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thankskenpenders · 5 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

6K notes · View notes

andvys · 3 months ago

Text

You said you were gonna grow up (then you were gonna come find me) ⭐︎ S.H.

⭐︎ Warnings: slight angst, mutual pining, idiots in love, childhood best friends to lovers, allusions to cheating (but not really), mentions of sex, mentions of unrequited love, hurt/comfort

⭐︎ Summary: You and Steve used to be inseparable, best friends since childhood, you shared something special, something rare. You promised each other forever but... promises are never to keep... right?

⭐︎ Pairings: Steve Harrington x fem!reader

⭐︎ Word count: 10k

⭐︎ Author's note: To my Steve girlies who have read (and still mourn) I knew you'd linger like a tattoo kiss -- in the middle of writing this little oneshot, I noticed that Steve and reader reminded me of someone, and then I realized that it's basically Steve and Cheer in a different universe (if Steve hadn't fucked up as badly as he did). This is... what they should have been.

Also shoutout to @hellfire--cult for inspiring me to finish this oneshot (finally) and @ghost-proofbaby thank you for picking a title for me, and for your sweet words about this little piece, you're both the bestest

⭐︎ my library

divider by @saradika (I screamed when I saw the folklore dividers)

♡

The smell of weed and smoke lingers in the air, music blares through the house and bounces off the walls, laughter and giggles come from every corner, conversations he couldn’t care less about yet listens in on because what else is there to do at a party?

Steve once found himself at home in such gatherings, now he feels nothing but bored as he watches the people instead of interacting with them like he once used to do.

He used to be on the dancefloor, at the keg stand, pressing some girl against the wall and kissing her neck before taking her upstairs into one of the empty bedrooms – but those days are long over and they are not to be missed, not in the slightest.

Now he is sitting out in the backyard of some stranger’s house, sipping on a lukewarm soda and waiting for Robin to get sick of this party so he can take her home before going to his empty house and crashing out on his new bed. Seeing as she’s jumping around on the dancefloor with Vickie, it doesn’t seem like she'll want to leave anytime soon.

A sigh falls from his lips and he slumps his shoulders in boredom.

He could be socializing, talking to girls, flirting with them, with the ones who keep waving at him and sending him suggestive, overly sweet looks – he isn’t interested. The past few months were wasted ones, disastrous dates, one or two meaningless hookups, girls who weren’t interested in him but only in sex – that was his reality and he didn’t want that anymore, he doesn’t want that anymore, he wants something real, he wants to feel something, he wants someone to want him for more than just that one thing, he wants a connection, a bond, he wants… you.

Steve’s lips part, his eyes lighten up, glowing just like the stars in the night sky, he sits up straighter and cranes his neck to see you better, his heart skipping in a way it hasn’t in a long time, he forgot what it feels like… but of course you are the one to remind him of the way his heart can skip and flutter when he feels something, you have always been the one, the only one.

Not even Nancy could make him feel half of the things you could make him feel.

But he blew his chances with you – the only chances that ever mattered.

He hears your laughter, your beautiful giggles that he missed every day since you left, even from all the way here, he can hear the voice that accompanied him throughout most of his life… until it didn’t.

You were his best friend, the only friend that mattered until he found Robin. You were with him from the moment your mothers introduced you both to each other, joined at the hip, you went through it all together, different hobbies, different friend groups, first crushes and rough school days, arguments with so called friends, first parties, first drunken nights, you went through so much and you did it all together, you experienced everything together.

Steve would sneak into your room, late at night, he would use the vines on the wall as a ladder, no matter how many times you scolded him, he still climbed up because he wanted to see you so desperately, even when he spent the whole day with you, it just wasn’t enough, you’d spent the nights whispering and talking about the newest gossips, sometimes he would paint your nails or braid your hair, sometimes you would just lie next to each other and listen to some new album and sometimes you would cuddle and fall asleep in each other’s arms, it was a regular thing, it was something constant.

But then something changed, you both got curious, you both started acting upon feelings that have been there for a long time already, feelings that were no longer innocent and childish turned into something more.

You were each other’s first kiss, it was nothing more than a peck at first… and then it was a second and a third before you kissed for real. And then, it was just another regular thing, you started cuddling and kissing every night, smiling and giggling through it all, holding hands and pulling each other closer and closer.

Those innocent kisses turned into makeout sessions and those turned into your first time.

It was his first time and yours, you shared it with each other, like you shared everything else together.

It was filled with nervous giggles, blushing cheeks and shaky touches, you were both scared to do something wrong but you assured one another and you both did your best, he took care of you and you of him. It was slow, it was soft, it was perfect. A night he will never forget.

Nothing ever came close to this moment, nothing came ever close to how you made him feel.

Steve should have asked you out after that night, he should’ve, but he didn’t, he chickened out, he got scared and he left the next morning without saying goodbye. That was his biggest mistake.

To this day, he doesn’t know how you felt about it all, you never spoke of this night again, you never mentioned it again, you both acted like nothing happened, you continued your friendship like you didn’t ruin it.

He kept coming over, everything stayed the same… but it didn’t.

You started slipping away from him and he was too busy to notice, he became captain of the basketball team, girls started noticing him, he started going on dates even though you were all he could think about, it felt wrong to hold their hands, to kiss them, to touch them, he felt as though he was betraying you but his new friend Tommy encouraged him, spoke lies into his ear about how you went on dates on the nights you canceled on him.

He was hurt, he was angry, and it only was a matter of time before he invited a girl who wasn’t you into his sheets.

He hated how he felt afterwards, but he didn’t stop, he kept going and before he could even blink, he was the most popular boy in school, he was King Steve, the guy who could have anyone but still only had eyes for one.

Though your shared nights became less frequent, you still spent time with him, even when you weren’t fond of Tommy and Carol, his big parties or the way he treated girls, you were still there and it bothered him that he couldn’t have you.

It was clear that you didn’t feel the same, despite the many signs that he had missed at that time. He was your best friend, just your best friend, just Steve. He could’ve made a move, he could've asked you out on a date, he could’ve finally confronted you about your night together and how you felt about it, how you felt about him, but he was scared and it was ironic really, because he was good with girls, very charming and cocky, smug and arrogant but not with you, no, not with you. You made him nervous, you made his chest feel weird, his stomach too, you made his heart race and flutter, you made his skin feel hot and his mind all crazy.

You got him bad.

You made him fall in love.

But he was a coward when it came to his feelings for you, he really was, he didn’t even want to admit them to himself, so he watched you slip through his fingers instead of taking action and making you his. His feelings got stronger despite the distance that slowly grew between you.

You were still there, physically, but your mind was somewhere else and you seemed so far away.

He left notes in your locker, just like he did when he was a kid.

And you did the same to him.

You waved at each other from afar and shared smiles, you still drove around town and sang along to your favorite songs after an occasional trip to that one diner out of town, you sometimes slept over and left your sweet scent on his pillows, driving him crazy with it. You were still each other’s best friends.

But then Nancy stepped into his life and that was it, at that point, it was already crumbling, your friendship was hanging by a thread and it earned its final blow when you moved away for college.

Occasional calls and letters were all that existed between you at that point, it drove him crazy, it made him sad. He suffered heartbreak when you were gone and you weren’t there to mend it, you weren’t there to hold him, to wipe his tears and tell him that he would be alright – how could you? You were the reason for that heartbreak and Nancy was the one who gave him the final push to open his eyes to the feelings he kept pushing away and feeling so scared of.

When he realized what a mistake he had made, it was far too late to fix it and he never stopped regretting the actions he took and didn’t take.

But now you are here, you are back.

He hasn’t heard your voice in so long, he hasn’t seen your beauty in forever, he missed your presence so dearly.

One year, one whole year without you.

Are you here to stay for the summer or are you back for good? He hopes it’s the latter, this town felt anything but home without you here.

Steve stares at you, he stares and stares without shame. His lips are curled into a soft smile, his cheeks already blushing as he takes you in.

You are so gorgeous.

A confident smile is lingering on your lips, your makeup is a little bolder than it used to be, back then, but it suits you, your skirt is short, your top is tight, your cleavage is showing and your skin is glowing, your hair is much longer than he remembers it to be, a few highlights added to your pretty hair color and styled into waves.

You have always been a sight for sore eyes, he was aware of your beauty from a young age, he called you his princess, his sweet, cute and beautiful princess. But you are more than just beautiful now, you are stunning, bewitching, you are heavenly.

His heart jumps at the sound of your giggle, his skin heating up so rapidly that it catches him off guard.

Steve watches you, he watches for what feels like forever, you’re here with friends, girls you used to hang out with back in high school.

The smile never leaves his lips as he keeps his eyes on you, his heart fluttering more and more each passing second, eyes continuing to light up at every sound of your giggle.

When you step away from your friends and walk back into the house, he wastes no time to follow, grabbing the chance that he once missed, he goes after you and leaves his drink abandoned on the floor.

He brushes past a group of guys playing beer pong, dodging the dancing people on the dancefloor, keeping his eyes on your body as he follows. Your skirt is swaying, your waves are bouncing, your hips are shaking slightly, your sweet scent lingers in the air and he can’t help but inhale it deeply, it’s still the same scent that he missed on his pillows and the hoodies you used to steal.

With your back turned to him, you stop in front of the snack table and pour yourself a cup of the overly alcoholised punch.

Steve doesn’t approach you right away, standing by the doorway, he decides to watch you for a second longer, feeling giddy and nervous now that he is so close to you again.

You nearly choke on the punch, the bitter taste of alcohol overpowering the fruity taste, you scrunch your brows together and swallow it down in disgust, unimpressed by this drink after all the different kind of cocktails you have tried in the past months on your night outs to bars with your girlfriends from college.

A sigh falls from your lips and you take a second, much needed sip.

It feels weird to be back home in Hawkins, the town is much quieter than the big city you called home for the past year and you feel that weird tingly shudder on the back of your neck, knowing that he is so close somewhere.

Steve.

You miss him so much, you miss him everyday, but it’s been so long, you can’t even remember the last time you have talked to him. You know that he still works at Family Video and his friend Robin moved into his house with him after his parents moved away from Hawkins, for good.

But that’s all, you don’t know if he is single or if he is dating – you fear your heart wouldn’t take the information very well, which is ironic really, you haven’t seen him in so long, all you have are your memories, some of which you kept in a shoebox under your bed, pictures, notes, letters and little presents from him. Steve was nothing but a ghost these past months and yet it didn’t stop your heart from falling deeper in love… even with just the boy in your memory, the one that will haunt you for the rest of your life.

A sigh falls from your lips as you look down at the red beverage in your cup, you close your eyes and take another sip and swallow it but this time in delight, you welcome the burning in your throat.

“You still make that cute face when you don’t like something.”

The voice you have just been thinking about sounds deeper than it did when you left.

Those shudders at the back of your neck, run down your spine and transform into heat across your whole body, your heart skips a few beats.

You turn to face him, sloshing the drink around in your cup, you nearly spill it on the white tiles beneath you. Your breath hitches in your throat and your chest tightens when you look at him for the first time again, those hazel eyes that you have missed so much staring back at you with excitement yet nervousness and you have no doubt that your own eyes match the look in his.

Your lips curl into a shy smile, your cheeks heat up so quickly and you nearly crush the plastic cup in your hand when you let your eyes roam his body. He somehow got even taller, his arms look stronger and his shoulders wider, his hair got longer too, a spitcurl hanging over his forehead, his cheeks are rosy, a stubble covering his jaw and chin, your eyes move down his arm, stopping at the black hair tie around his wrist that momentarily steals your breath away and fills your chest with hope. You lick your lips and swallow as you stare at the veins in his hands.

There he stands with his stupid, still perfectly styled hair and his Levi’s that are always way too tight around his crotch, looking down at you and reminding you of how much taller he is and always was.

“Hey,” he breathes, nervously, happily.

“Steve,” you say with a smile on your lips, “hi.”

Truthfully, Steve doesn’t know what to say, your heart is beating so hard, he can feel it in his throat, he feels so nervous, you make him nervous. His charm, his flirtatious side still fades into nothing when he is around you and the world around him still disappears when he is with you, some things truly never change.

He wants to take a step closer and wrap his arms around you, he wants to hug you and never let go again but he doesn’t want to overstep so he forces himself to stay in place.

“Y-You’re back,” he smiles, trying to hide his excitement.

You nod, probably a little too quickly.

“Yeah, I’m back,” you nod again, feeling awkward and tense standing here before him after all the countless nights you spent thinking, dreaming about him.

He breathes heavily and fidgets with the hair tie around his wrist, “for the summer or…?”

You shake your head, unable to look away from his beautiful eyes.

“No, I-I transferred to uh the community college here…” You scrunch your face up when you see the surprised look on his face. “I know, lame right? Moving away from Chicago and back to your hometown is uh not the.. move.”

Not the move? He repeats in his head.

This might be the best day of his life – the day he had been waiting for, for your return.

Steve’s eyes widen, he purses his lips as he starts shaking his head, raising his hand a little, he steps closer to you.

“No! No, I’m just surprised, that’s all, I didn’t think you’d ever come back… honestly,” he chuckles nervously and brings his hand up to scratch the side of his neck. “But I’m happy to see you back here again.”

Happy is an understatement, the feelings in him can’t be put into words, they do not exist.

Your eyes soften at his words, your smile transforming into a soft one, hope swirling inside of you.

Did he miss you like you missed him?

“I’m happy to see you,” he adds, his cheeks heating up at his admission and your beauty doesn’t help his case, his eyes roam your body, your pretty features, your soft skin, the chain around your neck that looks oh so familiar, his heart starts beating faster, his hands shaking from the giddiness lingering in him. “Y-You look…” Stunning, mesmerizing, gorgeous, sexy, adorable, like an angel or a goddess. “Amazing.” He breathes, blushing red.

Your eyebrows pull together as your wide eyes fill with emotion.

You see the way he looks at you, you see the redness in his cheeks, the shyness in his eyes that surprises you the most.

You take a shaky breath, cursing at the way your cheeks heat up and glow so hotly.

“Thank you,” you say without stutter, to your own surprise. “You don’t look bad yourself, Harrington,” you smirk at him, smugness taking over your blushing features when you see him looking down in nervousness.

Did you just make Steve blush?

You open your mouth again, feeling the urge to compliment him again when a whistle interrupts you and wipes the smirk off your face, instead a look of disgust takes over your features when you turn your head to see Tommy Hagan looking you up and down with a perverted smile on his face.

He pushes his way between you, earning a glare from Steve, whose face turned stone cold and angry. Tommy grabs a red solo cup and pours himself some of the punch while he continues to give you nasty looks, chuckling when looks at your cleavage, “shit, now I get why Harrington always kept his favorite toy to himself,” he smirks and takes a sip of his drink before he steps back to wink at Steve, wiping his chin and looking back to you, “you really grew up.”

Your lips curl downwards, your brows pull together in a frown.

“Dude, what the fuck,” Steve frowns at him, giving him a disapproving look.

Tommy always made you feel uncomfortable with his comments and his weird looks, but it was something else back then. This is new, this is disgusting.

“If I knew back then that you were hiding these behind your sweaters, I would’ve definitely hit it,” he chuckles darkly as he stares at your boobs.

Bile rises in your throat and your grip tightens on your cup, the urge to throw your punch into his face growing strong.

Steve rolls his eyes, a frustrated sigh falls from his lips and he steps towards his former friend, he places his hand on his chest and pushes him back as he takes a protective stance in front of you, protecting you from Tommy’s prying eyes.

“Alright, that’s enough, asshole,” Steve mumbles angrily. “Leave her alone or I swear to–”

“You swear to what, man? You and I both know you can’t do shit,” Tommy laughs at Steve, his eyes crinkle in amusement, irritating Steve further.

Steve might’ve lost most of his fights, but he wouldn’t lose one if it came to you.

He clenches his jaw and glares down at him, feeling rage burn within him.

“Seriously dude, get lost, alright?” He demands, his voice sounding deeper, more serious than before.

You look over Steve’s shoulder, feeling safe and protected by him, the way you always did, just even more now. Your stomach flutters with warmth, your heart swelling in your chest.

To your surprise, Tommy steps away without another word, continuing to chuckle at Steve and the glare on his face. He gives you another look.

“Call me if you–”

“Fuck off, Tommy,” Steve says through gritted teeth, feeling hot rage flushing through him.

Tommy takes another sip as he walks backwards, winking at you before he finally turns around and leaves the kitchen, allowing you to finally breathe.

Steve runs his fingers through his hair and huffs, turning back to you, his features instantly soften.

“I’m sorry about him.”

You shake your head, your smile reappearing again, “it’s not your fault,” you shrug, “some people just never change.”

“Yeah…” He mumbles, wondering if you changed at all, “did you?”

Did you change? You ask yourself. Maybe, surely college has shaped you in some way, being away from home, being independent and all alone, meeting new people and being pushed into situations you would have never allowed as a teenager, did change something in you.

You got more confident, a little bolder too, you tried new things and did them without shame, something that was once impossible when you were still here and an insecure teen.

You tilt your head to the side and give him a sly smirk, “why don’t you find out?”

The anger Tommy left him with fades away, the flirtatious tone in your voice catching him by surprise and you take it even further when you take a step closer to him after placing your drink on the counter, you look up at him with your big eyes that still drive him crazy.

He doesn’t remember you to be this flirty… this bold but he can’t complain, it makes the fluttering in his stomach feel so much more intense.

Steve’s lips curl back into a smile, he blinks at you, looking into your eyes intensely, with want and need – nothing changed, if anything, the magnetic force between you has intensified, even when there was mostly only radio silence between you both in these past months.

Steve licks his lips, a sliver of his confidence slipping back in when he sees the way you look at him, eyes roaming his face and his body. Though his cheeks are still burning and his heart is still racing, no matter how much confidence he can find within himself, you are still you, you are still the girl that holds his heart in the palm of her hand, the one who has him captivated in every way possible, the one who has had him wrapped around her finger, from a very young age. You aren’t just a girl to woo and impress for a single date, you aren’t someone he would forget if a conversation or a date went wrong, you are the one he always wanted to grow old with, to experience everything with, to spend a life with the one who is his everything – one wrong move and he loses it all… again.

He doesn’t bother to ask if you are with someone, if you are dating and taken, the thought is disturbing to his heart.

“Do you want to get out of here?” He asks as he slowly reaches for your hand and you allow him to take it when you slip your palm against his and give his hand a squeeze.

He nearly crumbles to his knees when he feels your soft touch again, it’s been too long. Your hand always fit into his so perfectly, like it was made to be held by him.

You nod, whispering a sweet ‘yes, please’. That’s all he needs to hear before he pulls you closer to his body, pushing you in front of him slightly, keeping a protective stance right behind you as he never lets go of your hand, basking in the feeling of having you so close again, of being able to smell your perfume again and the sweet scent of your body wash.

He rubs circles on the top of your hand, pressing his other hand on the small of your back as he pushes through the crowds of people. He leads you to Robin first, needing to make sure that she will get home safe without him. He finds her playing beer pong with Vickie and a few of their former bandmates from high school. He taps on her shoulder and when she turns around, Steve grows more nervous than before, because her eyes grow wide when she sees you next to him, excitement flashing in them and a big grin appearing on her face after a long moment of staring at you.

She knows all about you.

She knows all about his feelings and his regrets.

She knows how much he missed you.

She was there when he cried and never stopped talking about you.

So after greeting you, probably a little too enthusiastically, she moves closer to Steve, raising her eyebrows at him and giving him a teasing, yet pointed look.

“Go and don’t worry about me, Vickie can drive, she’s not drinking tonight.”

“You sure?”

She nods, her waves bouncing as she moves her head a little too quickly.

“Steve I’m fine, go and get your girl,” she winks at him, squeezing his shoulder before she moves back, giving him another look that says nothing but ‘i mean it, don’t fuck it up this time, this is your chance.’

Steve nods at her, smiling and feeling reassured by her. He holds your hand tighter and pulls you away before you can properly say goodbye to his friend that you only know from your days in high school. You look back at her to find her staring at the two of you, grinning from ear to ear, she raises her eyebrows at you, eyes glowing as she gives you a smirk and a small wave of her hand.

You feel a little confused by the teasing look on her face but smile and wave back at her nonetheless before Steve whisks you away and out of the room.

It isn’t weird to hold each other’s hand, to be back together in his car like nothing ever happened, like you never stopped doing this, like things are still normal between you. He makes small talk, it’s not awkward or weird, it’s… nice, anything is as long as you’re with him, even the silly jokes makes or how he tries to quote Shakespeare but fails miserably, he makes you laugh and you… you make him smile.

You stop by the gas station to grab a six pack and some snacks to share before you drive to the lookout, to the place you always went to when you wanted to be alone together.

You get comfortable on the hood of his car, as comfortable as you can get on the rough surface. It’s a little chillier out here in the woods, the wind that blows through the trees makes goosebumps arise on your skin. Steve, of course, has to use the opportunity to throw his jacket around your shoulders, rubbing your arms to warm you up as he moves close enough for you to feel his breath on your skin.

You feel something stir within you, something only ever he could make you feel.

You grab the denim and pull it tighter around you, glancing at him through your lashes, you feel your cheeks heat up when you find him staring at you already, a soft smile playing on his lips that you can see, even in this darkness.

“Thanks Stevie.” A grin tugs at your lips when his smile moves into a flustered one.

Steve licks his lips, he removes his hands from your body and busies himself with opening the beer bottles for you and him, “you’re welcome, honey,” he whispers, winking at you.

You look away from him with blushing cheeks, hiding the smile on your face as you tilt your head down but nothing goes unnoticed by him, he sees the flustered expression in your features, the cute smile you’re trying to hold back.

He scoots closer to you until his shoulder is pressed against yours, he offers you the opened bottle. You glance at his hand, taking in the size of it, how big it is, how his veins pop, how long his fingers are – it makes you squirm and clench your thighs together and he notices it, he looks down and he almost regrets it, almost. Your skirt has ridden up, it nearly covers nothing, at this point. Your skin looks so smooth, thighs so soft, he wants to touch them, kiss them, feel them wrapped around his head.

His skin heats up, his lower stomach tingles, he craves you, in every way possible, he just wants to… feel you, he wants to feel you close, he wants your skin on his, he needs to know that you are truly back.

Your touch sends shivers down his spine, it makes his stomach flip.

He blinks, looking down at the bottle he is still holding, watching the way your hand curls around it, fingers grazing his own. Your hand is so much smaller than his, the urge to compare the size of his own to yours growing strong.

“Steve?”

Your soft voice pulls him out of his thoughts, he blushes, cheeks burning maroon. He shakes his head a little, squeezing his eyes shut as he furrows his eyebrows, he removes his hand from your bottle, already missing the touch of your hand.

“I’m sorry,” he murmurs as he runs his fingers through his hair, “I got a little uh… distracted.”

He instantly regrets it when his eyes fall back on your lap again, your giggle makes him blush even deeper, he eyes you from the side, watching the way you press your lips against the bottle, you take a sip, trying to hide the smirk on your lips.

He feels a sudden sense of nervousness rushing through him – here he is, in the presence of the girl of his dreams, the girl that slipped through his fingers, the girl that should be his and he is messing up. He begins to stutter, trying to distract himself once again, this time from your legs, from your soft skin, from how much he wants to touch and kiss you, from how beautiful you are but you make him stutter, you make it difficult for him to talk, you make it impossible for him to be smooth, to flirt with you the way he always did with other girls and suddenly, he is reminded of why he was always so scared of revealings his feelings to you, there was too much at stake, he didn’t want to lose you.

He always felt so pathetic around you, like a stupid kid in love, one that can’t talk to his crush without blushing, without stuttering.

And this is exactly what you always adored about him.

But he doesn't know it, he doesn’t even realize it, he doesn’t even see the way your eyes always light up, the way they soften as you look at him, the way you admire him.

Before he even takes a sip of his beer, he already feels like he is drunk, his skin is hot, his mind hazy, he feels happy, at ease, like he is floating, all because of you, you make him feel so… light.

He is drunk on you, without having touched you properly, your presence is enough.

He wonders how you are holding up, what emotions linger inside of you — you look so calm, relaxed.

You fall into a comfortable conversation, catching up on the things you have missed in each other's lives, since being separated. And while your eyes stay glued on the night sky, only glancing at him every once in a while, he watches you, with a fluttering feeling in his chest and a smile on his lips.

You laugh with each other, getting lost in the memories that you both start bringing up, joking and slapping each other’s shoulders softly as you start to tease one another about the stupid things that you both have done in the past.

You have changed, not only physically did you get even more beautiful, you got something that you didn’t have before, a boldness that you always admired others for. You used to be so shy, anxious to ask the simplest questions, too nervous to hold eye contact for longer than two seconds, even with him, sometimes. But now, despite you choosing to look at the sky instead of him, he can tell that you are not that shy girl anymore, who was afraid to look into his eyes. You are confident, comfortable in your own skin, not afraid to be you, not afraid to gaze into his eyes when you tilt your head to look at him.

He wonders what or… who caused it, the change in you.

Was it just the circumstances? The big city that pushed you out of your comfort zone?

New friends? Being on your own? Or… was it the experiences you have made in these past few months that have shaped you from an innocent, shy teenager into a confident, young woman?

His stomach churns at the thought of the things you have done while being away from home, or better yet, who you have done them with. He has no right to be upset about it, he knows it, yet he can’t stop the sinking feeling inside of him as he thinks of the hands that have touched your body or the lips that kissed yours, if you had dated someone, if you are someone else’s right now.

The question tumbles from his lips before he can even stop himself.

“Do you have anyone?”

The storm that was just raging in his mind, the string of questions that followed now silenced as he stares at you, waiting for your answer with a racing heart and clammy hands.

The sound of crickets and the rustling of the trees are the only sounds now filling the space around you.

“You mean… a boyfriend?”

He nods and you shake your head at that. You bring the bottle up to your lips, taking a much needed sip.

“No, I don’t,” you murmur as your eyes roam his face, “why?”

You notice the frown on his face, the way his lips are curled down and his eyebrows are tightly scrunched together.

“Just wondering… someone like you still single?”

“What do you mean…?” You ask slowly.

Steve huffs, shaking his head with a smile on his face.

“I mean… Come on, honey. You’re funny, you’re smart and you’re just… you’re amazing,” he sighs adoringly, hazel eyes running up down and your face and your body. “You’re beautiful, a fucking catch.”

You almost want to scoff at his words, you want to roll your eyes and look the other way. A catch, right. A catch he never wanted. Your heart betrays you when it flutters and prompts a girlish giggle to fall from your lips.

“Stop.”

He nudges his shoulder against yours, grinning at your flustered face, “it’s the truth.”

Steve feels relieved to know that you don’t have anyone waiting on you, that there isn’t some guy out there that got the girl he always wanted.

“You have to say that,” you shake your head and drink the last drop of your beer before you throw the bottle down on the grass, making a mental note to pick it up later.

Because he is your best friend, because he was always your best friend, no matter what – so of course, he has to say these words to you.

He rolls his eyes at you, huffing, “I’m not just saying that.”

You try to ignore the butterflies in your stomach, the way his words can make you feel like that shy teenage girl again, you try to steer the attention away from you.

You press your palm against the cold, almost icy hood, leaning back, you tilt your head to the side and gaze at him, loving how long his hair grew, how his features are more… manly now, though the boyish grin still lingers.

“What about you?” You whisper, swallowing the bitterness on your tongue. “Got anybody, Stevie?”

He shakes his head quickly, almost frowning at your question.

“Me? No… no one really… felt right.” He says with a look of longing in his eyes, the one that is only reserved for you.

The tension in your chest disappears, almost instantly, you have an idea of what you would feel like had the answer been a different one.

“I was seeing a girl… for a while but uh… like I said, it… she didn’t feel right,” he admits with a nervous feeling in the pit of his stomach.

You nod, swallowing harshly.

“Why didn’t she feel right?” You’re aware of how small, how shaky your voice sounds.

You wait, wait and wait for him to answer your question, the answer he tries to find in your eyes as it seems because he won’t stop looking at you, it’s like he is searching for something, like he is trying to figure you out, like he is trying to make sense of the question you just asked.

He doesn’t give you what you want, as always, Steve Harrington pretends like nothing happened, like nothing had been asked.

But you know what he means, you know exactly what he means, you had someone too, back in Chicago.

He was nice, he was good to you, in more ways than just one but no matter how much you tried not to think of him, you always failed. He was always there, always in the back of your mind, always ready to haunt you and remind you that he is and will always be the only one that your heart will belong to.

Your relationship was only short lived, and you left him the moment you realized how unfair it was to stay with him when your heart was somewhere else, when you couldn’t stop thinking about Steve.

Something rustles in the bushes, something echoes loudly through the woods, something that would have normally made you flinch, doesn’t even faze you now because he is here. You feel safe in his presence, you always did, not even the darkest night or the loudest storm could make you feel afraid as long as he was by your side.

And yet, you scoot closer to him, not even noticing that you do until his fingers brush against yours and sparks shoot through your entire body.

And through his.

You clear your throat and take a deep breath, “yeah… I had someone… but he didn’t feel right either.” You say softly, vulnerably as you meet his eyes again.

A soft ‘oh’ leaves his mouth and he nods, looking down at the bottle in his hand, he brings it up to his lips and downs the rest of it. He feels his stomach churning, his insides crawling at the mere thought of you with someone who isn’t him and it makes him feel awful, it makes him feel ridiculous because wasn’t that his own fault? He blew his chances with you. He let you go, hell, he didn’t even fight for you.

He puts the bottle down, wipes his mouth and runs his fingers through his hair before he turns back to you to find you staring at him just the way you always did, with your big doe eyes, those pleading and begging looks you never stopped throwing at him.

He’d have to be blind to not see it – he always did, he just never allowed himself to admit it, not even to himself, not even when you were all he ever wanted.

“Why didn’t he feel right?”

Steve watches the way your lips curl downwards, the way you squint your eyes at him, the softness fleeing as you glare at him instead.

And suddenly, the air around you feels different, tense for another reason, heavy and filled with something neither of you ever addressed before.

While you take deep breaths, trying to calm yourself – Steve tries to mend the aching in his chest, the hammering that feels just too strong.

“Why didn’t she feel right, huh?” You ask, scooting away from him and getting off the hood, placing your feet back on the ground, you don’t even bother to smooth down your skirt. You cross your arms over your chest and stand in front of him, demanding the answer you tried to ask softly before.

Steve sighs, growing fearful and anxious, feeling like he is messing up yet again, like he is about to lose again.

But you are close, so goddamn close, even through the anger in your eyes, you still stand in reach, your knees now brush against his. He straightens his back, fighting the urge to reach for your hands and just pull you into him, showing you why no one ever felt right.

He promised Robin, he promised her that if you ever came back, he would go and get you, he would come clean about it all, he would make it all right again.

“This goes both ways, Steve. You can’t just ask me and then–”

“Because no one is you.”

He won’t fail this again, no matter how scared he is, he just can’t.

Your lips part in surprise, a painful look crosses your eyes, though the anger doesn’t fade away just yet. You uncross your arms, and shake your head at him.

His words should bring you joy, shouldn’t they?

But as you stand here before him, his knees brushing your own, his golden brown eyes staring at you with nothing but love, you can’t help but feel your heart aching because why now? Why not then?

“So… it took me to leave town… go to college… for you to say this?” You whisper, holding back a choke as your eyes well up with unwanted tears.

His own eyes panic when he sees just how much pain there is inside of you, how much you hid it. He reaches forward, taking your hand in his, he sighs in relief when you don’t push him away like he thought you would.

“It was always there. Before our first kiss, before our first time, and then it never stopped. But you were… you were scary. Feeling love that strong at such a young age– it wasn’t in my plans. I was scared… I was scared of loving you and losing you. It happened before.”

His parents.

He loved them unconditionally, he loved them no matter what they did and didn’t do, he loved them and he lost them – they abandoned him and then they forgot about him.

Your eyes show nothing but pain, your heart breaks, all over again, for him.

And you’re stunned, so goddamn shocked because that word fell from his lips. Love. He loved you.

You curl your hand around his, squeezing them tightly as he gets off his car, standing tall before you again.

“You… still could have–”

“Risked it?” Steve interrupts you, furrowing his brows as he looks down at you. “No… I wasn’t going to risk it. Risk losing you…” He scoffs, shaking his head at himself, “now I see how stupid that was because I lost you anyways.”

His eyes well up with tears, his voice almost cracks and you finally… finally get to see a glimpse into his heart, how much pain he was always hiding.

“No… I don’t think you lost me.”

“Honey, we haven’t talked in–”

“What you felt for me… Is it… Is it past tense?”

Steve should see the hope in your eyes, he should hear it in your voice too, but he is so scared, so nervous at this moment.

Everything he had always been afraid of was losing you because of his feelings and he can’t help but wonder, what if he confesses his love to you now and his saddest fear creeps in and he will lose you for good, forever?

“Why do you want to know?” He asks, shakily.

You hold his hands tighter, taking another step closer until you are chest to chest. You close your eyes for a moment and take a deep breath, you look up at him, begging with your eyes, yet again. “Because I deserve to know, Steve, do you still have feelings for me?”

He takes a long pause, feeling like his heart might explode, feeling like the ground might disappear beneath him if he doesn’t finally give you the whole truth.

His eyes flicker down to your lips, the ones he craved to feel on his own for years, his body aches for you just the way his heart does, desire running deep but love taking full control, driving both his heart and his mind insane over you. He feels the pounding from his chest to his throat, his eyes glossy with tears he shed so many times over you, over his regrets.

“Yes,” he whispers, already feeling his chest deflating as the pressure slowly sinks away, “like I said, they never stopped.”

Tears spill down yours and his cheeks, his shoulders slump in relief and you, you finally breathe. You sniffle and a giggle falls from your lips, one that makes him furrow his brows but smile because now he can see the happiness in your eyes, the joy from hearing this from him.

“Oh, thank god,” you whisper and throw your arms around his waist, pressing your cheek against his chest, you hug him tightly, catching him off guard.

It takes him a moment, it takes him a very long moment.

His glassy eyes are wide, his heart is threatening to break free from his chest. He wanted this, he wanted you for so long, he feels like this is too good to be true but when he feels your tears seeping through his shirt and how you cling to his body, like you are afraid that he might disappear if you let go, he finally relaxes. His eyes close gently, tears spilling down his cheeks, he melts into your touch and curls his arms around you, cupping the back of your head, he holds you closely, tightly.

“I missed you so much,” he whispers into your hair, pressing his lips to the top of your head, he gives a first kiss again.

“I missed you, Stevie,” you murmur into his chest, holding onto his shirt.

He moves even closer, burying his face in the crook of your neck as you rise to your tippy toes, wanting to feel more of him, as though he isn’t close enough already, not even when your chest to chest.

Steve breathes in your scent, the one he used to sink his face into when it still lingered on his pillows, when he longed to feel you in his arms, when he craved you so badly but felt too cowardly to make the move he just made now.

You cling to one another, like you never have before, not even when he held you during nights you needed him the most, when you were both so convinced that you were nothing more than friends… when just friendship was never something possible between you.

Steve’s eyes are shut tightly, he is so lost in the feeling of you, feeling so warm, so safe, so loved in your embrace.

How can his heart race so fast yet feel so… calm?

You don’t know how much time passes as you stand there in each other’s arms, you are so lost in the moment, you couldn’t care less about anything around you, about the time, about your surroundings, about the world – only you and him matter, nothing more.

He cups the side of your face when you begin to pull away to look at one another, glossy eyes gazing into each other, lips begging to be connected. His fingers brush through your hair, he tucks your front pieces behind your ears and caresses your cheeks. His hazel eyes flash with adoration. You are so beautiful. It makes his heart clench in his chest.

You slide your hands up his chest, moving up to his neck and cupping his cheeks, your stomach growing with anticipation the closer you both move to each other.

No words are spoken, there is no need for them, your eyes tell everything, just like your touch when your lips finally connect.

Your hearts stop beating, time stops ticking, the world stops moving.

Everything around you stops.

Just absolutely everything.

Your eyes flutter shut, just like his.

A kiss you both never stopped craving finally happening, not only in your minds, but in reality.

Steve sighs in contentment, a whimper following close behind, your lips move slowly, softly with each other, you savor each and every second, even when you know that this is only the beginning of it all.

Nothing and no one could ever compare to this, no one could ever come between you, you are two puzzle pieces, ones that were made for only each other, no one else to match you both. It’s only you and him. Your hearts know, you know, he knows.

The way he kisses you so gently, so sensually, makes your stomach flip in ways it never did before, not even back then when you shared first and second kisses.

And Steve, he feels like he is in a dream that he never wants to wake from again, he is too scared to open his eyes and find himself in his lonely bed, surrounded by the scent of you that he only imagines, that forever lingers like a kiss upon his skin.

But your whimper is real, your lips are real, you are real, your lips taste just like they did before, sweet and peachy, like home.

You only pull away to catch your breath, smiling when Steve chases your lips with his own, nuzzling his nose against yours as a soft giggle falls from his puffy lips, “god… I missed you, princess.” He murmurs against your lips, knowing that he will keep repeating these words, over and over again, he feels like he has been blessed by the universe.

Your best friend’s eyes shine so brightly, the love in them that you always craved to see, is so evident, it’s all out in the open now, all in reach, all there for the taking – when not even a few hours ago, you didn’t even know where he was, if he still thought of you, if he still cared for you…

Tears escape your eyes and he wastes not second to catch them, to wipe them away and kiss your wet cheek.

“Please don’t cry,” he whispers, feeling like his heart might break, knowing that you have suffered just the way he did, when he thought that you moved on, that you had forgotten all about him just like everyone else did when that was never even the case, when all you did was long for him, love him, even from afar.

“I love you,” he whispers in relief, feeling like the weight of the world is off his shoulders, “I love you so fucking much, you’re my–”

You cup his cheeks and pull him down once again, kissing him deeply. “You.” Kiss. “Don’t.” Kiss. “Know.” Kiss. “How.” Kiss. “Much.” Kiss. “I.” Kiss. “Dreamed.” Kiss. “Of.” Kiss. “This.” Kiss. “Moment.”

Steve's heart flutters the way it never did before, butterflies go wild in his stomach, his eyes crinkle and he smiles so brightly, his cheeks hurt.

“I love you,” you whisper against his lips, “I love you so much, Steve Harrington, you have no idea how much–”

His lips are on yours, pressed against them so strongly as he pulls you into another deep, passionate kiss before you can even finish your sentence. He kisses you in a way no one ever did before.

His thumbs linger on your cheekbones, his tongue parts your lips so effortlessly, your own clashing against his as the softness of your feelings disappears and transforms into something needy, hungry. This kiss is much faster, much rougher, much more passionate than the first, you get lost in it so quickly.

When he takes a step back and he sits back down on the hood of his car, he moves his hands down to your waist, pulling you in between his legs.

Your arms move around his shoulders, your hands get lost in his hair, fingers gripping it tightly as moans escape you. The kiss makes you feel so hot, your stomach burns, your skin feels like it’s on fire as his hands move up and down your back, slipping underneath his jacket that is still around your shoulders, under your shirt and then, he touches your soft skin with his cold hand, something that makes you shiver yet lean closer against him.

He moans against your lips, he is so intoxicated by you, needing more and more, like you’re his own personal drug. He could keep doing this, he could take you right here, right now. He could taste you, unravel you with his tongue, with his fingers, he could hold your hands and make love to you like he always wanted to, like he hoped he’d get to tonight – because he thought that this might be all he would get, a night with you, only that and no more, because how could you ever want anything more than this with him after all the times he messed up with you? After he let you slip through his fingers like it was nothing?

But this won’t stay a single night, this won’t be one that will haunt him for the rest of his life.

This will turn into more, so much more.

He doesn’t want to mess it up again, he wants to take it slow, he wants to give you everything you deserve, everything he craved to give you, all these years, everything he dreamed about, during the day and the night.

So as much as he wants this, you, your bare skin on his and your whimpers blessing his ears, you deserve more, you deserve to be taken on a date first.

“Hang on,” he whispers against your lips, cupping your cheeks again, his lips curl into an amused smile when he opens his eyes to see your smudged lipstick that is no doubt on his face now too, your hair a mess just like his own, “I want to… fuck… I want you so bad, I couldn’t stop thinking about this, about you. But I want to take it slow, I-I want to do it right this time, I want to take you on a date and–”

You cut him off with a kiss, once more. Pressing your lips against his plush ones, over and over again until it makes you both giggle. He grabs your waist and pulls you down on his lap, grabbing your cheeks, he presses his forehead to yours.

“Slow is good,” you whisper, caressing his cheek as his fingers run up and down your spine underneath the denim jacket. “I like slow.”

“Yeah?” He smiles.

You nod, though an almost sad smile makes its way on your lips, “you know, I kinda thought you forgot about me until all of this.” You wave your hand around, wiping at your wet cheek as a soft laugh tumbles from your lips.

You weren’t the only one who stopped calling, who stopped sending letters, he did too, but not for the reasons you thought, clearly.

A deep frown appears on his face, he tightens his hold on you, raising his hand up towards your face, he cups your cheek. Despite everything he just said, despite the kiss, you still don’t understand just how deep his feelings for you are, how his heart isn’t even his own because it is completely, devotedly yours.

“I could never forget you,” he whispers with a sad smile on his face, “you’re all I ever think about, now and then, even when we were kids, even when I was… King Steve,” he rolls his eyes at the nickname he used to be so proud of. “You never once left my mind, not once.”

The smile that makes his way to your lips makes his heart skip a beat, he kisses your cheek, letting his lips linger for a moment.

“So please, let me make it right, let me fix everything… go on a date with me?” He asks with nothing but hope in giddiness in his voice.

You squint your eyes and tilt your head, giving him a teasing smile as you pretend to think but his soft eyes make your teasing an impossible task at this moment, you wipe the lipstick off his mouth and nuzzle your nose back against his.

“I would love to go on a date with you, Stevie,” you whisper, feeling your heart burst from joy and love.

The one thing you always wanted, you always craved now finally happening, at a moment when you least expected it.

Coming back home made you so nervous, knowing that you would see him again after all this time of being apart, knowing that your feelings will only continue to grow, no matter the tie between you, filled you with a sense of… dread, because you couldn’t help but wonder – does he even want to see you?

But, to find out that he had spent every passing moment, thinking about you, about your past, wanting you back and willing you to come running back into his arms lights up everything inside you again – flames you have tried to put out, burning stronger than ever.

Steve’s eyes well up with tears of joy again, he cups the back of your neck, his lips brush against yours, he can’t even describe his feelings with words, so he doesn’t even try, but he shows you the happiness you brought back into his life, the happiness that was just gone when you were… gone. He kisses you, once, twice… He keeps kissing you, over and over again, unable to stop himself from going back in for more, consumed by love, by gratitude and happiness to know that you came back.

To know that you won’t haunt his what if’s.

He won’t chase your shadows wherever he will go.

Your scent won’t linger from just his memory alone.

He waited and waited, and he let the lamp burn and now… now you are here, you came back, you came back to him.

Here, at the lookout where you used to sit on your saddest days, you find your way back to one another again.

As you embrace the future written for you, you know that the rings on your fingers won't only be imaginary ones like the ones from your childhood.

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