#I do actually wonder do the Kuja focus on like small families like we in the Western world tend to do

[moongothic]

I think kuja theory stuck cause its a fun thematic/narrative idea: what if a lady on an island with 0 men and 0 concept of men found out about men and was immediately like “oh shit thats me”

Oh yeah that's fair (and some/many queer people in general would probably find that (being the only queer in a specific setting growing up and feeling isolated/estranged from everyone else because of it) relatable)

Also to be fair, Crocodile and Hancock do have the same hair texture (like most Kuja have colorful hair in all sorts of textures but those two in particular both have shiny black hair) so there is that minor visual resemblance there too

[l-in-the-light]

The Red Line and the All Blue

I have been thinking about the All Blue lately. I really, really like the theory that to get to the All Blue we need to destroy the Red Line. But there's just one problem with this. It lacks story reason. It doesn't have the oomph the usual mysteries in One Piece deliver. It's like the fandom discovered this piece of puzzle and left it on display, instead of trying to connect it to other things to make bigger sense of One Piece's world.

Red Line is called, curiously enough, a line.

If we ignore the seabelts, it looks like it seperated the world into two parts, two halves, because that line goes all around the globe. Interestingly enough, it seems like the North-West part is the one that is scientifically more advanced in comparison to the East-South. We have the family of best doctors the Tragalgars and botanists Mont Blancs in the North. Germa Kingdom with it's advanced science also is located in the North. And there are also Ohara's scholars in the West.

Meanwhile, there's no notable locations like that in the South and East, and most places seem to look very primitive there (lots of villages and small towns, not counting Goa Kingdom itself). In South Blue it seems to be similar, though there's one exception: Torino Kingdom. It looks primitive but actually hides lots of advancement. This makes me think that (at least some places in the) East and South might be pretending to be more primitive that they actually are, hiding their inventions. Flevance or Ohara were pretty open about their achievements, knowledge and technology, like it was to be expected that they're advanced and proud of it.

Oda doesn't really expand much on West and South Blues, but we know quite a lot about East and North, so I will focus on them primarily as we move on.

Shakky makes it sound like calm belts are means of protection, not something posing danger, like we were led to believe so far. But now they're not so safe anymore because of scientific inventions. It makes it all seem like calm belts were placed there intentionally somehow and aren't a result of coincidence. Not even Marines could go to the calm belts before using Vegapunk's inventions.

Now the question we should ask is this: what are calm belts protecting? People like the Kuja tribe (personally I think Kuja are just benefitting from it, they weren't the original purpose)?

Or... perhaps to protect the Grand Line itself by seperating it from everything else? And by extension, also from the Marines. Grand Line is the place where all pirates go who seek the One Piece, it can't be a coincidence.

"This is the boundary between justice and evil!" said the Marines as they painted the line and told everyone to respect it. What we know from the Void Century so far is that it was a war between two different ideologies. What if the Red Line is the result of those two fractions seperating from each other, literally dividing the world into two parts? "Don't ever cross that line". Crossing the Red Line is definitely a difficult thing to do for normal people and if anyone crosses it it's either Marines or Pirates. It divided the seas for forever.

Vegapunk also said there are still scars left on the world from the Void Century's war. Not only the world sank by 200 meters, apparently there are literally traces from the war left behind, and normally you would expect to see some ruins. But 800 years passed already and so many nations are so fast at rebuilding their kingdoms, what possible "ruins" or "scars" could be left behind that are still visible? Unless... those scars are the Red Line and the calm belts. It would be indeed very challenging to get rid of those. Coincidentally we have no idea when the Red Line got created. All we know is that Lunarians used to live there at some point. Marco knows that from Whitebeard and I wonder who Whitebeard heard that from? Perhaps Roger, because Roger told him what the D. stands for, so why not that as well.

Unless it's somehow connected to the D.

Because in the "land of gods" this is what welcomes the visitors. Cloaked figures of warrior-guardians (my guess based on their looks alone), those on the left wieldings swords, those on the right spears. This must be a relic of older times, because it has literally nothing to do with Celestial Dragons. And it kinda fits the idea that current Government just stole the older structures for themselves. Impel Down (that bears poneglyph-like writings), Gates of Justice, Marie Geoise, they might have even had different functions long, long time ago. What all those locations have in common is their advancement and heritage that seems not to be used to it's full potential, more like recycled for a different purpose. Impel Down was probably never a prison to begin with. If you want more headbending mysteries, then I can't reccommend enough to play One Piece World Seeker. Just the map alone of the Jail Island raises so many questions. It's also a mining town and has an underwater prison as well...

This looks like there was once an entrance or a passage way, allowing the ships to go through between the North and East Blues. It has been sealed off or something else was done to it.

Curiously enough, doctors were the ones allowed to pass the line between "justice" and "evil". Because doctors save lives. We know Trafalgars were apparently a family of doctors for many generations. It is possible they didn't even originate in the North Blue, but moved there at some point. Because doctors are allowed to cross borders.

Many people speculate that the red figure of Luffy (or is it a statue of Joyboy?) symbolizes the Red Line in the logo of One Piece. The horizontal lines are the calm belts protecting the Grand Line. What's the anchor and skull&bones with the Strawhat then? In the very first chapter of One Piece Luffy wears this shirt:

Is the anchor Luffy, or rather, the East Blue where Luffy comes from? Is the skull and bones with a strawhat the North Blue then perhaps? So then, the idea behind destroying the Red Line would be to finally connect the East and the North Blues together again, seperated for centuries. That might be what the rope symbolizes: connect them together (coincidentally, the "full" name of One Piece treasure includes the word hitotsunagi which might have a second, double meaning: connect the people). The goal of destroying the Red Line is to bring the two seperated seas back together, and by doing that we discover the All Blue. Perhaps, long long time ago, in the ancient times there was only one sea.

Zou is on the back of Zunesha for over thousand of years. That's way before the Void Century even happened. Which means minks have the knowledge about the world that dates back a thousand years. And back then there was only one sea, the All Blue, and 5 islands in the whole world. It's likely the world was not divided yet into two parts with the Red Line either.

Why is the skull munching on the rope, I have no idea.

I have a hunch this is all part of the plan. Roger's plan and Joyboy's plan (yes, I believe Roger did something as well to help Joyboy's plan to succeed). They're waiting for the "right people" to show up, after all. They are stationed in certain places that can't be avoided on the voyage to Laugh Tale, like Twin Capes, Sabaody... all ships have to pass through these locations on the Grand Line.

Maybe they helped fate a little?

But clearly fate isn't all there is to the story.

Merging those symbols together get us a "sun" symbol we have seen in many places before (like Alabasta and Shandora and Kozuki's clan, they're all the guardians of the poneglyphs and had possible ties to Joyboy). Blackbeard has it too, he apparently likes to study history, so maybe he knows some secrets.

My current bet is those two fractions used to be one, then they divided into "crossbones" (later outcasted and villainized, perhaps?) and "crosses" (World Government, the "good" guys or in other words: the winners).

But I bet you anything there will be a twist, or even few twists, here. There's no way the final answer will be that simple ;) And I'm sure Joyboy's plan will be one crazy ride as well :D