#I certainly get it

[tariah23]

Oh…. Well, it’s over for Crunchyroll I guess

[maeamian]

Skynet 1, the first British military communications satellite launched in 1969, 15 years before Terminator 1

[justalittlesolarpunk]

It’s solar and wind and tidal and geothermal and hydropower.

It’s plant-based diets and regenerative livestock farming and insect protein and lab-grown meat.

It’s electric cars and reliable public transit and decreasing how far and how often we travel.

It’s growing your own vegetables and community gardens and vertical farms and supporting local producers.

It’s rewilding the countryside and greening cities.

It’s getting people active and improving disabled access.

It’s making your own clothes and buying or swapping sustainable stuff with your neighbours.

It’s the right to repair and reducing consumption in the first place.

It’s greater land rights for the commons and indigenous peoples and creating protected areas.

It’s radical, drastic change and community consensus.

It’s labour rights and less work.

It’s science and arts.

It’s theoretical academic thought and concrete practical action.

It’s signing petitions and campaigning and protesting and civil disobedience.

It’s sailboats and zeppelins.

It’s the speculative and the possible.

It’s raising living standards and curbing consumerism.

It’s global and local.

It’s me and you.

Climate solutions look different for everyone, and we all have something to offer.

[hinamie]

spins him around trying to understand the pink mop he calls hair

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[the-kreechur-featurr]

Funny little comic I made while trying to figure out how to draw these queers

[lycandrophile]

if you’re young and transmasc and the people in your life haven’t been great about the whole thing and you’re starting to feel like it might be easier to just give up and pretend to be the person they want you to be, i need you to hold on. because the thing is, one second you’re 16 and a future where you get to make decisions about your own body and life feels so impossibly far away and you can’t imagine living like this for that long, but then you blink and it’s been six years and you’re in your car with the music blasting and your voice is lower than the guy in the song’s and your hair is long for the first time in a decade because you’re finally confident enough to grow it out again on your own terms and your chest hasn’t been weighed down in months and it’s the freest you’ve ever felt in your life and i promise it will be worth the wait. don’t give up on yourself.

[shinesurge]

By the way, a lot of readers tend to be surprised about it whenever I talk about it so here's another post to say that independent projects literally live and die by their audience's enthusiasm!! Even if YOU can't support something financially, spreading the word or making fan stuff to create a cool space for other folks to hang out in and engage with the work is just as important! My own comic was going to end this December without funding, and the only reason we've made as much progress as we have towards the goal was because my readers made such an effort to help it find the support it needs.

Indie creators are on our own out here, the only thing that can help us is the audience!! Every share or comment helps even if you think it doesn't!! Literally just existing in a tag so it's not totally dead when someone else goes looking is contributing something really significant to the projects you love, please don't forget how much power you hold as a Reader Of Things.

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[hatsunevita]

now that the league of villains is no longer a threat, i’m thinking that UA gives class 2A permission to go back to living at their places instead, but the whole class just refuses to leave the dorms cuz now they all have ptsd and separation anxiety

[hinamie]

wanted to practice some more intense angry expressions and what better excuse to further my agenda of giving megumi the emotional catharsis he deserves

[kamiraaah]

Imagine Leona meets Grandma Bucchi and she hits him with a sandal. He knows true fear for the first time.

Grandma Bucchi will not tolerate any misconduct, especially if someone treats her grandson badly.

Leona would have to think a thousand times before EVEN thinking about being rude to Ruggie....... So imagine if she found out about Overblot!

If I told you that I drew this before your message, would you believe me?

[bongwalter10]

happy dr s2 ^_^

[wisteriagoesvroom]

the twink twins strike again

[x]