#I didn't need to make the whole analysis

[lesbianwyllravengard]

Wyll breaking up with the player character if Ulder dies so Wyll must become the Duke makes me wanna throw up sobbing because he actually thinks that just because his father's first duty being to Baldur's Gate made him a Bad Father that Wyll himself will inevitably be a Bad Lover because surely no one could match love with duty if his father couldn't, unknowing he has more love in one hand than his father had in his entire body. fuck

[fireheartwraith]

I don't understand people who say Bakugou's bullying got to extreme physical levels to the point that he would burn Deku. I get saying that for ✨️angst✨️ in fanfics, but I genuinely don't think that’s the case in canon. I think the most extreme his bullying got is exactly what we saw: verbal abuse and destruction of property. Which is still bad, by the way (this is the way I was bullied too, so I know it's not fun), but also aligns more with his personality

Bakugou may be brash and aggressive but in some ways he is also a goody too shoes. He was top of his class (still is top 3 at UA) and knew that to achieve his goals of becoming number one hero and going to UA he would need a clean record. He stops his friend from smoking next to him just in case people smell the smoke on his clothes and think he was the one doing it, he would NOT be physically hurting Deku in a way that can so obviously be traced back to him.

Even if the teachers did nothing about the bullying, students are not supposed to use their quirks in non-hero schools, so he would at least get in trouble for that. There’s a reason he waited until there were no teachers around to bully Izuku. He’s too smart to leave any evidence of it on Izuku's body, as Izuku himself points out that Bakugou telling him to kill himself was reckless because if he did do it Bakugou would get in trouble.

TLDR: please stop thinking angst fanfics are canon, Bakugou was not going around burning Deku and breaking his arms

[beatcroc]

listen. i love pizza tower with my whole heart & mind. you know this. you Know. but first and foremost i am a character design bitch, and the pizzas are, frankly, very bland. this is not a critique or a complaint, because obviously That's Not The Point and more importantly i would be horrified if anyone tried doing that much animation with anything more complex than what's there. but also it means when i get a taste of some truly whack ass insane design work again it is like fuuuucking catnip

[aerticent]

I want to preface this by saying that I am in no way shape or form saying that any of this is excusing Elara and the shit she did to Maven. I think she's a pos who deserved what she got. That being said her and Maven's relationship is so interesting to me!!

I hate when people paint Elara as hateful towards Maven and like she viewed him as inadequate because I just don't think that's true. I think she understood Maven's position as the second born and as her son specifically. I think she understood that despite him being innocent regarding everything that happened to Coriane, he would always be antagonized by their family and he would always be othered by his father. I think because of this she conflated every "flaw" as something major even if it's as small as him learning to walk later than everyone else. Those "flaws" would always follow him, he wasn't given the same leeway as Cal. Obviously this doesn't excuse what she did to him, nothing will, but I do think it's interesting to think about how she reached the conclusion that what she was doing to him was okay.

I also like how there are instances in the books themselves of her being caring towards Maven in a very motherly way. There are two instances that come to mind of this happening. After the Sun Shooting Mare sees her clinging onto him. I think it's because she finds comfort in him and she was also worried for him, because even though the shooting was planned it was still something that could've killed him. There was also when Mare mentioned Thomas during the betrayal scene. Mare brings Thomas up and even though Maven brushes her off she can see she hurt him. Elara immediately reached towards Maven and told him to say goodbye. I don't see this as her being scared of Mare getting through to him, but instead her being worried because she knows more than anyone how much Thomas still effected him. I've always interpreted her taking his ability to dream away as a desperate attempt to help her son who was grieving. She was likely the only person to ever see Maven's grief and how much it was hurting him and the only thing she could do was try to remove any trace of Thomas from Maven. Even though it didn't fully work, if anything it left him worse off, I do think it was her trying to help her child in any way she could.

Elara, more than anyone, was aware of the way everyone in that court viewed Maven. Even though she knew Cal loved him, I wouldn't blame her if she had the fear that Cal would turn on him given that all of Cal's family openly showed their disdain for Maven. I also think that the treatment Cal received compared to Maven reaffirmed her belief that any "flaw" Maven had would follow him always. For example, Cal was never very good at politics and, despite politics being something he would need to be competent at, he was always given leeway when it came to it. It was understood that even though Cal struggled with politics he would receive help from his council. Compare this to Maven. Maven struggled heavily with combat, he was competent enough with it to defend himself but he was by no means great. It felt like there was a sense a shame that surrounded the fact that Maven needed protection. That even if he wanted to, he couldn't fight in a battle the way Cal could. Maven's strengths were always cast aside because of his weaknesses, whereas Cal's were accepted and he was given the resources he needed without any sense of any major insult.

I wonder what an average day was like for Maven when he was growing up and what his relationship with his mother was like day to day. I don't think Elara was in his head making changes everyday, so I wonder what their day to day interactions entailed. I wonder if she was openly motherly to him or if she restricted it private interactions only. I wonder how exactly she felt when Maven would go to Cal for comfort instead of her. I wonder how she felt knowing that everyone (atleast on Tibe's side smh I NEED more on the Merandus') outside of their immediate family at best couldn't care less about Maven and at worst hated him simply for existing. I wonder how she felt watching Tibe emotionally neglect Maven. I think most of all I want to know if she ever did feel bad for what she was doing to him. Did she ever feel guilt or shame for changing things about him? Was there any instances where she didn't want to make the changes but felt she had to for his safety in the court? Did she have limits/changes she would not make no matter what? Were there any changes she regretted?

I think in general the story could've benefited as a whole if there was more insight to Elara and her mentality when it came to Maven simply because it would've fleshed out two of the central antagonists more. I think just getting the conversation where she told Maven the plan regarding his engagement to Mare from her perspective could've added some insight to their relationship and Maven's character as a whole.

I also think Maven's feelings towards his mother are wonderfully written. I love that he understands she's hurt him and he still loves her. He tells Mare about how she forced him to walk and told her that Elara only told him because she felt it proved her love for him. He understands that what she did wasn't love because all it did was hurt him, but he still loves her. He still wants to be buried next to her and he still misses her. It's heartbreaking to know that the only reason he loves her as much as he does is because he feels he has no one else. She hurt him but she was the only one who cared enough to do anything at all.

I would feel wrong not mentioning Cal as he is the only other character who was with Maven through all of this and he certainly did care. Obviously it isn't Cal's fault he wasn't able to help Maven. They were both children, to expect Cal to have been able to do something when they were both children is stupid. But I do see how Maven could rationalize this as him not caring enough. He loved Cal so much and actively sought him out for comfort, so I can understand how Maven would feel betrayed when Cal wasn't able to notice the changes occurring. Once again, it isn't Cal's fault in the slightest but I understand how Maven reached the conclusion he didn't care enough. (not to mention he had his ability to love Cal taken but I have mixed feelings on that whole ordeal)

I want to once again mention, none of this excuses Elara's actions. What she did to Maven is unforgivable even if she did think she was helping him. I think it's interesting to think about why she did everything she did and how she justified it to herself.

I probably missed a few things, it's been a while since I read these books. (I'm rereading them soon so maybe I'll make a follow up afterwards with any new thoughts I have) I've been thinking a lot about the relationship a mother can have with her child and naturally my mind drifted to these two lol.

[indi-glo-archive]

guys.

[unproduciblesmackdown]

winston sees it coming b/c he's been around here for at least 5 sec which is enough &/or half is deliberately baiting everyone as another parting flipoff and he suffers through & is upset by all the measures taken but is then just ready like oh we'll just put it All out there, his shit sure but then also an exposé on any & everyone's bullshit that he's been aware of, which seems to be aplenty, and you know, like has a lawyer ready and shit but like yeah deal with (a) that PR where [also if he can include the exposé on what they've been doing to him / are trying to do to him Right Now] plus all that other bullshit is shockingly going to be what any randos & third parties care about rather than "but...he's sooo annoying :(...but we refuse to fuck him :(...but he could be taller :(..." and then (b) we could have Themes where Everyone has to still deal with even the potential consequence of their own actions that is looking in a mirror for a minute while they try to take down prince (plus another potential shakeup to those efforts in this, besides those of just waiting around on / letting wendy & etc take their shots at it) but instead of that it is more important to billions that we get an episode about how fun it is that wags is so cool

[datastate]

still so frustrated that it's because it took so long doing the video production part of my kai analysis that a lot of my revelations were rendered redundant but it's fine. it's okay. i was right. it's just that now everyone else has had it handed to them on a silver platter instead of reading between the lines like i did incessantly for the months before the miniepisode.

[godhasforsnakenme]

BOOK REVIEW 📖

This is the one for February – I was reminded of this book half way through the month and decided to reread it again because I couldn't remember how it ended; plus a short mystery is always nice to read (side note: this ended up as an ebook read bc I couldn't remember where in my storage boxes I have my copy – it's in storage because it's a paperback edition and old and I don't want it to die on me yet lol)

[kuiinncedes]

i complaining :c

[cavegirlpoems]

So many TTRPG people, like yourself, seem to exist in a world where players don't actually enjoy the campaigns they're in, and don't actually like playing with the people they play with, and your whole approach to game mechanics seems like it's about trying to bribe these people to continue playing at a given table.

i have no idea where you get this idea from, I play a bunch of different games - including freeform text rp, fest larps, parlour larps, regular tabletop campaigns, longform play-by-post games and narrative wargames - and I have a lot of fun doing it. I wouldn't be a game designer if I didn't actually enjoy games. The thing is, if you study game design and ttrpg theory seriously, you think about the intent behind design decisions. Game design doesn't just happen by accident, the designer put a given rule in for a reason. So, you ask yourself why the designer made the game the way it did, and what they were trying to achieve.

A significant tool for game design is considering the feedback the game provides; what behaviours that ruleset rewards and what it discourages. (You can apply this analysis to other games, too, like video games). When I'm talking about a bribe, it's in that context; how does the game reward you for doing things, and what things does it reward. (For example, 'scrabble' rewards you for playing words with weird letters in them by making those letters worth more points.)

The thing is, ultimately, every game relies on a simple proposition; that if you volunterily use its rules, you will have fun. You don't need to follow the rules, and you can have fun without them, but the idea is that using the rules will let you have more fun, or a different type of fun, than if you didn't. (For example, throwing a ball around is a bit fun, but if everybody agrees to follow the rules of basketball, you get a different experience that a lot of people prefer). So, the only bribe you're making on the interpersonal, out-out-of-game level (unless something weird is going on) is "if we play this game it will be fun". When I talk about bribes and incentives, it's *inside* the game, after we've all agreed to the game's proposition of "if you use the rules, you will have fun".

Now, what counts as an incentive varies by game. Some, like Warhammer 40k, are challenge-based, and have ways to keep score of success and victory; here, things that signify overcoming the challenge are your incentives; how you get a high score, how you win, etc. Others, like most ttrpgs, are creative-based. What constitutes an incentive within the game's structure is less precisely defined. By and large, though, these incentives tend to be things like increased agency within the game fiction, space for creative expression, and experiencing and learning about more of the game fiction. (In this structure, 'being more mechanically powerful' can be thought of as a way of granting a player more agency, because their actions are more likely to succeed and result in the outcomes that they want. If the mechanical growth is lateral as well as vertical, then how to get more powerful is - itself - a venue for creative expression in what to prioritise, which is also a reward).

In the same way that you have the adage that 'restrictions breed creativity', the same goes for Fun. Limiting your scope from anything-goes freeform by voluntarily agreeing to use a set of game rules can produce similar results. Voluntarily limiting your agency in the fiction according to a set of game rules produces a friction that players of roleplaying games find enjoyable to push against. In this context, a reward structure within a game serves the useful purpose of signposting which direction you should push to get the fun kind of friction. A game which limits your options, and then gives you more options when you engage with certain behaviours, is telling you that those are the intended behaviours. Likewise, a game that limits your options even further when you do something is encouraging you not to do that. This is because game designs are not neutral and universal, they exist to create specific experiences. A game that rewards you by giving you more space for creative expression when you get in a fight - and gives you less space for creative expression when you avoid violence - is one that wants you to engage in violence, because it's designed to be a game where you have fun by fighting. This isn't bribing the players to sit down at the table and play the game; that has already happened outside the context of the game. They have already agreed to the game's offer of 'if you use these rules, you will have fun'. Rather, this bribing is within the game-space, the games mechanics encouraging the players to engage with it as intended, in the way that will be most fun. IE: these incentive structures are a tool the game uses to achieve the promise it makes; they guide the players towards the fun that they volunteered to have. Hope that makes sense. * * * Now, your initial ask is a weird take that's entirely unrelated to anything I've posted, and - particularly from an anon account- oddly antagonistic. I don't know if you're genuinely confused about game design, or arguing in bad faith. Either way, this probably doesn't merit the small essay I've produced, but have one anyway, it's always fun to clarify my ideas in written form.

[verdantlights]

Round 7 Final thoughts/Analysis

First of all, Blink Gone is a banger but we knew that already.

Second,

Till is and also is not dead. Till was used as a pawn for the segyein for entertainment. Keep in mind this is Season 50. 50 seasons of Alien Stage, and you think they wouldn't go off without a hitch? Till was used to lure Hyuna and Mizi back. Hyuna is worth a lot and Mizi escaped live on stage. Think of the Quarter Quells in The Hunger Games. Do you really think... they wouldn't make Season 50 special? Especially since Luka won S49. It was always rigged in Luka's favor. Or is it? (hey, vsauce here-)

Now. Till was EXTREMELY drugged up. He may have had his fighting spirit back, but he was definitely 'roided up by the aliens for the plan. The Finals were rigged in Luka's favor, it was all rigged in Luka's favor. Those drugs in Tills system, for all we know, can be keeping him alive. There is a good chance they don't want Till dead and that they're only faking his death for the sake of the... "special guests."

It might have been rigged in Luka's favor, but there's a good chance he might not be getting out of this safe, sane, or even alive. He may have captured the hearts of the segyein in Season 49, but he is still a human pet. He is still expendable for the sake of entertainment. None of us character stans, Luka stans, are off the hook. ALNST is not over.

EDIT: I would also like to point out that Luka was probably also on drugs. He was in hysterics pretty much the whole time. Luka is trapped in this cycle and is a pet, just like Till.

As for those "special guests," Mizi and Hyuna: there can be multiple ways this plays out, either Mizi goes against Hyuna, or Hyuna goes against Luka. We already had Mizi v Luka, so they wouldn't do that again.

As for the song itself, I picked up a few lyrics:

Luka: "Before this piercing, radiant moment fades away"

"Piercing, radiant moment" referring to Till and/or Hyuna being injured.

Luka: "Neither today nor tomorrow, exist for me"

"Exist for me" is a reference to Ivan's thought process in why he chose to die in round 6

Till (i think): "Blink and gone, relish the present"

"Relish the present" as in Till needs to live in the moment to survive, rather than to win. He is on adrenaline, drugs, and survival instinct.

Till: "Clear your mind, leave the burdens behind"

A reference to himself that he... basically needs to lock in.

Luka: "The dark crimson air embraces us, lifting our spirits"

Ivan reference, specifically Luka imitating Ivan

Till: "And the fiery thrill blazes out to the sky"

Ivantill meteor shower reference

Now as for the meaning of the song itself, that could be multiple things:

Till realizing too late about Ivan's feelings and that he was wrong about his image of Ivan, "And in a blink, gone."

Till's life, "And in a blink, gone." (which is why i say he's dead and also not dead. He very well could be dead and just be brought back to life like the Sualive and Alivan theories)

Luka's ability to mimic others

Hyunamizi also realizing too late that they might have been set up

I think the flashbacks to round 6 are pretty obvious in what they mean and what was intended for it to mean/symbolize, so I'll spare it.

OH YEAH and speaking of the alivan and sualive theories, those are a LOT MORE LIKELY after this. Because what was the point of Till's death... after round 6? Would they (Vivinos, not the aliens) kill Till off after what happened in round 6? Death is too easy. Death is mercy. Yes I wish mercy upon Till, but there are better ways to show him mercy with what we have without him dying. That being said, if he is actually dead. Like dead, dead, (i will kms) then at least he died where Mizi was the last thing he saw.

Mizi was the last thing he saw.

We might have been wrong about Till only loving the "image" of Mizi, but then again, maybe not. Again, Till immediately lit up at the sight of Mizi, recognizing her instantly. It gave him the motivation to continue, he didn't notice of care how different, traumatized, and worn down she looked. He only saw her. Maybe it wasn't her image he was fond of. Maybe he really did love her. But maybe he was also grasping at straws to survive and continue on. Maybe he thought he had a chance. Cause Mizi was also grasping at straws. As we saw in the flashback with Mizitill, they were definitely friends. Mizi might only see Till as a friend, but now both would only have each other left, plus Hyuna and the resistance. Mizi might not give Till a romantic chance, but they can be there for each other because they both understand what the other went through.

Also Issac and Dewey better pull through I swear to fucking god. WHY WERE THEY NOT THERE. If you saw my bingo card, I marked off Dewssac appearance, I thought I saw them, but I was seeing shit so ignore that.

Personal note: I was really. REALLY overwhelmed leading up to this. I lost a lot of sleep over the past 48 hours due to anxiety over this and I'm glad that it finally happened. I'm a lot better now that my anxiety and nausea is gone and even if I'm extremely... scared... for Till... I'm still hopeful that he's alive, and that sualive and alivan are real. Maybe I am delusional, but I mean, I enjoy the Actor AU a bit too much... so...

That's all, I think. I might have more later after I stew on this a bit more.

@pwippy @starry-skiez @bluemoonscape @ivanttakethis @tsukacchako @shakingparadigm @rosedeleca @crustyfloor @k9punkout @junebluues god i cant think straight im sorry if youre not tagged and wanted to be im like gen tweaking tbh

[transhitman]

Ok I posted about this in anger a while back but I'm gonna say it more intelligently and actually tag it because I think it's something people need to hear. Something that bugs me about how people talk about the morality of the men in this game is that a lot of analysis totally glosses over Anya's motives and what she actually asks of people, and in doing so once again strips her of agency. Like. The reason Curly sucks isn't because he failed to properly punish Jimmy, it's because he ignored Anya in favor of her abuser. He didn't listen to her regarding how to move forward, he didn't give her a way to protect herself. No matter what he would have done to Jimmy, Anya is still traumatized and in danger, and that's the most important point of failure.

I think a lot of people are projecting a revenge fantasy on Anya, and while I'm not gonna argue about the validity of revenge here, for Anya specifically I think that's a major mischaracterization. She's the one who says that our worst moments don't make us monsters. And while yes, this could just be her trying to appease her abusers, she still doesn't strike me as a particularly vindictive person. She's a nurse, symbolically in a role associated with care and healing. Before the crash, she seems like a very soft-spoken and restrained person. Hell, she can't stand giving Curly his meds because she feels so bad for him. There isn't really a point in the game where she calls for violence at all. And even if punishing Jimmy or Curly is morally correct (subjective), saying that it's what anyone Should have done still glosses over Anya's wants and needs. It still centers the abuser, even in vitriol.

It's especially weird to see people judge Swansea on these grounds, because like... We don't know what his dynamic with Anya was like. We don't actually know what she said to him, if she even confided about her pregnancy or the SA at all! I honestly think Swansea's actions give more credence to the idea that Anya herself wanted a peaceful resolution. The whole "Oh, I'm holding it together" thing, him becoming more hostile after speaking with Anya... He waits until Daisuke AND ANYA are dead before trying to kill Jimmy. I think the obvious reading is that he wants Jimmy dead, but Anya asked him not to do anything crazy. Genuinely, I think Anya just wanted to be safe. She wanted out above everything. She didn't want more violence. The only violence she commits is against herself in the end, in order to escape this hell her coworkers made for her.

And like. Swansea is kind of the only one who actually did try to protect Anya in a meaningful way. I won't say that he couldn't have done more for her - all of the men on that ship failed her in some regard - but Swansea intentionally keeps the axe out of Jimmy's hands. He keeps the pod a secret, probably to give to Daisuke, but we can't say anything for sure. I joke that Swansea should have killed Jimmy from the start, but if we're being real that would have been an insane thing to do given what the characters know. But Swansea isn't the point of this post. Like. Idk I just think it's really bizarre that when people discuss Anya's assault, they still do it from the perspective of the men involved. It's weird and I don't like it. Like people have said before me: it's not enough to hate abusers, you have to love victims.

[asidian]

I've seen a lot of really excellent analysis on Charles' reaction to Edwin's confession, but there's a huge aspect that I haven't seen talked about at all yet. And that is, namely:

Charles Rowland is a people-pleaser.

Doesn't seem like there's a connection there, does it? Have a seat, my friends. Let me break this down.

The show lays the groundwork for this aspect of Charles' personality early. It's one of the very first things we learn about him, in fact. He's kind and agreeable and helpful, and he's always, always smiling. When Crystal insults him, he laughs it off. When Crystal and Edwin fight, he scrambles to diffuse the situation. He calls himself "a good sort of a chap," and it's important to him that he is.

In episode 3, we find out why. At home, love was always conditional for him. He spent his entire life trying to please his father, and he confesses to Crystal that no matter how nice he was, or how good at sports, it was never enough. That's how Charles sees the world. If he can make people happy, he might actually be good enough for them to love him.

Not only didn't he earn his father's affection, he didn't even manage, in his own eyes, to clear the low bar of being good enough to earn the privilege of not being hurt. And his mother, he says, was "quiet." From the flashback we see, she never stepped in for him or defended him. However hard he was trying, it wasn't enough to get her to intervene on his behalf.

So who else does he have? His "friends"? The ones who literally murder him when he steps in to stop them from doing a terrible thing? The act he put on wasn't enough to win them over in the end, either. However friendly he was, however personable, they turned on him and left him for dead.

Then he meets Edwin.

And when he meets Edwin, he's at his absolute lowest. He's not smiling and putting on a show, for once. He's in a corner of an attic cowering while he slowly freezes to death. But here comes Edwin, offering him kindness, and company, and comfort.

All these things that Charles has spent his whole life chasing, trying to be good enough to earn? Edwin just gives them to him.

Of course he stays with this boy. Edwin is there when he's lost in the dark, shining a light to guide the way. Edwin has seen him unsmiling and afraid, not a shred of his usual act in place, and Edwin has offered him kindness anyway.

So they begin their time together. And what are the things Charles will pick up on almost immediately?

Edwin says right away that he's spent ages in hell. He's plainly had an awful time. He doesn't know how to handle people anymore, but Charles, he knows how to be amiable, how to smile, how to offer levity when things get grim.

So he does. He falls back into what he thinks Edwin needs, the way he always tried to be what his father wanted to see. In the very first episode, he tells Crystal, "I try to be extra happy for all of us, don't I? And I do a pretty good job."

He doesn't ever discuss his own trauma because these boys are terrible at communication, but more than that. He doesn't ever bring it up because he's busy being the support he thinks Edwin needs.

And importantly, Charles doesn't have the self-reflection skills to realize that's what he's doing. Crystal clocks him with shocking accuracy, three episodes in. "He's been hiding it from you," she tells Edwin. "Probably been hiding it from himself." She's spot-on here: when Charles doesn't want to examine his own emotions, or can't face them, he shoves them down under a smile and he carries on pretending.

But that's not the only thing Charles will have picked up on from Edwin.

It's blindingly obvious that Edwin is bad at people. He's terribly repressed. He's from a culture in which emotional honesty and physical affection were not valued or encouraged. But more than any of that, Edwin has his sexual awakening during the events of the show. Before then, he is absolutely clueless about his own wants.

So we have a situation where a consummate people-pleaser who has spent his entire life learning that he has to earn affection finds his way into a friendship with the first person who ever saw him with his mask down and gave him kindness anyway.

Of course he stays with this boy. Of course he wants to keep this.

And what's the best way Charles knows to win someone over? Well, by being what he thinks they want.

So, out come the smiles, for Edwin's sake as much as his own. But more importantly, out comes whatever Charles thinks he needs to perform, in order to keep what is the single most important relationship in his entire life and afterlife.

At this point, Edwin has shown zero romantic or sexual interest, not just in Charles, but in anyone at all. He doesn't especially seem inclined to dating, or to romance, or even to physical affection.

So Charles takes his cues from Edwin, and the cues are very firmly, for thirty years: this boy doesn't have a glimmer of interest in him, not that way.

Fast-forward to the events of the show. Fast-forward to a staircase in hell, where they are being chased by a literal demon. Suddenly his best mate, who he has spent thirty years with, who is his most important person in the world, is saying that he's in love with him.

Of course he needs a minute. Of course he has to sort that through. Any feelings he has for Edwin are things that he has spent literal decades firmly ignoring in the scramble to try and earn affection by being what he thinks Edwin needs him to be.

Because Charles is a people-pleaser at heart. And he may be dreadful at self-reflection, but he is aces at hiding things from himself.

[capricornmuffins]

I love this so much.

Bonus bonus: before Naomi comes over and Ken says this has all been in the mail and Rava is like “it HAS been in the mail” with that look of ‘I’ve waited so long to hear you say this I’m proud of you but you did it too late and that fucking hurts’

3x01: How much does Rava still love Kendall, how jealous is she of Naomi, and how mad is she at herself for it?

How she looks at Kendall before Naomi comes over:

When Kendall talks about Naomi, she actually puts her hands up to stop him and can't look at him.

Downplaying her relationship to him like he just downplayed his to her:

Five seconds before Naomi walks in, Rava is not on the phone. Pretty sure this is a fake call, or she called someone so she wouldn’t have to talk to her. And her smile fades as soon as Naomi turns around:

She actually YELLS at Greg and Kendall about the bottle of wine (it was special, but still, that’s probably not something she would’ve done without already being very on-edge). Her expression upon realizing Naomi is the one who told Greg to open the wine:

And finally, one of the most heartbreaking lines ever to me:

SHE SAYS THIS IN FRONT OF KENDALL'S GIRLFRIEND. Can we talk about the state of mind she must be in to say this in front of Naomi?? She doesn't even care if Naomi knows how upset she is! And she follows it up with “Enjoy it,” as she walks out of the room. She’s gesturing to the wine, but… you know.

Finally, the actual love triangle in that image and how Rava stands between Kendall and Naomi. Wow.

Bonus: the painting behind them featuring two girls looking at the same thing but only one of them holding it.

[feline-insolitum]

i was gonna put this on a reblog to this post but i decided it needed to be its own post so here we go

LOOK AT HIM!!!

most other trainers will be super badass or cool whenever theyre terastallizing their pokemon. but kieran just kinda stands there devoid of life. he looks like hes not even there. almost like he's just... dissociating through the whole thing

you can also see eyebags that his teal mask model didn't have. he's been working himself to the absolute bone to get stronger. another character (i forget who) even says hes been sacrificing sleep just to get stronger. its very obviously been taking a toll on him

but looking back on the battle as a whole, this wasnt even the only time where he looked dull and lifeless. for the entire battle, when hes not being dramatic on purpose, he just looks so out of it

you cant look at these pictures and tell me hes mentally present. the left picture isnt even timed to make him look like that. his expression is like that the entire time hes giving that line of dialogue.

and again, you can see visible eyebags!!!

i think part of it is that hes imagined the battle against the protagonist so many times since getting back from kitakami that it's feels like it's already happened to him, and he's just reliving a memory.

maybe another part is since hes gotten back, hes just been battling non stop when he has the chance. to him its just another battle. initiate, defeat, get stronger. rinse and repeat. its so repetitive that half the time he doesnt even know who hes battling. i feel like thats the case here, maybe sometimes he forgets hes even battling the person that he became this strong to defeat in the first place

i think why he did this to himself is because of more than "just getting stronger". after everything that happened in kitakami: gaining a friend, only for them to lie to and betray him about the thing he loves most, then for them to get closer with his sister, who would consistently shut him down, then on top of it all, ogerpon chose us, and even in trying to battle us for her, we beat him.

that is a lot to have happen to you in just a couple days, so i think part of the non stop training is him trying to cope. in trying to make up for "being too weak", hes also trying to escape reality and forget that those things even happened. he looks so out of it for the entire battle because he is. thats why he has such a reaction when we use ogerpon against him in battle. because by doing that, were reminding him

this is all part of why he freaks out so hard when we beat him. aside from his whole complex of getting stronger specifically to beat us, its because hes already imagined beating us so many times that to him, it already kinda happened in his sleep deprived mind. its because hes won battle after battle since getting back from kitakami, so after being in this rinse and repeat cycle of battling and winning, us losing causes him to finally snap out of it.

after the protag wins, hes genuinely confused that he lost. but he knew how strong the protag was going into this. i think its because, for the majority of the battle, due to not being mentally present, he forgot he was battling us.

this, as well as how often he wouldve imagined him beating us, explains very well how surprised and shocked and panicked he is that he lost. "this wasnt supposed to happen" because it was just another battle, and he wins battles. "this wasnt supposed to happen" because he already imagined him beating us so many times that it had to have been real, right?

and because this monotonous cycle he was in that was actively draining him of energy was broken by us beating him, everything that he hadnt had the energy to process since training is hitting him like a truck now. ogerpon, the betrayal, how he kept losing to us, how he just lost to us right this moment, its all too much and he cant handle it. and so he crumples to the ground and has a mental breakdown

i didnt mean to turn this into a whole character analysis on kieran but i have a LOT of thoughts on his character and how hes written

[oblique-lane]

idk if youve done it yet but i would actually lose my mind if you did an analysis for demo

Aye aye captain 🫡 Time to overdramatize again!

Let's address Demo's wounds

(Demo's backstory was changed through the years but I'm sticking to the older version because I find it more grounded)

Demoman's story is easily one of the most tragic of all the mercs. Imagine you have been abandoned from birth, your parents simply rejected you for what you are. But luckily you have been adopted by some good people who replaced your parents and made you a relatively happy child.

And then you accidentally kill them. You're 6 years old. How does that feel?

I can't even imagine how a child's brain can't comprehend the idea of being a murderer. It was an accident, of course, they were blown up by a big explosion he created (genius kid found out how to do that, huh?) but still. His parents were dead and he knew it was his own fault. He learned he was dangerous as he is.

How was it like pondering about it in the orphanage?.. "I didn't want this! I want to go back and fix it, I'm so sorry", something like that. But he couldn't go back in time, so being covered in such an avalanche of guilt, he learned he needs to repress himself.

Demo have always had an explosive temper (no pun intended), it was his true nature, pure emotion: if he's happy, it's 100%; if he's angry, it's a full blown storm. If he loves, he loves with all of his heart, and he has a big one.

Living on the impulse, all or nothing, that crucial accident revealed that letting his true nature go will only end up as destruction in the end. Irreparable damage.

We don't know what exactly was happening to him during his orphanage years, but if I'm to guess, repressing everything about him: his interests, his character, his whole nature, was a thing to choose. He thought that he had to become still and quiet as to not to repeat that kind of tragedy ever again. He probably didn't have people to be friends with either, either because people rejected him for his past, or he avoided them himself due to his internalized shame, at least that's a guess.

But everything repressed returns to the surface sooner or later. As a child, living for so long under overwhelming guilt, grief, hate, pain and sadness, under the skies that are almost never sunny in a all-year-long damp and coldness of the Ullapool. Incomprehensibly grey. It was depriving.

He was always fascinated with explosions. He didn't touch it for a long time, but maybe something like seeing fireworks again one day made something inside him tremble... And to remember.

Explosions. Launch... Acceleration... Release. And every time the release happens, his soul fills with excitement, the body feels lighter and shivers go up the spine. Release happens inside his head too, for the explosions make his worries and pain go away for a moment.

He couldn't find another way to release his bottled up emotions, so gradually he returned to make explosives again.

It was something like an addiction. Similar to pyromania, except no one bothered to research this one. At the moment of explosion he could let his anger out, he could scream, he could run around freely, he could sense heat in his chest; he could be himself. As he once was.

Everything was cold. But the explosions were hot.

He thought it was under control, just a little bit of KABOOM after school, but he craved more and more every time, more vivid, more violent...

That's how he lost his eye. (...Was it a subconscious act of selfharm?)

The missing eye was a forever reminder of how deviated he actually was. He learned that he couldn't repress or change what he truly is - a monster. A Black Scottish Cyclops, wether it were his peers who called him like that or he himself, out of misery. There was indeed something seriously wrong with him.

It seemed like the only thing he was capable of is destruction. Destruction is the only environment he's comfortable with. Peace was always so anxious and depriving, and breaking things felt calming, so he figured it must be right.

And then his birth mother came and took him back, "now that's he's a worthy DeGroot". It was unexpected but... Pleasant. So he wasn't THAT worthless after all, huh? Turns out, it was really familial, the destruction thing. At least he found out that there was a reason behind all of this.

His new mom was, saying honestly, pretty cruel with words. She was not at all gentle, she was very strict, demanding and straight up abusive. It was never enough for her no matter what Demo did. She didn't want results from his work, she's just always wanted to mess with his brain.

And for whatever reason... This setup felt right for him. To be thrown around like that, to be humiliated harshly, it felt fitting, it wasn't causing anxiety or anything. He has to be a scapegoat, he had to forget about being a child and to start working as an adult, at the same time somehow replacing a father he still didn't have, but it felt good enough. Confusing relationships felt good enough.

Destruction was his habitat, and his heart could no longer accept anything else.

Cruelty wasn't warm though, just familiar, just an environment to not to go insane. But he craved warmness so badly... Yet every time he would get close to someone and receive a little gentleness and care, it would feel sickening. It felt unnatural, it reminded him of his lost parents and of everything that's wrong about him.

The only warmness his body could accept was alcohol, making him bubbly and comfortable and relaxed. He almost felt normal, happy even. Alcohol heat made him melt, and he felt so fulfilled as if he was in paradise, back to the womb.

Yet after the effect wears off, he feels lonely as ever. Quickly, existing without alcohol becomes pain. Existing at all. He became an addict.

Not that everyone he met rejected him, rather, he subconsciously reached out to those who would be cruel to him. Again, gentleness hurts wether he knows it or not. He's only good in destruction.

Lonely and clingy, ready to overshare, overall mess yet carrying a big baggage of love that has no one to give it to. Maybe because he can't give it to himself in the first place. There's so many issues unresolved because he can't handle them alone, yet there's no one to help since he was already trapped in a closed circuit of self sabotage.

He will keep acting like a party beast, always crazily emotional and overdone upbeat, a simple drunken man who will not be taken seriously that way. Maybe that's what he wanted, to not be seen as deep by anyone for not be reminded of his misery once again.

Seems like we bought that too.

...

The enemy Soldier might be an exception though. The man he really treasures his friendship with turned out to be an enemy; repeating the rule again: it's only acceptable when dangerous. Soldier deeply cares for Demo, however he's not gentle or pitying, he's as destructive and explosive as Demo is, and these two are a very rare perfect combination of destructing each other in the act of love. Both broken beyond repair, soul on soul, forever to be misunderstood by the outsiders. This is something about this relationship that looks like a golden lining.

They will not fix each other, but they sure are going to have a good time!