#I don't know how to credit this

[benedictsamuelfan]

Day 3

I love his role as Jervis (obviously, I discovered him via this role after all)

Like

Damn

He didn't have to look THAT fine

Credit to fox I guess?

Idk who took those screen and put the filter, it was in Pinterest

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[changbunnies]

Angel of Music (18+)

♡ Pairing: Phantom!Minho x Opera Singer Fem!Reader

♡ Genre: phantom of the opera inspired au, horror themes, dark romance, age gap, smut, dead dove? read the warnings carefully and come to ur own conclusion on what you're willing to read before engaging pls :'), the ending is also a lil dark, sorry!

♡ Word Count: 5.8k

♡ Summary: A phantom exists in the opera house– he controls every production from the shadows, lurks around every dark corner, always watching. In your dreams exists an angel– a guardian that sings to you, guides you, and comforts you. When The Phantom appears before you in your dressing room mirror, you begin to realize that he and your angel may be one in the same.

♡ General Warnings: slightly less extreme age gap than the source material that inspires this fic but it's still fairly large (reader is ~mid 20s and minho is ~40), briefly described attempted murder of minor characters, implications of stalking, hypnotism, hallucinations + doubts of reality, so much usage of the words "phantom" and "angel" it's not even funny, this fic is not an accurate representation of how hypnotism works irl but it's fiction so i'm taking liberties!

♡ Smut Warnings: dubcon (due to reader being hypnotized), additionally to not being in their proper state of mind, there are also moments in which reader does not feel to be in full control of their body, light dom/sub dynamics, soft pleasure dom!minho because i want more of him !!, mask kink (does it still count if the mask doesn't cover his whole face?? idk i hope so!), some biting, oral (f rec), overstim, multiple orgasms

♡ Notes: i've known for ages that i wanted to write a phantom!minho fic, and my kinktober series gave me the perfect reason to finally write it! also the fact that both my uploaded minho fics are age gap romances?? that was not intentional i swear lmao

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

All inhabitants of the opera house have been on edge these days– consequence of the new owners of the Opera Populaire, who decided to disregard all of The Phantom's demands.

The Phantom, as the name suggests, is a ghost story of sorts. According to your castmates, he has been here since long before you joined the Opera Populaire's trainees last year, but his activity has begun to increase since your arrival.

He controls all in the opera house, and his demands of the previous owner were always quite simple; perform what shows he instructs you to, follow his casting down to the letter, and keep the seats in Box Five free at all times. Evidentially, Box Five is his favorite place to watch the shows from– and sometimes, his dark silhouette can be spotted in the shadows of the booth, indiscernible but unmistakably there.

No one has ever truly seen The Phantom beyond a shadow, nor have they heard him speak. He communicates with notes, always left within feet of the recipient without anyone having seen him come or go. His notes will even appear in broad daylight, with not a single person having caught a glimpse of him despite all the eyes in the room.

Well, more accurately, no one has seen him apart from the Madame– an older woman who used to be a performer for the Opera Populaire herself, but has taken the role of choreographer since her retirement from the stage. In the 15 years it's been since The Phantom made his presence known to the opera house, she's the only one who's ever seen him, or heard his voice.

A brief encounter, she explained when asked about it– had barely seen him for more than a few passing moments. He spoke little, but the beauty of his voice was striking, completely unlike any other she’d ever heard. And all he asked of her, in that fleeting moment, was to remember that the Opera Populaire is his home– and as long as the inhabitants respect him, he'll respect them in turn.

The previous director, the Madame, and The Phantom all had a mutual understanding of what was to be done. As long as they listened to him, shows would go off without a hitch; but refuse, and there'd be dire consequences. As such, the Madame has been doing her best to express the importance of listening to The Phantom to the new owners.

The Monsieurs view it as no more than silly superstition– every opera house has their own beliefs and customs, things they consider good and bad luck before a show, things they view as omens of a show's future success. The Phantom is simply one of those things– and with a guiding hand, they can dispel such superstitions, show the cast and crew that there is no shadowy phantom to fear.

The first note left for the Monsieurs went disregarded– a barking laugh leaving the elder of the two before he tossed it in the bin. The instructions on the note were clear enough– you were to take the role of Eurydice in the opera house's production of Orpheus and Eurydice, and not Carlotta, as they originally casted.

You were just as baffled as everyone else to learn that The Phantom wanted you to take such an important role– you'd only been here a year, were still so new to your opera training. It's true enough that you have a good voice, and your dancing has improved with all your diligent practice, but you're still young, and the tragic role of Eurydice is not so easily performed.

Natural talent for bringing emotion to performance aside, you lack stage experience– experience that you can easily gain from background roles. To make you such a crucial stand-out role after only a year of training was simply unheard of– no opera house would do it!

This is to be your first production, your first time on stage in front of an audience; and so regardless of what The Phantom wants, Monsieur Reyer opted to keep you strictly in the supporting chorus roles, where you would go from shepherdess, to nymph, to spirit as the acts progressed. Not a glamorous, shining position in the cast by any means, but more than enough to help familiarize you with the reality of performing with hundreds of eyes watching.

It wouldn't take long for The Phantom to make his displeasure with the decision known. And what started off as just small accidents and stage mishaps quickly turned violent and dangerous as each week passed with you still not given the role that The Phantom felt you deserved to have.

The first violent turn came during rehearsals for Act 3, right in the middle of Eurydice's climactic aria, when the chandelier above the stage came crashing down. Carlotta was standing directly beneath it just before it fell, and it narrowly missed her– purely because she happened to take a few steps forward whilst singing.

“An unfortunate accident,” the Monsieurs said, “it had nothing to do with The Phantom!” But the veterans of the opera house knew better– and the conductor swore he saw a dark shadow on the scaffolds just before the chandelier fell; a shadow that could belong to none other than The Phantom.

Carlotta screamed as it crashed just mere inches away from her, right where she's just been standing, and cried as everyone rushed to her side to ensure that she was unharmed. Again, the Madame tried to persuade them to heed The Phantom before another such “accident” occurred.

"Good God in Heaven, you're all obsessed! These things just happen sometimes– there is no phantom!" Reyer cried in exasperation over everyone's insistence, still unwilling to give in to the idea that the opera house's ghost was real.

And tonight, just after rehearsals came to a close, another terrible stage accident occurred– this time happening to Monsieur Reyer himself. He was up on the scaffolding when it happened, making sure all the stagehands properly rigged the lights in preparation for tomorrow night's premiere of Orpheus and Eurydice.

He was bent down, inspecting the bulbs and wires, when a dark figure appeared behind him. The shadow wrapped a noose around his neck faster than anyone could even react, pushed him off the scaffolding before swiftly retreating back to the shadows.

Reyer almost didn't survive– he was lucky that the nearby stagehands were quick on their feet and in their wits, managing to grab his arms and pull him up while another cut the rope that served to hang the poor man. And as if the message from the accidents alone weren't clear enough, another note was left behind right in the middle of the stage.

It was astounding, really, that not a single person saw The Phantom leave the note behind– and while some could argue that it was because all eyes were on Reyer, or because the stage became chaos as they worked to save him, the Monsieurs realized that maybe they should start to believe that there really is a ghost inhabiting the Opera Populaire.

The moment the note was noticed, the Madame picked it up, and read it aloud for all to hear. "Again, I remind you that Y/N will play the role of Eurydice. As I instruct, Box Five shall remain open for my use. These seats will not be used by another. This is my final warning– disregard at your own risk."

Realizing they had no choice, lest they wish to continue putting themselves and other cast and crew in danger, the Monsieurs begrudgingly declared you the new Eurydice, right then and there.

Given that you're at every rehearsal, you know Eurydice's lines by heart, and are confident that you can sing them well– but still, you're nervous. It's your first production, the premiere is sold out, is set for tomorrow night, and suddenly you're in one of the most pivotal roles in the entire opera.

You don't even understand why The Phantom is so adamant about giving the role to you; what is it about you that he likes, what is it that he sees in you? You wish you could ask the Madame, but she met him so fleetingly, and so many years ago– she has no way of knowing The Phantom's heart beyond an educated guess.

Sitting before your dressing room mirror, you sigh, utterly exhausted– now that you're Eurydice, it was vital that you do a last minute costume fitting and makeup test. As such, you've been in the opera house hours past the time you'd normally be here. The moon hangs high in the sky now, you're sure; you wonder if you should just spend the night here, sleep in the dressing room instead of making a late trek home.

Regardless, you hope your angel comes to you tonight. You know no one would believe you if you told them, but you really do have a guardian angel; and in your dreams, he comes to you– always when you are most lost and in need of guidance. He's a gentle, calming presence; always comforts you, talks to you sweetly when you're filled with self doubt, sings to you in the most beautiful of voices.

You've never actually seen your angel clearly– only heard his voice calling your name and whispering, singing, in a way that could only be described as angelic in its serenity. In your dreams, he's nothing but a vague, blurry image– even at his most clear, you can't define any of his features.

Still, you think of him fondly– and you suspect that as an angel, you aren't meant to be able to fully perceive him. And your angel always, always, knows when you need him– you suspect that even now, he's waiting; waiting for the moment you fall asleep, so that he can come to your side.

You look at yourself, still dressed as Eurydice. A beautiful, off shoulder bateau gown in the prettiest, purest ivory. There's lace appliques throughout the gown, has a beautiful cinched bodice before the tulle skirt fluffs out. It's elegant, makes you feel like a bride waiting to walk down the aisle.

Your makeup shimmers– extra glitter applied on your eyelids to make sure the stage lights catch it. Your jewelry too, is extravagant– made to sparkle and shine every time a light shines on you, to twinkle with each subtle move you make. It's a shame you have to take it all off just to put it all back on tomorrow– but the effort to make sure everything fits you was necessary.

You reach your hands up to one of your ears, prepare to remove one of your dangling earrings when you hear a voice you know all too well call your name– your angel's voice.

You look around the room, bewildered, but see nothing and no one. And surely you were mistaken– you're still awake! Your angel only comes to you in dreams, and you haven't fallen asleep... right? You are still awake, aren't you?

Again, you hear his voice, another whisper of your name. You rise from your chair, look around the room once more– no one. You turn back to the dressing room mirror, and jump in surprise, realizing that the view reflected in it has changed. You no longer see yourself, or the reflection of the dressing room around you– instead, you see a man.

He looks just as the Madame described her memory of The Phantom– dark hair, and even darker eyes, with a white mask that covers the right half of his face. Not completely– just from his hairline, down to his pretty, plump lips. Every inch of his skin is covered, head to toe, all of his clothes pure black apart from the ornate red vest.

Sleek boots and dark trousers, a tall collar that obscures most of his neck, long sleeves that cover his arms, even gloves covering his hands. He wears a cape, long and as dark as the rest of his clothes, and it blows behind him as if there’s a breeze rolling through.

You’re confused, a little frightened, but you can’t tear your eyes away or will yourself to flee– and as the figure speaks your name, you gasp; he truly has the voice of your angel. But he’s The Phantom, isn’t he? 

The blurry, vague scenery behind him begins to sharpen, coming more distinctly visible to your uncertain eyes. A dark corridor full of candelabra, glowing in dull yellows and shades of orange, held by incorporeal hands with no discernable origin.

What little of your dressing room you see in your peripheral shifts and warps as you stare at him, blur together into dark shadows as the table holding your hairbrush and makeup begin to fade and disappear, leaving the view through the mirror as the only thing you can see.

The figure– your angel, The Phantom?– holds his hand out to you through the mirror, as if the glass that should separate you no longer exists; perhaps it doesn't. Smoke– or maybe fog, mist? you can't be certain– pours into the room as you approach the mirror.

As if under a spell, you reach out to take his hand, thinking not of logic as you follow the beckoning call of your name. Your angel; you trust your angel. He smiles as you place your hand in his, and carefully, you step through the mirror, into the corridor.

Entranced, you stare at him; even with half a mask covering his face, he's utterly beautiful. He appears to be older than you, hints of fine lines beholden around his mouth and eyes, and even that adds to his mysterious charm. He holds your gaze as he takes a step back, a candelabra in his hand now, beckoning you to follow him down the corridor.

You squeeze his hand as you follow, and finally he turns around, walks with purpose as he guides you, glancing behind every so often to look at you in what you think to be adoration. You too, glance behind– and where the mirror once stood is now a desolate, barren wall.

You do not see any hint of your dressing room, or of the mirror you stepped through. And as you continue further down the corridor, the candelabra that were once behind you slowly begin to blink out and vanish from sight, leaving only pitch black darkness behind. A spiral staircase made of stone manifests, and you descend it, hand in hand with your angel.

You're so enchanted and bewildered, you can't seem to find your voice– all you can do is follow, let him guide you along to where it is he wants you to be. Even the staircase dissipates when you've finished descending, and for just a moment, you wonder– is any of this truly real?

Finally, you stand in the middle of a beautiful room, lit candles both resting in more candelabra and strewn about the floor, with dark, intricately woven tapestries hanging from the stone walls. There’s a grand piano, sleek black with gold accents, with even more candles resting atop it, as well as a sheet of music sitting pristine on the music desk, black ink seemingly freshly dried, just waiting to be played. 

There are several mirrors, though only one remains uncovered– the rest are obscured by cloth, for reasons you do not know. There is a bed, in what you suppose would be called a “corner” in this otherwise circular space, inviting and plush in its appearance, with blankets colored a rich red. Naturally, candles surround the bed as well, covering it in a beautifully soft, yellow-orange glow. 

“Where are we?” you finally find your voice to ask, and the man smiles as he beckons you to follow him towards his bed. “We are home,” he replies, and though it’s a strange answer, you feel you understand– yes, you are home. This is home. 

You gaze at him curiously after you sit on the bed, just as comfortable as you expected it to be, and he mimics the way you’ve tilted your head at him. “You’re.. My angel, aren’t you? Or are you The Phantom?” you ask, and the man laughs ever so softly, melodious and beautiful. 

“I am Minho,” he responds, as if that alone is a sufficient enough answer– in a way, you suppose it is. What else is there to know? He is Minho. That is enough.

“I have longed to touch you, to bring you here,” Minho whispers as he reaches one of his gloved hands to your face, strokes your cheek slowly, gently. The sensation, though simple, feels so tender– it sparks something inside you, fills you with a warmth you’ve never felt before. You close your eyes, bask in the comfort his touch provides you. 

You feel his hand move, travel down until his fingers are under your chin. He tilts your head up, and you open your eyes to see him gazing down at you warmly. “You are so beautiful,” he whispers, speaking to you as gently as he always does. He’s said it before, in your dreams– that you are beautiful, talented, deserving of all you wish to have.

He never lets you linger on self-doubt, never allows you to think you are lesser than someone else, or undeserving of the opportunities you’ve been granted. Your angel knows you– you think he’s appearing to you now, like this, because he knows you are uncertain of playing Eurydice; he must think that he needs to remind you of just how special you are. 

All of your doubts about tomorrow’s premiere– he will dispel them from your mind, as he always does. He kneels before you, gazing at you carefully as he inches closer to you, his hands softly rubbing over your shoulders and down your arms. His attentive stare as he caresses you makes you breathing quicken, your heart starting to pick up speed.

“Do you trust me?” Minho asks suddenly, and with not an ounce of hesitation, you nod. You’ve no reason not to trust him– in the year it's been since your angel first appeared to you, you’ve always trusted him. There is no one else that makes you feel so secure, so at peace, so.. Loved, cared for. Yes, your angel, Minho, loves you, cares for you like no other. You trust him. 

“I wish to clear your mind of worry and doubt– to make you think only of me, and the music we can make together. I wish to touch you, to kiss you, to hold you," he says, and oh, he knows he shouldn’t be pouring his heart out like this, for it’s too soon, much too soon. But he’s been enamored with you since the first moment you stepped into the Opera Populaire, has been infatuated with you since first hearing the passion in your voice.

He can’t help it, it seems– now that he has you here, in his lair, his defenses falter, all of his desires pouring out of him. To have you here, and to touch you like this, even so simply– it’s everything he’s wanted. And instantly, unconsciously, you reach out to him. Your angel sees you, knows you– you wish to know him too, to understand him the way he does you.

Your mind is somehow as clear as it is hazy– clear, because you know what it is that you want. Regardless of who he is, what he is, you want Minho to have you. Anything he wants, you feel compelled to give, as if it’s all you know; and in this moment, perhaps it is. In the very back reaches of your addled mind, a reminder blares– The Phantom always gets what he wants. 

And what he wants now, most of all, is you; and despite what logic may tell you to feel, you trust him to have you. He sees all that you feel in your expression alone, knows all that you think as if he’s seen into the depths of your mind. Even now, perhaps more than ever before, he sees you. 

Sees all that you are, and all that you want– and a charming smile plays on his lips as you gaze at him with wanton desire to let him take you. To let him have, to give yourself over– you wish to offer yourself wholly to your angel’s desires.

Your eyes flutter closed as he kisses you, a soft press that you could almost call chaste, his hands slowly moving over your body, each soft touch lingering. You don’t feel his gloves anymore, you realize– did he take them off without you noticing? You suppose it doesn’t matter– his hands are warm, a bit rough and calloused against the soft skin of your arms, and you like it.

Even as his kisses become less chaste, deepen as his hands travel to your hips, they remain slow and purposeful. His hands eventually find the bottom of your dress, begin to lift it ever so slowly up your thighs– not to expose you, but so that he can slot himself between your legs. Somehow, innately, you understand this– and easily, you spread your legs for him, allowing him to find his place between them.

His arms wrap around you after, pulling you closer, pressing your body to his. Your chest is rising and falling rapidly by the time he pulls away, breathless as you look to him with eager, impassioned eyes– a gaze that heats his otherwise cold heart. You reach up, bring your hands to his face; he nearly flinches when you touch his mask, though he knows you mean no harm. 

Minho feels himself ugly under his mask– too scarred and disfigured to be appealing to you in any regard; at least like this, with only the good parts of his face on display, you may find him handsome. Your touch is as soft as your gaze, and though perhaps you should, you make no move to remove his mask; you simply rub your thumb over the cold porcelain.

It’s a vulnerable thing, really– how softly you touch his ugliest spots. It doesn’t matter that you can’t see them from beneath his mask– the tender regard you seem to feel for him, even without having seen the scars that mar him, is more than enough. It’s ironic, in a way, that you seem to think he’s an angel; in reality, the only angel in this room is you. 

“I want to please you, if you'll let me,” he breathes as his fingertips ghost over your thighs. It makes your breath hitch, blinking at him slowly as you process his intent. There is much your angel wants– but chasing the pleasure of his own flesh isn’t one of those things. He doesn’t need it to feel satisfied; your pleasure will more than suffice him.

His dark eyes bore into yours as he awaits your answer, can tell from his wanting gaze how serious he is about pleasing you, and it makes your cheeks slowly bloom with heat. And it’s not just what he wants– it’s what he needs, really; when you surrender yourself to him, he wants it to be for your pleasure, not his own. 

“Oh, please– touch me,” you answer, plead– because something from deep inside you screams for it, wanting it beyond all comprehension. Your darkest, most innate desires manifest for him; desires that you didn’t even fully realize you had. They possess you, drive you to kiss him again, urgent and passionate. 

Minho returns your kiss with equal fervor, lets his tongue slip past his lips to meet yours. They share a dance, swirl around each other until you’re breathless again; and then he’s guiding you back, urging you to lay down as he hovers over you. He pulls the skirt of your dress further up your body, until your thighs are entirely exposed and he can see your dampening panties. 

He lowers himself to you, but doesn’t go immediately where you expect him too– he takes his time trailing wet, lingering kisses over your thighs instead. Your inner thighs are sensitive, ticklish, and you can’t help but squirm from each kiss he grants you.

You also can’t help but jolt each time the cool porcelain of his mask presses against the hot skin of your thigh, and again when he carefully sinks his teeth into your pliant flesh. He doesn't do it hard enough to hurt, or even fully leave indents of his teeth behind– just enough to leave you panting and squirmy; and he lets out a soft, airy laugh every time he succeeds in the endeavor. 

Your bunched up skirt is so full that you can hardly even watch him work you up; but there are times, while kissing and biting over your trembling thighs, that he lifts his head just enough to let you catch his gaze. It makes your heart skip a beat, butterflies dancing in your stomach every time he locks eyes with you while kissing around where you need him most.

You reach a point where you’re no longer squirming because his attention tickles, but because you’re becoming desperate, impatient; and the way he stares at you as he does it all doesn't help in the slightest. “Minho, please,” you whine, shameless; and you can feel him smile against your skin before he lifts himself up from his place between your legs. 

“Needy are we, angel?” he asks, grinning as you pout and nod. “Need you,” you mumble, but he hears you loud and clear; he’s attuned to you, your angel is. He lowers himself between your thighs once more, kisses your pussy over your panties– and it’s not quite what you need, but it’s enough to have you gasping and quivering. 

Again, he takes his time, as if not a single ounce of urgency resides within him. And make no mistake, it does– but Minho knows how to restrain himself. He’s a stubborn man, that is certainly true, but he’s also perfectly in control of himself; for now, anyways. 

And he likes the way you whine for him when you feel his tongue lick you up over the fabric of your panties. It’s not a full enough feeling for you, or a full enough taste of your pussy for him, but the desperate, whiny sounds it draws out of you are delicious enough to satisfy him.  

Still, while he’s enjoying the way his soft kisses and kitten licks over your panties is making you writhe and cry for him, he also can’t deny how badly he wants to finally taste you directly on his tongue. He’s been patient enough, he thinks, and so have you– why not indulge just a little sooner than planned?

In contrast to how sweetly he’s treated you up to this point, he’s quick to tear your panties away from your body. The sound of the fabric ripping makes you gasp, and maybe later he’ll apologize– but for now, lapping his tongue between your folds is of more importance. You moan when his tongue finally meets your bare pussy, as does Minho– and despite the hunger that he feels, he continues to lick you over slowly. 

The languid pace makes you crazy– you want more, so much more, but your angel has been waiting for this; he needs to take his time with you, needs to embed the taste of your dripping sex on his tongue, needs to make sure it’s something he’ll never be able to forget. And he isn’t trying to tease you by keeping the slow pace– well, maybe he is a little; he does enjoy it, after all– but he’s sincerely craved this for too long to let the moment quickly pass him by. 

He brings his hands to your thighs, squeezing them in his hands and preventing you from closing them around his head. You’re sure it’s partly so he can keep you spread out for him, to keep enjoying the easy access to your pussy, but it’s also so that your trembling thighs don’t cause his mask to shift, and fall from his face. 

You gasp when the cool, smooth and rigid porcelain covering the right side of his nose bumps your clit as he shoves his tongue into your hole. And while he isn’t purposely trying to get you to cum just yet, his slow but diligent ministrations are getting you there regardless– with his tongue dipping in and out of your heat, always pushing in as deep as he can make it go, and his mask-covered nose nudging your clit. 

You let your head fall back against the bed, your every high pitched whimper and moan echoing off the stone walls surrounding you. You try to tell him you’re going to cum, but you fail miserably– all that leaves you is a quick succession of whines before your eyes are rolling, back bowing off the bed as release on his tongue. Minho moans with you, hums happily as he licks the mess from your pussy like the cat that got the cream. 

He laves over your clit when he’s done licking up your cum– and it's sensitive, swollen from your orgasm; but that doesn’t stop him from swirling his tongue around it, and positively knocking the air from your lungs. The sensation is overwhelming, he knows it is even without you telling him, but it’s still so good that you don’t want to squirm away, or ask him to stop– or perhaps you can’t. 

You get the distinct feeling that even if you tried, your limbs would resist, would fight to keep you in place– despite your best efforts, you would remain just as you are now. Spread open and trembling, exactly how Minho wants you. “You make the prettiest music, angel,” he separates from you long enough to speak, “want you to keep singing for me.”

And sing for him you do when he dives back in, flicks your clit with his tongue a few times before wrapping his lips around it, sucking it like a piece of hard candy. Your moans, the smacking sounds of his lips, the way he hums when he returns to your hole to collect the cream– it’s an orchestra, just for the two of you.

You cum again in record time, of course you do. Minho finds it cute, the way you incoherently babble away as you let go for him again. And he isn’t done just because you came again– no, he’s far from finished with your pussy. He doesn’t tire in the slightest, ceaseless in the way he lavishes with you his tongue and suckles with his pretty, perfect lips. 

When you cum for the third time, you don’t even know if you truly ever stop cumming at all– the pleasure just keeps coming in waves, never fully receding before it builds again, washing over you like a tsunami before it all repeats. You writhe and twist, back repeatedly bowing off his bed before falling back, but your thighs stay spread for him, even when his hands stop holding them down. 

His hands have found their way beneath you, cupping and squeezing your ass as he eats away. Your hips wriggle, and he helps grind you up against his face, moaning and humming all the while. It’s too much and not enough all at once; your body screams that it can’t take it, and yet your mind screams that it needs more, and God, you can’t think straight– but is there any point in this night that you were?

You’re hot and heaving, sweat dripping from your brow as you tremble and bend. Minho is hot too, of course– his hair sticking to his forehead with sweat, his face red from his cheeks to his ears, and even down his neck. And were you not so far gone, you’d have noticed that his mask has shifted and fallen from his face. 

It was because of you, too– when another high took you and tugged on his hair hard, crying as your hips jolted and bucked against his face. He should’ve swiftly put it back on, lest you see his scars, but he didn’t– he just shoved it aside, against his better judgment, so he could keep licking you up without interruption. 

You feel positively delirious by the time he’s finished, eyes heavy and bleary, body utterly limp and boneless. He crawls his way up to you, and your gaze is unfocused, blurry; you can hardly distinguish his features anymore– similar to the way he always appeared in your dreams before now.

Regardless, you smile at him before you close your eyes; a weak, but content one that Minho finds oh so endearing. You’re beyond fatigued, but also feel an unmatched sense of elation as your angel strokes your head and whispers sweet nothings for you to fall asleep to. “You belong to me now,” you hear him say, just before you drift off– and you know it’s true. 

You think, perhaps, you’ve always belonged to him. From the very first moment Minho saw you, he knew he was never going to let you go. And just as Orpheus had done for Eurydice, he’d gladly walk into the depths of Hades itself if that’s what it took to keep you by his side. 

He gently caresses your cheek as you fall into a deeper sleep, presses a soft kiss to your lips and whispers a final soft utterance of love before he covers you with a blanket, and your mind goes completely dark for the night. 

You wake the next day with a struggle– at least, you think it’s the next day; it’s too dark in the room you’re in to tell for certain. You reach out for Minho, but don’t feel him anywhere– and as you sit up, and your eyes adjust to the darkness, you realize that you are alone. Your brows furrow as you look around; you’re still in his room, but it doesn’t look quite the same. 

There are no candles, not on the floor or in the candelabra that now lie empty. The tapestries adorning the walls are torn and dulled in color, the piano dusty and the gold decorating it chipped. The sheet of music that sits on the piano’s music desk, that last night looked so fresh and pristine, now appears weathered and yellowed.

As you grab the blanket to pull it off you, you realize it isn't a blanket at all that is covering you, but a cape– Minho’s cape. And on the bed, just an arm’s reach away from you lies a note– the same kind that The Phantom always leaves behind inside the Opera Populaire.

Your hand trembles as you pick it up, eyes straining to read it in the darkness. The message he leaves behind, when your eyes focus on the words well enough to read them, is quite simple. “To my beloved and beautiful Eurydice; welcome home.”

[froggyfootsoldier]

yknow solas from dai right and forgive me bc im sure other ppl already knew this but i just found out about this just now and now i have to say it

so i was scrolling reddit and someone was asking how come they can't seem to write solas dialogue correctly for fanfiction and someone in the comments pointed out that he, not always, but very often, speaks in IAMBIC TETRAMETER? and that's why he SOUNDS LIKE THAT?

[captainkirkk]

I want to see Jameson's reaction to finding out that, for long stretches of time, the only way Peter could still be Spider-Man and keep himself afloat was the Daily Bugle.

I bet Jameson goes on long rants about who's funding this lowlife - It's you, dude! You're funding him!

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[accirax]

🌟🍬🤖🎈Congrats to Wonderlands x Showtime for finishing their 4x4!🌟🍬🤖🎈

[mamaspidershit]

Natasha: Hey, no more coffee for you, kid. It'll stunt your growth. Peter: Respectfully Ms. Romanoff I don't think I'll take your advice for being healthy. Natasha: Young man when I was your age- Peter: You were getting injured and then drinking vodka instead of going to Medical. Natasha: What? No... who told you that. Peter: Maria Natasha: Shit.

[vaguely-concerned]

do you ever think about how, when we get lucanis' ossuary mind note on what he was thinking during the fireplace scene at the end of his recruitment mission... what's implied to be his instinctive internal reaction as he's saying "you'd have to kill me" out loud sure isn't 'and I don't want to die'. it's '(and spite would die)'. do you think spite's gremlin-y candle-hungering give-me-FIRE! >:D presence has maybe saved that guy's life even more times and in more ways than are immediately obvious at a glance. do you ever. cry.

it's also very. him that the thing that would stay his hand on killing himself partially might be that he just isn't willing to visit the same cruelty or harm on spite as zara, even when accepting his passenger spirit as collateral damage would at least offer a chance to put an end to his own pain, which at that point he seems unable to see any other way of truly escaping or find real relief from than to die. there's so much resentment and fear and other understandable fraught emotions in spite and lucanis' relationship early on, but it's just as clear that deep down lucanis conceptualizes spite as fundamentally innocent in what's happened here -- perhaps, indeed, more innocent than he manages to conceptualize himself until someone else can help him get in there and start to untangle it with him. he's protective of spite in some subtle ways right from the start, taking pains to point out several times on the jog through the ossuary that the spirits here were just as much victims in what was done to them as anyone else. when spite acts out during the fireplace scene... how much of lucanis brushing it off the way he does is about the '*actively bleeding from the eyes* don't worry about me' avoidant side of it all, and how much is him trying to shelter spite from the eyes of people he does not know well enough yet to predict how they’ll react in response — towards himself or spite. (additional idea to really bring on the heartache: do you think he has maybe intervened in pretty much the same way between illario and caterina over the years and that’s how he does it so smoothly and automatically; it’s basically psychological muscle memory. Haha. ow.) 

Between that and the pretty consistent language he uses that frames spite as child-like, even when he means that in frustration/enfant terrible flavoured terms lol, you get the sense that regardless of how much Lucanis is aware of this on the surface, there is a deep instinctive protectiveness in him for spite. I think that even comes across in the scene where lucanis tells you he’ll continue to pursue a way to separate him and spite on the minrathous route. So I was kind of picking up on/working with that already subconsciously, but when I found that note it hit me like a sledgehammer that clearly in some part at least, the reason lucanis is still here is that he knows now that spite would die with him and doesn’t find that price acceptable. Spite thinks that lucanis mentally locking himself in his (torture :() room and refusing to speak to him is an act of rejection or trickery, but to my eyes taken with everything else we know about how lucanis’ brain tends to work… as much as it’s an expression of avoidance and fear and overwhelm and trying to get away from the voice pushing him towards action when the mere prospect of action fills you with despair to even contemplate (“There’s nowhere to go”), I think it’s also a mark of lucanis’ affection and protectiveness of spite. The guards along the way make it very clear that more so than to keep the outside world from coming in, this place is for protecting people from what might break out. 

And that’s why I think this is also such a good case study to look at lucanis' internal freeze logic and why it has been so adaptive for him up until now when faced with completely impossible emotional situations to which there are no good answers or causes of actions available, even though it's inherently and unavoidably one of those 'what's worse, the medicine or the disease' solutions a brain cooks up. lucanis by the point of inner demons is facing this conundrum: 1) I can't live like this, it hurts too much. I've been in pain so long I’ve got screams where my blood should be and it just keeps getting louder, and nothing really touches or helps that. 2) I can't die to escape this, because that would also kill spite (and also I've got a job to do I guess *working 9-5 slowed with reverb and with underwater sound distortion effects is playing in the background*). those are of course not actually his only options, but in the state he's in they are the only options he can conceive of. (that's not infrequently how it works, when the suffering is that intense and unrelenting. Nothing gives you tunnel sight quite like ‘I just need this to stop’ agony that has gone on long enough to add sheer soul exhaustion to the mix)

so what happens in the end? his freeze brain -- honed, I'm sure, through many long years of attachment trauma and abuse and loss for exactly this kind of 'uh-oh. Incoming FUBAR situation alert let’s go' -- kicks into action and makes him do nothing except what's externally required of him, so he can stay just functional and momentarily distracted by a plethora of avoidance behaviours enough to get through his daily life, if like not particularly happily so... and otherwise, as it were, locking himself in his room deep inside where nothing can touch him, where nothing gets in and nothing gets out, no harm allowed to either escape from within nor allowed to pierce through and get inside. numbness isn't actually a cure for that kind of suffering, but it's the closest thing you're likely to get with any immediacy and if you’re desperate enough by god you take those. It’s how he survived his upbringing, and it’s how he survived the ossuary — as he tells Davrin straight out, the trick to just shut down every part of his soul he can to get through intolerable pain, loss or helplessness. I don’t think that mechanism came to him in the ossuary the first time, I think that blueprint was deeply embedded in his neurons and went ‘ah. My time again. Not to worry I’m a bit of an expert at this I’ll get us through this yet (though you may not thank me for it by the end of it all)’. 

In that state he's unable to himself reach out and meaningfully ask for help (and also like... why would his inner world have any framework for that as even being on the table? this has never been an option before in his life, not in any safe or consistent way; he's fucked up the way he is because the same things/people that should have been and partially, comparatively, were the sources of help and relief and safety growing up are also the sources of pain and abuse, that eternal irreconcilable ambivalence, the double edged sword of unpredictable insecure attachment), but it also keeps him from doing anything uh drastic the other way too, on acting impulsively in ways that can’t be taken back. (that seems to be more illario’s role/dubious privilege in the family lol.) at many points in his life and especially growing up, freezing and going numb around the pain is as close to having control of anything as there was any hope of. 'harm will be inflicted on me unpredictably, but fuck you I don't have to truly feel it as long as I shut all this other stuff down as well, that's what I can control' nervous system logic. (it'll get you every time.) for what it’s worth I’m not so sure his nervous system judged that one incorrectly, I think that is the kind of rebellion you would have to cling to while being raised by someone like caterina, because look at illario if you want to know how much she respects and rewards anything more overt or active. (I mean, if you don’t succeed, at least. swing at Grandma Dellamorte you’d better not miss or you’ll meet that cane swinging at you the other way and she will not miss)

I say all this because I think it's as easy to demonize the freeze response as it is to demonize anger, to conceptualize it only as an obstructive force that, as bellara puts it, is one of the purest forms of a heart not seeming to want to let you be happy, or a mindless byproduct of trauma. But in my experience, the brain doesn’t generally come up with ‘stupid’ defense mechanisms. Even in the most maladaptive of coping mechanisms, there is at the core of it some part of you that once meant to save your life, no matter what trouble it is wreaking for you today. when you look at the setup of Lucanis’ soul, as it were, you can see the dual and in some ways genuinely noble and even tender qualities this response has in him, however misguided: it does imprison, but it also protects, and it means to protect; for all the pain along the way it has sheltered all the parts of his soul that are most precious and breakable, the most vulnerable parts that want to live and so so importantly love completely and freely. Lucanis thinks he’s protecting not even primarily himself but everyone he loves by staying where he is. (“It would be better for me to stay here than to risk losing you”) A child’s logic, to be sure, but logic of a kind and clearly one that caterina has encouraged in him because that’s a conception of love it’s been very useful for her for him to have. Freeze looks like utter hopelessness on the surface, but in some ways I think it’s the utmost triumph of hope — a spare and unrelenting winter that exists because it thinks one day spring might still come, and the things too precious and fragile to thrive in your life as it is now might bloom then. 

He is an adult now, and Caterina no longer controls his entire world, physically and emotionally. There’s finally room for other things, other people, himself, in his life, without everything having to defer to the gravitational force of what Caterina wants from him at the end of the day. And while I think her jumpscaring him with the First Talon position is partly her attempt to wrangle him back into the status quo of control she once had, I’m not sure it’s going to work quite the way she might hope — at least in the Treviso saved route, there are just too many fresh spring shoots in his life at that point that could grow into something new, it’s too late to trample all the saplings growing up through the cracks in time (and indeed some of them might also fight back). (The outlook on the Minrathous saved route is um. Perhaps less convincingly immediately hopeful to me and the prospect of actually getting around to healing further down the road, but I refuse to give up on him that’s my little guy and he’s above all incredibly smart and stubborn and not a quitter and all the rest of this still remains true beneath it all, just like. Give him a moment here.) His hopes and dreams have diversified while she had her back turned lmao he suddenly keeps them with so many more people than just her and Iillario now. She doesn’t hold the monopoly of meaning and connection in his life the way she used to. And whether out of love (you know. Hope is every man’s prerogative I suppose) at seeing him really happy for perhaps the first time or sheer pragmatism, I think she’s going to have to accept that and adapt her ways of doing things with him accordingly, or else have him drift even further away from her.

Spite is the urgent impatient voice that starts to break through to go ‘that moment is now it HAS to be now. We need to shake off the shackles and illusions and face what’s actually here so we can learn to properly live now, or this winter will starve us to death as surely as anything Zara could do to us’. And he is right! As crucial as this soul-starvation landscape has been in survival, it has clearly reached the end of its sustainability, you can’t survive permanently on frost alone. I just also want to recognize the credit Lucanis (and his fucked up but valiant nervous system <3 pour one out for a real one) also deserves for stubbornly holding on in any way he had to until Spite’s true escape project is even an option for either of them. Especially since Lucanis seems to harbour a lot of self-loathing and frustration over his own propensity for freeze — “You know him. You can open the door, but he won’t walk through it”  (still one of the saddest most painful things I’ve ever heard. In case you were wondering. He knows. He knows what he’s like, and he despairs of it, he thinks it means it’s his own fault he still feels like this. Augh.) The real point at the end of the day is not that spite saved lucanis or vice versa, but that as traumatic as it was to get there and against all cultural expectations, it is ultimately their enmeshed condition, their togetherness, that saved them both. (which, again, when you consider the cultural narrative of possession and spirits most andrastian nations are working with…what a radical conclusion to come away with haha. Not unprecedented at all, if you look at Wynne and her spirit, but on a deeper and more psychological plane than ever and even more impactful for it, to me.)

[flashyfools]

months ago, while mindlessly scrolling through twitter, i came across an analysis of this particular panel from chapter 434 (i can’t remember who wrote the thread, i’m so sorry </3), and i really want to talk about it too.

(EDIT: original author of the thread is @goingbuggy!!! go check out their metas, they're amazing)

the thread was focusing on the way the speech bubble covers shanks's scar completely, and how it can be seen as a sign of vulnerability. oda is using shanks’s own words to hide his suffering, letting his physical scars be representative of his emotional ones, even though the event he’s talking about is completely unrelated to the way he got his scar.

in fact, we know shanks is not ashamed of the scar, since just a couple of pages after this one he mentions it directly as a way to start the conversation about blackbeard:

he doesn’t have a problem with the marking itself, it’s just used as a narrative device, a tool to highlight (in an extradiegetic way) his emotional wounds and the pain he always tries so hard to hide, in an effort to keep his usual composure.

the original author of the thread compared the panel from chapter 434 to another, way older one, from the very first chapter:

this takes place right after shanks loses his left arm to save luffy’s life. it’s obviously a very emotionally charged moment, which means the best thing to do would be showing a close-up of shanks’s reaction to everything that’s unfolding in front of him at that moment (luffy’s cries, or even his own reaction to his sacrifice). oda, however, chooses not to do that; instead, he hides half of shanks’s face, just like he did in chapter 434. the way the moment is portrayed tells the reader shanks is willing to hide his pain in an even deeper way than what he’s showing by smiling at luffy right after getting his arm chopped off.

it’s a great way to explain an important characteristic without stating it right away. it's a focal point of shanks's character: it's his way of showing luffy he cares about him and would much rather hide his suffering than pass it onto him, but it's also oda's way of conveying that shanks is much more vulnerable than what he allows himself to show.

having said that, the reason oda chose to bring back this framing in chapter 434 appears obvious: shanks misses buggy.

it’s plain to see, especially if we look at the whole page.

shanks tries so hard to act collected when talking about buggy, but it’s obvious that he’s hurting. his wording makes it clear he’s trying to detach from him (“that’s the end of it” + “rumors have it”); he acts like buggy doesn’t exist in his thoughts anymore, when it’s obvious he still does. he feels remorse, he regrets letting buggy go. he’s scared he might have been in the wrong. he knows he hurt buggy, but he desperately wishes he didn’t.

all of this weighs on him in a way he isn’t used to, so he locks these feelings up, thinking of them only in relation to something that happened in the past, and as so, stays in the past. he smiles while talking about him and buggy, but it’s a remorseful smile. he cuts the conversation short even though he vividly remembers what happened between them, and as he does so, his words hide the scar. he desperately tries to patch things up in his mind by exclusively clinging onto the good memories they share, but the remorse always creeps up on him. he always smiles when talking about buggy, even when he’s talking directly to him. but his smile always ends up looking sour.

this is exactly why i hate it when people say shanks doesn’t care about buggy. oda wouldn’t have given these panels so much depth if he didn’t want to show just how much shanks actually cares. even just the fact the panel we are focusing on directly mirrors a panel from the first chapter, one so important and impactful, should tell you everything you need to know.

buggy will always be shanks’s weakness. caring so much about someone when you’re a pirate of that caliber is difficult in itself, even more so when that someone is so far away from you now.

[pinkd3mon]

Kirby deals with existential crisis and Bandana is a good friend

[paintpanic]

dream i had

[canisalbus]

*gasp* ITS THE PERSON WITH THE SICK DOG ANTHRO DESINGS AND INTERESTING AS FUCK LORE WHO'S ART I FOUND UNCREDITED ON PINTEREST!! I HAVE FOUND YOU IN THE WILD! FUCK YEAH

.

[duahauuoplanh]

you ain't gotta pray for me and my wild boy and all this wild joy ~

[psychotic-nonsense]

NOW WITH A PART 2 AND PART 3 !!!!

Not sure if this is anything, and feel free to critique or add on or clarify and all that, but...

A few weeks post-Starcourt Steve, absolutely wrecked by the Russians and Billy. He's healing, little by little, but he knows he needs to put his pain aside to help out The Party. Especially Robin, who has not been coping with the trauma well. She's taken to spending the night at Steve's most of the time, and they help each other manage. She's not the best with physical comfort, nor is Steve with verbal comfort, but they're managing.

Yet despite the constant offers of help, Steve always refuses to "ask for too much" and often downplays his pain, forcing a smile to keep anyone from worrying. He's bottling up everything - probably handling it worse than Robin, even though he insists he's used to it and knows how to fix himself. Every day he gets a little worse, and every night he brushes off help.

It's during one of these late nights that disaster finds them again. It's Steve and Robin in his living room, and they're just about falling asleep on the couch when the ground begins rumbling, hard. An earthquake, shaking Hawkins and getting the entire Party in a frenzy. The radios are blaring with the kids' voices and Steve's trying to get Robin to stop screaming into the walkie, when suddenly there's a hole opening up in Steve's living room, and the earthquake stops. Steve and Robin go quiet, and the kids are urging for a response as they all rush to meet up at Steve's.

But he and Robin can't speak, too busy staring at the hole. One that looks way too similar to the Gates... but it glows blue instead of the usual red. Steve, ever the protector, is carefully stepping around the hole to grab a fire poker for defense. The second he does, the Party bursts in, just in time to watch the hole suddenly crack open further, sucking Steve in and closing itself behind him-

As Steve Harrington lands in the bedroom of Post-ST3-release 2019 Eddie Munson.

Eddie's living rough, bunking in his childhood friend Ronnie's basement. An orphan, can't hold a job, in his second senior year of high school purely because he knows he has nothing else to do after it. His only source of comfort so far has been DnD - either the DM hosting he does at the local library for the other poor lost suckers, or the one Netflix show with its elements that has captured his heart.

Eddie's a pretty big Stranger Things fan - it has its faults but is otherwise a really fun and interesting show - but ever since ST2, he's especially been a Steve Harrington fan. He feels like he goes mad just thinking about the implications of what that man has gone through, what all those kids have been through, and how Steve has put aside himself to focus on the kids. How much Steve has changed, and how under appreciated he is.

Since binging all of ST3 the day it released, Eddie's had a field day on breaking down this newest reformation of Steve. He adores Robin - clocked her as a lesbian from episode 1 - and loves that Dustin and Erica have been bringing out his bitchy side, while still keeping him in check. The Russian torture and strange parallels with Billy have made him cry on more than one occasion, and Steve's half-high speech in the bathroom legitimately felt like Steve finally acknowledging his change, even if for but a moment.

Ronnie's teased Eddie way too much about his "obvious crush on Joe Keery" but this feels way too personal for him to just be crushing on an actor. This is Eddie falling for the Fallen King of Hawkins himself, and it's much more embarrassing. Steve Harrington becomes his muse in every form of art; drawing, writing, character inspiration and improvisation. The Duffer brothers aren't the greatest at the rest of the show, but they've damn well got this guy down.

Hell, Eddie was halfway to crossing the last personal barrier to outright obsession (x Reader fanfiction) when the earthquake hit. In hindsight it wasn't the worst thing in the world, but Eddie had never experienced one before. He immediately dove right under his bed, covering his ears and curling up in a ball like a coward ("Nancy Wheeler would be ashamed," his weird ass brain supplies). He hears rumbling, things falling over, wood splintering and the world seemingly cracking apart all around him-

When a body suddenly lands hard on his bed with a loud scream of fear, cutting off as the whatever it is rolls straight off to the floor, and the world gives one final strain before going completely silent.

Terrified, Eddie's eyes are shut tight, cowering as the body on the floor just a foot away from him groans and gasps for air. It takes a sudden hiss of pain for Eddie to finally, carefully, crack one eye open.

Only to come eye to eye, through the gaps of his bedsheets, with the very muse he'd just been thinking of. Steve Harrington.

There's an immediate scramble of panic; Eddie bashing his skull into his bed frame trying to get out and away from the obvious hallucination, while Steve wobbles on his feet to defend himself against this strange humanoid Upside Down monster.

"What are you?! Where am I?!"

"What am- Are- You- No, you're not real- JESUS H. CHRIST MAN, GET THAT AWAY FROM ME!"

"I don't know what you're talking about, but you're gonna see how real this is if you don't tell me what's going on!"

"You think I know?! You fell into my room!!"

"Yeah, from your Gate!!"

"WHAT FUCKING GATE- WHAT THE HELL ARE YOU TALKING ABOUT!?"

"I DON'T FUCKING KNOW!!"

That gets them both to shut up, just staring at each other. Eddie pressed up against the wall in fear with his hands up and out wide, Steve with the fire poker pointed straight at his neck and his hand held up cautiously. Eddie sees it, smells blood in the air, and ignoring everything, reaches out for it. Steve jabs at the air with the poker, but it's halfhearted, his energy clearly draining, too exhausted with the whole situation to try much further. Finally his arm drops, but Eddie doesn't move, watching Steve's face crumple in a way that aches everything inside his heart.

"Where am I...?" Steve pleas, tone just as desperate as the one from the Russian bunker, even when lacking its power.

Eddie fumbles for the words, but eventually just sighs. "Somewhere you wouldn't believe, my friend."

High and complacent on adrenaline and shock, Steve and Eddie just move in silence. Eddie grabs a wet cloth to clean the blood, Steve cutting off a bit of his sweatpants to use as gauze. It's just a gash from falling with the fire poker, nothing drastic, but the two stare at the cut in Steve's palm, easier to see than the one who's hand is on theirs.

Introductions are exchanged when they can finally stop shaking, and Eddie somehow drops the bomb on where and when Steve is, and what his entire existence is to this reality. Steve has a very brief existential panic attack about it, but is strangely comforted by Eddie's confidence about it all - "Even without El's powers, those kids are smart as hell. They'll figure out a way to make their own Gate and get you back home."

Then Steve just spends the next week or two in a reality almost 40 years in the future, where he and his entire existence is a sci-fi TV show. Some funny exchanges I've been thinking of:

Steve: Wait, so we're characters in a show, right? That means we have actors.

Eddie: Oh, uh, yeah, you do...

Steve: ...Think I could see them?

Eddie: Uh- Sure, I guess? Not sure what you're expecting, it's a live action thing, they look just like you.

Steve: Never getting used to your future phone... Huh, Joe Keery? Looks like a cool guy- woah, is that what my hair looks like short??

Eddie: Yup, again, literally just you.

Steve: Funny how we both have the most basic names too. Steve and Joe? Like, look at Dustin's actor, what kind of name is Gaten?

Eddie: Rude, the guy plays your little brother.

Steve: Quit bringing your fake show theories into my actual life.

Eddie: It's true though.

Steve: ...Yeah.

----------------

(Steve goes crazy after a few days of being locked in, and begs Eddie to take him out to "see the future." While they're walking around town, a group of girls suddenly freak out and rush them)

"It's Joe Keery! Guys, look it's Steve Harrington, from Stranger Things!!"

(Eddie's halfway to panicking, but Steve immediately handles the situation)

Steve: Sorry to disappoint, ladies, not him. Don't worry though, I've been getting that a lot since the show came out.

"Oh God, I'm so sorry! Hope we didn't make you uncomfortable, mister..."

Steve: Mark, and not at all! I get asked this a lot too, but do you girls want a picture? For bragging rights, getting to meet "The Steve Harrington?"

(They agree, Eddie takes it for them, the girls go on their way)

Eddie whispering: That's gonna be everywhere in 5 seconds, I hope you know.

Steve whispering: Eh, it's a crowd my actor didn't have to deal with. Besides, felt pretty good.

Eddie: Familiar experience?

Steve: For a better reason.

-------------

Steve, showing Eddie's laptop screen open to the FunkoPop website and the Scoops Duo, halfway to tears: They make figurines of me and Robin?

Eddie: Yeah, of all you guys. I've got a little Dustin on my desk.

Steve, beginning to cry from how adorable he finds it: YOU DO?

---------------

(Ronnie comes back from work early while Steve and Eddie are talking in the living room. Eddie freezes as Steve makes eye contact, and Ronnie just stares)

Ronnie: Um, hi?

Steve: Oh, hey! You must be Eddie's roommate, nice to finally meet you! I'm Mark.

(That allows a breath to finally enter and escape Eddie's throat in a bit of a laugh. Steve's really leaning into this Mark persona)

Ronnie: Ronnie, and likewise... Sorry if I'm acting weird, you're just a really good cosplayer. Thought you were actually Steve for a second.

Steve hesitantly: Nah, just a doppleganger.

Ronnie, shrugging and walking away: Well okay then, I'm way too tired to talk much more. Eds, just keep your nerd shit out of the sink-

Eddie: And stay quiet, yeah yeah, go rest, breadwinner.

(Ronnie goes upstairs, out of earshot)

Steve whispering: What's a cosplayer?

Eddie, suddenly also very tired: Tell you later.

I'm thinking that Eddie had sketchbooks, notebooks, and Word Docs absolutely stuffed full of ST character evaluation, which he immediately hid upon Steve's arrival. Maybe Steve gets bored when Eddie's out for whatever reason, and snoops around. That's when he finds it all crammed at the back of Eddie's closet. The kids, Nancy, Jonathan, Robin, Joyce, Hopper, hell Billy and Murray are in the pile. Drawings of them in their adventures, active and mundane alike. Pages upon pages of character description, Eddie's handwriting gushing about the parts of the show and characters he loves, hates, wishes was fixed, all of it.

But the part that gets Steve is one specific sketchbook and notebook, both dubbed the Steven Soliloquy. It's the same type of information as before, but only about him, and it's filled to the brim. Eddie talking about his development, his change of heart, the complete shift that Nancy and the Upside Down and the kids allowed him to have. The affects of his trauma, and how much he stuffed it down in favor of everyone else. Talked about his relationships, ones he cherishes, loathes, never thought of or never got the chance to make. Talked about "AUs," alternative realities where he got everything he ever wanted. Eddie's words, his sketches, devolve into adoration-fueled envy, wishing he could be near such an amazing man, that he was strong enough to be such an amazing man. How much his heart aches for Steve.

And if this were a normal situation, Steve would be uncomfortable, creeped out. But knowing the context of it all, Steve can't help but be enamored. That his family's journey, his entire story of survival - even when fictional to Eddie - is so valued makes it all feel a little more worth it. That there was someone out there during all of their terror, rooting for their victory, crying with their pain, screaming with their fears, understanding them because he lived through it all right beside them.

Eddie finds Steve in his room later that day, surrounded by those books. Staring at what Eddie considers his WIP magnum opus; a half-finished colored pencil recreation of the Last Supper with the entire Party, including all of the people they lost, happy and healthy. Eddie's two seconds from apologizing for how creepy it all must be - seeing how many of those books are open - but then he sees the tears in Steve's eyes. Gratitude and adoration and care, all bundled up and very suddenly staring right at him with the widest smile he's seen.

They talk about it. Eddie finally admits his minor obsession with the show, and how much they've helped him come to terms with being a self-dubbed loser. He honestly gushes way too much about what he owes to them about his life, but Steve listens to it all with complete adoration. At the end of it, Steve asks Eddie about the possibility that they've been adamantly ignoring for Steve's entire stay: actually watching Stranger Things.

And that's how they spend their last week. Starting from season 1, they sit in the living room and binge the entire thing. Steve learns an entirely new perspective about his family's adventures, not only from the show's canon, but from Eddie's theories and rants in between monumental moments. Eddie holds his hand during the scenes that focus on his worst nightmares; the Demogorgan in the Byler home, the breakup, his fight with Billy, the Russians. Steve provides his perspective on how he felt during it all, finally admitting to the pain he's gone through instead of just focusing on the others hoping it'll all go away.

Not sure where exactly it goes from here. Maybe some codependency grows between them. Maybe Steve falls a little in love. Maybe they just stay friends, the only ones who understand each other aside from their Platonic Soulmates.

Maybe, when another earthquake finally hits, opening up a Gate in Ronnie's backyard, Steve and Eddie finally must go their separate ways. Eddie promising to keep watching over them from across the realm, Steve promising to make a happy ending for their story.

Or maybe, Steve can't help but see what little Eddie has, how special Eddie actually is, and offer to bring him along. Into the very show he loves so much. Maybe Eddie convinces Ronnie that he'll be okay, swearing to be entertaining should he join the show in an important way, and making her swear that if he doesn't survive to bring him back in as much fanfiction as she can write. Maybe Eddie enters Hawkins, Indiana, and becomes a bit self aware about being in a TV show. It takes a while for everyone to warm up to the future man - and for Eddie to get used to Midwestern US in the 80s - but he becomes a close member of the Party quite easily. Maybe his involvement in season 4, his death, is avoided, and maybe it's not.

But his adoration for Steve Harrington never goes away. Not in canon, or in fiction.

[lunarharp]

if i just told you i love you would this world change