#I got the brainworms abt him

[boatganronpa]

I'm still thinking about how Wyll doesn't see himself as a victim of abuse, so, let's dig into why that is.

First of all - he had a choice. Of course, there was no way with the way he was raised that he would choose anything else, but he still accepted the deal, so, to him, everything that happened since is a consequence of that choice.

Second, he gained something from it; he got his powers that help him save and help so many people. Surely something he uses for so much good, can't be born out of something bad like abuse.

Third, Mizora... Mizora approached him as an ally first. Cazador was an evil man, from beginning to end. Mizora though? She's much more devious than that - she simply made him aware of a dire situation, and offered him the power he needs to solve the problem. (iirc, in EA she didn't even reveal her devil form until the deal was made)

And after he was cast out? When he was forced out of the city he spent his entire 17 years of life in, by his father whom he loves the most, Mizora was there. He knew it was because of her - but it wasn't her fault, because he had a choice in it - and sure, a devil's not a company he'd normally keep, but she was still there when he was trying to deal with a huge change in his life. Mizora was there for him, when his dad abandoned him.

Once again, in EA, it was confirmed that Wyll and Mizora were intimate at some point. Its not unreasonable to think that when everything was changing, he would cling to the only stable thing in his life: Mizora. He found comfort in his powers, and by extension, in her. Also considering that Wyll is a romantic at heart, had his first kiss at 15 and was exiled at 17, It is possible that Mizora was the first person he had sex with, been that vulnerable with, and he would struggle to see or label her as an abuser.

Next, the distance. Thanks to the tadpole, Astarion was able to run away from Cazador - to get so far away, where he couldn't reach him. He was able to live away from his influence, and it was easier for him to recognize the abuse for what it was. Which is not the case for Wyll. Throughout the game, he [i]has a sending stone for an eye that directly connects her mind to his[/i]. No matter where he goes, Mizora's influence follows him. - At some point she even joins your camp and stays right next to Wyll, and she will not leave. No matter how many times you attack her, she disappears for a few seconds, and then she's right back at his side. He has no escape.

and finally "Other people are suffering more" - his scars aren't as apparent or deep as Astarion's, nor did his abuse last as long, so, it can't be that bad, can it?

TW: CSA-related discussion below

Quite the change of topic, I know, but bear with me for a moment.

When they think of child abuse, most people think about some creep kidnapping a child off a playground and being heinous. When this happens, it is obvious to everyone that it is abuse and gross and yada yada yada. That is closer to what happened to Astarion. He was caught at a weak moment, taken advantage of, and once he broke free, he was free of his abuser's influence.

That is not how csa occurs most often though. Often times, the abuser is someone the victim already knows and trusts, usually a family member or a family friend - someone who has influence on the kid's life, someone who has power over the kid. Due to the abuser already being someone the kid trusts, the kid can convince themself that they're misremembering things, they're making it up, or exaggerating it; because surely someone they trust wouldn't do something like that. And even if the physical aspects of the abuse stops, the abuser will try to cement themself in the kid's life and wait for the next opportunity to repeat. Which is closer to what happens to Wyll.

Unfortunately, in these cases, it is harder to identify abuse as what it is. - Which is exactly why Wyll struggles with it.

[hinamie]

realizing how much i like drawing him a million years too late :<

[tianhai03]

quick 4dante doodle before bed

[seventh-district]

was about to lowkey pat myself on the back for having the most liked playlist for Big Red (YuuriVoice) on Spotify but. after further searching i believe it may be the only Big Red (YuuriVoice) playlist on Spotify 😭

[waywardsalt]

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!

[southern--downpour]

doing my marble hornets rewatch at the same time im going through emh for the first time is great for the brainrot but HORRENDOUS for my anxiety and paranoia. im fine.

[thefoooconspiration]

I'M SORRY BUT OGGE SHARING A WHOLE BUNCH OF THROWBACK THE FOOO CONSPIRACY STUFF ON HIS INSTAGRAM STORIES HELLO????? AJO GREAT IDEA WHY DON'T I JUST BREAK DOWN AND CRY FOR THE REST OF THE NIGHT THANKS

[ajdrawshq]

i know every time i try to talk abt or liveblog p5 i Cannot physically shut up abt Akechi but contrary to what that may make u believe. he is not actually my favorite. hes in 2nd place on a good day

[qqueenofhades]

I really really REALLY need to see more people makimg the connection between trump and his russian handlers tbh.......like i know we've somehow gone through the looking glass of putin apologia but that piece abt the NYT you just posted, the bots, the interference: in the bag for trump? Yes. But i dont believe its due to his or even republican power or popularity or forcefulness.......this is a man with so much debt and kompromat thats only getting worse!! Not to sound kwazy BUT WE ARE BEING FULLY INFLITRATED and at the risk of conspiracizing i think the russians are ALSO behind the Times's demise along with so many other information centers etc. Like i KNOW these leftists love him but like. Wouldnt they care a LITTLE abt being manipulated like this???

Trump is 100% an active, willing, and eager Russian agent. That's not even paranoid conspiracy theory, that's just the only reasonable interpretation of the facts:

NOT TO MENTION that in the next two years after the Helsinki conference where Trump kowtowed to Putin in every way, the CIA admitted to losing huge and unusually high numbers of classified informants around the world (not CIA agents, but people secretly working for the American government in often-hostile countries):

Once again, this all happened when Trump was in office, when he was actively handing over CIA intel to the Kremlin against the wishes of the entire national security establishment, and which other experts have suggested was directly as a result of Trump handing over the identities of American informants to Russia, including those stationed in Russia itself:

Now, I could go on, but you get the point. Not to mention that Trump just lost a major UK-based lawsuit against Christopher Steele, the former MI6 agent who was the first to provide documents linking Trump to Russia in the controversial "Steele dossier":

And now: Trump is deeply in hock for hundreds of millions in legal fees and punitive judgments that are only increasing by the day, he somehow just came up with $90 million to appeal the judgment against E. Jean Carroll (nobody knows where he got this money either), and Russian state TV spends all their time openly salivating for Trump's return to the presidency (so he can hand over Ukraine and the rest of NATO and, as he literally said, "let Russia do whatever the hell they want.") I know we're largely numb to all the awful treasonous shit that Trump does, but like. This isn't a conspiracy theory, this is just what's going on in plain sight, and while the Online Leftists have recently become so stupid that I honestly can't tell if it's just terminal brainworms or active Russian psyops, it's strongly indicated that it is in fact a mix of both:

So, like. Just some food for thought.

[officialdaydreamer00]

Pomegranate.

Pomegranate chapstick. Pomegranate kisses, mate.

i'll assume this is for my guy idia ^-^ not that i told u abt it or anything

reader isn't yuu, gender neutral reader, shorter than my usual brainworms bc i need sleep

so you got yourself a stick of stained lip gloss, pomegranate in both shade and scent.

you were eager to try it out on idia, so you went on your way to ignihyde, fully intended to tease him.

idia definitely smelled the faint scent of pomegranate, but he decided to ignore in favour of his current campaign. you picked that moment to surprise hug him from behind, scaring him out of his wits.

after a while of apologising for having scared him, you asked if he noticed something different about you.

he had an inkling about that pomegranate scent he noticed before you came, but he hesitated because he didn't know for sure.

he shook his head in defeat and asked you what it was.

you grinned mischievously, and before he knew it, that familiar scent invaded his system yet again as you held him still by his shoulders.

idia felt his mind short circuited. he wondered if you knew the myth about pomegranates, how significant it was to the people from the island of woes.

he looked at you, seeing your soft smile, lip gloss smeared from the sudden kiss you initiated. so you did know, but you still did that.

and idia felt his heart raced, filling his ears with beat after beat, and your whispers sweet as honey were the only thing he could hear at that moment.

"c-can... can we do... t-that again...?" you took for time drinking in his shy reddened face. of course, you obliged his request.

and with your lips still stained a pomegranate red, you closed the distance once more, swearing an oath of eternal love for him, and him only.

taglist🏷️ @azulashengrottospiano @aqua-beam @dove-da-birb @siren-serenity @twistwonderlanddevotee @axvwriter @cookiesandbiscuits @minimallyminnie @cave-of-jade @xen-blank @cheezy-moon @edith-is-apparently-a-cat

reblogs are very appreciated!!

[double--blind]

(SPOILERS) Ashley, self-esteem, and starvation

So, I adore Ashley. She's this intensely toxic, vicious, cruel, manipulative girl, and her psychology gives me hella brainworms. Andrew's not the only one whose head I wanna crack open and root around lol. She's thrown away the world just to keep her brother by her side, and she'll continue to do worse and worse for the same reason. She's pretty awful! I've been thinking about why, though. How did things get so bad? How did her soul get so dark?

We don't know everything (I'm waiting for those new eps patiently aND CLAWING AT THE WALLS AND FROTHING AT THE MOUTH but whatevs y'know whatevs I'm normal. I'm fine), yet what information we have been given is bumping around my brain like a DVD screensaver on hyperdrive

It's clear from the start that the roots of Ashley's issues lie in her horrible, neglectful upbringing, but it's hinted that even those outside of her family felt the same abt her. I'm lowkey even betting we'll learn later on that she was ostracized by her peers somehow. However, what's most disconcerting, I believe, is how little she was when the results of this alienation are first made apparent to us (bc kids aren't dumb; they notice this stuff oftentimes instinctively, impossibly young, before they even know what it means to be hated), and how devastating the consequences were.

(There's something decidedly childish abt her dream sequence in the "questionable" route—filled with crayon scribbles and rabbit plushies, the metaphors simplistic yet profound—which really hammers in how these sentiments are things that have made a home in her since childhood. Formative subconscious truths.)

Growing up unloved and noticeably unwanted by virtually everyone around her likely left her with a gaping hole in her heart that she'd spend the rest of her life trying to fill. She'd make friends, but she'd always worry that they'd leave her, that they'd betray her, nothing tangible or weighted enough in their connection to trust in its persistence. Why should she expect otherwise? Not even being bound by familial ties ensures affection if her parents are any indication.

Every lesson she'd ever learned had always taught her this: you are easy to abandon. You cannot love and be loved by virtue of your own worth.

You have to rip their affection from their clenched hands if you want it so bad.

This understanding carries with it an undercurrent of degradation, instilling within Ashley a constant, biting inferiority complex which will never fail to be a source of insecurity. She will always be put last. She was difficult to raise, so her parents gave up on raising her. She was difficult to get along with, so her friends gave up on getting along with her.

It's an odd cycle. She's difficult bc she needs to be to get attention, but bc she's difficult, she can't keep it. Not without having whatever fondness she's managed to cultivate within someone fray at the seams, volatile and prone to collapse, bleeding toxicity.

Hence, her relationship w/Andrew.

By being the only reliable constant in her life, caring for her and keeping her company, Andrew essentially became her only source of happiness, and she's since learned not to bother with anyone else. Still, it's dangerous to keep all your eggs in one basket; since he is all she has, she must protect her place in his life with even greater ferocity, which becomes a torturous ordeal when coupled with her damaged self-esteem.

It's apparent in her quarrels with Andrew that she needs constant reassurance that she is wanted in some capacity or perceived in some positive light (getting pouty when Andrew says he's "stuck with her", needing to hear that she's pretty, needing him to "choose her", wanting him to say he loves her back, etc. etc.), yet her insecurity remains, bc unlike her, he's got options. She doesn't think he needs her like she needs him. He's got a gf, their parents love him, her friends love him. Why would he settle for her? What if someone better comes along? Someone she can't scare away?

Wouldn't he just leave her like everyone else?

Even before getting locked in the coffin of their apartment, starvation's been a constant theme in Ashley's life. She's constantly aching for love, and Andrew's the only one who can feed her. When you're forced to fight for a bite to eat or suffer every moment you hunger, you become ravenous—covetous—when faced with food; you don't want the hunger to return, so you lock down the source of your sustenance, wary of its retreat. Ashley's in a permanent state of intense insecurity, always anxious that the love that gives her life will leave her.

Andrew knows Ashley better than anyone else in the world, and it's obvs to everyone and him how desperate Ashley is for him, but I don’t think Andrew has truly, consciously processed the depth of that desperation. It's there buried in his head somewhere no doubt, but rn, he doesn't operate w/the direct awareness that he is everything. He is brother, mother, friend, and soulmate. He is life and love, air and water, everything that is good in the world—everything that there is to justify existence.

It's heartbreaking, in a way, that it's so difficult for Andrew to convince her of his loyalty. This goes further than his tendency to hide his true feelings, bc when push comes to shove, he's at her beck and call. Objectively, he's hers. She doesn't see that bc all she sees is all the ways she can lose him.

So, she gets bratty. She gets pushy, possessive, territorial. Manipulative. Gets under his skin, guilts him to exhaustion, bc she can't see him staying any other way, bc he doesn't get it, bc it works. He bends to her will, for her sake. For now. It's always "for now", bc he'll start slipping away again, and then it'll get worse. She does worse.

Becomes worse.

[xiao-come-home]

the brainworms are back! got some absolutely delightful hair sticks at fantasy fair and thinking abt using the one with little cyan flowers on it to put boothill's hair in a bun. Y'know, with one of those curly strands framing one side of his face. Ahh, I am so exceedingly normal about him. - 💫

BARKING RN

Boothill examines the hair sticks carefully in his hands, gliding his metal fingers up the wooden stick - his eyes flicker between multiple glittering ornaments that were attached, humming gently when you brush his hair behind him.

He raises his brow when the ornaments make a quiet sound as they hit against others, "so, what do ya need these for, sweet pea?" Boothill questions, relishing in your delicate touches on his scalp, his eyes almost rolling back in his skull when you start a soft massage.

Boothill hisses in pleasure when your fingers rub soft circles on his temples "mmmh, keep goin' sweetheart, don't stop," but you only send him a dirty look and go back to using a brush on his hair.

"I think they were pretty, I got them today. What do you think? Do you like them?" You try not to sound too excited just yet, but anticipating his answer. His hands fiddle with the sticks again, "As long as you like 'em, I like 'em too. Not sure how are ya supposed to use this, though."

Feeling a rising opportunity (or, a better chance to act on your plan you've had in the first place), you grab a hair tie and glance back and forth between the hair stick with cyan flowers and his hair suspiciously, "I can show you, if you'd like?"

"Sure, go ahead," he replies almost immediately, awaiting the results; you put his hair in a bun, that created a beautiful mixture of snowy hair with black strands - but left only one, slightly curly one, to frame his face. Boothill hands you the hair stick with cyan flowers and you put it in his hair.

You take a picture of his hair from behind and show him, "done! How is it?" although confident with your job, your voice reveals a tingle of nervousness, to which Boothill responds with pulling you by your waist and sitting you on his lap.

"Wait, how did you know I wanted to use exactly that one?" You scratch your neck awkwardly, feeling him grab your face and getting you closer, to plant a soft kiss on your cheek.

"Sugarcube, I saw ya lookin' at this one all day," Boothill smirks, "ya won't fool me that easily; the hairstyle is lookin' real good, I like it. Good job, little one."

The cyborg finished his praise with giving your nose a playful squeeze.

[allthegothihopgirls]

thoughts on jasons design in boy wonder being covered in scars as a way of saying he cannot remove himself from the violence that created him. he is solely red hood, there is no more jason todd— he is *just* red hood and red hood is made from violence and cannot be separated from that.

also white eyes as something just… a little off about him. not entirely human. a little zombie-esque.

also my mother was forced to listen to me yap and she mentioned that in that one panel of boy wonder he looks like frankenstein to which i got this stupid grin on my face and said “oh, you don’t even want me to START with that one” because you put those brainworms in my head.

—baptism anon

there was SO much in the boy wonder #2 that screamed of jason not being able to let his past self go. although there's definitely much psychoanalysis to be had about jason and his perception of himself, i'm more fascinated by the fact that this is how DAMIAN sees jason.

jason not taking his helmet off until right at the end of damian's story, making it seem as though he looks at him and only sees the red hood, not a brother.

the one notable thing in jason's apartment being the closed door, and there being a highlight on how that room holds every possession he has. the seperation between red hood and robin, and the acknowledgement that jason's managed to seemingly build nothing for himself post-mortem, and is still bound by who he used to be.

the white eyes definitely make him more zombie-like. i also see them as just completely devoid. like, you look at them and see nothing, just one more thing taken from him that stripped him of his humanity.

i definitely agree with jason not being able to separate from the violence his death was rooted in, and the events of utrh. the one thing i really enjoy about juni ba's design when it comes to jason is how as himself, he doesn't appear recklessly violent, or overly macho and angry, he's just hurt. i think that's why he leans into red hood so much, because that's the front that lets him appear that way. but when you strip him of the helmet, he's very much just vulnerable and there's no intimidation factor there at all. it's definitely the scars that play into that whole idea, but also just his posture, and overall figure.

he's not as strong and buffed as he's usually drawn, instead he looks very much like a prey animal. i think that just goes to further the distinction between the usual aggression he's portrayed to have with the whole intimidation and macho factor. and then this new perspective, where his anger doesn't seem to be amounting to much, just protecting his hurt.

i think damian also views the hood as a figurative mask as well as a legitimate one, he's aware of how vulnerable jason's been since the lazarus pit, and pinpoints the differences between him as a man and a concept. he definitely knows that the hood isn't just a protection of his own identity, it's an image. one that tip-toes the line between an extension of jason, and being jason.

don't even get me started with how this is all playing into my frankentodd brainrot.... so many thoughts and so many asks to answer abt him..

[general-cyno]

wano has become a favorite arc of mine for different reasons and it also gave me a lot of zolu brainworms to mull over, so here I go (again). spoilers for some of the big reveals in the arc so beware

despite getting separated shortly after reuniting, yasuie's execution once again highlighted how similarly minded zoro and luffy are - like zoro, luffy gets pissed at the sight of ppl laughing at yasuie after he's killed, though they both learn it's due to the effects of the smile fruits. and despite the fact that doing so could put their plan in jeopardy (hence why sanji yells at zoro to cool his head), luffy actively cheers zoro on (from the distance) when he goes after orochi in retaliation

a nice tiny moment is also back when they're together. luffy was worried since big mom appeared in wano yet jimbei (who had stayed in whole cake island to fend her off along his former crew so the straw hats could escape) hadn't arrived. albeit zoro wasn't even part of the WCI arc events, he's quick to reassure luffy:

although I'm not certain whether law was referring to them specifically or not, there's a part during the discussion of the raid where he says there's two idiots who, no matter how much planning goes into it, are likely to charge straight in regardless. then, of course, this happens:

(so yeah. I think they're probably the idiots)

and funnily enough, zoro doesn't get lost for once. not only does he find luffy, any intention zoro had of (ironically, considering he was causing a ruckus himself) chastising luffy for messing up the infiltration goes out the window when he tells zoro about the spilled oshiruko

this is a direct callback to their interactions with tama when they first reunited in wano. it's cute how attached they got to her and yeah, they're both stupidly reckless at times but this is one occasion in which it isn't just for the sake of chaotic shenanigans - it's them getting angry at how these ppl are disrespecting what tama and the oshiruko stand for. to those present, it seems foolish/weird since they don't understand the context behind it, but it's the kind of understanding that goes on between luffy and zoro precisely bc of the moments they share together.

there's some good panels of both worrying about each other after getting hurt and zoro carrying an injured luffy to safety. they're soooo.

this was pretty good too:

their plan to jump to the roof to face kaido ultimately fails here but it's still cute that zoro's so willing now to just cling to and let luffy carry him around like this (arlong park zoro has come a long way lol). it also says a lot abt luffy's trust in both the crew and zoro that he was fine letting them in charge below while he and zoro went to face kaido together.

the x drake ordeal was kind of funny but it served to show exactly why zoro complements luffy so well. luffy tends to be very trusting toward others, even those who might've started out as enemies which usually works out fine but still. zoro's quick to remind luffy that the guy's a traitor and unreliable, and (along with some of the other straw hats) refuses to blindly accept the impromptu alliance. it's interesting though, that zoro doesn't entirely disregard luffy's opinion nor x drake's help per se - he's just understandably wary of drake's true intentions (pointing out that he's still hiding where he stands in the whole conflict) and eventually agrees to team up. love the balance of it ngl.

that said, the actual fight on the roof has to be one of my favorite parts! it's probably one of the most obvious occasions in which zoro's role as luffy's first mate/right hand man and how much luffy relies on him too shines through. there's zoro slashing big mom and kaido's fire attacks so they wouldn't hurt luffy, taking the lead in attempting to stave off kaido and big mom's joint attack (and succeeding for a bit) despite the fact that he's got three powerful captains beside him, and several panels of him protecting luffy. this one was particularly crazy

this is pretty much zoro's equivalent to "if you wanna kill him you'll have to kill ME first". insane. I love them so much. zoro may be the one to have more instances in which he gets to demonstrate his loyalty and protectiveness towards luffy rather than the opposite - but knowing luffy's the one who usually risks himself for others in grandiose ways, I find it very compelling that zoro gets to be the one to protect him in these important moments, that luffy trusts him to do it and even thanks him for it here in this arc. to me, there's a reason why, out of the whole crew, zoro was the only one to take part in this particular confrontation. mutual trust/understanding/respect etc are at the core of their relationship. it's a two way thing.

fast forward to zoro vs king and OF COURSE this mf thought of luffy when facing the guy.

I posted about this the other day, but something similar happened during zoro's duel against mihawk. when the latter asks what drives zoro to fight despite being so weak, it's this exact part of his meeting with luffy at the marine base that he recalls. zoro has certainly driven himself to get stronger for the crew's sake and for his dream, but it's clear that luffy (and his own promise to kuina) is one of zoro's biggest motivators. he's also the one person zoro has cast aside that very dream of his for so... (thriller bark zoro you live in my heart always).

when zoro wins against king, too, it's his promise to never lose that he recalls. the promise he made to luffy. regardless of how you interpret their relationship, it's obvious luffy means a lot to zoro and moments like these don't let the readers forget it.

that said, this was perhaps the most insane part to me:

just when you think zolu can't get more trope-y than it already is, the manga says: wait a fucking second. canon sun/moon, heaven/hell, god/demon zolu.

I was already spoiled about these bits, though they were exciting to read through anyway. I think it's very curious that both zoro's ancestry and his conqueror's haki reveal happened during the arc where the true nature of luffy's devil fruit comes to light and his awakening into joyboy/nika takes place. can't say for sure what oda's planning for them in the future, but wano is probably the biggest glimpse so far as to the kind of figures luffy and zoro are bound to become (or are already becoming) in one piece's universe.

joyboy luffy being considered a hero to wano only rivaled by shimotsuki ryuma is also so... oof, knowing that ryuma (also called god of the blade) is zoro's ancestor, whose zombie he faced back in thriller bark and whose sword shusui he wielded for a while after that, and that he resembles physically too (both being one-eyed samurai/swordsmen). there's a lot more parallels to be drawn between them, and zoro's conqueror's haki adds a whole new layer to their relationship, but a detail that's fascinating to me is that both zoro's presence and joyboy's awakening in wano are hailed as the work of fate at different points, by kawamatsu and zunesha respectively.

overall there seems to be a thread of "fate" that's tying the story together from the void century to roger's era to the present but choice is also an important aspect imo. zoro and luffy are an example, bc in spite of how their stories have turned out to be somewhat intertwined... it was luffy's choice to seek out the demon pirate hunter and rope him into his crew. it was zoro's choice to join him, to make a promise that'd tie his own dream to luffy's. there's a potential that neither of them could've reached if they hadn't come together to sail in that dinghy and formed an entire crew (a family!) that have all of them journeying towards their dreams, always relying on and striving to become better for one another. all of these little choices for luffy and zoro led them up to this point and onwards, which tbh is just really fucking good.

[waywardsalt]

I am humbly requesting your thoughts on Linebeck

Oh I have a LOT of thoughts on Linebeck but I'll try to just get some major points down bc it would take me ages to spill all of my thoughts on him.

(plus i do have two general headcanon posts [ 1 2 ] a post abt headcanons about him being autistic [ x ] and a weird post about his coat [ x ] as well as pretty much anything in my linebeck tag with my excessive tagging of some reblogs and my original posts + whatever writing or fanfiction i have done/will do with him included so. bonus reading for headcanon-y stuff or a look at how i portray him)

added a read more bc this is long bc of course it is :) i hope it's in the right spot :)))

Linebeck is... a good fucking character. He's probably my favorite character period, and has been pretty much soon after I got Phantom Hourglass. He feels unique compared to other Zelda characters as a companion character who offers less direct support and is more just of a constant character who changes throughout the course of the story and is... well, a companion, not really a helper. He falls more in line with the types of loz characters who are more rude or antagonistic towards Link, but develops out of that, and also technically counts not only as a boss but a final boss, putting him as the only non-villain character to be a final boss, so uh good for him.

Just within the context of the games he's got a great design and a great theme (which is only heard about two times before the final boss but has a recognizable enough motif for it to be noticed in the final boss theme) and an interesting role in his game and just has one of the best character arcs and one of the most interesting places within the story as a whole. Linebeck's arc is very... natural in how you see his attitude change within both story beats and in his overworld dialogue, but at the same time seems like it stutters when he deals with Ciela's criticism and upholding his own reputation, I think his character arc is very fascinating if you consider the entire context of his character and what he interacts with, since a majority of the characters he directly interacts with seem to deny the idea that he's any more than a useless coward.

The fact that pretty much the rest of the major cast in Phantom Hourglass has basically no faith or respect for Linebeck is so fucking fascinating to me. This guy has to be doing so fucking bad over the course of the game. In relation to Ciela specifically, an idea I've been thinking of and trying to work into some of my Phantom Hourglass oneshots is that having to be around and interact with her so frequently wears Linebeck down pretty badly as the game goes on.

This guy is undeniably mentally ill and that's also something I have a specific fic planned out for but that's probably not going to see the light of day for a while. It's basically five chapters of Oshus being Linebeck's therapist or something each time Link goes to the Temple of the Ocean King.

I particularly enjoy how the game (at least twice) plays with your expecting him to be at the ship all of the time by having him be in a different spot on an island. His dialogue for islands and his overseas dialogue are fun, it gives off a sense that he much prefers exploring and is a bit less guarded overseas. His dialogue during the ghost ship fight is ESPECIALLY fantastic, the specific line of 'I'm fighting right there with you this time, kid!' not only offers some very interesting insight to his attitude towards link and his own role, but kind of also stings when considering the events of the final boss and is also a quote I took a screenshot of while reading the text dump for this game.

Phantom Hourglass is by no means an exceptional game and while the story is fine it's nothing fantastic and even most of the characters are... ok, but Linebeck is without a doubt the best part of this game and I really feel like he's the main reason why people still give this game a chance and despite everything he's easily one of the best characters in the entire series even if his game isn't one of the better ones. He honest to god steals every scene he's in, even if he barely has any dialogue- he's animated with such distinct personality and I love it. He doesn't speak at all until the end of the spirit of courage scene and yet is so fucking distracting with his fruity fucking posing and movements in reaction to what's going on.

I'm also personally a fan of the near-complete lack of backstory we get for him. The most we get is some vague implications but everyone can read the given information in different ways so it's really not much. Phantom Hourglass's general lack of lore is great for me since I can just fill in the blanks however I want. I kinda honestly don't want Nintendo to revisit this game because I don't really want them to add anything new. Just port it or something don't change it.

That's about it for surface-level specific-to-the-games Linebeck talk... on to everything else.

Linebeck is literally the reason why I found out I was autistic. I wrote this loser and realized I was accidentally making him kinda autistic and THEN realized I was also projecting and then decided to look into that. He's fun to write and he always ends up a little out of character and at this point I barely give a damn because this bastard is masking or keeping up a facade or whatever the fuck in most of his scenes anyways. Linebeck's arc feels to me more about him being most honest and open to and about his own emotions and actual personality so honestly writing him a bit out of character doesn't bother me too much.

He's my favorite little guy, and when I plan out Zelda aus he always gets a major role to the point where a lot of the twists to my aus all end up being similar. For a few of them I've had to forcibly alter his role so that I can't include him constantly. He's very interesting for different kinds of aus because he's an interesting character for different concepts and situations. His relationships with characters in Phantom Hourglass lend well to au stuff; specifically with Link, in one au they're adoptive brothers, in one they're something akin to rivals, in one their mutual fixation on each other propels the plot. I've even expanded on interactions and possible dynamics with Bellum in aus (Bellum is honestly fun since he's kind of a blank slate in canon but there's just enough there to build off of but keep it relatively the same original character).

I have a few ocs that used to be au versions of Linebeck that ended up becoming their own thing because the aus in question worked better as original stories.

With Phantom Hourglass-centric ideas, it's a lot of fun to poke around and explore stuff with Linebeck's past, his mental state, the kinds of things he enjoys or hates, pretty much anything the game doesn't elaborate on. With all of that blank space and the fact that I've known about him for a few years now, I've gotten down a whole backstory and deeper details on Linebeck, most of which I'm probably going to end up expressing through writing.

Just a few of the baseline ones are just along the lines of him being gay, autistic, touch-averse, intersex, a cat person, someone who highly values his freedom, half Gerudo, interested in music- some of it can be supported with canon (he really comes off to me like a closeted gay man, and he does have some generally autistic vibes) and some of it is really just for the hell of it (in particular the idea that he’s of Gerudo descent has no backing but is so interesting for story stuff and is generally fun) (I also enjoy ignoring parts of canon. I have not played Spirit Tracks and I do not want to play it so if I don't look at it I can ignore it).

I have a lot of fun fleshing him out in different aus or in scenarios before or after Phantom Hourglass, since there's just enough there to allow for further reasonable exploration, and his being just some normal guy actually helps with that since it forces you to keep things relatively normal and comparable to kinds of things you can experience in your day-to-day. I've more or less figured out a (mostly) full backstory for him, I've decided on a full physical description of how he looks so that I have a baseline if I want to change stuff in an au or just so that I know how I figure he looks as well as have an idea of how some physical traits can lend themselves to other aspects of how I write and portray him (for example, I figure he has long fingers, which goes right with the idea that he enjoys music and is pretty good on a piano, and also that he's good with tasks that might require a bit more finger dexterity as well as generally helping a bit with pick-pocketing or thievery)

I figure that, along with the general idea I have of him valuing his freedom, he's not particularly interested in following rules or laws and hates seeing too many of them put in place, and especially values his own identity even if he doesn't express it as much as he'd like. He likes being able to go wherever he'd like and he likes being able to do what he wants and express himself how he wants and that stuff gets bogged down when he plays into that image of someone he's not that he hides behind and doubles down on in a good bit of Phantom Hourglass.

Linebeck is fun in general he's a good character he's fun for aus he's got enough groundwork to spend ages pouring into possible avenues for his personality and background and whatever potential he could have in different aus or roles. He's surprisingly fun and interesting to use as an antagonist since you can't fall back on easy villain-writing ideas and have to get a bit more creative with it.

I think I struggle to write him in-character but it's backed up a bit by my specific interpretation of him suggesting that a lot of what you see from him is forced or fake. I still think he's a greedy piece of shit, though. He sucks and it's on purpose. I lean into him being rude and cold and a bit quieter overall.

He just... for some fucking reason when I decided to play this game Linebeck struck a chord with me whether or not I realized it at the time so he's just very interesting and entertaining and important to me and it really doesn't help that either Phantom Hourglass as a whole or just Linebeck is my special interest.

Linebeck stands out in comparison to other Zelda characters and has a very unique and fascinating role and arc and is just so fucking good.

He feels like he could be used as an example of how good character writing can save a piece of art (not that ph sucks but like. god damn he elevates it) just because his inclusion makes the story more interesting as you have this selfish asshole tagging along next to your little goody-two-shoes protagonist and fairy friend, and his arc, though not entirely the focus of the story, is another reason to keep progressing. His dialogue is funny and has some really good in-character tips every so often, he adds character to traversal and adds stakes as a character to care about and protect and is just fucking fantastic.

He's a character that can work as comedic relief but at the same time can be taken very seriously and I really enjoy that while he seems to be in the role of comedic relief a lot it never seems much like it's diegetically intentional and it still allows room for him to be taken completely seriously. Him knocking over stone Tetra is funny but there's so much character in that entire string of animations that while it's a fun background gag it also provides even more insight into Linebeck as a character.

Essentially he's my favorite character ever he was probably my gay awakening and I want to steal his gender and I think about him more than I think about my ocs.

[satuwn]

i have decided to randomly infodump about my lab rats as a way to motivate myself to: 1) revamp existing characters old refs and 2) DRAW THE GD REFERENCES OF THE REST OF THE BITCHES (this will probably take me ages still. alas), more rambly details abt the story and characters under the cut

the main characters: Dr. Kitty Whisker and her twin sibling Happy(tbd), Dr. Brainworms, Gummi (comic relief character mostly), Prof. Fuzzybottom(tbd) and Prof. Snakebite (previously known as prof. pinky, i need to redesign him more heavily)

the side characters (these guys may have side stories of their own but theyre mostly just an excuse for me to design more weird lab rats): Prof. Smartypants - ref to be finished, ferret with a brain of a human, she is my 'authors blatant self insert' into my own story lol; Fishsticks (drawn, a dissected mouse/frog stitched together), (the rest of these dont have names yet) a rat/chick hybrid with funy lil chicken legs, a rat/gator/shark hybrid she is punk and goth and she Bites, a mouse/cat dna mix with a surprisingly tragic backstory that im still working out, more tba

each lab rat represents usually an amalgamation of different experiments as the lab they are in is 'cheap' with their test subjects and likes to Repurpose old, usually failed experiments and do other stuff to them! honestly even if theyre a success they still end up getting experimented on more lol but they are still unimportant enough and the lab big enough where they can hide themselves away and have their own space w/o being actively searched for. ofc the world of the setting is based on our own reality but way more Hyperreal, i dont aim to represent logical feats of science bc a lot of these guys would defs be revolutionary (and impossible) irl lol. i will briefly run down what each main character is a result of but ideally id like to go into more detail when i actually. make the story more visual in whatever format i decide to do (probably experimental and non linear snippets, i dont think im smart enough for a full comic)

Dr. Kitty and Happy are twins! they were the result of an experiment where the scientists were testing if one species of rodent could gestate a different species of rodent just thru a little genetic modification. and that was Happy! he is actually a bunny born from a rat mother and with all rat siblings (one of them being Kitty) hes a bit smaller in stature than a usual bunny being more rat sized but other than that just a bnuuy! further experiments on them was how well skin grafting would work between different yet similar species. it worked for Kitty (hence the bunny ear) but not so much for Happy... both of them had separate experiments done on them also, altho Kitty was more rebellious of the two earning her the shock collar. Happy also had experiments on his fur to make it color changing like a chameleon, as well as some experiments to his eye (tbd)

Dr. Brainworms is actually a sapient amoeba/bacteria type thing, attached to a host body(that happens to be a hairless rat), this host body is her most compatible one as she Can overtake and control other bodies but they start to decay pretty quickly. her history is something she herself is trying to find out as her host body is its own mystery.. is she just an amoeba that gainted sentience? is her mind really her own? was this body maybe always hers? who knows!

Gummi is a jelly belly gummy rat candy brought to life, pretty self explanatory... but shes got a few mysteries of her own! like, why was she even created, for what purpose, i mean who could even do such advanced science anyway to bring an inorganic candy to life, and Why does she keep talking abt a scientist with green gloves when there arent any scientists like that around?

Prof. Fuzzybottom is a rabbit! she used to be just used for breeding new test subjects which left her pretty traumatized not being able to keep any of her children, she became infertile from the stress so she was repurposed for other experiments, like trying to turn her fur to naturally be an unnatural color, and to be more synthetic like faux fur (aka a living plush) she was also blind so they replaced her eyes with a plushy sleeping mask that actually has LEDs inside that are hooked up to her brain to see if they could restore vision thru cybernetics. in her original iteration she was even supposed to be half rat half bunny buut i felt it too much, might still reuse the idea tho! tbh i just wanted a bunny with cute rat hands :3

Prof. Snakebite is not even a lab rat originally, he was simply a pinky rat used to feed the lab snakes, but due to freak circumstances he was actually still alive and after being bitten by a venomous snake, the stress hormones in his little body make him develop rapidly especially in brain power. as he was still very tiny and fragile, he wasnt the best subject to experiment on, but he was fitted with a brain chip originally just to read and analyze his brain development as he was much more advanced in mind than in body (of an almost newborn). after escaping he would upgrade his brain chip to help him utilize more brain power but also lessen the burden on his tiny body that could not handle the strain. he and prof. fuzzybottom are always hanging around each other, fuzzy very often babying him or just helping him out by carrying him and helping him reach places or handle objects, while he begrudgingly tolerates her as she is useful to his needs. also cant admit he appreciates her actually awww

the rest of the side characters are pretty self explanatory, theyre mostly just various animal hybrids and crossbreeds and splices! smh only the main characters get cool powers and shit -_- aside from Prof. Smartypants, after having a ferrets body fitted with a human mind(who doesnt remember the human part almost at all. its just the advanced intellect from it) tries to figure out the weird body dysmorphia with Science Potions aka chemisty. but thats mostly just to give another one of my sonas shapeshifting ablities (go figure) so yah if u read this so far Waow o_o Thank U and also Pls Send me asks abt this. if u want <3 can be questions or just ur thoughts ig!! id love feedback pleas please plea