#I don't think there was any time during the progress where I was happy with it but hfduhdfu at least I got to Attempt drawing moss hell yea | Explore Tumblr posts and blogs

mirai-e-jump · 25 days ago

Text

Bakuage Sentai Boonboomger Photobook: Don't Stop the BoonBoom Main Cast Member Interviews (translations and other pages below, very long post)

Publication: February 14, 2025

Iuchi Haruhi (Taiya Hando)

-Taiya cranks up his mood without showing emotion-

Everyone wrapped up filming together. At the time, it really didn't hit me. I think it was about two days later that I actually felt it……

Over this past year, I had a routine that I set up for myself, where the day before filming, I'd reread the script for corresponding scenes, and always make sure to do a final check before going to sleep. However, I guess that's come to an end. Now that filming is completely over, I feel alittle sad, as I can actually sense that Taiya's fading away.

Regarding Taiya, when I look back, the first thing I was conscious of was raising my mental age and trying to play my role as a calm character. However, if I made him too cool, he'd be too similar to Chasshiro, so instead of expressing his emotions, I'd crank up parts of his mood……I put great value into those kinds of things while acting.

The first scene we filmed was for the first episode, where Taiya buys the luxury brand store. I remember I didn't know how to move in relation to the camera's position, and was just trying to figure it all out. Not long after that, I had the opportunity to film my Boonboom Change, and when I put on the Boonboom suit for the first time, I had the feeling of, "I'm a hero!" The other thing I remember well was post recording with Director Nakazawa's team during episodes 1-3. At first, I held back my voice in order to keep it in line with Taiya's character, but when Director Nakazawa told me to "make it much more louder," I realized that it was "okay for him to be in high spirits after the Change." That became one of the opportunities for me to broaden my perspective of Taiya Hando.

I'd been going out to eat with the other members since fairly early on, but as filming progressed, it was exciting to see the number of friends increase one by one. The first climax for the five Boonboomger members was in episodes 8 and 9, when Taiya rushed over to them and said, "This is the most…," to which the other four replied, "Cranked up." It was an unforgettable, passionate scene. I think this moment slightly changed the way Taiya interacted with everyone.

Also, the presence of Yu-kun, who joined us halfway through, was a big deal. Until then, I had always thought that the right thing to do was to act according to the image the professional Directors or Cameramen had in their minds, so I had never thought of acting based on my own initiative. However, when I watched Yu-kun, he'd constantly make suggestions like, "I wanna move like this, but what do you think?," and I saw the course of things change, as those on set would respond with, "Alright then, let's go with that!" That's when I started reading the script with the thought of, "As one of the people creating this show, I also have to get involved on set!," and my attitude once again changed alittle bit.

-A dream filled ending typical of Boonboomger-

In episode 24, I was also happy to have my special skill of playing the guitar put to good use. As a matter of fact, during our first meeting, the Producers asked me, "Do you have any special skills?," to which I answered, "I can sing and play the guitar." That's when the Screenwriter's desire to "write about Taiya's first love" was incorporated, causing the episode to materialize. The script doesn't go as far as to depict what happened to Mahiro Sensei, but I wanted to understand it in my own way, so I talked to the Director and Producers before I went into it, and I even imagined what kind of feelings Taiya would be having and wrote them down in a notebook. The subject of the story was painful, but the shoot itself was fun. Taiya's a character who I had a hard time getting into, but by depicting him during his childhood, I think I was able to dig deeper into my role.

I pushed myself to the limit towards the very end of Boonboomger and lost about 5kg, which caused some concern as my face began to look really hollow (bitter smile). Still, as a result, I was able to get into it and concentrate while playing Taiya. The scene where he conveys his feelings to the other four during episode 45 was very memorable. In the completed footage of episode 37, a flashback scene was inserted, the one where child Taiya hears sad crying in the next room, and I was there to observe the filming of that scene. I wanted to internalize Taiya's feelings, so I asked and was allowed to sit in the same spot after they filmed it. I performed the scene with the other four in episode 45 with that in mind, so I was able to convey Taiya's feelings clearly.

I liked the last scene in the final episode. I thought the reversed situation was good, as it concludes with us five who protected Earth leaving for space, and Sakito, who had said that he "abandoned Earth," staying behind. For me, it was a conclusion that I would've never imagined. I was really excited while filming our participation in the BBG, and being able to say the line "Let's get cranked up!" at the very last moment will always remain in my heart. I believe it was a dream filled ending, one truly typical of Bakuage Sentai Boonboomger.

Hayama Yuki (Ishiro Meita)

-I aimed to play a role that anyone would think was cool-

For my role as Ishiro, I first talked with BoonBlue's Suit Actor Yoneoka Takahiro-san about how I wanted to "make him a cool character by any means," and so we decided to aim for a role that anyone would find cool, from his gestures and posture, to his pose when he changes into BoonBlue. Going along with that, his passionate side also came out around episode 6. The Director in charge of each episode enjoyed those playful parts and would tease me about it, so by also adding in some adlibs myself, I think I was able to broaden the range of my role. Yoneoka-san gave an energized performance in the Go-Onger episode, but by seeing that, it made me feel that although Ishiro's a spy of the underground, he was longing for something "sparkling," and I feel that it further expanded my role.

The first time Ishiro's past during his spy era was depicted was in episode 14. It was an episode that showed Ishiro's cool, cranked up appearance, but I felt that if I didn't establish a solid "foundation" here, it would affect how he was seen in the future. That's why I was so fired up to film the flashback scene. I also received tons of motivation from Miu-chan in this episode. Miu-chan has an extensive acting career, and above all else, the ways she delivered her lines were very convincing. The sequence of events that leads to Ishiro being stunned as she says, "You want to protect the place that's important to you, right?!," is a scene that everyone needs to watch. Up to that point, Ishiro had kept abit of a distance from everyone except for Taiya, but I think this was the first time he was willing to approach another member of the team.

The next spy story was in episode 29, which features a scene where I Boonboom Change while fighting against Gong Grumer, and I challenged myself to doing action, which isn't one of my strong points. Also, I was paired up with Sakito. Compared to the other three, he had a greater sense of distance from Sakito, but since they suddenly got involved right from the start, it was difficult trying to figure out how I should treat him. Also, when Sakito says, "You didn't grow up well, huh?," he responds with, "My parents did the same work I'm doing. You can figure out the rest." It's a line that expresses Ishiro's dark past, and he tells it to the person he was most distant from. It was an important moment that brought the two of them closer together.

Episode 37 had alot of action scenes, and I believe I was able to get them done with the support of Action Director Watanabe Jun-san and Yoneoka-san. I think that different people have different interpretations of the relationship between Ishiro and Naito Konomi-san's Sutea, and although we watched each other's performance on set, we never really compromised on things. I hope everyone enjoys speculating on that point. On the opposite end, Director Hayama Koichiro gave me easy to understand examples of how the fake Ishiro would fight against Taiya, which helped me better visualize his image. What's more, for the action scenes involving Taiya, Haruhi stayed with me countless times until I memorized how to do them, which was very helpful.

-If you grab hold of your wheel, things will become clearer-

From episodes 43-47, I think some of you may have been on edge watching Ishiro's actions. Still, since Taiya said in episode 37, "I can tell just by looking into his eyes," it was properly foreshadowed. Although Ishiro pointed his gun at everyone at the end of episode 43, it's important to note that Taiya's reaction at that moment wasn't captured. This was Director Nakazawa Shojiro's goal, as this detail wasn't in the script, but since he and Taiya trust each other without needing to say anything, he purposely left out Taiya's reaction. As for myself, I think that the role Ishiro played during the very end was a great one. Mira's marriage is an homage to the first episode, and his return in episode 47 along with his partner, Boonboom Marine, made me feel "cranked up" when I read the script.

The wrap up for actors was the final roll call during the final episode, and we were all able to finish filming together. Each person's name was then called out on the spot, and everyone would cry. I was determined not to cry, but when they called my name, Producer Kuji Yoshito-san and Director Nakazawa came into my sight, and I couldn't stop crying……I'm not entirely sure if I was able to speak coherently then, but I was truly overwhelmed with emotions in that moment.

The theme of Bakuage Sentai Boonboomger is to "take control of your own wheel," and while it may have looked as if Ishiro had sold his soul to the Hashiriyans during the very end, I believe that he was able to steer his way down the path of victory by taking the wheel in his own way. In reality, things may not always go as planned, but if you grab the wheel without abandoning your beliefs, I'm sure something will become clearer. For us actors, we'd be beyond happy if you could take away such a message from our work.

Suzuki Miu (Mira Shifuto)

-I tried to be conscious of "Mira's feelings" when performing in the second half-

After filming throughout the year, I did have some vague concerns in the beginning, but I'm really glad that we were able to get through it safely without any major accidents or problems occurring. Also, after a year of working with the same staff, I realized just how much fun it is to work together as "friends" to create a production.

As for my role as Mira, I was told that she doesn't "take a backseat to the main character," but is instead the first character that the viewers can emotionally attach themselves to as the story progressed. I knew that if I didn't carefully act out Mira's growth throughout the year, it would appear rushed and unconvincing, and by extension, the story wouldn't hold up. In the beginning however, Mira was presented in a fairly fun way. In the script, her screams were written as "Piyaaa!" (laughs). That was one of the reasons why up until about the halfway point, I was more conscious of how she was being seen from the outside instead of from the inside. However, in the latter half, I tried to play the role with "Mira's feelings" in mind, rather than thinking too much about "how I want her to be seen." In that regard, there may be a big difference between the beginning and the ending. I was also happy that Director Nakazawa Shojiro noticed that and said that "I had changed up my performance quite abit."

In the very beginning, it was fun being teamed up with Chasshiro in episode 6. I think Mira's someone who can be paired up with anyone, but Mira seems to be the only one who can make teasing Chasshiro look amusing (laughs). Even in the scene where we follow Jou, I had alot of fun filming and discussing the details with Yuki-kun, such as how we'd hide ourselves by retying our shoelaces and hiding behind a telephone pole.

Episodes 8 and 9 was the first crisis that the Boonboomgers faced, and the atmosphere on set was tense and different compared to the previous episodes. During all this, I think it was just like Mira to vent her feelings towards Taiya at the end of episode 8 with, "Why would you do such a reckless thing?" However, I could understand the feelings they both had, and condemning someone for something you're not aware of was pretty difficult to perform. I thought it'd be bad if she came off as being too confrontational, so I played the role hoping to convey Mira's honesty.

-I love how everyone in Boonboomger lives their lives to the fullest-

There were multiple main episodes for Mira, such as episodes 14, 20 and 31, but episode 36, in which I performed with Mori Hinami-chan, is the most memorable. When she learns that Aki, played by Hinamin, had given up on her dream, she speaks her mind by saying, "It's frustrating….that unlike how Taiya is with Boon-chan…..I can't make her dream come true." I had discussions with Director Watanabe Katsuya about that scene, and I thought about it alot myself. Mira's story began with her easygoing personality in the first episode, but up until then, there were very few scenes depicting her being worried. Mira's usually cheerful and in high spirits, so I wondered, "Would it be okay to show her being worried?," but I think it's her worries that really show the strength of their friendship.

Also in this episode, there's a scene where I Boonboom Changed without the helmet, so I also played the last scene where the mask was equipped. I was advised to pull my chin up in order to look cooler, but I was pretty scared since my field of vision was limited and I could only see my feet. Still, I ran as hard as I could, hoping that I'd look cool.

I think the major event at the end of the show was the development of Mira's decision to get married, which was depicted in episode 47. To be honest, I had something that was worrying me as the story was unfolding, and I talked to the Producers about it. Even though she became a Boonboomger in the first episode and was working hard at her part time jobs, I wondered, does Mira have any big dreams in her life? They created this development based on that. I wanted Mira to have a dream, but instead, it's Mira's strong desire to help the people in front of her that helped her grow so much. I took this as a message that the staff had prepared for my sake. During the actual shoot, after she decided to get married, there was the line, "This is how I'll grab hold of my wheel," and just looking at everyone's faces made me cry……I believe that this performance came out because I'd been building up my role as Mira and trusting everyone.

Based on the title, many of you may have thought that Bakuage Sentai Boonboomger was a cheerful and upbeat production. I myself am one of those people, but with six people, there were six different lives, and now that it's all over, I strongly feel that the appeal of this show was that "each and every one of them overcame their struggles and became stronger." For myself personally, I have always and will always love the way everyone in Boonboomger lives their lives to the fullest.

Saito Ryu (Jou Akuse)

-I was surprised at how similar I was to Jou Akuse-

When I was in elementary school, I served as class president and was known for being a rather serious type of person. However, I wasn't serious at all, as I had more of a clumsy side in comparison (laughs). That's why when I first learned about Jou's setting, I was very surprised at how similar he seemed to myself. Also, my own father is a firefighter, so I felt a sense of familiarity towards his role as a police officer, as they're also civil servants. That being the case, I thought, "If I just honestly express all the feelings I've had over the past 19 years of my life, I might be able to become Jou Akuse." During the beginning, I went into filming with those types of thoughts in mind.

Jou's real role began in episode 5, but the first scene we filmed was in the first episode, where he gets wrapped up in one of Wedding Dress Grumer's dresses. It was fun to see his clumsiness immediately come out, but Director Nakazawa Shojiro had told me, "It's fine to make as much noise as you'd like." At the time, my performative skills were still lacking, so I was abit confused. I now have the confidence that I can make things more interesting (laughs).

I put alot of effort into the fight scene against Darts Grumer in episode 5. I knew from the moment I read the script that the action leading up to my Boonboom Change was "an absolute must." During filming, Darts Grumer's Suit Actor Imai Yasuhiko-san lent me his support by saying, "It's okay to go all out," and under the passionate direction of Director Watanabe Katsuya, we filmed with my entire body getting covered in sand and dust. That day, I went home and shampooed my hair about six times, but sand kept falling from my head (laughs), and even when I rewatch it now, I can see just how much strain I put on my body. Director Watanabe also helped me out alot in the episode where I'm paired up with Mira, but I think episode 5 was the starting point for me as Jou.

From the moment we met, I became good friends with the other cast members. We didn't have many opportunities to meet until episode 4, but after episode 5, I think we were able to join up smoothly from episode 6 onwards. I was happy to finally be able to film together with everyone.

In episode 6, he immediately gets involved with Mira and Shiro Senpai, and I was also grateful for all the opportunities after that where Jou played a bigger role, such as in the Kaseki Grumer episode, the candy detective episode where he teamed up with Genba, and the baseball episode. What's more, they were all crazy episodes (laughs). Especially for episodes 21 and 23, the one in charge of them was Director Kato Hiroyuki, and he's the kind of Director who'll constantly incorporate alot of funny things, so I also had alot of fun while getting into a playful mood. In episode 21, there's a scene where I interact with Genba in my afro hairstyle, and I thought it'd turn out funnier the more serious I performed it. I took these kinds of things into consideration when I performed.

-I cried so much during the wrap up, that I was teased by everyone around me (laughs)-

Episode 40 was the episode where I myself felt a sense of accomplishment. After episode 15 aired, I received feedback from various people telling me that "it was good," but it was thanks to Director Hayama Koichiro, who brought out Jou's appeal, that I as an actor felt the desire to show off even more of my performative range. This time, episode 40 was naturally made possible thanks to Morichi Natsumi-san's wonderful script, and Director Nakazawa and Cinematographer Kamiaka Toshikazu-san's strong tag team, but I could personally feel the growth I had made up to that point, and the line, "There's no such thing as a 100% perfect hero," went viral on SNS, with the great response from those around me also giving me confidence.

Filming for the last chapter progressed at a good pace, and it felt like it went by in the blink of an eye. During this time, what surprised me was Chasshiro's betrayal and Boon-chan's defeat. I had only heard alittle bit about it beforehand, but when it was time to read the script, I was shocked and thought, "Are you serious?!" And then, Jou quit being a police officer, and in episode 46, he was confronted by his senior officer played by Takada Masashi-san……I didn't expect things to turn out this way, so I had abit of trouble trying to wrap my head around the situation. It was as big of a situation for me as it was for Jou. In the end, the five of us left for space, so I interpreted it with, "I guess he's on temporary leave for the time being?"

The Assistant Director made the necessary adjustments to our schedules so that everyone would be able to be together for the wrap up. The night before the last day of filming, I cried all alone at home due to feeling lonely, so on the very day of filming, I thought I'd be fine since I cried ahead of time. However, when I saw the face of BoonBlack's Suit Actor, Shige-san, I couldn't help but cry. I was crying so much that everyone around me jokingly said, "You're crying way too much!" (laughs). Over the past year, there were times where I was guided gently, and times where I was guided strictly, but I was truly happy on this set.

Soma Satoru (Genba Bureki)

-From being a Procurer with a detached position to becoming friends with the Boonboomgers-

When it was decided that I'd be playing the role of Genba Bureki, I was told that, unlike the other members, I'd be "playing an alien." However, since I didn't know the reason why he was always licking lollipops or the beliefs that he held, I had to make detailed adjustments all the time while thinking, "I guess it'd be alright if I did this much." It was around the time we were filming the Summer film when I learned about the developments for the second half of the story, and I thought that his feelings toward Nicola, who was invaded by Hashiriyans, were different from everyone else's, so I was conscious of those expressions in my performance.

In the beginning, I didn't have much to work with, so I was trying to figure out how to say distinctive lines such as "Seems like you're in trouble" in a way that felt right to me. There's abit of a suspicious, older feel to him, and I thought it'd be great if I could add some expressions that were unique to Genba. The first thing we filmed was the scene in episode 2, when he receives a job request from Taiya. From episodes 1-6, he had watched them from a detached position as a Procurer, so I was very happy when we were ready to film episode 7, as he joins the Boonboomger's as their friend.

In episode 10, I was able to do some action before his transformation. I was confident in my athletic abilities, but the movements done by BoonOrange's Suit Actor Ono Yukimasa-kun, who showed me some examples, were amazing, and while I felt alittle overwhelmed, I tried to do my best. Ono-kun and I would both always talk about "how we felt during this part," and I was always amazed by the action I saw during post recording.

His destined rival Disrace appeared at the end of episode 26, and he left Boonboomger in episode 27. There's a scene where he says, "That's why I'm giving up my front row seat," and as myself, I definitely didn't want to leave, but at the same time, he doesn't want to involve his friends any further, so……it was quite difficult for me to perform. After that, I didn't get to see everyone as often as I would've liked to, and there were also no good opportunities to go out and eat together. That's why when he returned in episode 33, I was so happy that I couldn't help but talk nonstop with everyone on set (laughs).

During filming of episode 33, I almost cried when I said the line, "This is the place where I belong," and I was also deeply moved when Taiya asked, "What has the Procurer procured for us?" to which I answer, "Myself, of course." The scene where all of us perform the Boonboom Change also suddenly made me feel that "having friends is great." I was personally grateful for the fact that both episodes 27 and 33 were done by Director Nakazawa, as I was able to make progress while consulting with him.

-One thing remains for Genba, that being his important mission to retake planet Bureki-

I also enjoyed being together with Sakito during the soccer episode. We're both from Shizuoka, and I'm a Shimizu S-Pulse supporter, so because of this connection, we were invited to participate in an event by Shimizu S-Pulse in September. As for the drama, he clashes with Sakito, and well, fighting doesn't bring them closer together, but because they both love soccer, it seems like they let out more unnecessary feelings than usual. They had clashed before in episode 32, but I think they were finally able to work out their differences in this episode.

I had the feeling that the "end" was gradually approaching during the final stages of filming, but in the final episode, when their transformations are cancelled during the battle with Spindo, as we were filming the scene where they stand up while conveying their feelings, the feeling that "it was finally coming to an end" suddenly hit me. Here, Genba says, "In this universe, that's what we call love," but combined with the location, which captured the sunset, and the atmosphere on set, it made me get more into it.

The ending was a beautiful conclusion, but as for Genba, he still hasn't retaken planet Bureki. Because there's still an important mission left to do, it didn't finish with a happy ending, however, they were able to defeat both Grantu and Spindo and save Earth, so it was still a big step in the right direction.

Now that it's all over, I feel alittle sad since I no longer have to spend time thinking about the next day's shoot. Looking back, I really didn't know what I was doing a year ago, but I'm here now thanks to all the fans who supported me, and over the past year, through the feedback I received at events and on SNS, I was motivated by the fact that I was involved in a production that was loved by so many people. I'll work even harder so that everyone who got to know me through Bakuage Sentai Boonboomger will see a different side of me. I look forward to your continued support!

Miyazawa Yu (Sakito Homura)

-I was able to gain experience both as myself and as Sakito Homura-

When I "encountered" Sakito at the audition, I felt that he was so similar to me, that I thought, "If I fail this, I don't think I'll ever have a chance in any tokusatsu production." Once I entered filming, I was very happy to hear that Director Hayama Koichiro said on set that he had "wanted to film Miyazawa as Sakito." When he makes his entrance during episode 16, I played the role with the impression that he was an overly self conscious perfectionist, but as things continued with episodes 17 and 18 being done by Director Kato Hiroyuki, I was able to bring out more of his weaknesses.

During the joint reading session before I went into filming, the Director and Producers said that they wanted me to "act in a childish way," but I was thinking of taking my performance in a slightly different direction, so the most important thing was being able to create Sakito on my own terms. Also, I think that by looking for places where I could be abit playful on set, I was able to gain experience both as myself and as Sakito Homura.

Episode 41 is an episode that I'm deeply attached to, as I was able to incorporate my special skill of playing soccer. The "Pulse Ace" that appears is a play on Shimizu S-Pulse, but I used to be a member of Shimizu S-Pulse's lower division when I was in middle school, and I was deeply moved by the collaboration event between Boonboomger and Shimizu S-Pulse that took place during the broadcast. The story was rich in content, with its appropriate comedic feel, our passion for soccer, and my pairing with Genba, so I think the viewers enjoyed it. Among other things, the scene where Genba and I pass the ball to each other with napalm exploding in the background had to be done in one take, so I had a fairly long discussion with Satoru beforehand. It was quite difficult even for experienced players like us, as there was gravel everywhere we stepped, and the unique shape of the Boonboom suit's shoes made kicking the ball feel different, but fortunately, we got the OK with our very first attempt. In terms of the story, his clash with Genba reminded me of the sumo episode, and I also thought it was typical of the younger Jou for being so straightforward and acting as their middle man. That scene was effective because of Ryu's careful performance, and I thought it turned out to be a very good scene where you'd naturally think, "If Jou said it, then it must be right."

-The final scene where Sakito remains on the Earth personally gave me goosebumps-

After the soccer episode and Christmas episode, the final stages of the show had some dramatic developments, but episode 45 was the one that I put the most effort into. Bundorio stopped functioning, the Boonboomgers were split up, and Taiya was mentally out of it. During all this, Sakito and Byundi confront the Hashiriyans together……It was a hot development, as the man who abandoned Earth now fought to protect it, but in playing Sakito, I saw it as a "fight to protect his friends." If we go back to episode 18, Sakito said, "I just wanna protect my only friend and his family," but I believe that episode 45 encapsulates the change in his feelings from that point on. This episode was directed by Director Hayama, who also did the episode where I first appeared, and the scene where I pushed my way through the crowd and shouted, "You guys…didn't the Boonboomgers save you?!," was a direction given to me by the Director, so I myself also wanted to live up to the trust he put in me.

In the final episode, I felt the team's unity as they defeated Spindo, and I also thought it was wonderful that everyone's individual scenes were properly depicted. I hope that you were able to feel that high level of unity. And, the final scene where Sakito remains on Earth personally gave me goosebumps. When I first read the script, I thought, "Uwah, this is seriously good!" Living on Earth, the number of people he came to love steadily increased, and it seemed to match up with the way Sakito lives his life, so I'm satisfied with it. I felt that there was nothing wrong with the performance I had been doing, and I can only thank all the staff members for preparing and directing such a conclusion.

The last scene we filmed was our final roll call. This was the end of filming, but the show was still going on, so to be honest, I didn't really feel it. However, when the time came for them to address me, I couldn't help but tear up when I saw the large number of staff members.

I had been involved since episode 16, and was very excited to be in the position of shaking things up as the additional member, and I feel that the feedback I've gotten in regards to that has been good. The show itself will remain even after the broadcast is over, so we'd all be happy if people said, "Boonboomger was great, wasn't it?" We don't know yet if there'll be an anniversary project in the future, but I hope that Bakuage Sentai Boonboomger will remain in the hearts of all the fans forever!

Handwritten Messages

Iuchi Haruhi

"What was the most cranked up scene that you performed as Taiya Hando over the past year?" The scene in the final episode where everyone says, "This is the most cranked up!"

"What did you think was the "coolest part" about Boonboomger (or Taiya Hando)?" The parts were he wouldn't ignore!

"What part of Taiya Hando's "costume" or "weapons" did you think was cranked up?" The tool design of the weapons!

"A word to Taiya Hando!" LOVE

"A word to your Boonboomger friends!" I'm glad it was the six of us…I had fun. Thank you!

"A word to all the fans!" Thank you so much for your support over the past year! I look forward to your continued support!

Hayama Yuki

"What was the most cranked up scene that you performed as Ishiro Meita over the past year?" Bakuage 29's action scenes.

"What did you think was the "coolest part" about Boonboomger (or Ishiro Meita)?" His activities as an Informant.

"What part of Ishiro Meita's "costume" or "weapons" did you think was cranked up?" His three piece suit and necktie that would change every episode. That you could turn the Boonboom Handle with just one hand!

"A word to Ishiro Meita!" I love you.

"A word to your Boonboomger friends!" Ishiro had trouble fitting, so thank you for looking out for him!

"A word to all the fans!" Thank you for your cranked up support!

Suzuki Miu

"What was the most cranked up scene that you performed as Mira Shifuto over the past year?" Episode 36's helmetless running scene.

"What did you think was the "coolest part" about Boonboomger (or Mira Shifuto)?" That she worked hard for the sake of someone else instead of herself.

"What part of Mira Shifuto's "costume" or "weapons" did you think was cranked up?" That you could hold Boonboom Handle's Rod Mode upside down (it's dangerous, so good children shouldn't imitate that!)

"A word to Mira Shifuto!" Mira being cheerful gave me tons of energy! Thank you :)

"A word to your Boonboomger friends!" I was really happy with the six of us! We're forever friends!!!

"A word to all the fans!" I wouldn't have made it this far without everyone's voices of support. Thank you so much!

Saito Ryu

"What was the most cranked up scene that you performed as Jou Akuse over the past year?" My first transformation.

"What did you think was the "coolest part" about Boonboomger (or Jou Akuse)?" Getting dirty.

"What part of Jou Akuse's "costume" or "weapons" did you think was cranked up?" His police uniform.

"A word to Jou Akuse!" You're an honourable man!! Make sure to zip up your fly properly!!

"A word to your Boonboomger friends!" Thank you for the past year! Sorry for when I acted out of line 🖤

"A word to all the fans!" Thank you for your support over the past year! I look forward to your continued support.

Soma Satoru

"What was the most cranked up scene that you performed as Genba Bureki over the past year?" When after leaving once, he reprocured himself through his friends.

"What did you think was the "coolest part" about Boonboomger (or Genba Bureki)?" With every episode, his friends became the embodiment of "taking control of your own wheel."

"What part of Genba Bureki's "costume" or "weapons" did you think was cranked up?" His fluttering costume made action scenes look more attractive.

"A word to Genba Bureki!" I'm glad you returned to Boonboomger!

"A word to your Boonboomger friends!" Thank you for trusting me and waiting for me ^_^

"A word to all the fans!" Thank you so much for always giving us tons of support!

Miyazawa Yu

"What was the most cranked up scene that you performed as Sakito Homura over the past year?" The six person transformation in Bakuage 48!

"What did you think was the "coolest part" about Boonboomger (or Sakito Homura)?" Honestly gaining control of your own wheel!

"What part of Sakito Homura's "costume" or "weapons" did you think was cranked up?" All of it!

"A word to Sakito Homura!" Sakito Homura! Enjoy living a chaotic life on Earth!

"A word to your Boonboomger friends!" Claim absolute victory in the BBG!!

"A word to all the fans!" Thank you for your support in Bakuage Sentai Boonboomger over the past year! It was the most cranked up year!!

The Heroes Cranked Up Roundtable A long roundtable discussion with the six cast members who played the heroes who protected Earth. They'll talk about their memories from the past year, as well as bombshell stories that can only be talked about now?!

-The six cranked up members have gathered-

"First, please tell us about the relationship between the six of you after spending about a year together."

Hayama: In the beginning it was just Satoru-kun, but the older members were extremely reliable.

Suzuki: Yeah.

Hayama: We got so used to it, that we slowly started to develop a habit of screwing around with them (laughs).

Soma: That's right (laughs).

Hayama: Still, I think it's because they both allowed us to do that that people have come to say, "Boonboomger had some great vibes."

Iuchi: That was a big part of it.

Miyazawa: Y'know, I'm not sure if we've forgiven you yet (laughs).

Soma: Right?

Hayama: Even in this interview, we can talk about how we mess with them, so in that sense, Satoru-kun and Zawa-nii are the greatest.

Miyazawa: I suppose so (laughs).

Suzuki: The youngest members, Haruhi-kun and Ryu-kun, are both 20, while Zawa-kun is the oldest at 29 years old, so the age difference between us is the kind where you wouldn't normally have many opportunities to interact so closely. However, I still think the reason we were able to get along so well was because we were together for a year.

Miyazawa: Normally, I'd be concerned about both sides of the situation.

Iuchi: You were cautious.

Hayama: He was, wasn't he?

Soma: In the beginning, Zawa-kun didn't get involved with us at all for some reason.

Miyazawa: That's because there's a generational gap between us (laughs).

Iuchi: I felt the same way too. At first, it was the age difference, and since I went to an entertainment high school that didn't have any club activities, I rarely had any opportunities to interact with my seniors.

Miyazawa: And yet now we're like family.

Soma: We've even been asked, "Are you guys related?"

Suzuki: During the wrap up, the staff had said, "You guys look like relatives."

Miyazawa: It made me realize that even though there's a 9 year gap between us, we become friends.

Hayama: Of course, we weren't just playing around, as Zawa-kun drew a clear line when it came to work, and I really received a ton of inspiration from him. The only exception is Soma-san (laughs).

Soma: So that's how it is, huh? How strange (laughs).

"I see, so this is how you "tease those older than you" (laughs)."

Soma: Even though Hayama-kun and I go out to eat together pretty often…

Iuchi Hayama Suzuki Saito Miyazawa: (laughs).

"Did Soma-san and Miyazawa-san have to worry about anything when dealing with the younger members?"

Soma: I was the oldest of the original five, so I didn't want them to view me as "scary" (laughs). I wanted them to be able to be carefree, so I aimed to create a "Buddha" like appearance, someone who was accepting of everybody (laughs). By the way, we're being interviewed right now while eating our bentos, and Ryu just stole my tamagoyaki……

Saito: He won't get mad at all if I take it from him (laughs).

Soma: No, no, I told you tamagoyaki is my favorite, c'mon now! This is how they mercilessly tease us (laughs).

Iuchi Hayama Suzuki Miyazawa: (laughs).

Miyazawa: I joined in the middle of the show, but after it was decided that I would perform, I searched up information on who I'd be working with. That's when I was like, "They're all younger than me!" (laughs).

Soma: I get that. You were shocked, huh?

Miyazawa: However, I still thought that there was only one person "below me."

Soma: Who? Ryu maybe?

Miyazawa: No, like you, I'm from Shizuoka. That's why I thought you'd be the first one I talked to (laughs).

Suzuki: Did you think you'd have a better opportunity with Satoru-kun since you're both closer in age?

Miyazawa: Yeah. It's because even Miu-chan and I are about five years apart.

Soma: That's true.

Miyazawa: Before we became friends, I wondered if we would even get along.

Suzuki: Usually, when there's that much of an age difference you're like, "Where do we start?"

Miyazawa: I've also said this elsewhere, but at the same time I was having my costume fit, Miu-chan and Ryu came running to the makeup room and excitedly said, "Uwah, so this is Violet!" At that moment, I felt that everything would be alright. Or, perhaps what I mean to say is that I was the one who took a step back (laughs).

Suzuki: That's right! In another interview, Zawa-kun had said that he was grateful for the two of us closing the distance between him, but just recently, when the topic happened to come up in a private conversation, he said, "To be honest, I was abit put off at the time" (laughs).

Saito: That's harsh (laughs).

Miyazawa: It's because of how energetic you kids are.

Iuchi: You're always saying that.

Suzuki: We're all energetic.

Hayama: Right, we tend to hear that alot.

Miyazawa: That's how it is now, but in the beginning I had the feeling of, "How should I deal with them?"

Iuchi: At first, I felt like I had to talk to them as adults, but Satoru-kun and Yu-kun were the ones to bring a stop to that. That's why I'm very grateful for them.

Soma: In our group chat, Haruhi initially used a large amount of emojis, which made me think, "Ah, he's being cautious" (laughs).

Iuchi: Ah, I didn't realize you had seen right through me (laughs).

Soma: I noticed it from the very beginning.

Suzuki: I see. He did use a large amount of them.

Miyazawa: Is that so? I would've liked to have seen that.

Soma: By the time Zawa-kun joined us, he was no longer doing that.

Suzuki: It's because you "brought a stop to that," remember?

Hayama: (he looks at Miyazawa-san) And here I thought you were a good guy.

Miyazawa: Hey!

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: To begin with, our generations are so different, that I don't know what's popular. People of my generation would do stuff like go to karaoke.

Soma: Yeah. Things like what's popular and fun among today's youth.

Miyazawa: I had no idea about TikTok or anything like that (laughs).

Soma: You know, the way people say TikTok now is with an intonation! (laughs).

Miyazawa: Eh, it's that true?

Soma:……that's how it seems.

Miyazawa: However, it was a completely different story when I entered the set. I was conscious of the fact that it was our place of work.

Soma: There was a clear distinction in the way you'd switch.

Miyazawa: Right, which is the most important thing!

"Do you have any painful or difficult stories that you can only talk about now?"

Iuchi: What's okay to say? (laughs).

Saito: Ah, I was late once.

Suzuki: Wha!

Iuchi: Do you feel remorseful about it?

Saito: I do.

Suzuki: I don't know what to take away from this.

Soma: Just let it play out (laughs).

Saito: However, I made it in time for the shoot itself.

Miyazawa: No, no, that's totally normal then (laughs).

Saito: When you've been doing something like this for a long time, you inevitably start to slack off, huh?

Suzuki: You can't say that about yourself! (laughs).

Iuchi Hayama Soma Miyazawa: (laughs).

Iuchi: What was abit difficult for me during filming was not using my bike. I didn't ride it throughout the filming period because I didn't want to cause trouble if I had an accident. Besides, with it being my first time living in Tokyo, I thought I'd be fine without a bike, as there are tons of trains in Tokyo. However, once I started living there, I found that there were many places that would take too long to get to if I used the train or bus, but could be reached pretty easily by bike. I'm alittle disappointed that I couldn't even go out and have some casual fun (bitter smile).

Saito: That was a model answer!

Miyazawa: Is it okay to talk about what was difficult for me?

Hayama: The Boonboom dance?

Miyazawa: No (said firmly).

Hayama: Not that, huh?

Miyazawa: Sakito's hair style.

Iuchi Hayama Suzuki Saito Soma: Yeah (they fully agree).

Miyazawa: Every time I went to a shoot, it would become coarse and stiff. After filming, I would have to go home and wash my hair because of how difficult it became.

Suzuki: After filming would finish, we'd say, "Let's all go out for a meal!," but only Zawa-kun would go home and take a shower before rejoining us.

Miyazawa: That's because if I left my hair as it was, my hat would look like it was floating.

Iuchi Hayama Suzuki Saito Soma: (laughs).

Soma: That being said, I had trouble with my hair too.

Miyazawa: What was the case for Satoru? It must've been with your Burekiian form.

Soma: Yeah, it was when I transformed into my Burekiian form.

Hayama: Putting on the makeup too.

Soma: That's right. What's more, my skin is fairly tan.

Saito: Sure is.

Soma: So, I had to apply whitening cream in addition to getting my makeup done. I also had to wear cat eye contacts, but if I blinked even slightly, they would immediately rotate. That's why it was very difficult for me to perform close up shots in that condition.

Suzuki: You wouldn't blink.

Soma: Still, they'd eventually also fall out if I didn't blink for a long time.

Miyazawa: Your contacts fell out countless times.

Soma: Yeah.

Hayama: What comes to mind for me was the action. Exercise has never been one of my strong points, and there were a few times where I just couldn't keep up. To be honest, that was really tough.

Soma: No, no, you were really cool!

Hayama: Really?

Suzuki: Yeah.

Soma: Like in episode 37, you were amazing, don't you think?

Hayama: Well, in any case, I was just desperately trying to keep up.

Suzuki: You seem to have good reflexes.

Miyazawa: And he can dance. Me on the other hand, I'm no good at dancing (laughs).

Hayama: Wasn't it quite difficult for Miu-chan to get into costume?

Suzuki: That's right. There were so many part time outfits, so I remember having to get my costume fit for almost every episode (laughs).

Hayama: You went in to get your costume fit all the time.

Suzuki: Also, my legs were very cold.

Hayama: I had a feeling you'd say that.

Suzuki: Especially during Winter (bitter smile).

Hayama: And, those weren't even the worst ones. There's the wedding dress you wore in the final episode.

Suzuki: Yeah.

Hayama: You had to have the staff help you when you moved.

Suzuki: I couldn't move without my attendants.

Hayama: "Attendants" (laughs).

Miyazawa: It really seemed like that.

Suzuki: Also, I couldn't sit on a chair, so when filming stopped, I had a blanket laid out on the floor to sit on until my next turn.

Saito: You were like a princess!

Suzuki: The dress looked like it was floating as it spread out on the floor.

Saito: She often called upon us (Saito-san and Hayama-san) and gave requests like, "Please get me some sweets" (laughs).

Iuchi: She simply couldn't move.

Suzuki: (speaking like a princess) "Excuse me, can you fetch me a drink?"

Miyazawa: She's totally a princess now (laughs).

Suzuki: Another challenging thing was that this production has shorter shots so that smaller children watching wouldn't get bored. In scenes where we convey our feelings, they weren't that long and involved a series of cuts, so we had to raise our emotions pretty intensely, which was difficult. If I had to put it another way, I think it really strengthened our responsive skills.

Hayama: That's a good way of putting it.

Suzuki: You get it though, right?

Hayama: Yeah, I know exactly what you mean.

Suzuki: Zawa-kun had a difficult time with that at first too, right?

Miyazawa: I'd usually start from one or two of my previous lines, but if I thought that it'd still be too difficult, I was allowed to start from even earlier.

Hayama: Yeah, you'd do that.

Saito: Everyone's talking about something serious…

Soma: Ryu, do you have anything else since your story about being late didn't work out?

Saito: Yeah. I play a police officer, so it was quite difficult putting on all that equipment. It was pretty heavy, and there's a proper way of putting it on, so I had to make sure to check it every time. I thought this was to be expected by all the people who actually work as police officers.

Soma: Oh, that was a good story you just gave!

-Looking back at each memorable scene-

"From here, we'd like to ask each of you to pick one person at a time and name a performance or scene of theirs that left a lasting impression on you."

Soma: I guess Haruhi should be first, right?

Hayama: I think I was the closest to Haruhi's Taiya, but when I met him as fake Ishiro in episode 37, the performance Haruhi gave was completely different from what I usually did with him, and I thought the detail in how he differentiated his role was amazing.

Suzuki: The expressions Haruhi-kun showed were really great, as his emotional range swings between the line of difficult and exceptionally good. The facial expression he made at the end of episode 24 also conveyed his delicate feelings.

Iuchi: Thank you very much.

Miyazawa: I still love the, "Let's all hurry!" line he says in the final episode.

Suzuki: That was great too!

Miyazawa: All I can say is that it's like you can see the very moment he switches.

Suzuki: It gives off a similar feeling to when your body trembles with excitement, you close your eyes, and then shoot them open, right?

Miyazawa: Right, it's like that kind of switch.

Suzuki: The scene in episode 45 where Taiya loses sight of his own wheel was really impactful. It's like he was performing with his soul.

Miyazawa: I'll never forget the one on one performance I did with him in episode 18. It made me think, "So this is the man called Taiya Hando, huh?" That scene is still fresh in my mind.

Hayama: (to Iuchi-san) Were you nervous?

Iuchi:……I was (laughs).

Saito: There was a scene that I really liked, the musical scene with Itasha was in the Christmas episode, right?

Soma: Yeah.

Saito: At that point, Taiya makes a face that's like, "Eh?," looks around, then sits down without saying a word, and that made me burst out laughing.

Iuchi: That was entirely Director Kato's direction.

Saito: It was hysterical.

Iuchi: This is especially true since Taiya's not the type of person to do something like that.

Saito: I desperately wanted to say, "Don't just sit there in silence!" (laughs).

Soma: It would've been even funnier if he responded to it with something like, "That was cranked up!"

Suzuki: Yeah, like in the Toilet Grumer Limited episode.

Saito: Yeah, that happened.

Iuchi: That's where I tried to play the version of Taiya that Mira had in her mind (laughs).

Hayama: That was alot of fun.

"Next, what do you think of Ishiro Meita's Hayama-san?"

Iuchi: My favorite scene is in episode 14, when he relies on Mira. Ishiro had always operated in his own world, but Taiya also had the desire to draw him into everyone world, so Taiya felt happy when Ishiro was able to rely on Mira, someone he had come to love. I had read the script beforehand, but when I saw the broadcast, I was moved all over again.

Hayama: That was also made possible due to Suzuki-san's help.

Suzuki: No, no, that's not true.

Iuchi: But it was just the two of you!

Suzuki: Of course, when we were filming that scene, I thought, "Yuki-kun really likes acting." In the aquarium scene in this episode, when Chasshiro shows his annual pass, I (Mira) try to take it, but he quickly pulls his hand back. He was the one who suggested we do that with, "How about if we improvise like this?"

Hayama: All while I acted like a brat (laughs).

Suzuki: I felt that I wasn't capable enough when imagining things that weren't written in the script. That's why Yuki-kun's suggestion made me think, "That could happen!"

Miyazawa: Yuki's really serious, huh?

Suzuki: Yeah, I get him.

Miyazawa: Over this past year, he'd be thinking about the character of Ishiro Meita more than anyone else, and whenever he'd talk about his performance, it was always, "Ishiro's this, and Ishiro's that" (laughs).

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: There were times when Ishiro would fool around, which I thought would've been difficult, but Yuki was able to express it in his own way. My favorite scene was in the final episode, right before he leaves Earth. He happily says, "An Informant in space, I like the sound of that.

Soma: I also thought he looked happy when I watched him.

Miyazawa: He'd been separated from the Boonboomgers for quite some time, so I think he might've felt bad about it. By doing that performance, I could really feel that he had come back as Ishiro.

Hayama: I'm grateful.

Miyazawa: It was "the best of Ishiro."

Hayama: I'm glad to hear you say that.

Soma: Personally, I liked it when Chasshiro got teased by those around him. Like in episode 40, when Itsuki-kun said, "I want to be a cool hero like BoonBlue," Mira and Jou's reaction was to look at Chasshiro and say, "Cool?" (laughs).

Suzuki: I liked it when Mira pinched his cheeks.

Iuchi: Yeah.

Hayama: That was in the final scene of episode 37.

Soma: It was fun to watch scenes where Chasshiro "comes down" from a stressful situation, as I would think, "Ah, so this is how it's being done this time."

Saito: Yuki-kun mentioned earlier that he's not good at action, and looking back at our first action practice, I could sorta sense that he was having a hard time. However, the action with Gong Grumer in episode 29 was really cool. He must've practiced alot, but it was still captivating. After that, in episode 37, he did action scenes for both Ishiro and the fake, and I felt like he had come a long way with all the moves he was able to do.

Hayama: You sound like a parent (laughs).

Saito: I'd like to mention that I've rewatched your boxing action with Gong Grumer about six times.

Hayama: Eh?!

Suzuki: Amazing, you've got a fan.

Hayama: Ryu, thank you~ (laughs).

Saito: No, I was just curious about the moves you were doing.

Hayama: I guess everyone was looking at different parts. This is the first time I've heard all of that.

Iuchi: You're embarrassed, huh?

Hayama: I am. Ryu should be the first one I treat to some gyudon, don't you think? (laughs).

Suzuki: For me, it was probably when he was paired up with Mira in episode 14. It's the scene where Chasshiro's desperately struggling to keep Reizoko Grumer from going to the aquarium. I had never seen Chasshiro with such intense passion before. Mira had already transformed, so the first time I saw him like that was during post recording, but it was Yuki-kun's acting that really got me into the mood during recording.

Hayama: It was all thanks to the Screenwriter (laughs).

Suzuki: You looked happy (laughs).

Miyazawa: He was all smiley.

Suzuki: And, I know I keep saying this, but when Chasshiro talks to Mira face to face like a normal person in that episode……seriously, his visuals were just too good.

Hayama: It was both an Ishiro episode and a visual episode.

Soma: Visual episode he says…..(laughs).

Suzuki: And, I guess he was really fired up since it was one of his main episodes, as during filming, he made constant efforts every morning to get rid of any swelling (laughs).

Hayama: You didn't have to bring up that part! (laughs).

Iuchi Saito Soma Miyazawa: (laughs).

"Now for the next turn, we'd like you to talk about scenes featuring Mira Shifuto's Suzuki-san."

Soma: Speaking of Miu-chan, she was a monster during post recording.

Suzuki: Eh? What?

Saito: He means to say "you're very skilled."

Suzuki: For real? That makes me happy!

Saito: How is it that you're always able to skillfully match up your voice?…..

Suzuki: Yay! (laughs).

Hayama: Another thing is the straightforward way in which she communicates. In episode 14, when she said, "You're so stupid, Chasshiro!," I could really feel Mira's energy just from watching the footage, and I felt that there was alot to learn when it came to making emotional outbursts like that.

Suzuki: That makes me happy.

Hayama: I learned a…alot!

Suzuki: Don't stutter at the best part! (laughs).

Hayama: (laughs).

Soma: Yuki-kun mentioned emotions just now, but I liked Miu-chan's part when we spoke our lines one by one before defeating Madrex in episode 9.

Suzuki: When I say, "That's what it means to take control of your own wheel!," right?

Soma: Yeah. Your eyes sparkled, and your line was filled with emotion, so that moment really grabbed me emotionally.

Suzuki: Everyone's injured makeup looked good too.

Soma: That combined with the atmosphere of the setting sun made it even better. Towards the end of the show, when Mira makes up her mind to get married, Me, Sakito and Jou were on the receiving end of things, but we were also greatly helped by her. It was easier to do our performance since we could understand Mira's feelings.

Suzuki: That makes me feel good (laughs).

Iuchi: My favorite Mira scene, and the one where I also thought Miu-chan helped me out, was in episode 45. They had created a rather dark scene in regards to Bundorio's shutdown, and I went into the scene worrying about how to go back to Taiya's usual self within the 30 minutes we had. However, thanks to Miu-chan's performance, I was able to bring Taiya back to his energetic self.

Suzuki: Heh~ I didn't know you felt that way.

Iuchi: Taiya saying, "Thank you, I'm glad you guys are my friends," followed by Mira's genuine look of relief on her face as she said, "You've finally regained control of your wheel," was very comforting. That put me in a better mood as we faced the final episode, so I really feel thankful for that.

Suzuki: No, no, I wouldn't have been able to cry if I hadn't seen the look on Taiya's face. I feel the same way, you really helped me out.

Soma: Are you reciprocating your love to each other?

Suzuki: That's not it (laughs).

Miyazawa: It's the result of their synergy.

Suzuki: That's it!

Miyazawa: I don't have any specific episodes in mind, but rather, when I think of Miu-chan, her persuasive words come to mind. I especially felt that in Mira's main episodes. I think it's Mira who connects the Boonboomgers together, and I think she had a big influence on the production.

Suzuki: That makes me happy.

Miyazawa: What I also thought was interesting was that when I saw Miu-chan on set, she would adjust the number of steps she took in order to match the camera's position.

Suzuki: Yeah, I did that (laughs). I'd usually be good with three steps, and then I'd just say my lines from around there.

Miyazawa: Seeing that up close, I thought of her as a very hard worker. Mira's good balance was likely the result of Miu-chan's hard work.

Suzuki: Thank you!

Saito: This might overlap with Zawa-nii, but while I think that each person had their own main episodes, Mira would be right there next to us.

Iuchi Hayama Suzuki Soma Miyazawa: Yeah!

Saito: When you pair up with someone like that, the explosive power is incredible. How would you describe it? Like an amino acid??

Soma: Something like an umami seasoning that makes everything taste better?

Saito: Ah, that's it! If you don't add it in, it's somewhat tasteless, but with it, I'd say it adds depth and takes it up a level. That's why I think Mira's presence was of great help to our team.

Hayama: Thank you for being an amino acid.

Saito: Thank you amino acid.

Suzuki: I did my best as an amino acid! (laughs).

"Next should be Jou Akuse's Saito-san. What does everyone think?"

Iuchi: What I'd like to mention with Jou is his injured makeup for the baseball episode. The makeup artist told me that a role like Jou's is one that's really deserving of injured makeup.

Hayama: That's true.

Iuchi: The way he got covered in dirt, was sprawled out on the ground, and yet still stood up was really cool.

Suzuki: You know it!

Iuchi: As for Taiya, he's happy to watch Jou's growth, or to put it in a slightly weird way, he likes seeing Jou get dirty (laughs).

Saito: Hahahaha (laughs).

Suzuki: It's kinda nice when Jou gets dirty.

Hayama: It's great.

Iuchi: It looks great on film, doesn't it?

Hayama: Going along with that, I guess I'd pick his first Change in episode 5. The scene where he crawls while still standing his ground is really memorable, don't you think? Boonboomger consists of a group of people who hold various beliefs, but among them, Jou possesses an honest sense of justice, and I think that was most strongly portrayed in episode 5. Watching him on set, I honestly felt like, "Ah, he's a hero."

Miyazawa: I think that out of all the characters in Boonboomger, the one who was closest to their role was Ryu, and there were countless times where I felt that he really linked up with Jou's honest character.

Iuchi: Yeah

Hayama: There were.

Miyazawa: Especially when he was trying to appeal to something. There was something about it that would just resonate with you. The same goes for the Keytarou episode, the scene with Itsuki-kun in episode 40, and the scene against the police squad in episode 46.

Hayama: Episode 40 was especially good!

Miyazawa: When it comes to tearful episodes, I think that most people would pick the one where Genba leaves, but I'd cry every time there was a Jou episode.

Saito: Eh?!

Miyazawa: No, it was frustrating how Ryu's performance made me cry.

Iuchi Hayama Suzuki Soma: (laughs).

Miyazawa: Still, it really touched my heart. I really think that only Saito Ryu could've played the role of Jou Akuse. He's also really good at action. He moves his body well.

Saito: That makes me happy!

Soma: For me, it's the part in episode 28 where he Boonboom Changes while running into the fight against Neon Grumer.

Saito: Yeah, I was filmed wearing a maskless Boonboom suit.

Soma: That maskless facial expression, and the intense passion conveyed through his lines. I guess you could call it a "feeling of hitting the right mark." Zawa-kun mentioned it too, but his honesty resonates with you as you watch him, which is exactly in line with Jou, but I think is the same for Ryu too.

Suzuki: I talk about it in every interview we do, but my pick is always going to be episode 15. His crying face at the end when he took down Kaseki Grumer was heartbreaking, and there's also the scene where Jou makes up his mind.

Saito: It was when he said, "I'll take him down!"

Suzuki: Yeah. Despite feeling conflicted, he said he'd fulfill his duty as a police officer. That was also bittersweet. It was a scene that was really painful to watch.

Saito: My performative skills were still pretty rough during that episode, so I had alot of trouble with it. I think Director Hayama helped me alot in that episode.

Miyazawa: It's usually Jou who gets caught in the middle of a dilemma, don't you think? I guess expressing that is also quite difficult to do.

Saito: Yeah, it was. Every time I'd wonder at what point the conflict between what he wanted to do, what contribution he'd make as a police officer, and what decisions he'd make as a hero would alternate.

"What are some of the most memorable scenes involving Genba Bureki's Soma-san?"

Miyazawa: What should we do?

Suzuki: There's really nothing to say, right?

Soma: Why~?!

Hayama: I guess there's nothing in particular.

Soma: Well, guess I'll head home early then (laughs).

Iuchi Suzuki Saito Miyazawa: (laughs).

Iuchi: Alright then, I'll start! I also like the scene in episode 27, where Genba leaves Boonboomger, but I've talked about it in many other places, so I'll name another scene. I recently had the chance to rewatch the clip of his first Change in episode 7, and I thought the whole sequence of movements, starting with the line, "I'm gonna accelerate you guys," and then raising the Boonboom Change Axe to then pull out the Boonboom Booster was incredibly cool.

Iuchi Suzuki: It was when he said, "(speaking in unison like Genba) Let's take control of the wheel of being Boonboomgers together!"

Saito: A key point is the part where he bounces his hand alittle.

Soma: You were paying attention, huh?

Iuchi: Furthermore, in Genba's case, he isn't characterized by his quick decisions, but by his slippery movements instead.

Soma: Was that……a compliment?

Iuchi: Huh, you don't get it?

Hayama: You're saying his movements are sexy, right?

Iuchi: Right, right, sexy!

Suzuki: Genba's movements had some sex appeal to them.

Iuchi: I could feel his mature sexiness, which is exactly in line with Genba. I felt that again when I rewatched it.

Miyazawa: For me……yeah, I think it'd be the part where he's sucking on a lollipop in the opening credits.

Soma: Why?!

Miyazawa: Sorry, that just sorta came out.

Soma: That's going way too far (laughs).

Miyazawa: That was just a joke (laughs), Genba and Sakito were involved in many scenes, so I had many opportunities to talk with Satoru, and I found him to be a really passionate guy when it came to his performance. In particular, he kept the alien setting a secret. That was the most surprising thing.

Suzuki: Eh, you knew from the start?

Soma: I knew about his real identity, but details like him being an heir of planet Bureki and the Hashiryan invasion came later.

Suzuki: Eh~. Still, you knew from the beginning that he was an alien.

Soma: Yeah, I knew.

Saito: So that's how it was.

Suzuki: Did everyone know?

Hayama: No, I also didn't know.

Soma: I think I mentioned it to Taiya along the way.

Iuchi: I only overheard alittle bit about it.

Suzuki: Heh~!

Miyazawa: Not only did he keep that a secret, but he also kept a clear plan in mind and made sure to express the way Genba "should be" in each and every scene. What was particularly memorable was the expression on Genba's face at the end of episode 26 when he saw Disrace. I thought that he had really brought out the best of everything he had accumulated up until that point. I'll never forget it.

Hayama: From there, Genba left Boonboomger and suffered for awhile, but in the beginning of the next episode where he had come back, Genba had a really refreshed look on his face (laughs).

Suzuki: I noticed that~!

Hayama: I once again thought that that kind of carefree vibe is unique to Genba Bureki.

Suzuki: It was that scene, where the camera pans from his legs to focus on his facial expression.

Hayama: Right. Also, Satoru-kun's scripts were amazing. I could catch a glimpse of them from the post recording microphone next to me, and they'd be completely red. This of course varies from person to person, as I myself am the type who doesn't write many notes, but even so, I was impressed by his enthusiasm to learn.

Soma: I'm just prone to worrying (laughs).

Hayama: They were so red, that it makes me want to post a photo on SNS so that everyone can see.

Iuchi: You really pay attention to the smallest of details.

Saito: Regarding the scene in episode 33 where Genba returns, the Action Director of "Kamen Rider Gavv," who I had the opportunity to speak with at the studio, highly praised it by saying, "The expressions on Taiya and Genba's faces as they stared at each other were really good."

Soma: Eh, really? Should I move over to Gavv's set now?

Iuchi Hayama Saito Miyazawa: (laughs).

Suzuki: Please stop (laughs).

Saito: I'd like to bring up the scene in episode 15, where Jou and Genba talk. At the end, Genba mutters, "A lonely dinosaur, huh?…," and at the time of filming I thought, "What is this line?" When I look back at this scene now, the kind, lonely, and indescribable expression on Satoru-kun's face really hit me.

Suzuki: For me it'd also have to be episode 33, but it's for the scene between Shirabe-san and Genba. I felt like he poured out everything he had been holding back up to that point.

Soma: That's something I discussed with Director Nakazawa Shojiro.

Suzuki: On another occasion, the Director told me, "I told him that it'd be more like Genba to hold back there," but finding the right balance must've been very difficult, right? Mira is someone who can show her emotions, but he won't be the same Genba if he shows too much, and if he holds back too much, it'll seem like he's lost his humanity. After hearing that story, I rewatched the second half of episode 33, where he comes back to us, and was convinced as I thought, "So that's the reason." Something will make his heart tremble, but he won't shed tears, and I think that's appropriate for Genba.

Iuchi: Come to think of it, Yu-kun mentioned his identity being revealed, but is it okay if I add something quick?

Miyazawa: Go ahead!

Iuchi: At a later date, Satoru-kun told me why he only revealed it to me, that being, "I think Taiya would've already noticed." Just hearing that…no, he really thinks about the details of details.

Suzuki: That's Amazing!

Soma: Not at all.

Iuchi: What's more, at that time, the details hadn't been worked out yet, but when I read the script for episode 27, Chasshiro asks, "Did you know?," to which Taiya replies, "I had a feeling he wasn't an Earthling," so it was just as Satoru-kun had predicted.

Suzuki: I see!

Iuchi: Satoru-kun is amazing, even though it wasn't his role, he thought Taiya already noticed.

Hayama: How do you even think that far ahead?!

Iuchi: Right? It's really amazing.

Soma: It's embarrassing.

"Finally, there's Sakito Homura's Miyazawa-san."

Hayama: After all, he has the longest acting career out of all of us, so I was always inspired by him.

Iuchi: No, seriously. With that being that case, it'll be hard trying to narrow it down to just one thing.

Hayama: My favorite scene was without a doubt the one at the beginning of episode 29. I had created my performance to a certain extent and took it to the set, but then Sakito started doing moves that I would've never expected (laughs).

Suzuki: You were like, "Wait, this isn't what I had in mind!" (laughs).

Hayama: That's how I felt. Still, I thought that if I became intimidated here, I'd lose to Zawa-kun, so I tried a variety of things on my own. I think it was one of the opportunities for me to grow as an actor, and it's a scene that left a very strong impression on me.

Miyazawa: If we were at the Deliverer's garage like normal, you could imagine what you'd be like, but with filming on location, you don't really know until you get there. In my case, I was pretty much doing things in the moment.

Iuchi: When I got involved with Yu-kun, that's where I'd really learn something. If I'm not mistaken, the scene where we're all talking and having fun in the final episode was also changed on set.

Suzuki: Eh, is that true?

Iuchi: I talked it over with Yu-kun, and he asked me something along the lines of if I wanted to be the "first to respond," but with Sakito, I thought words were unnecessary, so I just tapped my fist against his chest and said, "I'm counting on you" ……I said that just before the take, right?

Miyazawa: That's right.

Iuchi: I really liked the look on Sakito's face in that scene, and thanks to that, Taiya felt like, "Now Earth is in good hands," and even though it was done on the spot, Yu-kun responded perfectly in his performance.

Miyazawa: I think I was able to respond because there was something about Haruhi's performance that resonated with me.

Soma: Even without any lines, Sakito was able to convey the message he wanted to say. That was also the case with the sumo episode, and I learned alot from watching it.

Miyazawa: I'm grateful.

Soma: Genba himself isn't a character with many lines, so when he was silent, I would just look at everyone's expressions, but even in those moments, I felt that Zawa-kun had a wide range of performative skills to draw from.

Saito: I was impressed by his interactions with Byundi. He was constantly talking with Suit Actor Takada Masashi-san, as well as BoonViolet's Tsuta-san, but seeing him talk all the time, even when the cameras weren't on, taught me how to approach acting.

Miyazawa: I'm sure this is true for everyone, but this was the first time I interacted with a Suit Character and performed a role together with a Suit Actor. With that being the case, I think we each had our own ideas of, "What I'd do if I were you," and I wanted to present a character that matched that of BoonViolet, and by extension, Sakito Homura.

Suzuki: Sakito has a childlike charm, a presence that makes everyone tremble easily, and a unique sex appeal, and while we were shown various sides of him, there's a sense of unity that made him look like a proper individual. I think that's what Zawa-kun put into consideration when playing the role of Sakito.

Miyazawa: That makes me happy. Let's all go out for yakiniku next time.

Iuchi Hayama Saito Soma: Yay!

Suzuki: We've been waiting for that!

Miyazawa: Ah! Is that what you guys were after?! (laughs).

-The six people who finished Boonboomger-

"I think it's time we conclude, but we'd like to ask each of you one last time for your thoughts on the past year."

Iuchi: It was fun.

Hayama: It was, wasn't it?

Suzuki: Wait, wait, hold on (laughs).

Soma: Isn't that too short?

Suzuki: It is!

Saito: Well, it is true that it was fun…

Miyazawa: No, stop, speak one at a time, let's do this properly.

Hayama: We got along well with each other over the past year, and I of course hope that we can continue to be friends, but when I see the five of them, I feel like I've learned so much as an actor. In that sense, what was great about being a Boonboomger was that I was able to gain some really good experience for my future acting career by working together with these five people. I realize I'm talking seriously now, but I'm truly happy that I got to meet these five actors.

Suzuki: I'm truly happy from the bottom of my heart that I was apart of these six, and I hope that even after 10 or 20 years have passed, our current relationship will continue. They're my best friends.

Hayama: If something ever happens, us five will be there for you.

Suzuki: That's reassuring!

Saito: Miu-chan summed up everything just now. I thought the same thing after finishing filming, but I think it was actually a good thing. I would've hated it if any one of us was missing, and I honestly feel that the hard work we all put in over the past year was well worth it.

Suzuki: It's kinda sad that it's over…

Soma: On the very day of the wrap up, I think I was relaxed, as I thought, "Ah, it's over~," but when we actually wrapped up, I was so overwhelmed with emotion, that it surprised even myself.

Miyazawa: It was more than you were expecting, huh? I'm surprised.

Soma: Over the past year, I really saw alot of what I liked about everyone, and it was also really exciting when Zawa-kun joined us halfway through. I really think that the balance between these six people is outstanding, and I think we became such a great team because of all the wonderful qualities everyone has. Thank you so much!

Suzuki: Encountering you all and the time we spent together was irreplaceable, and it'll stay with me for the rest of my life.

Miyazawa: I arrived along the way, where I ended up joining a team already consisting of five people, but they were five truly charming people. We got along well in the drama and in our daily lives, and there was so much that I learned from them, so I want to be the first to say how grateful I am that we were able to do this together for a year. And, while this may be the end of Boonboomger, I hope that each one of us will take the experience we've gained from this production to the next level, and that one day, when the time comes for "all these members to gather," we'll already be capable of aiming higher and attract the attention of many people. That's why I hope you'll still support us and continue to carefully watch over us.

"And now, we'd like to ask Iuchi-san for some closing remarks."

Iuchi: Is it alright if it's abit long?

Hayama Suzuki Saito Soma Miyazawa: Of course!

Iuchi: Boonboomger was my first drama job, and I played the main role of Red. Super Sentai productions are a team effort, so I didn't want to get too worked up about being known as the star or leader. However, in interviews I was often asked, "What's your enthusiasm as the leader?," and in the beginning, I'd go into the set being 90% anxious and 10% excited. Also, I'm the type of person who values spending time alone, and while I don't know if there were moments where they didn't think well of me, everyone accepted me for who I was and treated me in a really kind and friendly manner, so I have nothing but gratitude for that. Recently, I've had more opportunities to hear people say to me, "You've grown in the past year," and while I think that's only natural due to how I interacted with people on set and how the staff guided me when I didn't know anything, the most important thing was that I received so much from everyone I performed with. That said, I do think I've grown over the past year. We were all talking about it before this interview, but even after it's over, I sincerely hope from the bottom of my heart that we can get together regularly afterwards to talk about casual things and spend time together. Finally, I have a confession…….I came to Tokyo by myself for this job, and these five are the first friends I made! Let's continue to get along well!

Hayama Suzuki Saito Soma Miyazawa: That makes us happy!

107 notes · View notes

librarycards · 10 months ago

Note

pls ignore this is its too weird or too much labor, but i was wondering if you maybe had any tips or resources for ppl who have creative desires like writing but brain fog and fatigue tends to get in the way?

i do! it may not work for you bc people have very random/unexpected ways of dealing with this, but it's *very* common and there is hope :) [i think a lot of this is applicable across form, but i'm using "writing" here because it's what i'm familiar with]

one way is to be strategic about timing: this includes thinking about when you're least foggy/have the most energy, and/or the most "downtime" where there isn't anything in particular you need to do. many people wake up early so that they have alone time before their responsibilities. some people stay up late to write. i tend to do my daily writing (which I elucidate on below) in the evenings, around 7-10pm. whatever works, works!

relatedly: scheduling/routine is, for me, critical. i think it is for a lot of creative ppl. I write every day, in multiple ways: i keep a journal - i've done this since i was like 12, so it's as ingrained as brushing my teeth and i don't really think about it - and also work on some aspect of my current longest project [so, for the last 4 years, it's been the aforementioned second novel; for the 4ish years before that, it was Failure to Comply. i write other stuff during the daytime, of course, because writing is also my job(s). but if you're looking to establish a consistent creative practice, you don't need to be aiming for a certain hour or word count.

Instead: Aim for consistency and progress. Not perfection, not a "muse," not magic. There is no shame in making something that doesn't seem good, or that you end up deleting. in this particular instance, "perfect is the enemy of good" is 10000% true, and i think especially applicable to people who already experience external + internalized ableist ideologies on a daily basis. your art, regardless of what it is, should be a space where you get to make mistakes, change your mind, and learn new things. it should be something you can come to when you're tired, unsure, confused, scared, etc, even if it means just keysmashing and then closing your notes app for the day.

for me, having a daily practice, regardless of anything, means embracing the days where i write only one word and then despair, as well as the days i write pages. when i feel most depressed, in a very clinicized sense, i try to move from "everything i make now is going to be shitty :(" to "everything i make now is going to be shitty :)", not because i'm happy about it, but because....that's simply part of creating. everything is a bodily function. if you're not feeling good, maybe your poop will look weird. so too with writing. but you still do it. it can be mechanical. but it'll happen, and by doing it consistently, you give yourself the *opportunity* to locate insight hitherto buried, to have an idea creep up on your tiredself.

i guess in sum I'd say that the healthiest thing i ever did for my writing is something tantamount to body neutrality, which has also been an immensely positive addition to my set of frameworks for physical embodimindment. creative neutrality, i guess. this doesn't mean i don't tie my ego and personhood to work/productivity/quality. i mean, i totally do, and it sucks, but there we are. but it also means that i place that in a corner that does not touch my desire to chip away at something big, regularly. i make time every day to summon the urgency of whatever i'm working on, not because i'm proud of it at that moment, but because i want to give it another opportunity to give me something cool.

tl:dr: give yourself the gift of consistency and time, and don't be scared of making stuff that isn't good, or gets deleted, or doesn't make sense. write from wherever you want, physically, mentally, spiritually. give it the opportunity & even the expectation to happen and then work from there.

#routine is EVERYTHING !! it's hard to start but inertia works in good ways too.#i believe in you.#ask #anonymous #writing

364 notes · View notes

urgonnaneedabiggership · 2 years ago

Note

Could you make a fic where Miguel gets the female reader pregnant and they're happy but he's worried about her safety? Maybe have a villain find out? Cause some angst?

Risk Something (You're Losing Me)

Pairing: Miguel O'Hara (Spiderman: Across The Spiderverse) x Fem!Reader

Warnings: Language. Spoilers (Miguel's backstory is mentioned). Angst! Alert!, Unplanned pregnancy!Alert.

Word count: 4.3K

A/N: Since I had already established some background and emotional intimacy, I thought I could write this as a sort-of-sequel to my previous one-shot Host of a Ghost. I was so excited to write this, especially because I don't usually write angst but I like to push my boundaries and leave my confort zone. Hope that it pays off and, of course dear anon, that you like it <3

Part III

You’d never really believed in long-distance relationships. After being witness to so many unsuccessful ones, you’d cataloged the entire concept into a box labeled “certain failure” and tucked it away in the back of your head. And yet, with an inconsistency worthy of your friend Hobie, you’d gone and gotten yourself involved in no less than an interdimensional relationship.

How? Well, that was a good question.

All it took was five simple steps:

Step one: Live a regular life. Go to school, graduate, and try to go for a Ph.D. that gets you working near genetically modified insects for just the right amount of time for you to become careless enough to let one crawl onto your backpack, take it to your apartment, and let it sting you. Throw in some negligence, forfeit going to the hospital, and go on about your afternoon. Warning, some side effects like loss of consciousness or intense headaches can be expected.

Step two: Congratulations! You’ve now become a super-powered person with abilities that range from climbing walls and performing gravity-challenging parkour to creating a sticky web-like element that helped you swing from one building to another. Toy around with your new talents, and grow comfortable with them before realizing that you can actually use them to be the much-needed help your city needs.

Step three: Turns out you’re not the only one with this kind of ability out there. There’s a whole Spider-Society full of similarly enhanced people who try and do their best to keep their own dimensions safe, and you’ve not only caught their eye but have actually been invited to join them. Let your new guide Jess Drews show you around, and explain all the benefits that come from joining a team such as theirs. If you decline, you can go back home and that’ll be all.

If you’re interested, it’ll be necessary to convince the leader but they could use some extra help so it shouldn’t be particularly hard. It sounds like an amazing chance. Information you wouldn’t have access to otherwise, mind-blowing facilities where you can polish your newly acquired abilities, possible new friends that actually know what you’re going through…Say you’ll think about it. Right as you’re about to leave, the most fucking gorgeous man you’ve ever seen in your entire life walks past without paying either of you any mind, busy while speaking to another Spider-Person. You ask who that is, turns out he’s the aforementioned leader, “will I ever have to work with him?”, you ask. “Probably, eventually” Replies Jess. Ask when you can start.

Step four: Do your best to earn your place in this elite group. Successfully improve your fighting skills, read everything available on interdimensional traveling and the multiverse. Understand it almost instantly because that’s how smart you are, kudos to you. Realize that for some reason, despite never actually interacting with you, Spider-Society leader Miguel O’Hara tends to stare. A lot. Is it because you’re progressing as fast as Jessica says or because she’s a complete liar and you’re actually doing it all wrong? No idea. All you know is that even during mundane scenarios like laughing in the hall with all the newest additions to the team or in line at the cafeteria, you feel a certain tingle in the back of your head that makes you turn around. Of course, the moment your eyes meet, he turns around and leaves. An odd one, yes. But you’ve also heard things. Rumors, here and there about his life before creating the Society. Whispers about a lost family and some video archives being the only evidence that they even existed in the first place. And, of course, the fault he had in the destruction of their dimension. You sympathize with him, despite his apathetic attitude towards you. You’ve seen him interact with those he’s closer to, and you know there’s more to him than he lets on. You’d be elated if he ever let you take just one look at the smidge of his old self that sometimes peeked out from behind the iron curtain. Well, not really. One look wouldn’t be enough. If anything, it would only cement your feelings for the man.

Step five: Curiosity killed the cat. We all know that. You know that. And yet, you decided to go snooping around Miguel O’Hara’s computer and personal files until you accidentally switch his computer on for long enough to let the videos he’s always watching start playing. He…his daughter…an entire lost life gone before his eyes. Then, before you could do the right thing and turn the computer off, an eerily familiar voice called at him from behind the camera. So, of course, you had to keep watching. Long story short? All those oddly constant stares, that coldness towards you, unwillingness to look you in the eye, was because of two reasons: first, you were a nearly identical interdimensional variant of the wife he’d lost in the dimension he unwittingly erased from existence. Two, as he’d confessed after realizing you’d found out about the truth, Miguel had come to terms with the fact that he was in love with you, not as a replacement for somebody from his past but as a new presence in his life that he’d been struggling to watch from afar, unwilling to let all his repressed feelings spill out like water from a broken dam. Until that night, of course.

Now, eight months later, you’d come to realize there was actually a sixth step you’d never actually considered until now that you were in this…situationship.

Step six: Uncomfortably avoid every and all circumstances in which interdimensional disparities and canon consistency regarding your relationship could come up. Don’t say anything like “Well, it’s been nice but I’ve got to go back to my own dimension” because that would remind him that his dimension was not yours too. That you were after all still a stranger in a strange land. Which of course also meant never inviting him to stay in your dimension.

Deep inside, you knew that all those details would eventually cause problems, especially regarding the inner conflict Miguel was always dealing with knowing what he was doing…what you were both doing, went against his strongest principle. But by God he was happy. Happier than he’d thought he could ever feel again. More than he deserved. So he just ignored those intrusive thoughts and focused on whatever task was at hand. And you were too. Even after just eight months, life without him already seemed unimaginable. He was your first thought in the morning and your last before you went to sleep, and more than once his presence beside you had been not just a figment of your imagination, but a part of your reality as you felt his strong arms wrap around your waist and pull you closer whenever you strayed too far from him in bed as he groggily whispered, “¿Y a dónde crees que vas, preciosa?”, Or when he buried his nose in the crook of your neck, lining it up with soft kisses that sometimes ended up in both of you being late for your assigned tasks. With so much on the line, you were more than happy to avoid those spiky subjects. It seemed like such a small price to pay with all you were getting in return.

You weren’t sure of where all this was going, but none of that mattered. Right now, you were together. Inside the Spider-Society you were a great team and each one was a valuable asset. Outside, every second spent in your arms was enough to make him forget Spider-Man. To you, he was Miguel and nothing more. And that was all you needed.

Life was good. You were happy with the way things were. Until, as it usually happens, a necessary disruption came quite literally crashing into your life in the shape of a fifteen-year-old that carelessly swung around a corner and crashed into you after you’d been chasing him like the rest of the Spider-People after receiving Miguel’s message.

“Miles?” You asked, recalling his name, which you’d actually been hearing for quite some time since the circumstances of his existence started being a problem for your boyfriend. The boy didn’t answer. He just looked at you, his eyes filled with confusion and fear until you hesitantly took a step aside to leave the escape route open for him. If anything he looked even more baffled, but when the noise of his pursuers reached your ears he rushed down the hall and you lost him after he took a sharp turn.

Before you could be spotted, you ran in the opposite direction and hid around a corner as you tried to call Miguel on your watch. Of course, it was in vain. Well, Plan B. Fortunately, this time you did get a reply.

“(Y/N)?”

“Peter! Yes, it’s me! Where are you?”

“Where do you think? I’m going after him like everybody else. I need to get to him before…sweetie, please just get back in there, Daddy’s on the phone right now…I need to get to him before- “

“He’s already left the headquarters,” You informed him.

“Wait, you saw him?”

“About a minute ago. He was on his way to the North exit.”

“(Y/N), are you sure you should be a part of this chase right now?”

“Why not? Jessica is there, isn’t she?” You replied, smiling to yourself. Good old Peter B., looking out for you like some sort of self-appointed brother figure.

“Well yeah, but she’s not running, kid. Although I don’t think she should be on one of those death machines either, I don’t what she’s…”

While he kept on rambling for a bit, you looked around and wondered if you’d ever seen the building this empty.

Empty.

Your eyes slowly ran along the pearly white walls until they landed on the hallway that led to the room where the Go Home Machine was kept. Practically unchecked, if Spider-Byte had joined the pursuit.

“P.B., I’ll talk to you later,” You absent-mindedly replied, hanging up on him without waiting for an answer as you dashed down the hallway.

You kept thinking about that poor kid’s eyes. After having all that information unloaded onto him, instead being given enough time to somewhat process everything he now had to escape from the very people he was supposed to feel safe amongst. When he sat on the floor right in front of you right after the crash, he was sure you would immediately hand him over. Maybe a few months ago you would’ve done it without hesitation but now…things had changed.

There it was. The Go-Home Machine. You thought you saw a purple blast inside that let you know Byte was still there. However, if your theory was correct, Miles would have to go through that hall and therefore, you. A few minutes later, a sudden voice booming from your watch startled you.

“(Y/N)!”

“Miguel? Where are you? I’ve been trying to…”

“(Y/N), listen to me! Miles lured everybody out on purpose, he’s trying to get to the machine. I can see your location back at the headquarters and he should be coming your way in less than a minute!”

“Alright. I’ll handle it.” You replied, ending the call before he could ask you to elaborate on that.

Sure enough, light footsteps came in your direction shortly after. Right as Miles entered your field of view, an alert issued by your watch made your stomach drop and a dreadful feeling fill your chest. However, you’d made up your mind. There was no going back now.

Mile spotted you at the end of the hall and stopped in his tracks. His eyes were determined, not as afraid as a few moments earlier. If he was there that meant he’d somehow gotten past Miguel. You fought back a smile when you wondered how pissed he’d be about it. Having his ass kicked by a teenager was something that, maybe under different circumstances, you could tease him about.

“He’s a delight, isn’t he?” You finally spoke, trying to somewhat lighten the mood while taking a step toward the kid. However, he got in a defensive stance, furrowing his eyebrows in distrust.

“It’s okay, I’m not going to hurt you, I just want to talk.” You assured, showing him both your hands, “Miles, listen very carefully. This is exactly what Miguel was talking about a while ago. At this very moment. Right now, I’m supposed to stop you from getting to that machine and handing you over,”

Of course, he took another step back.

“Miles I’m not going to do that,” You assured him.

“Why not?” He immediately asked, constantly looking behind him, wondering if this was just you trying to stall him like, unbeknownst to you, he thought Peter had tried to do a while ago.

“Because I’m sure there’s a better way to go about all this. I love him so much, I do, but he’s so afraid that I don’t think he’s willing to see other possibilities and by the time he does, it might be too late for you. Now go before anybody else gets here.”

You didn’t have to tell him twice. Miles darted past you as soon as you finished talking, taking a second to look back before reaching the dimly lit room where his ticket home was. His eyes scanned your face and darted down for one second before he looked up at you, a new worry in his eyes that had you wondering whether his spider-sense was strong enough to perceive something you’d just found out yourself.

“Are you going to be okay?” Miles asked, his eyes looking down for a moment once again. Did he know? Did he mean “you” as in just you or as in…?

“Yes, don’t worry. Now get out of here.” You insisted. With one last hasty “thanks”, he ran into the room as your left in the opposite direction. You weren’t worried about Spider-Byte. She was a good kid, and she’d do the right thing.

The right thing. What did that even mean anymore?

You’d deal with the moral implications later. For now, as you found yourself on the other side of the headquarters, your mind was set on finding Miguel. Maybe you could try and talk some sense into him, make him reconsider whether this was…

“What the hell was that?”

By now you’d gotten used to Miguel’s habit of sneaking up on you. Usually, hearing his voice coming out of nowhere brought a smile to your face. This time, you closed your eyes and winced as you felt his presence behind you.

“Don’t even try lying. I know that voice you used in the call. The one for when you’re about to ignore whatever order I’m about to give you, so I checked the cameras.”

“Miguel, I…” You began to explain yourself just to be harshly cut off.

“(Y/N), what were you thinking? Do you realize what you just did? Do you have the slightest idea of the consequences…?”

“I do realize that you just asked a fifteen-year-old child to stand by and let his father get killed right before calling his existence a mistake, Miguel. What were you thinking?”

“I was thinking of our safety, and that includes Miles’. You’re right, he’s a kid and that means he’s selfish and immature enough to endanger everything we’ve all been risking our lives to protect for years.”

“Miguel, listen to me,” You insisted, “You’re scared. I know. I am, too, but have you ever considered that maybe there’s another solution? Do we even know for sure that allowing the kid to go and try to save his father is going to cause any real damage?”

“What if it does? Are you just going to tell me “Sorry, Miguel, you were right” and that’s all? (Y/N), Dios mío, piensa. Gwen said the same thing but we couldn’t trust her with being objective because he’s her friend,”

“Wait, what do you mean couldn’t?” You asked. Miguel clenched his jaw and turned away, unable or unwilling to look at you.

“Miguel, please tell me you didn’t send her back. Not with how she left things back there,”

His absolute silence told you everything. Shaken, you took a step back.

“What is wrong with you?” You hissed the disappointed look in your eyes hurting like a sharp dagger to his chest.

“(Y/N), mi amor, I’m just trying to…”

“You’re such a hypocrite,” You angrily spat out, “You go around preaching about how important sticking to your stupid canon is and the delicate balance of the multiverse when you know damn well that what we’re doing goes against every single one of those things,”

“No, no, that’s very different,” Miguel disputed,

“How is it different?” You argued back, boldly moving closer to him wishing you were taller so you could face him, “I’m from another dimension, there is no way that we were supposed to meet from the beginning. You had your world, this world, and when you tried to live another life in a different one, an entire dimension was destroyed. I had my world, and for all I know maybe there was somebody there that I was supposed to meet but thankfully I ended up here first so I could meet you. But you know what? My universe is fine, yours is too and I swear I had never been happier in my entire life.”

“You’re right.” He muttered in deep thought.

“Yes, I am. And maybe…” You started to say, a relieved smile tugging at the edges of your mouth until he looked up and the expression in his eyes made your throat dry up.

“We’ve been messing with fire all this time. There is probably somebody you can be with without endangering your entire dimension. And this…this is the hand I was dealt and I should just accept it and live with it. You’re right. Maybe this was all a mistake from the beginning.”

“No. No, come on, you don’t mean that.” You shook your head in denial, lifting both your hands to cup his face in your hands, to bring him close like he had done the night you finally could let all the love you felt for him escape its confinement in your chest.

Miguel grabbed your hands before you could touch him and moved away from you before releasing them as he finally built up the courage to look you in the eye.

“Are you serious?” You asked, your voice quivering with anger as you felt tears begin to dwell in your eyes, “So that’s it? You’d rather sacrifice us than find a different way to solve this?”

“Well, what did you think was going to happen, (Y/N)? That this would go on forever and we’d keep pretending everything is fine and that you don’t have to wear a fucking machine on your wrist every time you come to see me because even the cells in your body know you were never supposed to be here?”

“Oh, right, so you expect me to believe that you always knew this was going to be temporary? Then what was this? Something to take the edge off after a rough day until you decided it was time to stop fooling around and just be done with it?”

Deep inside, you knew what his response was going to be, but every inch of your heart silently pleaded for you to be wrong. To pull you into his arms and apologize for trying to send you away and promise that you’d get through this because you loved each other and that was all that mattered.

“I don’t know why you thought it was anything else,”

For a minute, you wondered if this was all actually happening. Maybe this was all a nightmare fueled by all the training simulations you’d gone over lately, and you’d wake up crying just to find Miguel asleep next to you, his wide back slowly rising and sinking with every calm breath he took. Your crying would wake him up and he’d furrow his eyebrows and ask what had happened.

“I had a nightmare, that’s all,” You’d say, wiping your tears off and trying to downplay it. But he knew better. He always knew better. He would pull you close and bury your head in his chest, placing a kiss on top of your head while warning you that he was the only one allowed to have nightmares because otherwise he’d have to start comforting you too and neither would get a full night of rest. And you would laugh softly as you drifted off, lulled by the warmth of his chest and his smell of sage lotion and cheap fabric softener.

But no. You were very much awake, and instead of comforting you with promises and reassurances, he was walking away from you after delivering the final blow to your heart.

Since he had his back turned to you, you felt free to let the repressed tears freely fall down your face as you helplessly watch him go until he disappeared around a corner. All of a sudden, you felt as if the walls of the headquarters had begun to close around you to asphyxiate you, and the sound of the returning Spider-People made you realize you didn’t want to be there for one more second.

Thanks to your watch, you were back “home” in a few seconds.

“Home”. Your empty apartment where you’d lived alone for years. Where he’d never set foot, and at least in that way it was free of his memory. Or so you thought until you looked over your shoulder at the ajar bathroom door. Inside, atop the porcelain sink, still rested the positive pregnancy test you’d left there before having to rush over to the headquarters to help with the latest anomaly.

That memory felt so distant now. As if it had happened years ago, in a different life. You suppose in a way, it did belong to another life. A life that was over now.

Numbly, you made your way toward the ragged sofa, collapsing on top of it as soon as you were close enough. It was only then that the full weight of the last day and a half sank in and, as you gently wrapped your arms around your stomach, you let the tears fall until your throat burned, the dusty cushions muffling your broken sobs.

“I’m sorry, I don’t think I heard correctly, you did what?”

The seriousness of the situation was enough for Peter to fasten a small strap in Mayday’s baby carrier to make sure she won’t go anywhere for a few minutes as he waited for his friend’s platform to reach ground level. He couldn’t be chasing his toddler around and ripping Miguel a new one at the same time.

“I did what I had to do. It’s for her own good,”

“Right, because you’re such an arrogant…” He paused to carefully place his hands over Mayday’s tiny ears, “…such an arrogant dick that you think you know what’s best for everyone, including a fully grown, intelligent, woman like (Y/N)”

“Shit, Parker, do you think it was easy for me?” Miguel uttered, pinching the bridge of his nose before resting his face against the palm of his hand, “What I said about this being the hand I was dealt…I don’t know how I’m supposed to deal with that. Hell, I don’t even know how I’m going to keep myself from showing up at her dimension to try and get her back here the first chance I get.”

“And why would you have to keep yourself from doing that?” Peter asked patiently. It sounded like a better alternative to “Miguel, I love you man but I swear you’ve got the emotional availability of a tree stump. Beats me how (Y/N) was able to get you to admit your feelings without prying your chest open with a jigsaw to see your pounding heart for herself.”

“She was right. We were never supposed to meet in the first place. Not like this. It’s not…”

“Miguel, I swear if I hear the word ‘canon’ even once in this conversation I’m going to drive my head through a wall,”

“Just because you don’t take anything seriously doesn’t mean everybody’s the same,” Miguel hissed back.

“That’s where you’re wrong. Last time I didn’t take something seriously, I ended up just like you will unless you get your priorities sorted out. Alone, and regretting not focusing on what was important,”

“This is important,” Miguel stubbornly argued.

“More important than what you had? Look at yourself. Just forty-eight hours ago you were as happy with (Y/N) as you’d been for the past eight months. And as happy as I’ve been with Mayday and my wife who, by the way, wouldn’t even be with me if it wasn’t for that kid you just called a mistake. And do you see my dimension going up in flames? Or yours? Or hers?”

Unable to find an argument against that, Miguel remained silent, his eyes fixed on an empty spot on the wall in front of him.

“Listen, I know you’re afraid. You don’t want her to get hurt, but if you love her as much as you claim to, then you’re taking the choice of a coward right now. And you can’t afford to be one, especially now.”

“Especially now?” Miguel inquired, turning to look at his friend who, much to his surprise, pressed his lips together as if he’d made a mistake and instead focused on getting Mayday’s hair out of her face.

“My point is; I know you well enough to know you worship that woman. And she thinks you’re pretty decent too. And I can tell you from experience that you’re going to regret it for the rest of your life if you let this come between you.”

Not knowing what else to add, Peter gently patted Miguel’s shoulder before leaving the room, hoping he’d given him enough to think about. Hopefully, enough to make him change his mind.

Meanwhile, Miguel hadn’t moved since Peter left the room, mulling his words over.

Two, particularly, had stuck with him for some reason.

Especially now.

#miguel o'hara #miguel o'hara x y/n #miguel o'hara fic #miguel o'hara x reader #miguel o'hara x female reader #spiderman across the spiderverse #marvel imagine #marvel fanfiction #spiderman 2099 #spiderman atsv #across the spiderverse #atsv #angst #female reader #reader insert

1K notes · View notes

mypoisonedvine · 1 year ago

Note

you could do a drabble about Jonathan Crane...a continuation about a drabble that he helps his patient with his sexual health problems, but now instead of observing he participates 👀 and Reader doesn't want to but does want to 🫠 I love your content, I'm so happy you're back.💜

seems like a perfect continuation to this c: HOW did it turn out so long lmaoooo 18+ ONLY OF COURSE

length: nearly 2k

warnings: noncon/heavy dubcon, abuse of power/manipulation, medical kink, praise kink, pain kink (at least on his part lol)

"How will I know when I'm ready?" you asked hesitantly. "For... sex?"

He smiled, very very slightly, and did that annoying therapist thing where he answered your question with a question. "What do you think are signs that you're ready for that step?"

You sighed, noticing how he'd flipped it back on you (he explained before why he did that-- because his job was to guide you to personal growth rather than just tell you what to do-- but you still wished sometimes it could be more simple) and tried to think about how to answer his question. "I guess... desire, would be a good sign."

"It would certainly help," he laughed lightly. "It's hard to feel much pleasure during something that feels like a chore. Have you?"

"Hm?"

"Have you experienced any desire for or interest in sex lately?" he asked.

Suddenly feeling a bit flushed, you looked away from him and rubbed the back of your neck. "O-oh, uh... I-- I guess that depends on what you consider--"

"So you have," he interrupted, smirking a bit, and you glanced at him before looking down at the floor with a nervous laugh. "I suspected as much."

"Because I brought it up today?" you assumed.

"No, for quite some time," he responded. "Weeks ago."

You blinked quickly, wondering how he could've noticed something like that. "Oh, did I... say something?"

"It's what you don't say," he explained, looking at you with a bit more darkness in his eyes. "It's what goes without saying."

You knew that he knew, but you weren't strong enough to admit it yet. "Wh-what do you mean, Dr. Crane?" you asked, playing dumb and hoping helplessly that it would work.

He sighed and shut his notebook, setting it aside and tilting his head a bit as he looked at you. "What do you think I'm referring to?" he asked.

You scoffed, seeing an opportunity to change the subject. "You know I can't stand it when you do that... you should just answer my questions," you decided.

"Yes, I bet you'd like that, wouldn't you?" he smirked. "Simply being told what to do."

You shuddered at the way his voice changed... and his stare, too, it seemed to rake over you. Even though you weren't sure if he was really asking, you found yourself nodding.

"Say it, out loud," he insisted.

"I want you to... to tell me what to do..." you mumbled nervously, "Dr. Crane..."

He smiled, wider than probably you'd ever seen on him and your gaze followed him as he stood up. "I'm glad you've finally admitted it," he said softly, stepping closer to you until his form towered over you as you sat on the couch-- your heart beat faster as you arched your neck to look up at him, swallowing thickly. "Dilated eyes, elevated heartrate, tightly crossed legs-- yes, I noticed all the signs of desire in you. You want me to help you with your aversion, yes?"

"Well, of course, but--"

He leaned down and held your chin softly in his hand, making your words fail into a whimper. "I think you'll experience much faster progress this way," he explained. "You'll do as you're told?"

You hesitated, your heart pounding in your ears, but you nodded slightly; you couldn't exactly say 'no' now, could you?

And he wasn't wrong-- you'd thought about this, with him. But not literally this. You just thought he was attractive, and though he was the one who told you to touch yourself daily at home to desensitize your mind and increase your libido, you never admitted in your self-reports that you were usually thinking about him.

But you weren't thinking about him as your doctor. You were thinking about him as some other person, who just happened to look like that. And though, in your mind, he always took charge... this felt strange in all the wrong ways.

He didn't quite force you down, he just guided you-- but it wasn't gentle, either. It ended up with you laying back on his couch, the decorative throw pillows supporting your back and keeping you half-upright as Dr. Crane slotted himself between your legs, running his hands over your body through your clothes.

He hummed a little, staring down at you in this greedy, voracious way that was totally unfamiliar. You whimpered a little when his hands groped your breasts through your shirt. "Don't worry," he offered, as if it were that simple. "I told you to stimulate yourself like this each night... did you?"

"Yes," you breathed, "but, um... not so... not exactly like that."

"Show me, then."

Your hands were shaking as they took the place of his, and you thoughtlessly bit your lip as you squeezed yourself a little slower, a little gentler-- you both sighed when your fingers pinched your nipples slightly through your clothes.

He reached down to your waist, sliding his hands up under your shirt. His touch on your bare skin was... unexpected, to say the least. His hands were warm, which was a relief, but you still felt shivers run all over you as his fingers delicately moved up your sides. Under your shirt and bra, he cupped your breasts as your own hands fell away. "Like this?" he mimicked your touches, only without the barriers; and even though it made your stomach flip, you couldn't deny that what he was doing felt better than it ever had when you did it to yourself.

Not wanting to admit that to him, though, you just bit your lip harder and nodded.

Just when you started to get somewhat comfortable with-- or at least used to-- what he was doing, he pushed up your clothes to your collarbones, exposing your chest to his lascivious gaze.

"O-oh," you blurted out at the rush of cool air, at the way he stared down at you with an open, hungry mouth-- which he then suddenly latched onto one of your hardened nipples. "Oh!" you whimpered, hips rocking up against him unintentionally when he suckled hard at the sensitive bud.

He wasn't subtle about it, or all that gentle, but it wasn't too much. Thought it was certainly much more intense than you expected.

He hummed against your skin, and you continued to shake uncontrollably beneath him; it was a raw and aggressive sort of pleasure, his tongue and teeth constantly stimulating you, each movement making your pussy clench inside. He'd always told you to be slow and careful with yourself, to even tease and edge yourself if you could... apparently he didn't practice what he preached.

Apparently he didn't need to. You could tell that you were soaking your panties already. Your head was spinning; how the fuck was this actually happening?!

His mouth moved to your other nipple, his fingers tweaking the one still slick from his thorough treatment. He tilted his head, and you regretted glancing down to look at him latched into you like that. This was your doctor, your psychiatrist... you knew it was wrong, you weren't that naive. But you were apparently too stupid to figure out how to stop this.

When he broke away, he grinned up at you. "You're so sensitive here," he purred, "what other places have you found, hm? Those little spots that make your toes curl?"

It must have been a rhetorical question, because he was already pushing your skirt up to your waist. You shivered, feeling that familiar anxiety swell in your chest, but you tried to keep it down. Even if this wasn't at all how you imagined it, you did want to be done with this, to finally say you were able to move past your fear. Maybe this was just as good as any other way-- to just get it over with.

But you had to take a deep, shaky breath when his fingers hooked into your panties... gently pulling them down your thighs-- or in this case, up your thighs, since your legs were forced up and apart by his body between them.

He purred at the sight of you-- or maybe just when he saw how wet you were, but he got the feeling he already knew.

"Very good," he praised, and you sucked in a sharp breath. "You look ready."

Your eyes went wide as he sat himself back a bit, his hands hastily working on his belt and fly; you didn't want to watch him do this, but you couldn't seem to look away.

If your eyes were already wide, then they must have nearly popped out when he opened his trousers and pulled his cock out.

"I-it's too--" you blurted out instantly, scooting back on the couch a bit, recoiling away. "Dr. Crane, you're too--"

"What?" he asked innocently, though it was terribly unconvincing.

"It's too big," you whispered, and he laughed lowly.

"Don't worry about that," he sighed as he leaned down over you again, sliding himself between your slick lips with a groan. "You-- fuck-- you won't have any trouble. My god, you're soaking me already..."

He seemed pretty distracted, and wholly unbothered with your hesitance. You took a deep breath, trying to calm yourself, but you couldn't seem to soothe-- especially not when he guided his head right up to your entrance. "W-wait," you stammered suddenly, moving your hips back, "I'm not-- I'm not ready."

"I think it's time for me to make that decision for you," he said firmly. "If you never challenge yourself, you'll never overcome this."

"But I'm not--!" you began, cut off by his hand covering your mouth. There was a ferocity in his glare as he watched your face, studying the changes in your expression carefully as he penetrated you.

As you had feared, his size was an issue. Even dripping wet, you had to stretch to accommodate him... it had been years since you took anything bigger than your own two fingers. He'd had you buy a relatively thin, 'ergonomic' (as the packaging stated) vibrator to insert in yourself at home, but you'd gotten too nervous and couldn't get it in past the first inch. He told you it was all in the mind, and you thought he was right at the time, but this felt physically impossible. And it just kept going.

You whined, nearly screamed, behind his hand, and he groaned in your ear with hot and heavy breaths.

"You can take it," he assured, sliding in deeper, "you can take my cock. It's going to fit... one way or another."

You sighed with relief when his hips were flush with yours; you were shaking, a thin layer of cold sweat all over you like you'd gone through some awful thing. But it wasn't over-- it had only just begun.

"Fuck," he grunted, starting to pull back and push into you all over again. "I know it hurts now... but you'll get used to it."

At first, you thought he meant just now-- that your body would relax and adjust, which it did eventually. But that wasn't what he meant, exactly. He meant something much more long-term, if not permanent; he meant that soon enough, you would be all too comfortable being his to use.

#cillian murphy x reader #cillian murphy smut #jonathan crane x reader #jonathan crane smut

869 notes · View notes

deadandphilgames · 11 months ago

Text

A note from Daniel (new epilogue from You Will Get Through This Night)

Thank you for reading This Night. Writing this book in 2021, while sitting locked down in a lightless basement apartment for months, had a certain self-fulfilling irony that was not lost on me.

In many ways, I wrote this book for not only my past self that I wish could have known these things when I needed them most - but for the guy sitting in an incredibly uncomfortable, hunched, t-rex-esque position typing, that needed it right then. Like many of you, I thought those particularly fun couple of years were a temporary inconvenience, that I wouldn't have to age the book by diving into. And here we are. I hope you enjoyed that new chapter about resilience and whatever the hell a 'polycrisis' is. Turns out certain global events do have an additional effect on our mental health - it's understandable that you may try to power through it and pretend it never happened, but we all deserve to take whatever time we need to honestly process how life makes us feel. I hope you're doing alright. My journey of reflecting honestly on my own life experiences and lifestyle while writing was …like spontaneously punching yourself in the stomach. "Wow. I really live like this? That is apparently not conducive to a healthy mind. Oops. Guess I'll go touch some grass." I'm happy if that made this a more entertaining read occasionally.

Even now, I find myself continually re-reading the book in those small moments of first emotional reaction to situations where I now at least think "Wait - what was I supposed to do here? Right. Not catastrophise." If this is you - that is fine. You are not expected to perfectly memorise this book or retain all knowledge you hear in life. I know I don't. If you're ever sat next to me in the emergency exit aisle of a plane, know that you may be required to physically throw me out of the door in order to inflate the slide because I was busy during the briefing, imagining how my life would have been different if I actually had the nerve to dye my hair black that time in school. I am at peace with that.

It was honestly terrifying for me to try and mine the content of my life to try and actually illustrate advice for people that may really need it …for me to honestly look at the balance between joking about my mental health, and really getting real. Hey - if your attempt at opening up via some humour comes out a bit offensive, you still get points for at least putting it on the table. That's progress.

This is not a book about me. I am here just as an example of terrible behaviour that you have permission to have an inappropriate public transport snort at, and as a writer who has repeatedly not finished traditional 'self-help' or scientific study books for being dry, unrelatable and preachy. I just hope you found this moist, identifiable and accepting of all of your beautiful flaws. So many flaws. I often worried if any of the material was maybe obvious, or something you could stumble across on the second page of Google - then I had a small moment of honesty with myself contemplating my own ignorance, commitment to procrastination, attention span …and the fact that factually just 0.63% of all people searching online, ever bother clicking to the second page of results. If you already knew some of this, good for you. Honestly. You must literally be happy with yourself. I'm just looking in the mirror and trying to do something for the 99.37% of humanity that spend their lives never successfully researching how to not lay awake at night fantasising about their doom. Look forward to the upcoming pocket size book of 'offensively self-destructive jokes' by Dan - or 700-page memoir of my yet un-girthy, mostly unremarkable life so far if that's what you're really looking for.

Perhaps the most terrifying result of releasing this book into the world, has been coming face to face with those of you that have read it. For in these moments, all of my protective self-deprecating persona comes crashing down in an instant when someone says this book made them feel better. Hearing that this book was the first time they finished anything tangentially related to self-improvement, or that just one thing they read was a new perspective on a part of their life they needed, makes me feel my mission in life is already complete. Seeing it be recommended by bookstores amongst all the other choices, hearing that people have shared it with their therapists or had it suggested to them by a professional, is an unbelievable seal of approval that I appreciate. I am so inarticulably grateful to have been given the opportunity to do anything that could make your life easier, more peaceful, more enjoyable. I've met people who annotated this book with post-its, told me they listen to audiobook exercises on their commute - and even a few people that have had illustrations tattooed onto them as a symbolic reminder of a message.

All of this puts that year of typing like some kind of infinite monkey at a typewriter into perspective. I'd do it all again. Mostly. It has been the greatest privilege of my life to be the guy whose name is printed on this book, and I just hope that reading it helped you, as much as writing it helped me.

Love and good luck.

- Dan

#ywgttn #ywgttn spoilers #i guess? mental health spoilers is a funny concept #love and good luck <3333 #also. look forward to a 700 page memoir. dont play with me like that daniel #dan and phil #daniel howell

379 notes · View notes

littlejuicebox · 1 year ago

Note

Hi! I'm not sure if you take requests so if you don't, please ignore this and I hope you had a wonderful Christmas.

I just read your Astarion X Tav fanfic where Astarion proposes. It is said that the ring he got glows whenever Astarion thinks of Tav. I was just wondering if you could write a slice of life about the ring glowing at the most random times. Maybe during a stealth mission where Tav has to stay hidden or when he is smiling in his sleep and the ring glows. I just thought it would be cute and fun to write about. You can get creative with it.

Thank you for taking the time to read this, whether you end up doing this request or not. I hope you had an amazing Christmas and I hope you will have an amazing New Year's!

Hi Anon! I don’t think this is quite what you were asking for but… this is what came out! 🤷‍♀️ The smut gods blessed me and I cannot deny their gifts. Merry Christmas and Happy New Year! Smut below the cut.

If you haven’t read my other work and would like context, Anon is referencing a two part mini story I wrote. Click here for part 1, and click here for part 2.

Warnings/Tags: 18+ only please, smut, masturbation, sex pollen, swearing/cursing, game spoilers

Word Count: 1.5K

-----

“I think we’re just… a bit out of practice, darling. It has been nearly a year since we were down here last, you know.” Astarion whispers, crouched next to you behind a Funguswood tree. He’s wiping bits of dirt, twigs, and mushroom pollen off himself with a handkerchief.

“Admit it, Astarion. You just weren’t fast enough.” You respond with a small, teasing poke of your tongue as you rearrange your weaponry and count your arrows.

The pale elf finishes wiping off the debris, and you return your attentions to the mission. You’d been contracted to scout out the vampire stronghold in the Underdark and report your findings back to Wyll and the Flaming Fists. Rumor was that the vampire hoard had wreaked absolute havoc on the Underdark; the city feared the creatures would soon return to the surface if they could not find sustenance here.

“Would you have preferred I let that wild Rothé ram you into those mushrooms in my stead?!” Astarion hisses in return while rubbing his hand over his arm, which now felt unbelievably tingly and was starting to radiate significant warmth, “Hells, what mushrooms were those, anyway?!”

You stifle a chuckle, knowing your fiancé is already past his limits of patience. You two need to get to the scouting point, set up camp, and hunker down for a few days… all while avoiding detection from the vampires or any other nefarious creatures in the Underdark. Best to do it without an ornery Astarion by your side.

“I don’t know what mushrooms those were. I’ve never seen them before.” You admit with a small shrug, “Come on my love, not much further now and then we can get you properly cleaned up.”

Astarion follows behind you in silence, apart from the occasional cursing and swiping at his skin. Gods, the heat had spread up his entire arm now. The scratching seemed to make it worse, but by the hells, he couldn’t stop no matter how much he wanted to. The two of you finally got to the cragged rock that led to a small cave where you would make camp, and he never felt more relieved in his life. He couldn’t wait to clean himself properly and be done with this burning sensation.

You glance at him briefly and then begin climbing the rock. Astarion remains below to keep you covered in case anything decides to attack while you’re left defenseless. He looks up to watch your progress and cannot help but to notice the overwhelmingly attractive curve of your bottom. It was always attractive, of course, but something about it in this moment was entirely… irresistible. Had you been working out recently in preparation for the wedding?

You’re halfway through climbing the rock when your engagement ring bursts into a spray of light. It often glows significantly at the surface, but in the blackness of the Underdark, you’re practically a beacon. Your stomach drops. Gods, how had you forgotten to take it off?

“Astarion!” You hiss in a panicked whisper, “Cut it out! Every being in all of the Underdark will know our position.”

Astarion had realized the issue as soon as the light had flared, of course. He was trying desperately to avoid thinking of you and all the delicious things he wanted to do when you two made camp, but gods he couldn’t control it. What in the hells was wrong with him? He wanted to stop, to ensure your safety, but your plump, perfect ass was practically calling his name, begging for his attention, and he wanted nothing more than to bend you over and—

He shakes his head, trying to rattle the lewd fantasies from his psyche, “I’m trying, my love! I don’t know what’s come over me I just—“

Hags. Hideous shoes. Ghouls. Manual labor. Gale.

The pale elf tries to think of all the most grotesque, unsexy things he can and push you entirely from his mind. You continue to climb, hoping to quickly reach the top and take off your ring as soon as possible. The ring is still glowing like a single star in the blackest night.

Ogres. The smell of Araj’s blood. Rats. Gale.

Gods, it was useless.

Finally, you reach the top. You rip the ring off your finger and shove it in your pack as soon as your limbs land on the surface of the cave. Astarion quickly scales the rock behind you, and when he reaches the top, you’re positively glaring at him.

“Darling, I’m sorry! I really tried. It’s just— gods damn these mushrooms!” The vampire is ripping off his shirt and scratching at his skin as the two of you walk into the little cave. Before long he’s down to his knickers and cursing as he rubs desperately at his flesh.

You’re trying to ignore your fiancé and quickly pitch the tent so you can handle whatever the hells is going on with him. A sideways glance to your pack reveals that the ring is still glowing quite intensely… perhaps more than it ever has before. Was that even possible? At any rate, you can’t get closer to the stronghold with it glowing like that.

“Astarion, I don’t know what—“ You spin around, and you’re surprised to see the elf fully nude on his blanket, doing perhaps the most provocative thing you’ve ever witnessed.

Astarion is beaded in sweat by now, and his hands are wandering over himself, chasing the burning tingle as it travels through his body. Gods, the feeling was becoming absolutely unbearable. He kept seeing visions of you and him in the throes of passion in his mind.

He couldn’t stop even if he wanted to. Did he want to stop? He couldn’t decide. All he knew was the intense tingling and burning coursing through his veins and the wonderful fantasies filling his brain. He needed release from this torture; his limbs were on fire and the sensation was spreading to his groin.

The elf knows by the throbbing pulse in his cock that his erection is at full capacity, and he feels the dribbles of precum slowly sliding from the head, down the shaft. Astarion is, admittedly embarrassed knowing you are mere feet away and witnessing such an erratic show, but he grabs his own cock regardless— gods, it felt like being possessed. He needed release and he needed it now.

As his fingers wrap around his shaft, a burst of relief travels through his body. The tingling ceases for a moment. But then, it flares again and he’s consumed by the burning feeling and vulgar thoughts of the two of you once more. He pumps his hand a few times, bucking into the sensation, and once again the torturous tingle halts.

What in the hells?

Astarion is now rolling his hips towards his own hand, groaning in pure ecstasy at the relief from the burn as well as the delicious sensation of his hands stroking his uncharacteristically sensitive member. His eyes are clasped closed, and his other hand is still wandering over his torso, chasing that burning itch.

Through panting, shaking breaths he murmurs, “Darling, is it— oh gods, is possible that those— fuck — mushrooms contained sex pollen? I’ve never— mmh, fuck.”

You’d been so enraptured by the vision of your lover touching himself in such an uninhibited display of lust that you almost didn’t hear what Astarion asked. The slickness of your arousal was starting to become apparent as you instinctively squeezed your thighs together.

“I’m… I’m not sure, my love. I’ve read of such things but I’ve never come across it… until, perhaps, now I suppose.”

Astarion isn’t really listening. Instead, he’s bucking wildly into his own hand, chasing his own release. He falls apart in front of you, with his limbs tensed and mouth agape in pure, unadulterated pleasure, clasping tightly onto his own length. The gasping, strangled moan of relief that escapes him as he reaches his climax and shoots sticky streams of hot white seed onto his abdomen ignites a fire in your groin. He’s shuddering with the rippling aftershocks of his orgasm and you feel yourself dripping with arousal as you rub your thighs together once more. This display was entirely feral.

For a few moments the vampire is breathing contentedly, eyes still shut. He’s still holding his cock, which continues to twitch insistently despite its significant spend. Your lover brings his unoccupied hand to his hair and rakes it through his disheveled, sweaty curls.

You flick your gaze to your pack and notice that it’s no longer emitting that ethereal glow. But then Astarion groans in dismay and you see light flare from your bag again. When your attention returns back to your fiancé, he’s already grasping wantonly at a second rapidly growing erection.

“Darling, I can smell you,” He hisses desperately, now slathering his own milky juices around the swollen, reddened tip of his thick cock. The veins in his arm and on his shaft are pulsing as he begins to stroke himself again, “Don’t be coy just— come over here and help me with this. Please.”

And by the gods, he asked so nicely, how could you say no?

#astarion x tav #astarion fanfic #astarion fic #baulders gate 3 #baulders gate astarion #bg3 fanfiction #baulders gate tav #bg3 fanfic idea #astarion x reader #astarion smut #astarion x female tav #astarion x you #astarion x female reader #bg3 smut #prompt request #prompt response #astarion prompts #smut

446 notes · View notes

darylbae · 9 months ago

Note

Always read your fics and enjoyed them from afar , , why not send a request ! ^^ Don't feel pressured to write this too this is a little weird now that I read it over and sorry for the long req ! ! >< Could you write some an angsty or fluffy oneshot of a reader infected with the deadly flu during (i think) early season 4 and Daryl determined to cure her of the sickness. Them both having conversations between the glass of the prison where the reader is just at the point of giving up and accepting they'll die by this flu and Daryl is trying to give them hope. There's the scene with the group who went to the veterinary (..?) college/university to grab medicine for Hershel to use where they find out Bob didn't grab shit and Daryl just goes off at him because the reader was so kind and generous to him wdym you only grabbed BOOZE?? And then it ends with the reader who's cured of the flu, running into Daryl's arms both relieved and happy that they can finally hold each other again. Which ends in Daryl showering them in kisses because yay they're cured ! The idea just came to me while I was laying at the beach, "If the reader, his lover, was infected by the flu how much more angry would Daryl be with Bob when he only grabs alcohol?"

quarantine — daryl dixon

in which the flu catches up to you, and daryl is stressed about losing you

note: my requests are still open!! i have a few to write but im still happy to accept them! <3

Your job prior to the apocalypse was a caregiver to the elderly, so you had experience with a lot of medication and general practice of caring for someone. It's why Daryl had become so drawn to you, seeing you care for your people, or even people from Woodbury that had just been taken in, you gave everyone the same love and attention regardless of time spent with them. Daryl hadn't realised his longstanding affection for you until this flu outbreak within your prison community. You'd volunteered to help everyone alongside Herschel, caring more about the well-being of others more than your own. Until you'd gotten sick. "It was inevitable, honey," you spoke, not having the energy to even raise your voice above a whisper, "I'm glad I kept everyone in here hydrated, fed, and stable. But we're not seeing any progress." Daryl was on the other end of the window, eyes staring intensely into yours, wishing he could touch you, wishing he could hear your voice clear as day and not muffled due to being separated. Daryl sighed in defeat. "You don't deserve this." "Nobody does, but we need medication, Dar." You admitted. "It's the only way for people to get better, otherwise, we'll die in here." The thought of losing anyone else was enough of a push to find some medication, but the thought of losing you was enough to get him anywhere. He'd ride for days, hell, he'd walk for days if it meant you could get better. "I'm taking a group out, I'll get ya the meds. Just rest f'me, okay sweetheart?" Daryl was pleading now, you could hear the whine in his voice. You nodded, coughing into your hands as you hobbled away.

Days had passed. You couldn't get out of bed most mornings, even as Herschel did his rounds. Usually you'd join him, making sure everyone had water and food. But your bones ached, your head was pounding, you were sweating through your clothes. "Why don't the caregivers care for themselves, hm?" Herschel asked, entering your cell with a pitcher of water. You smiled painfully, reaching for your cup and holding it up for him. "Not used to it, I guess.." You wheezed, stabling yourself before another coughing fit. "How is everyone?" "Good as they can be, I guess." "Any word on the meds?" You asked, wanting to take the moment off yourself and onto a cure. Herschel shook his head. "Daryl keeps asking about you, though. It's rather sweet, really." "He is. Contrary to how he acts." You smiled, the thought of how he only acted around you. You'd caught him smiling a few times, even laughing at your terrible jokes. "I know a man in love when I see one."

Herschel had alerted you that Daryl was by the window again, asking for you. So you'd made the effort to hobble out of your cell and over to the window. And Daryl almost collapsed at the sight of you. Pale, hunched over in pain, sweat dripping from your skin. Your once glowing skin replaced with dullness, dark circles under your eyes. "Hey," you whispered, your hand on the glass, "how are you?" "How are you?" He asked, matching your hand with his and the both of you craved the feeling of the other's skin on yours. This was pure torture. "I can't do this anymore, Dar." You tried to take in a deep breathe, but you would wheeze as you did so. "It's getting harder. To talk, to walk, to move at all." Daryl's brows furrowed, trying to hold in every ounce of emotion threatening to spill out of him. "I know, sweetheart, I know." "They really need those meds in here, they're not getting any better." You confessed, there was no point trying to hide it now, you'd be walkers in a matter of days. "I'm gettin' em, I promise. Jus' been findin' fuel and supplies for our trip, we're leavin' today." Daryl mumbled, doubts and fears running rampant in his head. "Jus' came to say goodbye and I'll be back for ya." "I know you will, when I'm better I want a nice hug from you. It's the least bit of affection I deserve." You smiled, matching his as he shoved his middle finger up at you. But you knew what he meant. You could wait to tell him you loved him too.

Daryl had gone with Michonne, Bob, and Tyreece to a veterinary college for the medication, but Daryl couldn't think straight. He hadn't realised just how much you meant to him until you were isolated away from him. And he wasn't going to keep it to himself anymore. "We're in and we're out." Daryl instructed the team, leading them into the building. "Grab everything you can." He was so focused on finding the names of everything he needed, shoving it into his bag, he had his sights set on his objective and nobody else. Walkers had become the least of his worries. Even when the escapes had been overrun with walkers, he'd found a window which took them out to a roof. "We can walk over this roof, get us away from 'em." Daryl suggested, helping Michonne through the roof and carefully out of the building. The four steadily climbed out, aiming to walk along and find a quiet place to drop down, but Bob had lost balance and almost let go of his bag. Daryl turned, seeing the commotion and seeing Bob so desperately clinging to the back, completely ignoring any sense of fear from the walkers. "Just let it go!" Tyreece called out, but Bob was adamant on pulling the bag up. And Daryl had leaned forward to retrieve the bag from him. "What's so damn important in here, huh?" Daryl mumbled to himself, unzipping the backpack and pulling out a bottle. A bottle of what looked like whiskey. "All that for a drink?" Daryl reached his arm up to lunge it away, but Bob let out a yelp. "Please," he pleaded, "don't. It's just for when it get's quiet." Daryl was seething, why should he listen to his cries? He was on a selfish solo-mission. "Just give it to him." Michonne sighed, still wary of her footing as the walkers were clambering for their feet. "I can't believe this shit!" Daryl exclaimed, Bob's eyes fixed onto the alcohol sloshing around in Daryl's hands. "Should've left ya to die out there, we been so nice to ya. Y/N's been so nice to ya, and ya don't care one bit." "You take a sip of this before these meds get in our people," Daryl stepped to Bob, a menacing expression on his face as he shoved the bottle into his chest, "I will beat your ass into the ground."

It was a silent trip home, Daryl in the front seat with his head on the window. He couldn't stop thinking about you, about whether you were dead or alive. He was praying for the latter, and Daryl never prayed. In his life, he was so anti-God but when it came to you, he'd try anything. So seeing the familiar prison gates, Daryl almost leapt out the car whilst it was still rolling. He'd taken the bags of supplies straight to the quarantine zone, throwing it over to Herschel and sitting impatiently by the window. The window you'd always talk at, pressing your hands against it together, the one he hoped wouldn't have to separate you any longer. He had nothing to do except wait. He'd anxiously play with the ends of his hair, biting on his lip whilst he waited for any signs of progression. He sat, completely alone, just waiting for you. Completely unaware of the time passing around him. It wasn't until Maggie spotted him, and approached him slowly. "Everyone's taken the meds, they just need rest." She confirmed, and his heart lifted. "She's okay, but I think you need some rest too." "Thanks." Daryl spoke softly, a small smile on his lips as Maggie had exited the quarantine zone. He'd only waited a little while longer, until admitting defeat for the night.

The next morning, Daryl was up and spent the morning outside. Fixing the fence, stabbing some walkers in the skull, the usual daily tasks for him now. He'd accepted that you'd needed your rest, at least you were alive. But the weight still sat in his chest, even knowing you were on the mend, he wanted you. He needed you. Bob's selfish actions yesterday were now but a passing thought, he was solely centered on you. So he'd eaten some food, spoken to Carol, gone about his day as he usually would. Except you were missing. It had gotten to the evening, the sun setting behind the trees and it was a sight he wished to experience with you. "Hey handsome," he heard behind him, his head snapping to the direction of your voice, seeing you stood, weakly, against a wall. "Oh my God," he tried to speak, but it came out as more of a whimper. He'd abandoned his smoke, throwing it onto the ground before wrapping you into his body. Feeling your skin on his, your voice blessing his ears, it felt too good to be true. "Dar," you croaked, "too tight." You giggled when he'd released you, brushing his hands down your back, not wanting to take his hands from you.

#inbox 💌#daryl dixion imagine #daryl dixon x reader #daryl x reader #daryl x you #the walking dead daryl #daryl fanfiction #daryl x female reader #daryl dixon #daryl dixon incorrect quotes #daryl dixon fanfic #daryl dixon blurb #daryl dixon imagine #daryl dixon imagines #twd daryl dixon #the walking dead daryl dixon #daryl dixon the walking dead #twd daryl

198 notes · View notes

lennjamin-o7 · 5 months ago

Note

Thought it was time to return the curse upon you for once... (also inspired vaguely by the DMs from earlier so hehe)

AU where Techno is a superhero.

Not just any superhero, really. One of the best. He manages to keep the city crime free almost singlehandedly and does so without breaking a sweat. Though he does work together with another hero named Phil and the two are thick as thieves.

It's hotly debated among fangroups of civilians why Techno joined the hero ranks. Since he doesn't exactly make it subtle that he's an introvert, fame is off the list. Techno is kind of brash and awkward too, he doesn't strike people as the sort of guy who does it for something as vague as 'helping people' - he also might get a bit too excited about new villains for that to ring true. There are rumors that his family was killed by a villain and this is Techno getting revenge, but this rumor is never verified. Maybe money? Money is a pretty good motivator.

The truth is that Techno is incredibly bored.

Techno peaked in high school and is so incredibly gifted kid coded. (/hj)

And hero work is a great adrenaline kick, a thrilling situation to throw himself into. Especially villains who come up with wild schemes. Maybe, just maybe, it's even bordering on depression. He has to keep busy with hero work or he literally can't bother to get out of bed or motivate himself for much of anything.

Things have been better since Phil came along. Phil is, in a twist on the usual dynamic, the less experienced one when it comes to hero work (despite being so much older lol, Phil was a civilian hiding his powers before). So he's teamed with Techno to learn the ropes, and the two hit it off, and the team-up becomes permanent. Phil is the first and only person Techno considers a friend. And after befriending Phil, Techno gradually gets a few hobbies (he's cultivating a potato plant in the hero association dorm, he's reading books Phil recommends to him, he's playing chess with Phil on slow afternoons).

But Phil would still like for Techno to have more of an identity outside of his hero work. Techno brushes him off. It's almost a running joke at this point.

(Technoblade is not his real name. It's his hero name. Techno has no civilian identity, never bothered to maintain one. This is concerning to Phil).

Whenever Phil thinks he's made some progress, a new villain will pop up or something will happen and ALL of Techno's attention will go to that again. And then after it's over he'll be bummed out because Techno usually beats the villain very easily and it doesn't pose a challenge for not. What Techno truly needs is an archnemesis.

Good thing that one day, a new supervillain pops up in town.

He's cruel, and he's smart, and he's ruthless. And he's very, very strong. Strong enough to almost beat Techno into the ground one-handed during their first confrontation, though Techno manages to win just barely. It's as if this new villain knows all his moves, his weaknesses. It's exhilarating.

The new villain calls himself The Crowfather.

(Fangroups don't really debate on why Phil joined hero work. But if they did some digging, they might find out that Phil once almost died, and the only thing that kept him from dying was a hero saving him. Technoblade.

They might find out that Phil became a hero not because he cares about the status, or saving people. He just wanted to get closer to Techno. To repay him, somehow, any way he can.

Even if it means murdering a bunch of innocent people.)

Hey, Techno is smiling a lot more now that he has The Crowfather to go up against. And isn't that all that matters :)

[this was so rambly, i'm not very good at this and u can tell lol]

I've think I've kept this hostage long enough Shara Friend. It has been kept for my eyes alone long enough. Now, I freely share it.

Fuck yeah bored Super Hero Technoblade! You popped off with this. I love Sneaky Philza standing by his side and, if it makes him happy, standing against him as well. Who cares about the ants he has to squish to see Technoblade HAPPY. An easy and small price to pay for the guy who saved him.

Gosh, I love this. The DRAMA that would ensue when everything is found out. How will that go? Will Technoblade be appalled? Disgusted? Angry?

Or maybe, just a tiny bit curious about how interesting it would be to be a Villain.

Love it. Love it so much. I want to CORRUPT this version of Technoblade so so SOOO much!!!!

#lenn writes #ask and ye shall receive #other's aus #sharada-n #anarchy-and-piglins #technoblade #philza

93 notes · View notes

anim-ttrpgs · 5 months ago

Text

The Eureka: Investigative Urban Fantasy October 17th Beta update has launched today on itch.io for free!

Happy Halloween! We pulled out all the stops just to get the update out in time for you to prep and play it for your group’s Halloween game! The free adventure module that comes with it, “Horror Harry’s Haunted House”, takes place on Halloween after all! In it, your investigators will solve a “murder mystery” in a charmingly spooky haunted house escape room. It serves as a sort of investigation and survival training ground for you and your PCs to learn the ropes before jumping into more Call-of-Cthulhu-esque adventures where death is around every corner. (You can even get two more adventure modules over on our patreon)

Download the new rulebook here on itch.io! Even if you download it for free, just checking it out, talking about it, reblogging this post, etc. helps us out immensely. We are a diverse, largely queer team setting out to slay a dragon, we’ve already been working on this for four years, and we need all the community support we can get!

If you’re wondering what Eureka even is, watch this trailer, or read this post if you don't wanna watch a video.

youtube

If you’ve ever tried to run a murder mystery in D&D, what you really needed was Eureka.

If you’re coming from the August beta release, which I assume you are, lemme tell you that a lot has been improved. I’ll go over some of the highlights, and post the full changelog under the cut. It’s still free, but if you could throw a bit of money out way on the itchio page, even if you’ve paid before, that would be a massive, massive help. We’re actually a bit over budget even with the relative success of the Kickstarter, plus for one of us this is their primary source of income.

Trait Overhaul

There’s a few new Traits, and nearly every single existing Trait has been redone to make them better and/or more interesting. Each Trait will now have an even more significant effect on your gameplay experience.

Combat Overhaul + World's Best Grappling Rules

Combat in Eureka is now better than ever, and it was already really good - plus, now you can actually comprehend the dang rules! The previous combat rules, I admit, were a dense and confusing slog to read through, even if they worked really well once you understood them. Now, thanks to our editor, you can understand them! Instead of being split across four chapters, it’s now just two chapters. One chapter explains weapons and is mostly just for stat reference, and the other chapter is focused on telling you everything your character can do during “dangerous situations,” which are not just combat, but really just any kind of scenario where a character can get hurt. As a special highlight to the combat overhaul, Eureka now boasts the first ever set of grappling rules that are viable, realistic, and fun to employ at the table! I’m serious when I say I have never seen them done like this before, and think they offer an actual leap forward in something that TTRPGs have struggled with since early editions of D&D! I also put a lot of my own judo and other martial arts experience to work here.

Monster Overhaul

A lot of what I said about the pre-overhaul combat sections of the rulebooks were also true of the monster PC rules. They were dense, hard to reference, and disorganized. Well not anymore! All six playable monsters in Eureka have been completely rewritten using the skills I have gained as a game designer since first writing them, and, like the regular Traits, they have all been at the very least tweaked to be more interesting and have a greater effect on gameplay, and some have been changed entirely with all new subsystems! Witches brew potions now, fairies actually have stuff to do with the names they collect, and more! Plus, speaking of Traits, every monster can have more regular Traits now, to really help flesh out their personality!

CHANGE LOG

Copy-editing Progress: Thoroughly copy-edited up to p. 302. Half-ass copy-edited up to p. 322.

WHOLE BOOK

Stuck most of the $42+ kickstarter backer submission info into the very back of the book just to get it out of our email inbox and to allow the whole team to be able to more easily see it and work with it. Going to be doing more to integrate this stuff into the actual rulebook soon.

Changed the headings to hopefully be more legible. Please give us feedback on what you think of this change.

CHAPTER 1

Changed the limitations on how Comfort is used to restore investigator Composure.

Fixed a typo in the investigation example of play.

Made it so that Composure rolls for fears in the “Ridiculous” category don’t even always need to be rolled when these things are encountered.

Moved Character Health and Status, Grievous Wounds, Healing, and Healing Example sections to Chapter 1.

Changed Partial Incapacitation to give -2 modifiers instead of -1.

Overhauled the rules for injuries, incapacitation, and grievous wounds completely. A ton of it is changed.

Added codified rules for medical facilities and what to do in the case of investigator death.

Added “The Creeps” optional rule.

Tweak to When is the Party “Split” section regarding how long to go before jumping between groups.

Lots of new art has been added.

Tweaks to Be Prepared to Lose section.

—---------------------------------------------------

Additions to the What is Eureka For section

Changed comforting factors and exacerbating factors for Composure rolls to be +/-2 instead of +/-1 so they make a real difference.

New snoop

Changed the font of the section headings in the Ticking Clock section. Let us know what you think of these headings compared to the other headings, because we are considering changing all the headings to be like this.

Better clarified some stuff about how Ticks work when an adventure starts at some random time of day.

—-------------------------------------

More art has been added

Made travel take more time and matter more

CHAPTER 2

Changed the CQC skill to Close Combat, as this is more clear and obvious what that means at a glance

Made lots of copy-editing progress. Many paragraphs are shorter and convey the rules more clearly.

Changed the way the Burnout Trait works. It now causes the investigator to lose flat Composure each day rather than affecting their Composure rolls.

Changed the Death Wish Trait to not suck.

Changed the Elementary! Trait to use Visual Calculus instead of Social Cues.

Changed Go With Your Gut Trait to not suck.

Added that wallets and like basic clothing and stuff have a WP cost of 0

Added glasses to item list

Added rope to item list

Added hand warmers to item list

Changed Arithmomania trait to where it only gives a +1 base bonus to Paperwork, and the bonus for having a lower Ignorance of Quantity Tiers of Fear rating is more investigation points.

Changed Femme Fatale to add a +1 Seduce bonus instead of +2.

Totally redid the Hardy Trait.

Added -1 modifier to I’m Okay You’re Okay Trait

Redid the Just Built Different Trait. Now it allows a character “no sell” an incoming Superficial Damage attack once per Scene, reducing the damage to 0, among a few other things.

Added Renaissance Man Trait.

Removed Love Me Trait. Might try to reword it another time, but it was too similar to too many other traits and wasn't very interesting.

Completely reworked Lover Trait.

Many new snoops have been added.

Changed the Mad Genius trait to be called Lovecraft Protagonist and changed what it does.

Removed the investigation point cap on Man of Action Trait. Also changed the name to Ask Questions Later.

Changed My Glasses Trait to only provide bonuses to Knowledge Skill Investigative Rolls.

Changed Nightstalker Trait so that it provides a bonus to all Interpersonal Rolls while trespassing

Changed None of My Business Trait to suck less.

Changed Not Finished Yet Trait to suck less.

Changed Showboater Trait to suck less.

Changed Skeptic Trait to suck less.

Smalls is now a real Trait instead of just a joke Trait.

Removed the +1 Bonus from the Unpredictable Trait.

Changed Wicked Trait to not suck.

Changed Wizened Trait to suck less.

Woo-Woo Trait no-longer based on Blacked Out Skill.

Moved “Deadly Combat, Permanent Consequences” here and changed the title to “Disabilities are Disabling”

Changed Basic Physical Therapy on the Wealth Point Item List from 3WP to 2WP.

Added new section “People Change”

Made Blissfully Ignorant trait immune to “The Creeps.”

Made the Technically… Trait have a +2 bonus instead of +1.

Updated the Hard Boiled Trait to work with the new way that injuries and incapacitation works.

Moved the Hardened Hearts snoop to be the Wicked snoop instead.

Changed “Empath” Trait to be “Empathetic” instead.

Made “Did You Know…” a better and more usable Trait

Made Hard Under Pressure a better and more usable Trait.

Changed how the WP cost of an item affects the modifier for rolling for it in-adventure. The modifier is now half the WP cost rounded down.

—--------------------------------------------------------

Gave a proper name to the Wealth modifier attached to certain homes and vehicles, it is now called the Property Modifier(PM).

Lowered the price of firearm ammunition by 1WP

Lowered the price of desktop computers by 1WP

Lowered the price of cameras by 1WP

Combined various hand tools into one entry on the item lists and moved them to Misc.

Made hotels something that is prepaid in WP similar to food budget.

Made Large Apartment less expensive and Tiny Apartment more expensive

Moved Baseball Bat and Axe out of Weapons and into Misc.

Changed how Food Budget works.

Removed Net Skill Limit mechanic entirely

Edit to the duration of the bonuses for Femme Fatale

Changed Ninja Trait to a +2 bonus instead of +1

—----------------------------------------------------------

Made “Sleep On It” Trait give 1D6-1 investigation points, and still give Composure.

Added “Real Capybara Hours.” Sometimes jokes are just for us.

Added animals to item lists

CHAPTER 3

Moved the section “Deadly Combat, Permanent Consequences” into chapter 2.

More art has been added.

Moved Character Health and Status, Grievous Wounds, Healing, and Healing Example sections to Chapter 1.

—------------------------------------------------

Changed the name of Chapter 3 to “Dangerous Situations.” We are planning to put all the combat and other dangerous stuff into one chapter called “Dangerous Situations” and merge combat, chases, etc. into one thing rather than splitting it up and having it in a bunch of different chapters.

Made it so that the Speed mechanic works with Theater of the Mind as well, and removed that other awkward mechanic with rolling Athletics for how many turns it takes for a character to cross a large distance.

Complete restructure of the way the mechanics for movement and action are explained, as well as defining things as both Movements and Actions.

Created a Chapter 2.5. In the future when we are ready to shift the chapter numbers, Chapter 2.5 will become the new Chapter 3 and the current Chapter 3 will become Chapter 4. Chapter 2.5 currently houses the statistics of weapons and other combat items. The plan is that a first-time reader will read the weapon statistics in Chapter 2.5 before they read the combat rules in Chapter 3, which will inform the way they understand Chapter 3.

Changed damage value and special attributes of pepper spray.

Made brass knuckles do 1 penetrative damage.

Made stun guns do 2 superficial damage.

Made it so that bulletproof vests do protect against 1-damage weapons.

Moved and rearranged like everything from chapters 3-6.

Close range bonus for guns is now +2 instead of +1

Simplified Stopping Power rules (the actual way it works has not changed, we just rewrote it so that it gives the same mechanics in like a tenth of the word count)

Separated open-faced helmets and full-face helmets, and made it so that wearing a helmet along with body armor gives a -1 penalty to incoming attack rolls.

“Single Load” is now called “Internal Magazines”

Shotguns at extremely close range now have similar stopping power to a rifle, but at 5-10 yards they still have their double stopping power.

Changed how Rate of Fire works for guns. Just making it a number instead of distinct actions.

Made it so that Quick Cycling affects basically all guns except automatics, meaning characters with high Firearms skill can now fire semi-automatic pistols at 3 bullets per Action.

Streamlined Stabilization. It is no-longer a roll and instead a penalty that worsens the more bullets are being fired at once.

Made Bipods give +2 Contextual bonus instead of +1 to single stationary targets.

Changed Reactions and made them more broadly applicable and usable as a rule.

—--------------------------------------------------------------------------------------

Overhauled Grabs, Throws, Holds, and Escapes to make them a viable option in a lot more scenarios.

Defined “On the Ground” and made it its own section.

Made knock out blows and throws ignore Armor. Knock-out blows are still somewhat penalized by helmets.

Added A Real John Woo Film Optional Rule

More art has been added

Hastily updated the random chase obstacle tables for the new Movement/Action system.

Updated the example obstacles to be more in line with how we designed obstacles for the obstacle tables.

Redid how Poison works. We meant to make it less convoluted but accidentally made it more granular instead. We did write it better so it will at least feel less convoluted.

CHAPTER 4

Merged this chapter with chapter 3

CHAPTER 5

merged this chapter with chapter 3

CHAPTER 6

merged this chapter with chapter 3

CHAPTER 7

Added “Psychological Warfare” mechanic.

—--------------------------------------------------

CHAPTER 8

The Blacked Out Skill has been changed in two major ways. First we made it more obvious that the Blacked Out Skill applies even to knowledge of the supernatural that is not necessarily true. And also rather than working the way that every other Knowledge skill works, the Blacked Out Skill now gives leads to where answers might be found rather than immediate concrete answers.

THE GORGON IS FINISHED AND FULLY PLAYABLE!

Added that Alt. Witches have to make their supernatural ability composure rolls at +0 instead of +3. The +3 was a typo.

Started work on the complete monster overhaul.

Vampires have been completely rewritten. Most of their abilities and themes are the same, but the way the abilities work has been overhauled and improved in many cases, as well as now being formatted and structured in a sane and easily-referenceable way.

More art has been added.

Changed the +2 Contextual Close Combat bonus for the Werewolf Trait to a +1 Base Bonus

Wolfmen have been completely rewritten. Most of their abilities and themes are the same, but the way the abilities work has been overhauled and improved in many cases, as well as now being formatted and structured in a sane and easily-referenceable way.

Fairytale Witch is currently being rewritten/overhauled.

Changed Incredible Strength Mage Trait to have a +2 Close Combat bonus instead of +3.

—-----------------------------------------------------------------------

Clarified that gorgon blood does not heal gorgons.

Changed the way that monsters interact with Composure and their Tiers of Fear during the act of preying on other people. Instead of just ignoring it or having a bonus (i somehow left both of those conflicting rules in and no one told me), a relevant Composure roll is still made when a monster eats someone, but they do not lose Composure points from it even in the event of Partial Success or Failure. This keeps the narrative benefit of a Composure roll to show the monster’s emotional state, but without making hunting numerically pointless.

Finished the complete fairytale witch overhaul.

Made the Close Combat bonus for superhuman strength be just +1 for the vast majority of instances. The only exception is wolfman forms. They get a higher Close Combat bonus because their transformations actually make them bigger and taller and this helps a lot in Close Combat.

Reduced Athletics bonus of Incredible Strength trait to +2.

Merged the Alt. Witch with Mage, and made Mage a Misc. supernatural category instead of its own separate thing. This is going to be a really messy transition for chapter 8 so please bear with us. I am making a brief run though the chapter to clean up the biggest discrepancies this change creates, but I probably won’t get them all until the editor and I have time to actually go through and copy-edit it.

“Mage” is now its own trait, and what were previously called “mage traits” are now called “mage powers”. Mages now have between 1 and 6 mage powers as part of their mage trait, with worse composure rolls the more powers they have.

When they engage in their True Nature, monsters now have a chance to recoup some or all of the Composure they lost as a result of using their powers to hunt prey.

—-----------------------------------------------------------------------------

Fully overhauled the fairy rules. Just one more monster to overhaul! Woo!

Changed the Curse of Slumber to take effect the next time the victim falls asleep rather than knocking them out spontaneously.

Overhauled the changeling rules to go along with the overhauled fairy rules.

Clarified something about the vampire’s In Lizard Fashion ability, they wouldnt be able to use this to stop a speeding truck.

Removed the hard limit on how many people a wolfman could eat at once, and also added rules for what happens if they shift to a smaller form with people in their stomach. Made similar tweaks for vampires.

More art has been added

Fully overhauled the Thing from Beyond, and that completes the full monster overhaul. All Monsters now consist of a single Trait, rather than needing a pair of Traits.

Gave vampires’ “wearing the evening” ability a maximum distance of 50 yards and also it is a Movement now

Made a few more adjustments to some of the monster sections to bring them up to date with the new Movement/Action mechanics.

Adjusted all instances of poison in the monster sections to account for the new poison rules.

107 notes · View notes