#I finally FINALLY have a chance to watch this movie

[hairmetal666]

Eddie stands at the edge of the ruined, stinking field, heart somewhere down by the soles of his feet. He watches the grey vines creep across the rotten earth, bracketing the blackened and split pumpkins.

"This can't be happening again," Steve says next to him. There's nothing in his voice, in his expression.

And Eddie doesn't know what to say because it is happening, the Upside Down is creeping into Hawkins, Vecna defeated or not.

"We have to tell the others," is Eddie's response. He doesn't know how he sounds normal when his heart is breaking, when Steve's blankness is killing him.

They walk back to Eddie's van in heavy silence. He can't read what Steve is thinking and that's--they're not something, not yet, but they spend all their time together and it's right there, under the surface, and--

He always knows what Steve is thinking, now. Can read his face like Tolkien wrote it, no matter what's happening, but right now it's empty, unreadable, unfathomable, untouchable King Steve risen from the grave.

The drive back to Hop's cabin is silent. Eddie doesn't even turn on music, his brain can't take it.

Cars fill the cabin's driveway, everyone in attendance, everyone waiting. On the porch, they hear the TV, the tinny whirr of lightsabers. It all stops when they push open the door, movie paused, conversations broken off, every face turned in their direction.

Neither of them speaks. Looking at all these faces, the kids, Nancy, Jonathan, Robin, Hop and Joyce, the hope and trust, and he can't--he can't.

"Well?" Joyce prompts. She's working a kitchen towel between her fingers.

He nods as Steve says, "it's back."

Eddie expects an outcry, horror, an explosion, but it's quiet. Quiet enough he can hear Steve's soft breaths next to him. Quiet enough he gets to watch as the news hits on each face in the room. It's like a punch every time.

It's so much different from planning the fight against Vecna. There was so much energy, drive, to get it done, to defeat the Upside Down forever. There wasn't silence, not ever, no faces painted with grief. Even when things were at their worst, an undercurrent of hope buoyed the group.

"Are you sure?" It's Nancy who breaks the silence, of course it is.

"It's the tunnels all over again," Steve answers.

"El?" Hopper asks. "Have you--?"

Will and El are looking at each other, Eddie's sure that no one else in the room exists for them.

"We haven't felt anything." El finally says.

"Nothing?" Mike's eyes flick between them.

"Not since Vecna," Will says.

"It's--it feels--" El waves at the back of her neck.

"Blank." Will finishes.

"Blank isn't gone," Erica says.

Dustin hums, eyes distant. "So, it went dormant."

That gets all the kids going, arguing and shouting over each other, and it isn't long before everyone is involved.

Eddie throws himself into it, grateful to be back in a familiar place of planning, discovering what they're up against, fighting. They're at their best like this, all of them, and it takes the edge off the fear eating up his insides.

He doesn't really get a chance to talk to Steve one-on-one, but Eddie's aware of him always, catches the moments in between bickering with Mike and shouting with Dustin and whispering with Robin where he goes distant, empty, just like at the field, just like in the car.

Eventually, everyone trickles home for the night, Hop's cabin emptying until it's just the Byers, Hoppers, and Steve. And since Eddie goes wherever Steve is--

Steve stands at the window in their room, back to Eddie. His shoulders are rigid, and Eddie is--he's scared in a whole new way. Steve is--he's strong, he keeps them together, he. They look to him to be brave, to be the first to jump, and--

"Steve?" Eddie comes up next to him.

His eyes are squeezed shut, fists clenched.

"Sweetheart?"

Steve opens his eyes, tears track down his cheeks. "I don't think I can do this again," he sobs. "I don't think--" He presses his fists to his eyes, like he's trying to force the moisture back inside.

Eddie grabs his wrists, gentle, murmurs, "it's okay, it'll be okay, I've got you."

"How can it be okay?" Steve asks. His face is wrecked and Eddie's heart shatters. "This was supposed to be over, Eddie. We were supposed to be done with fighting, we beat Vecna. So, tell me how it's going to be okay."

He freezes, unsure how to respond. In the end, "you're right," he says. "it's not okay. And I don't want to pretend that it is. It fucking sucks. We did the work already. We shouldn't be right back here like it never happened."

"But we are," Steve sniffles.

"But we are. And you know what?"

"What?"

"We're going to get through this. Just like we did the last time."

"We almost lost you last time, Ed. We almost lost Max. What if--what if--" Steve's eyes fill again. "I can't do this without you," he sobs.

Eddie doesn't hesitate, pulls Steve into his arms, holds him as tight and close as physically possible. "You won't." Eddie soothes. "You won't. I'll be right here with you. I promise."

"How can you know?"

Again, there's only one answer for that. "I don't. But I know I'll never leave your side willingly. None of us would. And I know that we're going to fight--all of us--like we always do."

"How can you have so much hope?" He asks. "After everything?"

"It's hard," he answers. "I'm terrified. But I know I have you, and Robin, and Dustin, and Wayne, and--everyone. We fight for each other, you know?"

"We keep going because we have to," Steve says.

"Yeah, sweetheart. We protect each other and this godforsaken town, no matter how much it sucks."

Steve's laugh is husky and short. "It sucks so much."

"Real trash heap of a place."

"And that's without the alternate dimension and monsters."

"I think we've got a really strong ad campaign for the Hawkins tourism board." The giggle that escapes from Steve is the sweetest thing Eddie's ever heard.

Later, the lights off, Steve pulls him close. "I'm so glad I have you," he whispers, fingers trailing through Eddie's curls. "You give me something to hope for."

[carolperkinsexgirlfriend]

can you see the stars in your dreams (and do they have a lot to say about me) - Part 6

Or: a secret Admirer AU

PART 1 || PART 2 || PART 3 || PART 4 || PART 5

In the next letter, Eddie makes no comment about their differing opinions. Chrissy knew he wouldn’t. She doesn’t know Eddie, not really, but he’s never seemed like the kind of guy who’d stop talking to someone over such shallow, small differences, no matter how he comes off in his little cafeteria rants.

       Secret Admirer,

       You’re enough, just the way you are, brown eyes and all. I bet they’re real pretty. I could look into them for hours, mesmerized by every color differentiation, spend days counting every one of your eye lashes.

       Just say the word—I’ll pick you up in my van and we can go to the drive-in and hold hands the whole time. I’ll wear my silver jewelry, and you can wear gold. I bet your hands would look real pretty wrapped up in mine.

       I’ll be a gentleman, sweetheart, I swear.

       Only the best for you.

       Yours,

       Eddie

       P.S. Romantic meeting spot. I can’t wait to put this note right next to your heart. Next time maybe I can put my letter in Moby Dick. After all, you’re my white whale, baby, I’m always looking for you.

She likes Eddie, really she does, but the way Steve blushes as he hands the letter to her is ridiculous. The guy’s not exactly smooth, or suave, or any of the things that should leave Steve all hot and bothered.

Still, she dutifully helps him write his reply:

       Eddie —

       Maybe someday, we’ll get to go to that movie. When we do, you don’t have to be a gentleman at all—I’m easy, if it’s for you, and it would be such a waste not to make use of all that space in your van.

       I don’t have any rings, but if I did, I think I’d want one of yours. That way, whenever I look down at them, I’d be reminded of you.

       How was your day? All I want to do is ask and hear your reply.

       Yours, always

       Your Secret Admirer

       P.S. I’ll search the seas for you.

“I know he’s your friend, but I just don’t get it,” Chrissy says to Jeff, walking close enough to his side that their shoulders brush. “The guy looks like a mangy poodle, and he’s not exactly Shakespeare.”

Jeff snorts. “Hey, he’s at least a cute mangy poodle,” he replies, bumping their shoulders purposefully this time.

“I guess if you’re into that sort of thing,” she mutters, and somehow, Steve is. It still shocks her, sometimes, when she thinks about it too much.

“The heart wants what it wants,” Jeff says, sounding wise, but when she glances at him, he’s grinning, eyebrows jumping up and down at her like this is all just some joke.

She scoffs, “I just wish what Steve wanted wasn’t leading toward a broken heart.”

Jeff’s expression drops at that, mouth pursing. He’s quiet all the way to Eddie’s locker. She slips Steve’s letter between the slats and keeps walking, only stopping when she realizes Jeff’s no longer beside her. When she turns around, he’s staring at Eddie’s closed locker like it holds the answers to the universe.

“I’m not so sure about that,” he says, finally turning back toward her and catching back up with quick strides.

Chrissy doesn’t respond, at a loss for what to say. She can’t see it, but for all the letters she’s helped write, her and Eddie aren’t friends. She doesn’t know him as well as Jeff, who’s been by his side for years, or even as well as Steve, who watches him every chance he can get.

“Yeah, maybe,” she replies, unwilling to let any hope build, not when it’s Steve’s heart on the line. “Want a ride home?”

“Yeah, thanks,” Jeff replies.

And when he slides into her passenger seat, she feels a little less alone.

The letters keep coming, and Steve keeps blushing and pushing them across the table at her.

       Secret Admirer,

       Oh, a flirty one, aren’t you? I like it. But maybe I’m shy, did you ever think about that? Maybe I want to walk you to your door, slide one of my rings on your finger, and give you a little kiss. You can pick the ring, baby—I’ll even resize it to fit you just right.

       My days are always brighter when I hear from you. I go to the quarry on Wednesday’s to peddle my wares, but all I want to do is go home and play my guitar (my sweetheart). I’m writing a new song and I really want to get it down by next week’s practice, but I’m stuck on a riff I just can’t get right.

       Do you play any instruments?

       Sincerely,

       Eddie

       P.S. You’re going to make me swoon, babygirl.

And Steve keeps responding using Chrissy’s pen and Chrissy’s brain, and his own bleeding heart.

       Eddie —

       My mom made me take piano lessons when I was little, but my dad refused to keep paying for them. I didn’t want to at first, but I really liked it. Maybe I’ll brush up my skills so I can play a song for you. Any requests?

       Does your band play anywhere? I remember you from the middle school talent show, are you still going by Corroded Coffin? I bet you look hot when you play—I want to see it, someday. Your rings would glint under show lights, hypnotizing the entire audience. Especially me.

       Did you figure out your riff? I’m waiting with bated breath.

       Sincerely,

       Your Secret Admirer

       P.S. leave this one in The Taming of the Shrew.

She wants to build a cage and lock him inside, or shake him and shake him until he sees what a risk he’s taking. Jeff might not see it, his priorities are different. But her first concern is Steve, always will be Steve, whose heart isn’t the only thing on the line. And she can feel it coming—the moment, inevitably, when this whole thing falls to pieces.

       Secret Admirer,

       Have you read this play? It’s not the romantic story you think it is. Since you’re already holding the book, why not check it out? I promise not to look at the checkout card to figure out who you are (I say, unrepentantly lying).

       My band actually just got our first gig at the Hideout. It’s next Tuesday, and you should come! I would love to see you in the audience, cheering me on. I’ve been trying to respect your boundaries, but darling, I want to see you. Will you come? Please?

       Thinking of you, always,

       Eddie

Chrissy doesn’t want to stand by and watch Steve Harrington break.

*** 

Part of Eddie wonders if he won’t get another letter—if she’ll just show up at the Hideout next Tuesday with a smile. Still, when he hasn’t received an answer for a couple days, he checks if anyone’s checked out The Taming of the Shrew, but no, it’s still there, nestled on its shelf in the library, Eddie’s damning letter no longer inside.

He’s starting to wonder if he made a terrible mistake.

It’s happenstance, the way he finds out. He could have just as easily not forgotten his campaign notes. He could have been prepared, and not left all his little sheep moaning and groaning about what amounts to a five minute delay, if he’s quick about it.

He could have, but he didn’t.

Instead, Eddie stands at the end of the hall, transfixed, as he watches Chrissy Cunningham’s distinctive high ponytail sway back and forth as she walks away. From his locker. Where he just saw her slip something in.

She’s well out of sight before Eddie walks up to the looming hunk of metal on shaky legs. It takes three tries to get it open, and there, for all and sundry to see, is an envelope with his name written in a familiar scrawl.

He doesn’t open it.

“What took so long?” Doug gripes as Eddie shuffles back into the room, clutching his notebook to his chest.

Eddie walks slowly to his throne without replying, eyes still unfocused and fixed on the swishing of Chrissy’s hair.

“Are you okay?” Jeff asks.

Eddie shakes the thoughts out of his head, leans back on his throne, and smiles. “Sometimes a quester is besieged on his travels and must defeat a mighty foe before he can return from whence he came.” He says it with all the gravitas of his dungeon master voice.

Doug laughs, Gareth rolls his eyes, but Jeff’s eyes are narrowed on his face for the next ten minutes until he gets sucked into the campaign. And Eddie? Eddie’s heart isn’t in it. No matter how determined he is to put it out of his mind, it keeps sticking to his neurons.

Because Chrissy? She’s nice, sure. And pretty, definitely. Her hair’s…nice? Bouncy? It’s probably soft. And yeah, she’s a jock, but she’s not like most of them—too kind to give a kid a swirly or call any of the other girls fat.

Which brings him to the King of the jocks, Steve Harrington, whose name is practically branded on Chrissy’s shoulders by this point, whose arm is pretty much super-glued around her waist. Steve, with his perfect hair, and long eyelashes, and those big brown eyes, and all those muscles.

Something too squirmy to be hatred sinks in his gut. Jealousy, maybe? Because how could someone like him compete with King Steve for a lady’s hand, love notes or no?

He’s distracted for the rest of the campaign, says half-hearted goodbyes to the boys before finally closing the van door on them and driving away.

When he opens the letter in the safety of his bedroom, it’s shorter than usual:

  Eddie —

  There’s nothing more I want than to see you up on that stage, rocking out, in your element, but I’m just not ready. I hope you’ll forgive me.

  Yours,

  Your Secret Admirer

  P.S. If you still want to respond, I’ll look in the big print edition of The Hobbit.

He goes over the words again and again, finger running along the lines of each character, trying to picture Chrissy pouring over them with her pen.  He loves all the words in all the letters, wants to carve them all on his skin, helplessly charmed by each vulnerability shared.

He can’t quite make the words fit the girl.

Eddie still drops his next reply in the big print edition of The Hobbit the next morning. He watches Chrissy all day. He’s surprised, somehow, when she meets his eyes once across the insurmountable distances between them in the lunchroom. She ducks her head immediately and blushes, even with Harrington’s arm wrapped around her shoulders.

There isn’t another note by the end of the day.

“So, wait,” Gareth says, stoned out of his mind and sprawled out on Eddie’s bed after the hell they call education finally released them. “You’re saying Chrissy has been leaving you all those notes?”

Eddie spins around in his desk chair, but it’s not one of those fancy wheeled ones that Harrington probably has, so he’s forced to turn and straddle the back, letting his head hang over the headrest as he groans.

“For the last time, yes!” he says, more to the little bits of his carpet that he can see than to Gareth himself. “It’s Chrissy!”

Gareth takes another hit, blowing smoke toward Eddie’s ceiling to swirl around and join the rest of the stains up there. “Are you sure it wasn’t just someone who looked like her? How close to her were you?”

Eddie groans again, shuffles off his uncomfortable chair to flop beside Gareth and steal his joint back. “She was wearing a cheerleading uniform, man,” he says before taking a puff and letting all the smoke out with his next words. “And no one else on the team has that color hair.”

Gareth hums, twisting on his side to burrow his head into Eddie’s only pillow. “What is that color even? Like, blond but with a weird red in it? What’s it called, bluh-red?”

He laughs like that’s the funniest joke in the world, so Eddie doesn’t hand back the joint, just pulls on it until he’s down to the quick and ashes it on his nightstand as Gareth whines.

“It’s strawberry blond, you idiot.”

Gareth wrinkles his nose at that. “That’s a stupid name.”

Eddie smacks his hand out, lets it hit Gareth’s arm with a solid thwack. “You’re supposed to be helping me!”

“With what?” Gareth replies, rolling away from Eddie when he goes to hit him again. He ends up on Eddie’s floor, fall cushioned by all of his dirty clothes scattered about. “Just like, talk to her?”

“Chrissy Cunningham?” Eddie demands. Gareth doesn’t seem to be understanding the severity of the situation. “Whose head cheerleader and, oh yeah, dating Steve Harrington?”

“So what? The guy’s a douche,” Gareth replies.

Instead of getting back up on the bed, he snuggles further into Eddie’s dirty clothes, rolling around like a pig in a mud puddle until he’s got enough of Eddie’s discarded shirts on him to function as a makeshift blanket.

Harrington is a douche. He’s got to spend an obscene amount of time on his hair in the morning, and he hangs out with those hyenas on the basketball team all the time, and he’s Steve Harrington. Rich kid, lady killer, King Steve Harrington.

Maybe all Chrissy really wants is an excuse to leave him. If that’s what his lady wants, he will provide.

*** 

Steve’s been sitting on Eddie’s letter for a few days now, at a loss for what to say. He puts it under his pillow at night, hoping the perfect answer will come to him in his dreams. He finds himself unfolding it and refolding it again and again, wondering if the words will change.

  Darling,

  If you’re not ready, that’s okay. But the heart wants what it wants, and you can’t blame me for trying, can you? Even still, I’ll be singing just for you.

  Of course I still want your letters, never doubt that. They’re still, always, forever, the best part of my day.

  Always,

  Eddie

  P.S. Excellent choice in hiding places, have you read it?

It’s just, a big part of him had expected Steve’s dismissal of meeting up would end this thing they have. He’d braced for it, and instead, Eddie was sweet.

And Steve can’t give him what he wants, isn’t what he wants, so he keeps the letter with him and stews on it, Chrissy sending him worried looks when she thinks he’s not paying attention.

No matter how lost in thought he is, a part of him is always tuned into Eddie’s presence, so he sees him coming before Chrissy does.

“Miss Cunningham,” Eddie says, leaning forward like a gallant knight as he takes her small hand in one of his own. She jumps, eyes darting up from her lunch to meet Eddie’s own. “Can I have this dance?”

The rest of the lunch table titters. It might have been charming, if they were at a dance, or anywhere aside from shoehorned to the side of the table with all of Steve’s shitty friends laughing.

It might have been charming if Eddie’d looked at Steve at all.

Chrissy’s sure looking at him, though—eyes all wide in her face as she shifts her gaze back and forth from Steve sitting across from her to Eddie crouched at her side.

“Um—” is all she gets out before Jason stands from the far end of the table and starts taking threatening steps forward.

“What the hell do you think you’re doing, Freak?” Jason demands, chin raised.

Steve’s about ready to stand, insert himself in the whole thing, but then Eddie’s lips graze Chrissy’s hand.

Jason stumbles back like he’s been shot. Eddie grins against Chrissy’s skin, turns his gaze away from Jason, and lands on Steve. He can almost feel it on his own skin as Eddie puckers his lips again and presses another kiss to Chrissy’s skin, this time to the smooth surface of her wrist.

He never looks away from Steve.

“Um!” Chrissy says again.

Only then does Eddie break eye contact with him. He drops Chrissy’s hand, placing it gently back to the table, says, “until next time, mi amore,” and saunters away, continuing until he’s out of the cafeteria entirely.

Steve doesn’t look away until the door swings shut and blocks his view of Eddie entirely.

“What was that, Chrissy?” Jason demands. He’s moved closer while Steve was distracted, absolutely towering over her, looking more like a beleaguered father than an ex. “First Harrington, and now the Freak?”

Steve wants to defend himself, defend Eddie, defend Chrissy. But despite what Jason clearly thinks, she’s never needed defending, so he asks, “do you want to get out of here?”

“God, yes,” Chrissy sighs.

They leave their lunches uneaten and their tables unbussed, hustling out the same doors Eddie’d just sauntered through, leaving a scolding Jason in their wake. Something about devil worship and blaspheming?

Steve’s not exactly the church-going type; he’s just glad when the doors swing shut and cut off Jason’s little speech.

“What was that?” Chrissy asks in a whisper despite the deserted corridor.

“Jason?” Steve asks at his normal volume. “I don’t know, he’s always been a bit like that, hasn’t he?”

“Not Jason,” Chrissy snaps, slapping at Steve’s arm, taking any sting out of the motion by wrapping her arm in his after and reeling him right back in. “Eddie!”

Steve, who had sort of been hoping that he could pretend the whole thing had been a vivid hallucination, has nothing to say.

“Do you think he knows?” she asks, voice quiet again as she looks furtively around the deserted halls, for random passerby’s or even Eddie himself.

“About you?” Steve asks, stomach sinking even further when he continues, “or about me?”

Chrissy stumbles, eyes going impossibly wider at the thought. She pulls him into an abandoned classroom and pushes him into one of the uncomfortable chairs. She sits in front of him, looking across the desk between them like he’s a sad woodland creature she’d just hit with her car.

“He can’t know about you,” she says. “He was flirting with me.”

Steve grimaces. Chrissy’s too nice, always thinking the best in people like she doesn’t have Jason Carver as living, breathing proof that sometimes, beyond all expectations, people can suck.

“He could be fucking with me. Eddie seems like the type to play with his food.” Steve stares down at the grooves of the desk he’s seated in. Someone had carved FUCK on it in big, bold letters. Steve’s never agreed with a sentiment more. “Do you think Jeff told him?”

Chrissy shakes her head so hard that her ponytail whacks her in the face. “No way, he promised!” she reminds him.

Jeff seems like a good guy, but Steve’s not sure how far that goes. He doesn’t have the wherewithal to trust like that, not with this.

“Well, what do we do?” Steve asks. “Should you just flirt back next time?”

Chrissy bites her lip, worrying at the dry skin there until Steve taps her chin in reminder, and she puts her teeth back in her mouth.

“Maybe it won’t happen again?”

Steve sighs, thunking his head down against the desk. “Yeah, maybe,” he murmurs into the wood, Chrissy’s hand patting his shoulder a paltry consolation to the nightmare he’s found himself in.

*** 

It happens again.

“Carry your books, my lady?” Eddie asks. He’s already got his hands out expectantly, but he’s too much of a gentleman to make a move without her say-so.

She watches his hopeful grin for a moment before sliding her pile of books into his awaiting arms. Once secured, he does an endearing little fist bump before taking up residence at her side like it's his birthright.

“What are you doing, Eddie?” she asks.

“What do you mean?” he asks, almost sounding clueless enough to convince her, if it wasn’t for that little smirk on his lips.

Everyone in the hallways are giving them a wide berth, clearly shocked by the unexpected pair. It’s nice, almost, to be given so much space. But—

But.

“You know I’m with Steve, right?” Chrissy asks.

Eddie grimaces, like just hearing Steve’s name is enough to sour his mood. “What, is it illegal to walk a pretty girl to class now?” he asks.

Chrissy’s own mood sinks to the pits, and she sighs, disappointed. “No,” she replies before letting the silence between them linger uncomfortably.

Eddie’s fidgeting with her books, anxious fingers fluttering against the loose pages of one of her notebooks, and his eyes dart toward her every couple of seconds.

“Chrissy—”

“You know, for someone who spends so much time ranting about the status quo, you sure can’t seem to look past skin deep.”

Eddie jerks like she struck him. Chrissy would feel bad if she wasn’t thinking about having to tell her best friend about this in a couple hours. “I see you,” he murmurs, shifting on his feet and not meeting her gaze as he holds out her books for her to take.

When Chrissy sighs, he flinches again. “I don’t think you do,” she says, not sticking around to see how it lands.

She’s got class to get to, and a best friend’s heart to break.

Chrissy snags Steve’s hand before he can walk through the cafeteria’s swinging doors and pulls him the other way. They settle into the same, abandoned classroom in the same, abandoned seats.

“It happened again,” she says, not letting go of Steve’s hand.

He’s still got a bit of polish clinging to his nails, the chipped yellow making him look almost jaundiced with how patchy it is. She uses her own fingernail to chip at it, ignoring the sunshine yellow flakes dropping down to the empty desk separating them.

Steve doesn’t ask what happened again; he doesn’t need to.

“Did you flirt back?” he asks.

Chrissy bites her lip. “I let him carry my books.”

She hadn’t flirted, is the thing, but she hadn’t gotten rid of him either. She knew, no matter how heartbroken he looks across from her right now, he wouldn’t have wanted her to.

“Okay,” he says, like it really is, like he means it. “Thank you.”

“Don’t thank me!” she snaps, snatching her hands back for a second before the bewildered look on his face has her reaching out again. “What are you thanking me for?”

Steve smiles—it’s small, and sad, and he’s beaming it right into her soul. “For keeping me safe.”

Chrissy groans, dropping her head onto their clasped hands and just keeps groaning. He means it—of course he does. If there’s one thing she’s learned since this whole thing started, it’s that Steve Harrington is somehow, inexplicably, too nice for his own good.

“I love you, you know,” she says, lips brushing against his skin with every word.

She’s been thinking it since he’d called her his best friend in that letter, since he’d said it and she hadn’t said it back. It sits unsaid behind her teeth every time he smiles, or frowns, or anything at all. He’s just too dang easy to love.

When he doesn’t reply, she forces herself to raise her tired head and get a look at his face. His eyes are big and round, mouth hanging open far enough that she’s tempted to close it for him, and there’s a damning sheen to his eyes that makes her own water.

“Really?” he asks, voice cracking. “You do?”

“Of course,” she replies, the way he always does to her, no matter what she asks for.

He smiles again, and it’s big this time, happy and watery around the edges as he says, “love you, too,” leaving the “I” out of the confession like that’ll somehow make the whole thing less real.

They’re smiling at each other like damn fools when Steve’s stomach growls and they dissolve into giggles.

“Buy me lunch?” she asks.

“Of course.” He jumps up from the desk and holds out his hand for her, an unknowing mirror of Eddie this morning.

She doesn’t put her books into his arms, just takes his hand.

PART 7

[beerok23]

MACBETH AT HAROLD PINTHER (November 9th, 2024) - A REVIEW WITH SPOILERS

Now that I’m back home, I can write a considerate and not at all crazy and nostalgic post about Macbeth.

Be careful, if you haven’t seen it yet and you’re supposed to see it soon: this review has spoilers.

Please, forgive me if it has typos and if I repeat myself and if this post is so unhinged. I can’t help it, I need to vent my thoughts and feelings.

Watching Macbeth was an otherworldly experience. Something you can only dream of and when it happens it changes all your brain cells.

When David first appeared on scene, from the darkness of the first lines pronounced by the witches…well, I wasn’t expecting him. I kind of distinguished his silhouette in the shadow, and I wasn’t sure that it was him. But it was. And when the lights turned on and he appeared on the scene full of blood and gasping…well I think my world shattered. It’s hard to explain what happens when you finally have the chance to see someone you admire so much only from afar, an actor you’re so accustomed to watch anywhere everyday…and then he finally appears in front of you and he’s like materialising and it’s like magic.

I mean, he was there, with the bowl at the centre of the stage, and the blood stains and he was SO TALL and SO David and SO everything all at once.

I spent the entire 2 hours watching him from my STALL B7 seat, a PERFECT seat —because he occupies the scene at the right of the stage SO much… seriously, I was lucky to choose that seat and it was perfect. Of course watching the scene from upper seats would be awesome to better appreciate the mis en scene, but people… the HEARTACHE I got when I realized David and his brown expressive eyes were there, in front of me.

I couldn’t not watch him, the way he possesses the stage, how he moves perfectly, and the lines, and the tone, a mixture of Crowley and Staged 😭😭😭 I mean… there’s one little laugh he made at one moment that really made me think, “Ok, here’s our demon.”

And those few moments of hilarity, when they try to make the audience laugh (which I almost never did, because I was so tense for the dramatic effect of the whole thing), for example when he mimics another character’s tone to mock him. Ok, that was an original Crowley.

And then Macbeth turns into a tyrant, and he is suddenly even more indifferent than Kilgrave when he’s there on the stage, for those two killing scenes that made me shiver and gasp in outrage. Seriously, the gasp I made when I saw him with the kids…

and I trembled all night (also because it’s terribly cold in the theatre 😁).

ABOUT THE SCENES, MY FAVOURITE MOMENTS, THE STAGE AND THE DIRECTION

The scene of the apparitions is awesome. No rising him up, like at Donmar, fine, but still… incredible. With the red lights, and the actors with spasms…And the kid actor (Raffi Phillips during my show) was incredible.

I adored how they performed the Banquo ghost bit. Intelligent, brilliant. And David out of himself was perfection.

The slow motion. It was my fave artistically bit, I think. The first time it happens, you’re so surprised. It’s like watching a movie, only it’s theatre. But when it happens during the dance scene…I felt my heart explode. And the way he interacts with Lady Macbeth, the perfection of the music changing and slowing down…Oh sweet lord.

The glass. Gosh, I wasn’t expecting it. I mean, I knew there were actors around the stage and musicians and singers, but I didn’t know about the glass. And the actors punching the glass to mimic knocks and sounds…Incredible tension and suspence.

And the scene with Lady MacDuff and her son’s death was incredible, INCREDIBLE. Again, MAcbeth being there on stage, as if he was really there (which he is not), holding the kid to soothe him and then…throwing him towards the killer. I felt it in my bones, David THRIVES in those moments of pure evil and you can only loathe Macbeth for being like that. And the same happens at the end, with the killing of the kid during the last fight, and when he breaks his neck…The whole theatre gasped in unison, I swear.

MY GOD HE’S GOOD. He’s so good.

The trees at the end…it was all so perfect and pure and a bliss. I can’t really explain.

ABOUT DAVID’S OUTFIT AND MONOLOGUES

The monologues…how many lines does Macbeth have? He’s almost ever present on scene and he’s so good, perfect.

The “is it a dagger” scene was…🥹 I can’t explain. And whenever he sat at the corner of the stage, being there even if Macbeth is not there. It feels like meta-theatre, as if they are trying to make us feel what he feels, even if you’re not supposed to be by his side.

The way he said “tomorrow, and tomorrow and tomorrow”, with his perfect Scottish accent. It blew my mind. I was out of myself by then.

The kilt… well…the kilt 🖤 I’m not a sucker for David in a kilt. I wasn’t. But I changed my mind. This outfit will hunt my dreams for…a while. Years to come. But even more than the kilt, his legs and socks, and the black jackets on the grey shirt. The jackets are seriously a masterpiece.

Also, David keeping the wedding ring on stage is the sweetest thing btw ❤️

The legendary hair band, which disappears towards the end to leave space to David’s own hands; I kept watching enamoured every time he threw his hand in his hair. I mean, that’s his mannerism, and I was there to see him doing it.

And his hands. Those scenes in which he came forward with his hands moving in the air… incredible. Also, those few times in which his eyes fell to the stalls and sometimes it felt as if he was looking right at you. Amazing 🥹

ABOUT THE CAST

The cast. Brilliant, talented performers, all of them. Again the kid, my gosh how good was he? And Banquo’s understudy (NIALL MACGREGOR) was GLORIOUS and he complemented David so well!!! I have no idea how good the first actor is, but believe me: this Banquo was…a perfect complement to David. Even in his appearance, and I can totally see him playing a fine Macbeth last Tuesday, too.

Cush’s understudy (JASMIN HINDS) was AMAZING. I haven’t seen Cush, obviously, but from the clips I watched online, she gives a different vibe to the couple relationship, and you can tell that David let her manage the intensity of their connection and touches on scenes. It was lovely. She was lovely. I found they had huge chemistry on scene, and they fitted together awesomely.

I think she was insanely good and I managed to tell her after the show, when she came out from stage door. She is a very nice and sweet person, and she also congratulated me for my 10th wedding anniversary when I said to her, silly as I am, that I came with my husband from Italy to watch a married couple dying on stage on the night of our 10th anniversary. She was amused, and she was lovely. I told her that I was glad I got to see HER on scene, and I meant it 💜

The “pause” for comic effect performed by JATINDER SINGH RANDHAWA was insanely funny. All the knock knock jokes, him laughing at the audience and mocking random people, Oasis and Blur references, inside jokes about canceling the shows… He was so funny and he was so good when suddenly everything went back to normal and he became serious again in the span of a second.

How good are all these actors!

And Macduff, played by NOOF OUSELLAM. You know what? He’s the one who made me cry. When he’s told about his family’s death…he was so insanely good and realistic in his reaction, and the tension and drama on scene was so palpable and I cried with him. He was incredible.

As much as MOYO AKANDE, who was probably my favourite surprise of the night. I love her, she’s insanely good. As much as everyone else.

In the end, I’m so lucky that I got to see David performing, because if I had booked last Saturday, I would have missed the show and I would have been incredibly sad and disappointed (probably for the rest of my life). And David wasn’t still in tip-top condition, because after the last fight scene (which is a very well choreographed fight with swords), when he kneeled, he coughed (and I’ve been told that was not in character) — and it was the only little thing that made you understand that he was sick the prior week. My god, he’s such a professional, getting back as soon as he could. He was perfect and this whole production was a rollercoaster of emotions and feelings and surprises and suspence. It really deserves the world and accolades.

And I know I did not get a chance to see David at Stage Door, but you know what? I don’t care. Because this was a weekend that I totally dedicate to Good Omens in general (we went to St. James’s, and Tavistock Square, and to the bandstand in Battersea Park, which is probably my new place of the heart (broken or not, one of my favourite places in the whole world, now). And watching David on stage after a year of obsessing over the show and him and Michael felt like a cathartic moment. Ok, it’s not like meeting him and talking to him, maybe. But it’s better: it’s watching him in his raw version, in his element. The theatre has this kind of magic that television can’t provide. And I’m insanely happy to have gotten the chance to attend to one of these incredible shows.

Now I know.

09/11/2024

[tomorrowxtogether]

SOOBIN: “I thought I should just try to shine as I am.”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.11

He once strived to become a lush, towering forest. But he realized that people will love him for exactly what he is—a deep, rolling ocean. And so, he decided to remain as whom he always has been: an ocean named SOOBIN.

You took a trip to Vietnam earlier this year with BEOMGYU. I heard you planned the whole thing. SOOBIN: I’m usually the kind of person who just goes around without a real plan, but since we don’t get much vacation time, I figured we’d better go all out and do everything we could in one go, so I tried planning it all out. (laughs) BEOMGYU just wanted to go with the flow, but there was a ton of stuff I wanted to do.

I’m sure it’s not easy taking a trip or spending your off time with the same people you spend all your time with. SOOBIN: I hang out a lot with the rest of the group on my own time too, though. Three of us were all hanging out together just yesterday. To be perfectly honest, it doesn’t feel like anything special since we’re always together 365 days a year, but I’m also most comfortable around them for the same reason.

Sometimes people start bickering with each other when they get too comfortable with one another, but you’re always so kind—like how you gifted BEOMGYU with a nap in that “The Perfect Way to Rest” video when you remembered he was feeling tired. SOOBIN: I think I’m good at picking up on things. I don’t know if I can do it with everyone, but at least with the other members of the group, I’m pretty good at telling how they’re feeling or if they’re not feeling well. As soon as I see one of them, I can tell, Oh, he looks a little rough today, or, He’s sure in a good mood today. (laughs) If they seem down, I go over to them to find out what’s wrong and talk it over.

Your kindness also comes across when you’re with animals, like in the “OUR TOMORROW” video, where you took care of one dog who was so nervous that it didn’t get a chance to eat any treats. Have you always been drawn to people and creatures that are small and left out? SOOBIN: So, so much. In fact, I was really shy and struggled to fit in when I was a trainee. I was really lonely at first. So when time passed and I finally got accustomed to things, if I saw another trainee who was shy and couldn’t adjust, I felt like looking out for them. Kai was among them. (laughs) That’s how I ended up becoming really close with him.

You talked about the cat your sister adopted recently, explaining how it used to be shy because it had a hard life in the past but that it finally opened up this year. SOOBIN: I went to see the cat when my sister first got it, but I couldn’t even see it that first time—it just hid under the couch. It was so shy that I thought I’d never get to pet it, but the last time I saw it, it came right up to me and started purring, wanting to be petted. It was able to overcome its painful past and open up to my family thanks to all the love they show looking after it. Love really does have the power to change anything. (laughs)

You also said on weverse LIVE recently that you made a new friend who you can talk about dramas, movies, and books with. SOOBIN: For me, dramas and movies don’t end with watching them—after you’re done watching, that’s when things are just getting started. I always look up reviews and analyses online. People can watch the same thing and they’ll all have their own thoughts on it, so I’m curious about all those different views, and now I have someone to talk about that with. They know a lot more about books and movies than I do, so I end up learning a lot when we’re sharing our thoughts together. Just having a friend to share my interests with is really fun.

You mentioned talking about Inside Out 2, and you looked at how it features a place to store things you’ve heard that you want to keep for a long time, which got you thinking about what sort of things you would want to hold onto. SOOBIN: I kept recalling things my friends say after we hang out—things like, “SOOBIN, I’m so happy we’re friends,” and, “I feel great whenever I’m with you.” Hearing things like that really touches my heart. Seriously, how often do you get to hear things like that in life? I used to find expressing things like that awkward and weird, but thanks to my friends, I’m getting used to saying I love and appreciate people. You empathized with how Anxiety works harder and feels more anxious than others because they want to be good at things. Are there things you feel you should work harder at than other people? SOOBIN: I’m actually slower at learning choreography compared to the other members. I assumed I’d get a lot better after debuting and regularly performing onstage, but progress was slower than I expected. I didn’t say anything about this before, and I even kept it a secret from the other members, but I actually got separate choreo lessons on the side when we were doing “Chasing That Feeling” and “Deja Vu.” We’d take lessons as a group, and then once I was alone I’d always spend about an hour dancing and working on the little details. I tried so hard with those two most recent songs that I even practiced on my own like that. Seeing as I’m slow, I have to work harder to keep up with the other members. If I have more time, I want to practice more for this comeback, too.

With all the touring you’ve done and the encore performances you have coming up, it must’ve been really hectic getting ready for your Star Chapter: SANCTUARY comeback. SOOBIN: The schedule was really tight this time around—we even had to record vocals in Japan in the middle of the tour since we were in and out of the country—but now that we’re in our sixth year, the five of us were all really fast about things. I could sense that we had grown compared to before since we were faster at recording than we could’ve expected to be in the past and it took us less time to work out the details of the choreography.

The album’s subtitle, SANCTUARY, is a word that’s appeared in TOMORROW X TOGETHER albums before. What’s been your sanctuary these days? SOOBIN: I never used to have a sanctuary, which made getting through tough times hard, but I do now: simple things like working out or reading. It feels like the things that break me away from overthinking and let me immerse myself in something else are my sanctuary.

You were complimented on your previous promotions for your improved vocals and high notes. What about on this album? SOOBIN: Actually, every other album we’ve done had a song in a genre I wasn’t confident in, but not this time. The single “Over The Moon” is really laid-back, and I felt like it was perfect timing for us to try out a song like that. What’s unfortunate is that I caught this horrendous cold during recording. We started practicing for live performances recently, and the director said, “SOOBIN’s singing better than he did when recording. He makes it sound effortless.” So I couldn’t help but think about how much better I could’ve done if only my throat had been in better shape.

You always focus a lot on lyrics. Were there any on this album that have stuck with you in particular? SOOBIN: This album isn’t so much about telling some big, sweeping story as it is about everything we’ve been through together. Now that we’ve been through all that chaos, it’s about the universal emotion of love, which everyone can relate to, and I liked that about it. There’s a line in “Higher Than Heaven” that sticks with me that goes, “I think I kinda get what forever means now.” I even once said, “I never used to believe in the word ‘forever,’ but I think I can now, thanks to our fans.” I didn’t write that part, but it’s like it was written to perfectly capture my feelings.

The other members have probably had an impact on your belief in the word “forever,” too. SOOBIN: I’m pretty sure we’re going to grow old together and that we’ll be together till the day I die. We do the same thing and basically live the same life day in and day out, so we know what makes each other cry the most during concerts, too. Whether it’s my tears of happiness or BEOMGYU’s tears of disappointment from a leg injury, having friends to understand and share those feelings with is nice. They’re all just really kind people—calm and clear, like a stream. None of us is domineering or splashing around, disturbing the peace, and nobody’s dirtying the water, so I think we’ll be able to stick together for a long, long time.

You said before that you had found being onstage tough while touring. Now that you’ve already wrapped up your third world tour, do you still find that to be the case? SOOBIN: I think I’m getting better over time. I still can’t say that I completely enjoy myself, but the worries I used to have before going onstage have gone away entirely. There used to be times where I found it hard to watch myself onstage because I didn’t like how I looked, but now I see myself up there and I think I look cool. (laughs)

The way you have a different outfit on for every sound check when you’re on tour is definitely cool. SOOBIN: For fans who come even though they’re busy, showing up hours before the concert just to wait, doing it purely out of love, I wanted to be more stylish, so I bought a lot of clothes just for sound checks. The glasses-plus-cardigan combo was something I bought in advance for summer, and the reaction from the audience was amazing! They showed me on the big screen and MOA was screaming their lungs out—like, not the usual “wow,” but, “aah!” Like shock and awe. (laughs) I was worried I went overboard with the look, but they showed they liked it, so I was happy.

There’s no way not to bring up your cover of the Choi Yu Ree song “Forest” when talking about you. You said that the people around you are like tall trees in a forest and that you thought you’re one of them, but that you figured out you’re actually more like the ocean. SOOBIN: It’s easy to find people around me who are better looking and sing and dance better than I do. I actually started thinking about that at Lollapalooza. The other members looked so happy and like they were having so much fun onstage, but I couldn’t. I felt eaten up inside seeing myself not being able to fully enjoy it because of all the pressure. Then I heard Choi Yu Ree explaining that “Forest” is about feeling like you’re not good enough and I thought, “Ah, so that’s what I’ve been going through.” I started to understand my emotions a little bit better. Everyone ends up comparing themselves to others at some point in their lives—it’s unavoidable. And they have times where all they can see are the things they hate about themselves, but it’s ridiculous. I was overflowing with negative feelings when I was working on my “Forest” cover, and I wanted to sort of deal with those feelings and express them.

The music video echoes your thoughts that someday you’ll come to shore and become one with the forest. What does the forest mean to you? SOOBIN: Just being a singer who’s good at singing and dancing, interacting with my fans, enjoying performing, and being able to do it all with complete sincerity. I think I was showing how the forest to me means being happy with the other members when they’re happy. Nothing big—just simple things I’m not always that good at.

Do you feel more like a forest now that some time has gone by? SOOBIN: Umm … I saw a ton of comments from fans after I covered “Forest.” My mindset when I was doing it was, Right now I’m like the ocean, but I’ll become a part of the forest just like you guys—so wait for me until then. But once I saw what fans were writing, I changed my mind and thought, Do I really need to become a part of the forest? I could be similar to the forest, but I don’t have to change myself to be one. My fans kept saying, “The whole reason we liked you in the first place is because you’re like the ocean, not because we hoped you’d become like a forest. If that were the case, we’d like somebody else. Why do you think it was you?” The ocean comes with its own perks, you know. You need to have some ocean near a forest to add to the scenery and have more things to do. Now I think maybe I tried too hard to fit in by trying to be like the forest. Now I feel like I can shine bright just by being myself.

That lines up with what you recently said in an interview you did in Japan when you said that your 20s, the best and most energetic time of life, are dazzling and fun thanks to knowing MOA. What do you think you’ll see when you look back on this youthful period of your 20s? SOOBIN: Joy. Every moment of our lives is packed with good times and bad times, joy and sorrow, but in the end, I think, I’m on a path towards joy. Even things that are so agonizing that you want to die—so bad you feel like the whole world is against you, and so bad you’re certain they’re weighing on you forever, eventually pass.

Doesn’t it almost feel funny sometimes, looking back after all that? (laughs) SOOBIN: Yes. It ends up feeling so trivial somehow. Things that felt massive at the time are like a speck in the distance once you get even a little space between them and yourself. Even after all the hardship I went through being a trainee, I can look back now and see there were a lot of good times. Maybe we tend to romanticize the past a bit? (laughs) Even some of the stuff I’m going through now can be tough, to be honest, but I’m never going to give up. There’s still so much I want to give. The amount of joy I derive from doing this is way higher than the amount of difficulty. I think my life’s amazing, even right now.

So amazing. (laughs) SOOBIN: I think so too! (laughs) As time goes on and I get older, when I look back on my youth, my time with TOMORROW X TOGETHER, I wonder if it’ll look that much more shiny and amazing. Maybe I’ll feel I was even cooler at this time than I feel I am now.

[couldbebetterforsure]

Question.

If I sign up for the free trial for Crunchyroll Premium, is it hard/annoying to cancel before the trial is over and they try to charge you? I ask because I DESPERATELY wanna watch the Idolish7 Beyond the Period movie and it's only available there right now. But I am not giving Crunchyroll my money for it...

[ritualove]

Silas admittedly got a little bit bashful again when Shira teased him again. He couldn't help but laugh as he watched her perform, him being the sole audience memeber. He liked watching her perform, even if it was at his expense, frankly he kind of liked that it was at his expense, he wouldn't admit it though. When she said she wouldn't mind infecting him, it made his heart skip a beat. His face definitely went a strong shade of red, Shira's face in her hands being his saving grace. Seeing her laugh so openly gave Silas a strange feeling, almost like a sickly feeling but nice? Oh god, that might actually just be butterflies. "How could that have come out right!?" Silas said, laughter finally leaving his blushed cheeks. He was mesmerized by how she moved, especially when she was laughing. The way she hid her face in her hands, looked through the gap in her fingers, and put them in her lap. She moved in such a unique way, it was almost hypnotizing. Silas took another, smaller, sip from the glass, and offered Shria another sip from the glass. He wasn't sure whether or not she wanted it, but he would be remiss if he didn't ask. His head tilted at her statement of honesty, he couldn't help but smile, "You also shouldn't tell lies." He said, in a fun tone. Silas has definitely broken promises in his life, more than he would like to admit.

He felt relief as she reaffirmed that his company dosen't concern her. Shira's soft tone, like a surprise to herself, even got Silas a little hung up. He has been looking at her so closely, examining her every light movement, or the way the light touches her soft skin, but he hasn't taken the chance to listen to the way she talks, or the way she breathes. Her voice sounded strange, in a good way, the only way he would be able to describe it is comforting. As she asked him what he was intrigued by, Silas actually had to pause as he considered his answer, a deep perplexion spreading across his face. He found his answer, and recited it in the appropriate noir movie narrator tone. "Probably the femme fatale thing, sitting on a window sill, looking out the window, smoke on your lips. You look like someone who has a secret, a secret that I can't help but want to know." He was a little impressed at what he came up with, he should have written it down, but it wasn't exactly the truth. It was a performance that he said to her, and she deserved better than that. She deserved to know his honest, uneditted thoughts. He leaned in, close to her, his head past her head so he could whisper in her ear, "In all honesty I have no idea what about you intrigues me, but I want to find out." He pulled back, giving her her space back, the smell of Shira's hair leaving him with a buzz, a second hand high.

Silas raised an eyebrow, "A photographer?" He smiled, like he just found out a clue to a mystery, some break in a decade old cold case. He's been photographed countless times, for magazines or the back of his books. He dosen't think he's ever had some want to take his picture, at least without getting paid, it felt nice, especially being told it in a whisper. He couldn't help but move ever so slightly closer to her, her proximity more comforting than the sound of her voice. Her closeness something he has grown to desire. "I'd love for you to take my picture, as long as my clothes stay on." He paused, eyes going upwards in thought, "Actually I'd love for you to take my picture either way." Silas watched her closely, a mischievous grin forming on his face. Just a silly joke, even if he was being completely honest.

Shira couldn't help herself but laugh with him, stars in her eyes as she shot him a curious but teasing look, one eyebrow raised. "Oh, you want my cooties? Specifically? You're right, very different. My mistake." She gave a mock bow, silently repenting; but her gaze remained on him, lashes batting in a deliberately slow pace. "I guess, I wouldn't mind infecting you, then." It sounded much better in her head than it did out loud. A deep blush spread across her cheeks and she buried her face in her hands as a series of her own giggles erupted. "Oh, god, that came out wrong." Came out wrong but the sentiment was still the same. She grimaced into the space between her fingers before she placed her hands back into her lap, smiling at him wryly. "Thank you very much, Silas." Shira said, making sure to match her tone to the way he had said her name just a beat before, lingering and sweet. She didn't hide her appreciation, relaxing back against the sill as she watched him help her make the content's of the cup disappear. "I've never made a promise that I didn't keep." Her tone deliberate. Almost a tease, a challenge wrapped in affection.

She had noticed too, the way he looked at her when she was in the midst of speech. Not in a shallow way, much like one would go through the motions a la muscle memory. Rather that he was not only listening to her words, but assessing the true meaning’s that were nestled in the in-between’s; every gasp, hum and scrunch of her nose. It wasn't often that she saw that kind of sincerity. It exhilarated her and terrified her all the same, adrenaline pulsing and filling her with a warmth that spread throughout her chest. Shira had spent years trying to thicken up her skin so that she wouldn’t keep dripping blood all over everything she came in contact with that made her feel that kind of warmth. But in that moment, she wanted to shed that skin. Serpentine. A yearning that only increased the longer Silas peered at her. His carefully placed smile pulled her from the rest of her internal monologue, “To Portland!” she parroted, bringing her hand up to pretend to clink a glass against their shared one that sat in his hand. Even if she didn't think that it was wise for her to ever go back there; Shira still found herself thinking that Burnside might glow a little brighter if Silas were standing on it.

“No, no, no,” she quietly babbled, her hands waving in small, dismissive but friendly strokes “don’t be sorry, it’s okay. I don't mind.” And she really didn't mind; him looking at her like that. Even if it did make her more self aware. Shira pressed a palm back to the sill for a moment, trying to steady herself from a heartbeat so strong she swore she could feel it even in her toes; all numb and buzzing. “Pray tell, Silas,” she hummed — a soft, blithe tone that surprised even herself “what is it about me that is so intriguing to you?” Shira tilted her head to the side, her toes curling inside of her sneakers in anticipation of his answer; bated breath furling in her throat. “I find myself intrigued by you too.” Barely escaping amongst her own over thinking.

Suddenly; a thought. One that she couldn't stop from rushing to fruition, proverbial word vomit “I think I’d like to take your picture sometime.” Which only left her blushing even more than before. She wanted to evaporate, sure she was embarrassing herself now. “I mean, if you'd like that.” Shira quickly added, squaring her shoulders as she resumed her position leaning towards him, quickly growing fond of their hushed conversations and carefully placed nuance.

[savage-rhi]

Fuschia/Magenta?

[hollowflight-propaganda]

Would you still love me if I entered a dreamworks trolls phase?

[kirbyddd]

[alfred-e-neuman]

I'm all A-fucking-board McSpirk. I wanna squeal a bit about why I think the movies added such an important change to them.

Watching the series, it's easy to "subtextualize" Kirk and Spock being together and Kirk and Bones being together in a Kirk centered polycule. Each pair has their romantic moments while Spock and Bones are always picking on each other. I, personally, never really saw a "BonesXSpock" relationship beyond friendship in the polycule.... until Star Trek III and IV.

See, the symbolic relationship has Bones as Faith and Spock as Logic. Kirk being the center gives him a balance of the two. But Faith and Logic are always at odds because logic dictates that there is a percentage chance something might not happen vs Faith believing that it will happen because it must. When Spock put himself into Bones, Bones was forced to see Logic. When Spock was made whole again he was forced to believe the impossible. Once their respective perspectives were understood, we get Bones looking at Spock like this:

And if I may dig ever so deeper into this, as we all have I'm sure, the line he gives Spock right before shooting those baby blues at him is "Well, nobody's perfect." Which is the final line in a VERY gay film from 1959 called "Some Like It Hot"

The movies helped solidify the Polycule into a true Thruple.

assortment of "married for 25 years mcspirk" during wrath of khan because they were off the charts in this one

and the absolute heart-wrenching Famous Scene

[eternally-tired-cryptid]

Tbh a LOT of criticisms of popular animated princess movies are based on half remembering them as a child and making assumptions

[major-fukkup]

My heart has joined the thousand, for my friend stopped running today (my PS4 shut off and won't turn back on)

[evilblot]

Anywaysss......

[angelyuji]

hello!!

just wanted to let everyone know that i see your requests!! and im working on them! however, im swamped with hw and im working on some jaime reyes nonyandere+yandere headcanons rn saur please bear with me! pls do keep requesting and talking to me i wanna make friends with you like-minded folks :)))) love yall

[bunnyb34r]

Oh so the first time i saw the movie I teared up when Wovey died and this time I noticed Reaper calling to her, telling her not to go by the snakes 😭 I was so fucking close to crying

Reaper was such a good character like he was ruthless, but he also had a heart and didn't want the vulnerable among him to die or get hurt. He lost his mind when Dill died and that what made him make the graveyard. He made sure to give even the people who he killed, the ones who tried to kill him, a dignified death. He took the knife from Bobbin before he picked him up, he made sure to put the tributes hands over their chest like an actual funeral. He closed their eyes, covered them with the flag to hide them from the horrors they died in.

And I was thinking ab what if it had gotten to just him and Dill or him and Wovey as the last two tributes. If the games hadn't been disrupted and had been a normal hunger games. Would he mercy kill them? Would he kill himself so they could live?

At first I thought the latter, that he wouldn't be able to bring himself to do it. But then I thought more about it and I think he would have mercy killed them, in the kindest/least painful way he could. I think that his desire to keep living would overtake him. BUT that's assuming Dill lived/he didn't go mad when she died if it was him and Wovey at the end. Had it been the two of them post Dill's death changing him, he 100% would let Wovey win. But if it was him an Dill, I really can't decide which he'd choose.

Like does he let her win and get the chance to go back to 11? Or does he see that she's ill and wouldn't live long in 11/wouldn't want to leave her with that guilt that she won? Does his self preservation win out?

Idk I just like to think ab these things ahsgsgsgs like what if things ended differently

[airenyah]

friday can't come soon enough