#I cut a whole paragraph

[unproduciblesmackdown]

chicago shelob puppet is crushing it like horrible lol which is great. look at this giant thing just static in an image in full house lights on, audiences only know what it's like emerging from the dark Moving Around live & in person Giant & Gnarly in front of you

[radioactive-earthshine]

Writing tips for long fics that helped me that no one asked for.

1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.

2.) Stuck with wording the action? Just write the dialog then revisit it later.

3.) Stuck on the whole scene? Skip it and write the next one.

4.) Write on literally any other color than a white background. It just works. (I use black)

5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.

6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.

7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.

8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.

9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.

10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.

[gyuuberryy]

no doubt !

loser!enhypen's reaction to your confession + their down bad behaviour

genre: completely fluff, slight crack

warnings: self doubt, very little stuttering

note: live, laugh, love hot loser men

word count: 2.3k

i love reading your comments and reblogs, so please do so if you liked reading this<3

HEESEUNG

heeseung was the guy who always sat in the back of the library, oversized hoodie pulled up and earbuds blasting lo-fi playlists. not because he was trying to look cool and aloof—he just didn’t know how to talk to people. heeseung’s whole vibe screamed ‘leave me alone’, and yet, you were drawn to him. maybe it was the way his big glasses always slid down his nose or how he’d stammer when the librarian asked if he needed help. there was a sweetness to his awkwardness, a genuine quality that made him stand out(not to mention how devastatingly handsome he was).

you started leaving him little sticky notes on the library desk when he wasn’t looking, simple messages like “nice doodles!” or “your handwriting is cute<3” the day he caught you in the act, his face turned the color of a ripe tomato.

“you think my handwriting’s c-cute?” he stuttered, practically vibrating with nervous energy.

a bit nervous, you laughed and nodded. “yeah, i do. and i think you’re cute too.”

heeseung froze, his pen dropping to the table. “wait, you… you think i’m cute?” he sounded so disbelieving it was almost funny.

when you confessed that you liked him, he spent two weeks in disbelief, constantly asking if you were joking. but after you assured him that no, you weren’t pulling some cruel prank, he became utterly devoted. he’d text you good morning every day, walk you to your classes while carrying your books (even when you insisted you could manage), and write you poetry—the kind of cringe, over-the-top poetry that made your heart melt anyway.

heeseung was the kind of boyfriend who’d get embarrassingly jealous but try to hide it. if someone so much as glanced at you for too long, he’d fidget nervously and mumble something about how they were probably just admiring how amazing you were. and if you hugged him in public? forget it. he’d be grinning like an idiot for the rest of the day.

when he wasn’t nervously doting on you, he was daydreaming about your future together. he’d scribble little sketches of the two of you in his notebook, complete with hearts and statements like “me + you = forever.” if you teased him about it, he’d turn beet red and try to deny it, but you could see the tiny smile playing on his lips.

rest is under the cut!

JAY

jay was the guy in your science class who thought he could blend in by keeping his head down. what he didn’t realize was that his nervous habits were endearing: the way he’d mumble answers to himself during group work or adjust his glasses every 30 seconds. he was always sketching random diagrams in his notebook—half for class, half because he was too awkward to make conversation.

you had a crush on him because, despite his shyness, there was something magnetic about the way he focused—his brows furrowing as he sketched diagrams in his notebook, the faintest pout forming on his lips when he was deep in concentration. one time, you caught him organizing the classroom supplies, his long fingers deftly sorting through tape dispensers and markers while muttering something about order.

when you mentioned you liked him, jay blinked at you like he couldn’t comprehend the words. “me? like me, me?” he asked, pointing to himself.

you nodded, trying not to giggle at how wide his eyes had gotten. “yes, you. i think you’re really sweet.”

jay’s face turned a deep shade of red, and he immediately started rambling. “i mean, i… uh, wow, okay, i didn’t expect this. are you sure? like, really sure? because i’m kind of a mess, and—”

once it clicked, though, he was all in. he’d send you paragraphs of text apologizing if he thought he said something wrong, shower you with small, thoughtful gifts (like your favorite snacks or a plant he’d researched how to care for), and eventually worked up the courage to hold your hand—though he’d sweat buckets the entire time.

jay would also start making lists—actual, physical lists—of things he could do to make you happy. “compliment her at least once a day,” “remember her favorite coffee order!,” and “learn how to not be a complete dork >:(” were scrawled on a sticky note tucked into his notebook. and when he wasn’t nervously doting on you, he was daydreaming about you, doodling your initials in the margins of his notes.

very soon, he was down-bad for you, which was evident through his real life and his social media activities. he’d post the cheesiest captions about you, like “can’t believe i’m dating the most amazing person in the world” with a blurry photo of the two of you. his friends teased him mercilessly, but he didn’t care. to him, you were worth every bit of embarrassment. late at night, he’d re-read your old texts and smile like an idiot, convinced he was the luckiest person alive.

JAKE

jake was a lovable mess. he wore mismatched socks, always seemed to forget his pencil, and somehow managed to trip over air at least once a day. his “plan” to talk to you involved him awkwardly hovering near your desk and pretending to need help with math problems he already knew how to solve. you knew from the start he was a bit of a loser—but that’s exactly why you liked him along with you finding everything he did adorable.

“wait, wait,” he said when you told him you were into him. “you like me? like, romantically? or is this a ‘pity me’ situation?”

after realizing you genuinely liked him, jake became a golden retriever in human form. he’d facetime you at random hours just to say hi, take you on chaotic “dates” that involved him occasionally tripping over things in public, nervously ordering food for you both and all silly fun activities like arcade games and amusement parks. it was never a dull day with him! after your first kiss, he couldn’t stop grinning for hours, texting his friends in all caps: “GUYS I JUST KISSED THE LOVE OF MY LIFE AAHJKHSSSK”

jake’s down-bad behavior reached new levels when he started making playlists for every possible mood you might have: “songs to cheer you up,” “songs that remind me of you<3,” and even “songs to study to (but only if you want to study with me):3” he’d even text you mid-class to tell you he missed you, even if you’d just seen each other that morning.

jake was also the kind of boyfriend who’d insist on carrying your bag even when it was clear it was too heavy for him. “i’ve got this!” he’d say, wincing slightly but refusing to let you take it back. and if you ever mentioned feeling sad or stressed, he’d immediately panic, asking, “what can i do? tell me, and i’ll do it!” he’d even write you little notes with nerdy jokes or doodles to make you smile, slipping them into your locker or bag for you to find later.

SUNGHOON

sunghoon thought he was slick, but his ‘cool guy’ act was so transparent it was almost cute. he’d lean against the lockers during breaks, pretending not to notice you, but the way his ears turned red every time you walked by gave him away. despite his awkward attempts at being aloof, you found his loser tendencies adorable: like how he’d secretly google pickup lines but chicken out before using them.

when you confessed your feelings, he genuinely choked. “wait, you like me? oh wow… you have bad- I MEAN great taste ahem.” he spent a solid week trying to act nonchalant, but once you started dating, his loser side came out full force. he’d ask you to “rate his outfits” before dates, send you selfies captioned “just thinking about you bbg,” and blush furiously every time you complimented him. sunghoon may have tried to act smooth, but deep down, he was utterly whipped.

sunghoon would also start practicing ways to compliment you in the mirror—only to mess it up completely when the time came. “y-you look… uh, very… beautiful? no, wait, gorgeous! that’s the word i meant!” and everytime you smiled at him, he’d be texting his friends, “she smiled at me again!!!!! i’m gonna pass out.”

his devotion extended to doing the smallest things for you, like bringing you your favorite drink or snacks without you asking. he’d even memorise your schedule so he could “accidentally” bump into you between classes, claiming it was coincidence even though the timing was suspiciously perfect. at night, he’d lay awake replaying your conversations, smiling at the ceiling like the lovesick fool he was.

SUNOO

you had noticed sunoo always sitting at the edge of friend groups, laughing along but never quite joining in. he was bubbly and fun but had an air of self-doubt that made him endearing. you started noticing how he’d always bring extra snacks to share with classmates or go out of his way to compliment people—little acts of kindness that made your heart flutter. not to mention his angelic beauty, that had you look twice the first time you had seen him standing near the water cooler awkwardly.

it was hard not to develop a crush and when you told sunoo you liked him, he’d blink in disbelief. “no way. you’re joking, right?” but after realising you were serious, he’d giggle nervously and hide his face in his hands. once you started dating, he became the most attentive boyfriend ever, remembering every small detail about you and hyping you up like you were the main character. he’d also send you cheesy tiktoks at 2 a.m. with captions like, “this is so us babe ><”

sunoo was head over heels for you, the literal epitome of “she fell first but he fell harder”. he did adorable things like creating a secret pinterest board filled with date ideas and texting you pictures of cute animals with captions like, “look, it’s us in 50 years!” he also started learning how to bake just so he could surprise you with your favorite treats—though most of his attempts ended in chaotic, flour-covered disasters.

if you ever seemed upset, sunoo would go into full panic mode, showering you with compliments and doing everything in his power to cheer you up. “you’re the most amazing person i’ve ever met,” he’d say earnestly, his eyes sparkling with sincerity. he even kept a list on his phone of all the things you’d mentioned liking, just so he could surprise you when you least expected it.

JUNGWON

jungwon was the class president who seemed to have it all together—but his close friends knew better. he was the guy who’d trip over his words during speeches, carry five planners because he kept losing them, and stress over things like forgetting to bring tape for a poster project. you liked him because, despite his loser-ish tendencies, he had a heart of gold and worked hard to make everyone feel included.

when you told him you had a crush on him, jungwon’s first reaction was to nervously laugh. “wait, me? are you sure? why would you do that to yourself!?” once he accepted that you really liked him, he became the sweetest boyfriend imaginable. he’d plan thoughtful dates (that inevitably went slightly wrong but ended up being more fun because of it), leave you encouraging notes in your locker, and get adorably flustered every time you kissed him.

jungwon also started creating “motivational speeches” for you, writing them out on notecards and practicing in the mirror before giving them. “i believe in you,” he’d say earnestly, fumbling to hand you a little note that said, “you’re amazing, and don’t you forget it.” if you teased him about it, he’d bury his face in his hands and mumble, “stop, you’re embarrassing me…”

his love didn’t stop there. he’d stay up late researching ways to make your life easier, like creating color-coded study guides or finding fun new spots to take you on dates. and if anyone dared to speak poorly of you, jungwon would step up, surprising everyone with his sudden fierceness. “they don’t know what they’re talking about,” he’d say, his tone protective and unwavering.

NI-KI

ni-ki was the quiet gamer boy who’d rather blend into the background than be noticed. he wore the same hoodie every other day and constantly had earbuds in, even when they weren’t playing anything. you liked him because of how unpretentious he was—and how his eyes lit up whenever he talked about something he loved, like a new game or a random meme he found hilarious.

when you told him you were into him, ni-ki almost dropped his controller. his eyes narrowed into a glare, “are you sure you’re not messing with me? did jake tell you about my crush?” after he realised what he had said, he immediately scampered away leaving you standing there confused. once he got over his initial shock, he became your biggest simp. he’d send you memes that reminded him of you, let you beat him at games (even though he’d deny it), and randomly text you “you’re so pretty” at the most unexpected times. around his friends, he’d brag about you non-stop, showing off pictures of you with a proud grin.

once he was down bad for you, he became hell bent on learning how to cook your favorite meals—even though he’d never cooked before in his life. “how hard can it be?” he’d say, only to panic five minutes in and call you for help. he also started staying up late to design matching gamer tags for the two of you, insisting that everyone online needed to know you were his.

in quiet moments, ni-ki would open up about how much you meant to him, his voice soft and a little shaky. “i don’t know what i did to deserve you, but i’m not letting go.” and if you ever showed up to surprise him during his gaming sessions, he’d immediately log off, saying, “sorry, guys, my priority is here,” as he turned his full attention to you.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

taglist: @soobnuuy @senascoooop @moafloribunda @lunalovesstories

@firstclassjaylee @levandright @fancypeacepersona @mirouie

@gaonashi @firstclassjaylee @kkamismom12 @evandsolo

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw?

not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content?

nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day?

nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early?

you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site?

i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag?

#bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

⭐ 1: FAV OC

what makes them your fav?

2: NEW OC

how recently did you make them?

3: OLD OC

how long ago did you make them?

⭐ 4: UNDER-APPRECIATED OC

an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like

5: RE-DESIGNED OC

an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 2: BUILDING BACKSTORY

⭐ 6: PAST

where is your oc from? what did they look like as a child?

7: LIKES

what do they like (and why?)

8: DISLIKES

what don't they like (and why?)

⭐ 9: RELATIONSHIPS

doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)

10: PERSONALITY

what are your oc's main personality traits

11: SYMBOLISM/THEMES

what represents your oc? is there a specific colour you associate them with, or a specific animal?

12: FUTURE

what will your oc look like in the future? do they have any plans or goals?

WEEK 3: FUN + GAMES

⭐13: MEMES

do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?

14: WHO/WHAT INSPIRED YOUR OC

are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?

15: MUSIC

share a character playlist, write a songfic, post lyrics that remind you of them, etc

⭐16: EYES CLOSED or NON DOMINANT HAND

draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!

17: DnD ALIGNMENT CHART

put all your ocs into a DnD alignment chart, or any other similar chart if you prefer

i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"

⭐18: SWAP

swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?

19: PALETTE CHALLENGES

draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

hex codes for the colours:

palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3

palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4

palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8

palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

WEEK 4: COMMUNITY

20-26: A WHOLE WEEK OF SOCIAL STUFF

if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

WEEK 5: HALLOWEEN

⭐27: FEARS

is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?

28: MONSTER

what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?

29: PUMPKIN CARVING

your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!

30: GHOST

this can be literally a ghost, or a concept that haunts your oc! up to you!

⭐ 31: COSTUMES

what are your ocs wearing for halloween?

[valeriapryanikova]

ominous

(itsy-bitsy fanfic concept/idea/? under the cut)

[A page ripped out of a journal; the owner’s handwriting is messy and barely legible.] 

february, 29th

i'm surprised i'm not dead now.

yesterday, in the late evening, as i was painting, it started storming. suddenly and hard. one second the dark sky is clear from any clouds, and the next moment the droplets are pelting me with a surprising force. i rapidly abandoned my easel and canvas (not like there would be anything lost—the piece was dull and not working out the way i desired) in favor of seeking cover.

i was still near the village, on its outskirts, but just a bit too far from my house to reach it quickly before my whole being was drenched through and through. so i ducked into one of the huts, all of which stand empty, desolate… or so i thought, at least.

only once inside did i spot the dim, ominous, red glow of the overhead lamp; the sound of a muted conversation; the overwhelming sense of “wrong”, like i was not meant to be here. abruptly silence fell and two sets of bright eyes stared me down.

terror froze my body. i felt like a prey caught in between two predators, i could practically feel their jaws snapping around my neck.

the dredger slowly smirked at me, barring her sharp, sharp teeth. (since when are they sharp? i may not have crossed path with her often, but i swear i would’ve noticed if she had shark teeth before.) i did not stay to see if the fisherman would further react to my presence too. the control of my body returned, allowing me to let out a panicked apology for interruption and bolt out of the hut, running home at full speed.

it’s been hours since then. i couldn’t fall asleep. i’ve been up the whole night, haunted by fear. the scene of those two beasts in the darkness, ready to snap me like a twig for overhearing something (i don’t remember what exactly, all the horror of the situation evaporated all my thoughts), got stuck in my mind’s eyes. so i’ve been doing what i know how to do best—painting.

[Attached to the diary entry is a typewritten note.] 

That painter fellow is an impressionable and imaginative type. Needless to say, the actual interaction with the two fish merchants was likely a lot less… Dramatic.

The painter was reluctant to show me the painting mentioned in the last paragraph, but after some convincing I did manage to take a quick look on their recollection of the witnessed scene: it seems mostly useless for my research, but I noted down some details that might be of use in the future (refer to “AudioLog#143” transcript for more information).

Collecting data on “The Fisherman” continues to prove itself annoying. The subject is allusive: there’s not many sources mentioning him, and folk around here rarely witness him out and about. Currently the only lead I have is finding that one old newspaper article about the docks that, if I recall correctly, mentions him in an interview with workers. Perhaps, when I have time, I’ll try asking the collector from the other side of the river if he has a copy of that newspaper issue.

However, for now, I’m significantly more interested in “The Dredger” subject. There’s more than plenty info about her—I would actually say there’s too much info about her, all inconveniently inconsistent. In an attempt to get more reliable data I’m getting in contact with Mined since they have done scientific observation of this area and the people of interest. My request for access to their data has gone unanswered so far and, if shoving my anthropology degree in the faces of those bumbling idiots won’t work, I’m sure that that city nearby has enough hackers willing to do some dirty work for a pretty diamond.

I will get the data I want, one way or another.

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[prael]

Integrity

Newjeans Hanni x male reader smut

Happy Hanni Day!

Masterlist word count: 6,048 Kofi(donations/commissions)

It's a really long way to travel, and doubly so when you get fuck all from it. It's not like you were after anything ground-breaking—it's just a fashion show, after all.

It's about as close as you get to 'phoning it in' as a journalist. A few copy-and-paste interviews to accompany some snapshots of the season's latest designs. A couple hundred words, cut and run. Who wore what dress and who wore it the tightest. You could probably type most of it out on the plane without ever leaving your seat, and the public will still eat it up.

Somewhere over Austria, you mulled over that very fact.

Four days later, somewhere over Hungary, you're scrambling to do exactly that.

The whole thing is going fine. Fine, right up until it isn't. Maybe it's the sound of your fingers on the keys or the pocket of air that rocked the plane in that familiar gut-wrenching way, but her eyes are opening slowly. She's mouthing something, her fingers reaching around behind her, under the thin layer of blankets she is enveloped in.

"Are we there yet?" she murmurs, fishing her phone out of her blanket, sleepiness and all.

"Not even close," you say as flatly as you can, returning to a few words you'd been rolling over in your head for the better part of thirty minutes.

"What are you writing about?" She asks from down on her fully reclined seat that's moonlighting as a bed.

"You," you say with a small laugh, not looking away from your laptop.

"What about me?" Hanni's phone lights up, cutting through the darkness and finally making her face visible. The cabin is in full black-out since it's the middle of the night, and the dividers in first-class keep the two of you isolated.

"Your clothes, mostly. Generic fashion show stuff. Doesn't really matter. I put the names Gucci and Hanni Pham in an article and it sells itself. Instant clicks. S'like... two baits for one fish."

"You say that like it's a bad thing."

"Probably is," you reply, knowing full well that there's little to be proud of in here. It's all surface level after all, since adding the things you know now might raise a few eyebrows. All the investigative journalism you've done over the past few days isn't exactly something you can write about. Though you can't deny it, an article about the beauty mark right below her waistline would probably send the masses into a frenzy.

You can hear her tapping on her screen a few more times, and with the silence in the first-class cabin at night, you find yourself focusing on those sounds more than your writing. Tap. Tap. Tap. Pause. Sigh. Tap. Tap.

"What is it?"

"Can't sleep," comes her whispered reply as she pushes herself up with that strange grunt you often hear her make, propping her pillow against the bulkhead and stretching out.

"Drugs not working?"

She shakes her head. "Not doing much."

"If my typing is too loud I can stop—"

"No, you focus. I'll find something to keep myself distracted." She locks her phone again and disappears into the darkness again, her soft breathing almost inaudible. Minutes go by. You manage a full two paragraphs before hearing her moving in the darkness again.

"Hanni?"

"Shh."

The slow shifting goes on for another few seconds, and in the darkness, you can make out the movement of her blanket as she slides off the chair down to your feet. What hits you next is her fingers reaching into your waistband.

"Hann—"

"Quiet," she whispers back. You quickly pick up the laptop from resting on your lap before her attempts to undress you can send it crashing to the floor. You're quick to place it on her seat and close its cover, out of her reach just in time before she slides your pants down.

She doesn't say anything, just lets you lay there in silence as her fingers guide you into her mouth. It is almost unnerving how used to it you have become in such a short time—how easy it has become for you, a supposed professional, to mix business and pleasure to this degree.

Hanni goes on unperturbed, wetting you between plump lips that trail up and down your length.

There is nothing you can do at this point but give in and just throw your head back. You grow harder under her touch and her tongue and judging by the way she grows more aggressive with her movements, Hanni is starting to enjoy herself as well. You can't quite make out her face, but you already know the look she's wearing. Can practically see it in your mind's eye; the look of wide-eyed desire as she takes you further in, lips rounding out over teeth as she welcomes every inch you give her until her cheeks cave in from sucking.

It's fucking burned into your brain. You've seen it so much, among so many other filthy expressions, you aren't sure if you could ever forget it.

Your hand reaches down blindly in the darkness until it finds the back of her head. The mere fact that the both of you are sitting on this plane hundreds of miles above the ground is instantly forgotten, fading out from consciousness and sense as she holds on, massaging your balls with one hand.

You let yourself lay there like this, fingers tangled in her hair, cock buried in her mouth. The thought of pulling her up and reciprocating is never far from your mind, but her grip on your hips is certain. This is all her right now. She's in charge.

She does not lack the pace to prove it.

Her head bobs up and down in the dark, tongue guiding you further in with every motion, lips slipping further down along your shaft, saliva pooling at your base. Her humming is growing—you can't hear it, but you can feel it. It resonates all the way through you, down the aching hardness she keeps stroking with her tongue, and even further to fuel that tension building in your lower stomach.

"Holy fuck," you curse under your breath, voice catching in your throat, lost in the motion of the plane's droning vibrations and her eager motions.

She pops you from her mouth, stroking your cock with a twist of a wrist and something she is doing with her tongue at the tip. As your eyes begin to adjust, you can see that spit has mixed with precum, dribbling down and over the back of her knuckles. It's lewd and over the top and everything that Hanni Pham, an innocent idol, pretends not to be.

"What? You want me to stop?"

"Fuck no," you whisper back, heart pumping in your ears. The feeling of her strokes, suddenly more controlled and tense without the benefit of her mouth is as jarring as it is fleeting.

"Didn't think so." With that, she brings her head back down to take you in her mouth again, hot breaths hitting the spit-slick surface of your dick. It's dirty and clumsy, messy and wet, and each time she swallows you, your entire body shudders with pleasure, coiling every muscle and feeling it climb upward until your stomach goes tight and you find yourself pushing her down, further, faster, until she is sucking what little air she has.

You are wound tight. Agonising, torturous tension pulling ever outward from your centre with each motion she makes. Every twitch of her tongue—fuck, does she work her tongue—spurs some sort of response down to the very tips of your toes.

It's a complete relapse. Back to four days ago, in the back of the car, with nothing but a divider between you and the driver. Cumming inside Hanni's pretty mouth and feeling her swallow every bit, then going on like nothing happened.

-

There's usually not a lot of enthusiasm for an interview. You have spent the whole morning being shrugged off by star after star after star. To them, they're there to look pretty. To show face and represent their brands. Answers are pre-written garbage to be regurgitated over and over like everyone is sharing the same stupid fucking tongue.

Then there's little miss backless-top. Denim jeans and a shirt with frills that barely keeps her modesty. Big, brown eyes and a smile that fills her whole face. Add her vibrance and energy and she really gets your journalistic gears turning. There's something fresh about her. How when you approach her, she engages you in a conversation like you're an actual person and not just some cardboard cut-out of a journalist.

Hanni Pham knows her shit. It's part of the training. She handles media with all the grace of someone born to do it and the energy of someone who loves it. So not only does she give you answers there and then, but when you make the request to sit down with her later and get all you need to do a whole feature on her, she's quickly turning to the powers that be to make it happen.

She should have been a ten-minute addendum. An hourglass figure strutting and posing and laughing her pretty little ass off for cameras for the adoring public. Instead, Hanni fucking Pham, you've got her. For hours.

So you sit down in a quiet little room you managed to reserve with the company card, and she's right across from you, with two glasses of water and a notepad on a table in an otherwise empty room.

"Is this going to be recorded?" She asks first, though looks sceptical and unprepared.

"Normally, yes. But I would prefer us to be a little more comfortable. I'm going to take notes, that's all."

"I like that." She claps, like there's an imaginary audience watching, even if you're the only one there. "So, what are we covering?"

"Everything. To start," you shift a little closer to the table. "Think of this being more about you rather than what you're wearing."

She gives you a little bit of a quizzical look.

"I know. Fashion show. Just, work with me here. The Gucci brand gets the clicks, I want to introduce those clickers to the girl wearing the clothes."

Hanni nods, her eyes light up a little and you can't help but notice how she is really fucking adorable. Up close, she's even prettier. It throws you off for a second as you bring up the notepad. The blank pages stare up at you—mock you. Where do you even begin?

"We met briefly earlier, and you're standing alongside stars from many industries and the lead designer at Gucci."

"Yes," she smiles politely. "That was exciting. Kind of surreal, really."

"So what does it take to be who you are? A girl of Vietnamese blood, born in Melbourne, working in South Korea and travelling to Europe for fashion shows?"

"Uhm, like, honestly?" She shifts in her seat. "Really a lot of hard work. Endless and stressful and never-ending hard work. You know? From singing and dancing, to the language lessons and the dieting and working out. It needs hard work and, well, a lot of luck too."

"You make your own luck." You nod, before jotting down into your notepad.

She tilts her head in response. "I suppose so. That's very quotable if you want. I made my own luck by working hard."

"And yet you're still young, what, turning twenty?"

"Just." Hanni nods.

"Barely twenty and making waves. Do you still feel like you have so much more to give?"

"Oh fuck yeah," she quickly confirms. "Wait, don't write that down."

"Oh... fuck... yeah." You sound out the words as you pretend to write them in the notepad.

"Hey!" Hanni laughs, and it's beautiful. It fills the room and just makes her glow with warmth. "Cut me some slack."

"Alright. Alright. So is this what you envisioned? Being twenty and being here?"

"You mean in this room with you?"

You laugh too. The jokes come so naturally to her.

"I'm happy where I am, it really was always my dream."

"To be in this room with me?"

"Fuck you," she laughs. "But, in a way, yes. I wouldn't be here if I didn't achieve my dream, would I?"

"That's very true. Then what is next for you?"

"There's no end goal." Hanni tilts her head. You follow her hand as it passes through her hair. She's studying you just like you are studying her. "I don't think I'll ever sit back and say 'that's enough.' That's not who I am."

"Ambitious. The question now is what are you chasing?"

"Is that you asking or the article?"

"Both," you say with a wry smile.

"For the article: I want to tour the world, keep improving and working hard. Release more music."

You scribble down a few notes and then click the top of the pen. "And off the record?"

"To spend a little more time focusing on myself. Time is fleeting. I should try and enjoy it while it lasts."

"You're young, pretty and successful. You have plenty of opportunity to do just that."

"Is that flirting?" she jokes, cocking her brow with a seductive smile.

"I'm just stating facts. I'm married to the truth." You gesture to your notepad. "So let's get back on the record, shall we?"

-

One delayed layover later and you're back in the air, and after your brief break to let Hanni drain you into her throat, you managed to get back to finishing up the article, so for the final stretch, the two of you are lying together in one of the first-class beds, and the conversation kept going.

"How are you single?" she's asking, while you're spooning her.

"Mostly because of my job. Definitely the baggage and constant travelling. Takes a special woman to not hate this."

"Sounds like idol life. I know so many idols who try to date but you just never have the time to see each other. We tour constantly and are always on the road. A long day of practising and comeback planning and comeback filming and comeback rehearsing, and more hours of sleep and eating to prep for the next comeback, you're always too exhausted."

"Such a shame." You lower the blanket that's covering her bare chest. Her breasts fill your palm as you caress them, gently. "A pretty thing like you deserves so much better than empty hotel rooms."

"Flirt," she playfully chastises, pressing her ass to your crotch before sliding forward to give you some friction, grinning at you over her shoulder. "These past few days, all the sex, I'd be lying if I said I couldn't get used to this."

It's a sentiment so heavily shared, that even now you're thinking about how easy it would be to pin her onto her back and mount her. It isn't easy to shake the thought when her body is practically inviting you inside her.

You're asking instead, still exploring her naked form, "How do you overcome the needs?"

"Other ways..." Hanni replies through closed eyes, her cheeks blushing. "Toys. Helps and hurts. They're no real substitute."

You run your hand over her toned stomach, heading between her thighs and gently prying them open. And there she is. Right fucking there, wet and waiting for you. Your finger glides over her lips and runs the full length of her, and she strains to contain a gentle moan. The problem is, Hanni is really fucking loud, and the walls of this pod are paper thin.

"I want you again," she whispers, and it's a real fucking dilemma.

She guides your cock through the folds of her pussy and leans back her head as she takes it. Fuck, it feels so good being back inside her. Wet and tight and made to grip. A small whimper escapes her when you are in deep, which she tries to swallow.

"You gotta be quiet," you tell her, while all but refusing to move inside her.

"I can be quiet," she grinds against you, but you're not convinced, and with a firm grasp of her jaw, you pull her closer.

"Can you?" you speak under her ear. "Can the oh-so-talented Hanni Pham control herself?"

She lets out another trembling little sound of pleasure while pushing herself onto your shaft. "I think so. All I know is you need to—yeah, right there. Yes." She closes her eyes and tries to stifle that deep groan of enjoyment.

You hush her before it gets too loud with a hand over her mouth. Tentatively, you begin moving, an aching slow journey backward and forward. As tight as her cunt is around your dick, the movement becomes easy. Dragging more pleasure from both of you and as she rolls her hips again, grinding against the motion, the whimpering returns.

"Hanni," you scold gently, pushing further into her with each stroke. "Shhh."

She mouths an 'I can't' into your hand which elicits a laugh from you and turns a smirk into a smile. You're rutting against her ass, savouring the feeling of your hips hitting her soft flesh. Ample curves along with a narrow waist begging you to embrace her. A pretty little thing taking all your cock and urging you on. It's hard not to go harder. "Need you."

"Careful what you wish for," you whisper as she tries to lean back her head in bliss.

Her tongue brushes your knuckles, and the soft sweep feels like a warm, wet invitation to probe further. A few seconds of uncertainty follows, and then her mouth closes around the tips of your fingers and starts to suck. Sharing the same excitement that has gotten the better of you the past few days of endless debauchery.

You sink your fingers deeper. She sucks harder, her moans stifled behind her pursed lips. Anywhere but here and you would throw her face down on the mattress, fuck her into a state of bliss. Make her beg for you and claw the bedsheets. Such an innocent girl, a girl who should have stayed wrapped in silk and lace, but who demands you take her, just a moment longer, just a bit rougher, and how can you refuse a beauty like that?

Just as Hanni settles and relaxes, her body is dragged into tense peaks of delight. Tiny gasps leak from around your fingers as you thrust deeper. She chokes as she orgasms, digging her nails into the arm that is holding her close, her face going bright pink. Sweat on her temples, on her chest. An earthly aroma of wet skin and hot breaths. She swears and curses the pleasure as you pump your orgasm between her thighs.

You fill her. For a while, you are one, grinding together in mutual fulfilment, breathing heavily and lost in your actions. The mess you're making runs from her sweet cunt, down her thigh, onto the bed.

The rush leaves the both of you exhausted. Hanni does nothing to resist you pulling out and emptying the last few drops over her ass. It is all over as quick as it began. It comes with a strange realisation of how natural it all feels to cum inside Hanni Pham.

-

It's not often that someone you interview not only takes your card, but doesn't immediately throw it away, and actually uses the number on there. You're in the back of a cab when it rings. Today's show has just about finished and while you didn't quite manage to snag another interview like the one you did with Hanni, it has been a good day.

"Did you get enough to write about?" is the first question she asks when you answer.

"I got a few bits here and there. Some surface-level stuff from others, but you gave me the marquee piece. I'll fluff up what I have with the spec sheets released and I'm sure it'll be a nice little exclusive."

"That makes me sound important," she giggles.

"You're a fucking celebrity, of course you are important."

"No need to swear."

"Apologies." There's a momentary pause. You let it linger on the call and soon enough, Hanni's laugh fills the silence.

"I'm kidding. Keep up that energy,"

"So, why are you calling? Usually, when I get a call it's to recant some statement or explain a misquote. Did I make a mess of something?"

"Well, not yet. But I have some ideas."

"Ideas?" You repeat, brows raising.

"Where are you now?" she asks, and for a moment you wonder if you shouldn't be answering.

"Taxi. Headed back to the place I'm staying."

"Where are you staying?" It's a strange question for her to ask, you think. Or maybe, it's not strange at all, but timing and circumstance have you considering the way it sounds.

"A hotel."

"Look to your right," she says, making a confusing request, but you look. Of course, you do. Outside the window, in the next lane over, stuck in the very same traffic as you are, is a familiar face. She gives you the widest grin, pressing the phone to her ear.

"Are you following me?" you joke.

"Do you want me to?" There's something playful in her voice, an attempt at seduction that's not exactly subtle.

"Hanni, what are—"

"Just answer the question," she interrupts.

And that's it. There's no reason to evade the truth. Lying to yourself gets no one anywhere. "Yeah. Yeah, I do."

"Good," she murmurs, "you know, I'm still wearing the same outfit as I was at the event. These jeans are getting really uncomfortable." She pulls the phone away from her ear for a second and you hear her call out, "Driver? See that taxi on our left? Follow it, please. And can I get some privacy back here?"

There are some distant sounds from the other side of the phone. An affirmation of orders. Then her voice is right back with you.

"As I was saying, these jeans are really uncomfortable."

"Fashion can hurt," you say flatly.

"You're supposed to tell me to take them off or something. You're not very good at this are you?"

"I didn't realise 'this' is what we were doing." You've developed a stupid fucking smile, even if it's going unseen.

"Hmm, it can be." There is a moment of quiet as if she's thinking. "Hold on a second," Hanni says. There are some vague sounds you can't make out before she comes back to the phone. "Got bored of waiting. Now, keep talking will you? I like the sound of your voice."

"Hanni, what—"

"Just keep talking. Tell me what you think of me." She can't see it, but the look of confusion must be shining bright on your face. At a loss, and under duress, you speak your mind.

"Well, you seem nice." It's a weak first effort. "Very funny, a little confident. You must know you're pretty. Young, but driven." The words you mumble are stilted, but telling the truth.

"Really. You think I'm pretty?"

"Yeah."

"Not sexy?"

"Hanni, you're fucking sexy."

"Thanks," her laugh is like bells, ringing through the car. "That's better. What did you think of my outfit?"

"Daring. Not often do I see an idol go completely backless. Risky."

"Sometimes a risk is worth taking."

"Seems so."

"Tell me more. Tell me what was the part you liked the most?" Her voice drops from that relaxed confidence to a pitch that has your head buzzing with possibility.

"Nice waist. Really looked good with the way those jeans hugged your hips."

There's a long, heavy breath from the other end of the line. Something rustling and then a deep gasp from Hanni.

"What's happening?"

"Nothing. Keep talking. Describe me to me." Her voice is fraught with need, a small tremble in each word.

"Okay." That was permission, or demand, whichever is. You swallow before continuing. "Backless was a good choice. Your bare skin looks great. I'm sure those pictures are going viral already. Betting they are all over the web, all over people's phones."

"Are we close to your hotel?" Hanni strains out the question as if it were hard to say, every syllable wrought in pain.

"Close."

"Good, are you excited?"

"To?"

"See more of my bare skin."

Fuck. The image floods your mind like a dam breaking. Suddenly, she's right there, unclothed and naked and spread open. Suddenly, she's right there, moaning in pleasure, your cock lodged deep inside her.

"Yes," you groan into the phone. It's a painful admission. "Really, Hanni. Really fucking excited."

"So tell me, what are you excited to see?"

"Your ass. Love the way you wore the jeans just a little too tight. Really framed it."

She whispers, "That's all? Anything else, anything special you wanted to see?"

"Your breasts. Like what the top does. Would like to pull it down and play with those breasts." This whole thing is obscene. You're shamelessly spilling your desire to a girl you just met and she's loving every second of it.

Another soft gasp is heard on the call. It's more than that, it's her panting, short snatches of breath as her little gasps become regular, heated and urgent. "And then what?"

"That's a surprise. We're here." The cab pulls up and her car pulls in behind you.

"Room number?"

"Oh-one-two-two," you say, handing over cash to pay the driver and stepping out. "See you there."

-

It's deep into the night now, and her back is pressed against the wall as you're kissing down her neck. For a young woman who looks ever so innocent, you're quickly learning the taste of her body could have the alcohol industry aflame. She's intoxicating and you're addicted. Lips sucking, teeth pressing lightly against tender flesh.

She told you to not wear a condom, not this time. She described your first load as a waste, a sinful injustice after all the things she had done to wring it from you. So now you're back inside her, thinking only of how you're going to decorate her this time, about the moment you can't hold back any longer and cum, uninhibited, spewing mess over her delicate, flawless little body.

So you're just fucking nailing Hanni against the wall, her leg pulled up and knee hooking around your elbow. Holding her there, pounding her cunt the best you possibly can. Her hands scratch deep lines into your back, and her fingernails leave dull aches along your spine. There's something primal in the way she's urging you to fuck her harder, stronger, faster. She wants all of you, just like you want all of her.

You lift her other leg and hold her there, folded against the drywall. The steady pounding begins to churn her insides, to break her fragile body to the rhythm. She's mewling a mixture of sounds in your ear. Begging. Incoherent sounds of need. Then you feel her cunt clenching and tightening, a sudden strength to the grip she has on your shaft.

Hanni screams your name, howling it at the ceiling and the walls while you drive her ever deeper through an orgasm that's torn apart her expression. Utter beauty, sheer excellence. Her quivering pleasure comes with warmth between the two of you. She cums so hard that she goes limp in your arms. Your legs really begin to strain as you pump her full of cock, and her lips find yours again.

Your kisses are savage, the gnashing of teeth and the crush of lips. She's asking for more. Demanding more.

So you throw her to the bed, turning her over and she instinctively drags herself to her knees. Her palms run to the edge of the bed, clawing the blankets as you climb behind her.

"Do you like my ass?" She breathes. Your grip finds the firm flesh with purpose.

"Love your ass," you mutter, taking a hold and angling her towards you.

"Then fuck me." Hanni arches deep, pushing her soft ass in the air and pressing her tits against the mattress. She backs right up to you, begging to be fucked, once more.

The penetration is perfect. Balls deep inside this horny little girl, grabbing a fistful of her hair and using it as leverage. It's hard, it's fast, it's a brutal rut. A sweaty, wet fuck driven by nothing but raw need. She's too wet, too accommodating, clapping herself against your pelvis, meeting your every thrust.

It's not the time to think. Simply let instinct take over. Leaning into it and fucking her.

More words spill from her mouth. More dirty, lewd praises that have your balls aching. It won't be long now. Every muscle, straining with effort, pulls taut. It's such a fucking trip. This once innocent-looking person sucking the life right from the core of your being, bending over for you to force a hand along her spine and bend her further.

"Cum on me," she whimpers again and again. Over and over. She's pleading with you. "Please, cum on me. On my back. Cover me."

There's no further thought, no plan, no point of focus. Everything narrows down to the slick friction around your shaft, and your stomach starting to become strained from the endless effort. To how her ass shakes as your fuck yourself to the edge and how she cranes her neck to watch you.

At the very last moment, you draw out of her and jerk yourself, quick and urgent motions of your wrist. Hanni's knees give way and she lies flat, looking back and watching you as you start to cover her.

The first spurts land high, just beneath her hair. They collect and pool before forming and dripping forward along her shoulder blades. The next spreads across her shoulders. A thin coating that has you shiver as it lands. It goes on and on until you're slathering her in thick lines and ropes.

Something about the sight is so fitting, so delectable, as she lays there and writhes with need, adoring the feeling of being bathed in your lust.

Her expression is an aphrodisiac as she cries out in ecstasy. Her tongue runs across her lips, and then she lets out a soft lass before crashing her face into the soft bedsheets with a moan. Your fist is still pumping rope after rope of cum across her until every muscle feels drained, and you manage to collapse beside her on the bed. You trace a finger across her smooth, plump ass as you catch your breath.

"This is the life," Hanni gasps. "If I could just have endless sex, the world would be a far happier place."

-

You could have been forgiven for thinking it would be a one-off. Just one night of wild sex together before going your separate ways and never speaking again. A nice memory of a beautiful girl to always sit fondly at the back of your mind.

But the very next night, you're in her hotel bathroom. Sharing a bath together, her back pressed flush to your front. You can't fucking resist running a hand between her thighs, working gently over her cunt to hear the wonderful noises she makes.

"Please," she whispers over and over, grinding against your touch.

Ordinarily, you might tease her, and have her beg a little more, but there's nothing more enthralling than the sounds and sights of Hanni's face when she cums. So instead, you're knuckle deep with two fingers and curling them into her cunt, hitting that magic spot just a little more, faster and faster.

On the brink of her second orgasm in ten minutes, Hanni draws a noisy, shuddering breath, the exhalation quickly becoming a sharp, high-pitched wail that fills the bathroom, her eyes glaze as she climaxes. "Fuck. I—that's—more." Her head falls backwards and rests on your shoulder, "yeah, more."

Hanni's petite frame writhes in orgasm. Back arched, panting breaths quickly turning to gasps for air. Eyes flutter and roll backwards before shutting entirely. Every muscle in her tight cunt grips your fingers as waves of pleasure pour from deep inside. She grinds on you, riding the sensation of your touch through the spasms until they finally slow.

"You're so fucking cute when you cum," you kiss her cheek.

It's the compliment that has her rising from the water, she stands in front of you, her wet ass and thighs dripping as she turns toward you. "Me? Cute?" She smirks, lowering herself onto your thighs, resting your cock against her pussy. "Am I really?"

"Cutest fucking thing."

She guides your cock to her wet pussy, sinking down and slowly filling herself, the both of you making a whimper at the sensation. She's in no rush, though. She prefers slow, she favours long, lingering motions where you're all the way inside her and stay there for just a few moments before climbing once more.

Her rhythm has you melting back against the bath. Long, even strokes have her ass lifting and sinking, and she rolls her hips so elegantly that it's natural to reach for her waist and run your hands along her curves.

"I hope you don't think I'm easy," Hanni whispers, her fingers grabbing the hair on the back of your head, locking her hot body against yours, keeping you close, wrapping around you. "But I'm twenty and sex-deprived, so deal with it."

"You're allowed to enjoy sex. Nothing wrong with that," you answer through closed eyes, focusing only on the heat, the skin, the feeling of your cock rubbing through her.

With a mischievous chuckle, she rests her weight on you. Chest to chest, nose against nose.

"Careful," she whispers, her voice fluttering in between soft sighs of excitement. "I could get used to having a man around. Someone willing to get me off, over and over again. You might be stuck with me. Wouldn't that be scandalous? A reporter who's secretly fucking a star like me?"

That alluring, seductive voice makes your body tense. Her kiss threatens to undo you right then and there. She's riding you harder now, bouncing her ass in your lap. Driving the pleasure, the friction, harder and deeper.

"I have a confession to make," you speak with heavy breaths, trying to restrain yourself. "I think I could get used to this. Every day. If I could."

"It's a deal then. How about we celebrate by letting you blow a load inside me? Would you like that?" She nibbles at your earlobe, giggling as she sucks it between her lips. "How good would it feel to feel your hot, thick cum slide all the way up inside me?"

"So fucking good."

"And maybe tomorrow I'll keep you inside me and let you fill me all over again, and maybe I'll do the same the day after." There's a devilish smile across her face as she continues, "I'll ride you again and again and again..."

She keeps repeating it, the word stamped into your head over and over and each time she says it, she drives her hips down into you. Hard. The water ripples. Her ass slaps the tops of your thighs. It's a relentless rhythm, an insistent grind, a desperate desire for more.

"You're filthy," you tell her as you take a firm grip on her ass, her flesh filling your grasp and the muscles rippling through her skin as she moves.

"Maybe. Maybe I am, and maybe you like it." She laughs. A sound as sweet as honey.

"You know I do."

"Then show me how much. Fill me. Let it go."

That's all you need, just her words and the way she fucks you. She's the one doing all the work, and it's all the reason you need to relax and let the bliss consume you.

Hanni is kissing you when it hits. She swallows your groans of release, sucking them into her lungs. Her hands press down into your shoulders, nails sinking deep into your skin.

She doesn't stop moving, not once. Keeps grinding. She maintains the pace until you can't take any more. Until there's nothing left. Only then does she ease her motion, settling onto your lap, keeping you deep in her.

"That was amazing," she sighs.

"Fucking was."

[soombee]

𖠋 anton lee as your cutie boyfriend !! ; headcannons ୭ ˚. ᵎᵎ

chanyoung x the five love languages :3

pairing ; lee chanyoung (anton) x reader

contents ; gn ! reader (period mentioned but u can ignore that if u want) , pet names , so much love (LOL) , not proofread ! :c

an ; he’s so boyfriend bruh im crying 😢😢😢 loveyouantonitoni , i was giggling when i made this hehehehhe

publish date ; dec 6, 2024

⟢ you love how you don’t have to ask him for anything. he will always know what you want, what you need. he understands all of your languages fluently, you will never ever have to spend your whole lifetime translating your soul for someone who refuses to understand your heart.

( written content under cut )

physical touch ᰔᩚ

꩜ bf ! anton who’s lifeline is your skin, always looking for an opportunity to stay close to you.

꩜ bf ! anton who’s absolutely in love with holding your waist

꩜ bf ! anton who always keeps a hand on your thigh while he drives, squeezing it occasionally, playfully rubbing circles on your skin

꩜ bf ! anton who pulls you into his lap when he’s sitting, wrapping his arms around your waist (as he watches tv on the couch, as he plays games with seunghan, it doesn’t matter)

꩜ bf ! anton who gives massages whenever you’re sore, always ready to ease your tension (and vice versa)

꩜ bf ! anton who can’t resist tickling you, even though he jumps when you even touch his sides

꩜ bf ! anton who strokes your arm ans rests his head on your shoulder in quiet moments

꩜ bf ! anton who fidgets with your hands when he’s nervous. who lets you, and only you, play with his face and luscious locks (as he calls it)

꩜ bf ! anton who loves when you do his skincare routine or put his hair in little pigtails (maybe both?)

꩜ bf ! anton who will carry you bridal style to the bedroom if you tease him a bit too much..

꩜ bf ! anton who dances with you in the middle of the night to slow love songs, pulling you close and dipping you into the softest of kisses

꩜ bf ! anton who teaches you his group’s choreography, placing his hands gently on your hips and hands to guide you

꩜ bf ! anton who puts your legs on his lap when you’re sitting together

꩜ bf ! anton who slithers his hand under your shirt as you both fall asleep in each other’s presence

꩜ bf ! anton who always holds your hand, no matter what—sweaty palms? don’t care. busy? you have another hand. you need two hands? his other hand is free.

꩜ bf ! anton who, if you’re cuddling and he’s uncomfortable, will lift and readjust you with ease, ensuring you’re still comfortable

꩜ bf ! anton hugs you endlessly, until his cologne clings to your skin, until he makes an imprint on your skin

acts of service .☘︎ ݁

꩜ bf ! anton who fixes your clothes when he notices they’re misplaced or wrinkled, always making sure you look your best

꩜ bf ! anton who ties your shoes for you, even if it means dirtying his knee (you’d feel bad) (he doesn’t care)

꩜ bf ! anton who feeds you his food on dates because he catches you staring at his plate

꩜ bf ! anton who gently wipes your face with tissues, whether it’s messy from food or streaked with tears

꩜ bf ! anton who carries pads or tampons with him just in case you’re caught off guard (stupid periods)

꩜ bf ! anton who offers to paint your nails when he notices they’re chipped, making them perfect again

꩜ bf ! anton who keeps a lint roller in his car because he knows how much you hate lint on your clothes

꩜ bf ! anton who carries you from the beach to clean the sand off your feet, knowing how much stepping on wet sand irritates you

꩜ bf ! anton who plans self care nights with matching pajamas, face masks, and doing each other’s skincare routines

꩜ bf ! anton who takes care of you when you’re sick, drunk, or just feeling down, because loving you is his favorite thing to do

words of affirmation ⋆｡°•☁︎

꩜ bf ! anton who will always want to know how you feel, how you’re doing, and loves getting updates about your day

꩜ bf ! anton who sends you random paragraphs while you’re asleep, pouring his thoughts into messages you’ll wake up to

꩜ bf ! anton who loves to writes silly love letters when you’re away, hiding them in your jacket pockets for you to find later

꩜ bf ! anton who calls you beautiful, the love of his life, his wife, his everything—making sure you always feel adored

꩜ bf ! anton who is soft spoken but intentional, leaving no room for doubt about how much he loves and cherishes you

꩜ bf ! anton who craves long, intimate talks in the dead of night, with only your voice and soft music filling the air

- but i’m falling behind. “i’m still so proud of you, my yn”

- do you still love me? “always in all ways”

- i did it!!! “i knew you could do it!”

- did you see that, toni?! “that’s my baby”

- you deserve more than me.. “you complete me”

- i look so ugly today.. “the presence of you give my butterflies”

- i hope you have fun w riize today!! don’t worry about texting me :) “don’t be ridiculous, i’ll update you, baby”

gift giving / receiving 𝜗𝜚

꩜ bf ! anton who loves giving you gifts, whether they’re expensive or handmade, because he loves spoiling you

꩜ bf ! anton who surprises you with two jellycats every week—one resembling you and the other him—because you casually mentioned wanting one

꩜ bf ! anton who immediately says, “okay, let’s go,” when a new movie you’ve been waiting for is released, happily paying for tickets

꩜ bf ! anton who fully supports your new collection, making sure to contribute whenever he can (smiskis, sonny angels, legos, etc)

꩜ bf ! anton who snoops through your tiktok reposts to find things he can buy or create just to make you smile

꩜ bf ! anton who makes pipe cleaner versions of your favorite flowers, even though they’re slightly (noticeably) wonky

꩜ bf ! anton who turns your polaroid obsession into a reason to make you a custom journal filled with your memories

꩜ bf ! anton who isn’t great at arts and crafts but always tries, just to see your radiant smile and flushed cheeks that he loves so much

꩜ bf ! anton who cherishes the gifts you give him just as much, turning it into an unspoken little competition between you two

꩜ bf ! anton who lights up and lifts you up in the air when you surprise him with the shoes he’s been wanting for months

꩜ bf ! anton who treasures the little things, like the seashell you found and thought of him

꩜ bf ! anton who proudly wears the white tee you transformed with pink lipstick kisses, saying it’s his favorite shirt

꩜ bf ! anton who notices the way you handpick his favorite candies just because they’re his favorite color

꩜ bf ! anton who doesn’t care about any material thing because to him, you’re the greatest gift he’s ever received

quality time 𖤐

꩜ bf ! anton who doesn’t care whether you go out or stay in; he just wants to bask in your presence

꩜ bf ! anton who refuses to let you spend money on him because your company is all he ever needs in life

꩜ bf ! anton who will follow you anywhere—even if he’s sore from practice—because being with you is worth the cramps

꩜ bf ! anton who stays mentally present, writing down random plans in your shared calendar and putting his phone away to focus on you

꩜ bf ! anton who never sees you as needy and never complains about the time you spend together, only that there isn’t enough time in the year

꩜ bf ! anton who drags you along to his photoshoots, shoots, and backstage moments, just to have you nearby

꩜ bf ! anton who will always ask if you want to run errands with him, knowing your answer is (and will always be) yes

꩜ bf ! anton who loves random facetimes, sleep calls, and mornings spent getting ready together

꩜ bf ! anton who “helps” you in the kitchen but really just makes a mess and watches you with heart eyes, his drool pooling below him

꩜ bf ! anton who craves the simplest forms of intimacy: skin to skin, soft words, and just being near each other

purely © soombee ‘s work ― all rights reserved !! please refrain from copying , stealing , or translating my work ( w/o permission ) thanku!

taglist (open) ! @1starqi

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[created-system-hub]

How the heck do I make a system? A brief introduction

This guide includes brief mentions of suicide and brief descriptions of abuse.

Hi there! My name is Arthur, and I'm a tulpa of the Fluffy Crew. If you're here, I'm assuming you're a singlet who doesn't know much about system creation (but has interacted with the plural community), and wants to intentionally create fully separate headmates. If you're not that, you're welcome here too, but I'm writing with that audience in mind. This will be a long one, so everything else is under the cut.

First, I want you to ask yourself, am I ready to make a system? Becoming a system is a big decision. You are going to be sharing your mind, including the most intimate and private parts, with other people 24/7, for the rest of your life. You will have to give up some of your time and energy to the rest of your system, and more than some if you plan on having them interact with the outside world at all. If you consider all of that and you decide being a system isn't something you want, that's okay. This is a deeply personal decision, and nothing you should be forced into. I highly recommend waiting until adulthood before making this decision, but I also can't exactly stop you.

(suicide and abuse mention in this paragraph) Second, I want you to ask yourself, WHY do I want to be a system? Is it something selfish? Is it going to hurt myself or my headmates? All reasons are going to be a little selfish, and that's okay. But consider what your goals are. Do you want a friend? Do you want to know if this is even real? Do you have an interest in mind hacking and find this really cool? These are "selfish" reasons, but they aren't malicious. When you cross the line into goals that hurt one of you that's the trouble spot. A lot of people want to become plural and switch because they're overwhelmed with the world and want escapism. Others want to force their headmates to fill specific roles, such as being a partner or their favorite character. I've heard of too many systems where the host destroys their own personality and leaves their created headmate alone as an alternative to suicide. Your headmate is a conscious person who can be hurt just like you. If you can't act like a responsible person who can respect and cooperate with their headmates as equals, I suggest not becoming a system until you can.

But let's say you decide that, yep. You 100%, beyond a shadow of a doubt, want to be a system, and you're not doing it to have a brain slave or to withdraw from the world. Do you have someone already in mind? A base can definitely help your mind latch on, but it isn't necessary. A base can be anything from a whole character, to a few personality traits in a list, to just a name and gender. Keep in mind, your headmate will likely diverge from this. A good host encourages this, nurturing a headmate's self-expression.

Speaking of being a good host, there is a certain mindset you should keep in mind. You are here to nurture and help your created headmates grow. You're going to have to be gentle with your mental presence sometimes, especially in the beginning where your personality can accidentally easily dominate. But don't feel like you have to lesser yourself to greater your headmates. You can all grow and become greater together.

Now, we are going to focus and form ONE headmate. For the love of god, do not do what we did and create four at once. Its overwhelming and leads to a lot of guilt over not spending enough time with everyone, speaking from experience. If you are starting with a base, dedicate any traits and visuals to memory. If you aren't, it may help to create a simple visual form to focus on when interacting with them. In tulpamancy, a ball of light is a traditional choice, but you can choose anything you can think of. Visual forms are not necessary for creation, but many enjoy the ability to visualize them and interact in headspace. Headspace creation will not be gone over here.

In my opinion, the best way to start is an introduction. Feel the space in your mind where they are, or at least try to. You are going to direct your thoughts to this space, your headmate. If they have a visual form, visualize it as vividly as you can. Introduce yourself to them, and explain your intention of creating a system. Explain that they are a headmate of yours, and the form you are visualizing is theirs to control. If they have a base, explain who they are and tell them that they are that base, though they are free to change it. Invite them to respond back, and keep an open mind.

Try to spend time with your headmate every day, as much as you can. You are having to build the mental connections that form your headmate by hand, and that takes a LOT of repetition. Spending time with them could be a lot of things. It could be speaking with them as you go about your day, immersing yourself in headspace with them, working on a new system skill, playing a game together, or just hanging out. Try to be varied in the type of interaction you do.

Eventually, you will start getting responses. These probably won't be words at first. More likely, they'll be an emotional response that feels "alien" and "not you", a sense of pressure in your head, or a raw thought or feeling that isnt yours. It can be difficult to hear their responses, especially if you have a busy mind. You have to try not to block out their thoughts from appearing, as especially in the beginning that's easy to do. Their responses may sound like you at first, but that will get better with time and practicing separation.

Now, there isnt exactly one way to form a headmate, and you should experiment on your own to find what works best for you and your system. We theorize the most basic mechanism for created plurality is your brain being allowed to think as someone who isn't the host, over and over, until it happens subconsciously. The difference between a headmate and an imaginary friend or character is autonomy. Wren used to daydream constantly but it didn't lead to a system because they didn't allow their characters any freedom of thought. It was all very much puppeteering. When they started roleplaying, they allowed the characters to "think" on their own, imagining what their emotions and thoughts would be, separate from theirs. This eventually caused me and the other original three to start forming, due to that freedom of thought. Anything that allows your headmate to gain that autonomous thought is just as valid as any other method.

How long development could take varies a lot. Some people are more predisposed to be plural, and become a system easier and quicker than others. Some people have a really hard time becoming plural, and it takes a lot more effort and time to become a system. Singlets who already talk to themselves, have dissociative tendencies, are easily hypnotized, and are creative storytellers tend to have a high disposition for being plural. It could take as short as a week, or as long as years. Average times are around 3-6 months with dedicated work. It took us 18 months to feel confident in saying we were a fully realized system, but we also struggled with motivation and dedication.

The most common system goal is to have fully-realized independent headmates who can operate without their host's help and do not fade without interaction. The best way to get to this stage is just time. Keep spending time with them and living your life together. Treat them as independent, and they will become independent quicker. Your expectations shape a lot of your experiences when it comes to system creation.

I'm not going to cover any more advanced techniques like switching or headspace creation in this guide, as this is meant to be a jumping-off point for beginners. This is our first attempt at a guide and would love to improve. If you have any comments or questions, please feel free to reach out!

Have a wonderful day, and I wish you the best of luck on your system journey!

[thearcherbrothersx]

"You fucking should be," he snarled angrily at her lame apology, mumbled and strained from the way he held her in place, limiting the space her tongue had to move and entirely eliminating her ability to move her jaw to speak. The result was a mess of words that gave him a sick sense of satisfaction because she sounded so fucking pathetic trying to plead with him.

She rocked back against him, seeking the friction of the rock hard bulge that pushed against his slacks. "Damn right you are; a dumb fucking slut -" and he pushed forward in response, giving her the pressure she seemed to crave to desperately. In fact he moved purposely now, grinding roughly back against her familiar warmth as he stared down at those wide deer eyes, swimming in a mixture of unshed tears and urgent need. "Look at you. You're just a fucking mess without me, aren't you? A pathetic, needy mess." He sneered, before repeating, voice a little louder "Aren't you?", clearly expecting an answer from the woman this time. He let go of her jaw only to slap his palm against her face once more - harder than before.

This was exactly what Avery couldn't explain to her father. In her soul there was a pit that desperately craved the intensity and depravity that lived inside of Aaron. He scared her. Anyone standing face to face with this portion of him should be scared; but, as scared as she may be, the growing tingle between her legs only seemed to intensify when she realized how dark his gaze had grown.

The sting in her cheek, the tears in her eyes, and the taste of blood in her mouth from her teeth digging into the soft flesh of her cheeks. Cruelty and violence yet Avery still desperately whimpered when he called her a whore. "I'm sorry..." yet her limbs tightened around him, she used her body weight against him. Pressing down as hard as she could so that when he rocked against her she could roll back against him. "Amor mio, I'm sorry. I'm an idiot, I'm a dumb girl. Please fix it... fix me..." She pleaded genuinely, she knew it was stupid of her to run from him. She was owned by him.

Habitually her fingernails bit into him at the uncomfortable position he forced her into. "Please...?" It wasn't fair. It wasn't right that she was being pushed to date when she knew that things between her and Aaron were far from over. She missed being controlled by him. No one loved her like he did.

[jinkiezzsstuff]

Wing Grooming

lucifer x gn reader

warnings: i’ve written before but i don’t do it often so be aware, written on mobile, no mention of skin colour/bodytype/gender/hair type, no use of Y/N, slightly sexual but no real smut, cursing.

i love lucifer and i love the wings shtick <3 also i’ve worked with birds so im applying my knowledge of them here teehee

lemme know whatcha think this is only the second time homegirls written an xreader. also writing on tumblr sucks it deleted my shii so many times and i had to keep rewriting paragraphs

𝔓𝔞𝔯𝔱 𝔗𝔴𝔬 :)

—

Lucifer anxiously paced around his room in the hotel, unable to relax due to his wings, they were itchy. Normally he used various different objects to break the casting of new feathers, and remove those pesty pin feathers. He’s been so busy at the hotel recently, he completely neglected his feathers causing some unfortunate issues with his malt. After all he didn’t have only two he had a whole six, and it wasn’t easy to take care of all at once. In all honesty, Lucifer would rather cut them off before asking for assistance with preening them. Tossing his hat to the side his wings popped out unwillingly loose feathers flying around him. Curling the first set in front of him, he picked through to find the cause of the itch and discomfort. Chills ran up his back as his fingers gently searched through, they were sensitive from lack of care not to mention preening never failed to give him goose bumps. A knock sounded from his door making him jump, his wings puffing out around him. “Uh, ah, one moment.” He shouted in a sing songy voice, jumping to his feet from where he sat he hurried over eager to get back to preening.

Swining the door open you stood on the other side smiling with papers in your grasp. Keeping his wings hidden slightly behind him and the door he greeted you with a charming smile. "Hi luce, Charlie said these belonged to you something to do with the different rings?" Quirking your head to the side you observed the king with curiosity. He was visibly uncomfortable, fidgeting and shifting from side to side. "Are you alright?" He blew air out in a pft sound at you and stood a little straighter. "Just a little feather issues, you know how it can be..." Lucifer trailed looking off to the side trying hard to ignore the stinging itch that shot through one wing.

“Oh can I help in any way, if that’s not strange?” You ask innocently but Lucifer’s mind went immediately to the gutter with the thought of you tracing your hands down his back and his combing through feathers, it made him shiver with delight. Although his blush was evident and his demeanour dropped to a slightly more shy one, you remained waiting patiently for his answer. “It’s- uh, normally, i don’t let anybody touch them. Um, but you can! Of course..” He trailed switching between stretching himself up with confidence and shrinking down again with doubt, regardless of his apprehension he still stood aside opening the door wider for you to enter. “It’s just the preening process is all. Difficult to reach.” Lucifer muttered as you welcome yourself into his room. With a bright smile you reassured him that you would do as he asked and you’d rather help than have him be stuck with that icky discomfort.

Setting the paperwork down on a table, Lucifer closed the door and lingered next to a bench sofa whistling as his wings flapped him at random behind him. Turning to him he looked a little shy still not fully meeting your gaze. Unsure of what exactly to do but you gave him an assuring smile. “I don’t have to do this, I can get Charlie to?”

Lucifer laughed quickly shaking his head. “Ha ha, no that would make things worse actually, you’re much preferred! Just y’know it’s a lot to work on.” Plopping down on the bench he outstretched his wings behind him on full display for you, his heart pounding against his ribs. You felt a zap of emotion shoot through you at the admission that you were wanted by him for this job.

It wasn't a secret Charlie's dad woo'd you the moment he waltzed in the door, but your loyalty was with Charlie and you didn't want to disrespect her by eye fucking her divorced father while he's here to help. Although Charlie seemed pretty enthralled that her father was making an effort to spend time with her friends, even elbowing you and whispering that he seemed to particularly enjoy conversation with you.

After that it was harder to ignore the way you felt for the King, Charlie would constantly drop not so subtle hints that her dad took a liking to you and that caused your mind to wander and fantasize. From there on you got more confidence putting yourself in situations to catch him alone in conversation or help him with different tasks he had to complete. Beginning your work on his wings, you hummed quietly to yourself easily spotting several pin feathers coming in that needed to have the keratin shell taken off. Carefully you split the feathers away and massaged off the shells one by one listening to Lucifers pleasant hms, groans and sighs. He visibly slumped, and his body rested just barely against your thigh as you worked on the very top wing. “These look pretty cluttered hun, have you been struggling to care for them?” You didn’t even notice the pet name slip as you called everyone off handed pet names, but Lucifer did notice and it brought him a warmth he hadn’t felt in a very long time. Sweetly talking to him about his wings without judgement, combing them comfortingly, humming like an angel just to him. It felt as good as when his ex wife was still around caring for his wings. It’d been so long since someone was by his side caring for him like this.

Lucifer never responded properly to your question about upkeep only humming in a trance like state as you worked your way through the top set of wings "You're so good at this, sheesh, I wish you'd do this all the time." You blushed faltering slightly which Lucifer panicked about, tensing and opening his eyes. "Of course i'm only spit balling, heh, it's just so relaxing like a sauna!" Shaking your head you moved down to the last set of feathers not missing the way he shuddered with your touch. "It's alright i don't mind that you say that. It feels nice actually, to help you." Lucifer didn't say anything feeling suddenly heated as ever as if hell wasn't hot enough. The feathers closest to his hips were unsurprisingly the most sensitive and the touches although innocent felt suggestive to him. The King felt dirty for feeling a euphoric sense of pleasure ripple through his bodv and straight to his junk while you unknowly worked through his feathers. “You okay? Did I hurt you?" You asked noticing his breath picking up and his body stiffening. Lucifer grinned and turned to look at you you meeting his gaze and seeing just how dazed he truly was. "I'm just... well,"

It was like his throat closed as he looked back at you crouched down to get at the last row of feathers that were draped along the floor. The king swallowed snapping his head forward again. “Ahem, I’m sensitive, good, sensitive.” He had hoped you understood his insinuations. Which you had. Breathing in deeply you flattened your hand out spreading your fingers and combing through the feathers more methodically from the base of his wings and outward. That cause him to jump up standing straight, you followed in persuit, panicking that you crossed a big line. His wings twitched but he stayed staring forward rigid, you quickly walked around the bench calling to him softly. “Lucifer i am so sorry if i crossed the line, that, that was unacceptable i’m so sorry.” To which Lucifer spun to you, face red, grabbing your shoulders he smiled a somewhat embarrassed smile. “No no, that was completely fine, i just,” Lucifer pulled away tucking his hands away from you, again which was kind of upset you.

“I think if we continue that, type of grooming, I won’t be able to control myself.” Although still shy about his admission his eyes were half lidded and his smile sly. You felt fire explode in your stomach all innocence out the window as your mind settled on one thought. You were gonna bang your friends divorced dad.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[hotvintagepoll]

Propaganda

Cary Grant (The Philadelphia Story, His Girl Friday, Bringing Up Baby, Charade)—just the peak of old-school Hollywood sexuality. The glam, the suits, the gentle wit, the acrobatics, those eyes that always looked like they knew exactly what movie they were in and were laughing at the joke...

Vincent Price (Laura, Leave Her to Heaven, House on Haunted Hill, The Masque of the Red Death)—svelte, stylish, horrifying, beautiful, wickedly funny, camp and gorgeous and evil. he was an art connoisseur who advocated passionately indigenous art, he was an actual literal gourmet cook, he was so liberal he got greylisted during the mccarthy era for being too rad, he's my favorite muppets guest of all time

This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.

[additional propaganda submitted under the cut.]

Vincent Price propaganda:

Submitted: this fancam

Submitted: this entire Tumblr page

Cary Grant propaganda:

"My Golden Age of Hollywood professor, who was very outwardly gay himself, put it this way: Even though Grant's sexuality was kind of an open secret in Hollywood, the public couldn't know in any real way. But anybody could see that there was a queerness about him, so he was casted for roles where he physically embodies his masculinity in a non-explicit but queer way. Bringing Up Baby is famous for the scene where Grant wears a frilly robe (pictured below, but what people don't always realise is that he plays kind of an awkward nerd in that movie. He's a hot awkward scientist in a grand robe!!! Hot!!! In The Philadelphia Story, one of my famous movies of all time, he plays C. K. Dexter Haven, a rich, sarcastic, supposedly abusive guy. And yet, what we see is this laid back, dandy-ish figure, who absolutely does not feel threatened when a woman he supposedly loves (Katharine Hepburn) starts having feelings for, and hooks up with another guy (James Stewart). He lets a drunk Stewart into his office and helps him get his job back! Obviously that is the script and not the actor, but the whole film, and that scene in particular, shows him having this very queer attitude of openness toward Hepburn and Stewart, which is only amplified by the casting of Grant and his portrayal of the character. Anyway, this is not an essay arguing for The Philadelphia Story to be considered a queer film, all I will say is: he's super hot in it."

The link to the above mentioned frilly robe scene from Bringing Up Baby: "I just went gay all of a sudden!"

last minute cary grant propaganda: the last few paragraphs of that new vanity fair article about him and randolph scott that just came out 2 days ago on cary's birthday where he calls it "gravity collapse" and "love at first sight" and says their souls touched and and and i'm actually sharing this mostly because it makes me emotional but also because a vote for archibald is a vote for love. this is my message. apologies for sounding mildly insane.

[grison-in-space]

I'm genuinely sorry, I was really tired and couldn't think of the word that mad pride movements use. I'm new to all of this. I thought you would be more open to it because you've reblogged from radical leftists (anarchists and communists both) within the past couple of weeks and they're all for Veganism afaik. The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different. I'm not spamming people with it, but I was inspired by an ask by a nonvegan and started asking popular bloggers why they weren't vegan to open up conversation and potentially change people's views on animals. If I've made you uncomfortable I'm sorry, though I admit I'm really confused by your standpoint. You do know that the only reason communism hasn't succeeded is because of America? Anyway, sorry again, I'm also autistic and I didn't mean to dismiss your legitimate dietary needs. Can I recommend acti-vegan's posts? While I understand that you can't go vegan, perhaps their blog will at least help you understand our points, they're much more well-written than my asks and they have plenty of legitimate science resources at hand. Thanks for listening, I'll take your advice into account. I'm not trying to not listen, it's just frustrating because so many people say they get it but they don't change, and if they truly got it they would, you know?

Okay, I get that you didn't mean to be offensive, and fuck knows I shouldn't throw stones when it comes to forgetting specific words. (This happens to me fairly frequently; it's a thing.)

The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different.

So yesterday I actually wrote out and then deleted a whole paragraph to the effect of "part of my deep, deep frustration with animal rights activism hooks into my commitment to the phrase 'nothing about us without us,' because I frequently see the same kinds of emotional projection without making the effort to listen to animals on their own terms from animal rights activism groups."

The first thing I need to make clear to you is that this--veganism and animal rights activism (ARA) more generally--is not new to me. I am in my mid-thirties and I have never had a job of any kind that did not revolve around animals in some way, I've spent time in rescue spaces and vets and universities, I'm queer and I have spent most of my life in leftish progressive circles, so it's kind of hard to miss.

Essentially, you are proselytizing to me as if you were a newly baptized evangelical convinced I had never heard of Jesus, because if only I had heard and understood his holy word, I would be converted instantly to his light! It's not any less irritating when the belief system isn't explicitly a religion.

More under the cut, because this one is long.

Disclaimer one: Veganism isn't synonymous with ARA ideology, but it's deeply entangled with it, and ARA ideology drives the movement of veganism as a (theoretically non-religious) ethical decision. And I object very strongly to the framework imposed by ARA activists. When I say I am not vegan, I am saying that I have considered the ethical framework that underpins veganism as an ethics movement and I have deliberately rejected it.

The second piece of context you should know that when I talk about being a behavioral ecologist, I mean that I'm a researcher who works on animals and that my framework is rooted in trying to understand animals in their own natural ecological context, without necessarily comparing them to humans. There's a lot of ways to study animal behavior you might run into, including attempts to understand universal principles of behavior that transcend species (animal cognition) and attempts to understand how to better treat animals in human care (animal welfare). You know Temple Grandin? Temple Grandin is an ethologist (the field that gave rise to behavioral ecology, also focused on animals within their species context) who worked on animal welfare (finding ways to make slaughterhouses less stressful to livestock, among other things).

Third point: my profession also means is that I work directly with animals--in my case, currently mice--and that I do not think research with animal subjects is wrong as long as all efforts are made to ensure maximal welfare and enrichment for the animals involved. This is another major bone of contention politically between my entire field and ARA groups, and you should know that I have also spent my entire professional career under the shadow of, well, people who care strongly enough about those ideas to invade my workspace and potentially seize my animals and "free" them into a world they do not have the tools to survive in.

So there's where I am coming from. Let's get back to what you're saying. Here, I'll quote again in case you have the same crappy short-term memory I do.

The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different.

Point the first: Even within humans, I don't think that all brains should be treated the exact same. Especially in a disability context! After all, what is an accommodation if not an agreement to treat someone differently because they need certain things to access a space? Accommodations by definition fly in the face of this "treating everyone the same" understanding of fairness. I think all (human) brains are equally valuable, and I think all brains are worthy of respect, but I do not think that it's wise or kind of me to assert that everyone should be treated in the same way. For one thing, I teach students. If there's one thing teaching has taught me, it's that a good teacher is constantly assessing and adjusting their instruction to meet students where they're at, identify failures of understanding, and keep the attention of the classroom.

Point the second: animals do have different brains from humans. That does not mean that animals are inferior, but it does mean that they are alien. There's a philosophy paper, Nagel, What Does It Mean to Be a Bat, that you might find illuminating on this front. Essentially, the point of the paper is that animals have their own experiences and sensory umwelts that differ profoundly enough from humans' that we cannot know what it is like to be a different species without experiencing life as one, and therefore we must be terribly careful not to project our own realities onto theirs. That is, our imagination cannot tell us what a bat values and what it experiences. That is why we have to use careful evidence to understand what an animal is thinking, without relying on our ability to identify with and comprehend that animal. I have watched ARA groups deliberately encourage people to shut their reasoning brains off and emotionally identify themselves with animals without considering within-species context for twenty years. This is a mainstream tactic. It is not an isolated event and for that reason alone I would be opposed to them.

Point the third: there is a definite tendency in lots of people to care deeply and intensely about both animals and people who are seen as "lesser" in status--children, poor people, disabled people, etc--just as long as those groups never contradict the good feelings that come from the helper's own assessment of themselves and their actions. In humans, when the "needy" point out that some forms of help are actually harmful, the backlash is often swift and vicious. This is why animals are such an appealing target of support and intervention. They can't speak back and say "in fact, you are projecting my love of this frilly pink tutu onto me, and I think it's uncomfortable and prevents me from walking." They can't say "I kind of like it better when I don't have to worry about getting hit by a car, actually?"

(By the way: this is also why it's offensive to compare disabled people to animals, because this is generally done at least in part to silence the voices of disabled people speaking for our selves and our communities. We have access to language, and we use it, thank you.)

All forms of animal welfare intervention going right back to the founding of the first RSPCA have been incredibly prone to being hijacked by classist, racist, and otherwise bigoted impulses. This is because animals offer an innocent face for defense that conveniently cannot criticize the actions taken by their champions, and they therefore provide a great excuse for actions taken against marginalized members of human society. Think about the very first campaign the RSPCA ever did, which was banning using dogs as draft animals: a use that is not inherently harmful to dogs, which many dogs actively enjoy, but also one that was specifically used by poor Londoners and which in fact immediately resulted in a great butchery of the dogs that Londoners could no longer afford to feed rather than allowing poor people and their dogs to continue working together. No one was, of course, challenging the particular uses of dogs or any other animal favored by the wealthy. This kind of thing is so, so, so common. Obviously it doesn't mean that all interventions to prioritize animal welfare are inherently bigoted, but it does mean that we have to be critical about our choice of challenges.

On top of everything, the animal rights activist movement's obsession with "exploitation" is a function of the idea that humans are sinful or otherwise Bad in how we interact with animals by definition. For example, take the chicken rescue near me that is so obsessed with the possibility that some human somewhere might benefit from an animal in their care that they implant every hen they adopt out with hormonal implants such that the hens no longer lay eggs--a function that is normally a natural byproduct of a chicken's reproductive system, fertilized or not. A mutualistic relationship involves both parties benefiting, and that is the case for an awful lot of human relationships with animals. In general, the idea that associating with animals is a thing that can only harm animals rather than being a trade between two species to enrich one another is all over these groups. It's just so myopically focused on human shame that it prevents practical interventions that might benefit everyone, and often promotes interventions that don't directly benefit animals but sure do make humans miserable. For example, this kind of thinking is why groups like PETA are absolutely awful at effectively rescuing unwanted dogs and cats: they think pets living in "bondage" with humans are an essentially sad outcome, rather than one that might be mutually enjoyed by all parties.

I'm tired and my meds haven't kicked in, so I'm not currently going to handle the communism thing except to point out that while the US absolutely did destabilize a number of leftist regimes in South America and Africa, Russia and China between them have certainly not treated their own people kindly, either (and more so their own client-nations, as with the former members of the USSR). Please do some reading about the Holodomor and Lysenko in Russia (and frankly all of the details of Stalin's regime) and the Cultural Revolution in China in particular. Khmer Rouge might be worth looking into, too. I am not saying the US's hands are clean, you understand, because they are not; they're as steeped in red as anyone else's. What I am saying is that for people living on the ground, communist revolutions have this nasty habit of turning into bloodbaths and arbitrary slaughters. Do not let your distaste for the US's bloodsoaked imperialism (which, yes, is and was bad) let you fall into the trap of becoming a tankie.

And if you don't know what a tankie is, you really, really should take some time to learn.