#I don't want them to get together and neither do either of them but I do hope they become friends

[lafaiette]

So, the localization file of Veilguard was found thanks to datamining, and it contains Some Stuff about Solas, Solavellan, and some cut ending stuff.

No idea if these lines were cut because of budget/resource reasons, if they are old scraps left of Joplin or if the writers simply changed their minds. Please keep in mind they are in jumbled order/there are different responses, probably due to different choices and the dialogue wheel.

Under the cut because of spoilers.

Solas and Fen'Harel

"I must hold back the blight! My wolf will distract Elgar'nan while you take the dragon!" "Did I see that right? The Dread Wolf is a separate spirit from Solas?" "Nice. Why does he get to be part wolf?" "Yeah. Seems like Fen'Harel is a merging of the two."

It seems like Solas and his wolf self are two separate spirits - perhaps similar to Falon'Din and Dirthamen, who are confirmed to be the same spirit who split into two different aspects.

Final dialogue with Solas (Solavellan edition)

"The blight is its prison. The world is safe." "Until the Veil collapses, and demons kill thousands of people." "If there were another way…" "There [i]is[/i]. Let the Veil stay in place." "The elven people must be restored. They do not deserve what was done to them." "Neither did the Titans." "Neither did Mythal. Either time." "Those are my mistakes. Only I can correct them." "I'm here to help you." "You think you have to do this alone. But you don't." "Every time, it has come down to my choices." "Are you a god?" "I am the furthest thing from it." "Then stop acting like one. Let someone else help you." "Do the right thing." "You want to be a hero? Then save the world. Right now." "The restoration of the world as it was meant to be…" "That's not saving the world, that's saving your pride." "Is that why you think I am doing this?" "I think you're doing this because you think that you have to. But you don't." "You have to forgive yourself." "You know how I got out of the Prison of Regrets? I let it go." "Varric's death was never truly your fault." "And you didn't cause every problem. You tried to fix them." "And every time I failed." "The world's still here. You got some of it right." "I cannot. To stop now would dishonor those I've wronged to come this far." "Even if those you wronged asked you to stop?" "Vhenan. And… Morrigan?" "One appellation among the many I wear, Dread Wolf." "I have been advisor to Orlais, Witch of the Wilds, daughter of Flemeth… and once, long ago, an old friend." "Mythal…" "You never would have left the Fade and taken on that humble form had I not been the one who first convinced you." "The things that I have done…" "Are not for you alone to bear, my friend. The many wrongs we did, we did together." "It is not too late to stop this. Banal nadas. Ar lath ma, vhenan." "My life force now sustains the Veil. With every breath I take, I will protect the innocent from my past failures. " "The Titans' dreams are mad from their imprisonment. I cannot kill the blight, but I can help to soothe its anger." "What I've done, I will atone for." ""But you do not have to go alone." "Thanks to you, I can see the way."

Rook and Solas' final confrontation if Rook tries to convince him to stop was apparently supposed to be much longer, with Solas mentioning the elven people and the Titans, Varric's death, and Rook acknowledging he always did try to save the world.

It seems there was also one more line Solas would say to Lavellan after her "But you do not have to go alone." -> "Thanks to you, I can see the way."

The Inquisitor's happily ever after

"So you have to stop Solas, but not in a way that prevents him from stopping the blight." "Let Solas put the blight into its nice new prison, then we'll put him in there with it." "So with Solas and the elven gods out of the picture, where does that leave us?" "Nothing. He didn't deserve his little happily ever after." "If there's anyone who can reason with the blight, it's him." "The Inquisitor believed in him. [i]She [/i]deserved her happily ever after, even if that's helping Solas fix his mistakes." "And so the Dread Wolf shall spend eternity in the knowledge that he stood at the precipice of disaster and was saved by a mortal's wisdom." "Then why maneuver matters so as to deliver it to him?" "Elgar'nan and Ghilan'nain were villains trying to conquer and blight the world." "Solas did terrible things, but he was trying to help. I can understand that." "He was wrong, not evil." "She waited many years for him. You are kind indeed to ensure those years were not in vain." "I am surprised less that he would seize upon such a chance for redemption, and more that you would offer it. " "The Inquisitor earned it." "He's working off his debt. After all, I don't think there's anyone else alive with the power and perspective to try to heal the blight." "Few would react with such compassion to the Dread Wolf's trickery. What merits him a fate fairer than Elgar'nan or Ghilan'nain?" "True. Even had I Mythal's full power, she and I often struggled to mend feelings we might have broken." "'Twould not be the first time he accomplished something Mythal herself thought impossible." "And so the Dread Wolf is stopped by, of all things, love." "Surprised?" "He's fixing his mess."

Lines for the different ways Rook can handle Solas' fate. Rook and Morrigan discuss Lavellan and Solas' chance at happiness, with Rook deciding to help them reunite despite Solas' trickery; Rook deciding to lock Solas away with the Blight; probably a line referencing a friend Inquisitor or Rook themselves ("Solas saved by a mortal's wisdom") and one referencing Lavellan ("Solas saved by love").

Epilogue

"It may mean nothing. Or everything. What matters is that the Solas is content, and we need no longer fear him tearing down the Veil." "So, Rook, what's the plan?" "[i](Sighs)[/i] Damn it." "Thank you." "Then it sounds like you have work to do. I'll leave you to it." "Good luck, Rook. Enjoy the adventures to come. " "I'm sorry, vhenan. If there had been another way..." "And now he'll spend who knows how long trying to heal the blight? What does that even mean?" "I can think of few things he'd have hated more." "He made a cage with bars made out of his worst weaknesses. He's not getting out on his own." "And we're certain there's no way for him to escape?" "Trapped forever in a prison with the blight." "Elgar'nan and Ghilan'nain are also both dead. 'Tis no great loss there, the blighted fools." "So, Rook: How does it feel to have saved the world?" "Honestly, I have no idea." "Don't be so shy with your feelings, Morrigan." "We were all young once, were we not? 'Tis from such humble seeds that great things are grown." "Tell that to Mythal." "When the next aspiring deity lays claim to our world, you are the woman who shall remind them that even gods can die." "You are really bad at inspiring speeches." "Despite these rough edges, you forged a team that saved all of Thedas. Precious few can claim that." "I notice you left out one elven god—the only one still here in any capacity." "When the next aspiring deity lays claim to our world, you are the one who shall remind them that even gods can die." "You're leaving me to handle this?" "Were Mythal younger, she might have wished to rule again. Were I younger, I might have agreed with her." "Hey, the world is still here and isn't blighted or covered with demons. I think we did okay." "Says the woman carrying the god who made most of the mess I had to clean up." "And prepare yourself for whatever storm next clouds our skies." "I did save the world." "Who else? Make no mistake, you could do with a finer touch in matters of politics. " "You're not very good at this." "Even with Elgar'nan and Ghilan'nain dead, the Venatori remain a threat, as do the Antaam and darkspawn. "

It seems there was supposed to be an additional scene after the ending, with Rook and Morrigan discussing the future. The dialogue would change depending on Solas' fate/Rook's choice about him.

That "Solas is content, and we need no longer fear him tearing down the Veil." probably refers to the ending with Lavellan, while it's not clear if that "I'm sorry, vhenan. If there had been another way..." is supposed to be there (maybe Solas apologizing again for bringing her to what he believes will be a terrible place?) or if it's referring to another scene.

The lines about him being stuck in a prison made out of his worst weaknesses, being unable to get out on his own, and spending a very long time trying to heal the Blight, something he hates, all sound like lines that would fit his bad endings.

One last mission

"Rook gives the team their seventh pep talk after the Finale." "We're sticking together. The gods might be dead, but there's more to do in this world." "We'll find Harding or Davrin. Somehow." "The eighth pep comes after nearly all content has been completed." "Weird shit is going on. What are the clues we have? The Executor, the Devouring Storm - what does it mean?" "We don't actually know. But it sounds bad. So we need each other more than ever." "On return to Rivain Island, defeat the Executor and collect the Memento for Davrin/Harding"

There is a cut scene + mission with Rook talking to their team after the ending and going to Rivain for one last mission. It's pretty much confirmed the cutscene was supposed to take place in the Lighthouse, there are old files and flags for it. If you pay attention after the ending sequence, you will see your Rook appear in the Lighthouse for a millisecond, the only trace left of that scene.

[hyperbali]

If you're a Solavellan do not click here lmao

So I've seen that one post going around that's like "people who are shipping Rook and Solas are missing the point, they don't have a deeper connection than he had with Lavellan, Lavellan knew the real Solas"

And I have never seen such obvious cope in my life lmao

Fact of the matter is that they are both a blip in his existence. Solas knew Lavellan for 1-2 years, of course he's going to be more fixated on the romantic/platonic/situationship/whatever that lasted for millennia and literally broke the world, especially when the aftermath is that he feels like he's on such a different level than everyone left that they are pretty much Tranquil to him! This is a thought that he specifically expressed!

And claiming that Wisdom is the real Solas and Pride is not... also misses the point. Solas is Wisdom is Pride. Solas means Pride. At no point in his interactions with either the Inquisitor or Rook is he ever not lying, even just by omission. Neither of them see who or what he is as a whole, both are always operating at a disadvantage based on how much knowledge he's willing to give, and both have the opportunity to genuinely earn his respect.

As genuinely as Solas can get, at any rate.

Bearing that in mind, his chemistry with Rook compared to Lavellan is like a bonfire to a fireplace, in my opinion (bear that in mind oml). Even back in the day, I wanted the opportunity for a rivalmance with him so bad. I wanted to be able to call him out on his shit, to debate with his ideas, to meet him on a level that he was fully unexpecting and he hates that he loves it. Actively HATES it, not just that it makes him sad.

As it is, this "and so the wolf fell in love with the halla" shit is so cringy. Not at all helped by the fact that a romancing Lavellan apparently pined for him for a decade, couldn't do a damn thing to change his mind in the end, and willingly cuts herself off from her life, family, and friends to be a simpering, lovesick sycophant for the rest of her days. Because the Veil is STILL up. She IS dying in a few decades. And all of it will have been pointless.

Canon is a mess, I'm twisting it in other ways regardless, etc. etc. MY POINT IS

Shipping him with another character is not going to somehow make your ship invalid*. You can still make your favourite dolls kiss how you like. Relax about it.

(That last bit is not derogatory, as I am also proudly clanging my dolls together as usual. Just! Relax!! We are all in hell!!!)

*my 'ship and let ship' mantra has an exception and that exception is neve/lucanis. i'm sorry but it was the dumbest possible pairing for either of them and bioware should have let both of their nonromanced pairings be queer

[balis77]

After the Duel

Miorine: “...”

Guel: “...” 

Miorine: *Trying to distract herself* “..So uh, where were you for the last few months?”

Guel: “Oh yeah my father uh, was going to withdraw me, so I ended up running away and after a while got a job for this shipping company-”

Miorine: “You did what?”

Guel: “I ran away and joined a shipping company, so for a while I-”

Miorine: “I spent a whole year making escape attempts from this school. How the FUCK did do it on your first try?!?”

Guel: “I mean I just kinda adjusted my old hairstyle a bit, gave them a fake name, tried not to stand out. You... you didn’t try anything like that?”

Miorine: *Burying her face in her hand* “If this wasn’t already the worst day of my fucking life...”

[meejijis]

People who age up Jeanne just to be the same age as Ren are cowards

[swagging-back-to]

sooo i just had the thought of putting mochi and sushi in with the main colony instead of getting any more mice and adding them to the future 30 gallon colony....

[izzyspussy]

i really hate the plotline where sophie was like i need space so nate gave her space and the narrative was like look at this fucking idiot

[elytrafemme]

well whoever it was who tried to switch in is gone i think. hashtag slay moment

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[willows-peak]

*･ﾟ✧ JJK Character's Fav Positions

tags: multi character x reader, gn! reader, fluff, acute descriptions of cuddling, sfw and nsfw below the cut, the students aren't included in the nsfw portion dw

word count: expected 2.2k

a/n: im struggling with a geto wip so have this for tonight :3c i wonder if u can tell whos my fav to write

⋆｡˚ ♡ spooning: reserved for the clingiest of people, those who wanna feel your warmth no matter what, snuggled tight holding your back to their chest under a blanket and falling asleep to the slow breaths you make in your slumber

nobara: she's a girl with a very busy life, socially and academically, so when she finally gets to come home and relax into you, her back being embraced by you and held snugly to your chest as she sighs in content, she's as happy as can be. especially after a nice warm shower to wash the day's work away, curling up in bed in her jammies and taking a well deserved nap is all she needs. she gets very irritable if (god forbid) she cant be with you for a while

yuuta: he's a very sweet boy, even when sleeping. if u two end up cuddling, you'll somehow always end up being spooned, no matter how you two fell asleep. yuuta claims he has no idea how this happens, but youre starting to doubt him when you fell asleep at the foot of the bed and woke up with a snoring yuuta behind you. though, you dont have it in you to push him away, considering the way he grumbles and reaches out for you until youre back in his arms

getou: while he wasn't the one to initiate being the little spoon, that seems to be the role you gave him when you first started sleeping in the same bed. even while he was relaxed, his back muscles seemed to entrance you enough to want to stare at them while he slept. he wasn't surprised or offended at your reasoning of course, quite the opposite. you were fueling his already huge ego so how could he deny you? now, he'll rest with the feeling of your deft fingers combing through his hair, while your other hand was running across the bumps and crevices of his back.

⋆｡˚ ♡ hugging: for the cuddling enjoyer who also wants to smoosh your face with their chest. legs tangled together, the comforting scent of your shampoo in their nose and their hand gently cupping the back of your head

gojo: speaking of the clingiest man alive. he treats you like a stuffie half the time while you two sleep, hugging you tight to his chest and having your face buried in the crook of his neck while he snoozes away. much like yuuji, the pressure of you against his body helps relax him, but unfortunately for you, that means this 6'3 man squeezing you as tight as possible and stacking on blankets on top of your combined bodies. let's hope you two live somewhere cold

inumaki: he always slept in fetal position before you two started dating, so this was just naturally how you two began cuddling. inumaki either slept at 8 pm sharp or he'd still be awake when you got up in the morning, so who was cuddling who was never consistent. sometimes, inumaki slept with his arm thrown across your hip and his face squished against your side, and others he'd hook his arm around the small of your back and hold you while you slept

⋆｡˚ ♡ head on lap: sometimes you don't wanna go all out with cuddling your partner, and for those occasions look no further than the thigh pillow ™ for when you or your partner are too tired to move from the couch to the bed

maki: few words are ever spoken when you two do this. you could be catching up on your schoolwork, or talking with maki, or watching the tv, but often times you'll simply stop and roll over to lay on her lap, neither of you questioning or even batting an eye to it anymore. even when you first did it, there was only a moment of confusion in maki's face before she shrugged and continued talking to you

choso: when you asked him how he liked to cuddle one day, he shrugged his shoulders and answered with "whatever makes you happy." and while he meant it, you couldnt deny the pattern you noticed when you were lounging in bed, or sitting down, where choso would inevitably end up cozied between your thighs, his head resting on your tummy with his hand around your back. pro tip, he makes happy hums if you put your hand on his head

⋆｡˚ ♡ head on chest: who needs blankets when you have a whole other person? the classic and well loved position that lets them hold u as close as they can, arm snagging around your waist and holding you tight as you drift into dream land

megumi: you may have thought this meant youre laying on his chest. nope. it took a while for him to open up with what he wanted with you, physically, but it very quickly turned into routine how he'd wordlessly crawl into your arms and flop down against your chest, grumbling incoherently when you asked him what was the matter. you'd sigh and resume whatever you were doing, combing through his messy hair until the soft sound of snores filled the room minutes later.

nanami: this man does not play around about two things, children and his sleep. he's very particular with how he rests, as in you *will* be with him while he sleeps, and you *will* be placed on his chest, held tight as he snored away. youre his wonderful break from monotony, a shining ray of sunshine in his cold and unwelcoming world, so forgive him for being clingy while he rests. though, this does come with the downside of him becoming restless if you're ever away. dont worry! he has a pillow with your scent sprayed onto it for this very occasion, just in case

toji: he wasnt huge on cuddling at first, both not used to it and finding it inconvenient to deal with if he needed to do anything at night. he didnt sleep well before you, and even if that hasnt changed, you snuggling up to him like a huge teddy bear at least gave him something to focus on in those sleepless fits he often has. on the rare occasion he sleeps before you awaken, youre extra careful to press a kiss to his chest as he silently rested underneath you

⋆｡˚ ♡ in their lap: cuddling doesn't always have to mean sleeping, of course. sometimes its just a really really long hug with your partner. for times like this, curling up in someone's lap while you laze your time away sounds like a paradise

yuuji: at first, scooting you into his lap was just an easy way to keep you close while he had nothing else to do, arm secured around your waist while you either scrolled through your phone or talked to him about your day, the mundane things he loved about you. but, as he soon found, you on his lap added the extra bonus of pressure! a sturdy weight and warmth on his body, allowing him to relax and melt into you in those moments of silence shared between you two.

sukuna: lets just say you're lucky he's touchy at all with you. he'll tolerate surprise hugs or pecks on his shoulder, but the only physical touch he seems to ever enjoy is when you're slotted in his lap, free to touch and poke at whenever he pleases. you'd whine if he pinched your cheek, squawk if he pressed his nails into the meat of your thighs, glare at him if he groped your ass. all those lovely reactions are a fair trade for you scooting yourself into his lap and using his chest as a pillow, he deems

NSFW UNDER CUT!!! MDNI

⋆｡˚ ♡ cowgirl: save a horse, ride a cowboy seeing you take control is unbearably sexy. pivoting your hips up and down on their dick while your hands grip at their shoulders, or having their hands grab at your ass while you slowly grind down against them. either way theyre yours for the taking

ino: a loveable, yet irritating trait of your boyfriend, is that he struggled to fuck you again after a round. you couldnt blame him, with how fast and hard he pounded into you and how he'd always make sure to hit your sweet spots until you were spasming and cumming around his cock. but when you werent satisfied just yet, he spared no time lifting you up into his lap, eagerly offering his cock for you to use as you pleased. and really, how could you pass up an offer like that?

getou: why should he have to do the work when you look this good riding him? his eyes never leave yours while you're bouncing in his lap, the slap of your skin against his backing up your huffs and whines of pleasure, looking at him so pitifully when he backs his hips down out of you. "you want more? come on honey, work for it. thaaat's right, move your hips just like that f' me" he'd egg you on so sweetly, smiling at your pout while you spread your legs and angled your hips to take him deeper inside

⋆｡˚ ♡ doggy style: nasty mfs who live for seeing your ass jiggle with every thrust or slap they give you. the way your tiny waist arches down and your chest is pressed flat against the sheets while they're pounding away at you is unbeatable to them

yuki: behind every woman with a big ass is an even bigger strap, and yuki is the prime example of that. she loves to fuck you in front of a mirror in this position too, cooing at you for being so good at taking her dick while fucking you with aimed precision, making you look at yourself while shes thrusting deep inside you. its enough to make you melt into the sheets and wail at the onslaught of pleasure going through your body, but dont worry, she still has so much more to give you

⋆｡˚ ♡ against the wall: can you say desperate? they love this position so much, sloppy makeouts that lead to pinning you against the nearest surface because they feel like they'll die if their lips leave yours for even a second

gojo: call him a showoff, because its true. in this position, he can show you just how small you are compared to him, size and strength wise. bouncing you up and down on his cock until your pretty head doesnt work anymore, seeing your eyes oggle his flexed arms and the space where he was fucking up into you. this paired with fucking you inside his office? his dick has never been harder. the thought of someone hearing how good youre getting fucked, coupled with your horrible attempt at muffling your cries and moans makes him so fucking turned on

shoko: shes a true switch, which means its a toss up for whos gonna be on the wall in this position. it all depends on her mood, and who shes had to deal with today. if it was a slow day at work, she'll happily make out with you and grind her knee into your crotch against the door of your apartment for as long as she pleases. though, if her day was more hectic, shes not so subtly grinding herself onto your lap and pressing her fingers into your mouth, sighing woefully about how stressed she is until she expectedly pulls out her fingers, waiting for you to offer yourself to help her

⋆｡˚ ♡ 69: they love the competitive-ness of this position. being able to grab your hips and shove them down onto their flat tongue, getting harder when they can feel how much you're struggling to focus from their mouth. but when you grind down into their mouth while bobbing your head on their cock? hooh

toji: hes so mean when he has you like this.. ruthlessly bucking his hips up into your tight and wet throat, sloppily licking and sucking at you and twitching at the feeling of you gagging when he hits the back of your throat. you can barely move your head, your brain getting fucked out by toji's tongue and lips expertly taking you apart piece by piece. you never lasted long when he had you like this either, much to his delight. eagerly lapping up your cum while you moaned and hopelessly squirmed in his grip felt better than any orgasm hes ever gotten, though your throat comes at a very close second

nanami: nanami can at times forget this position is for the both of you, with how into it he can get. hes good about it at first, groaning into you from the way your tongue licks and swirls around his thick cock. but the more he tastes you, the more ravenous he gets with his sucks against you, licking up any stray wetness that threatens to fall down your thighs as the pace of your sucking slows and breaks. you can try to lift your hips away from his tongue, but good luck with that. the grip he keeps on your thighs is near impossible to break, even if your an orgasm or two deep into the session

⋆｡˚ ♡ mating press: whispers of them others name falling right into their lips as their hips rock into you, thighs pressed tightly against your chests and your legs shaking on top of their shoulders. the closeness of this position never fails to rile them up, allowing them to see every little face you make, and hear all those noises they fuck out of you

sukuna: youre helpless underneath him, and thats the way he likes it. you can barely move around when his large, muscular frame is pinning you plush against the sheets of your bed, arms forced to clumsily hold onto his shoulders as he fucks you so deep, so harshly that you choke on your own breath from the power behind his thrusts. "sssuku-na, please, too mm-! is' toomuch, oh" your pleads fall on deaf ears, his thrusts never faltering nor easing up with their intensity.

choso: he honestly thinks he'll die if he isnt pressed up against you while hes fucking you. it all feels so intimate when hes got you with your legs bound to your torso from his chest, his thighs holding your body steady while hes all up in your guts. he feels so wonderfully deep inside you like this, hardly able to get out a full sentence from the way you squeeze and milk his long cock, crashing his lips into yours as tears start to well up in his eyes from how good it all feels

[mattscoquette]

dad!matt comforting his daughter at daycare

a cool breeze blew through the cold morning air as matt held both of his daughters in his arms, their small bodies clung to his while he carried them into the pre school building. both of the girls, lorelai especially, had a rough morning. neither of them wanting to get out of bed, and making a fuss over their breakfast.

he brought them inside, nodding a small hello to the ladies in the office before setting them on the ground outside their classroom, crouching down with open arms. "i love you girls, have a good day at school, alright?"

"do you have to go daddy?" lorelai mumbled, her bottom lip beginning to tremble.

"sweetheart," matt sighed, bringing her into a hug, "you gotta go to school, baby. stell is gonna be with you the whole day."

stella smiled sweetly at her sister as she hugged her dad tightly, wrapping her tiny arms around lorelai's middle as she rested her head against hers. "yeah lo, we can even play dolls during playtime."

"but i want daddy to be here." lorelai said as she turned around, tears now pooling out of her eyes as she faced her sister.

matt sighed, ruffling her hair and kissing her tear stricken cheeks softly. "i know you do, munchkin," he said in a soft voice, "but i gotta go back home now."

"but why?" she cried, hanging her head while stella grabbed her hand, holding it in her own.

matt frowned deeply, hating seeing his poor baby so upset. "that's just how it goes, pretty girl. you go to school without mommy or daddy."

"i don't like it." she pouted, angrily wiping her tears and crossing her arms over her small chest.

matt let out a small huff, reaching his hand into his back pocket, pulling out his wallet and opening it. "lorelai," he said in a gentle voice, "look, baby, you see this picture here?"

he held out his open wallet, showing the picture he kept in the id holder. it was a photo of him, stella, and lorelai that you had taken of them a few months back. you'd all spent the day at the park, and couldn't help but take a picture of matt and the girls together. their cheeks were flushed a bright pink with wide smiles on their faces as they stood on either side of matt, hugging his legs tightly as his arms rested on their shoulders.

lorelai nodded slowly as she looked down at the picture, then back up at matt.

"i look at this everyday when you girls are at school and i miss you." he said, sliding the photo out and handing it to her. "you can borrow it for today and keep it at your table so you can look at it."

she looked up at him with wide eyes, then at stella who had a big smile on her face. "really daddy?"

"really really." matt grinned, pinching lorelai's side playfully, earning a squeal from her. "i can even print another picture for you to keep with you at school too."

"to keep?" she asked, her voice sounding hopeful.

matt nodded with a smile. "to keep."

lorelai squealed again, jumping up and down and pulling matt into a tight hug, squeezing her small arms around him. "thank you daddy!"

he chuckled, pulling stella into the hug as well, holding them both tightly before pulling away, standing back up again to his full height. "i love you both so much. have a good day, i'll see you later, okay?"

they both nodded, smiles on their faces as matt watched them both wave goodbye and head into their classroom.

© mattscoquette

[mattyriddlesbitch]

Now here me out… Mattheo Riddle x fem!reader x Theodore Nott jealous threesome, where they try to hog all the attention of the reader while visiting the Eiffel Tower (look it up)

Anonymous Flowers

Mattheo Riddle x F!Reader x Theodore Nott!

Warnings: threesome, cussing, oral(male and female receiving), fingering

18+ Minors DNI!

Oh, honey, this Eiffel Tower is my absolute favorite. Doesn't it look great this time of year?

It wasn't a secret that both Mattheo and Theodore liked you. However, you didn't want to choose between them and they respected that. Mostly. They'd still shamelessly flirt with you. And try to win your affections with gifts and gestures. But they always reassured you that you didn't need to choose or make things awkward.

Things were going smoothly between all of you, no mean comments to each other, no signs of jealousy minus the occasional glare when the other touched you. 

Until you got anonymous flowers sent to your dorm and texted both of them about it to see if either of them sent it. After about 5 minutes, they both showed up at your dorm. Both knocking loudly.

You opened the door with an annoyed look at how loud they were being. “What?” You asked them loudly. They both pushed past you and into your dorm, looking at the flowers. “No, come in. Make yourselves at home.” You said sarcastically as you closed the door.

You could hear them arguing as you moved to sit back on your bed.

“I didn't send these.” Mattheo said.

“Stop fucking lying.” Theodore said back to him.

“I'm not lying! Why the fuck wouldn't I want her to know I sent them?” Mattheo was getting angry.

“I don't know! I don't know your fucking logic!” Theodore was getting just as angry.

“Guys!” You said loudly to get their attention and they both turned their heads to you. “Neither of you would send something anonymously like that, we figured that out so far, geniuses. That means someone else sent it.”

“Who in the hell would send flowers to my girl?” Mattheo said as he picked up the flowers and inspected them.

“Your girl? You know damn well she's not just yours.” Theo said, taking the flowers from him and inspecting them himself.

“Can you guys stop arguing? I'm not either of yours’ girl.” You say, crossing your arms over your chest.

“Oh, you hear that, Theo?” Mattheo said as he looked over at you.

“She doesn't realize she's ours.” Theodore said as he looked at you too.

“Maybe it's time to show her who she belongs to.”

“I think she could use the reminder since she's getting flowers from some other dickhead.” Theodore said as he put the flowers down and they both walked over to where you were on the bed.

“What?” You asked as you kept looking between both of them.

“You're letting other guys give you attention, darling.” Mattheo said as he grabbed your chin and leaned in close to you.

“That's our job, principessa.” Theodore added, running a hand through your hair.

“It seems you need to learn that, though.” Mattheo trailed his hand to your cheek.

“Are you giving other guys attention? Trying to give other guys what's ours?” Theodore asked, moving his hand to the side of your neck.

Their touches were almost dizzying. “No.”

Theodore tsked. “I think she's lying.”

“It's fine. She won't be for long.” Mattheo gripped the back of your hair tightly and pulled your head back, kissing you suddenly. You gripped at his shirt in surprise.

“You can't just do that, Matt.” Theodore said, pushing Mattheo back from you.

“Oh, but she tastes so good.” Mattheo smiled wickedly at the other boy.

Theodore was close to saying something when you reached up and pulled him down by his shirt to kiss you. He groaned at your bold move as Mattheo moved to sit behind you on the bed, kissing at your neck. As much as both boys hated sharing you, they hated everyone else more than each other. They both worked together in getting you naked, Mattheo working on your blouse and Theodore made quick work of your skirt and panties.

He kneeled between your legs in front of the bed and started kissing and nipping at your inner thighs. Mattheo managed to get your blouse off and quickly got your bra off too, using his hands to tease your nipples. The boys each had a pretty good view of what the other was doing and it only seemed to spur them on more.

Theodore finally licked at your sweet cunt, groaning as you moaned above him, his eyes fighting to watch your face and Mattheo's hands on your boobs.

Mattheo was kissing and biting at your neck as he pinched and pulled at your nipples. He, too, was flicking his eyes between your breasts and Theo lapping at your pussy.

You were so busy feeling everything, you didn't really notice the tension between the two men at the moment. You were moaning and whimpering, one hand in Theodore's hair and the other on one of Mattheo's arms.

“Does that feel good, princess?” Mattheo asked behind you. “Am I making you feel good?”

“I'm making her feel better. And you taste fucking amazing, cara mia.” Theodore said, pushing two fingers inside you.

“Oh, god, you both are so good.” You moan, leaning your head back onto Mattheo's shoulder.

Mattheo groaned and you felt it against your back. “Let me fucking taste her.”

“Not until I got her cumming on my face.” Theodore said with a smug smirk.

“You think I'm letting you make her cum first?” Mattheo said and moved to pull you further onto the bed, completely away from Theodore. He laid you back on the pillows as he settled between your legs, attaching his mouth to your clit.

Theodore was seething, but climbed up next to you guys. He pushed Mattheo over slightly so he could slide his fingers back into you.

Your eyes rolled back as you now had Mattheo's mouth abusing your poor clit and Theodore's long fingers pumping in and out of you. “Holy fuck, shit.” You moaned, one hand flying to Mattheo's hair and the other to the sheets beside you, which Theodore saw and held your hand. He moved to kiss you for a moment before kissing and biting at your chest, his fingers never faulting. Mattheo groaned and reached a hand up to play with one of your nipples as he looked up at you between your thighs. You let out an involuntary moan at the sight and feel, already overwhelmed from his mouth and Theodore's fingers.

It was all too much and they had you cumming with a loud cry, trembling as your legs were trying to close on Mattheo's head. Mattheo relented once he noticed you relaxed a little and leaned up to kiss you again. Theodore removed his fingers too and rubbed your thighs soothingly. 

“You did so good for me, cara mia.” Theodore said.

Mattheo pulled back and glared at Theodore. “For you?” He scoffed "No, princess, you did perfect for me.” Mattheo said as he looked back at you.

“Let me feel your pussy wrapped around me.” Theodore said and brought his free hand to your cheek.

“That's not fair.” Mattheo snapped at Theo.

You touched his arm and said, “I have an idea.” They both looked at you now, ready to hear it. “One on each side. One of you gets my mouth, one gets my pussy. Then maybe switch if you want.” You say, cheeks burning at the suggestion.

The boys looked at each other for a moment.

“I want her pussy.” Theodore said.

“I'll get that pretty little mouth then.” Mattheo said as he looked at you with a smile. He helped you up onto all fours suddenly.

The boys wasted no time stripping, eager to get their hands back on you.

Theodore came up behind you, pressing soft kisses to your back before lining up at your entrance. As pushed into you and you both moaned. “ God, you feel heavenly, principessa.”

Mattheo was in front of you within seconds of that. He brushed your cheek softly for a second. “Open up, baby.” He said, interrupting the soft moment with his cock tapping your lips. You opened your mouth and he pushed in, timing his thrusts with Theodore.

“You talk like a dick.” Theodore said from behind you.

“Did that bother you, love?” Mattheo asked as he looked down at you. You moaned around his cock and he smiled, letting out a soft moan himself. “She said it’s fine.”

“She’s probably too fucked out on my dick to even pay attention to you.” Theodore said. “Isn’t that right, amore mio?” He asked you, giving you a light spank and you moaned loudly in reply around Mattheo’s dick.

“You keep moaning like that and I’m gonna cum down your throat, princess.” Mattheo said to you.

“So quick?” Theodore teased.

You really weren’t paying much attention to the conversation with the way Theodore was thrusting inside you and Mattheo was hitting the back of your throat.

“You would too if you felt her mouth.” Mattheo said, groaning when you gagged around him.

“My cock’s a bit busy stretching out her pussy right now.” Theodore said.

Your orgasm was building this whole time and the way Theodore suddenly angled his hips had his dick hitting that sweet spot in you, making you cum within seconds, trembling and moaning around Mattheo’s cock.

“That’s fucking it, principessa. Make a mess of my cock.” Theodore said as he helped ride out your high.

“Christ.” Mattheo muttered as he slowed his thrust to not overwhelm you.

“I got what I wanted, let me feel her mouth.” Theodore said, pulling out of you and helping you get your mouth off of Mattheo before flipping you over onto your back, moving you so your head was at the edge of the bed.

“You can’t fucking take her like that.” Mattheo said, but made no complaints about the new position.

“Please.” You whined from the loss of contact from either of them.

“I got you, amore mio.” Theodore said as he pushed into your mouth, the angle letting him hit a little deeper in your throat as you gagged and teared up.

“Don’t worry, princess.” Mattheo reassured as he settled between your legs and pushed in your puffy, sensitive cunt.

You were already so sensitive from your last orgasm and the boys were so close already as well from the last position. Both boys toyed with your breasts, praising you for taking their cocks so well. You came first, it only took seconds once Mattheo started playing with your clit.

“Fuck, angel. You feel fucking perfect.” Mattheo said with some strain right before he came inside you.

Theodore didn’t last much longer as you moaned and cried around his dick. “You’re so good for me, cara mia. So fucking good.” He said as he came down your throat.

The boys pulled out of you and both argued with each other as they fussed over cleaning you up.

Whatever problems this may cause was definitely not a concern in your head at the moment as you watched your two boys cleaning you up together.

[briarlovesclara]

is this anything? (details/analysis under cut)

(closeups have more extensive ids)

Sam and Evan: need no explanation. Neither of them have confessed to each other but COME ON. whether or not you think they Should be together, there is no way at this point that danielle and brennan are unaware of what their characters are doing which is falling in love. on screen in front of us.

Sam and K: this is where it gets less obvious-- I can't remember exactly why but K in the last episode just felt so down bad to me. Even before last ep, I was starting to see a future where Evan and Sam got together and K was really fond of Sam "totally by proxy" (see K and Evan later).

Evan and Jammer: this one I struggle with if I'm being so honest, so I decided to make them struggle with it too. If you think either of them would ever know what was happening you'd be wrong in my personal opinion.

K and Evan: they're in love. I'm sorry. Not saying they're in a healthy or stable relationship but they are in fact in love. I'm part of the theory that Evan broke up with K and if you've seen his face this season he's dead in the water for them.

Jammer and Sam: he has no idea what's in his brain about Sam. I didn't put an arrow back because I don't know what she feels about him in my head so I didn't even want to make her confused.

Similarly, Jammer and K: I have no read on them. I can however see K being at least platonically into Jammer (they seemed a little too into the Weugan thing). But that's just a thought. A film thought.

That's it! This is all in good fun :) lmk your thoughts if you'd like!

[fox-guardian]

[ID: An eight page digital comic featuring Sam, Celia, and Alice from The Magnus Protocol on a gray background. The characters are all colored with a single color each. Sam is red, Celia is green, and Alice is pink. Sam is a fat Arab man with short curly dark hair, a mustache, and a small goatee, and he is wearing small black earrings, a cardigan, a turtleneck, trousers and loafers. Celia is a taller Korean woman with short dark hair and she is wearing rectangular glasses, piercings including an industrial piercing, an x-shaped earring, and snakebites, a button-down shirt with the sleeves rolled up, a vest, trousers, and black wrist cuffs. Alice is an even taller white woman with long fluffy hair and crooked teeth, and she is wearing cat eye glasses, three pairs of earrings, snakebites, a flannel shirt, a hoodie tied around her waist, a patchwork skirt, bracelets, and a lanyard.

Sam and Celia are stood at a table covered in papers. Celia urgently turns to Sam. Celia: Alice is coming! She can't catch us researching, we need a diversion, QUICK! How can we make her think we're not doing what we're doing? Sam, shrugging really hard: UHHHH she thinks I have a crush on you?? Celia, sweating, turns back to where Alice is coming from, panicked, and turns back to Sam, shrugging and reaching for him. Celia smiling a bit manically: Yeah, that'll work, sure!

Sam, with Celia's hands grabbing his cardigan: Wait whaAAAA- He is pulled out of frame. Alice walks in: Hey Sam, working hard or hardly woOOOAA She leans on the doorframe as she holds a hand to her chest in shock.

The next panel is rendered with soft pink shadows and "shoujo sparkles" in the now pink background. Sam is sitting on the table holding onto Celia, whose face is buried in his neck as she wraps one arm around his back and the other holds up one of his legs under his knee. Neither of their faces are visible. The rest of the page fades back to gray from there. Sam and Celia look over at Alice, hair ruffled, Sam is now blushing. Sam: ALICE!! He pushes Celia away and they look at each other for a moment, panicked. Sam: It's- .... exactly what it looks like! Celia: Aw, you've caught us! He rests his hands on her shoulders and they both look in opposite directions as though embarrassed. Celia is also blushing lightly. There are red and green neon signs pointing to them reading "Totally Ham-Slammin'" and "GAY! (in an M/F way)" respectively.

Alice looks to be in shock with a vacant expression and a computer pop up over her forehead reading "Alice.exe has stopped responding". In the next panel she is fine again and back to smirking. Alice: WOW SAM, didn't know you had it in you! Now I'm no snitch, so I didn't see anything, BUT- you lovebirds should cut it out before Gwen catches you. Celia and Sam look at each other anxiously, cheeks pressed together as she speaks. Alice: You KNOW she'd tell Lena. Celia, pulling back and smoothing her hair out: Oh, for sure. Sam: Th-Thanks, Alice. Alice: Don't mention it! I'll give you crazy kids a minute to straighten up, TA-TA~ She waves as she leaves.

Sam and Celia listen to her steps fade before going "phew" and finally pulling away from each other, now holding hands at an arms distance. Celia: You alright? That was kinda sudden.... Sam: It's fine! Just a bit caught off guard. Celia: I can't believe she actually bought all of that! Sam: Me either! Works for me, though.

Celia: Did you want to get down- Sam, pulling away suddenly, blushing again: NO! He crosses his legs and looks away sheepishly, scratching his head. Sam: I wanna stay here another minute or so.... Celia, concerned: You sure you're alright? Sam: Yeah! Just, er.... Celia looks at him, confused. Sam, blushing increasingly harder: Ahem. (He folds his hands in his lap politely.) I am not immune to being thrown on a table. Celia, smiling and politely stepping away: AH! .... Noted~

She walks away casually, still smiling. Celia: I'll give you a minute to collect yourself. Sam, head down in his lap, embarrassed: Thanks.... He looks up after she leaves. Sam: Wait. He straightens up, slightly panicked, face entirely red. Sam: What do you mean by "NOTED"?!

end ID]

~~~~

i am SO glad this episode didn't entirely debunk the silly headcanon that birthed this comic. initially i wasn't convinced sam actually had a crush so i made this like "well if he didn't before, HE DOES NOW" so.... here's this silly comic thing <3 i just think they're neat <3

[murdrdocs]

INTERVIEW 029. FINNICK ODAIR murdrtober oct 31st. sex pollen

Finnick knows you were just trying to be nice and make a meal for him. It wasn't your fault that this happened, but he's gonna help you get out of it. 1k+ words MDNI 18+

“Finnick.”

Finnick can tell you didn't mean to sound as weak as you do. He knows you. He knows you like to hold off on showing any negative emotions around him. He knows that you don't like to worry him.

But the tremble in your voice is completely natural, unaffected by your willingness to restrict the way your entire body shakes. 

“I know,” he coos, his curls brushing your cheek as he rests his head against your shoulder. “I know, I know, I know.” His hands rub up and down your arms, palms entirely too warm. Yet, somehow, his touch ignites a path of goosebumps, running all the way down your arms. You shudder, your teeth clacking together for a second. 

“Finnick, I don’t understand. What’s…? I don’t …?” 

There’s so much happening around you. You’re too in tune with the colorful lighting flickering from the living room TV, the faint smell of sea salt and cologne from Finnick, the faint scent of pasta still sitting in a pot on the stove, your clothes straining against your body. The Tv, sea salt and cologne, buttery pasta, denim and cashmere. Tv, sea, starch, fabric. 

You feel like you’re losing your mind. But it’s different than what you’re used to. It’s not the slow climb of horrors encompassing your mind in a tight grasp, squeezing until you feel like you’re suffocating. No, this insanity is quick. Spiraling. Uncontrollable. 

"We just gotta..." Finnick trails the tip of his nose along the side of your neck, stopping right below your earlobe. When he licks his parted lips, you feel the flicker of his tongue against your hot skin. "Just gotta work it out of our systems. Yeah?"

You turn around in Finnick’s arms, looking up at him with teary eyes. 

“Finnick. I don’t know what you’re talking about. Work what out of our systems?” 

He stares down at you. Deep beneath the intense fog clouding his mind and slowly seeping down into the rest of his body, Finnick feels sympathy tugging him. Trying to pull him free from the induced haze. He wants to make his way out. This shouldn’t happen. Not like this at least. 

But Finnick doesn’t have a choice. Neither of you have a choice. And the only way out is through. 

He tries to explain it to you. It’s the right thing to do, after all. He tries to tell you that the pretty flower you found and threw into the dinner you graciously offered to make for him wasn’t what you thought it was. It wasn’t what you both thought it was. Finnick, too, was confused, mixing up one edible plant for the other. He tries to explain that the blame is on both of you, that you shouldn’t feel bad because he could have said something. 

But Finnick can’t say much of anything. Anytime he tries to speak, words leave him. Anytime you ask a question, impatience finds him. This isn’t the type of person that Finnick usually is, but there’s nothing he can do. 

Nothing but help you, and himself, out. 

He presses you against the counter, his forearm thrown over your shoulders and his hand stuffed beneath the waistband of your pants. You’re panting, wanton sounds slipping out into the humid air of the kitchen, the prettiest symphony Finnick has ever heard. Your sounds are so mixed that it has Finnick confused. Whines that sound like cries, moans that sound like whines. You sound like you’re pained, but pleasured. 

If Finnick wasn’t so subdued, he would be concerned. He would have pulled himself away from you as soon as you made that first sound—the one that sounded like you were wounded. But he has already gotten the first taste and he can’t stop. He won’t stop until this is worked out of both of your systems. 

This is necessary. 

He tells you as such. 

“I know, honey, I know,” he coos. “You didn’t want it to happen like this. I didn’t either,” he peels his hand out of your bottoms and lets them fall to the floor instead, your panties enduring the same fate. Finnick knocks your legs apart, grinning to himself when you comply, and plunges his fingers in you from behind this time. 

“But we didn’t have a choice, did we?” he continues. You’re lost and distracted, maybe not realizing that Finnick wants an answer from you. “Did we?” he asks again, a little forceful this time. 

“N…No.”

Finnick nods, resting his forehead on your shoulder. He can’t wait any longer. He’s been kind to you, helping you out as much as he could before he pleased himself, too. He doesn’t want to hurt you, but the longer he takes to lead up to it, the bigger his appetite gets. 

“I’m gonna take care of you,” he says it like a mantra, the word repeated over and over again as he walks you to the dining table. He lays you back and goes to pull his jeans off. Your foot comes into his field of vision. It remains the main focus of his tunnel vision as you drag your toe down his chest, stopping right above the waistband of his boxer. 

“I’ll take care of you, too, Finn.” And the way you say it, so sweet and assured, so honest and good natured, your words have Finnick’s head hanging as he groans. He has to rest his hands on the wood and take a moment to himself. 

He almost busts in his pants, completely untouched, but he doesn’t. Even if he had, though, that one time wouldn’t have been enough. He still would have fucked you into the night until the two of you excreted more than you thought was humanly possible, and you both were nothing but shells of beings laying on a kitchen floor, fluids sticking to your bodies and stuck in your hair.

[princessofmarvel]

Business and dates

summary | when grace leaves, it leaves the shelbys with a heartbroken thomas. polly takes this as an opportunity to get him with the girl she's always wanted him with

pairing | thomas shelby x fem!reader

word count | 2.30k

genre | fluff! with just a tad of angst! 

requested? | yes! thank you so much for your request! i had so much writing it, and i am kind of proud of this one, lol.

warnings! | mentions of bullying, and the reader not eating from being worried! and, i have not proof read this yet!

author’s note! | Hi! Thank you all for being so patient as I worked on this! Requests are open for drabbles, and headcanons only at the moment for these characters! And as always, I do I have really bad OCD that causes me to write in some random capitalization, and punctuation, But I think that we don't have to worry about that in this fic lol. And let me know if there are any mistakes, but please be kind!

No one knew what had happened that day. All anyone knew was that Grace was suddenly gone, and that she had left the Shelby family with a heartbroken Thomas. And the person left to pick up the pieces was his lifelong best friend, who has been in love with Thomas since the day they met back when they were just small kids. 

Thomas was having a decent day, school had just let out and he was walking back home (alone because his older brother Aurther thought that it would be funny to run off before Thomas got out of class) when he saw a young girl getting picked on. 

“Stop it! This is my favorite skirt!” Thomas heard her yell to the kids that had her on the ground, kicking dirt onto her clothes while laughing and taunting her. Thomas knew that these kids were practically afraid of him, so he knew he could get them to leave the girl alone.  He also knew that his mother would scold him if she found out that he didn’t do anything to help her. 

“Oi! Leave her alone, or I'll put a curse on you!” Thomas called out as he made his way up to the group, and pulled a razor blade out of his pocket. The kids practically scattered the moment they heard Thomas’ voice. Leaving just him, and the girl with dirt on her clothes. 

“Thank you” He heard the girl say in a quiet voice as he put his hand out to help her back up. 

“What caused that?” He asked, curious as to what the girl could have done to anger the other kids so much. 

“I-I told them that I wouldn’t do their homework.” She said back to him, as she tried to get the dirt off of her skirt.  Thomas told himself that he should have known it was something like that. There wasn’t anything serious that this girl could have done to upset them so much. 

“Come on, I’ll walk you home, you live on Watery lane, right?” He said as he started walking, with the girl running a bit to catch up with him. He knew her name, he recognized her from school. She lived right across from him, but they never said anything to each other. She had been over to play with Ada sometimes, but they never spoke. 

Neither one of them said anything as they walked, it wasn’t until they got to her home that Thomas spoke up. 

“They shouldn’t bother you again, no one should.” He said as he stood outside her doorstep, seeming almost sorry since he knew his reputation, and how kids would stay away from him in fear of getting cursed. 

“It’s alright, I don’t really have any friends anyways.” The small girl said, while rocking back and forth on her heels. 

“Why don’t you come play at my house? I know my family won’t mind.” He said to her with a small smile. Truth be told, Thomas didn’t really have many friends either, and he saw an opportunity to make one. 

Ever since then, the two were inseparable. They did everything together, they were even each other's first kiss. Her family was weary at first, but soon saw how protective the Shelby boys (and the rest of the Shelby family) were over her, and grew to like them. The two were like this up until Thomas was called to war

“Tommy, this has to be a mistake.” The girl cried into Thomas’ shoulder as he held her. “All three of you at the same time? What kind of cruel joke is this” 

“The universe has a funny way of doing things.” He mumbled into her hair, his hand resting on the back of her head. “I’ll come back, sweetheart.” 

“You don’t know that, Tommy” The girl said as she pulled her head out of his shoulder, and looked up at him, eyes red and puffy. 

“You really think I'm leaving you yet? You think I'm going to leave you before you get married? Please, your future husband doesn’t get off that easily.” He said with a small laugh while trying to lighten the mood as he held her face with his hand. “Nothings taking me from you, not yet.” 

“You better come back, Shelby.” She said as she looked up at him with glossy eyes. “Or, I’ll bring you back just to kill you myself.” 

Thomas laughed and kissed her head, as the air in the room changed. He didn’t know why, but he leaned down and kissed her lips softly, all he knew was that he couldn’t leave without giving her a kiss, even just a light one. “You’ve got nothing to worry about” He said as he pulled away. 

She believed him, she tried not to worry. She didn’t worry until his letters stopped coming. After a month of not hearing from him she worried so much she got sick. She wrote him everyday, sent him a letter at least once a week, if not twice. No word of his death ever came. 

The day Thomas arrived home, she was sitting at the kitchen table with Polly. His heart broke when he saw her, she was paler, and her face was skinny, all signs to her not eating properly. Neither one of them said a word to each other for a week. It wasn’t until (Y/n) decided that she had enough, and stormed into his room. 

“What the hell is wrong with you?!” she shouted, growing red in the face. 

“What are you talking about?” He asked, not meeting her eyes, already knowing what she was talking about,

“You! You come back, and are completely different! You’re cold, and mean to everyone, which maybe you were that way to some people before, but never to me! Never to your family!” As she yelled at him, she started to sway as if she was about to faint. Before she could hit the floor, Thomas grabbed her and set her down on the bed beside him. 

“You need to eat something.” He mumbled, not looking at her which infuriated her more. 

“I thought you were dead.” This caught his attention as he heard her start to cry. He finally turned to her. “You stopped writing.” 

“I didn’t know how to write to you, you would ask me how I was, and I couldn’t find it in myself to tell you about how I had just watched a man die. I thought it better to not write.” He said, pulling her into his chest. “Why are you not eating?” 

“You worried me, anything I ate just came back up.” She mumbled into his chest. 

“I told you not to worry.” He said with a small laugh coming from his chest, the first in a long time. 

“Tough shit, Shelby.” She mumbled back, while pulling her head out of his chest. 

They sat in silence for a few minutes, just staring at the other, until Thomas finally spoke up. “I’m trying to get back to normal.” He mumbled, barely loud enough for her to hear, she wouldn’t have if they hadn’t been so close. 

“I know, it will just take some time.” She said while she caressed his cheek. “And, I’ll be here to help you heal.” 

After that day, nothing ever really went back to how it was before the war. But it was like that for everyone. Thomas had gone back to normal as much as he could. He had his moments, but everyone did. And, (Y/n) didn’t lie, she was there every step of the way, even in the bad times she never left. 

The two never fought again until the day Grace left. She had tried telling Thomas before that something was up with her, but he just wouldn’t listen. The only other person that seemed to notice it was Polly. 

“He’ll never go for it.” John pipped into the conversation. Polly was currently trying to figure out a way to cheer Thomas up, and the idea she had was to put Thomas with (Y/n). She already considered the girl a daughter, and she always wanted her with Thomas. To her, it was the perfect plan. 

“That's why we don’t tell him! All we tell him is that he has a business meeting at the new restaurant, he’ll show up, expecting some business man to be there, but instead (Y/n) will come in wearing the most beautiful thing I can find, that he’ll just have to stay.” Polly explained to the boys and Ada. 

“Alright, but how are you going to get (Y/n) there, dressed up, without suspecting anything?” Ada chimed in. 

“We’ll tell her a boy stopped by and asked to take her out.” Polly said, as if it was obvious. 

“Please, she’s not going to just agree to go out with someone, especially if she doesn’t even know who it is.” Arthur muttered. 

"Actually she might.” John announced to everyone. “Just to make Thomas jealous, she mentioned it back when Grace was around.” 

The Shelby’s set everything into motion that night. Polly told Thomas he had a meeting, then she told (Y/n) about the secret man that wanted to take her out. 

So Thomas sat in his suit, waiting for this man to show, when he saw (Y/n) walk through the door, dressed like a vision in her red, drop waist, beaded dress, with an old pearl necklace to match. She looked around the room, until her eyes landed on Thomas. 

“What are you doing here?” She asked him, as she walked up to his table.

“Business meeting, what are you doing here?” He asked, suddenly growing jealous at the thought of her being here for another man. 

“A date, and what business meeting? I know your schedule, there wasn’t one planned, did you make one?” She asked, wondering who on earth Thomas could be meeting for business at this hour. 

“No, Polly told me I had one, who’s the date?” He asked, his jealousy rising. 

“Not sure, Polly told me-” A look of realization crossed both their faces “Polly” The two said in unison. 

She decided to sit down, now laughing to herself. “You’re the date.”

“You’re the business.” Thomas responded, a small smile growing to his face. 

The two sat there for a minute, before Thomas spoke up. “You do look stunning.” 

“Polly picked it.” She said, with a small laugh.

“I bet she did.” Thomas said with a laugh, and a sigh. “She’s wanted us together for ages.” He mumbled. 

“And what do you want?” The girl asked. Thomas had always had a feeling that (Y/n) liked him, he was just never sure how much, until he looked up and met her eyes that were filled with nothing but love and want.

“You in my life.” He said, keeping his eyes on her. “I thought a relationship between us would mess everything up. I couldn’t risk losing you.” 

“Thomas.” The girl said, grabbing his hand across the table. “You could never lose me, even if we did have a relationship and it failed, I would still love you. But, I don’t want you to feel like you have to do this.” 

“I have distracted myself from you for as long as I can remember. I wouldn’t let myself fall for you.” Thomas said, standing up from the table, (Y/n) following. 

“It’s okay to fall, Thomas, who knows, maybe it won’t hurt.” She said, as she placed a hand to his face. Without thinking, Thomas leaned in and kissed her with everything in him, causing her to hit the table, his hands on the side of her face being the only thing to keep them from falling. The pair kissed until they needed air. When they pulled away, he rested his forehead on hers. 

“Let’s give this a try.” He whispered, looking into her eyes. 

The girl smiled and gave Thomas a quick peck, before they left the restaurant, her holding his arm. The walk back to the Shelby home was mostly quiet, until she spoke up. “Thank god for Polly.” 

[squiddy-god]

hsr men manhandling pt2

(Blade, sampo, loucha)

Once again here we are, lust in my heart. The other one is quite popular so here we go with a part two<3 i really liked the way the last one turned out so i decided to do more characters, i think the next one i'm doing is gonna be female characters. Maybe a little sampo slander (i love him i promise) 

♥︎REQUESTS ARE OPEN♥︎

Cw: smut, suggestive content to nsfw, manhandling, top! Characters, dom characters, no pronouns, gn! Reader, fem/ftm/masc/mtf friendly, established relationship, implied chubby reader, rough sex, penetration, oral (you and character receiving), fuzzy handcuffs (sampo), marking (blade), stupid/silly petnames (sampo), dare i say…a bit of switch sampo??face fucking,  as always everything is consensual (very sexy) and aftercare is always given even if not explicitly mentioned 

Blade 

AUGH 

Bladie is legitimately strong as hell, but the thing is that whether he's doing it on purpose or accident depends on the situation 

Blade manhandles you a lot, he tends to be a man of few words so if he needs you moved he is moving you, if he wants affection he is moving you

Sitting next to him and he wants you sat in his lap where you should be? Hes grabbing you, hands gripping your waist as he pulls you against him

Speaking of that his kisses are quite similar, grabbing your jaw and turning your face so he can kiss you

Or a hand on the back of your head that pushes your face together, 

Blade likes having you lay on top of him and he will actually drag you on top of him 

These are things he does unintentionally that end with you getting man handled 

But let's not forget that dear bladie is a bit (read: very) feral

He is the king of manhandling, im talking he throws you on the bed type manhandling

Picking you up and pinning you to the wall while holding the backs of your knees to keep you good and folded in half.

His lower body pressed against you so you can feel how hard he his while he grinds into you 

And he KNOWS HE KNOWS what he's doing when he squishes handfuls of your soft fletch in his hands while he folds you however he likes, he knows how much it turns you on 

He's rough, rough hands and rough chipped edges that used to be smooth. Blade as a whole is a rough man and his bedroom habits are no different- his every touch and movement carries a strength and sort of force behind it 

There's a part of him that revels in the fact that his roughness turns you on, the little shudder that runs through your body when you feel his finger dig into your hips and waist 

I feel like marking plays a huge role in the manhandling actually because blade wants to see you so covered in his marks that they resemble the scars on his body 

He is covered in them, not an inch spared- and so neither will yours

Pinning you face down with his hips rutting against yours while he sucks hickeys and bites between your shoulder blades (im hilarious) and neck. 

Sampo

Him 

He is fully aware and it's on purpose 2000% 

He teases you about it relentlessly the second that he finds out, honestly he probably found out either by accident or because he was teasing you 

He runs up to you, picking you up while he kisses your stomach face buried it its softness- and when he looks up seeing how flustered you are hes already working overtime 

“Ohhhh ho ho! Now sweetcheeks don't tell me you like when ol’ sampo’s rough with ya” 

He's so mean! He bullies you honestly and he doesn't even feel bad! 

SHOVES HIS COLD HANDS UNDER YOUR SHIRT AND JUST HOLDS YOU THERE SO YOU CAN'T ESCAPE! The meanie! And it never lasts being cute either because it turns into him grabbing your tummy and waist, then hes going for your chest and oops his hands are in your pants and he's using you to the nearest secluded spot 

a lot of his manhandling comes from squishing and squeezing you 

He's a tummy and thigh man and i won't be taking criticism because im right- aha told me themselves 

He loves and adores your tummy and thighs, squeezing, groping, he really can't get enough and that leads to him manhandling you

Like i said lust in my heart- so im gonna need you to hear me out on this one guys i need, and i mean NEED sampo in one of those sexy cop costumes 

See it's funny because he is a criminal- 

But like he's pinning you down, the sound of clicking as he cuffs you with the fuzzy handcuffs before he is jerking your his back to slot oh so perfectly against his 

I feel like sampo kinda likes when you man handle him a bit too (i wanna grab his bewbs) and he wouldn't mind if YOU were the one in the sexy cop costume, the short shorts showing off the thighs he loves so much as he lets you pin and cuff him~ 

Sampo likes face fucking and its one of the ways he manhandles you. moving your head up and down on his length while he has the nerve to coo at you 

You can feel his hands cradle your head and you already know what's coming (him lmao) “come on love-bug wanna give poor sampo a treat?” and its the way he sounds almost desperate that has you always nodding your head as you feel his fingers tighten before he's pushing you all the way down 

I hate him <3 (i'm a big liar)

Loucha 

Now here me out this man is a gentleman

Wouldn't dream of manhandling you because he is oh so gentle, so sweet to you its almost- almost suspicious

That being said when he does it's on purpose

For all his gentlemanly acts there is something writhing just below the surface, the most miniscule glint in his eyes and the slight amount of extra pressure in his hand as he guides you with him through the streets 

But he is a man with seemingly infinite self control 

But thats only what it seems like

Even one with an abundance (haha) of patience can sometimes have said patience grow thin, its times like this that loucha takes it upon himself to remind you that things are often not as they appear

 Fear not however, most of his “frustration” comes when you try to squirm away or hide- loucha loves to see and hear you, watch your face twitch and your body write at the onslaught (abundance hahahaha) of pleasure that his hands bestow 

He keeps your hands pinned nicely above your head to make sure there is no hiding your lovely face from him, and it shows his slight sadistic streak because the way he looks down at you?

Those lovely olive green eyes looking down at you laced with something akin to condescension- as if you were so silly to attempt to hide away from his gaze,  

I think loucha is a big fan of you riding him, his hands able to grip fistfull of your plush hips and thighs when your legs start to burn and he can manhandle you up and down his length to his heart's content  

And he just coos up at you, voice rumbling as he holds you tight again him and all but slams his hips forward, the languid movement of his hips has stopped and been replaced with the deep bruising movements that have you clawing at his back and the sheets 

“Ah ah my sweet, my mercy has a limit when you have denied me the pleasure of seeing you like this” and you realize through the way his hands roughly grasp at every soft inch of you that it was indeed mercy, but the way he all but moans out his desire to simply see you writhe like this beneath him makes it all the sweeter to test the limits of said mercy