#I don't think your draft will save.

[tennessoui]

au where obi-wan gets prophetic dreams of anakin’s fall but they’re the kenobi show montage dreams where nothing useful can be gleaned about how to stop it; so obi-wan decides he just needs to leave the order. anakin is only 12, he can be trained by another master. obi-wan didn’t even have a master when he was 12. anakin will be fine. stars, he’ll probably be better.

of course he’s not and of course obi-wan abandoning him pushes him closer to palpatine and he falls much sooner, becoming a baby sith that palpatine mostly farms out to dooku for training because anakin at 16, 17, 18 is a lot

and when he falls, the jedi order is like hm. we’re gonna tell kenobi about this. cause now skywalker is a sith with a sith master, and a grudge the size of coruscant against the guy who left him, so. let’s just give him a heads up to maybe consider going into hiding

but of COURSE when obi-wan hears his precious padawan STILL FELL he goes right to count dooku and asks to be his apprentice, he’d make such a good apprentice, dooku always liked him when he was qui-gon’s padawan, remember? now he could be his apprentice

dooku knows that with skywalker, 19 and well-trained now in the picture, his usefulness to sidious is running out, so he doesn’t have a lot of reasons to say no to kenobi. and kenobi is right. he did always like him when he was qui-gon’s apprentice, so sure he’ll give him a sith name (solence) and a red lightsaber (sick)

but basically this leads to very awkward sith family dinners where darth vader--is trying to kill darth solence with his eyes and sometimes the nearest oyster fork, darth solence is throwing sad kicked puppy expressions across the table at darth vader and sighing into his dessert pudding all the while debating with darth tyranus about how good the dark side could really be, i mean, if one were to really think about it, especially in comparison to the life we all led at the Temple, remember anakin? you loved life at the Temple.

darth sidious stopped accepting the invites five dinners ago.

[hajihiko]

Person who asked about friendship and socializing I'm on it 👍 but I'm gonna sleep on it🤙

[boxwinebaddie]

🎸 happy uncneen pepinursteppermint wintereve 🍬 ❤️‍🔥

❤️🤘 + ft. how i think my styles would say HYH

[vambpire]

i don't think we can "reeheehee" ourselves outta this one, scoob 😔

[giantkillerjack]

i love that you are still here on this earth. i am relieved that we've both made it this far. and i am so, so happy to be here on this planet with you. thank you for that.

[deltastorm101]

Hi! Do you have any tips or info on how you made Zane's spiral painting? I'm thinking of trying to replicate it too! Thanks!

oh hey, yeah sure!! :D

how 2 spiral 101:

SO. first i was looking at references, most of which were, of course, screenshots from room 665 party; i don't think i have those anymore but 0.25x speed and frame by frame search is your friend.

i settled on a 50x70cm regular canvas and bought two small tubs of acrylic paint, one black one white, and a wide brush because i didn't have one. in hindsight i should have probably gone with a bigger canvas (and maybe even a square one? or something like 90x80?) but i was hit with a random burst of energy and i just wanted to get started without my usual ridiculous amount of planning that makes me afraid to start anything.

i painted the canvas with two layers of black (almost completely undiluted) on the same evening, with about 2h to dry in between. then i was looking at where exactly the 'arms' of the spiral originated (from the center and then downwards) and how many turns/loops it had (4.5, plus 3 corners). after that, of course, i was too scared to start painting, or even sketching, the spiral right away so i wanted to determine the exact placement of the pattern by putting some kind of cord or string on the canvas first; i decided on shoelaces, worked out great, looked like this:

then i carefully traced it all onto the canvas with a pencil, fleshed out the thickness of the arms and marked where to put the little gaps and effects:

then everything after that was pretty much improvised. i worked with solid white strokes in thick areas, left gaps where i had marked them, added some roughness (mid-size brush, very little paint and very dry) and extra strokes (thin, semi-dry brush) where needed. the arms get thicker towards the corners and the roughest, most 'blurry' parts are on the bottom left. it took me some time to get a clear view of the bottom right and center right area because that’s where zane stood in a lot of the screenshots i took but i did find a good shot somewhere. i'd say the hardest part was balancing the messiness – i wanted it to look just chaotic enough to resemble the original without having it look sloppy and ugly and like i learned to hold a brush 5 minutes ago. i slowly worked my way around and around, perfecting the loops until i was semi-happy with the overall look and how it looked from afar. right at the end i added a few stray dots here and there – i thought i saw some black ones in the center area and white ones in the outer areas so that’s where i put them.

i guess going the extra mile to make this as true to the original as possible would be to look for a similar frame like zane has. an olive-ish color or dark brown painted wood with a slightly shiny (or even glossy) finish maybe. but i decided against that because it would have greatly overcomplicated things i was happy with already, and i wouldn't know how to frame a 1.5cm thick canvas anyway. but maybe with one of those extra thin ones? i saw some of those at the arts and crafts store i went to but they all weren't big enough.

hope this is what you were looking for, happy painting!!

[orchideae]

Please remind me to go feral about the look on her face during this and the repercussions of it across the board, because this is a monumental moment.

[allylikethecat]

Get excited! I actually finished another oneshot for tomorrow...

[allisonreader]

@lady-merian I just read your prologue for Reckoning again. I still love the contrast given to the two men. And also how obviously upset and chaffed that the stand in king is about not being able to take up proper kingship. I love the comparison between the differences of the crowns and even the fact that he is related to the royal family. That there is the family resemblance there.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[secondpersonpoetry]

hi! heard the released “Merry Christmas, Please Don’t Call” (which i’ve seen you’ve heard live, if i’m not mistaken!!) this morning and i don’t know if there’s really a particular vibe/dynamic/ship hrpf-wise (personally haven’t yet been able to put my finger on it) that quite relates but the lyrics have been rotating in my head all day and i was wondering if you had any thoughts? hope you have a good one! <3

OH ANON HAVE I EVER SEEN IT LIVE!!! and the second that song came out i zoomed it straight into my fic playlist and unfortunately there are so many guys this could be. right now the one that's resonating is, of course, the golden boy and his haunted ghost themselves: mcstrome.

i am thinking about connor, specifically, after the stanley cup final. that game seven. how angry he was, how loud the silence when they told him he won the conn smythe. how close he's come before and again and again lost. there's nobody else to blame but himself. he's in the empty room and he knows why (1)

at!! your best!!! you were magic!!! oh, golden boy. connor the anointed, of course. at the very beginning of his career we always knew he was something special and who wouldn't have fallen in love with him? weren't all of us a little bit dylan strome in awe of the generational talent? we were all bathed in radiant light just by being in the vicinity (2)

don't even tell 'em that you know me breaks my heart (3). in terms of building a narrative i think i've said before there is a universe where connor/dylan were together before the draft and to protect both of them, dylan breaks up with him. connor says i love you and dylan says i don't. because he doesn't, you know? he loved connor. he loved davo. he can't be in love with connor mcdavid, first overall pick of the edmonton oilers. i'd rather be hurt forever than have to watch us try to make this work and destroy us.

and after connor mcdavid left the otters, dylan strome captained them to a memorial cup win. what a haunted home, eh? to be captain of the team you and your best friend were on, only now he's left you? don't call me to tell me about your rookie season with the oilers--we both know about your broken collarbone. don't call me to tell about becoming the youngest captain in franchise history when i stepped into the shoes of your captaincy here. don't call me. (4)

narratively: dylan's the one who broke connor's heart and his own but by god it wasn't easy. we both know what happened, you went first overall. please don't make this harder on me. please don't call.

this verse can be about the weight of dylan having to live up to connor's standards and always being measured by him. i would just like to bring up the connor stepping stone chart for absolutely no reason as well (5)

we are, at long last, at the potential future of now: dylan strome, happy, smiling, thriving on the washington capitals. connor, on the oilers. i'm not yours, dylan can say. haven't been for a long time. it took some time but i made this. please don't call and ruin this for me, stay out of my life. i don't want you or need you (6)

[p.s. this took a while because when i received this ask i was a) immediately possessed to write this verse by verse breakdown i had never thought of before and then b) immediately plagued by the idea of making you a little graphic (above the read more) and finally got to do it after banging out all the actual lyric thoughts two (?) weeks ago. emerging two and a half hours later from the fugue state of GIMP with 37 layers in this bad boy hope you enjoy!!!]

[absentlyabbie]

seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.

very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.

they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.

mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.

sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.

these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.

i am not taking a shit on gen z/gen alpha here, i'm really not.

what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.

they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???

THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!

it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just

ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.

kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.

[jaekkii]

is anyone else on this web site afraid to like and reblog posts from people you follow because you have the feeling they'll get annoyed with you or that they'll look at your blog and be like "ew what a loser you should kill yourself" or is it just me.

[an-android-child]

¡JAJA! YOU HAVE ACTIVATED MY AUTISM TRAP CARD

SPECIAL INTEREST

SO, first let's get to Dick Grayson and Bruce Wayne's clusterfuck of a relationship.

As everyone will tell you, comic's canon is like gender: a social construct. If anyone tries to tell you there's a main canon they're lying to you. It's true that the comics TRY to market it as such, and we've been through so many reboots and continuities that I believe the present default is, literally, that everything is canon, depending on what the writer or story calls for. Which is as confusing as it sounds, and has been regarded as, possibly, the move of all time.

And I want to make it explicitly clear that I am not taking Elseworlds (official dc aus for their ocs, like Batman being a pirate and shit like that) into account. This is literally all "main continuity" in all its rebooted as shit glory. I'll specify what continuity I mean, but basically know that every once in a while DC has the compulsive need to kill off their entire character universe and start it all again "from the beginning", except it's literally never that because half of this reboots need the reader to know the characters already, so what's the point, and that they tend to just make everything worse and deliver the most dumb possible comic events in history, with few exceptions. But that's a personal opinion and it literally doesn't matter.

At the end of the day, here's the thing. There are... A shit ton of interpretations about their relationship, because it literally varies from writer to writer. No, I'm not kidding.

Let's start from the beginning. Literally.

First Main Universe

Detective Comics (1937) #38

Writer: Bill Finger

The first appearance of Dick Grayson is hilarious because it doesn't mention any legal procedure regarding anything related to the fact that Dick's an orphan now. Batman sees a traumatized child and thinks "is anybody gonna kidnap that" and doesn't wait for an answer. There's no real label for their relationship either, aside from the cover's vague remark of "taken under his mantle", and literally those two panels where it implies that Dick will be working with Bruce as an aide or something. Or better said, that they will be going on adventures together lmao. I mean, I guess.

Also unrelated but I love the fact that Bruce caves like a wet paper towel for his kids so much, even at the beginning. No, you can't be a crime fighter vigilante, wait no no don't look at me like that here I'll train you for months here's my secret identity and all my money please come live at my very big and lonely mansion

Detective Comics (1937) # 39 & #43 & #47

Writer: Bill Finger

So yeah, for a while, the og Batman writer basically referred to Dick as an aide. Whatever that means. Unpaid internship go brrrrrrrr.

Detective Comics (1937) #40

Writer: Bill Finger

But even from the beginning, it was obvious that their relationship was special and that they cared for each other. Hell, Dick was the first person to ever know Batman's secret identity. That's a huge ass deal. Not even his fiancé knew. Before Alfred even existed, Dick Grayson was already living in that house lmao.

Detective Comics (1937) #41

Writer: Bill Finger

The FIRST ever mention of any type of legal relationship between them is this off-hand comment made when they're trying to infiltrate a boarding school to find some killer I can't remember the name of. I place some legitimacy in it because they're literally going as Bruce Wayne and Dick Grayson, no disguises. When did Bruce do the paperwork for this? When did the trial take place? Who knows! It will be explained. Later. Somewhat. Don't think about it.

As time progressed, the relationship became more explicitly parental. You could argue this was because of the controversy, but whatever it may be for, Bruce doesn't shy away from telling/showing Dick how much he loves him. He also does it when he thinks no one's paying much attention to him lol

Batman (1940) #20 (this issue is very cute)

Writer: Bill Finger

Batman (1940) #66

Writer: Bill Finger

Sometimes though, he would insist they were just the best of friends.

Detective Comics (1937) #166

Writer: Don C. Cameron (i'm not sure if it's really him, but i can't find any other sources claiming any other writer, and it kinda seems like his writing style)

Ironically, Dick seems to be the one to insist they're just good friends the most, which I find an interesting choice.

Batman (1940) #3 & #20 & #118

Writer: Bill Finger

Except... When he doesn't.

Batman (1940) #57

Writer: Bill Finger

Batman (1940) #339

Writer: Gerry Conway

Either way, don't be fooled. No matter what, this little guy cares.

Batman (1940) #13 (in this story Bruce is just pulling off a ruse with a dummy so Dick doesn't get killed, but instead of telling him he leaves the house lmao. Also, oh, the irony)

Writer: Bill Finger

The general consensus though, if there's anything like that in a world as cruel as this one, is that Dick was never formally adopted, just taken in as a ward. This was because, in the 40's, single men couldn't adopt even if they wanted to, so that was the next best thing. But that's another entire can of worms.

So yeah, Dick was never really adopte-

Detective Comics (1937) #145

Writer: Don C. Cameron (again, I can't be sure, but the comic references two other issues written by him, and I'll eat my left shoe if it's anyone else)

Yeah let's just. Let's just move on.

Second Main Universe

In the second universe, things start getting messy. Writers have decided angst is what they want, and their relationship becomes way more rocky. They fight, Dick becomes Nightwing, Bruce gets his back broken, Jason fucking dies, not in that order. Y'know the drill. The focus on father and son shifts, but let's start with the basics.

For some context, in this universe Dick isn't adopted, but Bruce is his legal guardian.

The Untold Legend of the Batman (1980) #2

Writer: Len Wein

So yeah, Dick isn't adopte-

Robin (1993) #0 (thank you so much @northoftheroad for helping me find this instance!!! there are way too many comics sometimes lmaoo. i recommend her blog so much, and she specializes in Dick's whole comic history)

Writer: Chuck Dixon

Ignore that.

He's just a ward-

Robin (1993) Annual #4

Writer: Chuck Dixon (IS HE ADOPTED OR NOT DIXON)

Ignore that.

I meant foster chil-

Batman: Legends of the Dark Knight (1989) #100

Writer: Dennis O'Neil

Fuck.

Look. This is a mess, we both know it. Let's pretend consistency is a thing that exists and that DC gives a shit about it.

In the second universe, Dick ISN'T adopted, and doesn't care much that he hasn't bee-

Tales of the Teen Titans (1984) #50

Writers: Marv Wolfman & George Pérez

I actually meant that he cares and wants to be Bruce's so-

Batman (1940) #439

Writer: Marv Wolfman

I mean, he was a child when he said that! Character development I guess! In a way! It's the same author. I don't understand the point of the conversation at the wedding if Dick literally asked him not to. I can get behind tha-

Secret Origins (1986) #13 (thank you so much @tiffanybluesclues for helping me find this instance!!! they have this super fricking cool meta i can't recoomend enough if you want to see more clearly for yourself what Bruce's and Dick's whole deal is about lmao)

Writer: Dan Mishkin

Okay this is getting ridic-

Batman (1940) #217

Writer: Frank Robbins

YEAH. WHY NOT

DID I MENTION THAT THIS UNIVERSE TRIES FOR THE BROTHER ANGLE. Except when it doesn't.

In the First Universe we had the best friends angle, now we have the brother one. They want to keep Bruce young so bad, even at the cost of consistency.

Robin (1993) Annual #4

Writer: Chuck Dixon

And also the best friend angle. Again. Because of course we do.

All this mess is just the first two universes and I'm leaving so many details out. Jesus Fuck.

Third Main Universe

The universe I was referencing, the one where Dick is adopted by Bruce as an adult, is the third main continuity. From one of my favourite comic writers (who was done so dirty, and I'll never forgive some fans for how they treat her, or DC editorial for not letting her finish her Nightwing story properly).

Batman: Gotham Knights (2000) #17 (this issue was released in 2001)

Writer: Devin Grayson (my beloved)

You'd think this would be a pivotal moment for their relationship, in the sense that it would shape how other authors wrote them from then on. As times have changed, the focus on a much more character driven story has been the cause for many changes in DC comics. One of the reasons the Second Universe was so full of angst (not as much as people make it out to be, but way more than we were used to), was precisely that fact. And now, in the present, one could argue the focus is still there, perhaps even more so. You'd think this would mark the end of an era, the beginning of another. You'd be correct, in literally any other circumstance.

But this is DC.

52 (2006) #30 (this issue was released in 2007)

Writers: Geoff Johns & Grant Morrison & Greg Rucka & Mark Waid

Batman and Robin (2009) #7 (this issue was released in 2010)

Writer: Grant Morrison

Batman (1940) #713 (this issue was released in 2011)

Writer: Fabian Nicieza

This will always be DC.

Fourth Main Universe

Nightwing (2011) #0

Writers: Kyle Higgins & Tom DeFalco

So, yeah. Canon is a social construct. Some writers see them as brothers, some as best friends, some as equals, some as father and son, some as fricking colleagues, and I'm sure you can find someone who sees them as lovers. This is literally a pick your poison type of deal here.

And all of this. All of this just to talk about Dick and Bruce. I have barely even touched the present continuity (the fourth one, I'm not counting soft reboots because everytime a new writer appears it is a soft reboot istG). I haven't even gotten to Jason.

I'll do a part two in the reblogs later about him, lmao. Probably make my own post as not to clog op's notes (this was supposed to be a short answer and it got way too long)

If you want some recs about a character in particular, or a specific type of relationship, feel free to hit me up! I'll see what I can find

dick and jason trying to give tim the crash course on what it's like to be robin, except tim leaves the conversation more confused than he was before, because everyone quickly had the realisation that there was. definitely a favourite child

dick goes on about how bruce's teachings gave him healthy outlets for his grief and anger etc etc, whilst jason's very much confused because he was kinda under the impression that robin was an outlet for bruce's feelings.

dick says that the father-mentor ratio was really well balanced during his time as robin, and bruce always saw him as a son first. and jason's just like "....i didn't even know he saw me as his son until after i died????"

[burntoutdaydreamer]

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

[chuluoyi]

✎ the babysitters' club

- gojo satoru x reader

in which yuji, megumi and nobara are tasked with the most important mission ever by their teacher—watching over his baby son!

genre: total crack, first years are trying their best to babysit your son to save their grades, an attempt at humor, gojo is irritating as always, fluff, fluff, fluff

note: this is sooo incredibly silly :') some inspiration are taken from the baby starfish onesie, this ask, and this illustration -> if you're wondering how gojo dressed his baby, he's looks just like that :)) tagging @3zae-zae3 <3

a part of gojo's love entries

general masterlist

"Gojo-sensei... what is that wiggling starfish!?"

On one sunny day in jujutsu school... trouble is once again brewing in the form of Gojo Satoru bringing his baby son to the class.

"Starfish? No, no," Gojo retorted with a displeased expression, directing his gaze towards Yuji and clicking his tongue as he patted his squirming baby, which was still hidden from their view. "He's my pride and joy! Don't refer to him as starfish!"

"But you've got him dressed up as one..." Nobara pointed out, her tone flat and unimpressed.

"That's his kid," Megumi provided, wearily sighing. God, he knew already today was going to be a long day.

No one from school had seen your seven-month old baby son yet, and Gojo was determined to make it an occasion to remember.

Beaming with pride, he gently removed his baby from the starfish-themed onesie, revealing him in a tiny black jujutsu outfit specially tailored for him, complete with miniature black glasses. He held him up, presenting him for everyone to see.

"Behold, everyone... my son! Isn't he just adorable?!"

. . . a momentary silence before—

"Oh my goodness, he is!" Nobara cooed, forgetting her earlier sentiment, immediately approaching the baby with shining eyes. "Sensei, how could you manage to have a baby this cute!?"

"Heh! Only the finest technique utilized to create him—"

"Complete bullshit—"

"Hush, Megumi! No cussing in front of my baby! I'll deduct your marks!"

"Seriously...?"

"Now, class, today I have a very, very important task for you..." Gojo said, his voice dripping with mischief as he sported a broad grin. "If you succeed, I'll personally draft a recommendation letter for each of you to Yaga. But if you don't..." he paused for the suspense, scanning his three students' curious faces.

"Then I'm failing you in my class!" Gojo continued with a grin, prompting immediate reactions from his students.

“What! Why?!”

“That's not fair!”

“Sigh.”

“All you have to do was to watch over him until I come back. Everything you need is here— in this bag!”

Megumi rolled his eyes. Nobara raised an eyebrow. Only Yuji who seemed to be genuinely interested.

"Isn't that easy?" Gojo tilted his head playfully, looking absolutely stupid with his blindfold. "There are three of you here. If you can't even manage to look after one baby, then you should not even think about romance and dating."

"Nonsen—"

"Quiet, Megumi!"

And so began the day's mission: looking after Baby Gojo until his father's return.

“Lalala~ look you’re flying!”

“Fwa...”

“Kugisaki, don’t hold him like that! You’re making him cry!”

“No, I’m not— Itadori! Don’t smush his face—!”

“WAAA!”

“You idiot!” Megumi hissed, plucking the poor baby from his clueless friends and immediately soothed him, pulling him close and patting his back. He even gently shushed him, “There, there...”

And Yuji and Nobara could only look at him in awe as the baby's wails turned into soft sniffles, peaceful in his embrace.

"Whoa... Fushiguro, so babies like you, huh..."

"Unfair!" Nobara clicked his tongue, before fixing a wide smile and waved at the baby in Megumi's arms. "Hi baby~ don't you want to held by big sister—"

"He doesn't like you, Kugisaki."

And so, that was how the three of them spent half the day—constantly watching over Baby Gojo, with Megumi supervising both the baby and his two friends.

"Sometimes, I wonder what she sees in him..." Megumi grumbled sullenly, resigned to his fate, his gaze fixed on the crawling baby while he sat on the floor and threw his little sunglasses.

For all the sighs he exuded, Megumi undeniably had a soft spot for the baby. Prior today, he had held him several times, and he'd never admit it, but he'd protect him to the best of his ability, if anything, because you had done so much for him.

“Gojo-sensei is cool!” Yuji remarked. “Of course Y/N-sensei is happy with him.”

Nobara rolled her eyes. “Only you would say that.”

"Hey, don't you think he wants his milk?" Yuji suddenly pointed out, as the baby became fussy. Megumi nodded and Yuji immediately reached for the bag Gojo left. He pulled out a bottle and handed it to his friend, but in the process, he accidentally knocked the bag over, spilling its contents onto the floor.

"Ahh, my bad," the boy sighed, collecting the diapers and washcloth, until he realized that there were some more—

"What's that? Photographs?" Nobara picked one of them up, and immediately gasped. "Oh my! Look at this!"

On the picture was the same baby, but much more smaller and swaddled in baby blue blanket and tiny blue beanie. Most likely taken when he was a newborn.

"Whoa, wait, there's something written behind the photo..."

When she flipped it over, both she and Yuji studied the messy handwriting, instantly recognizing it as their teacher's.

Yaaay! ♡ Baby is here! I'm sooo happy you made it! But mama went through a lot to bring you here... so don't ever forget that she loves you very, very much, okay?

"This is sweet." Nobara looked at the picture with a genuine smile, until she realized that there were some more scattered on the floor.

The other picture was of the blue-eyed baby on his arms and knees, wrapped in an orange and black bee onesie, complete with little wings, and behind it was written:

Aren't you just the cutest bee?! And what's more, you've started crawling! Aw, papa is so proud! In no time at all, you're going to be as strong as me!

"What are you two doing over there?" Megumi asked, still feeding the baby with the milk bottle. Nobara beckoned him over.

The third photo was of you smiling so prettily while holding your baby, still in his bee suit, and Gojo also in the frame, wrapping his arm around you, clearly the one holding the camera to take the selfie.

Two my most precious treasures ♡ Sweetheart, I love you. And baby too!

Yuji smiled, as he felt warmth spreading in his chest. "Gojo-sensei really treasures his family, huh?"

"He is," Megumi agreed, because he had seen it all throughout his life.

"Well, no wonder..." Nobara giggled. "Any woman showered with this much love would be happy."

And that day, the trio also uncovered another side of their teacher, that his deepest affection was reserved exclusively for his wife and child.

Well, the sentimental feeling didn't last long though...

"This is our chance!" Nobara said in a hushed whisper. "When else are we going to get an extra family discount!?"

Megumi was so ready to burst a blood vessel as he held the baby—given that he had forbidden his two friends to lay a finger on him. "We are meeting Gojo-sensei here, not to—!"

"Hush! Itadori, don't you agree with me?!"

Yuji nudged his cross friend, trying to appease him. "Lighten up, Fushiguro! We can have more meat!"

At the last minute, Gojo suddenly told the three of them to bring his baby and meet him at the shopping center as he didn't want to waste energy to go back to the school. And like broke students Nobara and Yuji were, they decided to use Baby Gojo to snag an extra plate in a yakiniku place.

Megumi's eyes twitched. "This is not making sense at all, they won't believe—!"

"Shut up, you! Waiter~ here! We have a baby! So we're eligible for the family package!"

The judging stare of the waiter was enough to make Megumi combust on the spot, and yet somehow he passed the four of them as family eligible for the extra plate.

It was later, after they had their lunch that Megumi suddenly had an upset stomach and left the baby momentarily in his two friends' care.

And under less-than-watchful eyes...

"Hey, Kugisaki, meat on this side is the juiciest! Try it!"

"Ooh, you're right!"

The baby only blinked at them in wonder as he stayed in his spot. Not for long though... and it didn't help that they forgot his existence after they went to the cashier and headed out.

"Oi, Itadori! Don't forget to split the bill!"

"Oh yeah! Anyway, why is Fushiguro taking so long?"

Megumi got back right afterwards, and he frowned. "You done already? I haven't even gotten my ocha refill—" and it dawned to him when he saw both Yuji and Nobara with empty hands.

"Wait... where's the baby?"

"—! Oh my god!"

And when the three of them rushed back to the yakiniku place and approached their table earlier, Nobara almost screamed at the empty chairs, "He is gone!"

"You left the baby with the kids and told them to come here?!"

You were positively fuming as you scolded your stupid husband in the bustling mall.

"Well, we haven't gotten much time to spend together, just the two of us!" Satoru retorted, his tone sulky as he pouted. "And besides, Megumi is there. I'm sure they'll do just fine~"

You let out a sigh. True enough, being parents is no joke. Aside from stay-at-home dates, the frequency of the two of you going out had dwindled exponentially since having your baby.

"Technically, you are still on the clock though." You threw him a glare. "You're being a very irresponsible teacher."

Satoru smirked. "Heh, spare me. But I'm being a very good teacher to you in our—"

"One more word and I'm locking you out—!"

Just as you were about to give him your (empty) threat, the building suddenly boomed with an announcement from the mall's broadcast speaker.

"Attention, shoppers. We've received a report from three teenagers that they've lost a baby. He is seven-month old, wears black shirt, has white hair and blue eyes. He is last seen at Yakiniku Q—"

"Satoru..." your voice trembled, dread settling in the pit of your stomach. The baby described by the speaker was unmistakably your son, and the realization of him being missing sent you spiraling into panic.

"Hey, calm down." Satoru gripped your hand tightly, his voice steady as he faced you. "We're going to find him, alright? I'm here. Don't worry."

And after taking off his glasses, in a matter of seconds, Satoru figured out where he was.

Nobara's eyes welled up with tears, frustrated. "What do I do, Gojo-sensei will fail us now..." she muttered, biting her lip.

"That's what you're worried about?" Megumi replied, turning to her with a clear glare.

"He's going to be fine! He is!" Yuji interjected, trying to reassure his two friends despite his own rising anxiety. "He’s not just any random baby—who knows, maybe he can shoot cursed energy to protect himself!"

Megumi and Nobara leveled their annoyed stares on him and Yuji immediately regretted his attempt to lighten the mood.

"I still think he can't get far from the yakiniku place." Megumi was too panicked to check with the staff earlier and just went with Yuji's suggestion to report it to be announced, but now that he thought about it— "I think we should go back."

And thank goodness the three of them returned for the second time because, this time, they finally saw the baby safely cradled in your arms, with Gojo speaking to the waitresses nearby.

"Oh?! Gojo-sensei is here!"

But as soon as the three of them came into view, Gojo immediately fixed them with his unamused gaze.

"You three..." his voice was lower and it made the three kids shudder. "What did I tell you about failing this mission, huh?"

Yuji, Nobara and Megumi were visibly spooked, immediately bowing their heads in unison as they chorused—

"Gojo-sensei, we're so sorry!"

Nobara then pointed an accusing finger at Yuji. "But it was his fault! He kept eating away and didn't even oversee the baby anymore!"

"Wha!?" Yuji glared back at her. "No! You too! You kept eating my meat too!"

"Whatever it is, I'm not a part of this—" Megumi cut in boldly. "My stomach hurt so I had to go for a bit, and they couldn't even keep an eye on him—"

You soothed your squirming son as the first years were throwing blame at each other. Gaping in confusion, you couldn't help but wonder how such a simple task had turned into this incident.

"Tsk." Gojo crossed his arms dramatically, and you knew he was just messing with them, as he suddenly turned to you with a grin.

"Nah, as both a teacher and the victim's mother— Sensei~ who do you think is responsible for this? Or should I punish all three of them?"

The three kids before you were quaking in their boots, and you really didn't have time for this right now. Honestly, if if you had to quickly pinpoint the source of this chaos...

You directed your most irked glare at your husband. "You."

“Huh?!”

“You’re the one staging this by threatening their grades, and it results in our baby being missing!”

Now you were bickering with your husband and putting him in his rightful place. Nobara and Yuji gaped, while Megumi heaved a sigh of relief.

"Does this mean... our grades are saved?"

Epilogue

"They said he fell..." You pat your baby's head worriedly as he babbled happily in his crib, your expression darkening into a frown.

You didn't really blame the first years for their lack of experience, but as his mother, the news from the restaurant staff that they had found your son falling from the chair made you extremely uneasy.

Seeing your distress, Satoru’s natural response was to comfort you until you were back to smiles again. He gently tickled his boy's tummy, prompting him to squeal in absolute joy. "Look, he's perfectly fine. You don't need to worry so much, yeah?"

"But it's strange... I'm happy he's fine, but how? Most babies will get hurt or at least be inconsolable after falling. But he was totally okay..."

Satoru shifted his gaze to his son, as now his round, crystal blue eyes that mirrored his blinked back at him with such innocence and trust that even melted his heart.

"Ah, I see." Suddenly he smiled as if he had figured something out. "This is just my guess, but you know my guesses have like... 90% of probability of being correct—"

"Hmm...?"

"He might have activated Infinity by instinct. Heh."