#I had so many ideas you guys

[sadmages]

In my mind palace my tav and Astarion are playing the exact same game of 5D chess and they don't realize it yet

[dyketennant]

as someone who has obviously done extensive research on the topic i would like to present to you all...dyketennant's "which david tennant character are you" uquiz

[a-scary-lack-of-common-sense]

CAN'T BELIEVE SOME OF YOU PEOPLE KNOW MY GF HWINEBHABWNAJCAHOWEEATOWEUB AU AS "THE KEYSMASH AU", GOOD HEAVENS, SPARE ME SOME DIGNITY /J

[storytellering]

Torn apart. Inspired by Romeo and Juliet by Sergio Cupido

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[clockworkreapers]

A specter in a web of lies

[nyaa]

Statue of William S Clark, Sapporo. 北へ。/ Kita e. Photo Memories (1999)

William Smith Clark (July 31, 1826 – March 9, 1886) was an American professor of chemistry, botany, and zoology; a colonel during the American Civil War; and a leader in agricultural education. Raised and schooled in Easthampton, Massachusetts, Clark spent most of his adult life in Amherst, Massachusetts. He graduated from Amherst College in 1848 and obtained a doctorate in chemistry from Georgia Augusta University in Göttingen in 1852. He then served as professor of chemistry at Amherst College from 1852 to 1867.

Clark had a significant impact on the scientific and economic development of the island of Hokkaido, and made a lasting imprint on Japanese culture. Clark's visage overlooks Sapporo from several statues and his parting words to his Japanese students, "Boys, be ambitious!" (「少年よ大志を抱け Shōnen yo, taishi o idake」) have become a nationally known motto in Japan.

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[binglepringle]

Idek what this is but here you go 🤲

[woolying]

rainbow dash and j makes so much sense i think

gift for @hayleymarriedjakuraii !! hope u enjoy <3

[itslilacokay]

i mean i have sent it before but it was under "keep reading"

.........

also yes im dropping it without warning look at my rarepair, boy (gender neutral) /silly

THEY MAKE ME SICK!!!!!!!!!!!!!!!!! /vpos

[tox-tea]

Oh to Worship You (click for higher res)

[sluckythewizard]

YOU JUST HƎARD IT FROM [HIS MOUTH] FOR SURƎ!!!

[runawaycatwalker]

Part 31. Perfect Dichotomy (Midnight Rendezvous, Part A)

< First | < Previous | Next >

Description below the cut

Chat Noir attempts to sit on the rolling chair by Marinette’s computer, but Ladybug pulls his tail and points at the chaise lounge instead.

Ladybug: Over here.  We can sit on the chaise lounge together.

Chat Noir: Oh?  You want me to be closer?

Chat exaggeratedly sprawls out onto Ladybug’s lap, arching his back and flinging his arms above his head.  Ladybug looks down at him with a teasing grin.

Chat Noir: How about this close?

Ladybug: A cat lying on my lap, huh?  That sounds...

Ladybug scratches the top of Chat’s head as he grins with deep pleasure.

Ladybug: Purr-fect.

Chat turns over and hugs Ladybug’s shin while she gives Chat more head scritches and rubs his back.

Ladybug: So… wanna tell me what's got you so spooked about Mayura?

Chat Noir: She and Catwalker… talked.  About me.  She mentioned some things that not many people would know.

Flashback to “Glaciator”: Marinette and Chat Noir rest on the railing of the balcony and look at each other as the moon shines over the city.

Ladybug (voiceover): But Marinette knows?  I suppose you have visited her a fair bit.  It's not all that surprising that you've shared some personal things with her...

Chat looks up at Ladybug and holds his finger and thumb an inch apart.

Chat Noir: It’s a bit more complicated than that.  Though I suppose I am missing some key details...

Ladybug puts her fist on her chin in contemplation (Her other hand continues giving Chat scritches).

Ladybug: So Catwalker’s been hiding things from you too...?

Chat Noir: More like Mayura was being extra cryptic—or lying.  All I really know for sure is that she’s looking for me.

Ladybug: I still don't understand why she cares so much...

Chat holds his hands out in a self-satisfied ‘Oh well!’ gesture.  (Ladybug stops giving him scritches).

Chat Noir: I like getting on villains' nerves, what can I say? I'll just have to keep frustrating her in our little game of 'Cat and Mouse'.

Ladybug pulls out the pillow from under her leg and ‘bonks’ Chat Noir on the head with it as he tries to placate her with a large grin.

Ladybug: Why do you make it sound like you’ve been doing something really stupid?

Chat Noir: Just because my methods are ridiculous, it doesn’t mean they don’t work!

Ladybug: That is not reassuring.

Chat leans against the chaise lounge next to Ladybug, hands clasped.

Chat Noir: Don’t worry, LB.  I’ve got it handled. I think the bigger problem is what prompted you to bring me here.  Wanna tell me what's wrong?

Chat kneels a leg next to Ladybug and places one hand on her arm and the other on her back.

Ladybug: I'm not sure how to explain...

Chat Noir: Start anywhere.  I think I can keep up.

Ladybug closes her eyes and holds her head in her hands with an expression of longing.

Ladybug: It's... Catwalker.  He's too perfect.

Chat Noir: ...You lost me.

A series of flashbacks with events shown pretty much as they occurred:

Flashback to “Kuro Neko”: Catwalker peeks around the corner at Kuro Neko, while Ladybug leans forward, catching her breath.

Ladybug (voiceover): He notices things that I'm too blind to see.

Catwalker (flashback): If that was Chat Noir, don't you think he'd talk to you?

Flashback to Part 6: View of Catwalker and Ladybug from below as they travel across the sky.

Catwalker (flashback): I can’t rule that out, but… my gut says that’s not it.

Ladybug (voiceover): His instincts about akumas are much better than mine.

Flashback to “Kuro Neko”: Ladybug looks at Catwalker as they kneel on a rooftop.

Ladybug (voiceover): It's like he already knows the answer I need.

Catwalker (flashback): Cats sometimes eat grass, it helps them spit out their hairballs.

Flashback to Part 8: A close-up of Ladybug looking right next to a close-up of Catwalker looking left.

Catwalker (flashback): You still have a multitude of people who can help you.

Ladybug (voiceover): And he's just nudging me to think of it myself.

Flashback to Part 18: Ladybug, still falling, throws her yo-yo through one of the holes in the lower conical barrier.  In the cone above, Catwalker places his hand against its barrier.  Both barriers begin to disintegrate.

Ladybug (voiceover): He always finds the right moment to use his powers.

Catwalker (flashback): Cataclysm!

Flashback to Part 26: Ladybug uses her yo-yo to flee as Oni-Chan lunges towards her.  But behind Oni-Chan, Catwalker has backflipped into the room behind her, his finger touching the amok with his Cataclysm.

Ladybug (voiceover): But I just ruin the opportunities he gives me because I never expect him to live up to you.

Flashback to Part 15: Ladybug turns back to looking down at the city below.  Catwalker holds up a hand to offer a friendly suggestion.

Catwalker (flashback): If you’d like to talk about anything, I’d be happy to stay and listen.

Ladybug (voiceover): And even when I can't do anything, he still acts so unbelievably kind...

Flashback to “Kuro Neko”: Catwalker, illuminated by the moon, reaches his hand before him for Ladybug to hold.

Ladybug (voiceover): He's just so... perfect.

Catwalker (flashback): Now I want to take care of you.

Ladybug (voiceover): But then I learned the truth:

Another series of flashbacks, with events depicted slightly off from what actually happened and Catwalker showing more malice.

Flashback to Part 12: Catwalker almost pointedly looks towards Carapace, who looks away guiltily.

Ladybug (voiceover): He lies and bends the truth with ease.

Catwalker (flashback): We only assume Adrien wants to be found.

Flashback to Part 17: Catwalker looks down towards Ladybug, the hand in front of him leaning on one of the barriers between them.

Catwalker (flashback): If he was dead, no one would know.

Ladybug (voiceover): And his lies lead to people suffering.

Flashback to Part 19: Catwalker steps forward, his hands palm upward in front of him, trying to explain himself.

Ladybug (voiceover): He'll use his heroic duty as an excuse to hold back.

Catwalker (flashback): I can't be as lax as Chat Noir was.

Flashback to Part 14: Catwalker grabs the end of Rena’s flute and pulls up the phone screen. Embedded flashback bubble from Part 20: Alya looks away and rubs the back of her neck.

Alya (flashback): He stole my phone number from my flute.

Ladybug (voiceover): But he crosses boundaries he shouldn't with no excuse.

Flashback to “Kuro Neko”: Catwalker pauses as he leaves Ladybug to finish everything on her own.

Ladybug (voiceover): He pretends to do what I want.

Catwalker (flashback): I won't make another move.

Flashback to Part 28: Astrowalker, wrapped tightly in yo-yo string (even his wings have been folded in on themselves and bound), hangs upside-down as Cosmobug points angrily at his face.

Catwalker (flashback): I followed you in case I needed to stay in your way.

Ladybug (voiceover): But he goes rogue once I'm not watching.

Flashback to Part 8: Catwalker lays on his side next to Emilie, reaching away from her.  Embedded flashback bubble from Part 20: Marinette clenches her fists in front of her, looking haunted.

Ladybug (voiceover): I can only guess at what other awful things he's hidden beneath my nose.

Marinette (flashback): What if he used his powers on his mom?

Flashback to Part 4: Catwalker grins at Ladybug with perfect posture, his hands on his lap.

Ladybug (voiceover): His perfection is an illusion.

Catwalker (flashback): I considered what I needed in order to be your 'ideal' partner.

Ladybug (voiceover): And I don't know what prices were paid to uphold his illusion.

Flashbacks end. Chat Noir kneels next to Ladybug on the chaise lounge as they embrace.

Chat Noir: I'm sorry, m'Lady. It's unfair that you've had to go through all of this.  If Catwalker is so wrong... would it be better if I was your Chat Noir again?

Ladybug: I wish I could let you. But I can't let Mayura target you.  Even if you were careful, she'd probably go after your loved ones in retaliation.  I won't let that happen.

Chat Noir: Alright.  Then what's the best way for me to support you?

Ladybug: Tell me how to fix everything?  *sob* I'm sorry, I don't think there's anything you can do.

Chat Noir: You're underestimating me.  And I think that you're underestimating him.  You're right that he's not perfect.  But I do think he's trying to be good.

Ladybug: I wish I had your ability to believe in people.  But Catwalker is too good of a liar.  I can't really know if he cares about anyone.  But I have to keep him as my partner.  I just have no idea how.

Chat Noir stands and rubs his chin in thought as Ladybug looks on.

Chat Noir: What if... What if I showed you the truth about Catwalker?

Ladybug: The... 'truth'?  You don't mean his identity, do you?

Chat Noir: No, of course not.  But this could fundamentally change how you see him—you wouldn't even need his name to trust him again.

Chat smiles down and touches his chest with both hands.

Ladybug: I can't see how that's remotely possible.

Chat Noir: You trust me even though you don't know who I am, don’t you?

Ladybug: Because I know you.

Chat Noir: Because you got to know me.  And if you knew the truth, you could know him too.

Chat scratches his head sheepishly and holds up a finger.  Ladybug turns away with hands raised, exasperated.

Chat Noir: There's just one itty-bitty catch.

Ladybug: Of course there's a catch...

Chat looks away, rubbing his arm.

Chat Noir: If I share this with you...?  My identity would make it dangerously easy to figure out who he is.  And a part of me was kinda hoping that I could show you who I am tonight.

Ladybug’s eyes widen in astonishment.

Ladybug: You wanted to share identities?

Chat Noir: Just mine.  I know his identity, so I shouldn't risk learning yours too anytime soon.

Chat leans down to touch Ladybug’s shoulder and holds up his fist encouragingly.

Chat Noir: But if you want to be absolutely certain of Catwalker's loyalties?  To understand the person who is hiding behind the mask?  I'd need to keep my identity from you a little while longer.

Chat Noir raises both hands to offer two options.  Above his right hand is the image of Catwalker.  Above his left is the image of Adrien Agreste.

Chat Noir: But it’s your choice, Ladybug: Learn the underlying truth about your new partner?  Or learn the civilian identity of your old partner?

Below is the same image as above, only without text: