#I don't know where that comes from but it's never been in the cards

[bricknoizez]

*ahem* Champagne flutes andddd, Dinner suits that.. Keep your focus!, Away from the cheating hands, Tell me, Does that sexy, Gown say what she's, Got in store for her man?, So we roll the dice, See where they may fall...Come on, why don't we spin the wheel, See whom it may call.. Give into tem- Win it. Maybe lose it all, yeah. Who knows where the whims of fate may lead us!, Chandeliers and...Décolletés that, Keep your focus, Away from the cheating eyes, Tell me.. What's that bow tie, On the card guy, Tell you 'bout his design? So we roll the dice!!! See where they may fall... Come on, why don't we spin the wheel? See whom it may call Give into another vice See where it might lead Come on, let's just enjoy the spice Life and feel so free

Give into tem- wrong song *ahem*

(a silly song)

Yeah

I've been tryna call

I've been on my own for long enough

Maybe you can show me how to love, maybe

I'm going through withdrawals

You don't even have to do too much

You can turn me on with just a touch, baby

I look around and

Sin City's cold and empty (oh)

No one's around to judge me (oh)

I can't see clearly when you're gone

I said, ooh, I'm blinded by the lights

No, I can't sleep until I feel your touch

I said, ooh, I'm drowning in the night

Oh, when I'm like this, you're the one I trust

(Hey, hey, hey)

I'm running out of time

'Cause I can see the sun light up the sky

So I hit the road in overdrive, baby, oh

The city's cold and empty (oh)

No one's around to judge me (oh)

I can't see clearly when you're gone

I said, ooh, I'm blinded by the lights

No, I can't sleep until I feel your touch

I said, ooh, I'm drowning in the night

Oh, when I'm like this, you're the one I trust

I'm just walking by to let you know (by to let you know)

I can never say it on the phone (say it on the phone)

Will never let you go this time (ooh)

I said, ooh, I'm blinded by the lights

No, I can't sleep until I feel your touch

(Hey, hey, hey)

(Hey, hey, hey)

I said, ooh, I'm blinded by the lights

No, I can't sleep until I feel your touch

CW NOOSE // BLOOD // SUICIDE ⁉️

Stupid world stupid place.......I hate myself so much...... What are useless human being I am......I should die-.....

.......... I'm sorry

@astrodrawz @anna-cute-049 @i-am-xp-64 please tell me anything...

[canisalbus]

Out of the blue, but every so often I remember I started following you shortly after you drew an image with Vasco. I had recently read about Machete and was aware he'd eventually would be murdered. I don't know how, or why but I believed for a pretty short time Vasco was behind that 😭 or would be the one to lay the final blow

This was before it developed into this adorable gay dogs but the thought of Vasco being the one backstabbing Machete has been hunting me ever since

anyways this is to say I'm pretty happy with how Vasco and Machete's relationship is in reality

.

[skrunksthatwunk]

last minute pre-grandparent-visit room deep cleaning has revealed that within the drawer i tend to assume just has old, off generic birthday cards and theater/concert programs there are also many, many going away cards and letters and things from the last couple of times i moved away. i guess i always thought of it as such a lonely thing, and i talk a lot about how i don't think i made Real friends until recently, and not to get choked up on main or anything but i think maybe i was completely fucking wrong

[deadtime-stories]

[bi-writes]

simon being protective of his mail order bride scratches all the right spots in my brain.

mail-order bride

you're almost relieved when you hear the knock at the door. you've been a holding a tree pose for a few minutes too long, and the girl hosting the online yoga class is starting to fry your eardrums with her too-perky voice.

you're sweating bullets, and her hair hasn't moved a fucking inch out of her ponytail.

you mute the television, wiping your forehead before making your way to the front door. you open it with a sigh, not really knowing what you expected to see, but it certainly wasn't the average-dressed man standing on the steps there.

you blink, raising a brow when his eyes roam over you, and you realize suddenly that you're wearing workout clothes, which is showing off a little more than you'd like to some rando standing on your doorstep.

"uh..." you look around a little. "i'm sorry, can i help you?"

he smiles. it's a little unnerving.

"right, yeah, i'm starting a business around here, and i wanted to ask if you've been needing any help with any fixtures around the house. i'm giving a 50% discount if you give me a rating on google."

you open your mouth for a moment, frowning.

"uhm..." you shake your head, "sorry. we don't need any help right now."

"you live here alone? sometimes it's hard to spot when the electric's on the piss, y'know? need a keen eye," he laughs, coming up one of the steps. you shake your head again.

"no, thanks."

he's a wiry man, but he's tall (not taller than your husband, but taller than you). you step back a little and start to close the door. he comes up the steps. out of the corner of your eye, you see the cat slip out between your legs, hissing a little as the distance closes between you and the man.

"wait! can i give you my contact info? i don't have a card, but i can leave you my--"

the sound of simon's truck pulling into the garage gets both of you to look behind. simon doesn't even park all the way inside. he throws the truck door open, stepping out of it, and the man on your steps moves back away from you immediately, making his way off the little porch.

simon looks huge, more so than ever. his steps are heavy, boots hitting the ground like a warning bell, and he's wearing just a short-sleeved shirt that's showing off those glorious fucking arms. you have never doubted simon's strength, but he looks like he could flip a car with the anger that's leaving him in heavy waves. you're surprised that you are not afraid; you just know somehow that simon won't touch you.

"oi!" simon yells, and the man definitely understands he picked the wrong fucking house to be a creepy salesman at when his knees nearly buckle as he tries to walk away. "where the fuck do y'think y'r goin', you twat?"

you sigh deeply, not realizing how much you were shaking until you notice your hands trembling around the doorknob. you watch as simon catches the guy by his dirty jean jacket, nearly lifting him completely off his feet as he drags him towards the fence gate.

"hey! hey! i didn't do anything!"

"i saw ya, ya fuckin' arse, know exactly wot the fuck y'were doin'," simon growls, tossing him onto the sidewalk. he hits the pavement with a cry, holding onto his arm, and simon slams the fence gate closed before pointing at him accusingly. "'f i ever see ya anywhere near m'fuckin' house or even askin' m'wife for so much as fuckin' directions, i'll cut y'r bloody prick off, y'hear?"

you blink as simon comes closer, the cat retreating back into the house once they see him. he keeps walking, crowding you back into the house before he shuts and locks the front door. his chest is heaving, black t-shirt doing nothing to hide the puff of his chest and how large he makes himself when he stands up to other men. he doesn't even need to make himself larger; simon takes up enough space for two men combined.

"he touch you?" simon asks, his voice low. you see his fists clench, and you have no doubt that if you said yes, simon would go outside and paint the pavement a new color with the man's face.

you shake your head frantically, and he lets out a deep breath, reaching up and wrapping a hand around the back of your head and pulling you close.

he bends, pressing his masked forehead against yours, closing his eyes as he breathes in slowly. he rubs at the nape of your neck, soothing you, and you smile when he pulls away, giving him those big eyes that say thank you, thank you, thank you.

simon cocks his head, staring behind you, and you turn with him to see the cat blinking slowly at the two of you from it's place on the windowsill.

"should get you a fucking guard dog instead," simon mutters, pulling his mask off and kicking his boots into the corner. you smile as he walks away, trying to cool your warm cheeks with the backs of your hands.

doesn't he know you already have one?

[shoyudon]

𝐃𝐎𝐄𝐒𝐍'𝐓 𝐌𝐀𝐓𝐓𝐄𝐑, 𝐈 𝐋𝐄𝐅𝐓 .ᐟ

them forgetting a date night.

starring. gojo, sukuna, toji x fem! reader

heads up. cursing, no fluff, sukuna can use a phone (bcs u taught him lol /j), sukuna calling u "woman"

note. haiii, how are you guys doing? make sure to take care of yourself!! i'm feeling a bit angsty today, so i'm gonna write a bit of angst. i miss gojo, like so much u guys :( i might make a part two for this btw hehe

──────〃★ 𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

the one thing you hated more than people being late was people who don't keep their promises — your boyfriend wasn't an exception to it. gojo's a busy man, you get it. for months you haven't been able to see him because he was so caught up in the jujutsu world; he saves people dan and night from lingering curses that it broke you a bit.

the jujutsu world treats him like a weapon; and you never liked it. despite your constant battering on him, trying to get him to quit and just settled in for a quiet life, he tells you that he can't. that people needed him, and you felt selfish.

but isn't it fine to be selfish sometimes?

clutching onto your phone, you'd tried dialing gojo's number at least six times before he answers. his voice groggy and slow, as if he had just woken up from a deep sleep, "huh . . . hello?"

you wanted to yell at him, especially because he was the one who has been reminding you about this particular date night — and he was the one to forget about it, "good sleep?" you ended up asking him, voice hard.

"y/n . . . why did you—"

"why did i call? oh, i don't know. maybe because my boyfriend stood me up for an hour and a half. i look like an idiot sitting here, satoru," you mutter out in embarrassment, avoiding the lingering gazes from both waiters and waitresses around you.

for the past hour, you've lost count of how many times you'd ask them to refill your glass of tea — embarrassing. then telling them you were waiting for someone when they tried to ask you if you were going to order anything since there were people waiting for a table, just for the said person not showing up.

"what time is— oh, fuck. baby, i'm so sorry, i fell asleep when i was work—"

before he could finish his words, you finished it for him, "working. i get it, you're always working. clearly, you don't have time for anything else, right?" you ask him, signaling the waiter nearby for the bill.

"baby, i know. i'm so sorry, i'm on my way, okay? please," he whispers. you could hear a few shuffling on the background; along with a few curses he muttered under his breath as he stumble over his feet, mind hazy from all the sudden movements he was doing despite just waking up.

"no need. i'm leaving the place," you mutter, walking out of the restaurant — heels clacking on the pavement, "and 'm leaving you, because clearly you're not ready for a relationship, so bye."

gojo yells out, "what? no, baby. i swear — i'll make it up to you, please. don't leave me . . ." he rambled on the same words over and over again, "where are you? i'm picking you up. please, can we talk about this? i'm sorry, i know i should've—"

"bye, satoru," and with that you ended the call.

──────〃★ 𝐒𝐔𝐊𝐔𝐍𝐀 𝐑𝐘𝐎𝐌𝐄𝐍

you fiddled the hem of your dress as you sat inside the almost closed restaurant, the last speck of hope you had on your boyfriend —sukuna— dissipating into hopelessness. standing up you walked over to the cashier, taking out your card to pay for the one glass of shrimp cocktail and one glass of white wine.

the cashier shot you a sympathetic look, and you didn't dare to look her into her eyes. face hard from embarrassment and shame, "thank you for coming, come again next time, ma'am . . ." she bids you goodbye as she returns your card.

walking out of the restaurant that now had the 'closed' sign flipped made your stomach churn in mixed feelings: anger, embarrassment, shame, sadness, everything all at once.

sinking your nails onto the palm of your hand, you muttered out strings of curses. you knew being in a relationship with someone who had no understanding to the concept of love was a hard thing — but honestly, you thought you got a hang of it. all this time you had been nothing but patient with sukuna, but maybe even that wasn't enough for him.

three hours. you sat alone inside the restaurant you booked for the both of you for three hours — each hour depleting your hope even more. and sukuna just managed to fuck it up even after he said he'd try. well, you should've underlined the keyword there: he said he'd try not that he'd come.

maybe you saw it coming yet it still disappointed you anyways.

your phone rang. even before you see who it was — you knew it's none other than sukuna. your heart screamed at you to answer his phone call, but your mind told you to leave it ringing because you were in no mood to talk to him. yet, at the end — you still pressed the answer button.

"what?"

"where are you?" his rough voice echoed through the line as you walked down the nearly empty street, holding onto your purse, "place's closed."

scoffing, you answered, "'f course it's closed, it's almost ten. i've been waiting for three hours, ryo. three hours."

you could hear him inhale sharply, "i was caught up with something, woman. where are you now?" he questioned. hearing a few car honking behind on the background, "where are you? answer me."

"doesn't matter, i left. and i'm leaving you, i was wrong thinking maybe i could've changed you — turns out, i couldn't. good luck to you," you mutter out sternly.

sukuna raised a brow, "y're kidding."

you weren't, and all he could hear next was the loud dial tune of the other line hanging up — now did he realize that this was all serious and you were actually leaving him for good.

──────〃★ 𝐓𝐎𝐉𝐈 𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎

you sighed, dialing toji for the first time of the night when he said that he was going to pick you up for a date, the phone rung for a while before going into voicemail. grumbling under your breath, you tried dialing him again for the second time, which ended up the same way.

all these time spent on makeup and picking out the best outfit — all for nothing as your boyfriend, toji failed to show up on time. angry, you tried calling him again for the third time, only for it to end up in voicemail yet again. this time you decided to leave a message for him.

"hey, you forgot. didn't you? hope you're happy with yourself, cause 'm not."

dating toji wasn't the easiest — but you love him, no matter what he was like. and it was stupid of you to do so, all this time you've defended his name against your friends' malice towards him, saying how he wasn't treating you well enough and that you deserved so much better.

despite all that, you love him. disregarding their words, retorting back to how toji treats you well, which he does — except for the times he tended to forget about everything, even you. maybe it was time to open your eyes and actually break up; because you did deserve better than this.

it would be a shame to let all this makeup go to waste, and so you hailed a cab and decided to go out for a treat. and made the best out of everything, that is until toji decided it would be the most convenient time to call you back amidst your little "me time".

wiping your hand on the napkin, you answered him, "huh, you're alive," you muttered out, huffing.

he sighs, "i forgot, sorry." you couldn't see him, but toji actually looked remorseful, already on his way out of his apartment to yours, "i'm on my way."

you chuckled, "doesn't matter. i left my house," you informed, taking a bite out of the crab meat, "so don't bother coming — and i don't think i don't deserve this kind of treatment from anyone, even you, toji. i'm breaking up with you because clearly you don't take this relationship as seriously as i am."

toji furrowed his brows, "i forgot, i fucked up, i can make it up. where are you right now?" he asks, his voice still as calm as cucumber. but the look on his face contradicted the tone of his voice.

"bye, toji. good luck."

© shoyudon 2024 . no copying or reposting allowed !

[guppyfish77]

So about the Battle Subway Trains

Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!

So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!

I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.

Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!

If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]

Single and Anville Town Trains:

"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."

"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"

So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)

It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.

Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.

There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)

Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless

You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.

You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.

It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)

As for Real life train inspirations I think perhaps the Tobu 10030 series?

The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.

Double Train:

"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."

So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.

As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)

It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)

As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.

The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.

Multi Train:

"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"

The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.

Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)

As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)

The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)

Super Single and Super Double Trains:

"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."

"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"

The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!

They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.

Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)

Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.

As for real life inspirations, it is very much inspired by the E233-2000 series train

The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.

I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...

Super Multi Train:

"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"

Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!

Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.

Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.

Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[

A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!

A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:

There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.

As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.

(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)

In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".

An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.

Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)

In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol

In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.

I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)

This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.

Wi-Fi Train:

"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"

A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.

Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.

I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...

It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.

I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.

The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.

So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"

"Old Train Car"

"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"

So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.

The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;

The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.

The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)

The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.

I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.

"Futuristic Train Car"

"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"

So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)

However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)

The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.

There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)

With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?

Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:

0- (10th, 20th, and 30th) "Old Train Car"

1- (1st, 11th, 21st, and 31st) Single Train Car

2- (2nd, 12th, and 22nd) Double Train Car

3- (3rd, 13th, and 23rd) Multi Train Car

yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)

The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!

February 1st: The opening of Japan's first electric street car in 1895!

June 12th: The temporary operation of Japan's first passenger railway in 1872!

October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!

October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well! 

December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!

Rails, Station Platform, and More Train:

So the Station, there are a few details I can pick up on here!

The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.

Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place (like some sort of Automatic Train Stop system.)

There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha

The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.

Signboards:

The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:

BW

"Run and battle! Trains never stop!” Battle Subway in Nimbasa City"

"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"

So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (鉄道マニア direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!

B2W2

“Get on a train and fight!” Battle Subway in Nimbasa City"

"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"

I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]

Extra Stuff:

●I think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...

Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!

●While I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well

●The gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.

●In the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "I’m good at driving, but I’m not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "I’d rather have an exciting battle than slowly drive the train.")

●In the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!

●In the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!

"This book is about the things you can ride in the Unova region, such as Castelia City’s cruise ship and Mistralton City’s planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)

What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.

●There's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says

"Watch it! People use “railway fan” as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Don’t go thinking they’re all the same!" (B2W2)

So in Japanese, Railway is Tesudo (鉄道, testu 鉄- Iron and do 道-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like 乗り鉄 (Nori 乗り-Ride, 鉄-tetsu) as a Train Riding Fan, or 撮り鉄 (Tori 撮り-Taking a Picture, 鉄-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!

There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.

●The badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:

From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.

The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.

(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)

●The name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!

Final:

After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!

Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! ✌

(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^

[endlessdreamworld]

God, I finally caught up on the HSR story and I'm so down bad for this man, this traumatized guy, my poor little meow meow.

So here's some yan! Aventurine X gn! reader headcanons that have been rotting inside my brain for the past few days. Bark bark bark rate up soon please haha!!

In the early stages of your relationship, his behavior matches his superficial self, the shell he shows everyone. One of his first gifts to you would be a credit card attached to his personal bank account. 'Don't ask! Just spend.' He'd get a hit of endorphins every single time he sees a charge coming through from you. He knows it's you because he named the profile attached to that card with some corny pet name with a slew of emojis beside it, taking up an obnoxious amount of space on the screen of his phone.

It doesn't take long for him to be utterly obsessed with you. How could he not? You're just so... everything! His everything. It's at this stage, the mask slips off. Material gifts are no longer enough, and the gifts he gives you are pieces of himself. He'll overrule whatever pet name you gave him in favor of honey -- a reference to his heritage.

And speaking of heritage, he's prepared quite the gift for your one year anniversary. Once the sun had long set on a sinfully indulgent all-day date, and after some desperate and incredibly needy sex when the two of you are tangled up in a knot of your sweat and burning feelings, he'll give you his present. Kakavasha, he'd mutter into the sensitive skin on the side of your neck mirroring his commodity code. It's one of the few things he owns that truly matter to him, and he can only hope you'll accept his humble gift.

He's needy, so very very needy in general, about everything, always, in every single way. Pathetically so. He can't hold your hand like a normal person, your fingers must be laced. Kissing? There's rarely a moment when you're not being kissed, and he's generous with the sheer variety he provides you with. Sometimes it's little soft sweet kisses that are more like whispers against your flesh. Other times, he'll kiss you on the hand or face only to never pull away as if he's moving into the real estate on your bare skin wherever he can find it.

And after a particularly horrible day, he'll return home without greeting you in his usual cheerful way. You'll immediately know something is up, even more so when he puts you into a vice grip, kissing you in such a way where it's like he's trying to suck the air out of your lungs. It's as if he believes you can baptize him with your spit and turn him into something worthy of walking around other human beings, a luxury he can never afford himself. On days like this, he feels so utterly unworthy of the life he's taken from the people who have been unfortunate enough to cross paths with him, one stolen day at a time. Of course, he's shameless enough to steal from you of all people -- the sweet little giving thing that you are.

He dreams about working up the nerve, or maybe stooping so low as to ask for your hand in marriage. Whichever comes first. It's something he would have thought a lot about up until that point. He's got more money than he could ever spend in his lifetime, even if one of his hobbies was lighting huge stacks of credits on fire just for fun. With that in mind, any gem no matter how priceless would be a bauble in comparison to what you deserve for putting up with him. Of course he could carve off a piece of his cornerstone, a piece of him, and give you a fragment of God to decorate your finger. But if life on Sigonia IV taught him anything, it's how quickly your most precious belongings can be taken.

So naturally, there's only one thing he could think of that would be more valuable than that, only one thing comes to mind that can't be taken. The idea came to him in passing, an idea that's quite literally staring him in the face.

He's tried getting rid of his commodity code in the past, but even with all of his money, there's nothing that can make it go away without leaving some sort of mark. It was just easier to accept it and it slowly faded into the background over time.

So what would be more valuable than a piece of him, a piece of God? Why, eternity of course, something truly priceless. It would only be proper to get your wedding band's tattooed. You'd even be considerate enough to encourage him to pick an Avgin pattern.

While the idea of a ring as a symbol of your bond is nice, a ring is an object. Objects can be stolen -- or worse, taken off. Countless times were the things he held dearest taken from him. Although those days are long gone, and even though he's a gambling man, he wasn't about to take any chances. Not now. Not with this.

Having your promise to love one another until death do you part sealed onto your skin would give him tremendous comfort. If anyone wanted to take this away from him, the symbol of his vow to you, they'd have to peel it off of his cold, dead body. But first, they'd have to manage to kill him, of course.

Aventurine is hard to get a read on, which is just how he likes it. He's been many thing: a scoundrel, a villain, a confidante, a friend, a rival, a whipping post, a beggar, a tool, a whore, a hound, a pawn, a con artist, and a killer; all things he wouldn't hesitate to become again if the situation demands it. It's in his nature to adapt to what he needs to do, and who he needs to become. But no matter how much of a shapeshifter he pretends to be, the core of his being is unchanging and inviolable, for better or worse.

He's still that scared, lucky, little shivering Avgin boy no matter how hard he tries to play dress up. He needs you to find Kakavasha underneath all of the masks and bullshit he hides behind.

Every day he bets on you to find him, the real him, and love him. The wager? Just the usual -- his life.

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[taintandviolent]

Taco Tuesday ; Gambit x reader!

summary: You live across the hall from Wade Wilson, and one Tuesday, he invites you over for tacos. 🌮 And that’s where you meet him. The Gambit. Post-Void, everyone got out alive and everything is fine. [PART TWO HERE]

word count & w a r n i n g s: 5.4K | smut with very little plot, alcohol mention, slightly drunk (but very consenting) reader, French and typing out accents/dialects, pet names (cher, mon ami, mon coeur, etc.), dirty talk (cos he is a dirty talker, don't argue with me on this), fingering, unprotected sex, p in v, no use of y/n.

a/n: this is based 100% on Deadpool and Wolverine Gambit / Channing's version of Gambit!! sorry for the lack of plot here, he deserves better than this filth, but I am down ASTRONOMICALLY and I needed to get it out. I spent so much time trying to get his accent right, I hope it comes off the way I wanted it to... anyway! i'm not certain if anyone will read this, but if you do - thank you a million times over! as always, requests are open! - banner by @/strangergraphics, and Remy gif by @scintie!

↓ full fic under cut! ↓ / ao3 link here! / I don’t have a taglist anymore, but please turn on post notifications if you’d like to be notified of future fics!

He’s handsome. Like really handsome. 

Your stomach does a flip as he smiles at you, reaching for the bottle of Jack between your legs — wait. Pause. Rewind. How’d we get here?

Living in the same apartment complex as Wade Wilson was a trip. Even more of a trip was living across the hall from him. The things you heard coming from that apartment... nobody would believe you. So, you never told anyone. 

He’s kind. Albeit, zany but kind. Your interactions have been cordial and nauseatingly neighbourly. But on one regular ol' Tuesday afternoon, Wade invited you inside. He said something about having a party later that night, making tacos and being neighborly. He assured you that it wasn't a sex party... which to be honest, you weren't worried about until he'd mentioned it. Against your better judgement though, you'd agreed, and said you'd bring some liquor.

So, that evening, you opened your door, one bottle of Jack tucked under your arm, and another in your left hand. You shut the door to your apartment and walked straight across to your neighbour’s door. Your fist had rapped against the wood only twice before the door swung open, revealing Wade, and a very… strange and very bald looking dog in his arms. 

"Oh, what the fuck?" You asked, looking down at the creature. "I didn't know you had a dog…?"

Wade’s voice rose an octave or two, in a cutesy tone. "She's a new addition, yes she is!" 

"I brought... well, this. Sorry, it was all I had in my cabinets and to be perfectly honest, I wasn't about to go out and spend money on this. I like… barely know you."

"HA! Brutal honesty. We love to hear it." 

Wade took hold of your shoulder and yanked you inside, harsh enough that you made a small sound as he did. He shut the door with his foot, and towed you towards the table, where everyone was gathered. And that was when you first saw him. He wore all black, save for a tan trench coat with a high collar. He lounged casually on one of the dining chairs, playing with a deck of cards. They fluttered from hand to hand effortlessly, and for a moment, you were stuck, mesmerized by the dexterous way he handled them. You weren't sure what was pulling you towards him harder, your heart or your cunt, but you felt an undeniable draw to the man.

Wade's arm wound itself around your shoulders, guiding you around the room to meet each of his friends. At that point, living next to him, mutants were a forced transition. You were used to the concept of them, so meeting a giant silver man, for example, wasn't unexpected. Vanessa was the most normal - you were pretty sure she was human.

Finally, he got to the one you really wanted to meet. The one that your eyes had been darting back and forth to the entire time, the one that when he briefly met your gaze, your heart thudded in your chest. 

"And this... handsome slice of man, is the Gambit. Good luck understanding him, he's a real mouthful."

I’ll bet he is, you thought. 

He pocketed the cards in a quick motion and stood up from his chair. With a syrup-smooth chuckle, the man laughed and said: "You can call me Remy." He did in fact have a thick Cajun accent and spoke quickly – almost too quickly. You blinked once, focusing hard on his words.

"Remy," you repeated finally, before saying your own name and extending your hand. He took it gently and as he shook it, your palm tingled with what felt like electricity.

"Enchanté." (Enchanted)

Your cheeks burned, and you knew they were flushing. You couldn’t control it. "De même..." (Likewise.)

His brows lifted, surprised. "You speak French, mon ami?" (my friend) 

"Heh, uhh... comme un enfant." (Like a child) You chuckled low, averting your eyes for a millisecond. "I took a few years of it in high school and again in college. I’m by no means an expert."

Wade's eyes were wide, flicking back and forth between the two of you. There was obvious chemistry there, and a knowing smirk drew itself across his lips. Abruptly, he yanked one of the bottles of Jack Daniels from beneath your arm, before leaning against the nearby wall.

"Oh, fuck me. You understand Gumbo here? That’s cute. No idea what either of you are saying though, someone forgot to turn the subtitles on. I'll leave you two to get acquainted." Whatever that meant. You scoffed, but turned your attention back to Gambit, looking at him.

“Sit a while, cher.” 

You happily took the chair that he pulled out, not caring that it was facing away from the others, and plopped down onto it, situating the other bottle of Jack between your legs. You gripped the neck of the bottle tightly, and looked at him with a timid, but a come hither sort of smile. After a moment, you twisted the cap off, and flicked it off somewhere to your right. Wade would find it later, or he wouldn’t. You didn’t really care. 

You two talked for hours, most of which consisted of him telling you about the Void, and how hard it had been, while you pretended to comprehend it. Between words, you passed the bottle back and forth, taking mouthfuls, and inadvertently swapping spit as you did. The thought occurred to you about halfway through the conversation, and your stomach tightened. You shook your head lightly and clenched your thighs together, trying to stave off the arousal that was bubbling in your core. 

There we go. That’s better.

He’s handsome. Like really handsome. 

Your stomach does a flip as he smiles at you, reaching for the bottle, which was still situated between your legs. His fingertips just graze the side of your thigh and his eyes flit to yours. He holds his smile, waiting for you to either protest or move the moment forward, and all you can do is gawk, because your cunt starts throbbing. 

As the evening wears on, though cautious, it’s obvious that Remy feels the same pull that you do. He remains cool on the outside, but internally, he was battling the magnetic tugging he felt from you. He couldn't shake it. He’d compliment you, you’d compliment him. At one point, in between sips, you casually drop that you think his accent is hot and he whispers something underneath his breath, something you don’t understand. Before either of you realized it, you had started to lean closer to each other, your faces inches apart, and you felt the warm rush of his breath over your cheeks.

It was as if you both realized it simultaneously. You rear back, an embarrassed expression plastered on your face. Remy clears his throat. His attraction to you was stifling; something that he rarely felt. He was powerless in his want for you, the draw you had was irresistible.

"Maybe we should... uh..." You murmur, looking deep into his eyes. In a room full of people that were starting to fade away the closer you two got to each other, you were thankful you were still sober enough to suggest a different setting. Any longer and you surely would’ve just straddled him and gone to town. 

Remy moves first. 

"We gon' take a walk." He announces to the others, getting to his feet. 

The conversation stops abruptly, silence hanging heavy. You straighten up, trying your best to avert your gaze, but you still see everyone’s reaction. Someone clears their throat and your heart sinks, feeling like you might die on the spot. The one that had been introduced as Logan, gruff looking dude, raises a single brow at you. In true Wade-character, he ugly cackles, shattering the moment. Your shoulders sink, embarrassed, as you head towards the door, doing the proverbial walk of shame. 

Remy meets you at the door and pulls it open, holding it for you. You duck underneath his arm, looking sheepish and as you exit into the hallway, you think you heard Wade mutter something about a fanfiction but Remy yanks the door shut before you can react. 

“You want to… get some air? Or um… I have… well, no I had liquor, but I brought it to Wade’s.” 

He smiles, and looks down at the floor, before lifting his eyes back to you. “We can do whatever you want, chère. You ain’t gon’ catch me complainin’ eitha’ way.”

You chew on the inside of your cheek, considering the options. Your heart was hammering in your chest at the prospect of just being near him without the others around. You two had been close to kissing in Wade’s living room, and now, you had the opportunity to continue that… or take a walk. The latter seemed less appealing. 

“Y’know what, why don’t we… just…” You take a few steps backwards, jerking your head towards your front door. Concerningly, you had forgotten to lock your door. However, it allows you to open it quickly, and walk backwards into the apartment. Gambit follows you in, his attention never leaving you. 

"You sure 'bout dis, mon ami? I can walk away righ' now." His words land heavy, a promise behind them. He was a gentleman at heart, you could tell. Fortunately for him, you were very sure, and wanted every inch of him.

Mon ami - something that in the few hours you'd spent with him, he'd called you often. Among other things. Mon ami meant my friend, but you knew you two weren't just friends. You saw how he acted with others, and the comments he made. Sure, he had a quick wit and a mouth on him, but the flirting... god, the flirting.

He stands in the doorway, his shoulders filling the frame. Silently, you nod and take another step back, giving him some room to enter. He takes one wide step towards you, leaving the door open behind him. He reaches for your hip, and you immediately take to playing with his large hands. Delicately, you pay attention to each long digit, trailing your middle finger along the knuckles, and up and down the length of them. You dip into the spaces between, your fingers barely ghosting over the webbing. 

Was that a shiver? Your eyes flit to his, searching them for a hint.

"You sure do know how to make a man feel good." 

Your heart flutters at his words. With his accent, even the simplest of things sounded charming. At least to you. You felt that he could ask if you wanted coffee or how the weather was and you'd be twirling your hair around your finger like a desperate schoolgirl. Embarrassing. 

You’re about to respond and defend yourself by saying that all you had done was play with his hands, which was hardly considered foreplay, but his fingers come up underneath your chin, gently closing your mouth with a dull click of your teeth. He tilts it upwards to an angle where he could easily kiss you. And kiss you, he does. 

It was the kind of kiss that makes your knees buckle, sends a violent shudder from the nape of your neck down to the base of your spine. It’s the kind of kiss that needs to come with a warning; Danger: Will Result In Sex. As his lips move against yours, you feel the urgency of his need, of his want, and hum into his lips. Remy takes that as a green light and deepens the kiss, moving his body so that it’s pressing flush against yours. The action leaves you immediately breathless and in response, you break the kiss, tucking your chin to your chest. Your hand finds his torso, pressing hard against the muscles underneath the shirt.  

"Ah, don't you be actin' shy now. You been teasin' me for hours."

“I have not!”

“You think I didn’t notice all ‘dem touches an’ looks you were givin’ me? I may ‘ave been born at night, but I wasn’t born last night.” 

He had you there. You couldn’t deny that, at all. Even if you’d wanted to. Which, part of you did. Part of you was very nervous, standing before this very handsome man, with the taste of his mouth still lingering on your lips but another part of you, the louder one, was delighted that he’d noticed. Furthermore, that he’d enjoyed them enough to come to your room.

You lift your hand behind him, pushing the door shut with a harsh shove. With a twist of your fingers, you activate the locking mechanism, sliding the deadbolt into place. Gambit chuckles, grinning down at you. Your heart leaps into your throat, but you press on bravely, lacing your arms around his neck. They trail down the front of his body, feeling the muscles as they twitch with each ragged breath. 

He quirks a brow as if to ask, 'Oh, really?' You simply smirk back at him. The contact is electric, and you find yourself resisting the urge to grind against him immediately. Instead, you focus on his hands again, bringing one of them up to your lips. You press a delicate kiss on the pads, before slipping one into your mouth and sucking gently. Remy makes a deep, husky sound in his throat, and brings his other hand to your hip, where he pulls you roughly against him.

For a man that uses his hands often, the sensations are high. The way your mouth envelops his finger, your tongue writhing around the digit had his jaw clenching, muscles fluttering on the side of his face. When you draw his finger into the confines of your throat, deep-throating it, his eyes roll back in pleasure. He pulls his hand back, shaking it off as if the inside of your mouth was hot to the touch.

"Woo, you nasty, huh? Nevah’ woulda' guessed... you been actin' like a good little girl 'uhround me." 

After that, it all happened very quickly. Gambit takes a step and connects his lips with yours again, pushing them into you in an act of desperation. Without breaking the kiss, he shrugs out of his jacket, tossing it onto a nearby surface. You push against him until his back hits the door with a heavy thud, definitely loud enough for any innocent bystanders to hear. Your fingers undo the button of your jeans, breaking the kiss for only a second to slide them down your legs. 

Once you return to his waiting mouth, the kiss deepens and the coil in your stomach winds tighter, claiming your body in a deep, fiery arousal. His big arms wrap around you, enveloping you in a heated embrace. Just for a moment, it’s tender — but shortly after, his hands drop to your ass, fingers slipping underneath the band of fabric to take greedy fistfuls of each cheek. 

Your hands find their way to his shoulders, gripping the roundness of them to use as leverage. Letting out a little hum, you sweep your hips across his groin, pressing tightly against him. His eyes drift shut, head bumping against the door as he leaned it back, a low growl coming from his throat. Keeping at it, you grind your hips against him, feeling the outline of his length as it hardens.

“You be drivin’ Remy crazy, grindin’ on me like ‘dat.”

“That’s the intention….” You stand on your tiptoes to pepper kisses on his lips, your warm breath fanning over his face, smelling faintly of Jack Daniels. Remy trails his hand carefully up your rib cage until he gets to the side of your breast, where he quickly slips around to the front, his large hand cupping the fullness of it outside of your shirt. Your reaction is visceral; your breath hisses through your teeth at the sensitivity. 

Remy laughs again and with his free hand, pulls your hips back to his. Swiftly, he spins you around, pinning you between his body and the hard surface of the door. He presses himself tightly against you, shifting slightly so that his thigh was between your legs. The sensation of something that close to your core is dangerous and brings a weak, mewling whimper from your mouth.

“We gon’ have ourselves some fun.” His voice is low, tinged with a new sort of lustful tone that you hadn't heard before. Your mind is spinning, growing dizzy with lust. The alcohol had certainly helped your nerves, you were never usually this brazen. Your core burns with desire at his words, silently begging for everything he was about to give you. His lips hover just over yours; you can feel his breath on your skin and the heat that radiates off his body as it presses into yours.

"Oh my god," you whisper into his mouth. "Fuck..."

His teeth nip at your bottom lip before he captures your mouth in a heated, passionate kiss again. His tongue explores the inside, swirling along your own wet muscle. With every passing second, your heart beats faster and his hands grip your hips tighter, thumbs massaging the flesh above your jeans.

“Wrap ‘dem legs around me, mon coeur.” (My heart) Remy’s voice is husky with want; amongst his playful, lilted tone, a possessiveness lingered, and the thought sends a chill down your spine. He nods once, encouraging you into his waiting arms. You jump up, and he catches you effortlessly, gripping your thighs tight and hoisting you up into his grasp. Feeling secure, you wrap both legs around his waist and encircle his neck with your arms. Your gaze meets his and you can see the wanton need mirrored in his own eyes, darkened with desire.

Remy's smirk is dripping with confidence. Your body's response to him was causing his ego to swell within his chest, and his cock to swell within his pants. He leans in close, his lips against your ear, nipping at the lobe softly before pulling back slightly. In one fluid movement, his hips buck up against your center, teasing you over the layers of clothing. You let out a moan, throwing your head back against the door.

He thrusts up into you again, chuckling low against your ear. The hard line of his cock grinds against you, making you stutter out expletives as it presses against you with a needy demand. 

"You like 'dat, cher? Talk t' me..."

You nod, swallowing and wetting your throat. "Y-yeah, fuck... I do... need you – it – so bad."

“Whaddya’ need?”

“N-need you… so bad.” 

“You can do betta’. Tell Remy what you need...” 

He presses you harder against the door, your back sliding against the wood as he kisses a trail down from your mouth to your shoulder, sucking and biting with all the right intensities. As his hips grind against yours, you feel the damp fabric slide across your cunt, alerting you to just how wet he’d made you. Fuck. 

“Need… need you to fuck me. Hard. Need to feel you everywhere.”  

A few hours ago, you’d agreed to Taco Tuesday at Wade’s. Now, you were getting dry humped by a really hot Cajun guy and moaning into the curve between his neck and his shoulder. You were positive that if someone opened their door, they’d hear you. Somewhere in your brain, the thought should have been moderately embarrassing, but you were far too invested in Remy to care. 

Without warning, Gambit lifts you away from the door and carries you to the nearby couch. He never breaks the kiss, still feverishly claiming your mouth as he moves. Your back hits the cushions and before you can process it, his body weight is on top of you. He slots himself in between your legs, and his hard-on bumps into your stomach as his hips rut against you, finding some relief in the friction. But not enough. 

Remy’s hand finds the hem of your shirt, lifting it just enough to allow his fingers underneath the fabric. You bite down on the pillow of your bottom lip and push your hips up into his. Thick, strong digits sweep across your skin, leaving a burning trail of fire in their wake. Every touch brings your temperature up, and it isn’t long before your entire body is consumed in flames. You sigh contentedly, arching up into his touch. 

Abruptly, Remy straightens up, crosses his arms over his torso and pulls his shirt over his head, revealing his tan skin and bulky muscles. His stocky stature makes your tummy clench with anticipation. He was fit, as you assumed, but that didn’t stop your jaw from falling open at the sight. 

“Wow,” you finally choke.

Remy grins. “You like what you see?” 

You nod furiously, hands snapping to his toned abdomen. He’s warm and his skin is soft, begging to be touched. The muscles flex underneath your fingers as you trace a long stripe from his belly button to his collarbone. Your hands claw at his shoulder, attempting to pull him back down on you, but he resists. 

He spoke with a playfulness, almost a sort of pleading. His thumbs flicks at the hem of your shirt. “Ah, c’mon, ‘dat ain’t fair. Enlève-tout toi, huh?” (Take it all off.)

You thought you understood, but if you didn’t, it didn’t matter. Remy was quick to translate his words, busy undressing you, pulling your worn t-shirt over your head, and reaching around your back to unclasp your bra. Most men would’ve fumbled with the clasp, but not him. His adept fingers make quick work of it, allowing your breasts to fall free. He throws your bra somewhere behind him. 

“Hooo, cher…!” His eyes light up at the visual and you feel heat blooming on your cheeks again, half expecting him to make a lewd comment. Instead, his hands cup your tits, kneading the soft plumpness like dough, thumbs grazing the nipples. He exhales through his mouth, jerking his head to the side. 

Finally, he kisses you again. It’s wet and sloppy and his mouth is consuming you, tasting you hungrily. His hips are still moving, sweeping into yours with a calculated precision. You try to spread your legs but the back of the couch thwarts your attempt. He notices this, watching as you struggle with the space. 

“You got a bed?” He asked in between smearing kisses along your neck and collarbone. 

“Yeah-yeah…. Down the hall.” 

“Remy be needin’ more room for what he wanna’ do t’you.”

His weight is suddenly gone from you, an unwelcome sensation, even though you know he’s about to carry you wedding-style down the hallway. He bends down, one arm sliding underneath your neck, the other in the crook behind your knees. For the second time that night, he lifts you into his arms.

You rest your cheek against his warm pectoral muscle, rocking back and forth, as he walks you both down the dark hallway. The only light in the room comes from the window, the city outside alive and humming. Carefully, Remy sets you down on the bed, unmade from this morning, your dark gray sheets cool to the touch. 

In nothing but your underwear, which at this point, are damp to the touch, you’re left feeling very exposed. But you can’t muster up any shame, not when he’s looking at you with such hunger, such want. Your tummy feels tight, and the feeling gets worse when Remy’s hands drop to his waist, unzipping and unbuttoning his pants. They fall loose at the waist, and he shucks them down the rest of the way, leaving him in nothing but a pair of deep purple boxers. Your eyes swing heavy to the outline that’s now presented to you. 

Oh my god. 

Your breath hitches in your throat. It shouldn’t have come as a surprise; Remy was a big guy, and that proved true downstairs, too. You can barely pull your eyes away from it, but you begrudgingly rip them away, to look up into his gaze. 

“Please,” you beg. “You’re too far away…” Your cunt is aching and nothing but him, his hands, his dick, will sate her. 

He leans forward, flattening both hands on the mattress and walks them back until his face is in front of yours. He sweeps you into another kiss and your heart races. His hands are perfectly positioned on either side of your hips, you feel them graze the flesh. His finger hooks around the elastic of your panties, twisting it around his pointer finger and gradually, he tugs them down over the curve of your hip.

You nod lazily against his mouth, as you feel the warmth of his hand near your core. Your legs drop apart, knees touching the mattress as you allow him access. One hand sweeps across your inner thighs, stroking them, while the other palms your soft mound. His other hand comes to pause at your knee, and pushes his weight into it softly, forcing you to stay spread-eagle for him. No way you could’ve done this on the sofa. 

There’s no hesitation in the way he fingers you; sweeping up through your slick folds, smearing your arousal around until she’s coated in it, splaying your pretty, wet cunt apart with his fingers, looking upon it hungrily. He knows what he’s doing, and how to do it right. You briefly wonder if that’s another mutant power he has… though being an expert at fingering someone seems outlandish. But he’s just so good at it. His middle finger barely touches you, circling the bundle of nerves delicately. Your back arches up towards him, a desperate groan vibrating your vocal chords. Delighted by your reaction, his finger flicks upwards at your swollen, sensitive clit, making your body literally quiver. 

“Uhugh – god…. Shit, oh my god.” 

He continues like this for several minutes, until your cunt is blazing hot and clenching with every moan you give. 

By the time he presses one finger inside, you’re teetering on the edge of an orgasm and your voice fills the room with needy, desperate sounds. You let out a shrill whine, and he slips in another finger, feeling the stretch of muscle as he does. His heart is pounding in his chest, overcome with lust. The way you sound, the way your body is moving and writhing on the bed, he can’t wait to sink himself into you. 

Amidst a laugh, he says: “People gon’ think we up in here watchin’ porn.”

Did he just insinuate that you sounded like a pornstar? You lifted your head, wearily, to look at him. Your chest heaves with each breath as you try to formulate a snarky remark to no avail. He looked so good – well, always – but he looked particularly good on top of you, his bright eyes lust blown and hungry. 

“We’re… we’re… porn… it’s…  oh god.” 

He shushes you. “You just lay back and keep moanin’.” 

Defeated, you huff and your head hits the sheets again, but not before you catch a glimpse of the way the muscles in his forearm ripple as it pumps back and forth into your cunt. You can’t help but moan at the sight, feeling a shockwave rupture your core. Your hips meet his fingers, rutting and writhing against the mattress in a needy rhythm.

Your first orgasm claims your body before you can stop it. You’re clenching around his fingers as they move, crooking upwards into your sensitive spots. Your slick coats his fingers and when Gambit pulls his hand back, thick, clear strands string from between them. He smiles down at you. 

Remy raises himself to his knees. “Turn ‘round…” 

You flip over and back yourself towards him, thinking that he’s going to go at it doggy-style, but to your surprise, he pulls you upright, pressing your back against his chest. His dick is hot between your legs, and when he reaches down to line it up, you let your head loll back against his shoulder. Gambit’s mouth finds the side of your neck, streaking it with wet, suckling kisses. He was taking his time with you, savouring you and you hum happily through closed lips, reaching behind you to thread your fingers through his hair.

“Fuck, you feel so good…” Instinctively, your hips undulate and his cock slips between your folds. Remy’s hips buck once, letting out a groan that comes from somewhere deep. 

“You ready, cher?” He asks, sweeping your hair away from your neck. You nod furiously. You’ve been ready – you were ready the moment you laid eyes on him.

Remy reaches down to sweep his fingers along your entrance briefly, before gripping himself and guiding the head of his cock into the slit. You keen at the feeling of his velvet-soft head pressing into your entrance, warm pre-cum leaking from the slit. He murmurs words of encouragement into your ear as you feel his hips press against your ass, urging his thick, veiny shaft inside your cunt. He does it gently, allowing you time to adjust to the girth, but the sting still makes you cry out. “Fffuck!”

He begins to thrust his hips shallowly, your cunt stretching around his cock. The feeling is all-consuming, and your body feels heavy in his grasp. One hand is gripping your waist tightly, the other, fingers splayed out on your stomach just above your cunt. There’s a pressure building in your cunt, and each thrust magnifies it. The sting of his cock fades to an ache, then to a dull throbbing that makes you want more and you lean forward slightly and press your ass into the curves of his hips, meeting his thrusts. 

“Mm, ‘dat’s it, cher…” His voice is hot on your skin. 

His thrusts get deeper, but there’s a lingering tension in his body that makes you feel like he’s not getting what he wants. You’re right; all at once, Remy pulls his cock from you and switches positions. 

You’re suddenly on your back, looking up at him as he looms over you, all muscle. His cockhead nudges your entrance again, but doesn’t penetrate. 

“Say my name, cher… I needa’ hear it leave ‘dat pretty mouth.” 

“Which one? Gambit? Or Remy?” You ask, breathlessly.

The way his eyes rolled back at the second option told you everything you needed to know. A smirk twisted your lips cruelly and you lifted your body slightly, just enough for your mouth to reach his ear. You moan his name over and over again, knowing full well the effect it’s having on the mutant man.

“Remy, Remy, Remy….” Your tone is high-pitched and whiny, but he seems to enjoy the lewdness of it all. He bucks his hips hard into you, and the fullness reaches an all-time high as he bottoms out, his pelvis hitting yours with a slap.

“Huhhh—!” You gasp, breathing ragged. “Fuck!”

“Gonna’ make you cum so hard you ain’t gon’ walk right for days.” His voice is low and filthy and leaves a stain on your mind. Your cunt clenches around him possessively, pulling him somehow deeper inside of you. 

As your head bangs into your headboard, the tip of his cock bumps your cervix over and over again, and your jaw goes slack, literally fucked silent. Remy hears the thudding of your skull and puts a hand between it and the wood, but he doesn’t stop his relentless, deep thrusting. 

The pleasure reaches a peak and your nails dig into his back, leaving crescent moon shaped indentations on his golden skin. Remy’s groaning loud into your ear as he cums, muttering in an almost incoherent melange of French and English. His accent is somehow heavier, and you can barely make out the words as he’s saying them into your skin. It doesn’t matter though, because you feel how full you are, and Remy’s hot, white completion is leaking out the sides and staining your sheets. 

He stays like that for a moment, hovering on top of you. His cock softens inside, completely spent and eventually, he slips it out, rolling over onto your bed.

“Ah, joi de vivre, huh.” (the joy of life), he says drowsily.

You laugh, and nestle underneath his arm, in the space he’s left for you. 

If you had your way, you’d do it all over again. 

Though he doesn’t say it, so would he. 

[the-tarot-witch22]

Your future spouse late night thoughts about you 18+ - Pick a pile

Pile 1/ Pile 2/ Pile 3

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Hello everyone ! This is my another pick a pile or pac reading so please be kind and leave comment or reblog, and let me know if it resonated with you!

Note : This is a general reading or collective reading. It may or may not resonate with you. Please take what resonates and leave what doesn't. And it's totally okay if our energies aren't aligned!

How to pick : Take a deep breath and choose a pile which you feel most connected to! You can choose more than one pile, it just means both pile have messages for you!

Note : This reading is based on my intuition and channeled messages from tarot cards.

I worked really hard on this pile please show some love by leaving comments, likes and reblogs!

Pile 1:

(The cards I got for you guys - The magician, 6 of cups, wheel of fortune and 4 of swords)

Their thoughts about you is quite solemn or like emotional, they are quite a softie when it comes to you honestly, i wanted to give something 18+ for you guys but the energy here is so pure honestly or atleast that's how they wanna start with, i feel they don't want to scare you away just yet, like not much r rated haha, but i will channel everything i can, okay so i feel they are quite in awe or in love, like they want to meet you a hopeless romantic energy, looking at moon asking universe or upper power if they will meet you soon, they want to hurry honestly, I heard "you're mine baby" "no matter whatever you are doing right now, whoever is with you", "i am the one for you hope you know that", they want to kiss you a lot, like every part of you, want you to feel loved and you belong with them, like your body, soul has a name of their engraved on it, that's how much they want you to feel at home, at first they were being quite secretive not opening everything or feelings they have for you but I feel they are trying now, I also feel or heard that they want to push you on bed, tie you up, watch you while they fuck every part of you, they are sweet as hell and as well as horny for you, they want you to watch while you suck them, they want to fuck you deeper so you forget everything but them, They definitely want to put you on pedestal in every way they can, they wanna give you after care, touch every part of you they crave your soul and body, they feel they have knownn you for lifetimes, a literal past life connection here, yet they don't have you, they miss you, your time with them , i heard it's honestly funny "how someone can never meet and yet crave for each other", they wanna lay in your arms relax with you, watch silly rom coms, horror anything you desire, but they want you very badly, "when we meet i will tie you up till you get bored of me" in a very teasing tone, he is quite balanced individual in both his sexual desires and emotional desires.

WoW pile they are quite a romantic, huh? you guys deserve it! they are waiting for you too I feel you will meet them very soon.

Pile 2:

(The cards I got for you guys - 5 of swords, 8 of wands, 4 of wands and 6 of swords)

Okay so first thing i feel is very passionate, like they just want to fuck the soul out of you, holy shit, starting with big words and love for you, they are definitely not feel like themselves when they are with you, like they are different person "i cant control my feelings, my desires i have for you" how my body reacts when it sees you, it needs you as much as i do, I also heard i am quite jealous that you are not with me right now, is it because it's a payback for me to meet you late?, i hear them sighing a lot, they want to compete with everyone who has ever been with you even your fictional crushes like they can't make you feel like i do, they are definitely very competitive, their thoughts about you at night is quite filled with lust and desire, i see a scene where they are letting off their steam jerking off with the desire and spark they feel within themselves how they just want you, and only you I also feel they want to be very rough with you like just show you who you belong to, for some of you, you both are into hardcore sex, and they wanna make you cum with their mouth, they want you to sit on them, show that little pretty thing which is wet just for them, they want to tease you a lot too, like not letting you come at first, i feel they want to hear you say "please let me come", i see them smirk a lot, satisfied how much you react to them, "keep running away from me, but you can't go far because our souls are intertwined, my darling" gosh pile 2 they are quite very hungry for you, they want to fuck you all day or night touch you in a way no one ever has, they want you to fuck in the mirror they might want to record these moments for you both so you have special memory of it, more than their pleasure , they want YOU to feel pleasure in a way that no one ever had, they want to use dildo on you such foreign objects, i also feel they want you to wear vibrator while you go out with them, and when they feel jealous they will turn it on, i heard "my dirty little slut".

Wow pile 2 they are quite fiery aren't they, they just had so much to say to you their thought about you is so deep and filled with love and lust. Love it for you guys!

Pile 3:

(The cards I got for you guys - 10 of pentacles, 7 of wands, 6 of wands, 5 of cups, ace of swords and 8 of wands)

Okay so first thing I feel is they are missing you like a lot, when i started doing your reading and cards my heart felt sad for some reason they could be yearning you and they definitely want me to tell you "how much your absence in their life is impacting them", they are quite turned on by thought of you, your body is their temple, they want to worship you, they want to feel comfortable with them sexually or non sexually, they just want you to feel at home with them, they are feeling quite lonely without you, i heard "i love her laugh", their thoughts about you is quite desperate, but okay let me channel something 18+ for you, they are quite needy for your body, they want you to touch yourself or you to touch them or their intimate parts, they want to gently fuck you, I feel they are quite sensible or have gentleman thoughts for you. They are quite respectful, i also feel they wanna put efforts while they fuck you, politely touch you like you will break in their arms, they are quite caring, and soft for you and with you. i also feel they would want to or love to suck on you breasts to make you feel very good. They want to hear you scream their name, They think of you as their biggest achievement their prize, that they got for good or past deeds, they also want to be sneaky with you like I see a place where you are both only and emotions are so overflowing that you end up having sex their, a beach at night, or some abandoned or deserted place, their energy is quite calming they even calmed me down, they want everyone to see you belong to them, As I said they could be very sad for you like they miss you, "needing you by their side energy", they want you to know that sex isn't only two people having orgasm its more than that, its filled with love spark, connection, when they think of you all they want is to rest by your side, just be their while you do your own thing, they want you to know they have much more to show you when you guys actually meet! You guys can check out pile 1 too!

Good luck pile 3 xD! Their thoughts weren't much 18+ but more sweet. And I feel it's because they take sex much more seriously or not much openly, so that could be why this pile ended up being sweet lol.

Thank you for stopping by! Take care and remember you are loved <3

[am-i-the-asshole-official]

AITAH for telling my wife no?

My wife (35f) and I (38m) have been married for 12 years, dated for 3 before that. We have 3 kids (10m, 7f, and 5f). We both work full time in separate fields, she does some chemistry thing that I don't understand and I am a manager at a computer repair store my friend runs, and also a short story writer when its slow. She is definitely the breadwinner bill payer between the two of us, but I bring in the fun money for our family and would be completely listless if I didn't at least work part time. We also fully own our home because of her job.

Also, my parents watch the kids for us during the week when we are working. It's been this way since our son was born, and they've been doing it less since they are all in school. But it's free childcare, they refuse to accept money unless it's reimbursing for buying food.

Ok, now that all of that backstory is set, here's where the problem begins.

A couple of months ago my wife started pepper into conversations about a possible promotion coming up that would get her out of the lab and into a more "manage the lab team" position, with less dangerous hours for more pay. Ever since the first time she mentioned it I've been hyping her up and telling her she's a shoo in for the promotion, especially since she's been working there since her masters internship and now she has a PhD.

Last night she told me she was getting word today if she got it! After she left for work this morning I called my boss up and told him I couldn't come in today, and then told my parents the kids were saying with me. We spent the day cleaning the house, drawing congratulations cards, and making a congratulations banner. We also made a couple cards that say sorry and we love you for if she didn't get it. I was working on making her favorite dinner (lobster rolls with lobster bisque, because she's a fancy lady) when she got home earlier than normal. Everyone was surprised, because noone is usually home at this time and yet here everyone was. She got tears in her eyes seeing everything we were still working on, got down and hugged our two youngest, and said she got the promotion! Cheering all around! And that's when she dropped the bomb, saying we need to get a realtor in a state three away from us so we can relocate within the next two months.

I was stunned, and just said no, we arent moving for this promotion. In all of her talks she never mentioned that the promotion wasn't for the same location she's been at. All of our family is here, her parents and mine, all of our friends are here, my job is here. She insisted that she's mentioned relocating before but I swear she never did. That set of a completely new argument about never listening to her and only hearing what I want to hear, and how this will make it so I can stay home with the kids and not even need a fun money job. During this I noticed she was typing on her phone, and when I asked why she was multitasking an argument she said she was texting my parents to get the kids so they don't have to see this.

When my parents got here they congratulated her on the promotion and asked how long until we move.

She told my parents the promotion included relocation.

I'm typing this on the couch in the basement, because I can't face her right now. My parents knowing means she probably did say we would need to move if she got it. I don't want to move, I like my job, and our house. I like being near my parents. I know this would practically set us for life but I don't want to. I know I'm being selfish, and I know I must not be listening when she talks, but I still don't think she should accept the promotion. I still think no.

What are these acronyms?

[adrienneleclerc]

Pay For Dinner

Pairing: Charles Leclerc x Hispanic/Latina! Reader

Summary: Y/N watches a TikTok and decides to do the same thing to see how Charles would react

Warning: Spelling and grammatical errors, you already know

A/N: I am currently working on a Lando Norris fanfic, If that goes well, MAYBE I can continue writing for him and also start writing for Logan Sargeant and Oscar Piastri, if thats what y'all want.

Y/N knows that money is no object for Charles, he's an F1 driver for fuck's sake. So when Y/N saw this couple on TikTok, vitoandniyah, where Niyah pulls a "prank" on her boyfriend, she decided to try it out. Qualifying went okay, Y/N was waiting for Charles in the hospitality and when he came, she stood up from the couch and gave Charles a quick kiss.

"I know qualifying didn't exactly go like you wanted, but i was thinking we could go out to eat." Y/N suggested

"Yeah, that sounds good, mon coeur. Do you know where to go?" Charles asked.

"I was thinking you pick since I've never been to Spain before." Y/N said. Charles nodded his head.

"Yeah, that sounds good, baby. We could go to Xera, we just gotta stop by at the hotel so i could change." Charles said.

"Do i need to change?" Y/N asked

"Nope, you look beautiful, lets go." Charles said.

They exited the paddock and Y/N stayed in the car while Charles went up to his room to change. Y/N watched the TikTok again so she'll know what to say and she hopes that Charles would react in a sort of similar fashion as Vito. Charles opened the car door and he was wearing a nice button down shirt with dress pants. When he entered the car, Charles gave her a kiss,

"You ready to go, mon coeur?" Charles asked.

"Yeah, about that, mi vida, I don't have money." Y/N said, trying to look sad but Charles just stared at her

"What do you mean?" Charles asked.

"Well i wanted to pay for our dinner since you did better in qualifying today than in Canada." Y/N explained.

"Mon coeur, I love you. that was thoughtful of you, but it's okay that I'm paying." Charles said.

"But I WANT to pay." Y/N said

"When did you ever pay for our dates? When did i let you pay for ANYTHING? Remember, the money that you make is your money but the money I make is our money. Now let's go, I'm hungry." Charles said.

"Muñeco, can we go tomorrow so i can pay?" Y/N asked

"Okay, if you really want to pay, here." Charles said, placing his wallet in Y/N's hand.

"Really?" Y/N asked

"Yes, pick any card you want, and when the check comes, place the card on top of it, make it seem like you're paying since you want to so bad." Charles said.

"But you're stilling paying though." Y/N argues and thats when Charles turns in his seat so he can face Y/N

"Okay, let me just tell you this, mon coeur, as long as we are dating, you won't have to pay for anything ever, unless I'm not with you, obviously." Charles said.

"Aw, amor, that was so sweet. And it's a prank, I do have money." Y/N said.

"That's good that you have money, i was going to transfer 8 thousand euros into your bank account." Charles said.

"You are the best boyfriend ever." Y/N said, giving him a quick kiss and she her phone dinged, Y/N checked the notification. "Charles!" Y/N turned her phone to Charles to read the notification 'Charles Leclerc has sent you 8,000 euros' "Seriously?"

"Yes, now lets go eat and you can use that money to go shopping since you never been here before." Charles said.

"Okay, I love you." Y/N said.

"I love you too." Charles said before pulling out of the hotel parking lot.

The End

Hope y’all liked it! Sorry for not posting recently

[bi-writes]

I imagine that Johnny's "uncle" instincts are so strong that he would do anything for the MOB and Simon's kids, it doesn't matter that "the kids" are cats. Also i think Simon would have a talk with MOB (and Soap) along the lines "if something happens to me he is the person who would take care of you". ~ i spend to much time daydreaming about this fic

mail-order bride

johnny watches with a careful eye as simon disassembles his rifle. he's methodical about it, very careful. he has a clear desk in front of him, and every piece that comes out has a place on the surface, a special spot that it must go.

"ye called fer me, LT?" johnny asks, knocking on the door gently. simon nods, not looking up from where he's sitting. he motions to the chair in front of the desk, and johnny takes a seat, hooking his thumbs into his tact vest and spreading his legs as he sits there. "what do ye need?"

"'ave somethin' ta say," simon mutters. "'n i'm gonna say it, and y'r gonna keep quiet and not interrupt me. and when i finish, ya aren't gonna say anythin' about it. and we aren't gonna talk about it ever again. say ya understand me, sergeant."

johnny swallows, shuffling in his seat before nodding.

"aye," he says lowly. "roger tha'."

simon sniffs, picking up the barrel and using a microfiber cloth to rub it clean. he leans back in his chair, not meeting johnny's eyes.

"tha' last op got me thinkin'," simon mutters. "thinkin' a lot." he sighs, deep from his chest. "wot would happen to my girls. if somethin' were to happen to me."

johnny purses his lips, his palms getting a little clammy. but he doesn't speak, because he's been ordered not to.

"and if tha' happens," simon continues. "i don't want anyone else lookin' after them except for you, johnny."

their eyes meet finally, and johnny swallows hard. it's a long gaze, and they hold each other there for a few moments to get an understanding of one another, to speak without speaking.

johnny stands, shaking his head. it's hard for him to believe that simon could die. he's unkillable. he's ghost. he's a man too capable of staying alive, too good at crawling out of early graves, that he doesn't understand truly what it is he's seeing in his lieutenant right now.

the thing in his eyes, he's just never seen it before. it's fear.

"simon."

your greeting as he steps through the front door immediately makes his shoulders relax. you're in the living room in nothing but one of his old shirts, standing there with a big smile on your face. his eyes rake down your body, over your bare legs and socked feet. your smile is bright and contagious, and he drops his bag off as you come closer to him. as always, your hands find the hem of his skull mask and slip it up and over your head, and you giggle when he blushes as you look over his face.

"you're so handsome," you whisper, and he clicks his tongue, shaking his head. you lean up on your toes and kiss him warmly, smoothing your hands up his big arms and wrapping them around his neck. simon can't help himself; he slides his hands down your back and slips them up the hem of the shirt you wear, cupping your ass in both gloved hands and squeezing hard. you laugh into the kiss, pulling away slowly, meeting his eyes. he looks tired. he looks...sad. "simon...is everything okay?"

you swipe your thumbs under his eyes, smudging the eye-black there, and he just shrugs. he doesn't lie. it isn't okay, he isn't okay, and you kiss him again to say you're sorry, because you don't know if he would want to hear that.

"i, uhm...ordered a pizza," you say softly. "thought we could watch a really bad movie and eat gross."

simon smirks, leaning his forehead against yours.

"i'd like tha'."

as you're plating up greasy slices of pizza, simon passes a piece of paper to you. it's an index card with a phone number on it and an address. the address is far, really far, and you lick the sauce off your finger before looking up at him.

"what is this?" you ask, taking it from him.

"tha's johnny," simon murmurs. "if anythin' ever happens...if ya ever need me...'n i'm not 'ere--" you open your mouth to say something, but simon shushes you gently. "--if somethin' ever happens to me...you call johnny."

you purse your lips, meeting his eyes for just a second before looking back down at the card.

"nothing's gonna happen to you, simon--"

he cups your face in his hands, shaking his head. he's staring down at you, pleading, asking you to just do this for him, to just say yes, to not fight him on this one thing because he needs this.

you press the index card to your chest gently, nodding finally.

"yeah...okay..." you whisper. "i'll call him, simon. if something happens...i'll call him."

if something happens, if something happens, if something happens--

"simon," you whisper, grabbing his eyes again. he blinks, and you compose yourself when you see that glaze over his eyes, the slight shake of his bottom lip. you have never seen him this way. you have never seen him shake ever before. this was your husband. simon riley, made of nothing but dense rock and steel. but his thoughts are far away. his thoughts are somewhere else, seeing a scenario in his mind that you imagine may not be hard to think about, as if he's lived something like it himself.

the unknown. the despair. the aftermath.

the inevitable.

"simon."

your voice brings him back. he's back in the kitchen. he's back at home. he can hear the cats in the living room, the little bells on their collars ringing as they chase each other in little chaotic circles.

he's back with you. in his little bubble. he's praying to a god he doesn't believe in that it won't burst so easily.

"dont worry, simon. i'll...i promise i'll call."

[yeyinde]

The 141 finding out you've never had sex.

Just casually drinking, playing cards. A joke causes it to slip out.

body electric: the virgin edition

Gaz, the instigator, mutters something about not having been fucked in ages. this springs up a sudden surge of comradery, because, yeah. neither have they.

Soap's devote Catholicism (i like to imagine) leaves little room for flippant intimacy. he tries to be a good boy. key word, of course, being: tries. but the last serious relationship was years ago. back when he was grunt. he's pent up. abstinence, yeah? he holds it tight in his hand. but the thing about fists is that they're often mistaken for anger. Soap's a realist masquerading as an optimist. he knows whoever falls into his jowls next will be a MacTavish by the time he's through with them. and commitment. well. his comes at a price. a hefty one.

Ghost prefers casual flings where he doesn't have to take any clothes off. unzips his trousers, frees his cock, and then tries to pretend he's a real, flesh and blood, human. to feel something, anything, except a vacuum between hollow bones. but his tastes are peculiar. on the side of unhinged. he hasn't found the perfect body yet satiate himself with.

Price. well. with his bloody hands, he thinks he'd rather not dirty the same people he swears to protect. and divorcing at the age of 30 does that to a man, maybe. his role as a captain (an excuse in retrospect) also keeps him from unleashing his wants. the very same ones that are probably best under lock and key, anyway. it's just for the best, really. something he ought to do because the moment he has another chance to sink his teeth into someone's neck, he'll tear them apart. break them into pieces.

despite bringing it up, Gaz knows the real reason he's single is because he's pushy. he wants. so he takes. and then takes some more. more. more. until his gullet is full of the person he's obsessed with. carrying them around in his breast pocket everywhere he goes. the perfect mate. the one he can shower with unfettered affection. a deluge, in all honesty. one with the ideation to drown. biblical floods. trapped beneath him. he likes it more than he should, but. singedom, then, he supposes.

and then you roll the dice. admit, sheepishly, that, technically, you have them all beat. zero is always lesser than five, ten, twenty. but it's this misstep—zero, never—that catches their attention.

suddenly, you're not surrounded by kin but a pack of wolves. all hungry in their own ways, all starving. it just makes sense to quench their hunger with you, doesn't it? friend, ally. pretty little thing. so sweet for them. and perfectly mouldable. putty they shape to their hearts desire. the perfect mate.

Soap grips his rosary. the sign of the cross, heavenly Father and Holy Spirit, digging into his palm like the burn of a baptism. what's devotion if not pain? he cuts himself on the gold. offers blood of the sacrament to whoever might be listening, and leans in, sniffing.

Price's knuckles are white. he leans back, hidden in shadows. all you can see is spark of burning orange from his cigar as he takes mouthful after mouthful of smoke, contemplating. assessing.

"that so?" he doesn't even need to look at his Lieutenant to know that the man has gone still. too bad for you, it's not from shock.

Ghost barely holds himself back. keeps tight in his seat. fists clenching. unclenching. he has a good enough read on the people around him to see the unfiltered desire ripping across their face. scorching. but to bite, with his mouthful of jagged, seraded teeth; ones meant to rip, break, tear, would ruin you. permanently. unequivocally. and—

"wanna give it a go?" all eyes turn to Gaz, electric in his seat. eyes smouldering umbre. "i mean, you trust us the most, don't you?" us. it's stunning, he thinks, the way Gaz can weave tapestry in the air like this with just his words. one tangled like shibari binds. "and we care for you a lot. we'll be gentle. it's up to you, of course, but—"

Soap's bloody hand disappears under the table. you gasp. "yer askin' fer it, ain't ye? beggin' so pretty fer it."

"n-no, i—"

"mind your manners." Price. his voice is chiselled into char, authoritative; low. a lulling command spoken in a breath of smoke. "and don't lie, love. or i'll have to take you over my knee."

the tension is thick. Soap's arm moves, slow. deliberate. Ghost has clench his jaw to avoid bearing his teeth. snarling.

Gaz cuts it with a knife. hews compliance into your skin with a fine needle point. "it's okay. we'll take such good care'a you. make you feel so good."

your submission is a heavy thing. oppressive. the shallow dip of your chin, the blistering heat simmering under your flesh, burning right, is the prettiest fuckin' thing he's ever seen. he does clench his jaw this time. tight, tight. tight

until something pops.

"okay." you yield. head bowed. beautifully submissive.

when he looks around, catches the predatory crackle in the air. his hackles raise. immediate. instinctual. and ah, right.

it's easy to forget he's surrounded by a wild pack of stray dogs. starving ones, too.

[blackmoonoracle]

PICK A CARD - Uncomfortable Truths

P I L E O N E

Quit putting your trust in things you know don't work. I heard showmanship. The way youve been approaching this connection or situation is egotistical at times. You can be someone that tends to put up a front because you're scared of being seen as weak or vulnerable. You're very tactful & can also be highly skilled in deception. I heard something about reality weaving, you weave your reality very powerfully. Be more mindful of your words when you get angry. When it comes to YOU they aren't just words, you influence the essence of the occurrence of life in every word you speak and every tear you cry. Could be Latino or indigenous in heritage, I also heard Slavic! Give up on what doesn't serve you I heard. Your ancestors are very impatient because you keep avoiding this lesson. If you don't relent soon you're going to look back at this eventually and just be like 😬. While you may think you're operating from a higher perspective right now, there are times you don't & there are times you don't actually hear or understand others the way in which you believe you do.

P I L E T W O

You're actually very lovable. Needing help isn't a reflection of your weakness, it's a reflection of the fact you're wise enough to grasp that sometimes you don't have all the answers. You're veryyyy intelligent & deeply intuitive but you tend to silence yourself for the sake of others. It's like the prospect of standing out really makes you anxious at times. You think about your desire to be seen and acknowledged and then remember what that means for you socially and get the ick 🤣 This pile is giving Taurus energy 🤣 you need to relax more often, youre so serious that sometimes you miss out on the joys of humanity. Even though some things aren't always forever doesn't mean you can't enjoy them for what they are. Learn to indulge without emotional consequences. Also some of y'all would benefit from changing from some kind of diet? Or also from doing some sort of yoga or somatic practice that focuses on clearing anxiety from the stomach.

P I L E T H R E E

You have an envy & projection issue. I feel like a lot of this group Lowkey compares themselves to others frequently or grew up in a way as a child that never made you feel justified in standing up for yourself. So now, you at tiiiimes perpetuate this pattern in your day to day life on a subconscious level. It's a program in your mind, and it's why you feel upset a lot of the time. You may feel like you hold such grudges because you forget how valuable your own perspective and self validation is. You're very self critical and can get frustrated when others succeed. Like you almost fear being outshone by others. A lot of neglect wounds here too, where some of you expect others to go above and beyond for you but you treat yourself horribly. You are very cruel with yourself pile 3, be more kind and be more loving. You deserve to treat yourself with respect.