#I feel it would depend on the side plot of the story
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justcameheretobyler · 1 day ago
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Byler doubt?
This isn’t even about bad writing
Will is one of the characters the Duffers care the most.
They didn’t give Will a place in the main plot in two seasons for a reason.
They said it themselves after s2, Will should be away from the Upside Down drama for a while.
He should just have a normal life as a kid, with his own struggles while growing up.
It was on purpose, they wanted to give him a break, at least a break from Henry and the MF.
And guess who is the one that leads the party when Will is in danger?
Ofc is Mike.
So, as Will is in the “side line” Mike is kind of too.
They were always a team, their dynamics in the story take the same amount depending of each other.
It’s not the same with the other characters.
So, it’s kind of logic that now, the story will get even better for them, if Will is in the spotlight, so is Mike.
And with the feelings they have now, it would be weird they don’t get to be together.
Their slowburn was specially for this moment.
I don’t know how it will be resolved in general, but I do know (I’m actually pretty sure) that Will and Mike’s scenes were beautifully shot. The dialogues, the cinematography, everything.
Now that is almost exposed to the audience, the directors will go crazy with them.
So, the real question is
Are you guys ready for Byler happening?
Cuz I’m not 😆
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heyacris · 1 month ago
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Can't sleep right now, I'm daydreaming about hypothetical routes and the good and bad endings to a Blush Blush visual novel
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alpaca-clouds · 5 months ago
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I really find it frustrating how very different in regards to effort the different companion quests in BG3 are.
Like, you have Astarion and Shadowheart who both have those really nice paced out companion quests with a rather good structure in the story, a dungeon for that quest each and this big bombastic finale with stuff that is only connected to their quest and nothing else. They both also - regardless of whether you romance them or not - have quite a few of cut scenes connected to the quest.
Then there are Gale and Lae'zel. Their companion quests are a lot more weaved into the actual main quest which you can see both positive and negative. Positive: They are a lot more related to the plot. Negative: You will do most of the stuff from their quests either way. You can argue that the creché is a dungeon connected to Lae'zel, and you can also make the argument that Laroakan's tower is kinda Gale's dungeon.
Then there is Wyll, who mostly just hangs around during Act 1 and 2 and then has a little tiny bit of quest in Act 3, though the game will very much make sure to push you into the quest even if you have not recruited Wyll or Wyll has left the party. So, yeah, depending how you read it, there are two dungeons that are kinda connected to Wyll (the Iron Throne and then the Ansur dungeon).
And then... there is Karlach. Karlach's quest can be summarized by: "Fight some fake paladins, get one piece of infernal iron, get a second piece of infernal iron, defeat Gortash." The Gortash fight is not even like the two Wyll dungeons, that are not really Wyll exclusive (I mean, technically none of the quests is), that are optional outside of the Wyll questline. No, you will have to confront Gortash in one way or another to finish the game, no matter whether you have Karlach recruited or not.
And it makes it just feel so very... unsatisfying. I think a lot of the problems that people (like me) have with act 3 of the game really are connected to the fact that the endings for the companions outside of Astarion and Shadowheart feel rather, well, as I said: unsatisfying.
I mean, yes, Gale and Lae'zel are connected with the plot, but also their resolution is kinda pushed somehow into this "post-final-boss" scene and hence feels not really as if it actually resolves somethng. Especially as it feels also so very disconnected from basically everything else in the game you do with them.
With Wyll I would even argue that technically the post-Ansur stuff could almost serve as a proper resolution... If the dialogue was not bugged as hell. At least it is for me. And of course it still does not compare at all with the stuff happening with Astarion and Shadowheart.
And then there is Karlach. I just... I am sorry, I hate how the game handels Karlach. Especially because she is such a cool character. But her companion quest gives you less to do than your average side-quest. It is a fucking fetch quest. That's it. And it has no proper resolution. Because in Act 3 there is not even an attempt made to solve her issue. I spoke about that before: I would be totally fine if there was a quest in Act 3 where the player tries to get the engine fixed in the city. BUT THERE ISN'T. It is like: "Well, Dammon does not know anything. Tough luck Karlach. You gotta either die or go back to hell." Meanwhile I am like: "THEN ASK SOMEONE ELSE?" Ask the Ironhand Gnomes, ask the Gondians, ask bloody Gortash, try to make a deal with Raphael. Like, there has to be something, right?
And look, while I would have loved some Halsin content in Act 3, I am fine with the fact that there is not really anything. That is alright. Because really, the entire Act 2 stuff and how Halsin is interwoven with it might very well be the game's highlight for me.
Just as I am fine that Jaheira and Minsc are more like cameos with not that big of a role in Act 3.
(Again, I cannot talk minthy, because I failed to recruit her so far because I do not like to play evil characters.)
But... Yeah. I will not go here and argue that the game is incomplete. It is not. But it still is very frustrating how the game handles the companion quests in this regard, because the companions are the beating heart of the game. And I think the ending of the game would have been more satisfying if the companion quests had been more comparable in quality.
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eelclaw · 2 months ago
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the protagonists of the broken code. who's rootspring
i am tbc's number 1 hater! negative thoughts below
shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.
bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.
rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.
bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.
i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).
in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.
there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.
graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.
side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.
conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.
let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye
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moonydustx · 10 months ago
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Can I be your favorite?
Pairing: Trafalgar Law x F!Reader
Summary: In search of information, Law meets an archaeologist who brings all his insecurities and jealousies to the surface. Warnings: porn with practically no plot, explicit content, smut, jealousy, possessiveness, almost declarations of love. Law and F!Reader already have a "relationship" (depending on your point of view, it could even be part of A not so funny story). Despite bringing some canonical details, it diverges a little from the story. A/N: a few days ago an edit with this song appeared on my fy and it just stuck in my head and this idea came to me. Minors do not interact | +18 only
Requests open | one piece masterlist
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Law seemed increasingly interested in the search for the Poneglyphs. It was the third island you visited that he knew where to find certain information. This time, only you and him disembarked from Polar Tang, the justification was that it would be something quick, just finding an informant.
You just didn't expect such information to be with an archaeologist. A beautiful, blonde and hot archaeologist. Law had already told you about her and how fame preceded her, how she liked to use men to her advantage and pleasure. That immediately set off an alert in your mind.
"What is she doing here?" was the first thing the woman said when she saw you entering the bar, which was the meeting point. "From what I remember, I said I would exchange the information in exchange for you coming alone, Mr. Surgeon of Death."
"You'd trade the information for money, Arine." he corrected her. "She's the strategist of my crew, I need her in these types of meetings."
The woman turned her nose in your direction and took Law by one of her arms, leading him into the bar. Just by the atmosphere of the place you knew that the woman had a certain influence there. Glances – both drawn and protective – danced around Arine. In a way, it made you feel out of place, it was as if you had the wrong clothes, the wrong hair, everything wrong, just a mere figure following the two of them.
At one of the tables further back, the woman sat down, almost merging her body with Law's, forcing you to sit on the opposite side. You even tried to avoid it, but her meek tone of voice and the hands that made a point of touching Law in every gap made a gray cloud of jealousy appear in you. As much as you ended your nights in the captain's room and were woken up by his kisses, you knew that nothing had been established. He was free to even be with the disgusting blonde in front of you.
Law, on the other hand, noticed the ignorance of the woman in your direction. The unwanted touches on him, Arine's provocative voice, but the information she brought matched what he was looking for, besides the fact that if he disagreed with the woman and ended up getting into an argument he would be putting both of you at risk.
"So..." the blonde's voice sounded more irritating than usual. "I don't believe you came just looking for information. The island is huge, I believe there is a favorite thing for you to do." even from across the table, you could see her throw her legs over Law's. "Or someone's favorite."
"My favorite thing here is you and the information you can give." he spoke harshly, immediately noticing the unfortunate choice of words.
That was the limit for you. Okay, there was no way she could know the history between the two of you, but you weren't obligated to watch Law make the slightest effort to get out of that situation. Your hands slammed harder than you expected against the table as soon as you stood up, attracting both of their attention.
"I'm going to get a drink." your eyes remained fixed on Law's and soon you turned your back to both of them.
Law could read the jealousy in your eyes as soon as you walked away, he knew he would need to invest his time in correcting it. He watched Arine get up and call you. He could have sworn you would kill the woman right then and there.
"You there." Arine poked your shoulder. "Get a drink..." she started, speaking louder so everyone would think everything was okay. "And get out of here. I believe that my Law is not very comfortable in the presence of his employees. You are hindering my efforts to taste him."
"What?" your voice came from your lips in disbelief. It wasn't possible that you were listening to that, as much as you wanted to finish her off, your priority was to help Law with the Poneglyphs. "Yes ma'am."
You turned your back on her and went to the bar, ordering a dose of whatever strong shit they could offer you. You wanted to disappear, just erase your mere and insignificant existence at that moment. A hand touched your waist and you looked hopeless. Just another asshole in that place.
Law watched Arine return, with a malicious smile on her lips and throw her body on top of him again. His body tensed with hatred at each touch from the woman. You wouldn't touch him like that in public, why would she have any right?
"Where do we stop?" she asked and before Law could respond, he watched a man approach you and touch your waist.
"I need to go." Law started to get up, but was stopped by the woman.
"Don't worry about your pet, my man will take good care of her. Even simple little things like her deserve a good night." Arine said close to his ear. "I have a hotel a few meters away, we can have our good night there."
Law only lasted a few seconds of the woman speaking, while the scene unfolded in front of him. The man remained glued to you, his hand remained on your waist but the disgust was clear in your eyes. Law was tired of it. He turned towards Arine and, pretending to fall for her charms, he ran his hand down the woman's leg.
"Is he your trusted man?"
"The best I have." she replied, proud of finally making Law give in. "Your little pet will like it." His hands went down to Arine's calves and as soon as he reached the small dagger he had seen hidden in her boot, he pulled it out and stuck it on the table. Soon after, Law allowed his powers to create a blue beam on his hand and the sharp object.
"Get him away from her now." Law snapped. Anyone watching from afar would never have imagined that he was about to kill a man. "I'd hate to have this show up instead of his necklace."
The woman whistled and snapped her finger twice and the man released you immediately, to Law's relief. Maybe you weren't the only person who let yourself be consumed by jealousy.
"You value your pet too much."
Law took the knife from the table and brought it to the girl's throat, noticing that the bar immediately stopped to watch them.
"Keep her out of your damn mouth." Law threw the dagger on the table and took out a small bag of berris from his pocket. "Our treaty ends here."
"It is a shame." the woman handed him a small card. By damn irony, it was the same hotel you two were at. "Come see me if you change your mind."
Law left the woman talking to herself and looked around the bar. You were gone. He considered returning the dagger to the woman's throat and asking if she had anything to do with it, but something told him no. The only answer he had was that you had gone to your base point, the hotel.
After flirting, asking you to go somewhere else and even threatening you because the man had a "job to do", just like that the man let you go. Trying not to understand the situation and moving away from that madhouse that was the bar, Arine and all the idiots involved, you returned to the hotel.
The first thing you did was take off your shoes. Why get ready for a damn meeting? Just Arine's presence made it clear that you were no match. You couldn't stop thinking about where Law could be, what the two of them could be doing. "My only favorite thing here is you" Law's words were still echoing in your mind when you heard a few knocks on the door.
Without bothering to think, you opened it, finding Law apparently without much patience.
"Are you ok?" he asked, entering the room.
The hurt consumed you and seemed to suffocate the angry words that surfaced and died in your lack of courage. But despite everything, he was still there and not with her.
"May I ask why you're pouting?" Law closed the door behind him, watching you cross the room and sit on the bed.
The sight of you with your arms crossed and a pout - just like a tantruming child - was cute but it was clear that something was bothering you and Law knew exactly what it was. He just wanted to press your buttons and see how far your hatred for Arine would go or if something had actually happened and he would need to start a hunt.
"I'm not pouting." As much as you wanted to go on a silence strike, you knew it would be immature - and maybe even wrong.
"Now you're doing even more." a barely audible laugh left his lips. The man placed Kikoku against the door and started to watch you. "I think I have a hunch what this is about."
"Of course, dear Arine must have told you." the venom in your voice gave away everything Law needed to know.
"Why did you disappear? Did that idiot do something?"
"I hated that place." you just responded, finding Law looking at you in a worried way.
"Not what I asked."
"Long story short, he wanted to fuck me, but I'm not that good."
"What do you mean by that?"
"Captain, I don't want to talk about it." You stood up, heading towards the door but a hand stopped you from continuing. "Besides, you should be wasting time with Arine."
"Are you really going to fall for her conversation?"
"I heard you." you just said. "Your favorite girl, in fact, she's the one who asked me to leave. You wouldn't feel comfortable with her "tasting" you in front of your employees." you imitated her tone of voice.
The cynicism in your voice as well as the bright line in the waterline of your eyes created an alert in the doctor's mind. Perhaps Arine's manipulation had gone too far, Law was beginning to consider it a bad idea to have given in - or at least pretended - that the woman's charms didn't even come close to what you did to him. His hand let go of yours, only to let you reach the door. Before your hand touched the doorknob, it was covered by Law's, which locked the door. He needed to make it up to you and he didn't want to be interrupted by it.
"Please don't do that. I hated her as much as you did." he turned you around, coming face to face with you. "There's no need to be jealous. What can I do to make it up to you?"
"I don't know." you let your face fall to the side his hand touched you, appreciating the small gesture. Law could manipulate you however he wanted, you would gladly accept it. "I just wanted to be pretty like her. You know, be your favorite."
Law could have replied that you were the most beautiful woman there - and for him, in all the seas, but he preferred other methods to convince you. Not allowing much time for you to continue mumbling, his body pressed against yours, his hand cupped your face and his lips collided with yours. His tongue passed under your lips, causing you to open them and give Law space to take you. It was like a fight for air and to ward off all those bad feelings that night had brought you. Impetuously Law invaded your mouth, purred against your lips, finally after that horrible night he could take you.
Your hands reached his shirt and unbuttoned it button by button, throwing it to some deserted corner of the small room. Wetness accumulated in your intimacy as you allowed your hands to pass over Law's abdomen, going down until you found a hard volume. Your fingers began to press against him, drawing small patterns on the tip of his dick.
"Do you want to taste it? You know, only you can." he whispered, hearing a please escape your lips. "Get on your knees."
You promptly followed his orders. Feeling your hands itch, you placed them on his thighs and allowed your lips to run along the coarse fabric of his jeans. In your field of vision you can see two tattooed hands unbuttoning the piece without any rush. Law watched your lips change the fabric of your jeans for the black underwear that covered them.
"Are you that eager?" again, the same low tone, the same teasing behind his voice.
His cock appeared in your field of vision and in a slow counterpoint to your anxiety, your tongue just slowly slid along its entire length, from base to tip. One of your hands reached the base, giving you space to cup his balls in your lips. Law's hand that was holding him against the door went down to his cock, taking it from your lips.
"Don't be mean." He pointed the tip at you, sliding it over your lips. "Do you remember how to ask it to stop?" He took one of your hands and placed it on his leg again. Two beats: a pause for breath, three beats: stop immediately.
You just nodded, opening your mouth and batting your eyelashes in Law's direction. The innocent look, the anxiety that was clear in you, the invasion was sudden, Law had already put up with too much of your provocation. His hand joined your hair, pushing you against the wall as he thrust deep into your throat, starting slowly and quickly increasing the speed.
"Is that what you want?" the tattooed fingers got even more tangled in your hair "It's only yours, take it all in"
The air seemed increasingly rarefied and your eyes stung with some involuntary tears at the same time you could feel your panties getting even wetter and your voice producing involuntary moans, your body reacted to the grunts coming from the man above you. Your eyes met Law's and you found one of the most beautiful scenes you had ever seen. A little sweat accumulated on his face, his chest rose and fell euphorically and his eyes focused on you. As if it were still possible, Law, noticing your gaze lost in theirs, stuck his dick even deeper into your throat.
"Fucking beautiful." he murmured, taking his dick out of you and watching you catch your lost breath. With his hands still stuck in your hair, he pulled you to your feet again. "The most beautiful woman, all mine."
One of the few remaining tears ran down your face and you felt it burn even more when Law slid his tongue over your cheek, licking it and erasing it from existence. All mine his voice whispered again. Leaving his clothes - and consequently you - behind, Law walked to the bed, sitting down and looking at you from afar. Even with the distance you could still see Law lost after you sucked him. His eyes danced over your body.
"Come here, take off your clothes for me, please." damn it. Hearing Law ask you for something silly, eyes still shining from watching you suck him was a little too much for you. You walked over to him, stopping between the man's legs. The first thing you took off was your blouse, followed shortly by the skirt and panties you were wearing.
"And you still ask if you're my favorite." Law murmured something that you suspected was just his thought, still trapped in a trance.
"Am I?" you used the same teasing tone he usually used, as he had just a few minutes ago. Your legs passed through Law's body, wrapping around his waist. Using equal strength for both of you, Law pulled you and lay down on the bed. “Law…” your warning tone appeared as you saw him pull you away from his dick, towards his face.
"My favorite, my only, the most beautiful..." he listed unpretentiously "What do you need to understand?" He started kissing your thighs, which were already around his cheeks. "Let me prove it to you."
Law pulled your hips down, your pussy falling over his lips. You had to suppress a scream when you felt his tongue travel all over your vulva, stopping at your clit. His hands settled on your thighs as you tried to roll against him, looking for more friction. The suppressed screams soon began to escape your lips in low moans every time you felt him slide his tongue inside you.
Law was usually methodical, he took as long as he needed to make you cum but now it was different. You could feel your even wetter pussy while Law grunting beneath you as squeezed you even tighter and sucked your clit without worrying about the mess made on his face. The precipice seemed just seconds away when he stopped, taking you off of him and placing you back on his hips. His lips were dripping with your honey as was his chin and your legs were still shaking from the orgasm that was behind you. Law's hand went up to his hair and took off the last piece of clothing on his body: the hat, placing it on your head.
"You know you are mine, just mine, just as I am yours." his hands slid over your breasts, going down and pulling your hips, fitting your entrance to his cock. "Ride me, take what's yours."
"Fuck Law." you moaned softly, feeling every inch of him fill you.
You could feel wet, but it was never enough when Law entered you. When you reach the base of his dick, you can feel him grunting along with you, his hands tightening the skin of your ass even more as his hips press into you.
You started slowly, your hands resting on Law's chest while your hips rose and fell millimeters, not wanting to move away from the feeling of being filled by him, of having every inch of your pussy filled. As the speed increased, your moans began to echo throughout the room and one of your hands involuntarily went up to your mouth, covering it.
"No, babe." Law pulled your hand and, with the other, held your two arms behind your back. "We're not in Polar Tang, I want to be able to hear you scream, at least today."
His feet planted themselves on the bed and Law began to move his hips against yours. He thrust hard, the noise of bodies coming together was as loud as your moans and you could also hear the words coming out louder and louder from his lips.
"Your little pussy is squeezing me so much, so good." He used one of his hands to find your breast, squeezing the nipple between his fingers and hearing you scream.
"Harder, please love." the word that escaped your lips worked as fuel for Law.
The hand holding your hands let go and your body fell against his chest. One of Law's tattooed hands got tangled in your hair while the other circled your back and attached itself to your waist. Sweet whispered nothings and screams of pure pleasure echoed throughout the room, leaving your lips and falling into Law's ears like pure delight.
"Fuck, cum for me babe" Law's lips found the sensitive spot below your ear. "I want to see my girl soak me."
The words were enough for you to feel your vision turn white and your body soften in Law's arms, while you used his name as a mantra. Without waiting for you to recover, Law held you on his lap, still inside you and took you to the nearest wall, starting to thrust into you mercilessly again.
"It's too much, please."
"Just a little more." Law murmured, his face stuck in the back of your neck, biting every piece of exposed skin. "Just give me one more."
"Damn, right there." Your voice was thin and broken, almost inaudible. Law hit the right spot inside you and in your limited field of vision, you could see the red tone on Law's skin just below your nails. "L-Law! I'm feeling something... Damn Law!"
Law could feel his dick getting wet as he watched you having a squirt that from your reaction he believed was the first time. His name sounded like the hottest thing he had ever heard and when he saw your pussy gushing he couldn't control himself and came, filling you with his seed, that would be a worry for later.
"I-I..." you started to speak to even that seemed too much for you, and you just let your head fall on his shoulder.
Feeling your body weak, Law guided you back to the bed, allowing you to lie against his body. The tattooed hands drew something invisible on your skin and your breathing was labored. "The wall... the neighbors..." you tried to list, still feeling weak. When you looked up to see if Law was listening to you, you found him smiling mischievously. "What are you thinking?"
"I heard we have an interesting neighbor here at the hotel." the pieces fell into place, making your face burn in embarrassment.
"She's going to hate me, even more."
"If it helps you, she already hated you." Law explained, caressing your cheek. "In the bar, she was the one who told that guy to talk to you."
"Ah, that doesn't make me feel any better. You mean a guy only hit on me because she asked?"
"What does that mean?" He seemed indignant and you quickly tried to correct yourself.
"I was already feeling ugly, that didn't make it much better."
"Do you need one more to understand how beautiful you are?" you knew exactly what Law was telling you about and you felt your face burn with shyness. "She's just a frustrated person, don't worry about anything she told you."
"Sour, damn blonde." you mumbled, earning a laugh from Law, who whispered your name softly, catching your attention.
"You know you're the only one, right?" he asked and you nodded. "And that you are amazing and beautiful."
"You're also the only one." his eyes followed your smile, as you snuggled into him. "And incredible, beautiful, strong. If I keep listing them, I'll end up putting you to sleep." you laughed, seeing Law acquire a more serious expression. "A coin for your thought"
"I-I... I lo..." he could remember what you had called him, he knew very well the feelings he had for you, but it seemed so difficult to bring them to the surface.
He still remembered when he allowed himself to actually feel that way for someone and watch those people leave him. Law knew he couldn't bear to see you go through the same thing. Taking him out of his daydreams and the speech stuck on his lips, you reached out to reach Law's forehead and place a small kiss, before then cuddling up to him again.
"I know. And so do I." you had your own fears, your own traumas and fears, you understood his fear.
For now it would be better this way, if your love remained between the two of you.
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flowerandblood · 8 months ago
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The Fall from the Heavens (39)
[ canon • Aemond x Strong • niece female ]
[ warnings: description of character death, childbirth, anxiety, sex content, smut, angst, breeding kink ]
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[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]
The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.
Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
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What he had done and the death of his grandfather, although it filled him with sadness, eased the tension between Dragonstone and the Red Keep to some extent. Something of a ceasefire was to last until his wife gave birth to his child.
He was horrified at how much depended on this.
To his despair, Harrenhal, although in his mind it was supposed to be a place of their solace and rest, had become a neutral fortress, with members of both the Black and Green factions arriving there.
Neither Daemon nor his mother had any intention of leaving until the matter was resolved once and for all, but they did not say so out loud. Daemon focused on searching for Larys Strong and burning nearby villages, while his mother tried to support his wife through the hardships of expecting his offspring.
Her lower abdomen swelled from his inheritance more and more each day, her breasts grew fuller, her hips wider.
Before his eyes she was changing, becoming even more feminine.
Although the maester's indications were different, in the privacy of his chamber they made love to each other, unable to maintain restraint in this aspect.
He did not dare to be aggressive or violent towards her, treating her body as if it were a temple; his fingers, as he pressed his naked body against her back, lying on his side with her, made sure that she would be all wet and moist before he put his erection, aching with desire, into her.
Once he was sure her body would accept him with ease, he lifted her soft thigh gently, allowing her hand to direct the head of his cock into her slit. His free hand clamped down on her full, plump, soft breast as with a slow, unhurried thrust he opened her lazily on his swollen length, moaning with her in delight.
"– yes –" She breathed out, clasping her hands on his arms that embraced her, rocking her hips, trying to find a rhythm with him and force him to accelerate.
"– no, sweet girl – we're only going to tease this little cunt – we can't hurt the baby –" He whispered in her ear, placing sticky, hot kisses on her neck and shoulders, leaving wet marks behind as his hard manhood opened her slick, fleshy walls again and again with the soft, deep stabs of his hips.
She shook her head, her breath heavy at the thought that he might take it out of her when it felt so good, when he was filling her insides so wonderfully again, thirsting for his closeness.
"– please – please, husband, inside me –" She mumbled out, tilting her head back with a sigh of euphoria as his thumb pressed hard on her puffy nipple, teasing it between his fingers. Her core clenched greedily on his erection, sucking it in, making him involuntarily speed up.
"– fuck –" He exhaled, feeling his will to slide out of her move away from him with each faster, sharper thrust. He gave up when he heard the loud clicks of her wetness as he began to pound into her with all his strength, panting hard along with her, chasing his fulfilment.
"– is this what you want? – you're carrying my baby, and you already want another? – hm? –" He hissed, driving his fingers into her wonderfully soft, hot breast. She squirmed at his words, grabbing his hair from behind, responding with movements of her hips to his thrusts, soaking his cock wet.
"– yes –" She mumbled out, already thinking with her weeping cunt rather than her sober mind.
"– fucking beg – beg your uncle –" He growled, tightening his hand around her neck, careful not to overdo it though. She moaned loudly, her leaking, hot walls giving his throbbing erection a thirsty, quick squeeze.
"– please – p-please, uncle, oh gods – oh gods, oh gods –" She babbled as he felt her wetness run down her thighs with her fulfilment, his hand stroking her swollen abdomen before he sighed heavily in relief, his warm spend filling her insides again.
"– Rhaenys –" He muttered, letting go of her neck, snuggling her back into him, placing loud, hot kisses on her neck. He felt her jump up suddenly, excited, and she grabbed his hand quickly, placing it on her stomach.
"– can you feel it, uncle? – here –" She gasped, and indeed, he seemed to feel movement under her skin, and then again and again.
He blinked, breathing loudly through his mouth, and smiled involuntarily, feeling warmth in his heart at the thought that their child lived deep inside her, safe and sound.
Their little dragon.
"– yes – yes, I can feel it –" He whispered, pressing his cheek against hers, looking at their entwined hands.
"– our child has sensed our excitement –" She said with amusement, and he hummed at her words, placing a lazy, soft kiss on her shoulder.
With each week, the baby in her womb made her more and more uncomfortable – her ankles swelled from even a short walk, she was dying once from the heat and once from the cold.
He felt helpless knowing that everything she was experiencing was on her shoulders, and there was nothing he could do to relieve her even for a moment.
As her husband, he made sure that every evening there was a tub of warm or cold water waiting for her, depending on her mood, sitting by her side and stroking her hair as she lay in the bath with her eyes closed, trying to relax. Before bed, he massaged her back, calves and feet, wanting to ease her pain a little.
"– ah! –" She hissed, trying to get away from his knuckles that were digging into her spine. "– not so hard! – it hurts –"
"– I have to do it hard – otherwise it won't have any effect –" He replied, pulling her back to him, putting as much force into his massage as he saw fit. She quivered in his embrace, begging him to stop, and when he finally finished, she sighed in relief as she felt the tension leave her muscles.
"– better? –" He asked, and she nodded wordlessly.
The only comfortable sleeping position for her was lying on her side, so he embraced her from behind, wrapping his arms around her and their child.
Although the presence of her father and brother, as well as his mother, drove him mad, on the other hand, he felt safer because of them, knowing that he was not watching over their safety alone.
A few months earlier he had not believed it possible, but he and his niece were once again conversing with each other as they had when they were children: frankly and directly, sometimes leading to arguments and anger which, however, quickly passed and they fell asleep each evening in a tender embrace.
The knowledge that he shared everything he was experiencing with her, the weight of the future, the weight of his inheritance, the weight of the crown made him have the strength to bear it.
He could finally see a meaning in it all, as if at last the gods had revealed to him the purpose of his life.
The being growing in her womb fascinated him more and more – he could lie for hours with his cheek nestled against her belly swollen from his heritage, kissing her warm skin, her fingers playing with strands of his hair.
The thing that excited him most was the fact that his baby moved often or kicked hearing his voice.
"You don't let your mother sleep at night. You squirm terribly." He murmured and smiled involuntarily when he felt the little creature twist inside her.
Increasingly, he wondered, had his father cuddled in this way with his mother's body when she carried him under her heart? Or did that honour accrue only to Aemma?
He felt a cold sweat on his back thinking about his wife's grandmother and what had happened to her.
He promised himself that he would save his niece's life even if it meant the death of his child.
He preferred to live through his grief and beget another than lose her again.
Daemon, unable to bear being in the same fortress with his mother, gave himself completely to the search for Lord Strong and, to everyone's surprise, he found him where no one expected him to be: in King's Landing.
He didn't know who had reported this to his uncle, but he assumed that the women in the brothels were his eyes and ears: he had received word that Larys Strong was hiding in one of the ports and wanted to get out of Westeros by ship in one of the empty wine barrels, to disappear forever in Essos and never be found.
Daemon was quicker, and although his original plan was different, he liked the vision of having his head impaled on a spike. The rest of his body was thrown into the river, while he took the part from the neck upwards with him only to throw it under his wife's feet.
"He lived like a rat and died like a rat." He said.
Then, to her despair, he ordered his head to be stuck on a spike above the walls of Harrenhal to welcome all comers, warning them to know what would befall those who threatened his children.
Although he felt regret and shame that he was not the one who had caught him, he was immensely relieved to know that everything had returned to some point from which their family could begin again.
He didn't believe he could ever forgive Luke and didn't want to see him: all he wanted was for him to rule in Driftmark, beget his bastard children and not appear before his face.
The thought of Jace inheriting Dragonstone filled him with frustration, however, he knew that this compromise for everyone was bittersweet, and he had to swallow his deep sip in silence.
What he had written to her about in his letter had come true.
Each of them had to sacrifice something.
What bothered him was that the closer it got to the childbirth, the more his wife became silent and thoughtful, closing herself off in her mind.
He knew this was not a good sign.
"What are you thinking about?" He asked sitting down next to her on the bed, pulling her out of her reverie. She blinked and shook her head, stroking her swollen lower abdomen.
"About nothing." She whispered.
"I want to know." He said impatiently, and she sighed heavily. She pressed her lips together, as if she was embarrassed by what she was about to say.
"My body will never be the same again after… after this." She confessed, and he blinked, completely not understanding what she meant.
"I do not follow."
She closed her eyes, impatient and distraught, tightening her fingers on her nightgown.
"My body after I give birth. My stomach, my thighs, my breasts. They will never be the same again. I'll probably have scars, my skin won't be as firm, it will be…"
"Do you really want to speak with me about scars? About irreversible changes?" He asked roughly, and she lowered her head, her eyes red from tears of shame.
"I told you it was nothing." She muttered in a trembling voice, not looking at him.
He pressed his lips together, feeling a discomfort in his stomach, knowing that he had reacted inappropriately and this was not what he meant. He sighed, considering for a moment whether or not to do it, and then decided it was the only way.
He reached into his left eye and grasped the sapphire that had been inserted into his eye socket, then took it out, for the first time in the presence of another person.
He turned his face towards her, but her gaze was fixed on her hands.
"Look at me." He said softly.
She lifted her eyes to his and froze, surprised, her lips parted involuntarily.
"– Aemond –"
"– do you consider me disgusting? – unworthy of your love? – would you betray me and my trust by what you now see before you? –" He asked, and she shook her head quickly, her breath heavy.
"– no – no, of course not, my love – I –"
"– do you think I'm looking at every part of your body making sure it doesn't change? – that I believe that though I grow old, you will be forever young? – do you count the scars I have on my body? – do you pay attention to them, think about them when you make love to me? –" He continued to ask, tears one after another running down her cheeks. She looked at him pleadingly, shaking her head.
"– no –" She mumbled out with difficulty.
"– so why do you judge me so unfairly? – because I am a man and you are a woman? – you think you're beautiful because you're young? – you're beautiful because you're mine – because you smile at the sight of me, because your bare body is warm and moist for me, because your breasts and hips are soft when I dig my fingers into them –" He whispered, placing his hand on her knee, sliding it down to her thigh.
She looked at him with big eyes in silence, quivering, listening to him in complete silence, wiping her tears from her face flushed with emotion.
"– those are beautiful words – you moved me deeply –"
"– I love you –" He said without thinking and nodded his head as if admitting to himself that he was right. "– as you put it – it's not love like in poems – it's something painfully real –"
Although he thought they still had a few more days, the delivery took them by surprise, and his wife simply collapsed one morning as her servants were helping her dress, a loud, surprised moan leaving her lips.
"– Aemond – Aemond, g-gods, it has begun –" She cried.
He called Alys, his mother and the servants to help her immediately, not knowing what he was supposed to do himself, her face flooded with tears, the terror in her eyes that made him helpless.
She was suffering, and he could not help her.
"– leave, my Prince –" Alys ordered, and he nodded, watching her with a look of defiance.
"– she is to survive –"
The Witch of Harrenhal grinned, understanding what he meant.
As in his dream, he, Daemon and Jace were left alone in the other chamber that belonged to him, adjacent to the one where his wife lay. He covered his face with his hands, hearing her cries clearly, her screams and moans, feeling himself tremble all over, his heart in his throat.
His niece tried to bring his offspring into the world in pain, suffering for him and his cause, and he could only sit and wait.
"– childbirth – a nightmare for wives and husbands – drink, nephew –" Daemon said in a bored, tired voice, himself visibly tense, handing him a cup of wine, which he did not, however, take from him. His uncle laughed under his breath.
"– you are as stubborn as your mother –"
He did not answer, staring dully ahead.
He was afraid, hearing her whines, that his dream would become reality, and the thought that he might lose her once again made him feel a terrifying emptiness in his mind.
He frowned when the sounds suddenly stopped, involuntarily glancing at Daemon. He was horrified to see that his uncle had also turned pale, looking towards the door, knowing that this was either a very good or very bad sign.
"What's happening?" He muttered finally, feeling like he was about to explode.
"Don't panic." Daemon answered him, licking his lower lip quickly.
Everyone jumped in their seats as the door to the chamber opened suddenly – his mother stepped inside, and they all stood up, pale and terrified.
The Queen smiled.
"You have a son."
"And her?"
"She is well. You can see her."
He rushed out of the chamber, panting heavily, and opened the door to the quarters where his wife lay. He only breathed a sigh of relief when he saw her face – she was all red and sweaty, her cheeks swollen from tears of exertion and emotion, strands of her beautiful dark hair stuck to her face.
She smiled at the sight of him in a way from which he felt like crying, only after a moment noticing the small creature wrapped in a white cloth writhing in her embrace.
He walked closer to them, feeling himself quivering all over, sitting down on the bed beside her, looking in disbelief at his inheritance, their shared effort, their shared hope.
"He has your beautiful hair. Your mother is pleased." She said, exhausted and amused. He embraced her and pressed her to his chest, kissing her fragrant hair with tenderness again and again, not knowing how else he would show her what he felt.
The fact that they had a son pleased him, but the real relief for him was that she had endured the labour so well.
He swallowed loudly and only then did he look more carefully at his son, touching his fingertips to his hand, which had clenched into a fist on his finger.
"– see? – he recognises his father –" She murmured softly, rocking the white-haired infant before placing a soft, warm kiss on its small forehead. Their son squirmed and yawned, opening his eyelids for a moment.
He felt hot at the thought that his son had her eyes.
"– what shall we name him? –" His wife asked, snapping him out of his reverie, laying her head on his shoulder. He mused for a moment, stroking her neck.
"– Viserys – as the man who betrothed us –"
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akilahia · 7 months ago
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Thinking about IHNMAIMS in pretty much all of its forms.
Specifically Ted and Ellen. Obviously in the Game their relationship is very different from the short story/comic/radio drama, with Ted being in love with Ellen(although it’s evident it’s because she is the only woman left alive). In the game he shows devotion to her, he is willing to push past his usual methods of flirtation and find other ways to get what he needs.
But in the other adaptions his feelings towards Ellen are mixed. I think his unique backstory with being so dependent on women to live a happier and more lavish life style, significantly effect how he views Ellen beyond AM’s tampering
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Throughout the short story Ted constantly thinks ill of Ellen. Even though prior to being placed in this hell, she had only had sex twice before. But she is the last woman alive on earth. The video game(while following a different plot line(still one that is extremely tragic and literally made me cry)) expresses that even before Ellen’s assualr she had little to no interest in sex. She would never have had sex with the four men if it weren’t for
1. AM
2. Being the Last women alive
3. AM’s deliberate tampering
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In a world where characters like Benny have been so permanently physically marked as a form of torture by AM, something like sex, is not as extreme in comparison(at least from Ted’s perspective). However to be the last woman alive, with minimal interest in sex, to be tampered with in such a way, is such a horrific form of torture.
I’m going to shift a way from this for a second to talk about Ted’s backstory for the video game. I understand that the videogame makes changes in terms of backstory for some of the characters(like Benny), so we can’t claim Ted’s backstory for the game is even remotely close to whatever it might have been for the short story. However, I still think can provide interesting context to his behavior towards Ellen.
Starting off, he really isn’t the cool rich guy that he played himself off to be when life was still normal. He never came from money, he was poor and he was forced to work and couldn’t go to school. However he was good looking which is resulted in older woman being attracted to him. And when he was NINETEEN, one older woman gave him her husband’s money and offered him the chance to travel and live in luxury.
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Now this probably isn’t important, or was even taken into consideration by the game makers, but I was curious as to what the possible age gap between this older woman and Ted could be. The were together for 5 years, then she died
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She died specifically of an aneurysm, which according to Google typically happens between the ages of 30 to 60. There is all this stuff with the Cold War and ww3 and I was going to try to do all this math with it but it’s too late for that and not relevant to the point I’m trying to make. But I’m just going to do some simple mental math and estimate that it might have been late 60’s or early 70’s when the older woman and Ted first got into a relationship. As I’m assuming everything went to shit in 1995 since that’s when the game came out, and 25 years had passed after he met the woman. Also this makes sense as Ted’s grandfather sold the farm due to the Great Depression, since most people married and had kids young, I’m going to be generous and say grandpa was 30 in 1929, and Ted’s mother or father was 9, then 10-12 years later Ted was born. Then 19 years later it would be about the 60’s or 70’s.
I am going to presume that the older woman had been married to her husband for at least 15 years. So it might have been 50’s at the earliest possibility. And the average age people married at then was when they were in their 20’s. So when she met Ted she was AT THE EARLIEST 35. Making her at least 16 years older than Ted when the first got together. But also worth noting that they do specifically mention older. So if we look on the higher side of the typical ages for aneurisms she could have been 55 when they first met(as the 5 years would pass making her 60) so she could have been 36 years older than him.
This seriously isn’t relevant to the actual point I’m trying to make with Ellen and Ted but I got sucked in. I guess I just wanted to highlight that Ted did not have the power in this relationship, he was young and poor, while she was old and rich, and I can imagine how that kind of relationship would impact him.
The next thing I want to note is the use of the word ‘lover’.
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Though it can be used in a strictly romantic non intimate sense, I think it is used in the sexual way here.
Especially with the provided context of two different definitions of the word ‘lover’ both highlighting it’s connotations with sexual relationships
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Furthermore, Ted’s relationship with the older woman is essentially just a sugar baby relationship. She is letting him experience things he never could have without her money. She teaches him how to act as a socialite and gets him used to the high life.
In connection to the sexual elements above, there was a video I wanted to link here but I can’t find it anywhere anymore. It was a YouTube video with a bunch of sugar babies discussing their experiences. And one woman confides that you really won’t make much money if you are in a platonic or non intimate romantic relationship with your sugar parent. If you want to make money and live richly, you have to preform sexual favors.
Now it’s hard to say if this was the only relationship with an older woman that Ted had been in. But regardless of whether it was one woman or a billion, using his body in order to get something that he wants has become an important asset to Ted; As seen in the castle with the maid and the witch. His love for Ellen(in the video game) helps him break past this fatal flaw of his, despite AM’s obvious temptations to make him fail.
Even if this stuff was in anyone’s minds when they wrote Ted’s backstory but I think it’s extremely important to note, especially as we return to my main point.
As stated before, Ted views Ellen negatively due to her promiscuity, despite the desire(felt really gross typing this word in this context) being placed in her as a form of torture by AM. She also is a woman, and Ted’s life has been spent around using and being used by women, so definitely lots of conflicting stuff there. Additionally Ted’s experiences with sexual relations are shown to be based in being transactional.
When he agrees with Ellen to go to the caves to get the food, she rewards him by being intimate with him to show her gratitude. Ted sees it as her ‘using him.’ (From the Radio Drama, I was going to post the clip but I could only post one video in a tumblr post apparently)
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In the comic, after this encounter he questions her motivations. What she got out of it, once again thinking transactionally. But her response
“Does there have to be a reason”
Really gets to me. Especially after looking at all this intertextual context. Thinking about video game Ted’s backstory with book Ted’s thoughts and behaviors, he is shown to always think there is some kind of catch. No one is doing something without getting something in return, especially if that thing is kindness.
Ted is so intensely paranoid(as seen in all versions). I think by pairing up the backstory for the game with the short story/comic/radio drama it’s evident to see how heavily affected he is by it.
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He thinks he has been tormented less by AM, making him paranoid of the others, contributing towards his behavior towards Ellen. Yet despite everything from the past and all of AM’s tampering, he still finds comfort with Ellen. Her unfaltering kindness manages to reach him even when he dismisses it as a farce. She doesn’t hate him or the others for how they’ve treated her, she still wants to help them. He still cares for her and the others. But he is filled with so much fear. He even apologizes to her.
I feel like at that point in the Radio drama marks a shift. Ted has made a realization about AM and it’s a lot for him, but Ellen is there for him. It’s a genuinely sincere act of kindness from her where she doesn’t ask or expect anything in return. They have some kind of connection. Once again blending the different versions, I think that this moment between them comes together in the end when they kill the other victims together. They don’t speak to each other, they just do it quickly and he kills her. And here he doesn’t refer to her by any degrading names. In the comic he holds her. Like how in the radio drama she held him.
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Overall I just wanted to point out how well all these versions really mix to provide so much more behind each character. The backstories for the video game allow the reader to understand book Ted’s actions and relationships from a new angle.
The is was super duper major mess of a ramble. It’s now 3 am and I have a migraine, so I’m done for tonight. I might clean this up another time or make another post about Video game Ted with context to his backstory since I didn’t include the events from the video game in here.
Once again these are just my thoughts and beliefs on how I think the video game backstory for Ted provides interesting context for Book Ted. I know that both stories play out differently and both Ted’s act differently so please don’t get angry if you disagree with the message of stuff I said
mini sequel post about video game Ted
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spacebubblehomebase · 6 months ago
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My Official Hazbin Hotel Stargazers AU Masterpost!
Or the #HHStargazersAU Checklist + MORE!!!
But before all that, here's the general synopsis:
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Charline is introducing her first ever girlfriend, Vaggie, to her circus running dad, Lucius Magne. But unbeknownst to them, Vaggie is hiding a big secret: She's Charlie's guardian angel! Tasked with setting her on the right path towards good, but to make things more complicated, the family's live-in hire, Alastor, is actually a demon that's been trying to tempt Charlie's dad to the opposite side! So how can this unlikely pair keep their respective truths hidden when mysteries start to unfold, how do they play house while also playing tug-of-war for Heaven & Hell, and just HOW did they get in this situation in the first place? Well, one thing's for certain, family dinners will never be boring as feelings unravel and everything grand is yet to be revealed. So tune in~!
Or something like that...
So if this summary seems like your cup of tea and you happen to enjoy both Chaggie & Radioapple content, then hop on aboard! Because, let me tell you, the ride I've prepared is so convoluted, I wish I charge people for it, but it's FREE! Unfortunately, all updates usually depend on my schedule and plans for plot may always change. But this semi-serious story of mine follows a loose "artfic" format anyway. A term I use to mean: I write just as much as I draw. So this is both a fanart and a fanfic AU now basically. But everything for it can be found on Twitter, Insta, or Tumblr. I post just about almost the same things in each, so there's no need to look further for more! Though I won't protest if you ASK for more as in the end, this gigantic AU is just a personal project of mine and any support. Be it a little acknowledgement or a major gift of a comment goes a long way to fuel my motivation! Now that the sappy stuff is out of the way though, here's the links to my story and list of future posts that would be regularly updated anytime I remove or add something new!
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Relevant Lore List:
Click title to be redirected to the post and some titles are [Redacted] for the sake of avoiding any spoilers...
-A New Day Will Dawn. ✅
-BONUS Interaction (& Ask). ✅
-Color Palette Reference. ✅
-Say My Name. ✅
-Divorce Aftermath (Ask). ✅
-Meet The Magnes. ✅
-The Stargazers. ✅
-Lore sneak peek. (Ask). ✅️
-Shadow Of His Light.
-His Pride.
-Her Joy.
-Close Calls.
-Surprise.
-The Dreamers.
-Phantom Pains.
-[Redacted] The [Redacted].
-[Redacted] That Day.
-A Cold Day In Hell.
-Prelude Promises.
-The Dancing Devil's Circus.
-Blossoming Feelings.
-False Start.
-The [Redacted, Redacted, Redacted].
-When A [Redacted, Redacted].
-The Last [Redacted] Lament.
-Moth To Her Flame.
-A Taste of Temptation.
-Better Than Never.
-Free Fall.
-HerStory.
-Wake Up Call.
-Seeds Of Doubt.
-Mother Knows Best.
-Fuck You, [Redacted].
-Dad Meet Mom.
-With Tax Benefits.
-Dawn Of A New Day.
-The First Stage.
-Reprise Reveal.
-B.U.S.T.E.D.
-A Third [Redacted].
-The Show Must Go On.
+++++++++++++++
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Related Posts:
((Asks are answered in between updates, but due to the amount of them, I unfortunately may still miss some. But rest assured I do read them! I just can't get to everyone. TvT Very much appreciate them though!))
-AU Idea Announcement.
-Magnes Are Humans (Asks).
-AU Name Explanation (Asks).
-Author Is Delulu.
-Excited To Spoil (Asks).
-Human Carmilla Carmine.
-Radioapple Dynamic (Asks).
-Alastor's Eyes (Asks).
-Questions About Lilith (Asks).
-Outdated Sneak Peek (Asks).
-Stimming Radioapple (Asks).
-Cryprid Alastor (Asks).
-Flavor Of The AU (Asks).
-Magne Discussion (Asks).
-Artist With Chaggie (Asks).
-Hug Alastor Request (Asks).
-Vaggie UwU (Asks).
-Yep. Still doing the AU (Asks).
-Alastor's Voodoo (Asks).
-Radio Signals (Asks).
-Masterpost Suggestion (Asks).
-Future Animatic Announcement!
-Dynamics & SPOILERS!!! (Asks).
-BONUS Vaggie's "dad" (Asks).
-Radioapple + Art Advice (Asks).
-ALAKAZAM!!! (Asks).
-Update about updates (Asks).
+++++++++++++++
Other Account Links:
((Just in case you want to experience my story somewhere else you're more comfortable with!))
For Blue Sky Account, click this sentence!
For Instagram Account, click this sentence!
For Old Twitter Account, click this sentence!
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((Note: I advice y'all to keep on checking the original masterpost on my page and see if it's updated as it may not show the new changes in reblogs. As for my Twitter, because of certain AI policies approved by an "egocentric piece of shit" billionaire, I moved to BlueSky for my own sanity. I hope you all understand. Thanks for reading!))
-Bubbly💙
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writingwithfolklore · 23 days ago
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What Makes a Good Pay Off?
              Novels are full of set ups and pay offs. Every single element you introduce is considered a set up, which means every single one needs to have one or more pay offs. If a character is really good at drawing, that skill needs to come into play during an important moment later or it will feel like a waste of words and reader attention, for example. If there’s a dog in the first chapter, it can’t disappear without providing some use to the plot.
              So how do we write a good pay off? It depends on a few things:
1. The longer the set up, the bigger the pay off
If the pay off is relatively small, place the set up sooner before. The longer it takes to get to the pay off, the more expectations are raised and the greater the moment needs to be. If a dog is introduced at the beginning it would be appropriate for it to play a small part in the plot a couple chapters later. However, if the dog is introduced and then comes up again and again across the plot, it should have a large role in the plot and ultimate ending of the novel.
2. Large pay offs should have at least 3 set ups
If you introduce something at the beginning, you can’t expect readers to remember it all the way to the end without some sort of reminder. That’s why large set ups typically come back up throughout several points of the novel. 3 times is not a hard and fast rule (and depending on the length of your novel and where your pay off is, this number is going to look very different across projects) but it’s a good guideline so that you remember to carry it throughout the novel before the pay off.
3. The last pay off is the biggest
If your set up has multiple pay offs, they should get progressively bigger and more satisfying as they go, leading up to the final that has the largest impact on plot and character.
4. Every POV character will have a set up and pay off
An arc is essentially a large set up and pay off, which means every character should have one. Your inciting incident is the set up for your MC’s arc, but the other POV characters also need their own introductions to their arcs, and eventually, their own resolutions. These can be placed wherever makes the most sense for them, and can be shorter than the main plot (for example, a side-character’s story may be resolved any time between the midpoint and ending, though I wouldn’t go any sooner than your midpoint).
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agirlwithglam · 9 months ago
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Motivation: things to like about these subjects
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Math:
Isn’t math kinda magical in a way? See, the thing about math is that it’s the same in every country! Every equation, no matter how hard or complex or long, can easily be broken down into much easier ones, (like simple adding, multiplying, dividing, or subtracting) Once you know what’s going on, it’s not really that hard. (+ take cute notes!!)
Science:
Ookay, honestly? Science is genuinely so interesting! How your body works, how plants create their own food, how the whole solar system was made/ operates, whether there’s other life out there, chemical reactions & experiments? If you actually tried to be fascinated by it, you’ll be surprised how incredible it all is! (+ take cute notes!!)
English:
Me personally, I loveee English. You can too by trying to romanticise it!
If you’re doing poetry, like what’s there not to like? Poetry is such a beautiful language, it’s a way of expression through gentleness.
Writing short stories? This is my favourite. You can write it about anything, the possibilities are endless! Doesn’t it excite you?
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History
Don’t try to remember facts and dates of events, try to learn the story behind it. You’ll find that it actually becomes so much more interesting if you remember the story, the emotions, the plots of the event.
Romanticising: hot chocolate or some hot coffee, studying at home, hair in a messy bun, playing some classical music in the background.
(+ also in class when you’re taking notes, you can doodle pictures of the people (stick figures for me lol), how they’d feel like or events on the side to add a bit of fun to it)
And honestly, history is such ‘romance subject’ (like arts, music, literature, languages)
Geography
Become good at it. If you don’t already have an interest in geography, then what helped me was becoming good at it. Paying attention during lessons, taking cute notes, etc. becoming good at it made it so much easier and less scary
Languages
This is also what I’d call a “Romance language”. Also dont you want to learn new languages? So many people decide to learn languages later in their lives because they find out it helps you in one way or another, but in school they’re already teaching it to you in the BEST WAY! Also knowing and being able to speak more than 1 languages fluently makes you SO powerful bc then you can speak in more countries. And also imagine how impressed people would be?!
Music
Have fun with it! It mostly depends on what you are doing in your music lessons, but what you would normally be doing is learning/ practicing an instrument. Don’t be immature and play it at random times when the teacher is talking, but just have fun with it! Again, like i said earlier, so many people start to learn music so much later in their lives and here it is being handed to you on a silver platter. TAKE ADVANTAGE OF IT!
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Art / art&design
Personally, I LOVE art!! It’s another “romance subject”. It’s a beautiful form of expression. Even though you may not be doing what you want to be doing, still have fun with it!! Be creative! And importantly: loosen up! Art, like beauty, is very very subjective. One person’s scribble can be another’s MASTERPIECE! So stop bring so worried with it being “correct”. Just have appreciation.
P.E (physical education/ sport)
I just don’t understand why anyone wouldn’t like PE. Like you don’t even have to learn anything, you just run around playing fun games. And as a bonus u get fit!
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xoxo, vanilla
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jinkiezzsstuff · 10 months ago
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Back to Life
human!alastor x human!gnreader
Part 1 of 5+
summary for part: you had just been for a walk in the woods, and now suddenly you’re standing over a historical looking guy with a chipper attitude and… a gun? thankfully he’s here to help you in your bloodied and confused state, but as things play out you can’t help but notice nothing is like it was before your fall, and all you have to trust is the odd grinning man
summary for series: One day when waltzing through the woods a peculiar looking buck led you deeper in, while following, you fell hitting your head and woke to a stranger standing over you. You don’t know where you are, how you got here, or who this guy is, but he’s all you’ve got and he’s utterly insane.
warnings for part: short first chap, lowercase intended; i’m feeling quirkyyy, multiple parts-i put other things aside because my brain is STUCK on human alastor sorry lads ;-;, blood, descriptions of injury, kinda strange stylized writing, i’ve got like a whole story thing planned compared to the other ones-this one’s got a whole plot line. no descriptions of reader- of any kind, no pronouns, i looked up a shit ton of 1920s outfits & speech just for a couple lines lmao, OOC alastor my reasoning behind that is he’s not in hell yet so he hasn’t had that kind of demonic development yet, he’s still a psycho tho and we love him for that, also mommas boy <3, he uses 1920s slang a lot lads, throughout the whole series
warnings for series: homicide, morally grey reader, eventual smut, cannibalism, reader will eat a guy, unknowingly, alastor be doing witchcraft magical madness but it’s never in depth explanations, alastor is a mommas boy and it will be hounded on, annoying 1920s slang, alastor is more accumulated to the era he’s in so he may be OOC 100 years in hell would change a guy, varying descriptions of injuries and blood in detail, takes place in 1927, alastor is 27 oop born in 1899 tho, nothing here is canon, just loosely follows, reader is in their 20s at least; no younger, alastors mom is nameless mostly, maybe later on she’ll have a name; she’s 48, alastor has daddy issues bc same, mimzy may be added later depending,
you remembered seeing a deer while wandering through the woods, you were taking pictures of the scenery when you saw this curious looking deer.
it stood tall with large antlers, a beautiful reddish brown coat, you’d never seen a deer so close. brining your camera up slow you went to snap a picture when your phone crashed, you weren’t even able to get the buck in frame before your phone fizzled out.
the deer started to walk away, but you so badly wanted these pictures. slowly you followed behind, cautious of the leaves and sticks below your feet. you followed it over a fallen tree, through bush and branch. finally you entered an area filled with more foliage, closer trees that blocked off sunlight, more bushes and fallen trees, wild flowers, moss and random mushrooms.
you watched as the buck disappeared behind thick bush, and that’s the last conscious moment you remembered. you woke at the bottom of the hill, when you opened your eyes you didn’t know a thing.
it was like you were a blank slate, everything was as it was; there was no confusion, you were simply in the woods with no worry or question as to why. you laid there, your head lulling from side to side observing the tree covered sky above, the sunlight that shot through the trees highlighting the particles floating through the air.
there wasn’t a sound at all; the animals feared something near. inhaling deeply, you willed your head up, wincing and groaning in pain. suddenly life as you knew it came back to you, you weren’t just a mindless being in the woods, you were you, and you were out here taking pictures and then, fell?
you still weren’t sure what had happened just that you followed a deer and then… fell asleep and woke here. your body ached badly, specifically your forehead, your back, neck and shoulders. it seemed the brunt of the fall was your head, lifting your hand you touched your forehead feeling a flap of skin that wasn’t there before.
looking down at your hand you weren’t surprised to see some blood, in fact the top you had worn had been covered in it. “hello dear, funny place to snooze if ya ask me.” a voice joked, startling you. however your body was too tired to startle, so despite your heart rate increasing, and the jump you felt in your bones, your body remained eerily still, your head slowly turning toward the sound.
standing above you was a man with a soft smile, he wore circluar glasses and the strangest outfit. he wore a coat chestnut brown- a lumberjack coat; strange looking pants that puffed out at the hips, with boots that the pants cinched into them. his hands were covered by gloves, and tiny brown coloured coiled curls popped out from his hunting cap, and on his shoulder a leather strap that allowed a large shotgun to sit on his back.
you were taken aback by his looks, his outfit looked vintage, historical too, and he was, well, gorgeous. “you’re bleeding quite a bit dear, how’s about we getcha up and outta here, hm?” lending his hand to you, the man gave you a charming smile with lidded eyes. you felt something was off about the man, a lingering feeling that something beyond your understanding was telling you to run, get away.
instead you whimpered, pathetically so, and placed your hand into his, letting him hoist you up. he wrapped your arm around him, while he looped his own arm under you, helping you walk. it was hard to do so, your ribs hurt with every breath you took, your head felt like it was floating above your shoulders, your cheeks watered making you swallow constantly, and though you were shivering your body felt ablaze on the inside, like hot coals were lit under your skin.
the man looked down at you, you could see from your peripheral vision he was inspecting you, but you were too pained to care. “how’d you find yourself at the bottom of the hill my dear, someone try to bump you off?” his voice was way too chipper for your current mood, and all you did was mutter a confused ‘huh’ at him, thankfully he laughed that off.
“listen, i’ll take you to my joint my mothers over so we can getcha all patched up, but you’ve gotta spill whatever happened to you if that’s quite alright.” despite the sturdiness in his voice, asserting what was going to happen with expectations, he tone was somewhat kind. dryly you mutter out ‘name?’, your voice raspy and unlike your own. the man chuckled before he responded in a smooth tone. “alastor dear, pleasure to meet you.”
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whorergal · 2 years ago
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SHE'S MINE (PART TWO)
summary: after you've been attacked, the group becomes cautious and confused, now being targeted as well. but you still can't get over the fact that ghostface had helped you and why you think you know who it may be. and maybe you wouldn't mind keeping a secret.
warnings: scream vi spoilers, language (cussing), blood, gore. it follows the plot loosely.
pairings: ethan landry x fem!reader
authors note: hiiii i really hope u enjoy :-) also i have no idea if mindy shared the apartment with tara, sam and quinn but if she didn’t, we're just going to pretend she does and i also altered ethan's motive a bit too for this (lowkey was inspired by don't blame me by taylor swift so if you like listening to music when reading, i recommend that song for this part)
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The hospital visit wasn't as long as you anticipated. Two of the stabs you endured hadn't cut deep so they were able to stitch it upon your first visit and they closed up that same night—it still hurt like a bitch. Your previous stab wound was the worst one overall as the stitching process was a lot more painful because your skin was sensitive as it had been punctured once before.
When you were released, Sam took you under her care. She didn't feel safe having you and Anika alone in your apartment since the attack so she offered her, Tara, Mindy and Quinn's home to you two. It didn't really matter for Anika as she was always there in the first place but it bothered you.
You didn't mean to feel unappreciative but you hated being controlled by useless fear. Whether or not Ghostface attacked you in your home, he would find them someway or another; it didn't matter where you were. But, you agreed in order to clear her conscious.
They didn't ask much questions when you were in the hospital. After the second Ghostface left the apartment, you remembered blacking out and waking up in the hospital bed with Anika by your side. The doctor wouldn't let anyone come in since you were preparing for surgery but decided to let Anika stay since she was your roommate.
Her story was that your security system she had built when you two first moved in had went off when the second Ghostface broke in. Her and Mindy didn't tell everyone before leaving because they didn't want to risk not making it in time. The frat house was only a block down so they just ran their way to your building, ultimately finding your unconscious body on the kitchen floor.
Anika told you that they had met Ethan at the entrance of the building when the ambulance was called and said you called him, which was true but you wondered what took him so long. You were highly suspicious of him but you didn't want to be because he was your best-friend, you couldn't imagine him having anything to do with this.
Ever since that night, he was around, a lot. He even skipped his Econ classes to keep you company because Sam didn't want you to be alone and everyone else was busy.
You didn't ask him about what happened. You were afraid of what the outcome would be. But you knew you had to do something in order to understand. At least interrogating the truth out of him (because he couldn't lie to you) would give you peace of mind—well, depending on the answer.
"You don't have to be here, you know." You broke the silence, watching him write notes from the lecture he was missing.
"But I want to be," he told you honestly.
"E, you're missing Econ. You have an exam this week."
"I'll be fine, don't worry." He looked up from his notebook, putting the lecture video on pause to give you his full attention. "I don't want anything to happen to you again."
"Ghostface rarely attacks in the daytime," you joked.
"Still, Y/N/N." He was being serious. "Your stitches haven't even fully healed yet."
"This isn't the first time." You sighed. "Plus, Ghostface never attacks the same person twice."
"Says who?"
"Says Mindy."
Ethan rolled his eyes. "Yeah, well, I don't want to take any chances."
It went back to comfortable silence. You went back to reading your book for your English class while he continued to write his notes. After a couple more minutes, you decided to ask the question that had been eating you alive.
"What took you so long?" you asked randomly.
He furrowed his brows, turning to look at you. "What do you mean?"
"When I was attacked," you clarified. "I called you and you said you and Chad were on the way. Anika and Mindy beat you to it and Chad wasn't even with you when you arrived."
Ethan looked away, his face becoming pale. "Well, I went to go find Chad when you were on the call but I couldn't find him so I decided to leave. I didn't realize how much time I wasted until I saw police lights outside your building."
That was the first and final conversation you two had about it. You gathered what you knew from it but, again, you didn't want to believe he was Ghostface. Unless he wasn't and used the costume to throw the other one off. But where could he buy a replica of it that quickly and still be able to make it in time to save you? It didn't make sense.
You kept this realization to yourself. You felt guilty for it, especially because if he was apart of the plan in harming your friends, this smudge of proof could be enough to hold him accountable before it was taken too far. Of course, you didn't listen to yourself and decided to keep his secret that he wasn't even sure you knew because of how much you liked him.
On the third day of your recovery, your stitching was finally beginning to heal. It hurt to bend down and sometimes walk because it worked the muscles underneath the wound but you couldn't stand doing nothing anymore.
You made the excuse that you were planning to meet Ethan at his dorm for the night because you promised to help him with Econ. Sam wasn't exactly keen on the idea, wondering why he couldn't come to meet you here but you told her you were beginning to feel claustrophobic and wanted to get out. She didn't say much in defense and reluctantly agreed.
They all offered to walk you there just in case something were to happen but you brushed them off. If your assumption about Ethan was correct, he wouldn't let anything happen to you.
The subway was packed because it was nearing Halloween and it took you awhile to finally make it inside one. And the thirty minute ride to campus added onto the time. It was around twelve at night when you arrived at his dorm.
First, you decided to knock. Nobody answered. Then you remembered he had an Econ lecture to attend for the night and took out the extra key he had given you awhile ago and unlocked it yourself.
Honestly, you were glad he wasn't there because it would make your digging a lot more easier.
You searched through everything he owned. Through his drawers (which you highly regretted), under his bed, inside some of his unpacked bags—everywhere but you couldn't find anything that incriminated him.
It had been what felt like hours, but was really only thirty minutes, when you gave up. Your phone was going off but you didn't pay any mind to it because the group had consistently texted you ever since your attack; you just assumed it was them checking up on you and then getting paranoid because you weren't answering. Even if you knew you should've checked, you didn't bother as you were going to head back to the apartment anyway.
You quietly snuck out of the room, making sure the coast was clear until you turned your head to the left and saw Ghostface, waiting there for you. When you tried to scream, they grabbed your face with their hand, restricting your voice from releasing.
They were strong, being able to grab your entire body with their one arm and toss you carelessly back into the room.
You hit the floor, wincing at the impact because of your stitches. Ghostface shut the door behind them, looking down at you. They stalked toward you very slowly as you made sure to keep your distance from them.
Using the dresser that stood behind you, you lifted yourself up with your available arm as the other clutched your stitching instinctively to keep you balanced. It was a silent stare-down until they reached for their mask, untucking it from the behind. Then, they pulled it off.
You stared in shock. "…Ethan?"
"Y/N." He didn't have much expression on his face. He looked out of breath as you could see sweat shimmering on his face from the lighting.
"Oh, my god," You breathed out. Although you suspected him this whole time, finally being able to know it was the truth hurt you more than being stabbed. "You're Ghostface."
"What the hell are you doing here?" Ethan ignored your statement as he furrowed his brows.
"I knew it. I knew you were the one who saved me," you confessed. "That's why I'm here."
"You shouldn't be here," he told you, shaking his head.
"You're trying to kill me and our friends and you're telling me what I shouldn't be doing?!"
"Y/N, there's more to this than you know."
"That much is obvious," you snapped. He tried to step toward you but you backed up. "Stay away from me."
"Please, just listen to me," Ethan began to plead.
"You let them attack me!"
"No, I didn't!" he declared, lowering his voice when he saw it made you flinch. "They promised to leave you out of it. That was the only thing I told them to do."
"They?" you repeated in confusion.
He thought over his response for a second. "Look, what I'm doing—what I've done—is for a good reason. You have to understand."
You furrowed your brows. "What have you done, E?" You couldn't help but use his nickname; you couldn't help but try to hear him out.
"Y/N." He walked toward you slowly and this time, you didn't back away from him. "You're the only thing I care about. If it means I have to kill a thousand people to keep you safe, then I'd do it."
"I don't understand." Your voice was almost a mumble.
"I agreed to do this before I met you but when I did, it all changed. I-I tried to convince them to stop. I wanted to try and be good—for you but she found out and threatened to kill you if I didn't continue with the plan so I did with the exception that they would leave you out of it," he explained softly. "I did this…for you."
You looked at him like he was insane (he kind of was). "You'd kill our friends?"
"If it meant that you'd be safe."
His words didn't completely register but when they did, you couldn't help but feel guilty. You had a crush on him for so long and here he was, basically confessing his love for you in such a fucked up way. You hated yourself for finding him even more attractive after hearing him say those words.
"Ethan…" you whispered his name.
"Can I kiss you?" he asked. "Can I please kiss you?"
You didn't give him an answer as you closed the space between the two of you.
It seemed wrong—no, it was wrong. Kissing him while he still wore the Ghostface robe, one that he wore while taking someone's life.
You knew he wasn't wearing this costume for fun. They only ever wore it for a purpose. Even though your mind was totally blanked because of how dumb his lips made you, when you pulled apart, you began to think about where he had come from and who he had just killed and why you weren't more concerned about the matter.
He chased after your lips, kissing you again with more force this time, even pulling you closer by the waist. You only pulled away because you were receiving a call.
You pulled your phone out from your pocket, the reality setting in when you saw Sam's contact. He looked down with you, not doing much in keeping you from answering. It took you a couple more seconds of contemplating until you decided to click the green button, putting the phone to your ear.
You took a deep breath before answering. "Hello?"
"Y/N, what the hell?!" Sam hollered into the speaker, her voice mixed with relief and annoyance. "Why weren't you answering? Are you okay?!"
"Yeah, I'm fine," you replied rather nonchalantly. "I had my phone off. What's wrong, Sam?"
There was a short beat. "Ghostface attacked us."
You furrowed your brows, glancing at Ethan. "What?"
"Yeah, he killed Quinn and…"
"And?" you repeated instantly. "Who else, Sam?"
"Anika…" Sam's voice was barely above a whisper. "Y/N, I'm so sorry. I-I tried to help her."
You shut your eyes, feeling tears starting to build. There was silence on the line and you were sure it was because Sam didn't want to say anything knowing you would be taking her death as personal as Mindy did.
Suddenly, your stab wounds began to throb which made you let out a grunt. You knew better than to cry over Anika only because it would achieve nothing. Yes, it was messed up that you were now standing in the room with her murderer, watching him undress himself of his black robe that he wore while killing her but you realized nothing you could've said or done—whether you got to him before she died—could've changed her outcome.
You watched him pull out a hunting knife from his back pocket, the silver glistening with dried blood. That blood probably belonged to Anika and Quinn. It made your throat go dry.
"Sam," you blurted quietly.
"What, Y/N?"
You were going to say it; tell her the truth. It was the right thing to do. Ethan, even if you liked him a lot, had just murdered your best friend and one of Sam's. They deserved the justice of their murderer being caught.
But when he walked back over to you, his eyes scanning your expression, you had already picked your choice.
"Y/N, what? Are you okay?" Sam's voice echoed in your mind.
"Yeah, yeah, it's just…" You tried to find the words. "Is everyone else okay? Did you get hurt?"
"We're fine. Mindy got cut but she's fine," Sam answered softly. "Can you come down here? I'd feel a lot better if you were here with us. Plus, I'm sure you can comfort Mindy than the rest of us. She doesn't want to be anywhere near Tara or Chad."
You let out a shaky breath. "Yeah. Ethan and I are on our way."
"Ethan?" she questioned.
"Yeah. Remember I told you I was going to meet him at his dorm? I was with him the whole night," you lied.
"Oh, okay." Sam sighed into the speaker. "That's good to hear, actually. Mindy thinks Ethan was the one behind all of this but if you were with him then it checks him out."
"Don't worry, Sam," you said. "We'll be there shortly."
"Okay, see you soon. Be safe."
You nodded, even though she couldn't see you and then hung up.
"You kept my secret?" Ethan asked.
You shook your head. "I shouldn't have. You killed Anika and Quinn."
He bit his lip, nodding calmly. "I know, I know. It wasn't exactly my first choice. But I had to for saving you the other night."
"Yeah, I know," you mumbled. "But did you mean it?"
"Mean what?" He furrowed his brows.
"What you said about wanting to be good?" You repeated his words. "Because that's the only reason I saved your ass. I should hate you. You killed Anika."
"Y/N/N," he said softly, walking over to grab your hands. "I only did this to protect you. They made me think my original motive was right but it's actually fucked up. I realized that the moment I met you. So, yes, I do mean it. And I'm sorry about Anika. I didn't really want to do it either."
You mulled over his words, looking down at your connected hands until you finally spoke. "Okay. Then, I'll help you," you informed him. "But, in order for me to do that, I need to know everything."
Let's just say it was an interesting conversation.
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rainstormwrite · 7 months ago
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The new update is now public.
Hello again, people!
That's it. This is the day.
The new update is now public.
(You're required to start a new playthrough if you don't want any game-breaking bugs, by the way.)
What's done:
All three routes are finished.
All the POVs are rewritten to be in the third person (they actually feel way better than I thought they would be).
Some parts of the first fight scene are fixed and clarified.
Some pronoun bugs are fixed.
What's planned:
Writing another update, obviously.
Word count:
Including command lines: 271245 Excluding command lines: 260837
But, I would ask you to temper your expectations in terms of the new content's single playthrough length. I'm going to paraphrase this from my previous post: the actual amount of content that was added with this new update is somewhere between 15 to 25 pages (approximately).
Even though the word count increased from 53k to 260k, the only event to happen in this update is one conversation/confrontation (ridiculous, I know). This is primarily due to the overwhelming amount of variable text that changes depending on your earlier choices and due to the number of routes you can take. If you're interested in the reasons for me to decide to do that, check out my previous post.
So, basically, each reader will experience the new content very differently but may not get as much satisfaction due to its shortness. If that is the case, I can only suggest you make another playthrough with different choices, but, if that's not your cup of tea, I would totally understand. But, overall, the game is very… how do I put it..? Multiple-playthroughs-friendly, I'd say.
Safe to say, the update will be incredibly polarizing, no doubt, but I'm always open to feedback.
And, even though I haven't found any bugs or inconsistencies, I am obviously aware that someone else may find them, so, if you are that someone, please report the bugs to me.
I think that's all regarding the update itself, so go ahead and play it. Hope you will like it!
PLAY THE UPDATE
Now, onto other interesting things…
From this point onward, I'm starting to take writing seriously, and that's why I've finally decided to open my Patreon page.
I've made a free introductory post there that explains what I'll be offering, but, right off the bat, I want to tell you that I can't offer you things that other creators are usually offering: Q&As and What-if scenarios. If we're talking about Q&As, I don't want to do them because I consider mystery to be a big part of my work, so I don't really want to wiggle around every question that people will ask me because it won't be fair to them and won't feel good to me. As for What-if scenarios, I don't want to write out some hypothetical scenarios when I can spend that time to progress the plot forward in the actual story. And, trust me, if I'm going to spread my attention too thin, I'm never going to finish this project… And I don't think you and I want that.
What I will provide, however, are progress updates, sneak peeks, early access, and monthly side stories, which the community will be able to choose by voting.
So, I'd advise you to read through the new update first, decide whether you're willing to put up with my approach to the content, and then consider subscribing if what I offer on Patreon is enough for you. If, after all that, you decide to become a member, I'll be very grateful to you. If not, I will still appreciate you being interested in my work and taking the time to read through it.
Thanks for tuning in, and have a pleasant day or a peaceful night!
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cripplecharacters · 5 months ago
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Hi, I’m concerned about whether there is anything regarding disability that are strictly off limits for abled author to write about. For example, I know it’s meaningless for an abled author to write about what it means to be disabled, or the disabled experience. Is there anything else that would be infringing on boundaries & risk speaking over actual disabled authors? I know including non-POV disabled characters who just happen to be disabled are fine with proper research. But I feel as if I might be treading some risky ground here because I have a POV character who is disabled. Regarding that, I want to know if some things are off limits if I am abled myself (such as their personal feelings regarding their disability - it’d be odd if I didn’t mention this at all since they’re a POV character, but I don’t know to what extent/if i should explore this at all, especially since it’s a result of injury).
Hello!
Outside of the examples you gave ("what it means/how it is to be disabled") I don't anything is strictly and always off limits for abled writers in general because disabled people will have such a wide range of opinions* on this that it'd be impossible to know what you can and can't do - it's better to just do it well and thoughtfully if you do decide to go for it.
*Examples: I know disabled people who don't want people without their disability to write characters with it at all, no exceptions. I really heavily dislike abled writers putting their disabled characters through nightmarish levels of ableism because it feels like torture porn or at least as exploitative. Someone else will be fine with abled writers doing literally anything. Some people see all non-OwnVoices representation as inspiration porn. Disabled people are too big and diverse of a group to come to a specific consensus.
There are areas where I think they should be more careful, like in stories where a character suddenly becomes disabled, as that can easily turn into a plotline that focuses on how disability is bad due to the missing nuances of such an experience. Even putting aside that there's a ton of room for factual errors on how recovery or just the medical side of things in general looks like, I feel like it can be difficult to write this kind of plot in detail if you don't have experience in it. For this kind of thing I believe that sensitivity readers are a must if you want it to be a major part of the story. If it's a minor one then it can be okay, especially if you aren't going into the emotional nitty-gritty of the whole process much.
There's also the obvious topic of tropes that I think abled writers should avoid - but as you probably seen on our blog, there will always be exceptions to them. Example: I always say to not put your character with a facial difference in a mask - but in this post I said it was fine if XYZ happened. Nuance and all. But putting tropes in just to be "subversive" usually comes off as cheap, assuming that they actually are subversive in the first place (which they usually aren't).
Tropes are tools, and they can be used well if the writers put effort in, and especially if they ask the group that the trope itself affects. They are bad if they're done mindlessly and without care for actual disabled people, and at the end of the day it depends on how the writer decides to use them. Don't just assume that your case is "special" and "totally different" from all those people who do use them wrong - these two groups often end up as a perfectly circular Venn diagram. Check with disabled readers first.
Having a POV disabled character is completely fine in my opinion. It's not like we are a completely alien, unrelatable concept to abled people. It can be done well, but it does also require more thought and effort to be put in. Again, I think that sensitivity readers can be incredibly helpful in a case like this.
And I think that it is important for the writer to just look at the page and ask: do I know enough to write about the character experiencing X? Because sometimes the answer will be no, and that's fine. Not even stories written by disabled people will touch on every single aspect of the disabled experience because it's so incredibly wide that there would be no place left for actual plot.
We also don't just sit around and think about how we feel about our disabilities. Sure, deciding how your character feels about it in the vague sense is helpful for characterization, but there's a ton of disabled people who treat their disability as a complete non-event. People like us who mod a blog about disability representation are very much a minority. Your character could just be like "oh yeah I guess I do use crutches, but it's been 10 years so I keep forgetting about it" and only actively think about that when the actual situation calls for it.
Your character could be 100% neutral about their disability and just think of their cane as something they carry around the same way they do with their house keys, or could be So Positive and make sure their cane compliments their outfit just right every time they leave the house. What I'd advise against is a character who dislikes their disability. Again, it can be done well if there's a lot of effort involved, but it's really not something I look forward to when we're talking about abled writers. Even if their intentions are good, or even if they want to show the diverse spectrum of disability (which again, is true! There absolutely are people who feel purely negatively about theirs), it feels weird. Like, why is this the story you want to tell? I think that in 99% of cases those kinds of characters are better left off to disabled writers who can actually offer something fresh to this.
Last thing that I want to add: unless you're writing about ableism, or time-accurate historical fiction, don't use slurs. If you want to refer to some things that use any of them (e.g. Cripplepunk) either shorten them (CPunk), beep the slur out, or at the very least acknowledge that they are slurs.
I hope that this helps,
mod Sasza
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genericpuff · 10 months ago
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i had a post in the works talking about some of my personal life shit and the things i'm looking to do with rekindled this year to help make personal life shit easier aaand then i fell asleep for a nap and when i woke up Rachel announced that LO was ending in less than 10 episodes ??
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sooo yeah i'm officially saving that post for later, because LO is officially ending, with an actual end date. It does mean that it's not ending at the start of Spring like my initial prediction, which is a bummer (because that would have been really cool LMAOOO) but it does mean it gets to go on long enough to resolve the current plot arc. As for every other plotline in the story... yeah, those aren't getting wrapped up, at least not in any way that could be satisfying.
For over the last year LO has been a series of "wait seriously???" and this is yet another, though it's kind of different this time. We knew the end was coming and practically begging for Rachel to pick an end date because for many, following along with this comic has become a Sisyphean task week after week. It's bittersweet in a way, but . . . I also kinda don't feel anything? Maybe it's just my 'tism, maybe it's just the fact that I'm so tired of following this series, but I just... don't feel joy, but I don't feel dread. It's ending and that's that. As all things come and go in life, some day there won't be any more LO, and that day is May 11th.
I will miss the weekly readalongs that I would do with pals, the memes we'd make out of the new material, but I don't think I'm going to miss the comic and everything it said and did. At this point reading LO feels like watching a horse struggle to breathe and you're just begging the farmer to put it out of its misery, but the farmer thinks "No no, it'll be fine! It'll get back up in no time!" and it's like... no, it desperately needs to be put to rest 💀
I still have my two drafts stowed away, both on opposing sides of the fence depending on how LO turns out-
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-and now we finally have an end date on when those essays will be written.
I don't know how I feel yet about it ending. These are complicated feelings to sort through regarding a comic that's basically been my life for the last few years, even before I turned into a critic of it. I'm just glad there's a light at the end of the tunnel. And I'm glad even my "love to hate it" energy has been waning on it the past few weeks anyways so that the end of it all can feel as painless as possible LOL Don't get me wrong, there will still be plenty to discuss after the comic, I don't think the antiLO/ULO community will just disappear into a puff of smoke as soon as LO is over, but I think a lot of us are also equally relieved that the comic made it this easy to stop reading and that it now has an end point.
And most of all, I'm hoping that whatever ending the comic brings, even if it just winds up being the S2 finale all over again for the critics, is still satisfying for the fans who have stuck around with it this long. The people who have loved this comic through it all at least deserve a proper send-off and I really hope Rachel gives it to them.
As for me... I'm not going anywhere, but it's been nice to stuff the overflowing clothes of LO back into its drawer within my brain. I want to make room for other drawers, other things, other pieces of work that will undoubtedly bring me more joy and entertainment. I don't know what yet, but it's nice to know the drawers aren't overflowing anymore.
And that's all I'm gonna say on that.
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madamdionysia · 3 months ago
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Plasma (Law x GN!Reader)
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Summary: Law never brings up his tattoos and their story. Then you ask him one day.
Word Count: 1,056
Read on Ao3
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Dividers By: @cafekitsune (thank you for all of your work!)
Notes: My thoughts about Law's tattoos and how Corazon caught fire spiraled into this. I also don't go in depth with the Donquixote Family side of matters, including the exact details of Cora's spying and muteness. It's mostly just a conversation between Law and the reader about his tattoos that could be read platonically or romantically. My medical knowledge isn't up to par with Law's, but I did my best.
Takes place sometime post-Zou.
Unedited (mostly) but I'm still happy with how it turned out.
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Fun facts:
Ancient tattoo pigments were made from soot, charcoal, and such.
Plasma is a component of blood, but it is also used to describe a state of matter. Whether or not fire is a plasma depends mostly on its temperature.
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It feels like an eon has passed since the question left your lips, tumbling to the ground between the two of you like dried timber ready to catch flame. Law’s lips parted, his eyes widened almost imperceptibly, but he tugged his hat over his face and schooled his expression with such rapidity you would have thought you offended him. But you know him better. Offering him your silence while he gathered himself wasn’t uncommon in this relationship, and Law was grateful for it right now as his inked hands ran through his hair.
He sighed, a sound of his relentment, and let his power take you to his quarters. For his own privacy. He wasn’t one to show vulnerability. Between his duties as captain and doctor, as well as his troubled past, you knew he had to be quick to think and act. Emotions would only hinder that swiftness required for survival.
Law starts with his hands, the word DEATH across both knuckles. The irony of his profession is not lost on you until he detailed Doflamingo’s plot for Law to give his own life for the bastard’s eternal one. If Doflamingo wanted life, the healing touch of a doctor, Law would be certain that he would never get it. When you point out that most tattoos across the first phalanges face away from the owner of them, Law corrected you.
“Proximal phalanges.”
“Whatever.”
You punctuated your statement with an eye roll and continued listening to him. He obtained his Devil Fruit powers before his tattoos, this you knew, but since ascertaining much of his abilities he decided on the placement of the tattoos. Not only for that pink feathered demon, but also for his enemies in general. A warning for what was to become of them.
The back of his hand related to his medical knowledge, as did the central part of the forearm design. And the surrounding prongs of his Jolly Roger. All symbolizing the extruding envelope proteins of a virus. The remaining circular designs on his forearms were both reminiscent of another virus design but also incorporated the Room ability of his powers. The spiked spheres surrounding the viral symbols representing another aspect of his doctoral talents, much like the rest of his ink explained thus far.
“It’s also a lymphocyte eradicating a virus.”
“A what?”
“A white blood cell.”
“Oh. Well, at least your Jolly Roger tat is self-explanatory.”
“Yes and no, I’ll get to that.”
He took a deep breath, steading himself once more. Then he removes his shirt, folding it neatly beside him on the bed. He scratched at the back of his head, his ink stretching and flexing with the skin it's permanently embedded in. Law lets his arms fall back to his sides.
“I never tell those about the man that saved me…”
But here he was, detailing his early years to you regardless. You listen quietly, giving him the space to dredge the words up through memories long buried. The fire set to his hometown. The loss of his loved ones. The manipulation of Doflamingo and the subsequent escape with his brother.
“Corazon means heart. His brother awarded him the Heart Seat when he returned, feigning muteness…”
So this was how his upper arms earned their hearts, you thought, for the one who saved him.
“Muteness?”
“Part of his cover, let me get there.“
And apparently Corazon held a clumsy streak, nearly setting himself on fire multiple times. Law went off the subject for a moment to list the various pranks the other Donquixote family members would play on the poor guy. But as it turned out, Law found out that Doffy’s younger brother was a commander in the Marines. No one called him by his real name, except his eldest brother as Rosinante lay on his deathbed of snow.
“When I first joined the family, Corazon would try his hardest to get me to leave. He didn’t like seeing children under his brother’s influence.”
A pang echoed in your chest, like a can crumpling. No one should have been under that influence, but you kept this to yourself. You had decided you had interrupted Law enough during his explanation and that you didn’t want him to recede back internally with the memories. It was best that he lay them out, like his surgical tools cleansed and neatly arranged to be used for his benefit. Perhaps it was a good thing, you thought, for him to get all of this off of his chest. Though the ink would stay.
“The last time I saw him was with this huge grin…”
He gestured to the Jolly Roger embroidered on your clothes. A toothy, rebellious smile. Much like the tattoos on his hands, that defiant DEATH in the face of Doflamingo. You let out a low chuckle, letting your thoughts process it all.
“And this heart…”
He placed a hand over his chest now, palm covering that miniature grin as if to hold Corazon. Above his fingers spread the tendrils of flame, curved and clinging to his clavicles in such a way that they shifted and flickered like a real blaze.
“…Well, he was named for a heart and he caught on fire a lot…”
Law’s sweet, you realized, and had a wicked sense of humor. He elaborated that it initially symbolized that burning revenge he felt, a scorching desire to overcome the Heavenly Demon and take victory over him in memory of Corazon. Thoughts swirled in your head, ashes swept up by smoke. The conversation smoldered and glowed now like the remnants of the campfire on Zou, still warm and comforting against the chill of night.
“How come you never tell anyone else about your tattoos?”
“Too much explanation.”
“Then how come you told me?”
Law smirked and replied, “I don’t think I need to worry about you.”
Cryptic as always, you lamented, but he’s right. You weren’t one for divulging other’s secrets. Even as the conversation died out and Law shrugged his shirt back on, you couldn’t help but wonder if there’s anyone else that Law would let under his skin. If one day, the bridge between the two of you gave way to an inferno. That he would then collect the soot and charcoal left over, as deep as the pigment that’s marked on his body.
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