Danny might have been cheating when it came to their little bouts of cleaning the manor but he now stayed quiet as Master Danny still didn’t know of the quote “furry brigade” unquote are the Wayne’s, and based on Master Danny’s past rants he will have his little laugh when the truth comes out, but until then he will drink his tea in peace as the drama in Wayne manor seems to unfold.

…

PS: If someone out there wants to continue or make a fic about this you are free to do so, don’t forget to tag me though.

#dc x dp #dc x dp prompt #danny phantom

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mvltisstuff · 5 months ago

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aaa i’m sorry glad your requests are back!! i was wondering if you could do a one-shot for buck where he visits reader (established relationship pls) in the hospital but every time he smiles or says something flirty the heart monitor picks up so he just teases her for it <33

thank you!!!!!!

i think he knows - e.b

summary: request

evan buckley x reader

gif creds

a/n: this gif makes me wanna scream and cry and die and roll over in my grave… anyway hi!!! i know this is late but i remembered this from my drafts and it’s so cute. hope this person still wants to read :))

ever since her surgery, y/n has been forced to rot in the hospital bed. at least until buck gets out of work. every single day, he would come to visit her.

when she first had to go in for the operation, nothing was certain. the medicine she’d have to take, how many bandages would be wrapped around her leg, but one thing was the same.

buck was in the chair next to her every chance he could be. he knew it was something to bring her stability when all of hers was on the brink of collapse. he brought her food, flowers, clothes from home, everything she could’ve ever needed was brought to her, all from him.

it was his post-shift routine. he would shower, change, and drive over to the hospital she was at. he would come full of stories, and he would tell her all about what she was missing. he hated seeing her in that bed, but if it helped her get better, it was all worth it.

it was almost funny to buck, whenever he would go over and visit. it was like they were never dating. it was like high school, when you go a certain way in the halls to see your crush, and your chest gets tight and face hot.

today, he was particularly excited to see her. he got his haircut for the first time in a while, and she adored when he had a fresh cut. he styled it her favorite way before heading over.

he held a to-go box from y/n’s favorite, and had a bag with some clean sleep clothes for her. he scurried through the halls and finally found her room. he knocked lightly on the side as the door was already open.

he peered in to see her, her head slowly tilting to the side with her eyes tired. the office reruns were one of the only noises in the room, besides the steady beeping of her heart monitor.

“hey, beautiful,” buck says cheerfully, waiting for her to look into his eyes too. she perked up at the sound of his voice.

“hi, buck,” her voice was low but clear, and she blinked a few times before focusing on him again. it seemed all energy was brought back to her as she looked at him. she looking him in the face, and then onto his hair and back into his eyes. buck felt the same warm feeling he always did when she looked at him. the color in her eyes shined ten times brighter when she was with him.

the longer she looked at him, she didn’t physically feel anything, but as he moved closer, the more excited she got. she had just wanted him next to her all day, and his hands finally graced her own and cupped her cheeks.

he planted his soft lips onto hers, tasting like the sugary popsicles they give her. he pulled away to sit down next to her, and she just smiled so brightly at him, the same way she always does whenever they pull from the kiss.

it always left them in a trance, such a trance that they didn’t notice the beeping speeding up on her monitor.

“oh, honey,” the nurse murmured, walking in to check on her. “you didn’t tell me when he was coming, gave us a good scare on this floor.”

“what?”

“miss y/n, you are so head over heels for him, whenever he walks in you just about go into arrest.”

y/n’s cheeks blush bright red, looking embarrassed at the nurse. “well you don’t have to say that in front of my crush.”

“i’m your boyfriend?” buck says, confused but also humored.

“you’re still both, apparently.” the nurse retorts, rehooking one of y/n’s tubes back on. when she walks out, she rubs her face with her eyes.

“i would be lying if i said i didn’t notice the beeping.” buck whispers.

“what?” y/n laughs. “what beeping?”

“whenever i walk in, you get all excited and start beeping like crazy.”

“not true.”

“is too! just say you love me,” buck says, leaning in closer.

“fine, i love you.” y/n grins back at him before kissing him again, and her heart rate still doesn’t go down.

#evan buckley fic #evan buckley 911 #evan buckley fanfic #evan buckley one shot #buck x reader #evan buck buckley #evan buckley #evan buck buckley x reader #evan buckley x reader #chimney 911 #911 buck #911onfox #911 #911 fic #911 fanfic #eddie diaz 911 #911 show #911 abc

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skulkingfoxes · 15 days ago

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A post-mortem of "Good Morning, Rose"

A few weeks ago, I posted my addition to the comic anthology GLIMM*R, a short comic called "Good Morning, Rose".

The reaction to it has been so uplifting and exciting. It really seemed to struck a cord with people, which, really, the best thing for me to hear as a creator. I absolutely love writing and making short comics, you can do much with so little, explore such interesting stories. The feedback I've gotten has been very heartwarming! It makes me want to explore short stories even more!

But, first, I want to talk about some of my feelings and about the process of making "Good Morning, Rose". This got a bit long, so you'll have to indulge me a bit. You should also read the comic first before reading this. Don't worry, it's only 8 pages.

Now the preamble is out of the way, lets go back to the beginning.

The idea of "Good Morning, Rose" was a nugget in my brain for a long time! Originally it was actually from the Dreamwalker's point of view, where she was a faceless entity who had a long term relationship with Rose and was trying to figure out how to explain that their relationships only were in Rose's dreams. It was a story about seeing, accepting, and loving each other truly and fully, and the trials and tribulations of getting there. Also a cute girl with an ancient eldrich being is always fun to explore.

A lot of it was too convoluted, emotionally and storywise. It also required to get into what the Dreamwalker actually was, which I ended up really not liking. So, ultimately, the idea didn't work, and I put it down. I ended up going to do my short comic Twigs instead.

When I was invited into the wlw anthology GLIMM*R and was told that the theme was "dreams", I decided to take another stab at the concept. This time, I inverted the pov, it's now Rose's story. And instead of a long term relationship, it was about the powerful first feeling of a perfect (maybe even too perfect?) first date.

One of the hardest thing to write in romance is getting readers to care about the relationship in the first place. To have the readers believe in the character's feeling, to be invested in their romance. This is even harder to do when you only have 8 pages to do it. Focusing it around a first date helped a lot in that case. There I'm not trying to sell that these two character will love each other forever and forever, just the fluttering first butterflies of realizing you're developing feeling for someone. It's why I leave it so open-ended about whether the two of them meet again at the end of the comic, or even if it was real in the first place. It's just not the point of the story.

That's something important about writing short stories, I find. You really have to hone in on an idea, on a thought. Take a simple idea and try to find all of the interesting layers. It's too easy to try to stuff a short story with too many ideas that ultimately go unfulfilled. In fact, the first draft of the comic, at the time called "Dream Date", there was a big problem with this and the pacing.

Here, take a look at the first stab at the roughs:

(BTW, there is something so fun about roughs for me lol. The art is so kinetic and loose, all about just getting the story across)/

As you can see, a lot of the ideas and imagery made to the final version of the comic. But both the initial readers and I agreed that the beginning and end were good, but the middle was messy and slowed things down. You can also see that I got stuck in the same problem I did when I first conceived of the story, it's bogged down trying to understand the Dreamwalker in a way that actually hurts the story. You simply dont have any room for bad pacing a short comic like this. I need to focus more on the character's and their emotions and exploring their actual relationship rather than blandly trying to explain the situation. A friend also suggested that I should hone in on the fluid dream-like aspects of the first couple of pages, especially since it's so fun to explore in the medium of comics. So I got to work gutting it out and trying again with the new, much stronger imo, direction.

Also there were some issues with the page format that needed changes for printing, thus the final spread had to be split up. Which is a shame, but oh well, it still works. I also honed in a lot more on Rose and her insecurities. I ended up putting a lot of myself into Rose. I'm glad readers seems to able to relate to her.

After figuring out the the story and the pacing, I went and, well, made the comic. Once you've done as many comic pages I have at this point, once you figure out a process, the actual drawing is fairly straightforward. Eventually, after thinking, and drawing, and toiling, and revising, and thinking hard about my life choices, I come out of the other end of the tunnel with a comic. One that I ended up really liking. One that other people ended up liking, which is always crazy to me.

I got a lot of interesting reactions to the comic. One demographic thinking it was sweet, wanting more of it (always a flattering thought), and enjoying the romance. Other remarking on the bittersweetness of it all, finding your soulmate in a dream, maybe never to see them again if they were even real in the first place. There were a lot of people remarking how they had a similar dream, one where they met someone they seemed totally and completely convinced that they were real and told the dreamer so, until the dreamer woke up. There was one person who asked if I had met the dreamwalker myself. Alas, my dreams are not this romantic and straightforward.

But all of us can hold hands, nod at each other, united by one universally true statement: big eldritch lady hot.

There's a lot of little bits I can talk about, like how Rose's dress is actively modeled after selkie dresses because I think they're cute, or some other trials and tribulations. But I think I've finished all I have had to say. I hope you enjoyed this and will stick around for my future projects! I definitely want to explore more short stories in the next year, especially as I am illustrating big graphic novels for my day job and don't have the time or energy for huge projects.

Till then, thank you so much! Happy holidays and have a good new year!

#long post #good morning rose #comic #my art

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rupeenotruby · 7 months ago

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@isasan347 made a post about Fable doing her ssbu stuff in front of Legend and I thought the idea was quite humorous and so I made a comic!

I chose to go with her lightning kick because her three main special moves are just the great fairy spells for OOT which would then belong to Time and her down b isn't very iconic since it is a more recent addition. Lightning kick has been there since the beginning and is the first thing I think of when I think of Zelda in ssb.

I started working on this comic a few weeks ago but had to put it on hold because of my finals. But now they are over and I have finished this! There is a lot I dislike about this comic (namely the dialogue, I didn't really script this out like I should)(If you have a better final punchline you are welcome to edit the panels with it (2nd to last), I changed it so many times and am still not the biggest fan of it). But there is also a lot I like! I actually finished it for one! Yipppe! I'm still figuring out how to draw everyone and wouf! It was a challenge (shoutout to four though he's a real one). I'm probably going to study their clothes a bit more before making another comic though. I'm also still figuring out how to write all these guys so they might be ooc, sorry about that too. Also here's the rough draft if you want to see it(if you zoom in you can see the original ending (maybe)):

Anyways, if you have read this far, I have a favor to ask: You see it has been a while since I have made a comic for human consumption, and I would like some feedback. Is the text big enough? Do you understand what is happening? Anything really bothering you about it? Anything you really like? Etc. Etc. I am open to constructive criticism.

I will take this time to complain about Zelda's horrible heeled-sandal-boots. They are evil and awful and horrible and every other negative thing you can think of. That is all.

#linked universe #or is it #linkeduniverse #lu fable #lu legend #lu four #lu chain #comic #sorry sky fans for that haircut my bad

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tootoomanycats · 3 months ago

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Hi.

I think it’s a travesty that Gil-Galad has barely a crumb of fanfics or even head canons.

So I’m working on something to add to that sexy, sassy, big boy’s fandom.

I definitely have a type, and it’s men who have their shit together, have goals and a very good sense of self control but are pent up…so I can watch them snap.

This is rough draft, unedited and just thrown down to keep my idea going but dang nabbit, the thirsty folks deserve a drink!

I present the first teaser for *drum roll*

The Plan

Desperation pushed you to find the guest quarters and put distance between the High King and yourself. After what you just did, you can’t look him in the eye, gods you don’t want look yourself in the eye.

Dammit, was that the same door with a potted plant you passed a few minutes ago? You were going in circles, fast pacing, and red faced from embarrassment. He knew, he had to know you were lost and still Gil-Galad followed while offering no help in your escape from him.

“How long shall I expect you to hide away this time? I was under the impression that it was too precious to waste-being as short as it is.” Gil-Galad knew that his words were sharp, their sarcasm laced like a blade with poison. He could feel his pride pulsing like an open wound after what you just did. Emotions raw from weeks of you seesawing both towards and away from him.

“How dare you!” Came your rage in a whispered hiss, spinning on your heels to glare at the tall elf who followed behind so closely.

How dare he?

Gil-Galad could feel his neck heat as the temperance of his frustration grew. He was not the one disillusioned from reality. “I believe the offense is mine to have. For I was not the one to run and cower after you kis-“

“Shush! Don’t you dare finish that sentence.”

Not once in the entirety of his life time, centuries long that it was, has anyone ever dared to ‘shush’ him. His posture straightened, the tips of his ears faintly hued red as frustration turned to insult.

“First you run is cowardice from your own actions, now you not only refuse to acknowledge them but have the gall to shush me?” He glared from where he stood, watching as each word cut through your panic and your eyes shamefully turned to the ground.

Gil-Galad’s pride raged like that of a wounded beast trapped behind the bars of well trained control. Had he not been kind in taking in you and your small group? Housed and feed you, treated the wounded and sick to health, all to see your worries lessen?

He had no expectation of receiving anything in return, other than a thank you for the kindness- which you and your small group had given ample times over. Nor was no expectation to have the fluttering feeling of attraction reciprocated, his only hope was to continue the friendship he enjoyed in your company.

But he did not deserve the inconsistencies of your actions and words. Spinning his minds thoughts and hopes in circles that dizzied and confused. So many times you flirted back, even flirting boldly at him, flustering him. How much he had held self control in his desires to reach out to you, feel the grasp of your hand in his. Even for you lean on him when sitting together.

Just moments ago when you kissed him so tenderly, he had been frozen, his mind trying to confirm what he had hoped for had finally come true. But before he could reciprocate the action, you fled. No more. He could take this no more.

Update post for this story here -----> Update 10/17/24

Update #2 for this story here ----➡️ Update 12/26/24

#gil galad #ereinion gil galad #gil galad x reader #Gil-galad x you #Gil galad fanfic #Gil-galad smut #rings of power #rings of powerful

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diremoone · 1 year ago

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under the clouds, in my heart | g. satoru

it’s these kinds of days that make Satoru the happiest — that remind him of the wonderful things he has in his life now; thunderstorms where his wife and children are safe and protected inside of his home are all he could ask for

w — post canon! gojo, canon-divergence, pregnant! reader, former first-year student! reader, mentions of underage relationship, mentions of being in a former! student-teacher relationship, Papa Satoru & Mama Reader, Satoru and Reader have a (growing) big family, this ended up shorter than I anticipated

a/n: another fix it fic you guys 🤧 this one has been in my drafts longer than 236

[ apart of the TFFTS universe! ]

He loves seeing you cozied up in his sweaters, no matter the time of year (he secretly keeps it colder than normal in the summertime so you’ll put them on, but he’ll never tell you that). He loves how the hemline rests at your knees, a testament to the cute height difference between the two of you.

With your pregnancy belly, like now, sweaters only seem reach mid-thigh.

Ah, he’s not complaining.

He’s back from a mission overseas a day early, one he committed to speed-running like a demon so he could get back to his growing family. It wasn’t too necessary, considering he doesn’t have to do many more missions nowadays. The only reason he was summoned was because of his long, long influence, to which he most definitely used to get back faster.

But the universe hits his Pause button the second he warps back into his lovely home. For good reason. His heavenly blue eyes take in the scene in front of him, soul imprinting this memory into itself for eternity.

Seiji, his five-nearly-six year-old firstborn, was curled up on your lap, head using your thighs as a makeshift pillow. Traitor. Satoru can hear little snores escaping his lips at the awkward position his head is in. But if Satoru tilts his head, he can see his son’s protective decision from where his head and body lay.

Sanari, his sweet daughter, is curled up by your left arm. Her white curls of hair are splayed out on the pillow behind her as her head rests on your shoulders. Satoru chuckles. He can clearly see drool at the corner of her mouth pooling onto the sweater of his you’re wearing.

Lightning lights up the sky outside. And suddenly, the gushing sound of rain is all Satoru can hear — a downpour. Huh, the clouds had been just as white as his hair earlier. He supposes anything can happen though.

He can’t even see outside anymore now. The greenery has been completely overtaken by the opaque gray of the intense rain and thunderstorm.

Satoru’s head snaps back to you and his sleeping offspring. As much as he wants to join, he can’t bring himself to. He wants to do anything besides ruin the picturesque moment in time before him.

Just look at the family he’s made for himself.

Ah, but the squirming toddler in your arms may do just that anyway. So he doesn’t debate taking Junpei from your arms as he begins to scrunch up his adorable little nose.

Besides, Satoru’s sure you’re bound to wake up soon. His Six Eyes tells him that because the cursed energy from within your tummy is starting to become restless, the twins are finally waking up.

A big family hadn’t been on his mind. You both agreed on leaving your family with Junpei as your youngest. Especially with you falling pregnant so soon with him after having trouble with Sanari’s pregnancy and birth.

But things don’t always go to plan, do they? Satoru muses.

Taking the littlest that'll soon be a big brother wakes you from your nap. You inhale and exhale deeply as your eyes flutter open, blinking quite a few times before your vision clears.

“….’toru~” Your sleepy inhale sounds like a cute sniffle; he can’t help but grin. “You’re home?”

“Surprise, baby,” Satoru mumbles as he sits down and leans over the couch and over your pregnant belly to sweetly kiss your lips. “I’ll be home for awhile this time,” he adds softly. One arm holds his son, the other wraps around the back of your shoulders, hand resting on your upper arm to gently pull your body into him to deepen the kiss. You can’t help but giggle against his lips, and he smiles and giggles into it in return.

Lightning brightens the sky, this time for the longest you’ve ever seen. And following it, is the mightiest thunderclap you’ve ever heard. It makes even your husband jump, surprised by the deafening boom. Your lips separate from Satoru’s, who’s looking out the window with you, impressed by the power of Mother Nature.

It wakes Seiji and Sanari, who despite their maturity for their age, show their age by the fat tears pooling at their eyelids. Junpei, fully awake, begins to cry too, slightly louder than his older siblings. The toddler buries himself into his daddy’s shoulder for comfort and protection. And when the other two see their dad, who’s back home early, they jump to him and do the exact same, hugging him and burrowing into his chest and neck.

You’d take a picture had your babies not been so scared.

When your hand rubs Seiji’s back, the little boy turns to you, eyes watery with fear. He takes two little steps on the couch and softly stumbles into your outstretched arms. He rests his bottom on your thigh, head burrowed into the crook of your neck, little hands balled up into fists with the sweater you were wearing between his itty bitty fingers.

“Come on, Seiji. Off Mama’s belly,” Satoru says, a slight tinge of worry to his voice as he sees him lay a little too heavily on your rounded middle.

The little boy gasps lightly and moves. “Sorry, Mama. Sorry babies.”

You chuckle and kiss his tiny forehead. Satoru presses his lips to the side of his son’s temple, his free hand reaching for his sides to tickle him, saying things about how cute he was.

Sanari takes the moment to detach from her daddy’s side and dives back into your ribs, albeit much more carefully than her older brother. She sniffles, still scared from the clash of thunder, but much calmer now that both her parents were home and awake. She burrows her head under your arm, almost behind your back, leaving her nose room to breathe in the cool air and the sweater that smells like both you and her papa.

It’s so cute, Satoru thinks. She’s the complete opposite of him. She’s the more quiet and reserved one of her siblings. And he still suspects that she still will after her younger twin siblings will be born. Satoru has a feeling, knows in his gut that they’ll be the most extroverted of his children, bouncing off the walls just like he does every day.

Though not so much anymore, heh. He’s still a childish person at heart, but his age is slowly getting to him, slowly beginning to chip away at his ability to be the flamboyant jujutsu sorcerer he used to be. He can feel the ache of time and age begin to take root in the bones of his body that had been so tempered.

In its place, however, took fatherhood, took a new and different kind of responsibility that he was more than excited for — days filled with new challenges, watching his kids grow as he smothers them with love.

His former students were more than capable of handling the load he used to. There’s plenty more of them nowadays than there is of him. With most of them all Special Grade sorcerers, too, he muses. Including you. But you don’t partake in missions like that, mostly being in the reserves of jujutsu society and using your reverse cursed energy like Shoko has.

Especially since becoming a mom.

Satoru sees the rainy day lulling you back to sleep. Being five-and-a-half months pregnant with twins, while also caring for three more while her husband was away would make any woman tired.

His offspring, however, were wide awake.

“Go upstairs and go to sleep,” Satoru says quietly. He sees the waves of fatigue hit every time you blink several times in one go. Your happy expression is getting harder to hold as you grow tired all over again, and Satoru thinks he’s going to have to carry you upstairs, fearing you falling.

But you, ever-stubborn, refuse. “I’m okaaay,” you reply, yawning into the words.

The white-haired man chuckles and shakes his head. “Go to bed,” he says, this time in a more commanding tone. “I’ll wake you up in a couple hours with food ready.”

And when he makes that face, the cutesy one that also means he’s more than happy to carry you to bed, you don’t argue. He does, however, help you up off the couch and watches from the bottom of the stairs to make sure you lose balance and tip backwards. Satoru blows you a kiss, to which you chomp down at, mock-devouring his kisses. He gasps, fake offended, and it gets the giggle out of you he’s hoping for before you go into the bedroom.

Satoru’s heart swells with adoration and love. It overflows even more as he turns back to his two sons and his daughter. God, he almost wants to cry. What did he do to deserve such happiness in his life? After everything he’s done, that’s happened to him, when did the universe decide a beautiful wife and sweet, adorable children were in the cards for him?

He doesn’t know. All he knows is that he’s going to hold his family close to his heart and protect them until his last breath.

a/n: this got published at a completely random time lmao, where did this even come from? this’ll flop for sure but everyone who reads pls enjoy anyway

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