For a fanart idea I was thinking of Rooster and Hangman slow dancing in the Hard Deck and it's like a bubble has been created around them. Just them and maybe slow ride in the background. that isn't a slow dance song but they make it be
Ok ok so I know I disappeared off the face of the earth for a hot minute (my drawing tablet pen got stolen and I was in charge of a super big dance event) but now that I’m back I HAD to draw this ask first bc 1.) I’m a dancer (mainly swing dancing and it’s hundreds of variations) and 2.) I love my Topgun boys
Headcannon time:
I drew Bradley as the Follow and Jake as the lead bc I just know Bradley gets so caught up in his head when he’s trying to lead any dance besides blues bc there’s so many different moves and what does he pick fuck and finally Jake just takes over bc Damn Rooster, you’re really stuck on that perch but he won’t complain much more than that- But when that occasional blues song does come on Bradley looks damn sexy when he takes charge.
(This may or may not be based on me as I get too wrapped up in my head trying to think out all the moves as a lead so I prefer to follow but damn do I love a good blues dance bc I can just feel the song)
Slow rider is definitely a quicker blues-able dance so Jake takes the lead on it while Bradley enjoys following. If you really want my dance opinion, Bradley definitely enjoys more ballroom blues (more waltz reminiscent moves) while Jake would enjoy Juking Blues (much more harsher body movements and jerks) more.
(I’m a ballroom blues bitch myself, but I won’t turn down a juke blues with a good lead)
Also as a treat I drew the boys doing a lindyhop aerial bc I’m mainly a lindyhopper. One of my favorite leads is a solid foot smaller than me so instead of her lifting me we end up reversing it and having moves where the follow lifts the lead so I had to draw it with the boys bc Jake absolutely LOVES being yeeted the fuck around. Also aerials are usually banned on the dance floor bc that shit can hurt someone, but jam circles are the prime time for some cool ass moves and I could definitely see them busting it down in front of the dagger squad
I almost want to continue with a lindyhop au bc it’s what I live everyday lol idk should I?
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Jonathan Byers This Is An Intervention
“You’re not happy here.”
Jonathan looks up, startled. Will stands in the doorway with his arms crossed. They’re alone in the house, El hanging out with Max and their mom on a date with Hopper. They had to practically shove her out the door before she’d leave, rambling a list of phone numbers and where to find them, as well as reminding them where the leftovers were.
“We know, Mom,” he and Will had chorused, and permitted her to pull them down for one last kiss on the cheek before closing the door on her. Hopper just watched in amusement.
He and Will had eaten dinner before separating to work on their projects, Will with a dnd campaign idea and Jonathan cleaning his camera out. It has more dust than it should, having been sitting in his closet unused for too long. It makes something in him ache, but he can’t make himself pick it up again. There’s something blocking him.
“What?”
“You’re not happy here,” Will repeats. “In Hawkins.”
“It’s Hawkins,” he points out. Being unhappy is a given. He’s always known it sucks here, from the way people treated his mom to the rumors that always flew around when he made his way through the halls. The way they’ve treated Will. He hated this town long before interdimensional monsters factored in.
Will’s frown gets deeper. “I’m happy,” he points out. “Mom’s happy. El and Hopper are happy. We actually have friends here.”
“I have friends,” Jonathan protests, slightly offended. He and Argyle call multiple times a week. He and Nancy are still good friends, and Steve and Robin are slowly growing on him. In a surprising turn of events, Eddie is the person his age he talks to the least, but it makes sense when he thinks about it. Eddie’s brand of freak has always been loud and dramatic, half relying on shock value. Jonathan prefers the quiet.
“When was the last time you actually hung out with someone that wasn’t me?”
Is that what this is about? Something in his heart sinks at the idea that Will doesn’t think he’s enough. “I like hanging out with you. You’re the coolest person I know,” he says, shifting over and patting the bed next to him.
Will sits down with a huff that sounds very fifteen-year-old of him. He’s glad he’s getting to be a kid. “You’re not listening to me,” he complains.
“Then what are you trying to say?”
Will won’t meet his eye, suddenly nervous. “Everyone your age here is leaving,” he says quietly. “Nancy is going to Emerson soon, Steve and Robin are going to Chicago, and Eddie…uh, I don’t know his plans, exactly, he might be going with them. He’s not staying here, anyway. And Argyle is on the other side of the country. So all the people you’re friends with are leaving.”
“They are,” he agrees, laying what he hopes is a soothing hand on Will’s shoulder, “but you know I’m not leaving you, right? I’m not leaving you and Mom.”
Will squeezes his eyes shut. “Maybe you should.”
It feels like ice water being poured over his head.
Something in his stomach twists uncomfortably at the idea of calling Hopper his dad. He doesn’t know if he’s ever going to. He doesn’t even know if Hopper would want him to. But “dad” is always a word he’s associated with bruises and yelling, the stink of whiskey and a gun in his small, shaking hands. Jim Hopper, with his gruff, fumbling way affection and sweet smiles at his daughter will never fit his version of the word.
“You’re not my dad,” Will says. “You’re my older brother, you should be my brother. You should be moving away and going to college and living your life! You shouldn’t be stuck here because of me.” He seems near tears now, and Jonathan flounders. He’s always been pretty good at making Will feel better, but now it’s different. Now it’s him making his little brother upset.
Will takes a deep, stabilizing breath.
“You’re not my dad,” he says again. “You shouldn’t have to be my dad.”
“I wasn’t trying to be,” he says weakly.
“You’re doing a better job than he ever did.”
“Okay, then how should we start?”
“You could tell me why we’re always running out of tylenol.”
He didn’t even realize anyone noticed that. He’s been replacing it before it was even empty.
The words stick in his throat, reluctant to come out. But he promised. He promised he’d tell him, and he hates to break a promise to Will.
“It’s my back,” he admits. “My boss hit me with a chair, and it hurts all the time now. I used to smoke it away, but…”
He smoked a little too much. He was too reliant on it. He was being neglectful. The reasons stay on the tip of his tongue, unable to admit his shortcomings.
Unfortunately, Will takes it another way. “You stopped because of me.”
“No!”
“Why didn’t you tell me? Or Mom? We can go to the doctor now, we have insurance.”
“I know.”
“Then why didn’t you go? Why can’t you just take care of yourself?”
“It’s just a little back pain,” he defends, “it’s not a big deal.”
It’s really not. It’s practically nothing compared to what some of their friends ended up with. Will has respiratory problems, Eddie uses a cane now, Max is in a wheelchair and her eyes might never work again. Not to mention Steve’s mix of migraines, glasses, hearing loss, and scars he’s accumulated over the years that put Jonathan’s to shame. His issues pale in comparison.
“It is when you take as many painkillers as you do! You’re going to eat holes in your stomach.”
“If I get an ulcer, it’ll be because I know there’s another world out there full of things that want to kill us,” he says, poking Will in the stomach. He giggles, and then looks mad about it.
“It’s been a long time since I’ve seen you actually happy. I feel like it’s my fault.”
What does he say to that? It can’t be your fault, because I don’t remember the last time I was happy like that? I felt like this long before you went missing? Anything he says will make him worry more.
“It’s not your fault,” he finally settles on.
“But if I hadn’t disappeared—“
“I would still feel like this,” he says, because he has to. He can’t stand the idea of Will thinking it’s his fault when the truth is that something has been wrong with Jonathan for a long, long time. “It’s not because of the Upside-Down, bud. It’s not something you can fix. I’m pretty sure I’m just…like this.”
He’s had moments of happiness, obviously. Sometimes he’ll get days, or even weeks, where he genuinely looks forward to the future. When he was in California with Argyle, he felt even better. But eventually, the heaviness in his chest always comes back. It’s just something he knows how to live with now.
Will sits up, glaring at him. “That’s bullshit!”
“It’s just how it is.”
He squares his shoulders, a telltale sign that Jonathan isn’t going to like whatever he says next. “Mom and I think you should see a therapist.”
Jonathan really doesn’t like that. “You’ve been talking to Mom about this?”
“She’s worried about you!”
“She shouldn’t be!” He’s almost offended. He’s been taking care of himself for years. He was taking care of her for years. “I’m fine! I know how to live with it!”
“I haven’t seen you smile for real in two months!”
“I’m fine!” He snaps again, and immediately regrets it. Will’s lower lip trembles.
“You’re not fine,” he says. “You’re not. Don’t lie to me, Jonathan. You just said you weren’t going to lie to me.”
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LCSYS ask again(undercover asker here hiiiiiaufhghghgn)thank you for responding!!!! ilovfe seeing your ideas theyre such good fuel in between trials❤️❤️
i was wondering how th prisoners would react to es’ usage of violence, like some of the younger prisoners complaining about it while the older are concerned because Hello Where did that stem from???? you cant tell me es’ “phew, i feel so much better” after hitting shidou didn’t send his mind racing a million miles per minute
ALSO curious about YONAH………… similar to how red’s violence towards es was scripted, was kotoko’s monologue about es being imperfect Also scripted, or was it on her own? yonah is probably my favourite voice drama of all time and I’m curious about how it would be interpreted in this au 🫶
Ah hello again! Thank you so much for reaching out -- every time I think I've covered everything you guys hit me with a new insane detail that makes my brain go brrrrr >:3
Because OMG I spent so much time thinking of the faked violence, I don't know why I never put as much attention on the flipside! I love the idea of Jackalope assuring them, "there will be no physical punishments. We'll talk about restraints but that's all fake. We'll make up injuries between trials but that's all fake. You don't have to worry about any real pain." And then this 15yo strolls up, interrogation one, ready to smack someone😅😅😅
Seriously though, I think it would come as a pretty big surprise to the group. They knew it was a possibility, but didn't think Es was that likely to attack, since they've made a few comments about being against violent punishments. Haruka comes back to mention the slap, and Yuno follows their instructions and says she also suffered violence, and the group is Shocked. I think it would just kill Fuuta that he wasn't allowed to hit back and avenge the others. He probably has the most complaints about the situation (and is insanely relieved that he get by in his own interrogation.) In a feeble attempt to get back at Es and make them feel bad, he encourages Muu to cry and make a big show about being afraid of them. Muu is frightened enough that it doesn't take much persuasion... I think Kotoko and unfortunately Amane wouldn't mind the threat, they both have lives in which authority showing power isn't out of place (and maybe Haruka?). Mahiru, too, thinks it's just the way a prison guard can run their prison if they want, though she's determined her charm will keep things running pleasantly.
Kazui reaches out asap* to question the legality of the experiment, since they're allowing children to get hit, even if by other children. There's a tangle of signatures and consent from everyone involved so it's okay, but the whole thing still rubs him the wrong way. He knew the experiment was a bit shady, but he(Though, this does make his first vd kind of funny -- instead of actually talking through his theories on the prison, now it feels like he's just egging Es on to see if they'll actually hit him...)
And I really like that idea that Shidou's dad instincts kick in (or maybe it's doctor instincts)! He'd understand if it was a child trying to play the role of an intimidating adult, but the way Es is doing things, the things they're saying, it all points to something deeper going on in Es' head. I can see him sitting down with the others and Jackalope to discuss. Of course Milgram gives him very little to work with, but this still kickstarts everyone's efforts to make sure Es is also taken care of post-Milgram.
*I just realized I'm still a bit fuzzy on communication during the trials. Jackalope can definitely get information to the prisoners (most commonly the 'voices' they're supposed to be hearing based on Es' notes, but also in case of emergency changes or things). I was picturing the prisoners unable to communicate outward until the trial ends, as it builds up the feeling of isolation and imprisonment. The issue is, I feel like Jackalope would want to keep that line open in case the prisoners had questions/issues with the experiment that affected their acting. So idk if the prisoners voice these concerns about Es mid-trial or they're forced to wait. I'll get back to you on that, hm
And Yonah!!
I wasn't avoiding spoilers, I actively looked for snippets here and there, but it was this ask that finally motivated me to sit down and watch it through -- and I'm SO GLAD I DID 👀 It's really well-written and wonderfully acted!! I'm floored with the whole thing omg
I really like the idea that the Milgram team instructed Kotoko to mention Es' imperfection to rattle them a bit, but left the specifics to her. Jackalope thought she'd just make some quick comment, and does a double take when he listens in on the interrogation and realizes she has a lot to say on Es and the way Milgram is run.
Jacklope told her to be harsh with Es, and she thought that was no problem at all. She felt those opinions strongly and wasn't going to go easy on the criticism just because they were a kid. She goes into the interrogation ready to stay completely put-together... and then surprises everyone and herself when Es' distress moves her to pull them into a tight hug and tell them everything's going to be alright ;---;
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